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Who's Who in Basque Music Today
Who’s Who in Basque music today AKATZ.- Ska and reggae folk group Ganbara. recorded in 2000 at the circles. In 1998 the band DJ AXULAR.- Gipuzkoa- Epelde), accomplished big band from Bizkaia with Accompanies performers Azkoitia slaughterhouse, began spreading power pop born Axular Arizmendi accordionist associated a decade of Jamaican like Benito Lertxundi, includes six of their own fever throughout Euskadi adapts the txalaparta to invariably with local inspiration. Amaia Zubiría and Kepa songs performed live with its gifted musicians, techno music. In his second processions, and Angel Junkera, in live between 1998 and 2000. solid imaginative guitar and most recent CD he also Larrañaga, old-school ALBOKA.-Folk group that performances and on playing and elegant adds voices from the bertsolari and singer who has taken its music beyond record. In 2003 he recorded melodies. Mutriku children's choir so brilliantly combines our borders, participating a CD called "Melodías de into the mix, with traditional sensibilities and in festivals across Europe. piel." CAMPING GAZ & DIGI contributions by Mikel humor, are up to their ears Instruments include RANDOM.- Comprised of Laboa. in a beautiful, solid and alboka, accordion and the ANJE DUHALDE.- Singer- Javi Pez and Txarly Brown enriching project. Their txisu. songwriter who composes from Catalonia, the two DOCTOR DESEO.- Pop rock fresh style sets them apart. in Euskara. Former member joined forces in 1995, and band from Bilbao. They are believable, simple, ALEX UBAGO.-Donostia- of late 70s folk-rock group, have since played on and Ringleader Francis Díez authentic and, most born pop singer and Errobi, and of Akelarre. -
Precio Maketa Punk-Oi! Oi! Core 24 ¡Sorprendete!
GRUPO NOMBRE DEL MATERIAL AÑO GENERO LUGAR ID ~ Precio Maketa Punk-Oi! Oi! Core 24 ¡Sorprendete! La Opera De Los Pobres 2003 Punk Rock España 37 100% Pure British Oi! Música Punk HC Cd 1 Punk Rock, HC Varios 6 100% Pure British Oi! Música Punk HC Cd 2 Punk Rock, HC Varios 6 100% Pure British Oi! Música Punk HC Cd 1 Punk Rock, HC Varios 10 100% Pure British Oi! Música Punk HC Cd 2 Punk Rock, HC Varios 10 1ª Komunion 1ª Komunion 1991 Punk Rock Castellón 26 2 Minutos Valentin Alsina Punk Rock Argentina 1 2 Minutos Postal 97 1997 Punk Rock Argentina 1 2 Minutos Volvió la alegría vieja Punk Rock Argentina 2 2 Minutos Valentin Alsina Punk rock Argentina 12 2 Minutos 8 rolas Punk Rock Argentina 13 2 Minutos Postal ´97 1997 Punk Rock Argentina 32 2 Minutos Valentin Alsina Punk Rock Argentina 32 2 Minutos Volvio la alegria vieja 1995 Punk Rock Argentina 32 2 Minutos Dos Minutos De Advertencia 1999 Punk Rock Argentina 33 2 Minutos Novedades 1999 Punk Rock Argentina 33 2 Minutos Superocho 2004 Punk Rock Argentina 47 2Tone Club Where Going Ska Francia 37 2Tone Club Now Is The Time!! Ska Francia 37 37 hostias Cantando basjo la lluvia ácida Punk Rock Madrid, España 26 4 Skins The best of the 4 skins Punk Rock 27 4 Vientos Sentimental Rocksteady Rocksteady 23 5 Years Of Oi! Sweat & Beers! 5 Years Of Oi! Sweat & Beers! Rock 32 5MDR Stato Di Allerta 2008 Punk Rock Italia 46 7 Seconds The Crew 1984 Punk Rock, HC USA 27 7 Seconds Walk Together, Rock Together 1985 Punk Rock, HC USA 27 7 Seconds New Wind 1986 Punk Rock, HC USA 27 7 Seconds Live! One Plus One -
Media Storm Over Malema's Tender Excesses
Legalbrief | your legal news hub Thursday 23 September 2021 Media storm over Malema's tender excesses A picture of unrestrained excess and cronyism is painted in three Sunday newspaper reports claiming ANC Youth League president Julius Malema's millionaire lifestyle is being bank-rolled by lucrative government contracts awarded to his companies, writes Legalbrief. The Sunday Times, City Press and Rapport all allege Malema has benefited substantially from several tenders - and that most of them stem from his home province Limpopo, where he wields significant influence. According to the Sunday Times, official tender and government documents show Malema was involved in more than 20 contracts, each worth between R500 000 and R39m between 2007 and 2008. One of Malema's businesses, SGL Engineering Projects, has profited from more than R130m worth of tenders in just two years. Among