Appendix: COMMON HOMICIDAL POISONS
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Personality Profiles of Florence And
A REVIEW OF BRUCE ROBINSON'S BOOK AND THE MAYBRICK CONNECTION By Chris Jones (author of the Maybrick A to Z) If you haven't read Bruce Robinson's recent book on Jack the Ripper and the alleged connection to Michael Maybrick, then you must. It is long and detailed, though you maybe shocked by some of his language; for example, he refers to the Prime Minister, Lord Salisbury, as the 'boss c--t of his class.'1 Robinson makes a strong case that there was a Masonic link to the murders and that the Establishment were keen to cover up certain incidents; for example, the truncated manner in which the coroner's inquest into the death of Mary Kelly was conducted. Robinson also makes a strong case that many of the letters sent to the police may have come from the serial killer himself. As well as the canonical murders, he also examines some less well known events which he argues are linked to the Ripper killings; for example, the 'Whitehall Mystery' and the discovery of the human headless, limbless torso on the building site that was to become New Scotland Yard. Some of the most important sections of Robinson's book deal with the relationship between Michael Maybrick and his brother James, and with James's wife, Florence. Three of his core arguments are that Michael 'fingered' James to be Jack the Ripper and (with the help of others) had him murdered and finally, with the help of high-ranking Masonic figures, had Florence blamed for the crime as she had 'discovered the truth of a terrible secret.'2 Although many of Robinson's arguments are supported by research, some of the important assertions he makes concerning the Maybricks, lack evidence and are therefore open to question. -
Martin Fido 1939–2019
May 2019 No. 164 MARTIN FIDO 1939–2019 DAVID BARRAT • MICHAEL HAWLEY • DAVID pinto STEPHEN SENISE • jan bondeson • SPOTLIGHT ON RIPPERCAST NINA & howard brown • THE BIG QUESTION victorian fiction • the latest book reviews Ripperologist 118 January 2011 1 Ripperologist 164 May 2019 EDITORIAL Adam Wood SECRETS OF THE QUEEN’S BENCH David Barrat DEAR BLUCHER: THE DIARY OF JACK THE RIPPER David Pinto TUMBLETY’S SECRET Michael Hawley THE FOURTH SIGNATURE Stephen Senise THE BIG QUESTION: Is there some undiscovered document which contains convincing evidence of the Ripper’s identity? Spotlight on Rippercast THE POLICE, THE JEWS AND JACK THE RIPPER THE PRESERVER OF THE METROPOLIS Nina and Howard Brown BRITAIN’S MOST ANCIENT MURDER HOUSE Jan Bondeson VICTORIAN FICTION: NO LIVING VOICE by THOMAS STREET MILLINGTON Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.MangoBooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. -
A Sheffield Hallam University Thesis
Taboo : why are real-life British serial killers rarely represented on film? EARNSHAW, Antony Robert Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20984/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20984/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Taboo: Why are Real-Life British Serial Killers Rarely Represented on Film? Antony Robert Earnshaw Sheffield Hallam University MA English by Research September 2017 1 Abstract This thesis assesses changing British attitudes to the dramatisation of crimes committed by domestic serial killers and highlights the dearth of films made in this country on this subject. It discusses the notion of taboos and, using empirical and historical research, illustrates how filmmakers’ attempts to initiate productions have been vetoed by social, cultural and political sensitivities. Comparisons are drawn between the prevalence of such product in the United States and its uncommonness in Britain, emphasising the issues around the importing of similar foreign material for exhibition on British cinema screens and the importance of geographic distance to notions of appropriateness. The influence of the British Board of Film Classification (BBFC) is evaluated. This includes a focus on how a central BBFC policy – the so- called 30-year rule of refusing to classify dramatisations of ‘recent’ cases of factual crime – was scrapped and replaced with a case-by-case consideration that allowed for the accommodation of a specific film championing a message of tolerance. -
