Why Are Real-Life British Serial Killers Rarely Represented on Film?
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South Korea Section 3
DEFENSE WHITE PAPER Message from the Minister of National Defense The year 2010 marked the 60th anniversary of the outbreak of the Korean War. Since the end of the war, the Republic of Korea has made such great strides and its economy now ranks among the 10-plus largest economies in the world. Out of the ashes of the war, it has risen from an aid recipient to a donor nation. Korea’s economic miracle rests on the strength and commitment of the ROK military. However, the threat of war and persistent security concerns remain undiminished on the Korean Peninsula. North Korea is threatening peace with its recent surprise attack against the ROK Ship CheonanDQGLWV¿ULQJRIDUWLOOHU\DW<HRQS\HRQJ Island. The series of illegitimate armed provocations by the North have left a fragile peace on the Korean Peninsula. Transnational and non-military threats coupled with potential conflicts among Northeast Asian countries add another element that further jeopardizes the Korean Peninsula’s security. To handle security threats, the ROK military has instituted its Defense Vision to foster an ‘Advanced Elite Military,’ which will realize the said Vision. As part of the efforts, the ROK military complemented the Defense Reform Basic Plan and has UHYDPSHGLWVZHDSRQSURFXUHPHQWDQGDFTXLVLWLRQV\VWHP,QDGGLWLRQLWKDVUHYDPSHGWKHHGXFDWLRQDOV\VWHPIRURI¿FHUVZKLOH strengthening the current training system by extending the basic training period and by taking other measures. The military has also endeavored to invigorate the defense industry as an exporter so the defense economy may develop as a new growth engine for the entire Korean economy. To reduce any possible inconveniences that Koreans may experience, the military has reformed its defense rules and regulations to ease the standards necessary to designate a Military Installation Protection Zone. -
Why My Child? a Guide for Parents of Children Who Have Been Sexually Abused
Why my child? A guide for parents of children who have been sexually abused CONTENTS Introduction 4 What is Child Sexual Abuse? 4 Children’s Reactions 5 Behaviour Changes 6 Dealing With The Police 6 Parents’ Feelings 7 Incest 8 What If You Were Sexually Abused? 9 Your Feelings Are Natural 9 What About Your Family? 9 Whose Fault Is It? 10 Why Didn’t My Child Tell? 11 When a Child Tells - 12 Ways to Respond What Should We Say to Everyone? 13 How Can I Help My Child? 14 Take Care of Yourself 16 Teaching Personal Safety Skills 17 What if my Child is Sexually 18 Provocative with another Child? Commonly Asked Questions 20-21 Questions That Children Ask 21-22 Helpful Organisations 23 INTRODUCTION challenges, but with the help of this guide, other resources, and the support of those The sexual abuse of your child can unleash you turn to - family, professionals, self-help one of the most difficult crises you and groups - you will survive. What is more, your your family will ever encounter. Besides the child can go on to lead a happy, productive stress of negotiating the criminal justice life. It will take time and effort, but the work system, helping your child, and supporting is worth it. your family, can create nearly unbearable pressure, and you may feel you don’t know WHat IS CHILD SEXUAL ABUSE? where to turn. Your child could be displaying Child sexual abuse is any sexual exploitation a bundle of contradictory behaviours, and of a child under the age of sixteen for the be full of confused emotions - angry one sexual pleasure or profit of an adult or much moment, withdrawn the next. -
The Report of the Daniel Morgan Independent Panel
The Report of the Daniel Morgan Independent Panel The Report of the Daniel Morgan Independent Panel June 2021 Volume 1 HC 11-I Return to an Address of the Honourable the House of Commons dated 15th June 2021 for The Report of the Daniel Morgan Independent Panel Volume 1 Ordered by the House of Commons to be printed on 15th June 2021 HC 11-I © Crown copyright 2021 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government-licence/version/3. Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/official-documents. Any enquiries regarding this publication should be sent to us at [email protected]. ISBN 978-1-5286-2479-4 Volume 1 of 3 CCS0220047602 06/21 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Office Daniel Morgan Independent Panel Daniel Morgan Independent Panel Home Office 2 Marsham Street London SW1P 4DF Rt Hon Priti Patel MP Home Secretary Home Office 2 Marsham Street London SW1P 4DF May 2021 Dear Home Secretary On behalf of the Daniel Morgan Independent Panel, I am pleased to present you with our Report for publication in Parliament. The establishment of the Daniel Morgan Independent Panel was announced by the Home Secretary, the Rt Hon Theresa May MP, on 10 May 2013 in a written statement to the House of Commons. -
