Register of the Militant Photographic Collection

Total Page:16

File Type:pdf, Size:1020Kb

Load more

http://oac.cdlib.org/findaid/ark:/13030/kt038nc9gt No online items Register of The Militant Photographic Collection Processed by: Hoover Institution Archives Staff Hoover Institution Archives Stanford University Stanford, California 94305-6010 Phone: (650) 723-3563 Fax: (650) 725-3445 Email: [email protected] © 2007 Hoover Institution Archives. All rights reserved. Register of The Militant 2004C51 1 Photographic Collection Register of The Militant Photographic Collection Hoover Institution Archives Stanford University Stanford, California Processed by: Hoover Institution Archives Staff Date Completed: 2006 Encoded by: ByteManagers using OAC finding aid conversion service specifications and Elizabeth Konzak © 2007 Hoover Institution Archives. All rights reserved. Descriptive Summary Title: The Militant Photographic Collection Dates: circa 1900-2000 Collection number: 2004C51 Collection Size: 48 manuscript boxes(19.2 linear feet) Repository: Hoover Institution on War, Revolution, and Peace Stanford, California 94305-6010 Abstract: Photographs, drawings, and printed reproductions of illustrations, depicting activities of antiwar, civil rights, labor, racial justice, women's rights and other protest movements in the United States and other countries, mainly from the 1960s through the 1990s. Includes many photographs from Cuba and Nicaragua. Also includes photographs depicting activities of the Socialist Workers Party in the United States and of related organizations in the United States and abroad. Collected by the New York newspaper The Militant for use in illustrating its issues. Physical location: Hoover Institution Archives Languages: Languages represented in the collection: English Access Collection is open for research. Access to audiovisual materials requires at least two weeks advance notice. Audiovisual materials include sound recordings, video recordings, and motion picture film. Hoover staff will determine whether use copies of the materials requested can be made available. Some materials may not be accessible even with advance notice. Please contact the Hoover Institution Archives Audiovisual Specialist for further information. Publication Rights For copyright status, please contact the Hoover Institution Archives. Preferred Citation [Identification of item], The Militant Photographic Collection, [Box no.], Hoover Institution Archives. Acquisition Information Acquired by the Hoover Institution Archives in 2004. Accruals Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at http://searchworks.stanford.edu/ . Materials have been added to the collection if the number of boxes listed in the online catalog is larger than the number of boxes listed in this finding aid. Historical Note The Militant began publication in New York City in 1928 as the weekly newspaper of the Communist League of America, whose leaders had just been expelled from the Communist Party, U.S.A. The Communist League of America was a part of the International Left Opposition of the communist movement led by Leon Trotsky. The Militant has continued publication in close association with the Socialist Workers Party, successor to the Communist League of America. The Anchor Foundation donated the collection to the Hoover Institution Archives in 2004. Scope and Content of Collection Register of The Militant 2004C51 2 Photographic Collection The Militant Photographic Collection consists of pictorial material created or collected by the staff of The Militant for possible publication as in the newspaper. The material varies considerably in composition, including original photographic prints and contact sheets made by The Militant staff members during the course of reporting trips, stock photographic prints received from other sources, and some printed illustrations from published media sources. There are also a few original cartoons. While there is some older material, most of it dates from the period of the 1960s to the 1990s. Aside from a small series of cartoons, the collection is arranged in two large series, corresponding to domestic (United States) and international (non-U.S.) subjects respectively. Domestic subjects that are especially well represented include the antiwar movement from the Vietnam War on, labor strikes and union organization efforts, the civil rights movement and efforts to secure racial justice and equality, and the women's rights movement, including abortion rights advocacy. Photographs of mass demonstrations and other protests are especially notable. Other domestic photographs portray leaders and activities of the Socialist Workers Party and its youth group and of the affiliated Pathfinder Press