Legal Collections Catalogue
Legal Collections Catalogue ©National Justice Museum 1 Introduction The catalogue is in entry number order and lists most collections at individual item level. The catalogue lists each collections entry number, description, date range, and accession numbers. There are two indexes for this catalogue: a subject index and a name index, both of which are arranged in alphabetical order. Enquirers can only request five items at any one time to view. When requesting items for viewing please note down the entry or loan number, and accession number, as this will assist retrieval from the storage areas. ©National Justice Museum 2 E1 Framed facsimile of the original warrant for the beheading of 1648 1995.1 Charles I E6 Collection of legal costume and documents related to Charles 1891-1966 1995.9 Rothera, Coroner of Nottingham E6 Coroner’s robe by Ede & Son belonging to Charles Rothera, 1891-1934 1995.9.1 Coroner of Nottingham E6 Coroner’s wig made by Ravenscroft Star Lincoln’s Inn Fields 1891-1934 1995.9.2 belonging to Charles Rothera E6 Wig box by Ravenscroft Law Wig & Robe Maker belonging to 1891-1934 1995.9.3 Charles Rothera E6 Pair of white cotton gloves belonging to Charles Rothera 1891-1934 1995.9.4 E6 Pair of white cotton gloves, elasticated wrist belonging to Charles 1891-1934 1995.9.5 Rothera E6 Collar (wing) belonging to Charles Rothera 1891-1934 1995.9.6 E6 Collar belonging to Charles Rothera 1891-1934 1995.9.7 E6 Tab wallet by Ede & Ravenscroft belonging to Charles Rothera 1891-1934 1995.9.8 E6 Tab, button & elastic fastening belonging to Charles Rothera 1891-1934 1995.9.9 E6 Tab, metal ring & hook and eye fastening belonging to Charles 1891-1934 1995.9.10 Rothera E6 Tab tape tie fastening belonging to Charles Rothera 1891-1934 1995.9.11 E6 Tab tape tie fastening belonging to Charles Rothera 1891-1934 1995.9.12 E6 Letter to C. -
Bruised Witness: Bernard Spilsbury and the Performance of Early Twentieth-Century English Forensic Pathology
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PubMed Central Medical History, 2011, 55: 41–60 Bruised Witness: Bernard Spilsbury and the Performance of Early Twentieth-Century English Forensic Pathology IAN BURNEY and NEIL PEMBERTON* Abstract: This article explores the status, apparatus and character of forensic pathology in the inter-war period, with a special emphasis on the ‘people’s pathologist’, Bernard Spilsbury. The broad expert and pub- lic profile of forensic pathology, of which Spilsbury was the most promi- nent contemporary representative, will be outlined and discussed. In so doing, close attention will be paid to the courtroom strategies by which he and other experts translated their isolated post-mortem encounters with the dead body into effective testimony. Pathologists built a high-profile practice that transfixed the popular, legal and scientific imagination, and this article also explores, through the celebrated 1925 murder trial of Norman Thorne, how Spilsbury’s courtroom performance focused critical attention on the practices of pathology itself, which threatened to destabilise the status of forensic pathology. In particular, the Thorne case raised questions about the inter- relation between bruising and putrefaction as sources of interpretative anxiety. Here, the question of practice is vital, especially in understand- ing how Spilsbury’s findings clashed with those of rival pathologists whose autopsies centred on a corpse that had undergone further putrefac- tive changes and that had thereby mutated as an evidentiary object. Examining how pathologists dealt with interpretative problems raised by the instability of their core investigative object enables an analysis of the ways in which pathological investigation of homicide was inflected with a series of conceptual, professional and cultural difficul- ties stemming in significant ways from the materiality of the corpse itself. -
Why Are Real-Life British Serial Killers Rarely Represented on Film?
