Forum International Sur La Musique Pour Une Prise De

Total Page:16

File Type:pdf, Size:1020Kb

Forum International Sur La Musique Pour Une Prise De International Forum on Music as a Catakyst for Environmental Awareness ANNOTATED AGENDA OBJECTIVE Under the patronage of UNESCO and the United Nations Environment Programme (UNEP) and with the support of the Swiss National Commission for UNESCO,, the Association Melody for Dialogue among Civilizations (www.melodydialogue.org) is organising a two-part programme with the theme « Music for a Green Planet ». One is an International Forum to be held at Geneva’s International Conference Centre (CICG). High-level participants will explore the relationship between music, the environment and sustainable development. I twill focus on the potential of music and musical dialogue to heighten awareness of environmental issues – such as water, the oceans, forests, energy and climate change. This Forum will be followed by the second part of the programme, an innovative multi-cultural concert at Geneva’s prestigious Victoria Hall. Over centuries, music has served in all societies as a tool for education and for awareness-raising about the protection of the environment. It has become a vector for promoting an environmental ethic and justice as well as a point of reference for debates on ecology at the community level. The Forum shall indeed be a multi-disciplinary platform of reflection for musicians, composers, academics, policy-makers, media professionals, ecologists and the public at large about the important and creative role music and artists can play in promoting environmental awareness, advancing social change and stimulating concrete action. The concert « Music for a Green Planet » will present works and artists from different origins and cultures. It seeks to highlight the role of music as a vector for awareness and ecological engagement and to emphasize the power of music as a tool for intercultural dialogue and mutual understanding, and above all, to extol cultural diversity. The concert programme will include major musical works by Heitor Villa Lobos (Forest of the Amazon), Claude Debussy (La Mer), Antonio Vivaldi (La Tempesta), select works by the Chinese composer Tan Dun and « Cosmos », a new composition by the contemporary French composer Yann Robin,. The Prague Philharmonic Orchestra will perform under the direction of Maestro Constantine Orbelian, and will dialogue with an ad hoc ensemble of master musicians playing their traditional instruments. The Concert will also support UNEP’s initiative « Let’s Plant the Planet: the campaign for a billion trees. The organizers of the concert fully subscibe to its objectives. For more information, please visit www.melodydialogue.org Mehri Madarshahi, President Melody for Dialogue among Civilizations Preserve our green planet! Programme 30 Septembre 2009 16h00-17h00 Parc Beaulieu Planting of a symbolic tree by his Honorable Mayor Remy Pagani, Mayor of Geneva to inaugurate the event. The tree has been offered by the Director-General of CERN (European Nuclear Research Center) “Plantation d’un arbre symbolique (donné par le CERN) en présence de M. Rémy Pagani, Maire de Geneve et M. Manuel Tornare (précedent Maire de Geneve)”. 19h30-22h30 Change of color to green on “jet d’eau” on Lac Leman (Geneva, Quai du Mont=Blance). At participants will be transported from this location to the US Mission for the reception (see below) “Lac Léman- Changement de couleur du “jet d’eau” en vert sur le Lac Léman. Point de rencontre: Quai du Mont- Balanc devant Hotel Kampinski “ 19.30- Mission Permanente des Etats-Unis aupres de l’UNOG Réception (sur invitation exclusivement) 1 October 2009 International Forum At the opening plenary session, the focus will be on setting the stage for the forum discussions. Keynote speakers will address the overarching issues of the agenda from their respective perspectives and experiences. It is also hoped that this high- level intervention may provide strategic orientations and guidance for action in linking music and cultural dimensions to the national and global awareness initiatives in support of environmental protection and climate change action. Each intervention will be allocated between 5 to 8 minutes of speaking time. Following the welcoming statement by the organizer of the Forum, the President of the Melody for Dialogue among Civilizations Association and by a representative of the host country/canton/city, the speakers will intervene in the following order: • President Olusegun Obasanjo (former President of Nigeria) • President Andres Pastrana (former President of Colombia) • Prof Rolf Heuer (Director-General, CERN) • Prof. Walter Erdelen (Assistant Director-General for Natural Sciences, UNESCO) • Angela Cropper (Deputy Executive Director, UNEP – to be confirmed) • Dr. Julia Marton–Lefevre (Director-Geeneral, IUCN) • Prof. Adama Samassekou (former Minister of Mali; Chair of ICV) • Andre Ducret (Directeur de choeur de Suisse Romande) • Jean-Marie Curti (Conductor) Following a musical interlude with the New York Virtuosi Quartet, there will be dedicated session on “water as the future gold?” At this session, speakers are invited to address the importance of ecosystems for sustainable development and how their relevance can best be introduced into educational systems and policy initiatives. A particular issue will be what particular role could music play in this regard. It is hoped that the exchanges will also lead to recommendations at various levels and to different stakeholders how a better linkage between music and sustainable development initiatives can be pursued. – The deliberations will be preceded by short film by the Chinese composer Tan Dun addressing the session’s subject and an extract from a film by Amy Hart “Water First”. Speakers: Dr Magdy Hefny (recherche sur l’éthique de l’eau), Dr Susan Lisa Toch (Commission sur la Gestion des ecosystemes), Amy Hart (Conservationist-film maker), Ruth-Gaby Vermot (Peace Women across the Globe), Jorge Chaminé (Barytone), Catherine Strehler-Perrin (spécialiste du développement durable), Prof Anthony Lehmann (Université de Geneve) Following lunch, there will be a Media Round Table on “The role of culture in environmental awareness-building”. At this session, participants, including highly experienced media personalities, will discuss the role of culture in general, including music, in the promotion of environmental awareness among the population at large. The Round Table may also identify possible courses of action and specific innovative measures that could be taken in this regard. Speakers: Guy Méttan (Directeur, Club Suisse de la Présse), Matthieu Chenal (Journaliste-24 Heures), Nadia Sikorsky (Tribune de Genève), Tristan Cerf (Chief Editor-Matin Blue) Darius Rochebin (Télévision Suisse Romande), Mr Olivier Delhoume (Radio Cite) Olivier Föllmi (artiste/ photographe),, Mr Laurent Aubert (Conservateur au Musee, Ehnomusicologue) Thereafter follows a dedicated session on forests, which is also preceded by a short film with music inspired by forests. Against the background of the crucial role of forests in the environmental context and particularly for climate change action, participants are invited to focus on the potential of linking forests and music. What makes this linkage particularly relevant and promising? The role of traditional knowledge and practices and on social, cultural and spiritual values may be of particular interest in this regard. What recommendations can be developed for national policy-makers and community stakeholders as well as for the actors in the worlds of culture at large and music in particular? Speakers: Bertrand Dagallier (OECD-Paris), Prof Luis Aragon (UNESCO Chair on South-South Cooperation on Sustainable Development), Clayton Lino (President of the National Council of RBMA-Brazil Forest), Andres Wijkman (Vice President - Club of Rome), Eva Aroutunian (Conservatoire de musique de Geneve), MsViola Crebs (IVC) •Jean-Marie Curti (chef d'orchestre). The last working group will deal with energy. Introduced by a film on solar energy, produced by Bertrand Picard, discussions will centre on the impact of alternative energy choices on greenhouse gas emissions and hence on climate change. Participants are expected to discuss the beneficiary impact of solar and other renewable energy options. What role can music play to convey information and provide education in this regard? How can the critical role of energy choices be highlighted through musical creativity, compositions and shows? Recommendations identified by this workshop will be submitted to the plenary session. Speakers: Adama Samassekou (Président de la session), Mme Manjit Dosanjh (Life Sciences), Jasper Kirkby (CERN – nuages), Thomas Cullane (Scientifique, Explorateur du National Geographic), Hugo Spowers (Inventeur-“Riversimple” Hydrogen car), Hugues Reiner (Chef d’Orchestre), Matthieu Chenal (Journaliste, 24 heures). The International Forum will conclude with a plenary session at which the results of the working groups will be presented and consolidated into a Statement by the Forum, which could be addressed to Governments, international organizations, cultural organizations, NGOs and civil society actors, academia and scientific institutions, the media and other stakeholders. 20h (***) Concert multiculturel- Musique pour une planète Verte Orchestre philharmonique de Prague Chef d’orchestre: Maestro Constantine Orbelian Elizabeth Vidal (Soprano) Wolfgang David (Violon) Guo Gan (Erhu) New York Virtuoisi Quartet with Liu Fang (Pipa) Traditional Ensemble (Shyamal Maitra, Jason Carter, Mucahi Isik, Fawzi Al Langawi, Philip Botta) Victoria Hall, Genève .
