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UNIVERSITY of CALIFORNIA RIVERSIDE Naming
UNIVERSITY OF CALIFORNIA RIVERSIDE Naming the Artist, Composing the Philippines: Listening for the Nation in the National Artist Award A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Neal D. Matherne June 2014 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. René T.A. Lysloff Dr. Sally Ann Ness Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Neal D. Matherne 2014 The Dissertation of Neal D. Matherne is approved: Committee Chairperson University of California, Riverside Acknowledgements This work is the result of four years spent in two countries (the U.S. and the Philippines). A small army of people believed in this project and I am eternally grateful. Thank you to my committee members: Rene Lysloff, Sally Ness, Jonathan Ritter, Christina Schwenkel. It is an honor to receive your expert commentary on my research. And to my mentor and chair, Deborah Wong: although we may see this dissertation as the end of a long journey together, I will forever benefit from your words and your example. You taught me that a scholar is not simply an expert, but a responsible citizen of the university, the community, the nation, and the world. I am truly grateful for your time, patience, and efforts during the application, research, and writing phases of this work. This dissertation would not have been possible without a year-long research grant (2011-2012) from the IIE Graduate Fellowship for International Study with funding from the Andrew W. Mellon Foundation. I was one of eighty fortunate scholars who received this fellowship after the Fulbright-Hays Doctoral Dissertation Research Abroad Program was cancelled by the U.S. -
Preservation and Restoration of Philippine Art Music Manuscripts of the University of the Philippines-Diliman College of Music
Preservation and Restoration of Philippine Art Music Manuscripts of the University of the Philippines-Diliman College of Music Asst. Prof. Johann Frederick A. Cabbab and Asst. Prof. Iyra S. Buenrostro © Copyright of University of the Philippines Diliman. All rights reserved. 2013 The former library of the Conservatory of Music was built in 1925, nine years after the establishment of the conservatory. After World War II, UP transferred its campus from Manila to Diliman, Quezon City, and the library started to be reorganized in 1954. Under the administration of President Carlos P. Romulo, the then Conservatory of Music officially became a college in 1968. The UP College of Music named its current building after the famous Filipino composer and distinct alumnus of the Conservatory, Nicanor Abelardo. © Copyright of University of the Philippines Diliman. All rights reserved.(UP 2013 College of Music, 2012, para.1-5). National Artists for Music Antonino R. Buenaventura Ernani Joson Cuenco Jovita Fuentes Jose Maceda Lucio D. San Pedro Levi Celerio Felipe Padilla De Leon Lucrecia R. Kasilag Antonio J. Molina Andrea O. Veneracion © Copyright of University of the Philippines Diliman. All rights reserved. 2013 (NCCA, 2011) Among the National Artists for Music, seven came from the Conservatory of Music/UP College of Music: Antonino R. Buenaventura Jovita Fuentes Jose Maceda Lucio D. San Pedro Felipe Padilla De Leon Antonio J. Molina Andrea O. Veneracion © Copyright of University of the Philippines Diliman. All rights reserved. 2013 The art music manuscripts of famous composer Abelardo, and National Artists Molina, Buenaventura, and San Pedro, and other famous composers and alumni were donated by their heirs to the library of the UP College of Music. -
Expressions of Tagalog Imaginary the Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959)
