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The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Ally, the Okla- Homa Story, (University of Oklahoma Press 1978), and Oklahoma: a History of Five Centuries (University of Oklahoma Press 1989)
Oklahoma History 750 The following information was excerpted from the work of Arrell Morgan Gibson, specifically, The Okla- homa Story, (University of Oklahoma Press 1978), and Oklahoma: A History of Five Centuries (University of Oklahoma Press 1989). Oklahoma: A History of the Sooner State (University of Oklahoma Press 1964) by Edwin C. McReynolds was also used, along with Muriel Wright’s A Guide to the Indian Tribes of Oklahoma (University of Oklahoma Press 1951), and Don G. Wyckoff’s Oklahoma Archeology: A 1981 Perspective (Uni- versity of Oklahoma, Archeological Survey 1981). • Additional information was provided by Jenk Jones Jr., Tulsa • David Hampton, Tulsa • Office of Archives and Records, Oklahoma Department of Librar- ies • Oklahoma Historical Society. Guide to Oklahoma Museums by David C. Hunt (University of Oklahoma Press, 1981) was used as a reference. 751 A Brief History of Oklahoma The Prehistoric Age Substantial evidence exists to demonstrate the first people were in Oklahoma approximately 11,000 years ago and more than 550 generations of Native Americans have lived here. More than 10,000 prehistoric sites are recorded for the state, and they are estimated to represent about 10 percent of the actual number, according to archaeologist Don G. Wyckoff. Some of these sites pertain to the lives of Oklahoma’s original settlers—the Wichita and Caddo, and perhaps such relative latecomers as the Kiowa Apache, Osage, Kiowa, and Comanche. All of these sites comprise an invaluable resource for learning about Oklahoma’s remarkable and diverse The Clovis people lived Native American heritage. in Oklahoma at the Given the distribution and ages of studies sites, Okla- homa was widely inhabited during prehistory. -
B Y S U S a N D R a G
NATIVE AMERICANS AND WESTERN ICONS HAVE BEEN THE TWIN PILLARS OF OKLAHOMA’S CULTURE SINCE WELL BEFORE STATEHOOD. WE ASSEMBLED TWO PANELS OF EXPERTS TO DETERMINE WHICH BRAVE, HARDWORKING, JUSTICE-SEEKING, FRONTIER-TAMING INDIVIDUALS DESERVE A PLACE IN OKLAHOMA’S WESTERN PANTHEON. THE RESULT IS THE FOLLOWING LIST OF THE MOST INFLUENTIAL NATIVE AMERICANS, COWBOYS, AND COWGIRLS IN THE STATE’S HISTORY. BY SUSAN DRAGOO OklahomaToday.com 41 BILL ANOATUBBY BEUTLER FAMILY (b. 1945) Their stock was considered a CHICKASAW NATION CHICKASAW Bill Anoatubby grew up in Tisho- cowboy’s nightmare, but that mingo and first went to work was high praise for the Elk City- for the Chickasaw Nation as its RANDY BEUTLER COLLECTION based Beutler Brothers—Elra health services director in 1975. (1896-1987), Jake (1903-1975), He was elected governor of the and Lynn (1905-1999)—who Chickasaws in 1987 and now is in 1929 founded a livestock in his eighth term and twenty-ninth year in that office. He has contracting company that became one of the world’s largest worked to strengthen the nation’s foundation by diversifying rodeo producers. The Beutlers had an eye for bad bulls and its economy, leading the tribe into the twenty-first century as a tough broncs; one of their most famous animals, a bull politically and economically stable entity. The nation’s success named Speck, was successfully ridden only five times in more has brought prosperity: Every Chickasaw can access education than a hundred tries. The Beutler legacy lives on in a Roger benefits, scholarships, and health care. -
Doctoral Dissertation Template
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By DENISE NEIL-BINION Norman, Oklahoma 2017 REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. Mary Jo Watson, Chair ______________________________ Dr. W. Jackson Rushing III ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Daniel Swan © Copyright by DENISE NEIL-BINION 2017 All Rights Reserved. For the many people who instilled in me a thirst for knowledge. Acknowledgements I wish to extend my sincerest appreciation to my dissertation committee; I am grateful for the guidance, support, and mentorship that you have provided me throughout this process. Dr. Mary Jo Watson, thanks for being a mentor and a friend. I also must thank Thomas Lera, National Postal Museum (retired) and RoseMaria Estevez of the National Museum of the American Indian. The bulk of my inspiration and research developed from working with them on the Indians at the Post Office online exhibition. I am also grateful to the Smithsonian Office of Fellowships and Internships for their financial support of this endeavor. To my friends and colleagues at the University of Oklahoma, your friendship and support are truly appreciated. Tammi Hanawalt, heather ahtone, and America Meredith thank you for your encouragement, advice, and most of all your friendship. To the 99s Museum of Women Pilots, thanks for allowing me so much flexibility while I balanced work, school, and life. -