and The Militant. The international series includes photographs from almost every country in the world. They depict world leaders, political and military events, mass demonstrations, and social and economic conditions. Particularly voluminous and notable are photographs resulting from The Militant reporting trips to Cuba, Nicaragua, El Salvador, Grenada, post-1990 South Africa and post-1975 Vietnam. Users of The Militant Photographic Collection should be aware of the closely related Pathfinder Press Photographic Collection also in the Hoover Institution Archives. The Militant Photographic Collection includes only a small number of negatives, but, in many cases, negatives corresponding to photographic prints in it may be found in the Pathfinder Press Photographic Collection. The Pathfinder Press Photographic Collection includes a large series of negatives arranged in numerical order. Negatives corresponding to prints in both collections are interfiled in this series and may be located by consulting negative numbers written on the backs of prints. Arrangement Arranged into three series: Cartoons, Domestic (United States) Scenes, and International (Non-United States) Scenes. Arranged alphabetically within series. Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Subjects Protest movements--Pictorial works. Peace movements--Pictorial works. Civil rights--Pictorial works. Labor movement--Pictorial works. Race relations--Pictorial works. Women's rights--Pictorial works. Protest movements--United States. Peace movements--United States. Civil rights--United States. Labor movement--United States. United States--Race relations. Women's rights--United States. Cuba--Pictorial works. Nicaragua--Pictorial works. Socialism--Pictorial works. Communism--Pictorial works. Socialist Workers Party--Pictorial works. Fourth International--Pictorial works. Militant (New York, N.Y.) Register of The Militant 2004C51 3 Photographic Collection Container List Box: 1 Cartoons. Scope and Content Note Original drawings and printed reproductions Original drawings Box/Folder: 1 : 1 Jacobs and David Box/Folder: 1 : 2 Licho, Ivan Printed reproductions Box/Folder: 1 : 3 Blacks/Afro-Americans Box/Folder: 1 : 4 Capitalist parties and politicians Box/Folder: 1 : 5 Economy, prices and unemployment Box/Folder: 1 : 6 International events Box/Folder: 1 : 7 Labor Box/Folder: 1 : 8 Police surveillance and civil liberties Box/Folder: 1 : 9 Prisoners Box/Folder: 1 : 10 Socialist Workers Party and Young Socialist Alliance Box/Folder: 1 : 11 Southern Africa Box/Folder: 1 : 12 U.S. government Box/Folder: 1 : 13 War Box/Folder: 1 : 14 Women Domestic (United States) Scenes. Scope and Content Note Photographic prints, contact sheets, and printed reproductions. Arranged alphabetically by subject. Anti-nuclear energy movement Box/Folder: 1 : 15 Three-Mile Island protests, 1979 Box/Folder: 1 : General 16-17 Antiwar movement demonstrations and protests Box/Folder: 1 : 18 Bring the Troops Home movement, 1945 Box/Folder: 1 : 19 Pre-1965 Box/Folder: 1 : 20 1965-1968 Box/Folder: 1 : 21 1969 Box/Folder: 1 : 22 1970 Box/Folder: 1 : 23 Kent State University, 1970 May 4 Box/Folder: 1 : 24 1971 April 24 Box/Folder: 1 : 25 1971 November 6 Box/Folder: 1 : 26 1972 April 22-29 Box/Folder: 1 : 27 1972 May 5 Box/Folder: 1 : 28 1972 Fall Box/Folder: 2 : 1 1973 January 20 Box/Folder: 2 : 2 1973 post-ceasefire Vietnam War era (various dates) Box/Folder: 2 : 3-4 General Box/Folder: 2 : 5 General—Contact sheets Box/Folder: 2 : 6 Black participants Box/Folder: 2 : 7 Conferences Box/Folder: 2 : 8 GIs—Fort Jackson 8 Box/Folder: 2 : 9 GIs and veterans Box/Folder: 2 : 10 High school participants Box/Folder: 2 : 11 Hispanic participants Box/Folder: 2 : 12 Labor participants Box/Folder: 2 : 13 Police confrontations and ultralefts Box/Folder: 2 : Socialist Workers Party/Young Socialist Alliance banners 14-15 Box/Folder: 2 : 16 Student Mobilization Committee Register of The Militant 2004C51 4 Photographic Collection Container List Box/Folder: 2 : 17 Women and children participants Box/Folder: 2 : 18 Anti-draft protests, 1980 Box/Folder: 2 : 19 1982 June 12 Box/Folder: 2 : 20 Anti-nuclear weapon protests Box/Folder: 3 : 1 Central America protests, 1978-1985 Box/Folder: 3 : 2 1985 April 20 Box/Folder: 3 : 3 Central America protests, 1986-1988 Box/Folder: 3 : 4 Ben Linder protests, 1987 Box/Folder: 3 : 5 Brian Willson protests, 1987 1987 April 25 Box/Folder: 3 : 6 General Box/Folder: 3 : 7 Contact sheets Box/Folder: 3 : 8 Veterans peace convoy, 1988 Central America protests (various dates) Box/Folder: 3 : 9 General Box/Folder: 3 : 10 Contact sheets Box/Folder: 3 : 11 Anti-Strategic Defense Initiative-III
Recommended publications
  • DOCUMENT RESUME Chicano Studies Bibliography