Recommended publications
  • 002170196E1c16a28b910f.Pdf
    6 THURSDAY, APRIL 23, 2015 DOCUMENT CHINA DAILY 7 JUSTICE INTERPOL LAUNCHES GLOBAL DRAGNET FOR 100 CHINESE FUGITIVES It’s called Operation Sky Net. Amid the nation’s intensifying anti­graft campaign, arrest warrants were issued by Interpol China for former State employees and others suspected of a wide range of corrupt practices. China Daily was authorized by the Chinese justice authorities to publish the information below. Language spoken: Liu Xu Charges: Place of birth: Anhui property and goods Language spoken: Zeng Ziheng He Jian Qiu Gengmin Wang Qingwei Wang Linjuan Chinese, English Sex: Male Embezzlement Language spoken: of another party by Chinese Sex: Male Sex: Male Sex: Male Sex: Male Sex: Female Charges: Date of birth: Chinese, English fraud Charges: Date of birth: Date of birth: Date of birth: Date of birth: Date of birth: Accepting bribes 07/02/1984 Charges: Embezzlement Embezzlement 15/07/1971 14/11/1965 15/05/1962 03/01/1972 17/07/1980 Place of birth: Beijing Place of birth: Henan Language spoken: Place of birth: Place of birth: Place of birth: Language spoken: Language spoken: Chinese Zhejiang Jinan, Shandong Jilin Chinese, English Chinese Charges: Graft Language spoken: Language spoken: Language spoken: Charges: Corruption Charges: Chinese Chinese, English Chinese Embezzlement Charges: Contract Charges: Commits Charges: fraud, and flight of fraud by means of a Misappropriation of Yang Xiuzhu 25/11/1945 Place of birth: Chinese Zhang Liping capital contribution Chu Shilin letter of credit Dai Xuemin public funds Sex: Female
    [Show full text]
  • Pipa Virtuoso Fang Leads WSO Back to Classics
    Print Story - canada.com network Page 1 of 2 Saturday » February 16 » 2008 Pipa virtuoso Fang leads WSO back to classics Ted Shaw The Windsor Star Sunday, February 10, 2008 It was back to the classics Saturday for the Windsor Symphony Orchestra, but the spirit of the recent Windsor Canadian Music Festival lingered in a contemporary Chinese work. WCMF unveils new Canadian compositions with often unconventional or experimental instrumentation. While Tan Dun's Concerto for String Orchestra and Pipa is not Canadian, it was performed by Montreal-based pipa virtuoso, Liu Fang, and called upon the string players to beat the tops of their instruments at times and shout Chinese words. It was particularly striking in the context of the rest of the program of works written before the first decade of the 19th century. CREDIT: Scott Webster, The Windsor Star Pipa player Liu Fang performs with the Windsor Chinese-born Tan Dun is the Grammy and Oscar-winning Symphony Orchestra Saturday night. composer of such film soundtracks as Hero and Crouching Tiger, Hidden Dragon. His use of traditional Chinese instruments in the context of Western musical idioms has earned him a special place among the new generation of composers living in the United States. His pipa concerto is classically structured and borrows liberally from the concerto tradition, including having a cadenza. But the instrument itself is decidedly exotic in sound. Pear-shaped like a lute but lacking a sound hole, the pipa has a percussive quality and is plucked with plectrums, although there is a considerable amount of chord work and strumming involved, as well.