ISSN: 0041-7149 ISSN: 2619-7987 VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio p. AfricA . UNITAS Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) . VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio P. AfricA since 1922 Indexed in the International Bibliography of the Modern Language Association of America Expressions of Tagalog Imgaginary: The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Copyright @ 2016 Antonio P. Africa & the University of Santo Tomas Photos used in this study were reprinted by permission of Mr. Simon Santos. About the book cover: Cover photo shows the character, Mercedes, played by Rebecca Gonzalez in the 1950 LVN Pictures Production, Mutya ng Pasig, directed by Richard Abelardo. The title of the film was from the title of the famous kundiman composed by the director’s brother, Nicanor Abelardo. Acknowledgement to Simon Santos and Mike de Leon for granting the author permission to use the cover photo; to Simon Santos for permission to use photos inside pages of this study. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). -
The Philippines Illustrated
The Philippines Illustrated A Visitors Guide & Fact Book By Graham Winter of www.philippineholiday.com Fig.1 & Fig 2. Apulit Island Beach, Palawan All photographs were taken by & are the property of the Author Images of Flower Island, Kubo Sa Dagat, Pandan Island & Fantasy Place supplied courtesy of the owners. CHAPTERS 1) History of The Philippines 2) Fast Facts: Politics & Political Parties Economy Trade & Business General Facts Tourist Information Social Statistics Population & People 3) Guide to the Regions 4) Cities Guide 5) Destinations Guide 6) Guide to The Best Tours 7) Hotels, accommodation & where to stay 8) Philippines Scuba Diving & Snorkelling. PADI Diving Courses 9) Art & Artists, Cultural Life & Museums 10) What to See, What to Do, Festival Calendar Shopping 11) Bars & Restaurants Guide. Filipino Cuisine Guide 12) Getting there & getting around 13) Guide to Girls 14) Scams, Cons & Rip-Offs 15) How to avoid petty crime 16) How to stay healthy. How to stay sane 17) Do’s & Don’ts 18) How to Get a Free Holiday 19) Essential items to bring with you. Advice to British Passport Holders 20) Volcanoes, Earthquakes, Disasters & The Dona Paz Incident 21) Residency, Retirement, Working & Doing Business, Property 22) Terrorism & Crime 23) Links 24) English-Tagalog, Language Guide. Native Languages & #s of speakers 25) Final Thoughts Appendices Listings: a) Govt.Departments. Who runs the country? b) 1630 hotels in the Philippines c) Universities d) Radio Stations e) Bus Companies f) Information on the Philippines Travel Tax g) Ferries information and schedules. Chapter 1) History of The Philippines The inhabitants are thought to have migrated to the Philippines from Borneo, Sumatra & Malaya 30,000 years ago. -
'"1;( Jul -2.'J :39
FIFTEENTH CONGRESS OF THE REPUBLIC ) OF THE PHILIPPINES ) Third Regular Session ) '"1;( JUL -2.'J :39 SENATE P. s. R. No. 808. Introduced by Senator Miriam Defensor Santiago RESOLUTION RESPECTFULLY URGING HIS EXCELLENCY, PRESIDENT BENIGNO S. AQUINO III, TI-IE CULTURAL CENTER OF THE PHILIPPINES, AND THE NATIONAL COMMISSION FOR CULTURE AND THE ARTS, TO CONFER THE NATIONAL ARTIST AWARD FOR DANCE TO LISA MACUJA-ELIZALDE, FOR HER IMMENSE AND UNPARALLELED CONTRIBUTIONS TO PHILIPPINE CULTURE AND THE ARTS, SPECIFICALLY TO PHILIPPINE BALLET WHEREAS, the Order of National Artists (Orden ng Gawad Pambansang Alagad ng Sining) is the highest national recognition given to Filipino individuals who have made significant contributions to the development of Philippine arts - music, dance, theater, visual arts, literature, film and broadcast arts, and architecture and allied arts; WHEREAS, the Order of National Artists is administered jointly by the National Commission for Culture and the Arts (NCCA) and the Cultural Center of the Philippines (CCP), and conferred by the President of the Philippines; WHEREAS, notable artists who have received this honor include Amado V. Hernandez, N.V.M. Gonzales, Nick Joaquin, Levi Celerio, Lino Brocka, Ishmael Bernal, Rolando Tinio, Fernando Poe Jr., Napoleon Abueva, Vicente Manansala, and Cesar Legaspi, among others; WHEREAS, for the dance category, only Francisca Reyes Aquino, Leonor Orosa Goquingco, Ramon Obusan, and Lucrecia Reyes Urtula have been conferred the National Artist Award; WHEREAS, Lisa Macuja-Elizalde is the first Filipina prima ballerina and first foreign soloist who ever joined the prestigious Kirov Ballet in 1984; she is also the artistic director of Ballet Manila, vice chairperson of the Philippine UNESCO National Commission, and directress and' faculty member of the Ballet Manila School; she was previously commissioner of the National Commission on the Role of Filipino Women; WHEREAS, as a scholar of the USSR Ministry of Culture, Ms. -