    DOCUMENT RESUME Chicano Studies Bibliography

    DOCUMENT RESUME ED 119 923 ric 009 066 AUTHOR Marquez, Benjamin, Ed. TITLE Chicano Studies Bibliography: A Guide to the Resources of the Library at the University of Texas at El Paso, Fourth Edition. INSTITUTION Texas Univ., El Paso. PUB DATE 75 NOTE 138p.; For related document, see ED 081 524 AVAILABLE PROM Chicano Library Services, University of Texas at El Paso, El Paso, Texas 79902 ($3.00; 25% discount on 5 or more copies) EDRS PRICE MF-$0.83 HC-$7.35 Plus Postage DESCRIPTORS Audiovisual Aids; *Bibliographies; Books; Films; *library Collections; *Mexican Americans; Periodicals; *Reference Materials; *University Libraries IDENTIFIERS Chicanos; *University of Texas El Paso ABSTRACT Intended as a guide to select items, this bibliography cites approximately 668 books and periodical articles published between 1925 and 1975. Compiled to facilitate research in the field of Chicano Studies, the entries are part of the Chicano Materials Collection at the University of Texas at El Paso. Arranged alphabetically by the author's or editor's last name or by title when no author or editor is available, the entries include general bibliographic information and the call number for books and volume number and date for periodicals. Some entries also include a short abstract. Subject and title indices are provided. The bibliography also cites 14 Chicano magazines and newspapers, 27 audiovisual materials, 56 tape holdings, 10 researc°1 aids and services, and 22 Chicano bibliographies. (NQ) ******************************************14*************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available.
  • Transculturalism in Chicano Literature, Visual Art, and Film Master's

    Transculturalism in Chicano Literature, Visual Art, and Film Master's

    Transculturalism in Chicano Literature, Visual Art, and Film Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Global Studies Jerónimo Arellano, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Global Studies by Sarah Mabry August 2018 Transculturalism in Chicano Literature, Visual Art, and Film Copyright by Sarah Mabry © 2018 Dedication Here I acknowledge those individuals by name and those remaining anonymous that have encouraged and inspired me on this journey. First, I would like to dedicate this to my great grandfather, Jerome Head, a surgeon, published author, and painter. Although we never had the opportunity to meet on this earth, you passed along your works of literature and art. Gleaned from your manuscript entitled A Search for Solomon, ¨As is so often the way with quests, whether they be for fish or buried cities or mountain peaks or even for money or any other goal that one sets himself in life, the rewards are usually incidental to the journeying rather than in the end itself…I have come to enjoy the journeying.” I consider this project as a quest of discovery, rediscovery, and delightful unexpected turns. I would like mention one of Jerome’s six sons, my grandfather, Charles Rollin Head, a farmer by trade and an intellectual at heart. I remember your Chevy pickup truck filled with farm supplies rattling under the backseat and a tape cassette playing Mozart’s piano sonata No. 16. This old vehicle metaphorically carried a hard work ethic together with an artistic sensibility.
  • Copyright by Cary Cordova 2005