In the Supreme Court of Florida Jason Andrew
IN THE SUPREME COURT OF FLORIDA JASON ANDREW SIMPSON, Appellant, v. Case No. SC07-0798 STATE OF FLORIDA, Appellee. ON APPEAL FROM THE CIRCUIT COURT OF THE FOURTH JUDICIAL CIRCUIT, IN AND FOR DUVAL COUNTY, FLORIDA ANSWER BRIEF OF APPELLEE BILL McCOLLUM ATTORNEY GENERAL STEPHEN R. WHITE ASSISTANT ATTORNEY GENERAL Florida Bar No. 159089 Office of the Attorney General PL-01, The Capitol Tallahassee, Fl 32399-1050 (850) 414-3300 Ext. 4579 (850) 487-0997 (FAX) COUNSEL FOR APPELLEE TABLE OF CONTENTS PAGE# TABLE OF CONTENTS ................................................... i TABLE OF CITATIONS ............................................... iii PRELIMINARY STATEMENT .............................................. 1 STATEMENT OF THE CASE AND FACTS ..................................... 1 SUMMARY OF ARGUMENT ................................................ 14 ARGUMENT ISSUE I: ISSUES I THROUGH IV: DID THE TRIAL COURT REVERSIBLY ERR IN ITS HANDLING OF JUROR CODY'S POST GUILTY-VERDICT STATEMENTS? .................................................... 15 A. Overview of Juror Cody-related claims ..................... 16 B. Contextual timeline ....................................... 16 C. Applicable preservation principles ........................ 18 D. Judge's Order ............................................. 19 E. Simpson's self-serving inference of Juror Cody's timidness ................................................. 21 ISSUE I: DID THE TRIAL COURT UNREASONABLY DENY A MOTION FOR NEW TRIAL WHERE, OVER A WEEK AFTER THE GUILTY VERDICT WAS RENDERED -
What Is 'Workplace Bullying'
‘The Boy In The Photograph’ ANTI-BULLYING PRESENTATION PERFORMED BY ROB HIGGS ‘The Boy In The Photograph’ is inspired by my own experiences... AM I BEING BULLIED? Several Times On Purpose The ‘Victim State’ FEAR SHAME SELF- BULLYING Strategies To Help Yourself If You Are Ever Bullied… Smash The Silence: Tell Someone & Report It Immediately. Allow Others To Support You. Keep A Diary. Collect Evidence. Build Confidence & Self-Esteem through Personal Challenge. Acknowledge your emotions. It’s OK To Feel Angry or Scared. Release the energy in a therapeutic way: Writing Performing Creating https://www.childline.org.u k/toolbox/art-box/ ‘BANTER’ vs ‘BULLYING’ http://www.telegraph.c o.uk/news/uknews/defe nce/11844639/Army- must-not-lose-banter-in- harassment- crackdown.html ROLEPLAY LOSER YOUR MUM.. UGLY WEIRDO THICK FREAK FAT I DON’T LIKE YOU. Creative Exercise Idea 1: Deflect With Humour Idea 2: Broken Record: “I don’t lose all the time” “Whatever, whatever, whatever” “Clearly not” or “That’s not true” “Thanks!..Thanks!..Thanks!..” “I’m pretty clever actually” “Blah, blah, blah..” “Thanks so much for telling me that.” Idea 3: Direct Question: “Everyone’s a bit weird. It’s a weird world.” “Is this banter or bullying?” “Great banter” “Why are you saying that?” “#Drama” or “#Banter” “What do you mean by that?” “Oh well” or “I don’t need you to like me” Idea 4: Use an ‘I Feel..’ Statement: “My Mum’s great, thanks for asking.” “You can’t talk to me like that.” “I’m just going to write that “You keep saying that…..and it down…and then not care.” makes me feel like…….” Top Tips. -
A Sheffield Hallam University Thesis
Taboo : why are real-life British serial killers rarely represented on film? EARNSHAW, Antony Robert Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20984/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20984/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Taboo: Why are Real-Life British Serial Killers Rarely Represented on Film? Antony Robert Earnshaw Sheffield Hallam University MA English by Research September 2017 1 Abstract This thesis assesses changing British attitudes to the dramatisation of crimes committed by domestic serial killers and highlights the dearth of films made in this country on this subject. It discusses the notion of taboos and, using empirical and historical research, illustrates how filmmakers’ attempts to initiate productions have been vetoed by social, cultural and political sensitivities. Comparisons are drawn between the prevalence of such product in the United States and its uncommonness in Britain, emphasising the issues around the importing of similar foreign material for exhibition on British cinema screens and the importance of geographic distance to notions of appropriateness. The influence of the British Board of Film Classification (BBFC) is evaluated. This includes a focus on how a central BBFC policy – the so- called 30-year rule of refusing to classify dramatisations of ‘recent’ cases of factual crime – was scrapped and replaced with a case-by-case consideration that allowed for the accommodation of a specific film championing a message of tolerance. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Peter Manuel Beast of Birkenshaw