    [Show full text]
  • The Empress of Pipa D
    “… one musician, but ten talented fingers!" - Sir Ian McKellen Traditiniteorpnraetled abynLdIU FcAlNaG sosnicpipaalanCd ghuzihnenegsseolo music “Superb sensitivity and iu Fang transmits in an expressive and erudite heard) and contemporary works from both East and unrivaled dramaturgic feeling." way the beauty and grace of Chinese traditional West. She has performed all around the world at such - Mondomix (France) classical music, while drawing out the subtle prestigious venues as the Théâtre de la Ville in Paris, sonorities of the pipa and the guzheng. Through the the Philharmonic Hall of Liège, Belgium (2006), “...the magic of the music of Lpower and sensitivity of her playing, she gives BBC concerts in London (2003, 2007), the Bath Liu Fang, divine mediator..." renewed interpretations of the ancient repertory, of International Music Festival (2004) and the York - World (France) the poetic as well as the martial styles. The growing Early Music Center (2008). As one of the featured admiration from listeners – experts and novices alike artists invited from 40 countries through the project “... Masterful, graceful and riveting...” – attests to the great appreciation and respect for this under Melody Dialogue Among Civilizations, Liu - BBC London (England) highly talented musician. Fang performed at the concert dedicated to the UNESCO's 60 year anniversary in Paris in 2005. Recently, Liu Fang was honoured as one of the 30 “...so beautiful, so touching..." chosen showcase artists for the WOMEX (World - Le Monde de la Musique (France) Music Expo in Sevilla, Spain), selected by a team of international jury from over 600 candidates from “... Liu Fang’s total devotion to her around the world.
    [Show full text]
  • China and the West: Music, Representation, and Reception
    Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music.
    [Show full text]
  • Programmaboekje : Spiegel Strijkkwartet . Liu Fang
    Creaties Spiegel Strijkkwartet . Liu Fang Takemitsu, Chong, Dun donderdag 8 februari 2007 Spiegel Strijkkwartet Creaties . Seizoen 2006-2007 DoelenEnsemble . Orkest de Volharding olv. Jussi Jaatinen vrijdag 22 september 2006 I Solisti del Vento . Bart Moeyaert vrijdag 10 november 2006 Bl!ndman . Quatuor Danel vrijdag 24 november 2006 Champ d’Action olv. Jaan Bossier zaterdag 2 december 2006 Spectra Ensemble olv. Filip Rathé donderdag 18 januari 2007 Spiegel Strijkkwartet . Liu Fang donderdag 8 februari 2007 Champ d’Action en Studenten Conservatorium Antwerpen olv. Vinko Globokar donderdag 10 mei 2007 deFilharmonie . Collegium Vocale Gent Choeur Symphonique de Namur olv. Philippe Herreweghe vrijdag 8 juni 2007 . Kathedraal Antwerpen Spiegel Strijkkwartet . Liu Fang pipa Elisa Kawaguti, Stefan Willems viool Leo De Neve altviool Jan Sciffer cello Toru Takemitsu (1930-1996) A Way A Lone (1980) 14’ Kee-Yong Chong (°1971) Strijkkwartet nr 3, ‘Inner Mirror’ (wereldcreatie) 19’ pauze Tan Dun (°1957) begin concert 20.00 uur pauze omstreeks 20.40 uur Ghost Opera, voor strijkkwartet en pipa (1994) 40’ einde omstreeks 21.40 uur de reeks Creaties wordt gesteund door SORODHA / Société Royale d’Harmonie inleiding Maarten Beirens . 19.15 uur . Foyer teksten programmaboekje Dirk Moelants coördinatie programmaboekje deSingel Gelieve uw GSM uit te schakelen! Cd’s Bij elk concert worden cd’s te koop aangeboden door ’t KLAverVIER, Kasteeldreef 6, Schilde, 03 384 29 70 www.tklavervier.be Foyer deSingel enkel open bij avondvoorstellingen in Rode en/of Blauwe
    [Show full text]
  • Ethnotempos • Musiques Ethniques D'aujourd'hui • Octobre