ENGR. S. C. R. NO. 11 Page 1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
1 ENGROSSED SENATE CONCURRENT 2 RESOLUTION NO. 11 By: Easley, Adelson, Aldridge, Anderson, Ballenger, 3 Barrington, Bass, Bingman, Branan, Brogdon, Brown, 4 Burrage, Coates, Coffee, Corn, Crain, Crutchfield, 5 Eason McIntyre, Ellis, Ford, Garrison, Gumm, 6 Halligan, Ivester, Johnson (Constance), Johnson 7 (Mike), Jolley, Justice, Lamb, Laster, Leftwich, 8 Lerblance, Marlatt, Mazzei, Myers, Newberry, 9 Nichols, Paddack, Reynolds, Rice, Russell, 10 Schulz, Sparks, Stanislawski, Sweeden, 11 Sykes, Wilson and Wyrick of the Senate 12 and 13 Sherrer of the House 14 15 16 17 A Concurrent Resolution recognizing the artistic ability of Willard Stone; encouraging viewing of the 18 Stone exhibit at the Gilcrease Museum; and directing distribution. 19 20 21 WHEREAS, Sculptor Willard Stone was born on February 29, 1916, 22 at Oktaha, near Muskogee, Oklahoma. He was educated in Oktaha 23 public schools. His father died when Willard was an infant, leaving 24 his mother to support the family by working as a sharecropper. As ENGR. S. C. R. NO. 11 Page 1 1 an early teen, he suffered the loss of nearly half of his right hand 2 in an accident and withdrew from school. However, his natural 3 talent as a sculptor prevailed and, at the urging of his friends, 4 Stone entered his works at fairs in Muskogee and Okmulgee. Oklahoma 5 historian Grant Foreman saw Stone’s work and, impressed with his 6 artistic abilities, successfully convinced the young man to enroll 7 at Bacone College; and 8 WHEREAS, Stone stayed at the school from 1936 to 1939 where he 9 was mentored by Acee Blue Eagle and Woodrow Crumbo. -
Muskogee-Tahlequah
Tahlequah Tahlequah is home to the Cherokee Nation and offers Native American heritage and cultural activities. Some attractions include: • Cherokee National Capitol (c. 1870s) • Cherokee Supreme Court Building (c. 1845) • Cherokee National Prison (c. 1874) • The historic Seminary Hall located on the campus of Northeastern State University. There are several local downtown restaurants that won’t disappoint, each providing the local charm of the area. Take time to browse in the shops along the main Street, Muskogee Avenue….you will find Native American Art, a Christmas Shop, Antique Malls, and much more. Allow time to drive along the scenic Illinois River area. You can take float trips, relax at one of the rest areas, or enjoy activities at one of the many lodging facilities along the river. And if the river is not enough water for your group, Lake Tenkiller is a short distance south of town. Lake Tenkiller provides some of the best scuba diving in the state, along with golf and fishing. Don’t forget the Fin & Feather Inn and Restaurant, right off the lake, which specializes in large groups. Tahlequah Tourism 918.456.3742 [email protected] Muskogee Muskogee is known for its annual Azalea Festival where hundreds of bushes bloom every spring in Honor Heights Park. You can walk through the park and enjoy the beauty of this season. Then, during the Christmas holidays you can view this same park, as the “Garden of Lights” lights display. The renowned Five Civilized Tribes Museum, housed in an 1875 Indian Agency building in Honor Heights Park. The museum is a tribute to the proud and rich heritage of the Cherokee, Creek, Chickasaw, Choctaw and Seminole Tribes. -
Homelands of Some of the Many Tribes That Settled in the State. the Historical Development and Establishment of Indian Settlements Within the State Are Outlined
DOCUMENT RESUME ED 028 864 RC 003 359 Indians of Oklahoma. Bureau of Indian Affairs (Dept. of Interior), Washington, D.C. Pub Date 68 Note-19p. Available from-Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402 (0-287-162, $0.15). EMS Price MF-S0.25 HC Not Available from EDRS. Descriptors-*AmericanIndians,CollectiveSettlements,*CulturalBackground,FederalAid,*Federal Legislation, Federal Programs, Historical Reviews, History, Land Use, *Migration Patterns, *United States History Identifiers-Apaches, Cherokees, Cheyennes, Chippewas, Choctaws, Comanches, Creeks, *Oklahoma, Osage& Shawnees Oklahoma's present-day Indian culture and civilization, it is noted, are very much pronounced, with more than 68 tribes still proudly embracing their identities. Oklahoma is shown to be the melting pot of Indian America on a map indicating the original homelands of some of the many tribes that settled in the State. The historical development and establishment of Indian settlements within the State are outlined. A listing of Indian tribes represented in Oklahoma, a discussion of Oklahoma Indians today and Federal programs for Indians, and a list of places of interest are also included. (SW) , Ira. U.S. DEPARTMENT OF HEALTH. EDUCATION& WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE 'PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION .POSITION OR POLICY. " Owe t4 MOVEMENT OF INDIAN TRIBES INTO OKLAHOMA orAWA ,...._ / / vroktiodt i . Ic' 1._ ARAMHO A 2/ 1 ) t 1 CHEYENNE t FOX , 0 1 SAC s I r POTAWA71II, t PAWNei.... KASKASKIA , I .... -
