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The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Ally, the Okla- Homa Story, (University of Oklahoma Press 1978), and Oklahoma: a History of Five Centuries (University of Oklahoma Press 1989)
Oklahoma History 750 The following information was excerpted from the work of Arrell Morgan Gibson, specifically, The Okla- homa Story, (University of Oklahoma Press 1978), and Oklahoma: A History of Five Centuries (University of Oklahoma Press 1989). Oklahoma: A History of the Sooner State (University of Oklahoma Press 1964) by Edwin C. McReynolds was also used, along with Muriel Wright’s A Guide to the Indian Tribes of Oklahoma (University of Oklahoma Press 1951), and Don G. Wyckoff’s Oklahoma Archeology: A 1981 Perspective (Uni- versity of Oklahoma, Archeological Survey 1981). • Additional information was provided by Jenk Jones Jr., Tulsa • David Hampton, Tulsa • Office of Archives and Records, Oklahoma Department of Librar- ies • Oklahoma Historical Society. Guide to Oklahoma Museums by David C. Hunt (University of Oklahoma Press, 1981) was used as a reference. 751 A Brief History of Oklahoma The Prehistoric Age Substantial evidence exists to demonstrate the first people were in Oklahoma approximately 11,000 years ago and more than 550 generations of Native Americans have lived here. More than 10,000 prehistoric sites are recorded for the state, and they are estimated to represent about 10 percent of the actual number, according to archaeologist Don G. Wyckoff. Some of these sites pertain to the lives of Oklahoma’s original settlers—the Wichita and Caddo, and perhaps such relative latecomers as the Kiowa Apache, Osage, Kiowa, and Comanche. All of these sites comprise an invaluable resource for learning about Oklahoma’s remarkable and diverse The Clovis people lived Native American heritage. in Oklahoma at the Given the distribution and ages of studies sites, Okla- homa was widely inhabited during prehistory. -
Native American Painters and Sculptors in the Twentieth Century, 1991
BILLIE JANE BAGULEY LIBRARY AND ARCHIVES HEARD MUSEUM 2301 N. Central Avenue ▪ Phoenix AZ 85004 ▪ 602-252-8840 www.heard.org Shared Visions: Native American Painters and Sculptors in the Twentieth Century, 1991 RC 10 Shared Visions: Native American Painters and Sculptors in the Twentieth Century 2 Call Number: RC 10 Extent: Approximately 3 linear feet; copy photography, exhibition and publication records. Processed by: Richard Pearce-Moses, 1994-1995; revised by LaRee Bates, 2002. Revised, descriptions added and summary of contents added by Craig Swick, November 2009. Revised, descriptions added by Dwight Lanmon, November 2018. Provenance: Collection was assembled by the curatorial department of the Heard Museum. Arrangement: Arrangement imposed by archivist and curators. Copyright and Permissions: Copyright to the works of art is held by the artist, their heirs, assignees, or legatees. Copyright to the copy photography and records created by Heard Museum staff is held by the Heard Museum. Requests to reproduce, publish, or exhibit a photograph of an art works requires permissions of the artist and the museum. In all cases, the patron agrees to hold the Heard Museum harmless and indemnify the museum for any and all claims arising from use of the reproductions. Restrictions: Patrons must obtain written permission to reproduce or publish photographs of the Heard Museum’s holdings. Images must be reproduced in their entirety; they may not be cropped, overprinted, printed on colored stock, or bleed off the page. The Heard Museum reserves the right to examine proofs and captions for accuracy and sensitivity prior to publication with the right to revise, if necessary. -
The Szwedzicki Portfolios: Native American Fine Art and American Visual Culture 1917-1952
1 The Szwedzicki Portfolios: Native American Fine Art and American Visual Culture 1917-1952 Janet Catherine Berlo October 2008 2 Table of Contents Introduction . 3 Native American Painting as Modern Art The Publisher: l’Edition d’Art C. Szwedzicki . 25 Kiowa Indian Art, 1929 . .27 The Author The Subject Matter and the Artists The Pochoir Technique Pueblo Indian Painting, 1932 . 40 The Author The Subject Matter and the Artists Pueblo Indian Pottery, 1933-36 . 50 The Author The Subject Matter Sioux Indian Painting, 1938 . .59 The Subject Matter and the Artists American Indian Painters, 1950 . 66 The Subject Matter and the Artists North American Indian Costumes, 1952 . 81 The Artist: Oscar Howe The Subject Matter Collaboration, Patronage, Mentorship and Entrepreneurship . 90 Conclusion: Native American Art after 1952 . 99 Acknowledgements . 104 About the Author . 