    Copyright by Cary Cordova 2005

    Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez.
  • Los Siete De La Raza; Goodbye Mr

    Los Siete De La Raza; Goodbye Mr

    Marc1i1971 .,~ --c"'.- . Weatherman: Revised Forecast; Kopkind on Reich; Los Siete de la Raza; Goodbye Mr. Gomulka; Hollywood Capers 75c " .."1\ , -..,\ ~ .;' it,,'; ";~";~'f:',;~ ';C! -!!I . I j," ,!:;1 " ,;, I ": c . ~ . .aza T HE UPRISINGIN EASTLOS ANGELES last August, dur- B RODNIKWAS THE JUNIORin the plainclothes "Mis- ing which a cop killed journalist Ruben Salazar, sion Eleven" team. He and McGoran, his partner called national attention to the anger of chicanos of three years, reduced daylight burglaries in a in urban barrios. While the police riot and the death middle-class area near the Mission District by ask- of Salazar were making front pages, a less-publicized murder ing housewives to report all "suspicious persons" to police. trial in San Francisco was dramatizing the same chicano Known among their peers for "dedication," Brodnik and militancy and police brutality which clashed so violently in McGoran piled up over 400 burglary arrests and two dozen Los Angeles. bravery medals. The trial of Los Siete de la Raza-the young men who Like much of the Irish Catholic brass in the San Francisco became known as "the seven of the latin people"-was tak- Police Department, the two men had grown up in the Mis- ing place because for once the tables had been turned: in- sion District in the 1930s and '40s, when it contained pri- stead of cops gunning down brown people, as in Los An- marily Irish, Italian and German immigrants, most of them geles,a cop himself had been killed. As the defense attorneys unquestioning believers in the American myths of free enter- for Los Siete would point out, had the roles been reversed prise and social mobility.
  • Labor Rights Community Mobilization

    Labor Rights Community Mobilization

    Labor Rights Community Mobilization Working Conditions Immigration Health Education Occupational Safety Empowerment Living Conditions Environmental Justice 2 017 ANNUAL REPORT Empowering Farmworkers to Transform Our Food System ROM the desk of the President Dear friends, President Trump and his Cabinet began to act on their promised radical de-regulation to benefit Farmworker Justice is pleased to review the impact of businesses at the expense of workers, consumers and this vital organization during 2017. the environment. He supported large tax cuts for rich The Board of Directors and staff are driven by a vision people and huge reductions in government programs, of a future in which all farmworkers, their families including cutting off access to health care for millions and their communities thrive. of people. We help farmworkers in their struggles for better Harsh immigration enforcement separated farmworker workplace practices, fair government policies and families and instilled fear in farmworker communities, programs, improved health and access to health care, exacerbating the problems caused by our broken and a responsible food system. immigration system. Immigration policy and guestworker programs Farmworker Justice vowed to fight back against remain a high priority because the large majority proposals by Trump and an unfriendly Congress and, of the nation’s 2.4 million farmworkers are while the battles are not over, we helped stop some of immigrants. Harsh immigration enforcement is the serious harm they sought to inflict. hurting farmworkers, more than one-half of whom are In addition, we have assisted many affirmative undocumented. Employers increasingly are using the efforts, including farmworker organizing, state- abusive agricultural guestworker program.
  • Centro Cultural De La Raza Archives CEMA 12

