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© Brody Herrick 2021 Source: 1
Transcript: Ernest White II, Episode 15 The podcast is here: https://www.titansasteens.com/ernest-white-ii-tv-host-and-entrepreneur/ Brody: [00:00:00] Hey, all Brody here with the new episode of Titans As Teens, a podcast where I have detailed conversations with interestinG people from all walks of life, about their teen experience and the knowledge they have for teens today. Today, I had the pleasure of speaking with television host writer and activist, Ernest White II. Ernest: [00:00:24] We created something that I think is amazing, and that is helpful to the world. And now we're lookinG at the next thinG, you know, centered in helping people feel seen, feel empowered and feel loved, which is really what the work is about. Brody: [00:00:38] Ernest is an incredible person to speak with. I felt as if I was learning new things almost every minute. Growing up, Ernest knew he wanted to travel the world. After a sponsored trip to Sweden in 1994, he knew he wanted to travel for the rest of his life. Ernest founded Fly Brother as a blog in 2008, but then Grew it into his own television show, podcast, and eventually job. Ernest's experiences Growing up and traveling around the world, make him one of the most open and interesting people I've had the pleasure of speaking with. To begin, however, I asked him about his experience growing up in Florida. Ernest: [00:01:17] All right. So, at my high school experience in Florida was, I can't say it was the most exciting or most enjoyable experience in life. -
Volunteer Appreciation Research Project
Volunteer Appreciation Research Project Volunteer Leadership Council March, 2021 Forward Why do we appreciate? There was a time before the 10 Principles existed when Burning Man was not so kind an organization. We valued hard work over being in the moment, critical feedback over empathy and diplomacy, and speaking over listening. We developed a culture of workaholism and fiefdoms. There was rarely a kind word to someone on another team and moving from team to team was actively discouraged. We had a “no poaching” of staff rule. It made for very difficult meetings, hard decision-making, many people leaving feeling burned out and used, and much unnecessary stress. Thankful were we the day we started to appreciate each other. If what we are creating are real communities the people will be in them for a long time, and the time we are spending making them are hours, days, years of our own lives. We found out the hard way that appreciation was the key to creating understanding, cooperation, and sound compromise, making the hours of our lives more rich and meaningful. How do you appreciate? Harley K. Dubois, Burning Man Co-Founder 1 1 Introduction 1.1 Volunteer Leadership Council The Volunteer Leadership Council (VLC) was initiated by Burning Man Co-founder Harley K. Dubois in 2015, and exists “to champion the human spirit of Volunteerism, creating a foundation for a culture of appreciation and empowerment within the Burning Man community and beyond.” The VLC is an advisory body, grounded in Burning Man’s 10 Principles, that supports the greater Burning Man community by providing guidance, resource sharing, and by identifying and sharing best practices in volunteer leadership. -
2 0 1 8 P a N I N I a M E R I C a , I N
2018 PANINI AMERICA, INC. © 2018 Panini America, Inc. Printed in the USA. TEEN TITANS GO! and all related characters and elements © & ™ DC Comics. (s18) All information is accurate at the time of posting – content is subject to change. Card images and card text are placeholders only and are not final. METAX: TEEN TITANS 2018 METAX TRADING CARD GAME ©2018 Panini America, Inc. Printed in the USA. TEEN TITANS GO! and all related characters and elements © & ™ DC Comics. (s18) All information is accurate at the time of posting – content is subject to change. Card images and card text are placeholders only and are not final. METAX: TEEN TITANS 2018 METAX TRADING CARD GAME RETAIL SELLING POINTS CONFIGURATION • MetaX Teen Titans Go! captures the hilarious, all-new adventures of 12 CARDS PER PACK • Robin, Cyborg, Starfire, Raven and Beast Boy. • 24 PACKS PER BOX • Find 146 brand-new cards including 4 fun-filled Cross Rare cards • 12 BOXES PER CASE and 2 all-powerful Ultra Rare cards. BOX BREAK • Along with the Teen Titans, play as your favorite heroes and villains such as Kitten, Dr. Light, Cinderblock, and the infamous H.I.V.E. Five. 1 CROSS RARE, 1 ACTIVE PLAYER CARD AND 8 FOIL PARALLELS PER BOX. • Fully compatible with all other MetaX sets for action-packed crossover mayhem. 1 ULTRA RARE EVERY OTHER BOX. ©2018 Panini America, Inc. Printed in the USA. TEEN TITANS GO! and all related characters and elements © & ™ DC Comics. (s18) All information is accurate at the time of posting – content is subject to change. Card images and card text are placeholders only and are not final. -
