20100811 V.A.-Essential Releaxing Classics

Total Page:16

File Type:pdf, Size:1020Kb

20100811 V.A.-Essential Releaxing Classics CD 1 01. Sheep May Safely Graze From Cantata No. 208 (Arr. Marriner) - Ian Watson 02. Canon In D - Sir Neville Marriner 03. Konzert Für Klarinette Und Orchester A-Dur KV 622 - Rekonstruierte Fassung Für Bassettklarinette - II. Adagio 04. Hans Vonk 05. Piano Sonata No. 14 In C Sharp Minor 'Moonlight' Op. 27 No. 2 - I. Adagio Sostenuto (Excerpt) - Dame Moura Lympany 06. Concerto No. 4 In F Minor (L'inverno/ Winter) RV297 (Op. 8 No. 4) - II. Largo - Paul Cocker 07. Flute And Harp Concerto In C K.299 - II Andantino - Fritz Helmis 08. Flute And Harp Concerto In C K.299 - Fantasia On A Theme By Thomas Tallis (Opening) - Sir Adrian Boult 09. Piano Concerto No.2 In C Minor Op.18 - II Adagio Sostenuto (Excerpt) - Sir Simon Rattle 10. Cello Concerto In E Minor Op. 85 - III. Adagio - Jacqueline Du Pré 11. Cello Concerto In E Minor Op. 85 - Symphony No. 9 In E Minor Op. 95 'From The New World': Second Movement: Largo (Opening) - Oslo Philharmonic Orchestra 12. Cello Concerto In E Minor Op. 85- The Lark Ascending (Opening) - Hugh Bean 13. Cello Concerto In E Minor Op. 85 - Adagio From The Piano Concerto No.5 In E Flat Major. Op.73 ''The Emperor'' - The National Radio Orchestra Of The Netherlands 14. Cello Concerto In E Minor Op. 85 - Concerto For Violin And Orchestra No. 1 In G Minor Op. 26: Second Movement: Adagio (Opening) - Walter Susskind 15. Variations On An Original Theme, 'Enigma' Op. 36 - IX. Nimrod - Sir Adrian Boult 16. Variations On An Original Theme, 'Enigma' Op. 36 - Romance From The Gadfly - Piers Lane 17. Symphony No. 6 In F 'Pastoral' Op. 68 - V. Allegretto (Shepherds' Hymn) (Abbrev. Version Arr. Norman Bates) 18. Philadelphia Orchestra CD 2 01. Suite No. 3 In D Major BWV 1068 - Air - Sir Neville Marriner 02. Suite No. 3 In D Major BWV 1068 - Adagio In G Minor (Excerpt) - Sir Neville Marriner 03. Piano Concerto No. 21 In C 'Elvira Madigan' K467 - II. Andante (Excerpt) - Stephen Hough 04. Piano Concerto No. 21 In C 'Elvira Madigan' K467 - The Mission - Gabriel's Oboe - Ennio Morricone 05. Peer Gynt - Prelude (Morning) - Sir Neville Marriner 06. Trois Gymnopédies - 1. Lent Et Douloureux - Anne Queffélec 07. Suite Bergamasque - Clair De Lune (Transcr. Stokowski) - Wolfgang Sawallisch 08. Rhapsody On A Theme Of Paganini Op. 43 - Variation XVIII (Andante Cantabile, A Tempo Vivace) - Sir Simon Rattle 09. Concierto De Aranjuez - Adagio - Opening - Julian Bream 10. Piano Concerto In A Minor Op. 16 - II. Adagio - Sir Neville Marriner 11. Violin Concerto In E Minor Op.64 (1997 Digital Remaster) - II Andante (Excerpt) - Yehudi Menuhin 12. Piano Concerto No.1 In E Minor Op.11 - II. Romance: Larghetto - Orchestre Symphonique De Montréal 13. Cavalleria Rusticana - Intermezzo From Cavalleria Rusticana - Riccardo Muti 14. Cavalleria Rusticana - +'Pathétique' Sonata (Op. 13 - II: Adagio Cantabile) - Hollywood Bowl Symphony Orchestra 15. Cavalleria Rusticana - Dance Of The Blessed Spirits (From Orfeo Ed Euridice) - Riccardo Muti 16. Six Gnossiennes - No.1: Lent - Anne Queffélec 17. Six Gnossiennes - The Swan (Le Cygne) - Aline Brewer 18. Six Gnossiennes - Symphony No. 5 In C Sharp Minor: IV. Adagietto (Conclusion) - Sir John Barbirolli 19. Thaïs - Méditation - Hans Kalafusz .
