Itunes Store and Spotify Recordings

Total Page:16

File Type:pdf, Size:1020Kb

Itunes Store and Spotify Recordings A+ Music Memory 2016-2017 iTunes Store and Spotify Recordings Bach Pachelbel Canon and Other Baroque Favorites, track 12, Suite No. 2 in B Minor, BWV1067: Badinerie (James Galway, Zagreb Soloists & I Solisti di Zagreb, Universal International BMG Music, 1978). iTunes: https://itunes.apple.com/us/album/pachelbel-canon-other- baroque/id458810023 Spotify: https://open.spotify.com/track/4bFAmfXpXtmJRs2t5tDDui Bartók Bartók: Hungarian Pictures – Weiner: Hungarian Folk Dance – Enescu: Romanian Rhapsodies, track 2, Magyar Kepek (Hungarian Sketches), BB 103: No. 2. Bear Dance (Neeme Järvi & Philharmonia Orchestra, Chandos, 1991). iTunes: https://itunes.apple.com/us/album/bartok-hungarian-pictures/id265414807 Spotify: https://open.spotify.com/track/5E4P3wJnd2w8Cv1b37sAgb Beethoven Beethoven: Piano Sonatas Nos. 8, 14, 23 & 26, track 6, Piano Sonata No. 8 in C Minor, Op. 13 – “Pathétique,” III. Rondo (Allegro), (Alfred Brendel, Universal International Music B.V., 2001) iTunes: https://itunes.apple.com/us/album/beethoven-piano-sonatas- nos./id161022856 Spotify: https://open.spotify.com/track/2Z0QlVLMXKNbabcnQXeJCF Brahms Best of Brahms, track 11, Waltz No. 15 in A-Flat Minor, Op. 59 [Note: This track is mis-named: the piece is in A-Flat Major, from Op. 39] (Dieter Goldmann, SLG, LLC, 2009). iTunes: https://itunes.apple.com/us/album/best-of-brahms/id320938751 Spotify: https://open.spotify.com/track/1tZJGYhVLeFODlum7cCtsa A+ Mu Me ory – Re or n s of Clarke Trumpet Tunes, track 2, Suite in D Major: IV. The Prince of Denmark’s March, “Trumpet Voluntary” (Stéphane Beaulac and Vincent Boucher (ATMA Classique, 2006). iTunes: https://itunes.apple.com/us/album/trumpet-tunes/id343027234 Spotify: https://open.spotify.com/track/7wFCg74nihVlMcqvVZQ5es Delibes Flower Duet from Lakmé, track 1, Lakmé, Act 1: Viens, Mallika, … Dôme épais (Flower Duet) (Dame Joan Sutherland, Jane Barbié, Richard Bonynge, Orchestre national de l’Opéra de Monte-Carlo, Decca Label Group, 2009). iTunes: https://itunes.apple.com/us/album/delibus-flower-duet-from- lakme/id333096268 Spotify: https://open.spotify.com/track/5DPv2ziCGCGmpSmamop7IQ des Prez Oh Flanders Free: Flemish Renaissance Music, track 11, El grillo – JosQuin des Prez (Capilla Flamenca, Naxos, 2000). iTunes: https://itunes.apple.com/us/album/oh-flanders-free-flemish- renaissance/id19299671 Spotify: https://open.spotify.com/track/0maSiEfO4jAldKNzD8FE8W Ginastera Dorian Sampler, Vol. 6 (A Dorian Banquet), track 19, Estancia Suite, Op. 8a: IV. Malambo: Allegro – Tempo di malambo (Eduardo Mata and Simon Bolivar Symphony Orchestra of Venezuela, Sono Luminus, 2011). iTunes: https://itunes.apple.com/us/album/dorian-sampler-vol.