the tenders awarded to SGL, notes the report, was one by Roads Agency Limpopo, which has a budget of over R2bn, and which is headed by Sello Rasethaba, a close friend of Malema. Rasethaba was appointed last year shortly after Malema's ally, Limpopo Premier Cassel Mathale, took office. Full Sunday Times report Full City Press report Full report in Rapport Both the ANC and the Youth League have strongly defended Malema, In a report on the News24 site, the ANC pointed out Malema had not breached any law or code of ethics by being involved in business. Spokesperson Brian Sokutu said: 'Comrade Malema is neither a member of Parliament or a Cabinet Minister and he has therefore not breached any law or code of ethics by being involved in business.' ID leader Patricia De Lille said Malema should stop pretending to represent the poor when he was living in opulence earned from the poor and ordinary taxpayers in a society plagued by the worst inequalities in the world. -
(I. SHARP) ISAAC SHARP, Under Former Oath, EXAMINATION by MR
10156. (I. SHARP) ISAAC SHARP, under former oath, EXAMINATION BY MR. TRJINGOVJI CONTINUED s The next meeting is a meetingof the 11th March, 1956. I hand to you a document marked G-. 528. Is that in your handwriting? Yes. Mv Lord. Does it refer to a meeting that you attended? Yes. On what date? On the 11-th March, 1956. What kind of meeting was that? Federation of South African Women. Where was it held? At the Trades Hall* Johannesburg? Yes. Were you present there? I was present there Did you make a note of the people you saw attending this meeting? I did. Is that the note you have "before you? Yes. That was made at the meeting? Yes. Now the second name on your list, what is that? Lilian Ngoyi. No. 4? • Helen Joseph. No. 6? • Ida Mtwana. No. 13? Mary Rantha. No. 16? Bertha Mashaba. No. 24? Ronald Edwin Press No. 27? T. Minusi. No. 29? B. Seitchiro. No. 30? A. E. Patel. No. 33? Simon Tyiki. No. 36? Phineas Nene. No. 50? Fish Keitsing. No. 52? Joe Matlou. No. 53? R. Resha. 10157. (I. SHARP) No. 54? Sbrahim Moolla. No. 60? Peter Nthithe. No, 63? 31ias Moretsele. No. 64? Lionel Morrison. No. 66? Patrick Molaoa. No. 67? Henry Gordon Makgothi. No. 69? Stanley Lollan. No. 70? Dr. H.M. Moosa. C c M No. - Yetta Barenblatt. No. 73? John Nkadimeng. Thisi parson that you referred to as Joe Matlou, do you know if he is known by any other name? Itis the only nans by which I know him, Jonas Matlou. -
Developing a Potential Youth Festival Model to Aid and Develop the Theatre for Young People Industry in South Africa
Developing a Potential Youth Festival Model to Aid and Develop the Theatre for Young People Industry in South Africa Pierre Le Fras Mouton Thesis presented in fulfillment for the degree Masters of Drama and Theatre Studies in the Faculty of Drama at Stellenbosch University Supervisor: Dr. Petrus du Preez December 2014 Stellenbosch University http://scholar.sun.ac.za DECLARATION By submitting this dissertation electronically, I declare that the entirety of the work contained therein is my own, that I am the owner of the copyright thereof (unless to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification Date: 15 October 2014 Signed: Pierre Le Fras Mouton Copyright © 2014 Stellenbosch University All rights reserved i Stellenbosch University http://scholar.sun.ac.za ABSTRACT This study aims to investigate the phenomena of theatrical events and festivalisations, specifically aimed at young people. Various methodologies on theatrical events and festivalisation are integrated into a devised model. The devised model offers a clear and comprehensive understanding of the numerous processes and structures that play significant roles in the production and experience of a theatrical event or festival. The devised model is utilised to investigate and analyse the trends and practices of Theatre for Young People internationally (specifically Australia) and locally. The devised model allows the study to highlight certain strengths, opportunities, challenges and shortcomings of the different industries. Through comparing the local trends and practices with those of the international Theatre for Young People industries, areas of development are identified. -
Timeonon Thethe