Recommended publications
  • London Symphony Orchestra with Sir Simon Rattle, Music Director
    LONDON SYMPHONY ORCHESTRA WITH SIR SIMON RATTLE, MUSIC DIRECTOR PROGRAM BARTÓK Concerto for Orchestra (1881 – 1945) Duke Bluebeard’s Castle VILLA-LOBOS Bachianas Brasileiras No. 5 (1887 – 1959) MAHLER Symphony No. 4 in G Major (1860 – 1911) PROGRAM NOTES Written by Dan Ruccia BÉLA BARTÓK CONCERTO FOR ORCHESTRA Times were rough for Béla Bartók in 1943. He and his wife, pianist Ditta Pázstory, had migrated to the United States in 1940 to escape the pro-Nazi regime in Hungary, but had found limited success as performers. To survive, Bartók did some ethnomusicological work at Columbia and occasionally lectured there and at and Harvard, but he was generally unsatisfied with his situation. To make matters worse, his health had recently deteriorated; in February 1943, he collapsed after a lecture at Harvard. When he was admitted to the hospital, he weighed only 87 pounds. It wasn’t clear how much longer he had to live. Initially, the nature of Bartók’s illness was unclear. Early diagnoses included tuberculosis and polycythemia. It was only in April 1944 that doctors pinned down his actual diagnosis—chronic myeloid leukemia—but by then, there was little that could be done. In May 1943, conductor Serge Koussevitzky of the Boston Symphony commissioned a new orchestral work from Bartók through the recently formed Koussevitzky Music Foundation. The ailing composer was initially hesitant; he did not want to take a commission that he might not be able to finish. But Koussevitzky insisted that the commission was a fait accompli and the money could only go to Bartók. With the commission in hand, it seems that Bartók became energized.
    [Show full text]
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • Benjamin Grosvenor, Piano
    BENJAMIN GROSVENOR, PIANO a formidable technician and a thoughtful, coolly assured interpreter - Allan Kozinn, New York Times, ...a skill and talent not heard since Kissins teenage Russian debut - Bryce Morrison, Gramophone Magazine British pianist Benjamin Grosvenor is internationally recognized for his electrifying performances and penetrating interpretations. An exquisite technique and ingenious flair for tonal colour are the hallmarks which make Benjamin Grosvenor one of the most sought-after young pianists in the world. His virtuosic command over the most strenuous technical complexities never compromises the formidable depth and intelligence of his interpretations. Described by some as a Golden Age pianist (American Record Guide) and one almost from another age (The Times), Benjamin is renowned for his distinctive sound, described as poetic and gently ironic, brilliant yet clear-minded, intelligent but not without humour, all translated through a beautifully clear and singing touch (The Independent). Benjamin first came to prominence as the outstanding winner of the Keyboard Final of the 2004 BBC Young Musician Competition at the age of eleven. Since then, he has become an internationally regarded pianist performing with orchestras including the London Philharmonic, RAI Torino, New York Philharmonic, Philharmonia, Tokyo Symphony, and in venues such as the Royal Festival Hall, Barbican Centre, Singapores Victoria Hall, The Frick Collection and Carnegie Hall (at the age of thirteen). Benjamin has worked with numerous esteemed conductors including Vladimir Ashkenazy, Jií Blohlávek, Semyon Bychkov and Vladimir Jurowski. At just nineteen, Benjamin performed with the BBC Symphony Orchestra on the First Night of the 2011 BBC Proms to a sold-out Royal Albert Hall.
