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Season 2013-2014

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Season 2013-2014 23 Season 2013-2014 Friday, January 10, at 8:00 Saturday, January 11, at The Philadelphia Orchestra 8:00 Sunday, January 12, at 2:00 Robin Ticciati Conductor Stephen Hough Piano Liadov The Enchanted Lake, Op. 62 Tchaikovsky Piano Concerto No. 1 in B-flat minor, Op. 23 I. Allegro non troppo e molto maestoso— Allegro con spirito II. Andantino semplice—Prestissimo— Tempo I III. Allegro con fuoco Intermission Tchaikovsky Symphony No. 4 in F minor, Op. 36 I. Andante sostenuto—Moderato con anima II. Andantino in modo di canzona—Più mosso—Tempo I III. Scherzo: Pizzicato ostinato (Allegro— Meno mosso—Tempo I) IV. Finale: Allegro con fuoco—Andante— Tempo I This program runs approximately 1 hour, 50 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 24 Please join us immediately following the January 12 concert for a Chamber Postlude, featuring members of The Philadelphia Orchestra. Shostakovich String Quartet No. 7 in F-sharp minor, Op. 108 I. Allegretto— II. Lento— III. Allegro—Allegretto Ying Fu Violin William Polk Violin Burchard Tang Viola John Koen Cello Borodin String Quartet No. 2 in D major I. Allegro moderato II. Scherzo: Allegro III. Notturno: Andante IV. Finale: Andante—Vivace Ying Fu Violin Lisa-Beth Lambert Violin Che-Hung Chen Viola Yumi Kendall Cello 3 Story Title 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations. Arts in Beijing. The Orchestra audiences, and admired for annually performs at Under Yannick’s leadership a legacy of innovation in Carnegie Hall while also the Orchestra returns to music-making. The Orchestra enjoying annual residencies in recording with a newly- is inspiring the future and Saratoga Springs, N.Y., and at released CD on the Deutsche transforming its rich tradition the Bravo! Vail festival. Grammophon label of of achievement, sustaining Stravinsky’s The Rite of Spring Musician-led initiatives, the highest level of artistic and Leopold Stokowski including highly-successful quality, but also challenging transcriptions. In Yannick’s Cello and Violin Play-Ins, and exceeding that level, by inaugural season the shine a spotlight on the creating powerful musical Orchestra has also returned Orchestra’s musicians, as experiences for audiences at to the radio airwaves, with they spread out from the home and around the world. weekly Sunday afternoon stage into the community. Music Director Yannick broadcasts on WRTI-FM. The Orchestra’s commitment Nézet-Séguin triumphantly to its education and Philadelphia is home and opened his inaugural community partnership the Orchestra nurtures an season as the eighth artistic initiatives manifests itself important relationship not leader of the Orchestra in numerous other ways, only with patrons who support in fall 2012. His highly including concerts for families the main season at the collaborative style, deeply- and students, and eZseatU, Kimmel Center but also those rooted musical curiosity, a program that allows full- who enjoy the Orchestra’s and boundless enthusiasm, time college students to other area performances paired with a fresh approach attend an unlimited number at the Mann Center, Penn’s to orchestral programming, of Orchestra concerts for Landing, and other venues. have been heralded by a $25 annual membership The Orchestra is also a global critics and audiences alike. fee. For more information on ambassador for Philadelphia Yannick has been embraced The Philadelphia Orchestra, and for the U.S. Having been by the musicians of the please visit www.philorch.org. the first American orchestra Orchestra, audiences, and the 8 Music Director Nigel Parry/CPi Yannick Nézet-Séguin triumphantly opened his inaugural season as the eighth music director of The Philadelphia Orchestra in the fall of 2012. His highly collaborative style, deeply-rooted musical curiosity, and boundless enthusiasm, paired with a fresh approach to orchestral programming, have been heralded by critics and audiences alike. The New York Times has called Yannick “phenomenal,” adding that under his baton “the ensemble … has never sounded better.” In his first season he took the Orchestra to new musical heights. His second builds on that momentum with highlights that include a Philadelphia Commissions Micro-Festival, for which three leading composers have been commissioned to write solo works for three of the Orchestra’s principal players; the next installment in his multi-season focus on requiems with Fauré’s Requiem; and a unique, theatrically-staged presentation of Strauss’s revolutionary opera Salome, a first-ever co-production with Opera Philadelphia. Yannick has established himself as a musical leader of the highest caliber and one of the most exciting talents of his generation. Since 2008 he has