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Littérature Générale Et Comparée Et L'histoire De L'art), À L'université D'illinois, Les Etats Unis

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Littérature Générale Et Comparée Et L'histoire De L'art), À L'université D'illinois, Les Etats Unis Rosina Neginsky Enseignant-chercheur Fonction actuelle: Maître de Conférence HR d'études pluridisciplinaires (littérature générale et comparée et l'histoire de l'art), à l'Université d'Illinois, Les Etats Unis Titres: • Maître de conférence HR en littérature générale et comparée à l'Université d'Illinois, Etats Unis • Responsable d'archives de Grigorieff and Tchernycheva que j'ai catalogué et vendu à l'université d'Harvard en 1994. Serge Grigorieff était le regisseur du Ballet Russe de Diagilev de 1909-1929, puis des Ballets Russes de Basil, et à la fin de sa carrière l'administrateur et regisseur des ballets de Covent Garden. Sa femme, Liubov Tchernycheva était la prima ballerina dans ces trois compagnies • Fondatrice et directrice du Centre de Recherche sur le movement symboliste, Art, Literature and Music in Symbolism and Decadence (ALMSD) depuis 2010 • Président du département d'études pluridisciplinaires en 2006 • Fondatrice et editrice en chef de la série sur le symbolisme Art, Literature and Music in Symbolism, Its Origins and Its Consequences depuis 2013 • critique littéraire, écrivain Orientations de recherche et directions de travaux : Littératures et art russe, 1800-1930; littérature et art russes en émigration Littérature française, 1850-1990 Littérature anglaise, 1850-1910 Relations entre la peinture et la littérature Psychoanalyse et la littérature Psychoanalyse et la peinture Théologie et la littérature Mythologie et la littérature Publications: Ouvrages: • Zinaida Vengerova: In Search of Beauty. A Literary Ambassador between East and West, Peter Lang, Heidelberg University Series, 2004; second edition 2006 • Salome: The Image of a Woman Who Never Was, Cambridge Scholars Publishing, 2013 (Russian edition, Novoe Literaturnoe Obozrenie, Moscow, 2017) Catalogues d'expositions dont j'ai été le commissaire • Alexandra Pregel: Search for Self, University of Illinois Art Gallery, 2006 • Sergei Chepik: White Guard, Springfield College Art Gallery, 2009 • Lubov’ Momot, Springfield Art Association, 2017 Directions d'ouvrages: • Symbolism, Its Origins and Its Consequences, Cambridge Scholars Publishing, 2010 • Light and Obscurity in Symbolism, Its Origins and Its Consequences, Cambridge Scholars Publishing, 2016 • Mental Illness in Symbolism, Cambridge Scholars Publishing, 2017 Articles dans des publications collectives: • "Chingiz Aitmatov," pages 19-21,"Boris Pil'niak," pages 428-430. Reference Guide to Short Fiction, St.James Press, Chicago, 1993 • "Margarita Alliger," pages 18-20; "Tat'iana Goricheva," pages 221-22; "Tat'iana Velikanova," pages 697- 698, Dictionary of Russian and Soviet Women Writers, Greenwood Publishing Group Inc., Westport, 1994 • “Cervantes,” 1998, Reference Guide to Short Fiction, St. James Press, Chicago, 1998 • "Ivan Kireevsky," "Peter Kireevsky," "Aleksey Khomiakov," Dictionary of Literary Biography, The Age of Pushkin and Gogol, Gale Research Inc. and Bruccoli Clark Layman, Inc. 1999 • "Zinaida Vengerova," Russian Women Writers, Garland Publishers, 1999 • Akhmatova, Tsvetaeva, Hippius, Block, Briusov, Voloshin, Esenin, Maykovskii, Mandelshtam, Bergollets, Pasternak, Zabolotskii,Voznesenskii, Evtushenko, Vysotskii, Brodskii, The Routledge Who’s Who in Twentieth Century World Poetry, London, 2000 • “Angela Carter,” Dictionary of Literary Biography, DLB 319: British and Irish Short Fiction Writers, 1945- 2000, Bruccoli Clark Layman, Inc., 2005 • Bagritsky and Nekrasov, two book chapters, Dictionary of Literary Biography, 2010 • “Alexandra Pregel,” - book chapter, Russian Artists in USA, Canada, 2011 Articles dans des revues internationales et nationales à comité de lecture : • Un article sur Zinaida Vengerova, une introduction à sa correspondance avec Sofia Balakhovski-Petit et ses 64 lettres inédites avec mes commentaires, " Revue des Etudes Slaves, CNRS, Institut des Etudes Slaves, Paris, LXVII/1, pages 187-236, LXVII/2-3, pages 457-516, LXVII/4, pages 693-748, 1995 • Un article sur Zinaida Hippius, une introduction à sa correspondance inédites avec Sofia Balakhovski-Petit, et les lettres inédites de Zinaida Hipppius, Russian Literature, Amsterdam, XXXVII-I, pages 49-91, January 1995 • "Edited Unpublished Correspondence of Dmitrii Merezhkovsky, Introduction and Commentaries," Novoe literaturenoe obozrenie, Moscow, May, N 12, pages 109-117, 1995 • "Zinaida Vengerova," et son article "La femme russe", Lettres russes (LRS), N 19, pages 10-16, 46-52, Paris, 1996 • “Pourquoi Zinaida Vengerova perçoit Symbolism comme fin-de-siècle reinterpretation de la Renaissance?” Lettres Modernes, Lyon, France, 2007 Participation à des actes de colloques : • “L’amour chez