    Centro Cultural De La Raza Archives CEMA 12

    http://oac.cdlib.org/findaid/ark:/13030/kt3j49q99g Online items available Guide to the Centro Cultural de la Raza Archives CEMA 12 Finding aid prepared by Project director Sal Güereña, principle processor Michelle Wilder, assistant processors Susana Castillo and Alexander Hauschild June, 2006. Collection was processed with support from the University of California Institute for Mexico and the United States (UC MEXUS). Updated 2011 by Callie Bowdish and Clarence M. Chan University of California, Santa Barbara, Davidson Library, Department of Special Collections, California Ethnic and Multicultural Archives Santa Barbara, California, 93106-9010 (805) 893-8563 [email protected] © 2006 Guide to the Centro Cultural de la CEMA 12 1 Raza Archives CEMA 12 Title: Centro Cultural de la Raza Archives Identifier/Call Number: CEMA 12 Contributing Institution: University of California, Santa Barbara, Davidson Library, Department of Special Collections, California Ethnic and Multicultural Archives Language of Material: English Physical Description: 83.0 linear feet(153 document boxes, 5 oversize boxes, 13 slide albums, 229 posters, and 975 online items)Online items available Date (inclusive): 1970-1999 Abstract: Slides and other materials relating to the San Diego artists' collective, co-founded in 1970 by Chicano poet Alurista and artist Victor Ochoa. Known as a center of indigenismo (indigenism) during the Aztlán phase of Chicano art in the early 1970s. (CEMA 12). Physical location: All processed material is located in Del Norte and any uncataloged material (silk screens) is stored in map drawers in CEMA. General Physical Description note: (153 document boxes and 5 oversize boxes).Online items available creator: Centro Cultural de la Raza http://content.cdlib.org/search?style=oac-img&sort=title&relation=ark:/13030/kt3j49q99g Access Restrictions None.
  • Hombres Y Mujeres Muralistas on a Mission: Painting Latino Identities in 1970S San Francisco

    Hombres Y Mujeres Muralistas on a Mission: Painting Latino Identities in 1970S San Francisco

    HOMBRES Y MUJERES MURALISTAS ON A MISSION: PAINTING LATINO IDENTITIES IN 1970S SAN FRANCISCO Cary Cordova American Studies, Dickinson College, Carlisle, PA Abstract This article argues for the importance of murals as cultural texts, consciously formed to entertain, influence, and solidify local and transnational communities. In 1974, two teams of artists painted two legendary murals in San Francisco’s Mission District: In ‘‘Homage to Siqueı´ros,’’ the trio of male muralists presented themselves as heirs to famed Mexican muralists in order to solidify their indictment of conditions in the Americas and counter the participatory role of their patron, the Bank of America. In ‘‘Latino America,’’ the female muralists rejected the Chicano Movement’s emphasis on Mexican masters and declared a new feminist, collaborative iconography. Although the murals were dissimilar in terms of gender, approach, and aesthetics, the muralists were joined in their desire to unite the local Latino community through their depictions of a shared homeland, or an imagined Latin America. This article highlights the aesthetic, cultural, political, gendered, and regional dimensions of Latino identities through the lens of mural creation. Keywords community murals; pan-Latino identity; iconography; Mission District ‘‘An explosion of human colors’’: Murals in ascendance Since the late 1960s, cultural workers in San Francisco’s predominantly Latino Mission District have produced an impressive body of literary and artistic work. Their creative milieu was important in helping to mobilize the Chicano movement and spurring a Latino cultural renaissance of local and Latino Studies 2006, 4, (356–380) c 2006 Palgrave Macmillan Ltd 1476-3435/06 $30.00 www.palgrave-journals.com/lst Hombres y Mujeres Muralistas on a Mission ------------------------------------------------------------------------------------------------------ Cary Cordova 357 national significance.
  • November 1969 $'92 25~ Vol

