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UNIVERSITY of CALIFORNIA RIVERSIDE Naming
UNIVERSITY OF CALIFORNIA RIVERSIDE Naming the Artist, Composing the Philippines: Listening for the Nation in the National Artist Award A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Neal D. Matherne June 2014 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. René T.A. Lysloff Dr. Sally Ann Ness Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Neal D. Matherne 2014 The Dissertation of Neal D. Matherne is approved: Committee Chairperson University of California, Riverside Acknowledgements This work is the result of four years spent in two countries (the U.S. and the Philippines). A small army of people believed in this project and I am eternally grateful. Thank you to my committee members: Rene Lysloff, Sally Ness, Jonathan Ritter, Christina Schwenkel. It is an honor to receive your expert commentary on my research. And to my mentor and chair, Deborah Wong: although we may see this dissertation as the end of a long journey together, I will forever benefit from your words and your example. You taught me that a scholar is not simply an expert, but a responsible citizen of the university, the community, the nation, and the world. I am truly grateful for your time, patience, and efforts during the application, research, and writing phases of this work. This dissertation would not have been possible without a year-long research grant (2011-2012) from the IIE Graduate Fellowship for International Study with funding from the Andrew W. Mellon Foundation. I was one of eighty fortunate scholars who received this fellowship after the Fulbright-Hays Doctoral Dissertation Research Abroad Program was cancelled by the U.S. -
Preservation and Restoration of Philippine Art Music Manuscripts of the University of the Philippines-Diliman College of Music
Preservation and Restoration of Philippine Art Music Manuscripts of the University of the Philippines-Diliman College of Music Asst. Prof. Johann Frederick A. Cabbab and Asst. Prof. Iyra S. Buenrostro © Copyright of University of the Philippines Diliman. All rights reserved. 2013 The former library of the Conservatory of Music was built in 1925, nine years after the establishment of the conservatory. After World War II, UP transferred its campus from Manila to Diliman, Quezon City, and the library started to be reorganized in 1954. Under the administration of President Carlos P. Romulo, the then Conservatory of Music officially became a college in 1968. The UP College of Music named its current building after the famous Filipino composer and distinct alumnus of the Conservatory, Nicanor Abelardo. © Copyright of University of the Philippines Diliman. All rights reserved.(UP 2013 College of Music, 2012, para.1-5). National Artists for Music Antonino R. Buenaventura Ernani Joson Cuenco Jovita Fuentes Jose Maceda Lucio D. San Pedro Levi Celerio Felipe Padilla De Leon Lucrecia R. Kasilag Antonio J. Molina Andrea O. Veneracion © Copyright of University of the Philippines Diliman. All rights reserved. 2013 (NCCA, 2011) Among the National Artists for Music, seven came from the Conservatory of Music/UP College of Music: Antonino R. Buenaventura Jovita Fuentes Jose Maceda Lucio D. San Pedro Felipe Padilla De Leon Antonio J. Molina Andrea O. Veneracion © Copyright of University of the Philippines Diliman. All rights reserved. 2013 The art music manuscripts of famous composer Abelardo, and National Artists Molina, Buenaventura, and San Pedro, and other famous composers and alumni were donated by their heirs to the library of the UP College of Music. -
Expressions of Tagalog Imaginary the Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959)
ISSN: 0041-7149 ISSN: 2619-7987 VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio p. AfricA . UNITAS Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) . VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio P. AfricA since 1922 Indexed in the International Bibliography of the Modern Language Association of America Expressions of Tagalog Imgaginary: The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Copyright @ 2016 Antonio P. Africa & the University of Santo Tomas Photos used in this study were reprinted by permission of Mr. Simon Santos. About the book cover: Cover photo shows the character, Mercedes, played by Rebecca Gonzalez in the 1950 LVN Pictures Production, Mutya ng Pasig, directed by Richard Abelardo. The title of the film was from the title of the famous kundiman composed by the director’s brother, Nicanor Abelardo. Acknowledgement to Simon Santos and Mike de Leon for granting the author permission to use the cover photo; to Simon Santos for permission to use photos inside pages of this study. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). -