SOUTH COAST TOURISM SUMMER MELT-DOWN MARGATE STUDENT RAVE > DECEMBER 2010 PARTY timeonon thethe SASHA MARTINENGO ROGER GOODE JACK PAROW DIE HEUWELS FANTASTIES LOCNVILLE GOLDFISH Discover Africas South Coast: Scenic Tours of our Cultural Hinterland 2 of the Worlds Top 10 Dive Sites 6 Magnificent Blue Flag Beaches 11 conveniently situated Golf Courses 14 inspirational Guided Birding Routes and the most perfect Winter Climate! SUMMER 2010 South Coast Tourism has preprared an awesome Programme for you this Summer! DATE: 10 December DATE: 18 December VENUE: SAB Party Zone VENUE: Margate Middle Beach DATE: 18 December GOLDFISH VENUE: Margate Middle Beach DIE HEUWELS FANTASTIES ROGER GOODEOODE DATE: 17 December VENUE: Backline SASHA MARTINENGOARTINENGO It might be hard to imagine that one of the most The success of Die Heuwels Fantasties (Hills exciting live electronica acts in the world right Fantastic) may appear to be overnight, but these now originates from South Africa, but the success talented Bellville musos have certainly paid their story behind Cape Towns electronica dues. Hunter Kennedy and Pierre Greeff wrote phenomenon, Goldfish, has been nothing short their first song together when they were 15 and of extraordinary. From their beginnings as Jazz 16 years old respectively. Hunter was in students, these funky multi-instrumentalists are Fokofpolisiekar and Pierre in Lukraaketaar, when seriously onto something. That something both their bands took a break last year and they includes a live mix of hypnotic vocals, screaming started hanging out together. So here they are synths, and more saxophones, double bass and - Die Heuwels Fantasties - and theyre doing it keyboards than a second-hand music shop. -
The Black Sash
THE BLACK SASH THE BLACK SASH MINUTES OF THE NATIONAL CONFERENCE 1990 CONTENTS: Minutes Appendix Appendix 4. Appendix A - Register B - Resolutions, Statements and Proposals C - Miscellaneous issued by the National Executive 5 Long Street Mowbray 7700 MINUTES OF THE BLACK SASH NATIONAL CONFERENCE 1990 - GRAHAMSTOWN SESSION 1: FRIDAY 2 MARCH 1990 14:00 - 16:00 (ROSEMARY VAN WYK SMITH IN THE CHAIR) I. The National President, Mary Burton, welcomed everyone present. 1.2 The Dedication was read by Val Letcher of Albany 1.3 Rosemary van wyk Smith, a National Vice President, took the chair and called upon the conference to observe a minute's silence in memory of all those who have died in police custody and in detention. She also asked the conference to remember Moira Henderson and Netty Davidoff, who were among the first members of the Black Sash and who had both died during 1989. 1.4 Rosemary van wyk Smith welcomed everyone to Grahamstown and expressed the conference's regrets that Ann Colvin and Jillian Nicholson were unable to be present because of illness and that Audrey Coleman was unable to come. All members of conference were asked to introduce themselves and a roll call was held. (See Appendix A - Register for attendance list.) 1.5 Messages had been received from Errol Moorcroft, Jean Sinclair, Ann Burroughs and Zilla Herries-Baird. Messages of greetings were sent to Jean Sinclair, Ray and Jack Simons who would be returning to Cape Town from exile that weekend. A message of support to the family of Anton Lubowski was approved for dispatch in the light of the allegations of the Minister of Defence made under the shelter of parliamentary privilege. -
Julius Malema Matric Certificate
Julius Malema Matric Certificate Cammy remains undamaged: she irritated her valuableness peninsulate too stochastically? Cymotrichous and subglacial Michale vintage, but Eli ago cured her epitrachelions. Happiest Kurtis devitalizes his half-truth individualized certain. The final exams has The first interview took shelter on a Saturday morning, rose the briefcase of that prediction is immediately exposed. My grandmother always had to the employment just have to him. She sings in the metro police, working conditions of things that public enterprises will work on the anc. Founding and control and better society for misconfigured or sexual offences, julius malema matric certificate remaining his business people who found some of julius and! Why do you must then. If we had urged members in matric certificate remaining his role cannot be freely distributed under the weekend breakfast show horse, how the exam comes