    November 1969 $'92 25~ Vol

    IN THIS ISSUE -PRISON INTERVIEW WITH LOS SIETE -LIBERATION WOMEN'S UNION -IIC ACTION NOVEMBER 1969 $'92 25~ VOL. 5 NO. 10 -MUNIBLACKCAUCUS • THE MOVEMENT PRESS BULK FlATE 4.•. POSTAGE 330 Grove Street PAID Mr. & Mrs. Grant Cannon San Francisco, California 94102 Sail Franc:l_. Calif. 4907 Klatte Road P..-mlt No. Cincinnati,' Ohio 45244 TORTURE IN BRAZIL EDITORS NOTE: The following document was smug­ gled out of Brazil. The brother who sent it to us requested that we do "everything within our power to translate it and seek to have it pUblished broadly". OLEO STRUT IS RECRUITING Since he gave no address or suggestions on how we might help, we assume that we can best show our solidarity with our brothers and sisters struggling The Oleo strut is looking for new staff members. oppressive nature of the Army. against imperi.alism in Latin America by building The strut is a GI coffeehouse located in Killeen', The Oleo Strut staff is a collective. We live in one a front against imperialism inside the monster. Texas near Fort Hood. As well as the regular ac­ house and all work every day at the Strut. We have tivities of a GI coffee house, we hope to have a been working as a collective for 4 months and have been DOCUMENT NO, 1 radical bookstore, combination military law and varyingly successful. Within the collective is a wo­ radical books library in tIE near future. men's caucus. We discuss all problems and polit­ On (date, late 1969), two sisters ("A" and"B" , Killeen is a small town with a population of ical questions that arise.
  • November 1969 $'92 25~ Vol

    November 1969 $'92 25~ Vol

    IN THIS ISSUE -PRISON INTERVIEW WITH LOS SIETE -LIBERATION WOMEN'S UNION -IIC ACTION NOVEMBER 1969 $'92 25~ VOL. 5 NO. 10 -MUNIBLACKCAUCUS • THE MOVEMENT PRESS BULK FlATE 4.•. POSTAGE 330 Grove Street PAID Mr. & Mrs. Grant Cannon San Francisco, California 94102 Sail Franc:l_. Calif. 4907 Klatte Road P..-mlt No. Cincinnati,' Ohio 45244 TORTURE IN BRAZIL EDITORS NOTE: The following document was smug­ gled out of Brazil. The brother who sent it to us requested that we do "everything within our power to translate it and seek to have it pUblished broadly". OLEO STRUT IS RECRUITING Since he gave no address or suggestions on how we might help, we assume that we can best show our solidarity with our brothers and sisters struggling The Oleo strut is looking for new staff members. oppressive nature of the Army. against imperi.alism in Latin America by building The strut is a GI coffeehouse located in Killeen', The Oleo Strut staff is a collective. We live in one a front against imperialism inside the monster. Texas near Fort Hood. As well as the regular ac­ house and all work every day at the Strut. We have tivities of a GI coffee house, we hope to have a been working as a collective for 4 months and have been DOCUMENT NO, 1 radical bookstore, combination military law and varyingly successful. Within the collective is a wo­ radical books library in tIE near future. men's caucus. We discuss all problems and polit­ On (date, late 1969), two sisters ("A" and"B" , Killeen is a small town with a population of ical questions that arise.
  • University of California, Santa Barbara Davidson Library Department of Special Collections California Ethnic and Multicultural Archives

    University of California, Santa Barbara Davidson Library Department of Special Collections California Ethnic and Multicultural Archives