Chapter One: Postwar Resentment and the Invention of Middle America 10
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Jeffrey Christopher Bickerstaff Doctor of Philosophy ________________________________________ Timothy Melley, Director ________________________________________ C. Barry Chabot, Reader ________________________________________ Whitney Womack Smith, Reader ________________________________________ Marguerite S. Shaffer, Graduate School Representative ABSTRACT TALES FROM THE SILENT MAJORITY: CONSERVATIVE POPULISM AND THE INVENTION OF MIDDLE AMERICA by Jeffrey Christopher Bickerstaff In this dissertation I show how the conservative movement lured the white working class out of the Democratic New Deal Coalition and into the Republican Majority. I argue that this political transformation was accomplished in part by what I call the "invention" of Middle America. Using such cultural representations as mainstream print media, literature, and film, conservatives successfully exploited what came to be known as the Social Issue and constructed "Liberalism" as effeminate, impractical, and elitist. Chapter One charts the rise of conservative populism and Middle America against the backdrop of 1960s social upheaval. I stress the importance of backlash and resentment to Richard Nixon's ascendancy to the Presidency, describe strategies employed by the conservative movement to win majority status for the GOP, and explore the conflict between this goal and the will to ideological purity. In Chapter Two I read Rabbit Redux as John Updike's attempt to model the racial education of a conservative Middle American, Harry "Rabbit" Angstrom, in "teach-in" scenes that reflect the conflict between the social conservative and Eastern Liberal within the author's psyche. I conclude that this conflict undermines the project and, despite laudable intentions, Updike perpetuates caricatures of the Left and hastens Middle America's rejection of Liberalism. -
The Silent Brotherhood the Chilling Inside Story of America's Violent Anti-Government Militia Movement
The Silent Brotherhood The Chilling Inside Story of America's Violent Anti-Government Militia Movement CSSBD Kevin Flynn and Gary Gerhardt © A SIGNET BOOK Contents Preface ix List of Main Characters and Organizations xi Prologue: The Underground 15 1: Robbie, the All-American Boy 27 2: Gathering Aryans, the Covenant People 64 3: Establishing the White American Bastion 95 4: The Turn to Crime 128 5: Enter the Zionist Occupation Government 168 6: Alan Berg: The Man You Love to Hate 209 7: Brink's and the $3,800,000 War Chest 251 8: Survivalism: The Man Who Ate the Dog 291 9: Judas Arrives on American Airlines 356 10: Blood, Soil, and Honor 407 Epilogue: "Blood Will Flow" 450 Bibliography 474 Acknowledgments 476 Index 479 Preface Comfortably secure Americans are used to thinking of ter- rorism as something that carries a foreign dateline. But the bombing of the federal office building in Oklahoma City in April 1995—and the suspicion that an army veteran of the Persian Gulf War may be the perpetrator of that deadliest act of terrorism on U.S. soil—will erase forever the false notion that this threat comes from beyond our shores. Home-grown terrorists have long scarred America's landscape with guns and bombs. From our biggest metrop- olises to the heartland cities, these true believers have struck. When they surface, their acts give us a glimpse into a shadowy world of fear. Often with political aims, they target their weapons at individuals and institutions they be- lieve are conspiring against the true America and its sacred Constitution. -
Dancing Into the Chthulucene: Sensuous Ecological Activism In
Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kelly Perl Klein Graduate Program in Dance Studies The Ohio State University 2019 Dissertation Dr. Harmony Bench, Advisor Dr. Ann Cooper Albright Dr. Hannah Kosstrin Dr. Mytheli Sreenivas Copyrighted by Kelly Perl Klein 2019 2 Abstract This dissertation centers sensuous movement-based performance and practice as particularly powerful modes of activism toward sustainability and multi-species justice in the early decades of the 21st century. Proposing a model of “sensuous ecological activism,” the author elucidates the sensual components of feminist philosopher and biologist Donna Haraway’s (2016) concept of the Chthulucene, articulating how sensuous movement performance and practice interpellate Chthonic subjectivities. The dissertation explores the possibilities and limits of performances of vulnerability, experiences of interconnection, practices of sensitization, and embodied practices of radical inclusion as forms of activism in the context of contemporary neoliberal capitalism and competitive individualism. Two theatrical dance works and two communities of practice from India and the US are considered in relationship to neoliberal shifts in global economic policy that began in the late 1970s. The author analyzes the dance work The Dammed (2013) by the Darpana Academy for Performing Arts in Ahmedabad, -