Peter Manuel Beast of Birkenshaw Information researched and summarized by: Jerry T. Atkins, Nicole Ballengee, & Kirsten Boyd Department of Psychology Radford University Radford, VA 24142-6946 Date Age Life Event 03/15/1927 0 Born in Misericordia Hospital, Manhattan, New York. Peter has an older brother, James who was born in 1925. 1932 5 Moved from U.S. to Motherwell, Scotland, due to father being terribly ill and mother wanting to be around family for help 1934 7 Sister Teresa is born. 1937 10 Attended Park St. Roman Catholic School in Motherwell, Scotland 1938 11 Family moved to Coventry, England 1939 12 First court appearance. Was bound for over 12 months for shoplifting, breaking and entering, and larceny 1942 15 Broke into his teacher’s house, attacked his wife by beating her with a candle stick holder, and then hid in the school’s nativity scene during the day. Charged with assault and breaking and entering. 06/24/1942 15 Went to Southport Juvenile Court on three charges of breaking into houses. 03/15/1943 16 Appeared in front of the Market Weighton Court and was committed to a borstal (youth prison) for two years. 1943 or 1944 (not Manuel was struck on the right side of his forehead by a piece of steel real clear) from an air raid bomb attack. He was knocked unconscious for few hours and was “blank minded” for a few days. 1944 Received an electric shock from his job that resulted in a loss of consciousness as well as burns – three e coworkers died in the incident. -
Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Serial Murder: a Four-Book Review by J
The Journal of PsychiatP/& Law/ÿpdng 1989 Serial murder: a four-book review by J. Reid Meloy, Ph.D. Serial Murder, by Ronald Holmes and James De Burger (Newbury Park: Sage Publications, 1988), 155 pp., $27.50. The Lust to Kill: A Feminist Investigation of Sexual Murder, by Deborah Cameron and Elizabeth Frazer (New York: New York University Press, 1987), 177 pp., $35.00. Compulsive Killers: Tile Story of Modern Multiple Murder, by Elliott Leyton (New York: New York University Press, 1986), 298 pp., $24.95. Mass Murder: America's Growing Menace, by Jack Levin and James Fox (New York: Plenmn Press, 1985), 233 pp., $16.95. For murder, though it have no tongue, will speak With most miraculous organ. Hamlet The act of murder--the willful killing of one human being by another--is a major public health problem in the United States. One person in 10,000 will be murdered this year, and the probability of being murdered dramatically increases if one is young, black, male, poor, uneducated, and living in an urban area in the West or South.' A peculiar and frightening new form of murder, however, is becoming apparent: the purposeful killing of strangers, usually one at a time, over an extended period of time. This phenomenon, called serial murder to describe its distinctive AUTIIOR'S NOTE: Please address correspondence to 964 Fifth A re., Suite 435, San Diego, CA 92101. Telephone: (619) 544-1435. © 1990 by Federal Legal Publicatiolts, htc. 86 BOOK SECTION temporal sequence, was rarely chronicled from post-World War I until 1960, with each decade producing one or two cases. -
'Drowning in Here in His Bloody Sea' : Exploring TV Cop Drama's
'Drowning in here in his bloody sea' : exploring TV cop drama's representations of the impact of stress in modern policing Cummins, ID and King, M http://dx.doi.org/10.1080/10439463.2015.1112387 Title 'Drowning in here in his bloody sea' : exploring TV cop drama's representations of the impact of stress in modern policing Authors Cummins, ID and King, M Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/38760/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Introduction The Criminal Justice System is a part of society that is both familiar and hidden. It is familiar in that a large part of daily news and television drama is devoted to it (Carrabine, 2008; Jewkes, 2011). It is hidden in the sense that the majority of the population have little, if any, direct contact with the Criminal Justice System, meaning that the media may be a major force in shaping their views on crime and policing (Carrabine, 2008). As Reiner (2000) notes, the debate about the relationship between the media, policing, and crime has been a key feature of wider societal concerns about crime since the establishment of the modern police force.