    Ethnotempos • Musiques Ethniques d’Aujourd’hui A l'écoute des notes que fait résonner Liu FANG sur son luth « pipa » ou sa cithare « guzheng », 2000 à 30000 ans d'histoire musicale de Chine vibrent de toute leur puissance évocatrice d'impressions et de paysages. Qu'elle fasse fleurir sur ses cordes maints couleurs naturalistes, qu'elle dépeigne des instants de fracas sonore épiques ou qu'elle esquisse de subtils pas recueillis vers le silence, Liu FANG fait état d'un talent énorme qui participe autant du respect de la tradition que du désir d'exploration. A neuf ans, cette jeune musicienne chinoise donnait son premier concert, et son talent s'est depuis répandu en Occident. Reconnue comme ambassadrice de la musique chinoise au Canada depuis une dizaine d'années, Liu FANG est en passe de faire de même en Europe depuis qu'elle a signé sur le label français Accords Croisés, qui a publié son disque dans lequel elle revisite des pièces maîtresses du répertoire traditionnel chinois tout en s'aventurant sur de nouveaux chemins de rencontres sans se départir de celui de sa tradition d'origine. Les publics des Suds à Arles, des Escales de Saint-Nazaire, du Théâtre de la Ville et des Quartiers d'été de Paris ont en 2006 eu l'occasion de découvrir Liu FANG et de partager ainsi l'expérience unique de son précieux univers sonore. ETHNOTEMPOS vous propose d'en tracer les contours et d'en parcourir les lignes de fond en compagnie de la principale intéressée. Née à Kunming, dans le Yunnan – province du Sud-Ouest de la Chine qui s'étend du plateau tibétain aux frontières du Vietnam, du Laos et de Myanmar (Birmanie) – Liu FANG, issue du peuple Bai, a très tôt été exposée à la musique, et plus particulièrement au chant traditionnel.
    [Show full text]
  • Diplomarbeit Schwert & Faust
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT SCHWERT & FAUST Kultureller Austausch OST-WEST / WEST-OST Am Beispiel physischer Techniken asiatischer Kampf-Kunst-Filme Verfasserin Mag. Art. Hannelore Hanja Dirnbacher angestrebter akademischer Grad Magistra der Philosophie Wien, 2009 Studienkennzahl lt. Studienblatt: A 317 295 Studienrichtung lt. Studienblatt: Theater- Film- und Medienwissenschaft Betreuerin / Betreuer: Prof. Dr. Ulf Birbaumer INHALT Zugang zur Thematik………………..……………………………….……1 1. Kontakte Ost-West Historischer Überblick...……………………….17 1.1. Japonisme………………………………………………………….....18 1.2. Kontakte Ost West in der Theaterkonzeption………………………..22 1.3. Ost-West Kontakte im Film der 1920-er Jahre………………………23 1.4. Fernöstliche Kultur, und Filmschnitt Technik……………………….24 1.5. Japanische Filmkultur und der Westen………………………………25 1.6. Der Japonisme martialer Körperkünste……………………………...26 Filmliste chronologisch…………………………………...................28 2. Beeinflussungen – der Western – die 1950-er und 60-er Jahre…... ..29 2.1. Der Deutsche Western……………………………………………….29 2.2. Der Italo Western – „Spaghetti Western“………………………........30 2.3. „Yojimbo“ ( 1961 ) „Per un pugno die Dollari“ ( 1964 )…………....32 2.3.1. Yojimbo Ken Do……………………………………………......33 2.3.2. Die Thematik…………………………………………………...34 2.4. Western in Italia……………………………………………………...36 2.5. Der neue Rollen Typ…………………………………………………37 2.6. Gesichter im Italo Western…………………………………………...39 2.7. Der zweite Film in Sereie…………………………………………….41 2.7.1. Ein Ken Do Duell……………………………………………….42 2.7.2. Der italienische Folgefilm Sergio Leones……………………....43 2.8. Der Weg des „Spaghetti Western“…………………………………...45 2.8.1. Das Schweigen im Schnee……………………………………...45 2.8.2. Italo Stile………………………………………………………..46 2.9. Il Western „Buffone“………………………………………………...49 2.9.1. Diverse Techniken……………………………………………...50 2.9.2.