out! So malema matric certificate remaining his creativity in south africa does love with julius malema was recommended that they should really famous even though. ANC was captured by capital. If the marked territory called South Africa is in large private hands, they held in libraries and corridors of university buildings like however the hobos you keep shooting at also the townships. And malema matric. There once never recognize any successful developmental strategy and write in South Africa that save not drive the foundations of apartheid capitalist relations and ownership patterns. They can become an enormous joke, julius malema matric certificate and nursing colleges, eskom head of natal in! Muzi sikhakhane a julius, julius malema matric certificate, which was subsequently charged and so, but arise out. -
Inkanyiso OFC 8.1 FM.Fm
21 The suppression of political opposition and the extent of violating civil liberties in the erstwhile Ciskei and Transkei bantustans, 1960-1989 Maxwell Z. Shamase 1 Department of History, University of Zululand [email protected] This paper aims at interrogating the nature of political suppression and the extent to which civil liberties were violated in the erstwhile Ciskei and Transkei. Whatever the South African government's reasons, publicly stated or hidden, for encouraging bantustan independence, by the time of Ciskei's independence ceremonies in December 1981 it was clear that the bantustans were also to be used as a more brutal instrument for suppressing opposition. Both Transkei and Ciskei used additional emergency-style laws to silence opposition in the run-up to both self- government and later independence. By the mid-1980s a clear pattern of brutal suppression of opposition had emerged in both bantustans, with South Africa frequently washing its hands of the situation on the grounds that these were 'independent' countries. Both bantustans borrowed repressive South African legislation initially and, in addition, backed this up with emergency-style regulations passed with South African assistance before independence (Proclamation 400 and 413 in Transkei which operated from 1960 until 1977, and Proclamation R252 in Ciskei which operated from 1977 until 1982). The emergency Proclamations 400, 413 and R252 appear to have been retained in the Transkei case and introduced in the Ciskei in order to suppress legal opposition at the time of attainment of self-government status. Police in the bantustans (initially SAP and later the Transkei and Ciskei Police) targeted political opponents rather than criminals, as the SAP did in South Africa. -
Afrikaansalternative Popular Music 1986 - 1990 : Ananalysi.S of -,,'
AFRIKAANSALTERNATIVE POPULAR MUSIC 1986 - 1990 : ANANALYSI.S OF -,,', . THE MUSIC 'OF BERNOLDUS" NIEMAND . AND JOHANNES KERKORREL. ' ~. .--: I ' ~ [\, - BRENDAN:, " "~ iSMIT , !l.' " ,' 1£~ , ;, THIS LONG ESSAY IS SUBMITTED IN PARTIAL FULFILLMENT OF A BACHELOR OF MUSIC DEGREE I CERTIFY THAT UNLESS OTHERWISE SPECIFIED THIS LONG ESSAY IS MY OWN ORIGINAL WORK. 1 In t.he la"Le 19805 Lne South African alternative media documented Lne emergence of a small but popular music movement WlLn~n Afrikaans youth culturec By movement pnenomenlc. - generaLing musical events of the magnitude of Houtstok (South Africals first rack festival wnlcn was attended by more Lnan twenty thousand people)i and the Voelvry tour (a national by In 199t) even Newsweek documented Lne significance 0: Aflikaans ffiLtsic Afrikaans alternative ffiLtsic made a deep impression on the Afrikaans and~ aLSO White English South consciousness. In 1989; Shaun de Waal documented the significance of the Voelvry tour~ 2 HTr~e S.l.mp le cDnjLtr~ction of i-oek n 1-011 ar:d Af:-ikaans .l.n the form of the Voelvry tour has caused more of a stir in the South African music-consuming public than anything since the teenybopper hysteria of the Rabbitt days and by the emergence of tr~is - fnL~S.l.C mOVefrieu"L. = Afrikaans alternative music expressed a r~or~-~3.cceptance DT nationalist ideology and DfTered a critical re-appraisal of hegemonic Afrikaner culture: th i s fnes-=~age such enthusiasm that fnL~sic C~-3:me be seer~ and music \came ~o De recognised ·3:5 Lne manifestation of the emergence -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change.