been music director of the Rotterdam Philharmonic and principal guest conductor of the London Philharmonic, and since 2000 artistic director and principal conductor of Montreal’s Orchestre Métropolitain. In addition he becomes the first ever mentor conductor of the Curtis Institute of Music’s conducting fellows program in the fall of 2013. He has made wildly successful appearances with the world’s most revered ensembles, and has conducted critically acclaimed performances at many of the leading opera houses. Yannick Nézet-Séguin and Deutsche Grammophon (DG) enjoy a long-term collaboration. Under his leadership the Orchestra returns to recording with a newly-released CD on that label of Stravinsky’s Rite of Spring and Leopold Stokowski transcriptions. Yannick continues a fruitful recording relationship with the Rotterdam Philharmonic for DG, BIS, and EMI/Virgin; the London Philharmonic for the LPO label; and the Orchestre Métropolitain for ATMA Classique. A native of Montreal, Yannick Nézet-Séguin studied at that city’s Conservatory of Music and continued lessons with renowned conductor Carlo Maria Giulini and with Joseph Flummerfelt at Westminster Choir College. Among Yannick’s honors are an appointment as Companion of the Order of Canada, one of the country’s highest civilian honors; a Royal Philharmonic Society Award; Canada’s National Arts Centre Award; the Prix Denise- Pelletier, the highest distinction for the arts in Quebec, awarded by the Quebec government; and an honorary doctorate by the University of Quebec in Montreal. To read Yannick’s full bio, please visit www.philorch.org/conductor. 26 Conductor Marco Borggreve Robin Ticciati is in his fifth season as principal conductor of the Scottish Chamber Orchestra (SCO) and in 2014 begins his tenure as music director of the Glyndebourne Festival Opera. He made his Philadelphia Orchestra debut in 2012 and is making his second appearance with the Philadelphians. Other guest conducting engagements this season include debuts with the Bavarian Radio Symphony and the Tonhalle Orchestra in Zurich; return performances with the London and Swedish Radio symphonies and the Rotterdam and Los Angeles philharmonics; and a return to the Bamberg Symphony, where he served for four years as principal guest conductor, for concerts and recordings. Mr. Ticciati’s 2013-14 season with the SCO features concerts at the Musikverein in Vienna and the Mozartwoche in Salzburg, and a two-week tour of Asia with pianist Maria João Pires as soloist. Mr. Ticciati balances orchestral engagements with extensive work in the opera house. Recent projects include new productions of Britten’s Peter Grimes at La Scala, Mozart’s The Marriage of Figaro at the Salzburg Festival, Tchaikovsky’s Eugene Onegin at the Royal Opera House, and a Metropolitan Opera debut with Humperdinck’s Hansel and Gretel. His association with Glyndebourne began in 2004 when, at age 21, he served as assistant conductor for performances of Mozart’s The Magic Flute for Glyndebourne on Tour. When he takes up the post as music director of the Glyndebourne Festival Opera, he will be only the seventh conductor to hold the post in the Festival’s 77-year history. He opens the season with a new production of Strauss’s Der Rosenkavalier and conducts the Orchestra of the Age of Enlightenment for Glyndebourne’s first-ever production of Mozart’s La finta giardiniera. Mr. Ticciati’s discography includes two Berlioz discs with the Scottish Chamber Orchestra on Linn Records and two Brahms discs with the Bamberg Symphony for Tudor Records, one of which won Germany’s prestigious Echo Klassik award. This season he and the SCO embark on their first symphonic cycle with a focus on Schumann’s symphonies. Concerts performed across Scotland will be recorded by Linn Records for a series of discs to be released in 2015-16. 27 Soloist Sim Canetty-Clarke Pianist, writer, and composer Stephen Hough made his Philadelphia Orchestra debut in 1989 and has appeared with the ensemble on numerous occasions. He has performed with most of the major orchestras and plays recitals regularly around the world. Recent engagements include performances with the Czech, London, Los Angeles, and New York philharmonics; the Chicago, Boston, Pittsburgh, San Francisco, Saint Louis, Houston, and Toronto symphonies; and the Cleveland, Budapest Festival, and Russian National orchestras. He has also given recitals in Chicago, Hong Kong, London, New York, Paris, San Francisco, and Sydney, and appeared on television worldwide with the Berlin Philharmonic and Simon Rattle. Mr. Hough is a regular guest at the BBC Proms, where he has made over 20 concerto appearances, including, in 2009, performances of all of Tchaikovsky’s works for piano and orchestra, a series he later repeated with the Chicago Symphony.
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