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sheffield Hallam University Research Archive Taboo : why are real-life British serial killers rarely represented on film? EARNSHAW, Antony Robert Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20984/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version EARNSHAW, Antony Robert (2017). Taboo : why are real-life British serial killers rarely represented on film? Masters, Sheffield Hallam University. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Taboo: Why are Real-Life British Serial Killers Rarely Represented on Film? Antony Robert Earnshaw Sheffield Hallam University MA English by Research September 2017 1 Abstract This thesis assesses changing British attitudes to the dramatisation of crimes committed by domestic serial killers and highlights the dearth of films made in this country on this subject. It discusses the notion of taboos and, using empirical and historical research, illustrates how filmmakers’ attempts to initiate productions have been vetoed by social, cultural and political sensitivities. Comparisons are drawn between the prevalence of such product in the United States and its uncommonness in Britain, emphasising the issues around the importing of similar foreign material for exhibition on British cinema screens and the importance of geographic distance to notions of appropriateness. The influence of the British Board of Film Classification (BBFC) is evaluated. This includes a focus on how a central BBFC policy – the so- called 30-year rule of refusing to classify dramatisations of ‘recent’ cases of factual crime – was scrapped and replaced with a case-by-case consideration that allowed for the accommodation of a specific film championing a message of tolerance. -
The Lost Chord, the Holy City and Williamsport, Pennsylvania
THE LOST CHORD, THE HOLY CITY AND WILLIAMSPORT, PENNSYLVANIA by Solomon Goodman, 1994 Editor's Introduction: Our late nineteenth century forbears were forever integrating the sacred and the secular. Studies of that era that attempt to focus on one or the other are doomed to miss the behind-the-scenes connections that provide the heart and soul informing the recorded events. While ostensibly unfolding the story of several connected pieces of sacred and popular music, this paper captures some of the romance and religion, the intellect and intrigue, the history and histrionics of those upon whose heritage we now build. The material presented comes from one of several ongoing research projects of the author, whose main interest is in music copyrighting. While a few United Methodist and Central Pennsylvania references have been inserted into the text at appropriate places, the style and focus are those of the author. We thank Mr. Goodman for allowing THE CHRONICLE to reproduce the fruits of his labor in this form. THE LOST CHORD One of the most popular composers of his day, Sir Arthur Sullivan is a strong candidate for the most talented and versatile secular/sacred, light/serious composer ever. This accomplished organist and author of stately hymns (including "Onward, Christian Soldiers"), is also the light-hearted composer of Gilbert and Sullivan operetta fame. During and immediately following his lifetime, however, his most successful song was the semi-sacred "The Lost Chord." In 1876 Sullivan's brother Fred, to whom he was deeply attached, fell ill and lingered for three weeks before dying. -
St Catharine's Thespians Have Been in the News Name for a Professor of Economic History