Philippine Labor Group Endorses Boycott of Pacific Beach Hotel
FEATURE PHILIPPINE NEWS MAINLAND NEWS inside look Of Cory and 5 Bishop Dissuades 11 Filipina Boxer 14 AUG. 29, 2009 Tech-Savvy Spiritual Leaders from to Fight for Filipino Youth Running in 2010 World Title H AWAII’ S O NLY W EEKLY F ILIPINO - A MERICAN N EWSPAPER PHILIPPINE LABOR GROUP ENDORSES BOYCOTT OF PACIFIC BEACH HOTEL By Aiza Marie YAGO hirty officers and organizers from different unions conducted a leafleting at Sun Life Financial’s headquarters in Makati City, Philippines last August 20, in unity with the protest of Filipino T workers at the Pacific Beach Hotel in Waikiki. The Trade Union Congress of the ternational financial services company, is Philippines (TUCP) had passed a resolu- the biggest investor in Pacific Beach Hotel. tion to boycott Pacific Beach Hotel. The Sun Life holds an estimated US$38 million resolution calls upon hotel management to mortgage and is in the process of putting rehire the dismissed workers and settle up its market in the Philippines. the contract between the union and the “If Sun Life wants to do business in company. the Philippines, the very least we can ex- Pacific Beach Hotel has been pect in return is that it will guarantee fair charged by the U.S. government with 15 treatment for Filipino workers in the prop- counts of federal Labor Law violations, in- erties it controls,” says Democrito Men- cluding intimidation, coercion and firing doza, TUCP president. employees for union activism. In Decem- Rhandy Villanueva, spokesperson for ber 2007, the hotel’s administration re- employees at Pacific Beach Hotel, was fused to negotiate with the workers’ one of those whose position was termi- legally-elected union and terminated 32 nated. -
Download ART ARCHIVE 01
ART ARCHIVE 01 CONTENTS The Japan Foundation, Manila Introduction ART ARCHIVE 01 NEW TRAJECTORIES OF CONTEMPORARY VISUAL AND PERFORMING ARTS IN THE PHILIPPINES by Patricia Tumang Retracing Movement Redefining Contemporary Histories & Performativity Visual Art EXCAVATING SPACES AND HISTORIES: UNDERSTANDING THE CONTEMPORARY FILTERS: The Case of Shop 6 IN PHILIPPINE THEATER A View of Recent by Ringo Bunoan by Sir Anril Pineda Tiatco,PhD Philippine Contemporary Photography by Irwin Cruz VISUAL ARTS AND ACTIVISM IN THE PHILIPPINES: MAPPING OUT CONTEMPORARY DANCE Notes on a New Season of Discontent IN THE PHILIPPINES GLOBAL FILIPINO CONTEMPORARY ARTISTS by Lisa Ito-Tapang by Rina Angela Corpus by Jewel Chuaunsu BRIDGE OVER THE CURRENT: S A _ L A B A S / O U T S I D E R S: CONTEMPORARY VISUAL ART IN CEBU Artist-Run Festivals in the Philippines A Brief History of Why/When/Where We Do by Duffie Hufana Osental by Mayumi Hirano What We Do in Performance by Sipat Lawin Ensemble Contributor Biographies reFLECT & reGENERATE: A Community Conversation About Organizing Ourselves by Marika Constantino Directory of Philippine Art and Cultural Institutions ABOUT ART ARCHIVE 01 The Japan Foundation is the only institution dedicated to carrying out Japan’s comprehensive international cultural exchange programs throughout the world. With the objective of cultivating friendship and ties between Japan and the world through culture, language, and dialogue, the Japan Foundation creates global opportunities to foster friendship, trust, and mutual understanding. With a global network consisting of its Tokyo headquarters, the Kyoto office, two Japanese-language institutes, and 24 overseas offices in 23 countries, the Japan Foundation is active in three areas: Arts and Cultural Exchange, Japanese-Language Education, and Japanese Studies and Intellectual Exchange. -
The Philippines Illustrated