    University of California, Santa Barbara Davidson Library Department of Special Collections California Ethnic and Multicultural Archives GUIDE TO THE SALVADOR ROBERTO TORRES PAPERS 1934-2009 (bulk 1962-2002) Collection Number: CEMA 38. Size Collection: 10.5 linear feet (21 boxes), ten albums of 2,590 slides, and audiovisual materials. Acquisition Information: Donated by Salvador Roberto Torres, Dec. 12, 1998. Access restrictions: None. Use Restriction: Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. Processing Information: Principal processor Susana Castillo, 2002-2003 (papers) and Benjamin Wood, 2004- 2006 (slides). Supported by the University of California Institute for Mexico and the United States (UC MEXUS). Location: Del Norte. BIOGRAPHICAL SKETCH Salvador Roberto Torres is a Chicano (Mexican American) artist, born in El Paso Texas, on July 3, 1936. He is considered to be an important and influential figure in the Chicano art movement, owing as much to his art as to his civic work as a cultural activist. Torres’ primary media are painting and mural painting. Selected exhibitions that have included his work are “Califas: Chicano Art and Culture in California” (University of California, Santa Cruz, 1981), “Salvador Roberto Torres” (Hyde Gallery, Grossmont College, San Diego, 1988), the nationally touring “Chicano Art: Resistance and Affirmation: 1965-1985”, (Wight Art Gallery, UCLA, 1990-1993), “International Chicano Art Exhibition” (San Diego, 1999), “Viva la Raza Art Exhibition” (San Diego Repertory Theater Gallery, 2000), and “Made in California: 1900-2000” (Los Angeles County Museum of Art, 2000).
  • Chicano Park and the Chicano Park Murals a National Register Nomination

    Chicano Park and the Chicano Park Murals a National Register Nomination

    CHICANO PARK AND THE CHICANO PARK MURALS A NATIONAL REGISTER NOMINATION Josie S. Talamantez B.A., University of California, Berkeley, 1975 PROJECT Submitted in partial satisfaction of The requirements for the degree of MASTER OF ARTS in HISTORY (Public History) at CALIFORNIA STATE UNIVERSITY, SACRAMENTO SPRING 2011 CHICANO PARK AND THE CHICANO PARK MURALS A NATIONAL REGISTER NOMINATION A Project by Josie S. Talamantez Approved by: _______________________________, Committee Chair Dr. Lee Simpson _______________________________, Second Reader Dr. Patrick Ettinger _______________________________ Date ii Student:____Josie S. Talamantez I certify that this student has met the requirements for format contained in the University format manual, and this Project is suitable for shelving in the Library and credit is to be awarded for the Project. ______________________, Department Chair ____________________ Aaron Cohen, Ph.D. Date Department of History iii Abstract of CHICANO PARK AND THE CHICANO PARK MURALS A NATIONAL REGISTER NOMINATION by Josie S. Talamantez Chicano Park and the Chicano Park Murals Chicano Park is a 7.4-acre park located in San Diego City’s Barrio Logan beneath the east-west approach ramps of the San Diego-Coronado Bay Bridge where the bridge bisects Interstate 5. The park was created in 1970 after residents in Barrio Logan participated in a “takeover” of land that was being prepared for a substation of the California Highway Patrol. Barrio Logan the second largest barrio on the West Coast until national and state transportation and urban renewal public policies, of the 1950’s and 1960’s, relocated thousands of residents from their self-contained neighborhood to create Interstate 5, to rezone the area from residential to light industrial, and to build the San Diego-Coronado Bay Bridge.
  • The Relation of Gloria Anzaldúa's Mestiza Consciousness to Mexican American Performance A

    The Relation of Gloria Anzaldúa's Mestiza Consciousness to Mexican American Performance A

    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 10-26-2010 Visualizando la Conciencia Mestiza: The Relation of Gloria Anzaldúa’s Mestiza Consciousness to Mexican American Performance and Poster Art Maria Cristina Serrano University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Serrano, Maria Cristina, "Visualizando la Conciencia Mestiza: The Relation of Gloria Anzaldúa’s Mestiza Consciousness to Mexican American Performance and Poster Art" (2010). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/3591 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Visualizando la Conciencia Mestiza: The Relation of Gloria Anzaldúa’s Mestiza Consciousness to Mexican American Performance and Poster Art by Maria Cristina Serrano A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Adriana Novoa, Ph.D. Ylce Irizarry, Ph.D. Date of Approval: October 26, 2010 Chicano/a, border art, immigration, hybridity, borderlands Copyright © 2010, Maria Cristina Serrano Table of Contents