Platon, Vl. Soloviev et les symbolistes russes,” La Raison, Lyon, 2008 • “Mallarmé and Self-Portrait in Disguise,” Symbolism, Its Origins and Its Consequences, Cambridge Scholars Publisher, Cambridge, 2010 • Introduction pour les actes de colloques Symbolism, Its Origins and Its Consequences, Cambridge Schloars Publishing, 2010 • “L'esthetic de Michael Vroubel,” Les Lettres Modernes, 2012, Lyon, France: http://irphil.univ-lyon3.fr/accueil-philosophie/philosophie/recherche/publications/la- clandestinite-etudes-sur-la-pensee-russe-582181.kjsp?RH=1326705502535 • “L'influence de Platon sur la vision d'amour chez Zinaida Hippius”, Université de Strasbourg, 2016 • “L'influence de Platon sur la vision d'amour chez le philosophe russe Vladimir Soloviev”, Université de Jean Moulin, Lyon III, 2016 • “The Meaning of Beheadings in Works of Gustave Moreau and Odilon Redon,” Light and Obscurity in Symbolism, 2016 Autres articles (Compte rendus) • "Bronislava Nijinska, Early Memoirs, Translated and Edited by Irina Nijinska and Jean Rawlinson. With an introduction by and in consultation with Anna Kisselgoff," Slavic and East European Journal, 39, January 1995. • "Milan Kundera and Feminism. Dangerous Intersections. John O'Brien," Slavic and East European Journal, January 1997. • “Svetlana Dion. Ne dyshi bez menia: stikhotvoreniia (Don’t Breath without Me. Verse),” Slavic and East European Journal, Fall 2001 • “Lilia Pann. Neskuchny sad: poety, prozaiki 80-e-90-e,” Slavic and East European Journal, Fall 2001 • “Sonia I. Ketchian, Keats and The Russian Poets,” Slavic and East European Journal, 2003 • “Irene Kolchinsky, The Revivle of the Russian Literary Avant-Garde: The Thaw Generation and Beyond,” Slavic and East European Journal, 2003 • “Lev Karsavine. Le poème de la mort.” Traduction, postface et les renseignements biographiques par Françoise Lesourd. Editions l’Age d’Homme. Lausanne, Suisse, 2003, Slavic and East European Journal, 2006 • “Le Dialogue des Arts dans le Symbolisme Russe, dossier dirigé par Jean-Claude Marcadé”, La Revue d'Etudes Slaves, Paris, 2010 • Revue des Etudes Slaves: Tome soixante-dix-neuvième (LXXIX), fascicule 3. Entre les genres. L'écriture de l'intime dans la littérature russe XIXe-XXe siècles. Paris: publiée par l'Institut d'études slaves et le Centre d'études slaves. Unité mixes de l'université Paris-Sorbonne et du Centre national de la recherche scientifique, 2008; Slavic and East European Journal, Summer, 2011 • Annick Morand. De L’Emigré au Déraciné: La “Jeune Génération” des Écrivains Russes Entre Identité et Esthétique (Paris, 1920–1940). Lausanne, Switzerland: L’age d’homme, 2010. Bibliography. Index. 397 pp.; Slavic and East European Journa, SEEJ_59_3_7T 12/2/2015, p. 466-467 e • Rosina Neginsky, « « Temps ressenti » et « Temps construit » dans les littératures russe et fran- çaise au XX siècle, sous la direction de Jean-Philippe Jaccard et Ioulia Podoroga, Éditions Kimé, Paris, 2013, 224 pages.”; Revue des Etudes Slaves, Fascicule 4, Paris, 2014, p. 860-862 • Dina Mantcheva. La Dramaturgie symboliste de l’Ouest à l’Est européen. L’Harmattan, collection Univers théâtral, 2013, 350 pages, La Revue de littérature comparée, 2016 Oeuvres littéraires Poèsie Ouvrages: • Dans le Jardin du Luxembourg, en français, en anglais et en russe, L’Harmattan, 2015 • Jongleur (Juggler), en russe et en anglais, University Press of the South, 2009 • Under the Light of the Moon, “Slovo-Word,” New York, 2002 • Dancing Over the Precipice, Effect publishing house, New York, 1997 Poèmes publiés dans les revues et anthologies littéraires: • “L’ange de mort,” 2016 • “Mrs Dalloway,” Quiddity, 2009 • “Scream,” Anthology of White Oak Press, 2008 • “Yearning,” Anthology Immortal Verses Series, USA, 2007 • “Unloved,” Anthology Centres of Expression, England, London, 2007 • “A Parisian,” Anthology of League of American Poets, 2007 • Two poems published in the Anthology The Best Poems and Poets of 2003 and 2004, International Library of Poets • Two poems published in the Anthology Love of Labor, Noble Publishing House, London, 2004 • "Selected poetry," Vstrechi, Philadelphia, 1992 Nouvelles • “Sky” (Nebo), Anthology of Short Stories, Arena-3, 2009, Chicago • “Spring” (Vesna), Anthology of Short Stories, Arena-2, 2007, Chicago CONFERENCES par INVITATION: • « L’art, jalousie et passion: Mozart et Salieri, » Compositeur dans la littérature, décembre 2016, University Paris-Sorbonne, Paris, France. • « Les franc maçons russes en France avant la deuxième guerre mondiale, » Persecutions en France dans les années trente, février 2016, Université Paris-Sorbonne, Paris, France. • « Odilon Redon: Angoisse et le nouvel language visuel » Angoisse dans le Symbolisme Europeen, june 2015, Université Paris-Sorbonne, Paris, France. • L’art d’autotraduction : Jongleur et Dans le Jardin du Luxembourg , La traduction de poèsie, mai 2015, Université Jean Moulin, Lyon III,
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