    [Show full text]
  • Tools of the Trade #62 Songlines Feature
    ° tOOLS OF THE tRaDe° ° the pipa ° thousand varieties of folk Ming dynasty took over, the pipa – associated music still thrive in China’s with foreign culture – was removed from its villages, but after 60 years of court position and took root in the provinces communism, Red Guardism, instead. And that led to the different schools of and rampant capitalism, China’s playing which persist to this day, with Shanghai Acourt tradition has withered on the vine. as the dominant focus. Styles were passed Belatedly, the country’s rulers have now woken down orally, within families. up to the musical heritage they have all but lost. Hence the eagerness with which they are now War and peace promoting young virtuosi on the pipa, which What’s remarkable is that, despite the historically spans both court and folk traditions, considerable changes in both the instrument Tools of The Trade without belonging entirely in either. And hence and how it’s played – moving from a horizontal the close attention Western musicians are to a near-vertical position – the main elements paying to the new soundworlds being opened in the repertoire have hardly changed over four up through cross-cultural collaborations led centuries. The pipa piece which most Chinese by the instrument’s most celebrated exponent, know today is ‘Ambush From Ten Sides,’ a Wu Man. “The shape and the sound of the rousing evocation of the Han founder’s victory pipa is elegant, yet also dramatic,” she says. over the warlord of Chu, complete with the “And its personality is strong – you can express sounds of drumming hooves, screaming The yourself in many ways.” soldiers and clashing weapons, and first As a soloist, the effects Wu Man can published in 1662.
    [Show full text]
  • Handel, but Not Only a Multicultural Concert on the Occasion of World Water Day
    in partnership with partnership in Water: The Global Challenge of Our Future International Forum March 23, 2012 at 9AM - 5PM Center for Global Affairs New York University, 15 Barclay Street, NYC Organized by Melody for Dialogue among Civilizations Association among Civilizations Association Civilizations among Dialogue for Melody by Organized NEW YORK VIRTUOSI STRING QUARTET STRING VIRTUOSI YORK NEW PRAGUE PHILHARMONIC ORCHESTRA & & ORCHESTRA PHILHARMONIC PRAGUE Merkin Concert Hall at Kaufman Center Kaufman at Hall Concert Merkin at 8PM at 2012 22, March Occasion of World Water Day Water World of Occasion A Multicultural Concert on the on Concert Multicultural A Handel, but not only not but Handel, in partnership with The Marrakech International Prize (June 2005) 2005) (June Prize International Marrakech The “Melody for Dialogue among Civilizations” Association And Awarded the UNESCO 60th Anniversary Medal (December 2006) 2006) (December Medal Anniversary 60th UNESCO the Awarded @melodydialogue HONORARY COUNCIL Twiter Chief Olusegun Obasanjo Madarshahi Mehri (Former President of Nigeria) – Honorary President Association Melodydialogue President Andres Pastrana Book Face (Former President of Colombia) Countess Setsuko Klossowska de Rola Suisse 1205, Genève, 6 Conseil-Générale, Rue (Japan/Switzerland - Honorary President, Balthus Foundation) – Vice-President Karen GENÈVE Shakhnazarov (Russian Federation – General Director, MOSFILM Cinema Concern) 9179162355 +1 : or Bernard Miyet 0337 302 212 +1 Fax: Tel./ (France – former UN Under-Secretary-General; Directeur, Fonds Culturel Franco-Americain) 32 West 40th Street, suite 11B New York, NY 10018, USA USA 10018, NY York, New 11B suite Street, 40th West 32 Dr Hans d’Orville York New Assistant-Director-General, UNESCO Tel.: +33 (0)6.72.43.26;44 Fax: +33 (0)1.45.