The Fight to Recognize Jim Thorpe As Official Olympic Gold Medal Winner
HOWNIKAN Kchemkogises | January 2021 Top photo: Snowfall blankets FireLake Golf Course. The fight to recognize Jim Thorpe as A LOOK INSIDE official Olympic gold medal winner Page 3 Citizen Potawatomi descendant and Stroud until Charlie passed away at 9 Sac and Fox Nation tribal member from pneumonia. This caused Thorpe Jim Thorpe — Wa-Tho-Huk (Bright to want to abandon his education Path) — holds a reputation as one of entirely, and he ran 23 miles from the the most talented athletes in history. He school to his parent’s house. However, was the first Native American to earn an his father Hiram decided to send him Olympic gold medal at the 1912 games in farther away to a boarding school in Stockholm, Sweden, winning first place in Lawrence, Kansas, now known as the Aviary update the decathlon and pentathlon. However, Haskell Indian Nations University. in 1913, he lost his gold medals after Page 6 the International Olympic Committee After a few years and several stints with no longer recognized him as an amateur truancy, Thorpe found his way to Carlisle athlete due to his time on a minor league Indian Industrial School in Pennsylvania baseball team. Today, the IOC recognizes where his athletic abilities began Thorpe as the gold medal co-winner in garnering attention. He easily broke the the two events. His family, fellow Native school’s high jump record and became a Americans, elected officials and fans are key player in Carlisle’s hockey, lacrosse, fighting to restore Thorpe’s recognition ballroom dancing and football programs. Bruno family history as the 1912 Olympic decathlon and In November 1911, Thorpe and his pentathlon’s sole gold winner once more. -
To View the Exhibition Online
Americans’ understanding of the history of the American West, including that of the Great Plains, has been significantly shaped by novels, movies, and television Westerns. These narratives often leave out the voices of the region’s Indigenous inhabitants, women, and other groups. This selection of works from the museum’s collection offers a more critical perspective on the historic and modern American West. Images by American Indian artists, for example, address the displacement of Native peoples and the challenge of maintaining cultural traditions. Other artworks highlight the idealization of the Western landscape as well as its overdevelopment. Still other works reassess the iconic status of historical Western figures. —Elizabeth G. Seaton, Curator Source for tribal names: Aaron Carapella, Map of Our Tribal Nations: Our Own Names and Original Locations (2015) and tribal websites. EDWARD MORAN born 1829, Bolton, United Kingdom died 1901, New York, New York Western Landscape, 1866 Oil on canvas Gift of Charles V. Kincaid, 1963.6 Moran presents a majestic mountain valley, pristine and devoid of humans, except for perhaps its imagined viewer. Similar mid-nineteenth-century works, as curator William Truetter has written, cast the Western landscape “as a new Eden, announcing its scenic wonders and publicizing its staggering resources.” Moran was an acclaimed painter of marine subjects, “fisherman at their toil, and water scenes and vessels,” as a biographer described. His brother Thomas, who accompanied several expeditions west, would become even better known for grand views of the continental interior. An 1880 art critic noted that all of Edward’s artist siblings were talented and versatile: “The public knows Thomas Moran as a landscapist, Edward Moran as a marine painter, Peter Moran as an animal-painter, although each of the brothers is excellent often outside of his distinctive sphere.” Edward Moran’s Western Landscape suffers problems that have until now prevented its display. -
Pîoneerloc;!I. SEPTEMBER 4, 2008 * a PIONEER PRESS PUBLICATION * S1.25