104 3 Introduction In 1929, a small French art press previously unknown to audiences in the United States published a portfolio of thirty plates entitled Kiowa Indian Art. This was the most elegant and meticulous publication on American Indian art ever offered for sale. Its publication came at a time when American Indian art of the West and Southwest was prominent in the public imagination. Of particular interest to the art world in that decade were the new watercolors being made by Kiowa and Pueblo artists; a place was being made for their display within the realm of the American “fine arts” traditions in museums and art galleries all over the country. Kiowa Indian Art and the five successive portfolios published by l’Edition d’Art C. -
B Y S U S a N D R a G
NATIVE AMERICANS AND WESTERN ICONS HAVE BEEN THE TWIN PILLARS OF OKLAHOMA’S CULTURE SINCE WELL BEFORE STATEHOOD. WE ASSEMBLED TWO PANELS OF EXPERTS TO DETERMINE WHICH BRAVE, HARDWORKING, JUSTICE-SEEKING, FRONTIER-TAMING INDIVIDUALS DESERVE A PLACE IN OKLAHOMA’S WESTERN PANTHEON. THE RESULT IS THE FOLLOWING LIST OF THE MOST INFLUENTIAL NATIVE AMERICANS, COWBOYS, AND COWGIRLS IN THE STATE’S HISTORY. BY SUSAN DRAGOO OklahomaToday.com 41 BILL ANOATUBBY BEUTLER FAMILY (b. 1945) Their stock was considered a CHICKASAW NATION CHICKASAW Bill Anoatubby grew up in Tisho- cowboy’s nightmare, but that mingo and first went to work was high praise for the Elk City- for the Chickasaw Nation as its RANDY BEUTLER COLLECTION based Beutler Brothers—Elra health services director in 1975. (1896-1987), Jake (1903-1975), He was elected governor of the and Lynn (1905-1999)—who Chickasaws in 1987 and now is in 1929 founded a livestock in his eighth term and twenty-ninth year in that office. He has contracting company that became one of the world’s largest worked to strengthen the nation’s foundation by diversifying rodeo producers. The Beutlers had an eye for bad bulls and its economy, leading the tribe into the twenty-first century as a tough broncs; one of their most famous animals, a bull politically and economically stable entity. The nation’s success named Speck, was successfully ridden only five times in more has brought prosperity: Every Chickasaw can access education than a hundred tries. The Beutler legacy lives on in a Roger benefits, scholarships, and health care. -
Testo Climate Monitoring Solution at the Gilcrease Museum and the Helmerich Center for American Research
Testo Reference Gilcrease Museum Tulsa, Oklahoma Testo Climate Monitoring Solution at the Gilcrease Museum and the Helmerich Center for American Research. Gilcrease Museum Gilcrease Museum in Tulsa, Oklahoma specializes in the Thomas Gilcrease had a great affinity for the native American history of the American West with collections of Western culture he experienced as a child. His family moved to live on and Native American art. The museum has a collection of the Creek Nation’s tribal land, and in 1899, as a 9-year-old, he over 350,000 pieces including in excess of 12,000 paintings, was enrolled on the Creek Nation tribal rolls. Thomas Gilcrease drawings and prints plus more than 250,000 archeological gained a great wealth later in life when he discovered oil on his objects. Many art objects are made of organic materials: allotment. He never forgot his childhood and became an avid a Native Chief’s headdress, textiles or Western prints/ collector of Native American artifacts and cultural objects. drawings are very fragile and require a reliable system of His passion was extended to Western art and historical artifacts environmental monitoring to provide a continuous flow of related to the settlement of the West. Thomas Gilcrease started data for further analysis in a specialized software. Testo with storage buildings for his art collections at the present Saveris 2 WiFi temperature and humidity loggers are used museum site and in 1955 transferred his collections to the throughout the Museum and the Helmerich Center for City of Tulsa. Gilcrease Museum is managed by The University American Research to provide environmental records. -
Federal Register/Vol. 85, No. 216/Friday, November 6, 2020