    [Show full text]
  • 2003-2004 Amernet String Quartet: Strings of the Heart Series
    I CONSERVATORY OF Music presents Al\1ERNET STRING QUARTET Strings of the Heart Series with Sergiu Schwartz ~ violin Sylvia Kim~ violin Dmitry Pogorelov ~viola Johanne Perron ~ cello and Tao Lin ~ harpsichord Friday, October 17, 2003 7:30p.m. Amamick-Goldstein Concert Hall de Hoemle International Center Program String Quartet No. 19 in C Major, K 465 "Dissonance" ..... W. A. Mozart (1756-1791) Adagio-Allegro Andante Cantabile Menuetto-Allegro Allegro Amernet String Quartet Misha Vitenson - violin Marsha Littley- violin Michael Klotz- viola Javier Arias- cello Concerto ind minor for Two Violins, BWV 1043 .............. J. S. Bach (1685-1750) Vivace Largo ma non tanto Allegro Sergiu Schwartz-violin Misha Vitenson - violin Marcia Littley, Sylvia Kim-violin Michael Klotz, Dmitry Pogorelov -viola Javier Arias, Johanne Perron-cello Tao Lin - harpsichord INTERMISSION 1 Octet, Op. 20 .................................................................... Felix Mendelssohn (1809-1847) Allegro moderato Andante Scherzo -Allegro leggierissimo Presto Misha Vitenson, Sergiu Schwartz, Sylvia Kim, MarciaLittley-violin Michael Klotz, Dmitry Pogorelov -viola Javier Arias, Johanne Perron-cello Biographies r Amernet String Quartet The Amernet String Quartet, Ensemble-in-Residence at Northern .,_ Kentucky University, has garnered worldwide praise and recognition as one of today's exceptional young string quartets. i It rose to international attention after only one year of existence, after winning the Gold Medal at the 7th Tokyo International Music Competition in 1992. Three years later the group was the First Prize winner of the prestigious 5th Banff International String Quartet Competition. The Amernet String Quartet has been described by The New York Times as "an accomplished and intelligent ensemble," and by the Niirnberger Nachrichten (Germany) as "fascinating with flawless intonation, extraordinary beauty of sound, virtuosic brilliance and homogeneity of ensemble." The Amernet String Quartet formed in 1991, while two of its members were students at The Juilliard School.
    [Show full text]
  • In Concert AUGUST–SEPTEMBER 2012
    ABOUT THE MUSIC GRIEG CONCERTO /IN CONCERT AUGUST–SEPTEMBER 2012 GRIEG CONCERTO 30 AUGUST–1 SEPTEMBER STEPHEN HOUGH PLAYS TCHAIKOVSKY 14, 15 AND 17 SEPTEMBER TCHAIKOVSKY’S PATHÉTIQUE 20–22 SEPTEMBER ENIGMA VARIATIONS 28 SEPTEMBER MEET YOUR MSO MUSICIANS: SYLVIA HOSKING AND MICHAEL PISANI PIERS LANE VISITS GRIEG’S BIRTHPLACE STEPHEN HOUGH ON TCHAIKOVSKY’S PIANO CONCERTO NO.2 SIR ANDREW DAVIS HAILS THE NEW HAMER HALL twitter.com/melbsymphony facebook.com/melbournesymphony IMAGE: SIR ANDREW Davis CONDUCTING THE MELBOURNE SYMPHONY ORCHESTRA Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WELCOME Ashton Raggatt McDougall, has (I urge you to read his reflections been reported all over the world. on Grieg’s Concerto on page 16) and Stephen Hough, and The program of music by Grieg conductors Andrew Litton and and his friend and champion HY Christopher Seaman, the last of Percy Grainger that I have the whom will be joined by two of the privilege to conduct from August finest brass soloists in the world, otograp 29 to September 1 will be a H P Radovan Vlatkovic (horn) and wonderful opportunity for you to ta S Øystein Baadsvik (tuba), for our O experience all the richness our C special Town Hall concert at the A “new” hall has to offer.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Atlanta Chamber Players, "Music of Norway"
