Redalyc.Women-Translators in Russia
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1 the Woman Question in Russia
The Woman Question in Russia: Contradictions and Ambivalence Elizabeth A. Wood The Woman Question in nineteenth and early twentieth century Russia focused principally on the position of women in the family and society. It was one of the so-called “burning” social issues that occupied the Russian intelligentsia in the second half of the nineteenth century, questions such as the emancipation of the peasants and the Jews, the rise of national consciousness. Yet it was perhaps the least straight-forward of the burning questions, the one most burdened by contradictions and ambivalence. It was, for one thing, very much a question about the place of men and masculinity under autocracy. Although it ostensibly addressed notions of how to improve women’s lot, it also contained within it and even perpetuated deeply misogynist notions of women’s backwardness. The early “woman question” was also often a code phrase for authors seeking to evade the strict censorship under Tsar Nicholas I (1825-1855); they wrote about women as a way of talking about revolution and radical social change. Contemporaries perceived the Woman Question as a native development that had organic Russian roots. Yet in actuality it came to Russia as an import, borrowing many Western ideas, yet melding them with Russian intellectual and moral traditions in a new synthesis. Historians and literature scholars debate the timing and nature of the earliest appearances of the Woman Question. Most general discussions date it from the time of discussions of the Emancipation of the peasantry, i.e., the late 1850s and early 1860s. Yet it is easy to see the roots in changes under Peter the Great and Catherine the Great, as well as in the 1830s-40s [1-4]. -
Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
The Soviet Critique of a Liberator's
THE SOVIET CRITIQUE OF A LIBERATOR’S ART AND A POET’S OUTCRY: ZINOVII TOLKACHEV, PAVEL ANTOKOL’SKII AND THE ANTI-COSMOPOLITAN PERSECUTIONS OF THE LATE STALINIST PERIOD by ERIC D. BENJAMINSON A THESIS Presented to the Department of History and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts March 2018 THESIS APPROVAL PAGE Student: Eric D. Benjaminson Title: The Soviet Critique of a Liberator’s Art and a Poet’s Outcry: Zinovii Tolkachev, Pavel Antokol’skii and the Anti-Cosmopolitan Persecutions of the Late Stalinist Period This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of History by: Julie Hessler Chairperson John McCole Member David Frank Member and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded: March 2018 ii © 2018 Eric D. Benjaminson iii THESIS ABSTRACT Eric D. Benjaminson Master of Arts Department of History March 2018 Title: The Soviet Critique of a Liberator’s Art and a Poet’s Outcry: Zinovii Tolkachev, Pavel Antokol’skii and the Anti-Cosmopolitan Persecutions of the Late Stalinist Period This thesis investigates Stalin’s post-WW2 anti-cosmopolitan campaign by comparing the lives of two Soviet-Jewish artists. Zinovii Tolkachev was a Ukrainian artist and Pavel Antokol’skii a Moscow poetry professor. Tolkachev drew both Jewish and Socialist themes, while Antokol’skii created no Jewish motifs until his son was killed in combat and he encountered Nazi concentration camps; Tolkachev was at the liberation of Majdanek and Auschwitz. -
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN the LINES by Olga Klimova Specialist Degree, Belarusian State University
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES by Olga Klimova Specialist degree, Belarusian State University, 2001 Master of Arts, Brock University, 2005 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Olga Klimova It was defended on May 06, 2013 and approved by David J. Birnbaum, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Lucy Fischer, Distinguished Professor, Department of English, University of Pittsburgh Vladimir Padunov, Associate Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Aleksandr Prokhorov, Associate Professor, Department of Modern Languages and Literatures, College of William and Mary, Virginia Dissertation Advisor: Nancy Condee, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh ii Copyright © by Olga Klimova 2013 iii SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES Olga Klimova, PhD University of Pittsburgh, 2013 The central argument of my dissertation emerges from the idea that genre cinema, exemplified by youth films, became a safe outlet for Soviet filmmakers’ creative energy during the period of so-called “developed socialism.” A growing interest in youth culture and cinema at the time was ignited by a need to express dissatisfaction with the political and social order in the country under the condition of intensified censorship. I analyze different visual and narrative strategies developed by the directors of youth cinema during the Brezhnev period as mechanisms for circumventing ideological control over cultural production. -
A Cross-Cultural, Comparative Analysis of the Domestic Violence Policies of Nicaragua and Russia Jo-Ann Della Giustina Bridgewater State College