CONTEMPORARY PHILIPPINE ARTS from the REGIONS Overview of the K to 12 Curriculum in Grades 7 and 10 Grade 7-Philippine Music 1St Quarter: Music of Luzon (Lowlands)
CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS Overview of the K to 12 Curriculum in Grades 7 and 10 Grade 7-Philippine Music 1st Quarter: Music of Luzon (Lowlands) 1. Vocal Music a) Performance practice; b) Folk songs; c) Sacred (Liturgical and Devotional) music: Mass, Pastores, Senakulo, Pasyon, Salubong, Flores de Mayo, Santacruzan; d) Secular music: Harana, Balitaw, Kumintang, Polka; e) Art music: Kundiman. f) g) 2. Instrumental Music a) Rondalla; b) Brass Band; c) Musikong Bumbong d) Bamboo organ; e) Angklung ensemble; f) Himig Pangkat Kawayan. 2nd Quarter: Music of Cordillera, Mindoro, Palawan, & the Visayas A. Cordillera 1. Vocal Music a) Performance practice; b) Representative songs/genre (salidummay, oggayam, ba-diw) 2. Instrumental Music a) Gangsa ensemble; b) Bamboo solo/ensemble B. Mindoro & Palawan 1. Vocal Music a) Performance practice; b) Representative songs/genre (Vocal chants-Ambahan, Igway) 2. Instrumental Music a) Instrumental ensembles: Bamboo/Gong ensemble b) Solo instruments C. Visayas 1. Vocal Music a) Performance practice; b) Representative songs/genre: Balitao-Visayan, Pastores-Christmas, Kanta-Folksong, Ballad, Lullaby, Courtship, and Composo - Ilonggo narrative song. 2. Instrumental Music a) Instrumental ensembles: Rondalla, Tultogan, Harp, Band, “Bird Dance” Binanog (Panay, Bukidnon 3rd Quarter: Music of Mindanao A. Islamic Music 1. Vocal music: a) chants; b) lullaby 2. Instrumental Ensemble a) Kulintang ensemble b) bamboo ensemble c) solo instruments 3. Non-Islamic a) Christian; b) Lumad: (Folk songs of Zamboanga, Butuan & Tausug). 4th Quarter: Philippine Festivals Philippine Festivals a) Aklan – Ati-Atihan b) Davao – Kadayawan c) Marinduque – Moriones d) Cebu – Sinulog e) Bicol – Ibalon f) Batangas - Sublian Theatrical Forms g) a) Komedya/Moro-moro/Arakyo b) Sarsuela c) Bodabil Grade 10-21st Century Music 3rd Quarter: Contemporary Philippine Music (Minimum of 4 composers for each) 1. -
21St Century Literature from the Philippines and the World Quarter 1 – Module 4: Creative Representation of a Literary Text
21st Century Literature from the Philippines and the World Quarter 1 – Module 4: Creative Representation of a Literary Text 21st Century Literature from the Philippines and the World Alternative Delivery Mode Quarter 1 – Module 4: Creative Representation of Literacy Text First Edition, 2020 Republic Act 8293, section 176 states that: No copyright shall subsist in any work of the Government of the Philippines. However, prior approval of the government agency or office wherein the work is created shall be necessary for exploitation of such work for profit. Such agency or office may, among other things, impose as a condition the payment of royalties. Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names, trademarks, etc.) included in this module are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials from them. The publisher and authors do not represent nor claim ownership over them. Published by the Department of Education Secretary: Leonor Magtolis Briones Undersecretary: Diosdado M. San Antonio Development Team of the Module Writers: Alma Teresa Atrero-Corpuz, Florabel B. Jacinto, Roanne Julie D. Davila Tab space bar Editors: Lawrence B. Icasiano, Paula J. Martinez after the colon Reviewers: Abigail I. Mirabel-Agapay, Roderick O. Delmo, Julieta R. De Jesus Illustrators: Patrick L. Pernia, Norvin B. Taniza Layout Artists: Marites K. Chavez, Elleden Grace L. Denosta Management Team: Wilfredo E. Cabral Job S. Zape Jr. Eugenio S. Adrao Elaine -
Quarter 3 – Module 1: CONTEMPORARY PHILIPPINE MUSIC (TRADITIONAL, NEW MUSIC and SONG COMPOSERS)