    ATLANTA CHAMBER PLAYERS Music of Norway featuring Efe Baltacigil, cello David Coucheron and Helen Hwaya Kim, violins Julie Coucheron and Elizabeth Pridgen, piano Monday, March 6, 2017 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Eighty-ninth Concert of the 2016-17 Concert Season program JOHAN HALVORSEN (1864-1935) Concert Caprice on Norwegian Melodies David Coucheron and Helen Hwaya Kim, violins EDVARD GRIEG (1843-1907) Andante con moto in C minor for Piano Trio David Coucheron, violin Efe Baltacigil, cello Julie Coucheron, piano EDVARD GRIEG Violin Sonata No. 3 in C minor, Op. 45 Allegro molto ed appassionato Allegretto espressivo alla Romanza Allegro animato - Prestissimo David Coucheron, violin Julie Coucheron, piano INTERMISSION JOHAN HALVORSEN Passacaglia for Violin and Cello (after Handel) David Coucheron, violin Efe Baltacigil, cello EDVARD GRIEG Cello Sonata in A minor, Op. 36 Allegro agitato Andante molto tranquillo Allegro Efe Baltacigil, cello Elizabeth Pridgen, piano featured musician FE BALTACIGIL, Principal Cello of the Seattle Symphony since 2011, was previously Associate Principal Cello of The Philadelphia Orchestra. EThis season highlights include Brahms' Double Concerto with the Oslo Radio Symphony and Vivaldi's Double Concerto with the Seattle Symphony. Recent highlights include his Berlin Philharmonic debut under Sir Simon Rattle, performing Bottesini’s Duo Concertante with his brother Fora; performances of Tchaikovsky’s Variations on a Rococo Theme with the Bilkent & Seattle Symphonies; and Brahms’ Double Concerto with violinist Juliette Kang and the Curtis Symphony Orchestra. Baltacıgil performed a Brahms' Sextet with Itzhak Perlman, Midori, Yo-Yo Ma, Pinchas Zukerman and Jessica Thompson at Carnegie Hall, and has participated in Yo-Yo Ma’s Silk Road Project.
    [Show full text]
  • Bath Festival Orchestra Programme 2021
    Bath Festival Orchestra photo credit: Nick Spratling Peter Manning Conductor Rowan Pierce Soprano Monday 17 May 7:30pm Bath Abbey Programme Carl Maria von Weber Overture: Der Freischütz Weber Der Freischütz (Op.77, The Marksman) is a German Overture to Der Freischütz opera in three acts which premiered in 1821 at the Schauspielhaus, Berlin. Many have suggested that it was the first important German Romantic opera, Strauss with the plot based around August Apel’s tale of the same name. Upon its premiere, the opera quickly 5 Orchestral Songs became an international success, with the work translated and rearranged by Hector Berlioz for a French audience. In creating Der Freischütz Weber Brentano Lieder Op.68 embodied the ideal of the Romantic artist, inspired Ich wollt ein Sträuẞlein binden by poetry, history, folklore and myths to create a national opera that would reflect the uniqueness of Säusle, liebe Myrthe German culture. Amor Weber is considered, alongside Beethoven, one of the true founders of the Romantic Movement in Morgen! Op.27 music. He lived a creative life and worked as both a pianist and music critic before making significant contributions to the operatic genre from his appointment at the Dresden Staatskapelle in 1817, Das Rosenband Op.36 where he realised that the opera-goers were hearing almost nothing other than Italian works. His three German operas acted as a remedy to this situation, Brahms with Weber hoping to embody the youthful Serenade No.1 in D, Op.11 Romantic movement of Germany on the operatic stage. These works not only established Weber as a long-lasting Romantic composer, but served to define German Romanticism and make its name as an important musical force in Europe throughout the 19th century.