The Philippines Illustrated A Visitors Guide & Fact Book By Graham Winter of www.philippineholiday.com Fig.1 & Fig 2. Apulit Island Beach, Palawan All photographs were taken by & are the property of the Author Images of Flower Island, Kubo Sa Dagat, Pandan Island & Fantasy Place supplied courtesy of the owners. CHAPTERS 1) History of The Philippines 2) Fast Facts: Politics & Political Parties Economy Trade & Business General Facts Tourist Information Social Statistics Population & People 3) Guide to the Regions 4) Cities Guide 5) Destinations Guide 6) Guide to The Best Tours 7) Hotels, accommodation & where to stay 8) Philippines Scuba Diving & Snorkelling. PADI Diving Courses 9) Art & Artists, Cultural Life & Museums 10) What to See, What to Do, Festival Calendar Shopping 11) Bars & Restaurants Guide. Filipino Cuisine Guide 12) Getting there & getting around 13) Guide to Girls 14) Scams, Cons & Rip-Offs 15) How to avoid petty crime 16) How to stay healthy. How to stay sane 17) Do’s & Don’ts 18) How to Get a Free Holiday 19) Essential items to bring with you. Advice to British Passport Holders 20) Volcanoes, Earthquakes, Disasters & The Dona Paz Incident 21) Residency, Retirement, Working & Doing Business, Property 22) Terrorism & Crime 23) Links 24) English-Tagalog, Language Guide. Native Languages & #s of speakers 25) Final Thoughts Appendices Listings: a) Govt.Departments. Who runs the country? b) 1630 hotels in the Philippines c) Universities d) Radio Stations e) Bus Companies f) Information on the Philippines Travel Tax g) Ferries information and schedules. Chapter 1) History of The Philippines The inhabitants are thought to have migrated to the Philippines from Borneo, Sumatra & Malaya 30,000 years ago. -
Quarter IV: 20Th and 21St CENTURY MULTIMEDIA FORMS
DOWNLOAD K-12 MATERIALS AT DEPED TAMBAYAN 20th and 21st Century Multimedia Forms richardrrr.blogspot.com Quarter IV: 20th AND 21st CENTURY MULTIMEDIA FORMS CONTENT STANDARDS The learner demonstrates understanding of... 1. Characteristic features of 20th and 21st century opera, musical play, ballet, and other multi-media forms. 2. The relationship among music, technology, and media. PERFORMANCE STANDARDS The learner... 1. Performs selections from musical plays, ballet, and opera in a satisfactory level of performance. 2. Creates a musical work, using media and technology. DEPEDLEARNING COMPETENCIES COPY The learner... 1. Describes how an idea or story in a musical play is presented in a live performance or video. 2. Explains how theatrical elements in a selected part of a musical play are combined with music and media to achieve certain effects. 3. Sings selections from musical plays and opera expressively. 4. Creates/improvises appropriate sounds, music, gestures, movements, and costumes using media and technology for a selected part of a musical play. 5. Presents an excerpt from a 20th or 21st century Philippine musical and highlights its similarities and differences to other Western musical p l a y s . From the Department of Education curriculum for MUSIC Grade 10 (2014) 141 All rights reserved. No part of this material may be reproduced or transmitted in any form or by any means - electronic or mechanical including photocopying without written permission from the DepEd Central Office. MUSIC Quarter IV OPERA IN THE PHILIPPINES he emergence of the Filipino opera started to take shape during the middle part of Tthe 19th century. Foreign performers, including instrumental virtuosi, as well as opera singers and Spanish zarzuela performers came to the country to perform for enthusiastic audiences. -
FILIPINOS in HISTORY Published By
FILIPINOS in HISTORY Published by: NATIONAL HISTORICAL INSTITUTE T.M. Kalaw St., Ermita, Manila Philippines Research and Publications Division: REGINO P. PAULAR Acting Chief CARMINDA R. AREVALO Publication Officer Cover design by: Teodoro S. Atienza First Printing, 1990 Second Printing, 1996 ISBN NO. 971 — 538 — 003 — 4 (Hardbound) ISBN NO. 971 — 538 — 006 — 9 (Softbound) FILIPINOS in HIS TOR Y Volume II NATIONAL HISTORICAL INSTITUTE 1990 Republic of the Philippines Department of Education, Culture and Sports NATIONAL HISTORICAL INSTITUTE FIDEL V. RAMOS President Republic of the Philippines RICARDO T. GLORIA Secretary of Education, Culture and Sports SERAFIN D. QUIASON Chairman and Executive Director ONOFRE D. CORPUZ MARCELINO A. FORONDA Member Member SAMUEL K. TAN HELEN R. TUBANGUI Member Member GABRIEL S. CASAL Ex-OfficioMember EMELITA