RY pîoneerloc;!i. SEPTEMBER 4, 2008 * A PIONEER PRESS PUBLICATION * S1.25 rlIçIe: ?4I7 COVERAGE ODE TO OAKTON MOVIES SPORTS Reel Time blog with Heard in the Halls Today 's Daisy news from 8000 North puts you Bruce Ingram - athletics blog - e.. Your Local Source at street level THIS WEEK DIVERSIONS FAMOUS FATHER JJM*A*S*HVI star ¡n new play at North Shore Center in Skokie. PAGE Bl DIVERSIONS HOLLYWOOD HELPER Park Ridge native works Ort t-ut comedy Tropic Thunder." Maureen O'Grady (right), 9, of Edison Parke pUttS Aug. 14 during a round of miniature golf at PioneerPark with Idend Nora Byrne. 10, also of Edison Park. The part was giving away back-to-school supplies to all children playing a round. PAGE 3 PHOTO BY JASON BROWN/STAFFPHOTOGRAPHER PAGE B5 SERVING OUR READERS SINCE 1951 * YOUR LOCAL SOURCE - Start here with a health care career. Attend a free Health Care Information Session. Physical Therapist AssistantMassage Therapy Wednesday, Sept. IO, at 6:30 p.m. Thursday, Sept. i i, at 5 p.m. -ix S1IjI Des Plaines Campus, Room 1610 Des Plaines Campus, Room 1506 -LS NDj _Lsta ALt-13I1aflc M8B11N OG9 For more information, call 847.635.1629. .LSXQ AI9r1 1600 East GoifRoad, Des Plaineswwwoakton.eduV Colleg OOOOD ZX1fl. S-1t . QD3 8t'T9# 0o-3joi Thursday, September 4, 2008 (3 A Pioneer Press Publication A Pioneer Press Publication 2 IThursday, September 4, 2008 ç.. MANAGING Wl1R: Nicole Wagner News nwagIoeeerlocal.com I (847) 6963248 Second tonone inonline home marketing. ¿, . - Nearly 9 out of 10 buyers now use the Internet as their primary means tosearch for homes. -
Annual Report FY2020
Oklahoma Musuems Association O M A OKMuseums.org O K L A H O M A Annual Report MUSEUMS for the fiscal year ending June 30, 2020 A S S O C I A T I O N 2020 Board of Directors Dan Provo • President EDUCATE. INFORM. ENTERTAIN. Oklahoma History Center, OKC We love our OMA members and friends! As you read this annual report, Richard Ellwanger • Vice President Seminole Nation Museum, Wewoka please know that we appreciate the many wonderful supporters who help Delaynna Trim • Treasurer us succeed in our mission to assist Oklahoma museums with their efforts Mabee-Gerrer Museum of Art, Shawnee to educate, inform and entertain. Since 1972, OMA has been honored to Ken Busby • Sceretary assist Oklahoma museums. We know that our success is due to the many Route 66 Alliance, Tulsa relationships and partnerships we have developed. We continue to nurture Jennifer Holt • Immediate Past President our long-standing and important relationships with over 500 museums and Will Rogers Memorial Museum, Claremore with over 100 organizations and agencies in our state and around the nation. Collaboration is important to us and to our Oklahoma museums. Below you Jordan Boyd • District 2 Rep. will find a few examples of how OMA and our partnerships work for the good Dobson Museum, Miami of Oklahoma museums! Maggie Brown • At-Large Rep. Tulsa Historical Society, Tulsa OMA trainings help museums engage their local communities with Bill Bryans • At-Large Rep. programming such as healing arts, museums and the military, geriatric Oklahoma State University, Stillwater focused initiatives, and virtual school opportunities, to name a few. -
Minisa Crumbo Halsey the Accomplished Artist Shares an Insight Into Her Father, Thomas Gilcrease and Her Native American Upbringing
Minisa Crumbo Halsey The accomplished artist shares an insight into her father, Thomas Gilcrease and her Native American upbringing. Chapter 1 — 1:08 Introduction Announcer: Woody Crumbo was born near Lexington, Oklahoma, on January 31, 1912, as Woodrow Wilson Crumbo on his Potawatomi mother’s tribal allotment of land. Unfortunately, by the time he was seven he was an orphan, but his nomadic early life, living with different Indian families, including Creek and Sioux, and later becoming friends with a group of Kiowas with whom he studied art, instilled an appreciation for the diverse and disappearing cultures and traditions of the country’s tribes. With art, Woody Crumbo found a way to honor, promote, and preserve this history. While studying at Wichita University and later the University of Oklahoma, he supported himself as a dancer, learning different tribe’s dances from across the nation. And he was one of the first Native American artists to take on oil painting as a medium. His daughter Minisa, an accomplished artist in her own right, shares an insight into her father, his relationship with Thomas Gilcrease and her Native American upbringing. Thanks to the University of Tulsa, foundations and individuals who believe in preserving Oklahoma’s legacy one voice at a time…you can hear Minisa Crumbo Halsey on VoicesofOklahoma.com. MINISA CRUMBO HALSEY 2 Chapter 2 — 9:00 The Crumbos John Erling: My name is John Erling. Today’s date is November 11, 2014. Minisa, would you state your full name please? Minisa Crumbo Halsey: My name is Minisa Crumbo Halsey. JE: Did you have a middle name, Minisa something Crumbo? MCH: I do, actually, it’s Yoland.