    [Show full text]
  • WTUL Classical Listener's Guide
    9 WTUL Classical Lisfener s Guide Don9t F orgef Featured pieces will be aired weekly at 7 a.m., and on Sundays at 7 p.m. and 9 p.m. The week of Jan. 31 -Feb. 5 The week of Feb. 7 - 12 The §ymphony1 Sunday - The 20th Century Sunday with Stefan ext season, the symphony will return. While we despair over its absence, the WTUL Classical Classical Show with Lester o J.S. Bach Cello Suite No.6 in D Major, BWV 1012 Department will do its best to continue their sea­ Focus on Classic Movie Scores: Nikolaus Harnoncourt, cello N son for them. On the radio, that is. o Virgil Thomson o Franz Waxman The River Lost Command o FJ. Haydn Beginning next month, and for the remainder of the reg­ Cello Concerto in C, Hob. Vllb No. 1 ular season, WTUL will broadcast the music originally Los Angeles Chamber o Jerome Moross English Chamber Orchestra) Edo DeWaart conducting Orchestra) Neville Mar- The Proud Rebel planned for live performance by the New Orleans Sym­ riner conducting o Gabriel Faure' phony. More details next issue, but if you have any com­ Cello Sonata No. 1 in D Minor, Op. 109 ments, please don't hesitate to write or call. Monday with Tom And if you have a chance, please drop by the Encore o Benjamin Britten Monday with Suzanne Shop on 7814 Maple Street. It's a store of previously "Occassional Overture," Op, 38 o Hector Berlioz owned clothing where all sales proceeds go to benefit the Symphonie Fantastique, Op.
    [Show full text]
  • Navigating, Coping & Cashing In
    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
    [Show full text]
  • Roots & Origins
    Sunday 16 December 2018 7–9.15pm Tuesday 18 December 2018 7.30–9.45pm Barbican Hall LSO SEASON CONCERT ROOTS & ORIGINS Brahms Violin Concerto Interval ROMANIAN Debussy Images Enescu Romanian Rhapsody No 1 Sir Simon Rattle conductor Leonidas Kavakos violin These performances of Enescu’s Romanian Rhapsody No 1 are generously RHAPSODY supported by the Romanian Cultural Institute 16 December generously supported by LSO Friends Welcome Latest News On Our Blog We are grateful to the Romanian Cultural BRITISH COMPOSER AWARDS MARIN ALSOP ON LEONARD Institute for their generous support of these BERNSTEIN’S CANDIDE concerts. Sunday’s concert is also supported Congratulations to LSO Soundhub Associate by LSO Friends, and we are delighted to have Liam Taylor-West and LSO Panufnik Composer Marin Alsop conducted Bernstein’s Candide, so many Friends with us in the audience. Cassie Kinoshi for their success in the 2018 with the LSO earlier this month. Having We extend our thanks for their loyal and British Composer Awards. Prizes were worked closely with the composer across important support of the LSO, and their awarded to Liam for his Community Project her career, Marin drew on her unique insight presence at all our concerts. The Umbrella and to Cassie for Afronaut, into Bernstein’s music, words and sense of a jazz composition for large ensemble. theatre to tell us about the production. I wish you a very happy Christmas, and hope you can join us again in the New Year. The • lso.co.uk/more/blog elcome to this evening’s LSO LSO’s 2018/19 concert season at the Barbican FELIX MILDENBERGER JOINS THE LSO concert at the Barbican.
    [Show full text]
  • Britten Connections a Guide for Performers and Programmers
    Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman.
    [Show full text]