V. ALMOSARA Deputy Executive/Director III REGINO P. PAULAR AVELINA M. CASTA/CIEDA Acting Chief, Research and Chief, Historical Publications Division Education Division REYNALDO A. INOVERO NIMFA R. MARAVILLA Chief, Historic Acting Chief, Monuments and Preservation Division Heraldry Division JULIETA M. DIZON RHODORA C. INONCILLO Administrative Officer V Auditor This is the second of the volumes of Filipinos in History, a com- pilation of biographies of noted Filipinos whose lives, works, deeds and contributions to the historical development of our country have left lasting influences and inspirations to the present and future generations of Filipinos. NATIONAL HISTORICAL INSTITUTE 1990 MGA ULIRANG PILIPINO TABLE OF CONTENTS Page Lianera, Mariano 1 Llorente, Julio 4 Lopez Jaena, Graciano 5 Lukban, Justo 9 Lukban, Vicente 12 Luna, Antonio 15 Luna, Juan 19 Mabini, Apolinario 23 Magbanua, Pascual 25 Magbanua, Teresa 27 Magsaysay, Ramon 29 Makabulos, Francisco S 31 Malabanan, Valerio 35 Malvar, Miguel 36 Mapa, Victorino M. -
'"1;( Jul -2.'J :39
FIFTEENTH CONGRESS OF THE REPUBLIC ) OF THE PHILIPPINES ) Third Regular Session ) '"1;( JUL -2.'J :39 SENATE P. s. R. No. 808. Introduced by Senator Miriam Defensor Santiago RESOLUTION RESPECTFULLY URGING HIS EXCELLENCY, PRESIDENT BENIGNO S. AQUINO III, TI-IE CULTURAL CENTER OF THE PHILIPPINES, AND THE NATIONAL COMMISSION FOR CULTURE AND THE ARTS, TO CONFER THE NATIONAL ARTIST AWARD FOR DANCE TO LISA MACUJA-ELIZALDE, FOR HER IMMENSE AND UNPARALLELED CONTRIBUTIONS TO PHILIPPINE CULTURE AND THE ARTS, SPECIFICALLY TO PHILIPPINE BALLET WHEREAS, the Order of National Artists (Orden ng Gawad Pambansang Alagad ng Sining) is the highest national recognition given to Filipino individuals who have made significant contributions to the development of Philippine arts - music, dance, theater, visual arts, literature, film and broadcast arts, and architecture and allied arts; WHEREAS, the Order of National Artists is administered jointly by the National Commission for Culture and the Arts (NCCA) and the Cultural Center of the Philippines (CCP), and conferred by the President of the Philippines; WHEREAS, notable artists who have received this honor include Amado V. Hernandez, N.V.M. Gonzales, Nick Joaquin, Levi Celerio, Lino Brocka, Ishmael Bernal, Rolando Tinio, Fernando Poe Jr., Napoleon Abueva, Vicente Manansala, and Cesar Legaspi, among others; WHEREAS, for the dance category, only Francisca Reyes Aquino, Leonor Orosa Goquingco, Ramon Obusan, and Lucrecia Reyes Urtula have been conferred the National Artist Award; WHEREAS, Lisa Macuja-Elizalde is the first Filipina prima ballerina and first foreign soloist who ever joined the prestigious Kirov Ballet in 1984; she is also the artistic director of Ballet Manila, vice chairperson of the Philippine UNESCO National Commission, and directress and' faculty member of the Ballet Manila School; she was previously commissioner of the National Commission on the Role of Filipino Women; WHEREAS, as a scholar of the USSR Ministry of Culture, Ms. -
CONTEMPORARY PHILIPPINE ARTS from the REGIONS Overview of the K to 12 Curriculum in Grades 7 and 10 Grade 7-Philippine Music 1St Quarter: Music of Luzon (Lowlands)
CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS Overview of the K to 12 Curriculum in Grades 7 and 10 Grade 7-Philippine Music 1st Quarter: Music of Luzon (Lowlands) 1. Vocal Music a) Performance practice; b) Folk songs; c) Sacred (Liturgical and Devotional) music: Mass, Pastores, Senakulo, Pasyon, Salubong, Flores de Mayo, Santacruzan; d) Secular music: Harana, Balitaw, Kumintang, Polka; e) Art music: Kundiman. f) g) 2. Instrumental Music a) Rondalla; b) Brass Band; c) Musikong Bumbong d) Bamboo organ; e) Angklung ensemble; f) Himig Pangkat Kawayan. 2nd Quarter: Music of Cordillera, Mindoro, Palawan, & the Visayas A. Cordillera 1. Vocal Music a) Performance practice; b) Representative songs/genre (salidummay, oggayam, ba-diw) 2. Instrumental Music a) Gangsa ensemble; b) Bamboo solo/ensemble B. Mindoro & Palawan 1. Vocal Music a) Performance practice; b) Representative songs/genre (Vocal chants-Ambahan, Igway) 2. Instrumental Music a) Instrumental ensembles: Bamboo/Gong ensemble b) Solo instruments C. Visayas 1. Vocal Music a) Performance practice; b) Representative songs/genre: Balitao-Visayan, Pastores-Christmas, Kanta-Folksong, Ballad, Lullaby, Courtship, and Composo - Ilonggo narrative song. 2. Instrumental Music a) Instrumental ensembles: Rondalla, Tultogan, Harp, Band, “Bird Dance” Binanog (Panay, Bukidnon 3rd Quarter: Music of Mindanao A. Islamic Music 1. Vocal music: a) chants; b) lullaby 2. Instrumental Ensemble a) Kulintang ensemble b) bamboo ensemble c) solo instruments 3. Non-Islamic a) Christian; b) Lumad: (Folk songs of Zamboanga, Butuan & Tausug). 