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Timeonon Thethe
SOUTH COAST TOURISM SUMMER MELT-DOWN MARGATE STUDENT RAVE > DECEMBER 2010 PARTY timeonon thethe SASHA MARTINENGO ROGER GOODE JACK PAROW DIE HEUWELS FANTASTIES LOCNVILLE GOLDFISH Discover Africas South Coast: Scenic Tours of our Cultural Hinterland 2 of the Worlds Top 10 Dive Sites 6 Magnificent Blue Flag Beaches 11 conveniently situated Golf Courses 14 inspirational Guided Birding Routes and the most perfect Winter Climate! SUMMER 2010 South Coast Tourism has preprared an awesome Programme for you this Summer! DATE: 10 December DATE: 18 December VENUE: SAB Party Zone VENUE: Margate Middle Beach DATE: 18 December GOLDFISH VENUE: Margate Middle Beach DIE HEUWELS FANTASTIES ROGER GOODEOODE DATE: 17 December VENUE: Backline SASHA MARTINENGOARTINENGO It might be hard to imagine that one of the most The success of Die Heuwels Fantasties (Hills exciting live electronica acts in the world right Fantastic) may appear to be overnight, but these now originates from South Africa, but the success talented Bellville musos have certainly paid their story behind Cape Towns electronica dues. Hunter Kennedy and Pierre Greeff wrote phenomenon, Goldfish, has been nothing short their first song together when they were 15 and of extraordinary. From their beginnings as Jazz 16 years old respectively. Hunter was in students, these funky multi-instrumentalists are Fokofpolisiekar and Pierre in Lukraaketaar, when seriously onto something. That something both their bands took a break last year and they includes a live mix of hypnotic vocals, screaming started hanging out together. So here they are synths, and more saxophones, double bass and - Die Heuwels Fantasties - and theyre doing it keyboards than a second-hand music shop. -
Music Through the Lens: the Changing Position of Photographers in the South African Music Scene
Music through the Lens: The changing position of photographers in the South African music scene Fig i.1: Fokofpolisiekar with music photographers in the first few rows. Oppikoppi [Northam], 2016 © Lourens Smit Photography. by: Lionel Potgieter u12006816 Supervisor: Dr. Jimmy Pieterse October 2019 A dissertation submitted in fulfilment of the requirements for the degree MSocSci Anthropology in the Department of Anthropology and Archaeology University of Pretoria Faculty of Humanities Declaration of originality University of Pretoria The Department of Anthropology and Archaeology places great emphasis upon integrity and ethical conduct in the preparation of all written work submitted for academic evaluation. While academic staff teach you about referencing techniques and how to avoid plagiarism, you too have a responsibility in this regard. If you are at any stage uncertain as to what is required, you should speak to your lecturer before any written work is submitted. You are guilty of plagiarism if you copy something from another author’s work (e.g. a book, an article or a website) without acknowledging the source and pass it off as your own. In effect you are stealing something that belongs to someone else. This is not only the case when you copy work word-for-word (verbatim), but also when you submit someone else’s work in a slightly altered form (paraphrase) or use a line of argument without acknowledging it. You are not allowed to use work previously produced by another student. You are also not allowed to let anybody copy your work with the intention of passing if off as his/her work. -
Sounds of Young Afrikaners
Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Maike Lolkema Research Master Thesis in African Studies African Studies Centre / Leiden University Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Name Maike Reinate Lolkema Supervisor Dr. W.M.J. (Ineke) van Kessel Second Reader Dr. H. (Harry) Wels Date July 2014 Pictures used at the cover: Picture at the top: Audience at the performance of Fokofpolisiekar at Oppikoppi Festival at August 10th 2012. Picture at the bottom: Audience at the performance of Steve Hofmeyr at the Pretoria Musiekfees on November 17th 2012. The writer made both pictures. 2 ‘We understand it still that there is no easy road to freedom. We know it well that none of us acting alone can achieve success. We must therefore act together as a united people, for national reconciliation, for nation building, for the birth of a new world.’ - Nelson Mandela in his inaugural address May 10th 1994 ‘Een ding het intussen vir my duidelik geword: Dis nie ’n land vir sissies nie.’ - Fred de Vries in Rigting Bedonnerd ‘Revoluties worden op schepen uitgeroepen, utopieën op eilanden geleefd. Dat er nog iets anders moet zijn dan het hier en nu, is een troostende gedachte.’ - Judith Schalansky in De atlas van afgelegen eilanden ‘Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. Your playing small does not serve the world. -
Downloaded from ORCA, Cardiff University's Institutional Repository
This is an Open Access document downloaded from ORCA, Cardiff University's institutional repository: http://orca.cf.ac.uk/116084/ This is the author’s version of a work that was submitted to / accepted for publication. Citation for final published version: Brock, Maria and Truscott, Ross 2012. “What's the difference between a melancholic apartheid moustache and a nostalgic GDR telephone?”. Peace and Conflict: Journal of Peace Psychology 18 (3) , pp. 318-328. 10.1037/a0029073 file Publishers page: http://dx.doi.org/10.1037/a0029073 <http://dx.doi.org/10.1037/a0029073> Please note: Changes made as a result of publishing processes such as copy-editing, formatting and page numbers may not be reflected in this version. For the definitive version of this publication, please refer to the published source. You are advised to consult the publisher’s version if you wish to cite this paper. This version is being made available in accordance with publisher policies. See http://orca.cf.ac.uk/policies.html for usage policies. Copyright and moral rights for publications made available in ORCA are retained by the copyright holders. “What’s the difference between an apartheid moustache and a GDR telephone?”1 Ostalgie, melancholia and working-through the past in South Africa and Eastern Germany Authors: Maria Brock (Department of Psychosocial Studies, Birkbeck College, University of London, 30 Russell Square, London WC1B 5DT, UK. [email protected]) Ross Truscott (NRF Chair for Social Change, University of Fort Hare, East London, South Africa, 5201. [email protected]) 1 This was a question asked by a reviewer of an earlier version of this paper. -
How Ninja from Die Antwoord Performs South African White Masculinities Through the Digital Archive
ZEF AS PERFORMANCE ART ON THE ‘INTERWEB’: How Ninja from Die Antwoord performs South African white masculinities through the digital archive by Esther Alet Rossouw Submitted in fulfilment of the requirements of the degree MAGISTER ARTIUM in the Department of Drama Faculty of Humanities University of Pretoria Supervisor: Dr M Taub AUGUST 2015 1 ABSTRACT The experience of South African rap-rave group Die Antwoord’s digital archive of online videos is one that, in this study, is interpreted as performance art. This interpretation provides a reading of the character Ninja as a performance of South African white masculinities, which places Die Antwoord’s work within identity discourse. The resurgence of the discussion and practice of performance art in the past thirty years has led some observers to suggest that Die Antwoord’s questionable work may be performance art. This study investigates a reconfiguration of the notion of performance art in online video. This is done through an interrogation of notions of risk, a conceptual dimension of ideas, audience participation and digital liveness. The character Ninja performs notions of South African white masculinities in their music videos, interviews and short film Umshini Wam which raises questions of representation. Based on the critical reading of Die Antwoord’s online video performance art, this dissertation explores notions of Zef, freakery, the abject, new ethnicities, and racechanges, as related to the research field of whiteness, to interpret Ninja’s performance of whiteness. A gendered reading of Die Antwoord’s digital archive is used to determine how hegemonic masculinities are performed by Ninja. It is determined that through their parodic performance art, Die Antwoord creates a transformative intervention through which stagnant notions of South African white masculinity may be reconfigured. -