Republic of the Philippines Department of Education Regional Office IX, Zamboanga Peninsula 10 Zest for Progress Zeal of Partnership MUSIC Quarter 3 – Module 1: CONTEMPORARY PHILIPPINE MUSIC (TRADITIONAL, NEW MUSIC AND SONG COMPOSERS) Name of Learner: ___________________________ Grade & Section: ___________________________ 1 Name of School: ___________________________ What I Need To Know At the end of theKKKKKNOW module, each student is expectedKNOW to: Narrates the life of selected contemporary Filipino composer/s (MU10CM-IIIc-g-3) According to National Artist Ramon Santos, PhD, “contemporary music in the Philippines refers to compositions that have adopted ideas and elements from 20th century art music in the west, as well as the latest trends and musical styles in the entertainment industry.” The modern Filipino repertoire consists of musical pieces that have been written in 20th century idioms that have evolved out of such stylistic movements as impressionism, expressionism, neo-classicism, as well as avant-garde and new music. New music are compositions which are improvisational works such as the early compositions of Dr. Ramon Santos, Radyasyon and Quadrasyon; Josefino “Chino” Toledo’s Samut-Sari, Pintigan and Terminal Lamentations, and Jonathan Baes’ Wala and Banwa. With the European and American influences brought by our country’s colonizers, it ws inevitable that the musical style of 20th century Western composers found their way into Philippine compositions. The works many notable Filipino composers are evidence of this. An entire group of 20th Filipino song composers became popular for their musical compositions used as background music or theme songs in movies and films. 2 What I Know Directions: Read very carefully each statement about the Contemporary Philippine Music. -
First Balfour:Aiming for the Top of the Construction Heap
August 2008 Happy birthday, Mr. Gabby Lopez! August 13 Available online at www.benpres-holdings.com First Balfour: Aiming for the top of the construction heap FIRST Balfour Inc., the engineering Less than a year from now, one of It also became a player in the con- and construction arm of the Lopez its blue-chip projects, the P5.8-billion struction business through a compa- Group, boasts of a body of work—39 St. Luke’s Medical Center in Bonifacio ny called Philippine Engineering and years’ worth—that is as ubiquitous as Global City (see sidebar), will be un- Construction Corporation (PECCO). the newest techie gadget, with each veiled, firmly establishing the company Forays into power transmission, individual project becoming a vital as a construction titan to reckon with. industrial plants and oil refineries soon part of Pinoys’ everyday life. Meralco Securities venture resulted in a new, more fitting name for The company is in the Light Rail In the 1960s, holding company PECO: Engineering and Construction CA upholds Meralco ...p.2 Transit (LRT) system that moves mil- Meralco Securities started venturing Corporation of Asia (ECCO-Asia). lions of Manilans from one end of the into a host of businesses following its In 1997, a 60:40 joint venture be- metro to the other every day; it is in financial and management triumphs tween ECCO-Asia parent FPHC and the bridges, roads and expressways with Meralco. The First Philippine Balfour Beatty of the United King- that connect our cities and towns; Holdings Corp. (FPHC) predecessor, dom gave birth to First Philippine and in the pipes and power plants in quick succession, entered the pipe- Balfour Beatty Inc. -
CULTURAL CENTER of the PHILIPPINES HIGHLIGHTS of ARTISTIC PROGRAMS and PROJECTS January to June 2020
CULTURAL CENTER OF THE PHILIPPINES HIGHLIGHTS OF ARTISTIC PROGRAMS AND PROJECTS January to June 2020 CCP Mission 1 To create, produce, and present excellent and engaging cultural experiences from the Philippines and all over the world – onsite, offsite, and online; and CCP Mission 2 Showcase the best examples of Filipino art and culture FESTIVALS (multi-venue, multi-arts) FESTIVAL OF PLAYS BY WOMEN (FORUM, READATHON, PERFORMANCE) (Co - Production - Women Playwrights International Philippines) Reach No. of Production/Shows: 1/9 (forum: 3, readathon: 3, performance: 3) No. of Performers: 106 (Forum - 14, Readathon - 32, Performance - 60) No. of Audience: 1,266 (100%) Artistic/Production Staff: 43; crew: 11; volunteers: 8 Names of Resource Persons/Speakers/Performers: Forum: Resource Persons: August Melody Andong, NA Amelia Lapeña-Bonifacio, Dessa Quesada-Palm,Dr. Elena Pernia,Elsa Martinez Coscolluela,Dr. Glecy Cruz Atienza, Jehanne Mutin,Leticia Arbelo,Liza