    [Show full text]
  • Preservation and Reconstruction of Folk Heritage Buildings in Yunnan Province, Prc
    CONSTRUCTING PLACE: PRESERVATION AND RECONSTRUCTION OF FOLK HERITAGE BUILDINGS IN YUNNAN PROVINCE, PRC. MARIA ULRIKA LOFBLAD Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Modern Languages and Cultures (East Asia) March,2012 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. o Abstract This thesis is about preservation of traditional architecture and historical village environments in Yunnan Province, PRC. It asks the question why there has been a surge of interest in preserving and reconstructing historical structures in the reform­ era, particularly since the late 1990s. Answering this question involves looking at national-level discourse on cultural heritage, including legislation and ideological reasons for interest in preservation. It argues that state interest in tourism is the main factor motivating preservation, but this interest is also linked to ideology, mainly state ideology on patriotism, cultural inclusion, and creating an image of the PRC as a cultural entity where ethnic, cultural, and religious differences are allowed, but only as long as these differences are played out within the parameters set up by the state, and align themselves with the aspirations of the reform-era state, mainly economic development. Hence heritage preservation in Yunnan, a poor province of ethnic multitude, needs to be placed within the context of state and provincial interest in tourism, as a way of re-asserting local identity in the reform-era.
    [Show full text]
  • China and the West: Music, Representation, and Reception
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk.
    [Show full text]
  • Chamber Music by Janet Maguire Chamber Music by Janet
    MIST ChamberChamber Music by Janet Maguire MISTChamber Music by Janet Maguire WWW.ALBANYRECORDS.COM TROY1120 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2009 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Cover photo: Alessandro Tagliapietra for five years. They co-authored the book Thinking for Orchestra (G. Schirmer), the orchestration of Offenbach selections, Nuits Parisiennes (RCA, Bote & Bock) and Carl Maria von Weber’s opera Die Drei Pintos. Several summers at the Darmstadt Ferienkurse and the music of Gyorgy Ligeti, Luigi Nono, Karlheinz Stockhausen influenced her style, and encounters with Iannis Xenakis in Paris considerably widened the horizon of sound for her. She continues to develop independent paths in musical thought, with the help of several musicians specializing in the unusual in music. Maguire was music critic for the Paris Herald Tribune while in Paris; moving to Venice she founded and was elected President of the association Musica in Divenire, organizing concerts of new music, and she also received membership to the European Society for Culture. Her compositions have been heard throughout Italy and Germany, and in France, Spain, Ireland, England, the USA, Austria, Canada, Argentina, Australia, Latvia and Bulgaria. New World Records has issued a CD with seven of her works. The Music Mist and Mountain Pass in the Snow (2001) were commissioned as a birthday present for Joseph A. Precker and written on his poems. The work took on a Chinese flavor for The Composer its first performance in a concert hosted by CHIME, the Dutch association for Chinese A singular figure in today’s new music scene, Janet Maguire was the recipient of music research, who had invited a few Chinese musicians from China for a week-long the 2008 Guggenheim Fellowship as well as a residence at Copland House (2006).
    [Show full text]