Prime Circle to Rock Your Weekend
GET YOUR COPY with your JOBURG MR DELIVERY order from FREE Thurs-Sat each week YOUR FREE GUIDE TO YOUR FREE TIME 07 April - 13 April 2016 ÷ Issue 47 Loyiso Gola on Life & Travel – page 3 Dowwe Dolla is back in - Page 5 Gauteng – page 3 Prime Circle to rock your weekend Rock the craft at SA on Tap Follow us online: @48hoursinjoburg www.facebook.com/48hoursinjoburg – page 10 GAUTENG ECO ADVENTURE OUTDOOR & TRAVEL EXPO 27 - 29 MAY 2016 WATERFALL POLO ESTATE, MIDRAND CNR R55 (WOODMEAD DR) & MAXWELL DR, OPPOSITE WATERFALL VIRGIN ACTIVE 200 EXHIBITS - LOTS TO SEE & DO! 4x4s, CARAVANS, TRAILERS, BOATS OUTDOOR ACCESSORIES, TRAVEL & TOURISM SATURDAY, 28 MAY LIVE ON BIG SCREEN SELF DRIVE 4x4 TRACK 3pm Stormers vs Cheetahs LIVE ENTERTAINMENT 5pm Blue Bulls vs Lions GOOD FOOD, CRAFT BEER Bring your mates. Table bookings essential: SHOW TIMES & TICKET INFORMATION: [email protected] GOOD FOOD, CRAFT BEER, BILTONG, ALL DAY FAMILY FUN! BOERIE ROLLS & MORE UNTIL 8PM! @outdoorexpo1 Outdoor Eco Adventure www.outdoorexpo.co.za #outdoorexpomidrand and Travel Expo The Next 48hOURS • Socials Seen at the recent opening night of ‘Always and Forever – A Tribute Travelling & Living with the stars to Luther Vandross’ at Joburg Theatre Pictures by Mariola biela and Louise McAulifee EDITORIAL STAFF Editorial COnTRIbutors Editorial Address The Next 48hOURS is published by Managing Editor: Naushad Khan Jenny Morris Postal: P.O. Box 830, Rani Communications. Every effort has Publisher/Editor: Imran Khan Peter Feldman Maitland, 7404 been made to ensure the accuracy of Production Editor: Peter Tromp RoxyK the information provided. Editorial Assistant: Aisha Sieed Imran Khan Actual: 12 Main Rd. -
Protrax Catalogue Protrax Backing Tracks
PROTRAX CATALOGUE PROTRAX BACKING TRACKS July - August 2021 Customer Service & General Enquiries e: [email protected] w: www.protraxonline.com ABOUT THE CATALOGUE ProTrax Productions (South Africa) The backing tracks in this catalogue are arranged e: [email protected] in alphabetical order according to the song title, t: (+27) 82 770 0902 (Weekdays 08h30 to 17h00 - GMT +2) irrespective of language or genre. The availability f: (+27) 86 684 4187 a:191 Lisdogan Avenue, Lisdogan Park, Pretoria, 0083 of catalogued backing tracks may change without notice. ProTrax Music Production House (Australia) e: [email protected] Visit www.protraxonline.com to browse content, f: (+61) 450 778 577 (Weekdays 10h00 to 15h00 - GMT +8) listen to demos or search for backing tracks by: a: P.O. Box 717, South Fremantle, Western Australia, 6162 Genre Latest Additions PROTRAX RECORDING STUDIO Specials Top 10 Charts Bookings & Enquiries (South Africa) w: www.protraxstudio.com e: [email protected] On the website you can also request new tracks, t: (+27) 82 770 0902 (Weekdays 08h30 to 17h00) demos in different keys and view our terms of use. f: (+27) 6 684 4187 a: 191 Lisdogan Avenue, Lisdogan Park, Pretoria, 0083 PROTRAX KARAOKE EXCLUSIVES Customer Service & General Enquiries e: [email protected] w: www.protraxkaraoke.com t: (+27) 82 770 0902 (Weekdays 08h30 to 17h00) ProTrax Backing Track Catalogue J u l y - A u g u s t 2021 P a g e | 1 Joe Niemand from A Candle Burning Pam Thum A New Day Aan Jou Vas Eden "Faith Like Potatoes" A Cradle Prayer Rebecca St. -
Trevor Noah Back Home to Host MAMA 2016