Journal of International Women's Studies Volume 10 | Issue 4 Article 3 May-2009 A Cross-cultural, Comparative Analysis of the Domestic Violence Policies of Nicaragua and Russia Jo-Ann Della Giustina Bridgewater State College Follow this and additional works at: http://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Della Giustina, Jo-Ann (2009). A Cross-cultural, Comparative Analysis of the Domestic Violence Policies of Nicaragua and Russia. Journal of International Women's Studies, 10(4), 34-52. Available at: http://vc.bridgew.edu/jiws/vol10/iss4/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2009 Journal of International Women’s Studies. A Cross-cultural, Comparative Analysis of the Domestic Violence Policies of Nicaragua and Russia By Jo-Ann Della-Giustina 1 Abstract This is a cross-cultural comparative analysis of the domestic violence policies of Nicaragua and Russia. While these two countries have striking differences, they both had socialist revolutions that established workers and farmers governments. The Soviet Union was the main economic and political support for Nicaragua following the 1979 Frente Sandinista Para Liberación Nacional (FSLN - Sandinista Front for National Liberation) revolution. This article examines the domestic violence policies of post-Soviet Russia and Nicaragua. While both countries have serious domestic violence problems, only Nicaragua is taking an aggressive stance to eradicate the problem. -
Full Text (Pdf)
Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 4(2), 25 ISSN: 2468-4414 Russian Suffragists and International Suffragist Organisations: Solidarity, Discipleship, Victory Irina Iukina 1* Published: September 8, 2020 ABSTRACT This article serves to throw light on how suffragism developed in Russia at the beginning of the 20th Century. In 1905, the first Russian electoral law was enacted, granting men, but not women, the right to vote. Russian suffragists began forming organisations with the specific goal of achieving women’s voting. This paper intends to describe the strategies and tactics Russian suffragists employed in order to achieve female suffrage. This will include analysing the successful practices of their ‘Western sisters’, as Russian suffragists labelled their foreign colleagues, and adapting their practices to the circumstances prevailing in Russia, as well as promoting suffragism in the Russian press as well as maintaining contacts with international suffragist organisations. The result was the granting of full voting rights to Russian women in 1917. The history of Russian suffragism is barely known in the overall history of suffragism worldwide. This was the result of Soviet propaganda which instilled the idea that women’s suffrage in Russia was solely due to the Soviet authority. In modern research, this trend has been overcome, though we still do not know much about Russia’s key contributions to suffragism. The article also serves as a tribute to a majority of unknown Russian suffragists for their immense efforts achieved the right voting for women in Russia. Keywords: Russian suffragists, women’s suffrage, international suffragist organisations, sisterhood, solidarity INTRODUCTION The history of interaction Russian suffragism with international women’s organisations, as well as national suffragism movements of Europe and America is insufficiently studied. -
Female Entrepreneurship in Russia: Women Wanted!
Master Thesis Female Entrepreneurship in Russia: Women Wanted! Authors: Nataliya Seliverstova & Aleksandra Somkova Supervisor: Mikael Lundgren Examiner: Tomi J. Kallio Term: VT18 Subject: Leadership and Management in International Context Level: Master Degree Course code: 4FE75E Abstract Female entrepreneurship, as a subject of the academic research, has gained a lot of popularity in the recent years. A considerable amount of attention to this field has been caused by the growing recognition that female entrepreneurship has a profound impact on the economic development. Nevertheless, the potential of female entrepreneurs is far from being fully realized in many economies. Having chosen Russia as the area of investigation, the researchers intend to examine female entrepreneurship and discover specific obstacles contained in it. Therefore, this study aims at discovering preventing factors that dissuade Russian women from stepping into entrepreneurship. For the purposes of this work, qualitative research approach is followed, with the actors view and qualitative content analysis being applied. Case studies and interviews are used to collect data about female entrepreneurs' opinion on the general state of female entrepreneurship in Russia, their attitudes toward it and assumptions about existing barriers. The results of the research demonstrate that distinguished and described barriers of female entrepreneurship hold different level of influence. The researchers also emphasize that actual barriers do not fully comply with those that are generally perceived by Russians and broadly described by scholars. From the study it is revealed that the most influential barriers are the following: managerial incompetence together with financial illiteracy, mistrust to the government and the myth of female entrepreneurship, with corruption and social prejudices being of less significance. -
The Chinese Translation of Russian Literature Sinica Leidensia
The Chinese Translation of Russian Literature Sinica Leidensia Edited by Barend J. ter Haar In co-operation with P. K. Bol, D. R. Knechtges, E. S. Rawski, W. L. Idema, E. Zürcher †, H. T. Zurndorfer VOLUME 90 The Chinese Translation of Russian Literature Three Studies By Mark Gamsa LEIDEN • BOSTON 2008 Cover illustration: Samovar and teacups. After an idea by Ursula Stadler Gamsa. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Gamsa, Mark, 1970– The Chinese translation of Russian literature : three studies / by Mark Gamsa. p. cm. — (Sinica leidensia ; v. 90) Includes bibliographical references and index. ISBN 978-90-04-16844-2 (hardback : alk. paper) 1. Russian literature—20th century—Translations into Chinese—History and criticism. 2. Translating and interpreting—China—History—20th century. 3. Savinkov, B. V. (Boris Viktorovich), 1879–1925—Criticism and interpretation. 4. Artsybashev, M. P. (Mikhail Petrovich), 1878–1927—Criticism and interpretation. 5. Andreev, L. N. (Leonid Nikolaevich), 1871–1919—Criticism and interpretation. 6. Lu Xun, 1881–1936—Criticism and interpretation. I. Title. PG2985.G36 2008 495.1’8029171—dc22 2008027646 ISSN 0169-9563 ISBN 978 90 04 16844 2 Copyright 2008 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