St Catharine’s 2014 St Catharine’s Magazine !"#$ Printed in England by Langham Press Ltd (www.langhampress.co.uk) on Picture credits: Cover: Tim Harvey-Samuel; pp5, elemental-chlorine-free paper from 27 (both): Alexander Dodd; pp6, 17, 19, 21, 23 sustainable forests. (thumbnail): Julian Johnson (JJPortraits.co.uk); p9: Jean Thomas; pp18, 20: Tim Rawle; p29: Ella Jackson, p82 Designed and typeset in Linotype Syntax by (left): Andy Rapkins; pp107, 108: Cambridge Collection. Hamish Symington (www.hamishsymington.com). Table of contents Editorial ............................................................4 Society Report Society Committee 2013–14 ...........................56 College Report The Society President ......................................56 Master’s Report ................................................6 Ancient and Modern – Nine Decades ..............57 The Fellowship ................................................11 Report of 86th AGM ......................................57 New Fellows ...................................................14 Accounts for the year to 30 June 2014 ...........61 Retirements and Farewells ..............................15 Society Awards ...............................................62 Professor Sir Peter Hall (1932–2014) ..............16 Society Presidents’ Dinner ...............................62 Senior Tutors’ Reports .....................................17 The Acheson Gray Sports Day 2014 ...............63 Notes from the Admissions Tutor ....................19 Branch News ..................................................64 -
Home Office Spin? We Remember DON SOUDEN with Two of His Greatest Articles
August/September 2017 No. 157 Home Office Spin? We remember DON SOUDEN with two of his greatest articles THE DEVIL IN SIR ARTHUR, OBITUARY: A DOMINO SCOTLAND YARD, RICHARD GORDON Simon Stern SHERLOCK HOLMES AND A SERIAL KILLER: THE BLACKHEATH JACK IN FOUR COLORS A VERY TANGLED MYSTERY and THE Dave M Gray SKEIN TOOTING HORROR Daniel L. Friedman and Jan Bondeson MAYWEATHER VS Eugene B. Friedman McGREGOR VICTORIAN STYLE DRAGNET! PT 1 VICTORIAN FICTION Brian Young Nina and Howard BrownRipperologistWilliam 118 January Hope 2011 Hodgson1 Ripperologist 157 August/September 2017 EDITORIAL: FAREWELL, SUPE Adam Wood PARDON ME: SPIN CONTROL AT THE HOME OFFICE? Don Souden WHAT’S WRONG WITH BEING UNMOTIVATED? Don Souden THE DEVIL IN A DOMINO Simon Stern SIR ARTHUR, SCOTLAND YARD, SHERLOCK HOLMES AND A SERIAL KILLER: A VERY TANGLED SKEIN Daniel L. Friedman and Eugene B. Friedman JACK IN FOUR COLORS Dave M Gray MAYWEATHER VS McGREGOR VICTORIAN STYLE Brian Young OBITUARY: RICHARD GORDON THE BLACKHEATH MYSTERY and THE TOOTING HORROR Jan Bondeson DRAGNET! PT 1 Nina and Howard Brown VICTORIAN FICTION: THE VOICE IN THE NIGHT By William Hope Hodgson BOOK REVIEWS Ripperologist magazine is published by Mango Books (www.mangobooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. -
The Lives and Times of Florence Maybrick, 1891-2015
“As the times want him to decide”: the lives and times of Florence Maybrick, 1891-2015 by Noah Miller Bachelor of Arts (Honours), University of Calgary, 2011 Graduate Certificate in Learning and Teaching in Higher Education, University of Victoria, 2015 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of History Noah Miller, 2018 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. Supervisory Committee “As the times want him to decide”: the lives and times of Florence Maybrick, 1891-2015 by Noah Miller Bachelor of Arts (Honours), University of Calgary, 2011 Graduate Certificate in Learning and Teaching in Higher Education, University of Victoria, 2015 Supervisory Committee Dr. Simon Devereaux (Department of History) Supervisor Dr. Tom Saunders (Department of History) Departmental Member ii Abstract Supervisory Committee Dr. Simon Devereaux (Department of History) Supervisor Dr. Tom Saunders (Department of History) Departmental Member This thesis examines major publications produced between 1891-2015 that portray the trial of Florence Maybrick. Inspired by Paul Davis’ Lives and Times of Ebenezer Scrooge, it considers the various iterations of Florence’s story as “protean fantasies,” in which the narrative changed to reflect the realities of the time in which it was (re)written. It tracks shifting patterns of emphasis and authors’ rigid conformity to associated sets of discursive strategies to argue that this body of literature can be divided into three distinct epochs. The 1891-1912 era was characterized by authors’ instrumentalization of sympathy on Florence’s behalf in response to contemporary concerns about the administration of criminal justice in England. -