THE NEXT JOBURG FREE 48hO U 20 OctoberR - 26 OctoberS 2016 ÷ Issue 63 YOURYo FREEur GUIDE fre TOe YOUR g uFREEid TIMEe t o your free time ‘Jam Jozi’ to rock Montecasino – page 6 - Page 3 Trevor Noah back home to host MAMA 2016 Follow us online: @48hoursinjoburg www.facebook.com/48hoursinjoburg The Next 48hOURS • Out & About Seen at the launch of the Roulette Knockout tournament at Montecasino Cycling Events Calendar Cape Town & Western Cape 2016 - 2017 April 2016 May 2016 June 2016 Surval MTB 99er MTB The Fine Breede Delta Trap MTB Gravel & Grape Redstone Hill Langebaan Nissan Trail Robbertson Malgas Lions Liberty Hex Valley Challenge Challenge MTB 10 April 2016 MTB MTB & Trailrun Country Estate seekers Winery West Coast MTB Waterberg MTB Autumm Fun Ride Challenge 2 April 2016 9 April 2016 8-9 April 2016 Franshhoek 6-8 May 2016 6-8 May 2016 7 May 2016 MTB Challenge 10-12 June 2016 Splendour MTB Oudtshoorn Durbanville Rawsonville Rawsonville Calitzdorp 7 May 2016 Franschhoek 4 June 2016 June 2016 Ceres 11 June 2016 Langebaan Robertson De Doorns 36One MTB Liberty Philadelphia Cell C Arabella Tru Cape MTB Hessequa MTB PPA Tread All Mountain Spur Eden MTB Blue Ribbon RECM Knysna Greyton Classics Challenge Winelands MTB Fun Ride MTB Challenge 7 May 2016 Challenge Lightly Women’s Enduro 11 June 2016 Yzerfontein 200 17-18 June 2016 Encounters MTB cycle Experience 15-17 April 2016 16 April 2016 23-24 April 2016 Grabouw May 2016 15 May 2016 George 13-15 June 2016 Greyton Oudtshoorn 15-17 April 2016 Durbanville Kleinmond Riversdale 14 May 2016 Stellenbosch -
The Dynamics of the Interaction Between Music and Society in Recorded Popular Afrikaans Music, 1900 – 2015
The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015. by Schalk Daniël van der Merwe Dissertation presented for the degree of Doctor of Philosophy (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof. Albert Mauritz Grundlingh Co-supervisor: Prof. Stephanus Muller December 2015 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this dissertation, I declare that the entirety of the work contained therein is my own, original work, that I am the owner of the copyright thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2015 Copyright © 2015 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Acknowledgements Firstly, I would like to extend my gratitude to my two supervisors, Professors Albert Grundlingh and Stephanus Muller – I cannot think of a more suitable combination of minds for guiding me through the specific challenges of writing on this subject. I am also grateful for the History Department of Stellenbosch University for financial support, and to my colleagues Professors Sandra Swart, Bill Nasson, Wessel Visser, Dr. Anton Ehlers, (soon-to- be Dr.) Chet Fransch, Melvyn Daniels and Leschelle Morkel, and former colleague Dr. Sarah Duff – all of whom contributed in their own ways. Thank you to Mimi Seyffert, Marina Brink and Lynne Fourie at the University of Stellenbosch’s Library Archive for their help and guidance with archival material. Thank you also to Ernéne Verster and Huibre Lombard at the University of the Free State’s Institute for Contemporary History Archives, and to Monica van Deventer at the SABC Information Library for their help and correspondence. -
Removing the Black Tape : Survivor Speaks out SA’S Dagga Couple
A A C T I V A T E RHODES UNIVERSITY INDEPENDENT STUDENT NEWSPAPER EDITION 2 • 20 MARCH 2012 • SINCE 1947 Jabu Stone in G’town Removing the black tape : Survivor speaks out SA’s Dagga Couple GIVEAWAY TONIGHT: 2 Double tickets to SPLASHY FEN! Photo Feature: KNOW YOUR MEAT* *Warning: this feature is not for the faint-hearted Edition 2 . 