Magtoto,Ma.Luna Sicat-Cleto Maria Theresa Belleza, Maria Lourdes Jacob, Rosemary Johns, Saturnina Rodil Readathon:Speakers - Eunice Joy Bacalando,Geene Sabrina Saddul Basilio,Josephine V. Roque,Maria “Lorelie” A. Diño,Patricia C. Velasco,Pneuma Lorenzo,Wenah Nogales of KolabCo; Performers - Maskara Theatre Ensemble (10):Ezra Mae Divino,Gloven Gerogalin, Jackie Aguilar,Jing Torrecampo,Mary June Ambino,Michelle Alcayde,Nicole Belgera,Noel Pahayupan,Roger Joshua Venzal,Venise Buenaflor;Manila Tytana Colleges (1):Claudine Francia;Twin Bill Theater (5):Francis Matheu,Lei Ann Oro Quinquilleria, Michael Angelo Lopez, Pie Manuel, Tasha Guerrero; Ateneo Fine Arts (9): Ash Nicanor, Conn Sy, Danielyn Joy V. Del Rosario, Joy Cerro,Joy Delos Santos, Liway Gabo, Pau Benitez, Rainbow Guttierez, Raye Baquirin Performance: Dulaang Pasay (6) - Bea ChryzsandraAraojo, Jake Boltron, Kyle Lim, Mark Jacob Panganiban, Ma. -
CCP MAJOR ACCOMPLISHMENTS for FY 2019 (January-December 2019)
CCP MAJOR ACCOMPLISHMENTS FOR FY 2019 (January-December 2019) FESTIVALS (multi-venue, multi-arts) PASINAYA 2019: PALABAS (THE CCP OPEN HOUSE FESTIVAL) No. of Shows: 224 shows No. of performers: 7,691 performers (186 groups, 98 individuals) No. of Audience: 12,131 No. of Viewership:111,706 Description: For its 15th year, the Pasinaya, the biggest multi arts festival in the Philippines, is now three days - one day workshop and two days of performances featuring the participation of thousandsof artists and hundreds of artistic and cultural groups in the Philippines. It offered to the public a unique- “Pay what you can, See all you can” donation scheme the opportunity to enjoy a sneak preview of the CCP Performance Season. Other cultural sites for the events were the Metropolitan Museum of Manila, Museo Marino, National Museum: National Museum of Fine Arts, National Museum of Anthropology and National Musuem of Natural History; Bahay Tsinoy, Fort Santiago, Casa Manila, Museo Pambata, UP Manila Museum of a History of Ideas, FDCP Cinematheque Manila, Museum of Contemporary Art and Design, 1335 Mabini, Avellana Art Gallery, Gallery Duemila, 98B Collaboratory, Mono 8, DestileriaLimtuaco Museum, Calle Wright, NCCA Gallery and De La Salle College of Saint Benilde Center for Campus Art. 30 vans from the Museum Foundation of the Philippines ferried audiences to partner museums for free.More than 7,000 artists from 186 institution-based, community-based and school-based artistic groups participated in the 2019 CCP Pasinaya. PALIHAN (Workshop) No. of shows/activities/events:77 workshops(11 venues) No. of facilitators/mentors/teachers: 96 teachers and mentors, 327 artist-teacher facilitators and performers No. -
Cabales Master's Thesis.Rev.1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSUN ScholarWorks CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Music of Pre-colonial and Spanish Colonial Philippines, and the Filipino Rondalla A thesis submitted in partial fulfillment of the requirements For the degree in Master of Music in Music, Performance By Justin Cydrick Gaffud Cabales May 2015 The thesis of Justin Cydrick Gaffud Cabales is approved: _________________________________________ ______________ Dr. Alexandra Monchick Date _________________________________________ ______________ Dr. Lawrence Stoffel Date _________________________________________ ______________ Dr. Julia Heinen, Chair Date California State University, Northridge ii Table of Contents Signature Page ........................................................ ii Table of Contents ..................................................... iii Abstract .............................................................. iv Introduction .......................................................... 1 Chapter 1 Ethnic Tradition .................................................. 3 Ethnic Music ...................................................... 4 Ethnic Instruments ................................................ 6 Chapter 2 Spanish Colonial Tradition ........................................ 10 Spanish Colonial Music ........................................... 12 Spanish Colonial Instruments ..................................... 16 Choral Music and San Pedro’s Sa Ugoy Ng Duyan ..................