4th Quarter: Philippine Festivals Philippine Festivals a) Aklan – Ati-Atihan b) Davao – Kadayawan c) Marinduque – Moriones d) Cebu – Sinulog e) Bicol – Ibalon f) Batangas - Sublian Theatrical Forms g) a) Komedya/Moro-moro/Arakyo b) Sarsuela c) Bodabil Grade 10-21st Century Music 3rd Quarter: Contemporary Philippine Music (Minimum of 4 composers for each) 1. -
21St Century Literature from the Philippines and the World Quarter 1 – Module 4: Creative Representation of a Literary Text
21st Century Literature from the Philippines and the World Quarter 1 – Module 4: Creative Representation of a Literary Text 21st Century Literature from the Philippines and the World Alternative Delivery Mode Quarter 1 – Module 4: Creative Representation of Literacy Text First Edition, 2020 Republic Act 8293, section 176 states that: No copyright shall subsist in any work of the Government of the Philippines. However, prior approval of the government agency or office wherein the work is created shall be necessary for exploitation of such work for profit. Such agency or office may, among other things, impose as a condition the payment of royalties. Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names, trademarks, etc.) included in this module are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials from them. The publisher and authors do not represent nor claim ownership over them. Published by the Department of Education Secretary: Leonor Magtolis Briones Undersecretary: Diosdado M. San Antonio Development Team of the Module Writers: Alma Teresa Atrero-Corpuz, Florabel B. Jacinto, Roanne Julie D. Davila Tab space bar Editors: Lawrence B. Icasiano, Paula J. Martinez after the colon Reviewers: Abigail I. Mirabel-Agapay, Roderick O. Delmo, Julieta R. De Jesus Illustrators: Patrick L. Pernia, Norvin B. Taniza Layout Artists: Marites K. Chavez, Elleden Grace L. Denosta Management Team: Wilfredo E. Cabral Job S. Zape Jr. Eugenio S. Adrao Elaine -
2014 Annual Report.Pmd
CULTURAL CENTER OF THE PHILIPPINES ANNUAL REPORT 2014 TABLE OF CONTENTS I. Vision-Mission & Objectives II. The CCP III. Chairman’s Report IV. President’s Report V. Artistic Programs 1. Performances 2. CCP Resident Companies 3. Training and Education 4. Lessees 5. Exhibitions 6. Film Showings 7. Arts Festivals 8. Arts for Transformation & Outreach Programs VI. Arts and Administration 1. Administrative and General Services 2. Human Resource Management 3. Production and Exhibition Management 4. Cultural International Exchanges 5. Arts Education VII. Financial Summary and Analysis VIII. Organizational Chart IX. Board of Trustees and Key Officials VISION Art matters to the life of every Filipino MISSION Be the leading institution for arts and culture in the Philippines by promoting artistic excellence and nurturing the broadest publics to participate in art making and appreciation. OBJECTIVES Artistic ExcellenceExcellence. Create, produce and present excellent and engaging artistic and cultural experiences from the Philippines and all over the world. Arts for Transformation. Nurture the next generation of artists and audiences who appreciate and support artistic and cultural work. Sustainability and Viability. Achieve organizational and financial stability for the CCP to ensure the continuity of its artistic and cultural program and contribute to the flourishing creative industry in the Philippines. Human Resource Development. Develop a loyal, competent and efficient workforce towards fulfilling a vital role in the cultural institution. HISTORY The Cultural Center of the Philippines (CCP) is the premiere showcase of the arts in the Philippines. Founded in 1969, the CCP has been producing and presenting music, dance, theater, visual arts, literary, cinematic and design events from the Philippines and all over the world for more than forty years.