C:\Working Papers\10868.Wpd
NBER WORKING PAPER SERIES AUTOPSY ON AN EMPIRE: UNDERSTANDING MORTALITY IN RUSSIA AND THE FORMER SOVIET UNION Elizabeth Brainerd David M. Cutler Working Paper 10868 http://www.nber.org/papers/w10868 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 October 2004 David Cutler is grateful to the National Institutes on Aging for research support. Elizabeth Brainerd’s research for this paper was supported in part through Grant Number S-LMAQM-00-H-0146 provided by the United States Department of State and administered by the William Davidson Institute, University of Michigan. David Cutler’s research is supported by the National Institutes on Aging. The opinions, findings and conclusions or recommendations expressed herein are those of the author(s) and do not necessarily reflect those of any of the sponsoring organizations. The views expressed herein are those of the author(s) and not necessarily those of the National Bureau of Economic Research. ©2004 by Elizabeth Brainerd and David M. Cutler. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Theoretical Foundation of Buffer Stock Saving Elizabeth Brainerd and David M. Cutler NBER Working Paper No. 10868 October 2004 JEL No. I1, P0 ABSTRACT Male life expectancy at birth fell by over six years in Russia between 1989 and 1994. Many other countries of the former Soviet Union saw similar declines, and female life expectancy fell as well. Using cross-country and Russian household survey data, we assess six possible explanations for this upsurge in mortality. -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
MB Kupershteyn TOWN of BAR: Jewish Pages Through
1 M. B. Kupershteyn TOWN OF BAR: Jewish Pages Through The Prism Of Time Vinnytsia-2019 2 The publication was carried out with the financial support of the Charity Fund " Christians for Israel-Ukraine” K 92 M. B. Kupershteyn Town of Bar: Jewish Pages Through The Prism Of Time. - Vinnytsia: LLC "Nilan-LTD", 2019 - 344 pages. This book tells about the town of Bar, namely the life of the Jewish population through the prism of historical events. When writing this book archival, historical, memoir, public materials, historical and ethnographic dictionaries, reference books, works of historians, local historians, as well as memories and stories of direct participants, living witnesses of history, photos from the album "Old Bar" and from other sources were used. The book is devoted to the Jewish people of Bar, the history of contacts between ethnic groups, which were imprinted in the people's memory and monuments of material culture, will be of interest to both professionals and a wide range of readers who are not indifferent to the history of the Jewish people and its cultural traditions. Layout and cover design: L. M. Kupershtein Book proofer: A. M. Krentsina ISBN 978-617-7742-19-6 ©Kupers M. B., 2019 ©Nilan-LTD, 2019 3 Table of Contents INTRODUCTION ........................................................................... 5 HISTORICAL BAR .......................................................................... 7 FROM THE DEPTHS OF HISTORY .................................................. 32 SHTETL .................................................................................... -
Shelley in the Transition to Russian Symbolism
SHELLEY IN THE TRANSITION TO RUSSIAN SYMBOLISM: THREE VERSIONS OF ‘OZYMANDIAS’ David N. Wells I Shelley is a particularly significant figure in the early development of Russian Symbolism because of the high degree of critical attention he received in the 1880s and 1890s when Symbolism was rising as a literary force in Russia, and because of the number and quality of his translators. This article examines three different translations of Shelley’s sonnet ‘Ozymandias’ from the period. Taken together, they show that the English poet could be interpreted in different ways in order to support radically different aesthetic ideas, and to reflect both the views of the literary establishment and those of the emerging Symbolist movement. At the same time the example of Shelley confirms a persistent general truth about literary history: that the literary past is constantly recreated in terms of the present, and that a shared culture can be used to promote a changing view of the world as well as to reinforce the status quo. The advent of Symbolism as a literary movement in Russian literature is sometimes seen as a revolution in which a tide of individualism, prompted by a crisis of faith at home, and combined with a new sense of form drawing on French models, replaced almost overnight the positivist and utilitarian traditions of the 1870s and 1880s with their emphasis on social responsibility and their more conservative approach to metre, rhyme and poetic style.1 And indeed three landmark literary events marking the advent of Symbolism in Russia occurred in the pivotal year of 1892 – the publication of Zinaida Vengerova’s groundbreaking article on the French Symbolist poets in Severnyi vestnik, the appearance of 1 Ronald E.