Verdict in Dispute, by Edgar Marcus Lustgarten
VERDICT IN DISPUTE 1 By the same author: A CASE TO ANSWER BLONDIE 1SCARIOT VERDICT in DISPUTE EDGAR LUSTGARTEN 526633 ALLAN WINGATE LONDON AND NEW YORK First published mcmxlix by Allan Wingate (Publishers) Limited 12 Beauchamp Place London S W 3 122 East th Street New Set in Linotype Granjon and printed in Great Britain by Billing and Sons Ltd Guildford and Esher PREFACE Six famous murder trials are examined in this book. All six verdicts are open to dispute. Three, in my belief, are demon- strably bad. I have tried not only to analyse the facts but to recreate the atmosphere in which these trials were fought, so that the reader can determine the dominating influences that led to result their unsatisfactory shortcomings of counsel, inepti- tude of judge, prejudice of jury, or any other weakness to which the human race is constitutionally prone. There is reason to suppose that, in British and American courts, miscarriages of justice are relatively rare. But how- ever infrequent, they still affront the conscience, and study of will not if those that disfigure the past be profitless the know- of ledge thereby gained lessens the chance repetition. For ANNE SINNETT CONTENTS FLORENCE MAYBRICK Page 9 STEINIEMORRISON 43 NORMANTHORNE 88 EDITH THOMPSON 127 WILLIAM HERBERT WALLACE 163 LIZZIE BORDEN 2O6 APPENDIX 251 FLORENCE MAYBRICK PLANNED, deliberate killing is no drawing-room accomplish- ment. It needs callousness of heart, insensitivity of mind, in- difference to suffering and contempt for human life. These are grim qualities; repulsive in a man, in a woman against nature. The calculating murderer is vile but comprehensible; the calculating murderess is an enigmatic paradox. -
Criminal Poisoning FORENSIC SCIENCE- AND- MEDICINE
Criminal Poisoning FORENSIC SCIENCE- AND- MEDICINE Steven B. Karch, MD, SERIES EDITOR CRIMINAL POISONING: INVESTIGATIONAL GUIDE FOR LAW ENFORCEMENT, TOXICOLOGISTS, FORENSIC SCIENTISTS, AND ATTORNEYS, SECOND EDITION, by John H. Trestrail, III, 2007 MARIJUANA AND THE CANNABINOIDS, edited by Mahmoud A. ElSohly, 2007 FORENSIC PATHOLOGY OF TRAUMA: COMMON PROBLEMS FOR THE PATHOLOGIST, edited by Michael J. Shkrum and David A. Ramsay, 2007 THE FORENSIC LABORATORY HANDBOOK: PROCEDURES AND PRACTICE, edited by Ashraf Mozayani and Carla Noziglia, 2006 SUDDEN DEATHS IN CUSTODY, edited by Darrell L. Ross and Ted Chan, 2006 DRUGS OF ABUSE: BODY FLUID TESTING, edited by Raphael C. Wong and Harley Y. Tse, 2005 A PHYSICIAN’S GUIDE TO CLINICAL FORENSIC MEDICINE: SECOND EDITION, edited by Margaret M. Stark, 2005 FORENSIC MEDICINE OF THE LOWER EXTREMITY: HUMAN IDENTIFICATION AND TRAUMA ANALYSIS OF THE THIGH, LEG, AND FOOT, by Jeremy Rich, Dorothy E. Dean, and Robert H. Powers, 2005 FORENSIC AND CLINICAL APPLICATIONS OF SOLID PHASE EXTRACTION, by Michael J. Telepchak, Thomas F. August, and Glynn Chaney, 2004 HANDBOOK OF DRUG INTERACTIONS: A CLINICAL AND FORENSIC GUIDE, edited by Ashraf Mozayani and Lionel P. Raymon, 2004 DIETARY SUPPLEMENTS: TOXICOLOGY AND CLINICAL PHARMACOLOGY, edited by Melanie Johns Cupp and Timothy S. Tracy, 2003 BUPRENOPHINE THERAPY OF OPIATE ADDICTION, edited by Pascal Kintz and Pierre Marquet, 2002 BENZODIAZEPINES AND GHB: DETECTION AND PHARMACOLOGY, edited by Salvatore J. Salamone, 2002 ON-SITE DRUG TESTING, edited by Amanda J. Jenkins and Bruce A. Goldberger, 2001 BRAIN IMAGING IN SUBSTANCE ABUSE: RESEARCH, CLINICAL, AND FORENSIC APPLICATIONS, edited by Marc J. Kaufman, 2001 CRIMINAL POISONING INVESTIGATIONAL GUIDE FOR LAW ENFORCEMENT, TOXICOLOGISTS, FORENSIC SCIENTISTS, AND ATTORNEYS Second Edition John Harris Trestrail, III, RPh, FAACT, DABAT Center for the Study of Criminal Poisoning, Grand Rapids, MI © 2007 Humana Press Inc.