Into the Zone
chapter 1 Into the Zone By the time I first got to Burning Man in 1996— which turned out to be a pivotal year for the event— it had already changed dramatically from its humble beginnings a decade before. On summer solstice eve in 1986, a man named Larry Harvey and his friend Jerry James decided, for no premeditated reason, to host an impromptu gathering on San Fran- cisco’s Baker Beach, where they constructed a primitive wooden effigy and burned it. Having invited just a handful of friends to join them, they were delighted to discover that as they set flame to the eight- foot- high sculpture, the spectacle attracted onlookers from up and down the beach. As Harvey tells the often-repeated tale, someone began to strum a gui- tar, others began to dance and interact with the figure, and a spontaneous feeling of community and connectedness came upon those gathered— friends and strangers alike (see DVD, chap. 1). Flushed with the unan- ticipated success of the gathering, Harvey and James soon decided to hold it again the next year; with each subsequent iteration, both the crowd and the sculpture grew substantially. Numerous legends have accumulated around the birth of the festival and— as is often the case with largely oral traditions—the elements of the narrative have shifted with each retelling, as some aspects have been emphasized and others lost in the dust. For his part, Harvey insists that he had no consciously preconceived ideas about the meaning of the Burning Man, let alone about starting a global movement. -
The Rape of Emergency Medicine
The Rape of Emergency Medicine James Keaney, M.D. © 2004 by the American Academy of Emergency Medicine Table of Contents Prologue..............................................................................1 Chapter One: Steinerman................................................. 8 Chapter Two: The Contracts and Their Holders ....... 13 Chapter Three: Suits and Scrubs....................................25 Chapter Four: Origin of a Species..................................45 Chapter Five: Crips and Bloods......................................54 Chapter Six: The Anderson Syndrome .......................... 62 Chapter Seven: Caveat Emptor .......................................82 Chapter Eight: Cro-Magnon ......................................... 99 Chapter Nine: The Quiet Room.................................... 108 Chapter Ten: The Other Side of Midnight ................ 126 Chapter Eleven: A One Way Ticket to Palookaville . 142 Chapter Twelve: Utah ................................................... 154 Chapter Thirteen: Pinnacle, Inc. .................................167 Chapter Fourteen: The Missing Chapter .................... 187 Chapter Fifteen: Chart Wars ....................................... 188 Chapter Sixteen: Physicians of a Lesser God ............. 200 Chapter Seventeen: Mea Culpa..................................... 214 Chapter Eighteen: California Dreamin’......................220 Chapter Nineteen: The Empire Strikes Back...............237 Chapter Twenty: The One Hundred and Eighty Thousand Dollar Pair of Sunglasses ...........................246 -
Sales Tax Exemption for Beekeepers
The Texas Beekeepers Association Journal Mar/Apr 2016 www.texasbeekeepers.org Issue 16-2 2 THE JOURNAL OF THE TEXAS BEEKEEPERS ASSOCIATION Issue 16-2 President’s Report from Chris Moore I am always glad to start seeing new leaves this time of year, maintain healthy hives, that gives you the best opportunity to especially on the Pecan trees. But mid-Spring means work, work, produce your return on investment, Real Texas Honey. work. Warm weather in California during the Almond bloom helped the bees pollinate quickly. Our hives returned from the Why Real Texas Honey and not just Honey ? 3900 mile trip. Now we are busy splitting our bees for the next two weeks. We re-queen all our colonies every year. Keeping Lets look at Economics. Texas has ~28m people and the young queens helps prevent swarming and typically gives us a average honey consumption per person is 1.4 lbs. That’s a total healthy more productive colony. of ~39m lbs. Of that, roughly 40% is sold retail and the rest is TBA had a great meeting at the Texas A&M Bee Lab on Feb ingredient or foodservice use. So Texas buys ~15m lbs. of honey 20th. We invited representatives from each of the 35 Local Texas per year yet we only produce ~8 million lbs. Simple Economics Bee clubs to update them on what TBA is currently working on - if you have a high demand for a product you receive a higher and to ask for input on any local issues or suggestions on what return. -
The Performance Culture of Burning Man