20 March 2012 Page 7: Editor-in-chief: RU student forum Lauren Kate Rawlins Deputy Editor: Page 10: Isabelle Anne Abraham Content Editor: LARK interview Kayla Roux Managing Editor Palesa Mashigo Page 11: Online Editor: Alexander Venturas Chief Media Supervisor: Political correctness Megan Ellis and power of the Chief Sub-Editor: Matthew Kynaston tongue Chief Designer Simone Loxton Assistant Designer: Page 15: Mignon van Zyl Chief Pics Editor: HIGHLIGHTS Anton Scholtz Know your meat Assistant Pics Editor: Niamh Walsh-Vorster Page 18: Illustrator: Katja Schreiber Singing for sex? News Editor: Sibulele Mabusela Deputy News Editor: Page 20: Neo Koza Politics Editor: Sexual abuse and the Marc Davies Business Editor: male myth Njabulo Nkosi C&A Editor: Alexa Sedgwick Page 27: Features Editor: Karlien van der Wielen Features Assistant Editor: Jack Parow performs live on the main stage at the 2010 Splashy Fen music festival. Splashy is Win a meal at La Trattoria Nina McFall held annually over the Easter weekend in the foothills of the Drakensberg Mountains and is Lifestyle Editor: South Africa’s longest running music festival. This year’s festival promises to be the best yet, Sarisha Dhaya win one of two double tickets with Activate tonight! Turn to Page 8 for more details… A & E Editor: Elna Schütz Front Page Picture: Jabu Stone is regarded in many circles as ‘Mr Dreads’ because of his Sports Editor: dedication and vigorous pursuit of the African identity through the promotion of braids and Bridgette Hall African locks amongst African people. -
A Design of a South African Popular Music Degree Curriculum
A Design of a South African Popular Music Degree Curriculum by Kirsten Nicole Adams Thesis presented in fulfilment of the requirements for the degree of Master of Music (Composition) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. Barry Ross April 2019 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Kirsten Nicole Adams April 2019 Copyright © 2019 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract The study is a qualitative literature review that aims to propose a design of an ideal Bachelor of Music in South African Popular Music curriculum for South African universities. The purpose of this study is to design a degree curriculum that responds to the demands of the South African music industry, and that will hopefully advance the output of the South African music industry. Although not central investigation in the study, cognisance is taken of the financial limitations higher education in South Africa. The possibility of a Bachelor of Music in South African Popular Music degree curriculum is explored in research material focused on Western popular music literature, the demands of the South African music industry, how popular musicians learn, a comparison between existing Bachelor of Music in Popular Music degrees abroad (Berklee College of Music (US), Leeds Arts University (UK) and Griffith University (Australia)) as well as what is available in South Africa. -
Afrikaner and Countercultural Discourse
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Myths of Rebellion: Afrikaner and Countercultural Discourse by ROSSOUW NEL Thesis presented for the Degree of MASTER OF ARTS in MEDIA STUDIES Centre for Film and Media Studies UNIVERSITY OF CAPE TOWN Town June, 2010 Cape of UniversitySupervisor: Prof. Martin Botha COMPULSORY DECLARATION This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of others people has been attributed, and has been cited and referenced. Signature:_____________________________________Date:______________________ Town Cape of University Contents ________________ Abstract Acknowledgements Reader’s Note Introduction Background and objective 1 Literature review 3 Key interests 5 The creation of myths 5 The function of rebellion 7 Methodology Town 9 Chapter synopsis 13 Chapter One: Principles of Afrikanerdom Foundations Cape 15 Against the British of 19 Religion as distinction 21 The need for self-representation 23 Mythmaking 25 Communism and apartheid 26 Strategies of reinvention 29 Racially inclusive Afrikanerdom 29 Victimised Afrikanerdom 31 BourgeoisUniversity Afrikanerdom 33 Chapter Two: Principles of counterculture Foundations 36 A post-war shift 38 The rise of countercultural thinking 41 The rise of punk 46 Subversion and recuperation 50 Taste and rebellion 55 The cultural significance of rebellion 66 Chapter Three: A tradition of Afrikaner rebellion N.P.