71092 Federal Register / Vol. 85, No. 216 / Friday, November 6, 2020 / Notices Potawatomi Nation (previously listed as DEPARTMENT OF THE INTERIOR institution, or Federal agency that has Prairie Band of Potawatomi Nation, control of the Native American human Kansas); Red Cliff Band of Lake National Park Service remains and associated funerary objects. Superior Chippewa Indians of [NPS–WASO–NAGPRA–NPS0031088; The National Park Service is not Wisconsin; Red Lake Band of Chippewa PPWOCRADN0–PCU00RP14.R50000] responsible for the determinations in Indians, Minnesota; Saginaw Chippewa this notice. Indian Tribe of Michigan; Sault Ste. Notice of Inventory Completion: Consultation Marie Tribe of Chippewa Indians, Tennessee Valley Authority, Knoxville, TN A detailed assessment of the human Michigan; Seneca Nation of Indians remains and associated funerary objects (previously listed as Seneca Nation of AGENCY: National Park Service, Interior. was made by TVA professional staff in New York); Seneca-Cayuga Nation ACTION: Notice. consultation with representatives of the (previously listed as Seneca-Cayuga Alabama-Coushatta Tribe of Texas Tribe of Oklahoma); Shawnee Tribe; SUMMARY: The Tennessee Valley (previously listed as Alabama-Coushatta Sokaogon Chippewa Community, Authority (TVA) has completed an Tribes of Texas); Cherokee Nation; Wisconsin; St. Croix Chippewa Indians inventory of human remains and Eastern Band of Cherokee Indians; The of Wisconsin; Stockbridge Munsee associated funerary objects in Chickasaw Nation; and The Muscogee Community, -
Automobiles Performing the Trickster in Modern and Contemporary Work by Artists
Not Your Grandfather’s Horse: Automobiles Performing the Trickster in Modern and Contemporary Work by Artists from Plains Cultures By AARON MOSES Bachelor of Arts in History A&M University Corpus Christi Corpus Christi, Texas 2014 Submitted to the Faculty of the Graduate College of Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2017 NOT YOUR GRANDFATHER’S HORSE: AUTOMOBILES PERFORMING THE TRICKSTER IN MODERN AND CONTEMPORARY WORK BY ARTISTS FROM PLAINS CULTURES Thesis Approved: Dr. Louise Siddons Thesis Adviser Dr. Irene Backus Dr. Douglas Miller *--Delete this paragraph before submission—Type Committee Member names on the Approval page of the electronic copy. If Dr. is used for one name, a similar title must appear on all names. ii ACKNOWLEDGEMENTS A special thanks to Dr. Louise Siddons, Dr. Douglas Miller, and the entire Art History department of Oklahoma State University for supporting the creation of this thesis; to my father and grandfather, for inspiring my interest in automobiles at a young age; and to my Jeep, whose regular maintenance issues never ceased to promote an appreciation for the importance of mobility. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. Name: Aaron Moses Date of Degree: May, 2017 Title of Study: Not Your Grandfather’s Horse: Automobiles Performing the Trickster in Modern Modern and Contemporary Work by Artists from Plains Cultures Major Field: Art History Abstract: The automobile is a recurring motif among modern and contemporary Native American artists that has gone severely understudied. -
Doctoral Dissertation Template
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By DENISE NEIL-BINION Norman, Oklahoma 2017 REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. Mary Jo Watson, Chair ______________________________ Dr. W. Jackson Rushing III ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Daniel Swan © Copyright by DENISE NEIL-BINION 2017 All Rights Reserved. For the many people who instilled in me a thirst for knowledge. Acknowledgements I wish to extend my sincerest appreciation to my dissertation committee; I am grateful for the guidance, support, and mentorship that you have provided me throughout this process. Dr. Mary Jo Watson, thanks for being a mentor and a friend. I also must thank Thomas Lera, National Postal Museum (retired) and RoseMaria Estevez of the National Museum of the American Indian. The bulk of my inspiration and research developed from working with them on the Indians at the Post Office online exhibition. I am also grateful to the Smithsonian Office of Fellowships and Internships for their financial support of this endeavor. To my friends and colleagues at the University of Oklahoma, your friendship and support are truly appreciated. Tammi Hanawalt, heather ahtone, and America Meredith thank you for your encouragement, advice, and most of all your friendship. To the 99s Museum of Women Pilots, thanks for allowing me so much flexibility while I balanced work, school, and life. -
An Account of the Birth and Growth of Caddo Archeology, As Seen by Review of 50 Caddo Conferences, 1946-2008