ABSTRACT Title of Document: THE PERFORMANCE CULTURE OF BURNING MAN Wendy Ann Clupper, PhD, 2007 Directed By: Dr. Franklin J. Hildy, Department of Theatre and Performance Studies Theatre in the United States for the last twenty years has been evolving in scope by way of a cultural phenomenon known as Burning Man. In 2006, this festival attracted over forty thousand participants to the Black Rock Desert in Northwestern Nevada to a flat dusty Playa surrounded by mountain ranges. While the natural environment there is hostile, the creative atmosphere is welcoming and invites a broad scope of performative behaviors and genres to be exhibited there, the entire week the festival takes place. Make-shift stages and theme camps, as well as large- scale interactive art pieces play host to participants who dress up in fanciful costumes to perform in all manner of imagining. This dissertation maps out the cultural terrain of Burning Man in order to explain how performing there is form of identity-making and cultural commodity. As one of a handful of North American festivals which expressly discourage commercialism and commodification, theatricality takes the place of significance for entertainment and communication. Performance forms of all kinds historically are represented at Burning Man and this dissertation will investigate and theorize how a new performance culture has emerged from the festival itself and by its presence as a theatrical event, has exposed and expanded performance and theatre forms. This dissertation offers a critical framework through which to consider performance and performers within the Burning Man community as applied to Mikhail Bakhtin’s concept of Carnival and the Schema for Theatrical Eventness proposed by the International Federation for Theatre Research Theatrical Events Working Group. -
3 2 2. COMMUNITY Standards Playa Del Fuego Grand Unified Document V3.3 May 2015 1. Basics
GUD: . 2-14 Community Expectations Gate - The Gate is the portal through which you Playa del Fuego believes its participants want to enter the event. The event has 2 gates, front and Basics: . .. 2-3 back. The front gate turns tickets and valid IDs The Grand Unified Document is the sum total of all be good citizens. Getting to PDF can be a lot of into official wristbands during specific hours Community standards: 3-5 policies, rules, and regulations for Playa del Fuego. hard work. We think people genuinely care about posted elsewhere. The back gate is next to the Contact the BOD or the PC to make updates or revi- the community they work so hard to contribute Rules: . 5-6 main parking lot and features the Greeters. sions to these guidelines. The WWW doesn’t write to. This document contains information partic- Always show your wristband to the nice people this stuff — just prints it. We’ve added a few notes. ipants need to sustain this sincere experiment. Sound Policy: . 6-7 working the gate when you enter, leave, or bring They are in italic. We encourage all participants, newbie to gnarled, Public Health and Safety: to look over this document and be reminded this them a cold beverage/tasty snack. 7-9 experiment in collaborative community is not PONY - PONY stands for Planning and PlaYa del FUegO complete anarchy. Generally, if something is not Organization Need You. It is the official online Planning Participation, graNd Unified covered in the GÜD, and it is legal in the larger planning and discussion forum for Playa del & organizatiOn: . -
On Writing : a Memoir of the Craft / by Stephen King
l l SCRIBNER 1230 Avenue of the Americas New York, NY 10020 Visit us on the World Wide Web http://www.SimonSays.com Copyright © 2000 by Stephen King All rights reserved, including the right of reproduction in whole or in part in any form. SCRIBNER and design are trademarks of Macmillan Library Reference USA, Inc., used under license by Simon & Schuster, the publisher of this work. DESIGNED BY ERICH HOBBING Set in Garamond No. 3 Library of Congress Publication data is available King, Stephen, 1947– On writing : a memoir of the craft / by Stephen King. p. cm. 1. King, Stephen, 1947– 2. Authors, American—20th century—Biography. 3. King, Stephen, 1947—Authorship. 4. Horror tales—Authorship. 5. Authorship. I. Title. PS3561.I483 Z475 2000 813'.54—dc21 00-030105 [B] ISBN 0-7432-1153-7 Author’s Note Unless otherwise attributed, all prose examples, both good and evil, were composed by the author. Permissions There Is a Mountain words and music by Donovan Leitch. Copyright © 1967 by Donovan (Music) Ltd. Administered by Peer International Corporation. Copyright renewed. International copyright secured. Used by permission. All rights reserved. Granpa Was a Carpenter by John Prine © Walden Music, Inc. (ASCAP). All rights administered by WB Music Corp. All rights reserved. Used by permission. Warner Bros. Publications U.S. Inc., Miami, FL 33014. Honesty’s the best policy. —Miguel de Cervantes Liars prosper. —Anonymous First Foreword In the early nineties (it might have been 1992, but it’s hard to remember when you’re having a good time) I joined a rock- and-roll band composed mostly of writers.