Volume 2009 Article 20 2009 An Account of the Birth and Growth of Caddo Archeology, as Seen by Review of 50 Caddo Conferences, 1946-2008 Hester A. Davis Unknown E. Mott Davis Follow this and additional works at: https://scholarworks.sfasu.edu/ita Part of the American Material Culture Commons, Archaeological Anthropology Commons, Environmental Studies Commons, Other American Studies Commons, Other Arts and Humanities Commons, Other History of Art, Architecture, and Archaeology Commons, and the United States History Commons Tell us how this article helped you. Cite this Record Davis, Hester A. and Davis, E. Mott (2009) "An Account of the Birth and Growth of Caddo Archeology, as Seen by Review of 50 Caddo Conferences, 1946-2008," Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State: Vol. 2009, Article 20. https://doi.org/10.21112/.ita.2009.1.20 ISSN: 2475-9333 Available at: https://scholarworks.sfasu.edu/ita/vol2009/iss1/20 This Article is brought to you for free and open access by the Center for Regional Heritage Research at SFA ScholarWorks. It has been accepted for inclusion in Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. An Account of the Birth and Growth of Caddo Archeology, as Seen by Review of 50 Caddo Conferences, 1946-2008 Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 License. This article is available in Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State: https://scholarworks.sfasu.edu/ita/vol2009/iss1/20 An Account of the Birth and Growth of Caddo Archeology, as Seen by Review of 50 Caddo Conferences, 1946-2008 Hester A. -
Federal Register/Vol. 85, No. 104/Friday, May 29, 2020/Notices
Federal Register / Vol. 85, No. 104 / Friday, May 29, 2020 / Notices 32415 telephone (602) 534–1572, email Tribe (previously listed as the Yavapai- Native Hawaiian organizations stated in [email protected]. Prescott Tribe of the Yavapai this notice may proceed. SUPPLEMENTARY INFORMATION: Notice is Reservation, Arizona). DATES: Representatives of any Indian here given in accordance with the Additional Requestors and Disposition Tribe or Native Hawaiian organization Native American Graves Protection and not identified in this notice that wish to Repatriation Act (NAGPRA), 25 U.S.C. Lineal descendants or representatives request transfer of control of these 3005, of the intent to repatriate cultural of any Indian Tribe or Native Hawaiian human remains should submit a written items under the control of the Pueblo organization not identified in this notice request with information in support of Grande Museum, Phoenix, AZ, that that wish to claim these cultural items the request to the Department of meet the definition of unassociated should submit a written request with Anthropology, Southern Methodist funerary objects under 25 U.S.C. 3001. information in support of the claim to University at the address in this notice This notice is published as part of the Lindsey Vogel-Teeter, Pueblo Grande by June 29, 2020. National Park Service’s administrative Museum, 4619 E Washington Street, Phoenix, AZ 85034, telephone (602) ADDRESSES: B. Sunday Eiselt, responsibilities under NAGPRA, 25 Department of Anthropology, Southern U.S.C. 3003(d)(3). The determinations in 534–1572, email lindsey.vogel-teeter@ phoenix.gov, by June 29, 2020. After Methodist University, 3225 Daniel this notice are the sole responsibility of Avenue, Heroy Hall #450, Dallas, TX the museum, institution, or Federal that date, if no additional claimants have come forward, transfer of control 75205, telephone (214) 768–2915, email agency that has control of the Native [email protected]. -
Muskogee-Tahlequah
Tahlequah Tahlequah is home to the Cherokee Nation and offers Native American heritage and cultural activities. Some attractions include: • Cherokee National Capitol (c. 1870s) • Cherokee Supreme Court Building (c. 1845) • Cherokee National Prison (c. 1874) • The historic Seminary Hall located on the campus of Northeastern State University. There are several local downtown restaurants that won’t disappoint, each providing the local charm of the area. Take time to browse in the shops along the main Street, Muskogee Avenue….you will find Native American Art, a Christmas Shop, Antique Malls, and much more. Allow time to drive along the scenic Illinois River area. You can take float trips, relax at one of the rest areas, or enjoy activities at one of the many lodging facilities along the river. And if the river is not enough water for your group, Lake Tenkiller is a short distance south of town. Lake Tenkiller provides some of the best scuba diving in the state, along with golf and fishing. Don’t forget the Fin & Feather Inn and Restaurant, right off the lake, which specializes in large groups. Tahlequah Tourism 918.456.3742 [email protected] Muskogee Muskogee is known for its annual Azalea Festival where hundreds of bushes bloom every spring in Honor Heights Park. You can walk through the park and enjoy the beauty of this season. Then, during the Christmas holidays you can view this same park, as the “Garden of Lights” lights display. The renowned Five Civilized Tribes Museum, housed in an 1875 Indian Agency building in Honor Heights Park. The museum is a tribute to the proud and rich heritage of the Cherokee, Creek, Chickasaw, Choctaw and Seminole Tribes.