-6- dorian/id559515596 Spotify: https://open.spotify.com/track/0VFPgxfpxc8Yz6dzYkHvnK Haydn Haydn: 29 Named Symphonies, disk 8, track 6, Symphony in G, H.I No. 94 – “Surprise”: 2. Andante (Sir Neville Marriner, Academy of St. Martin in the Fields, Universal International Music B.V., 1997). iTunes: https://itunes.apple.com/us/album/haydn-29-named- symphonies/id387546780 Spotify: https://open.spotify.com/track/0NTbWVbElVHBzk7T7mN5u5 A+ Mu Me ory – Re or n s of Mozart Classical Overtures, track 4, Cosi Fan Tutte Overture (Various Artists, Cavendish Music Library, 2005). iTunes: https://itunes.apple.com/us/album/classical-overtures/id328960569 Spotify: https://open.spotify.com/track/4qkQYuLL42bp4Rsp8tyyRO Puccini Puccini – La Bohème, track 9, La Bohème, Act II: Aranci, datteri! (Leontina Vaduva, Thomas Hampson, Simon Keenlyside, London Voices, Antonio Pappano, Philharmonia Orchestra, and Roberto Alagna, EMI Records, 2006). iTunes: https://itunes.apple.com/us/album/puccini-la-boheme/id693844123 Spotify: https://open.spotify.com/track/5pgcMr7TDMHm7k2WX0hQ31 Reed Reed! X3 Vol. 1, track 8, Armenian Dances Part I: 5. Go, Go (Alfred Reed and Osaka Municipal Symphonic Band, Osaka Municipal Symphonic Band, 2005). iTunes: https://itunes.apple.com/us/album/reed!-3-vol.-1-digital- version/id1092475267 Spotify: https://open.spotify.com/track/0Wbbor0WjPU6ekpRDM8y1P J. Strauss, Sr. Herbert Von Karajan: Rarities, track 2, Radetzky March, Op. 228 (Staatskapelle Berlin and Herbert Von Karajan, Cugate ltd., 2006). iTunes: https://itunes.apple.com/us/album/herbert-von-karajan- rarities/id362865457 Spotify: https://open.spotify.com/track/6o2KQnEbu6ogznKxXAbUPu c Tchaikovsky Russian Waltzes and Polonaises, track 8, Sleeping Beauty, Op. 66: Waltz (USSR State Symphony Orchestra and Evgeny Svetlanov, FSUE “Firma Melodia,” 2007). iTunes: https://itunes.apple.com/us/album/russian-waltzes-polonaises/id753113677 Spotify: https://open.spotify.com/track/28AD9vufOSVU6ZLlWIGyzI Walton Walton: Belshazzar’s Feast – Crown Imperial, track 5, Belshazzar’s Feast: Thus in Babylon (Simon Lindley, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, Paul Daniel, and English Northern Philharmonia, Naxos, 2004). iTunes: https://itunes.apple.com/us/album/walton-belshazzars-feast- crown/id364201413 Spotify: https://open.spotify.com/track/7at0i1onll0HmsrlGKr20L A+ Mu Me ory – Re or n s of Williams The Music of Star Wars (30th Anniversary Collector’s edition), track 11, Cantina Band (John Williams and London Symphony Orchestra, Lucas Film Ltd., 2007). iTunes: https://itunes.apple.com/us/album/music-star-wars-30th- anniversary/id407047396 Spotify: https://open.spotify.com/track/4vYch5T3Tcw8xrMrjGwhbb Grade 7/8 Pilot – Additional Pieces Gershwin The Works – Gershwin: Rhapsody in Blue, track 1, Rhapsody in Blue (Leonard Bernstein and Los Angeles Philharmonic, Deutsche Grammophon GmbH, 2007). iTunes: https://itunes.apple.com/us/album/works-gershwin-rhapsody- in/id257645112 (album only, $2.99) Spotify: https://open.spotify.com/track/7n2oCtw3YneLbnuO85Fxl5 (same recording, but from a different album: Gershwin: Rhapsody in Blue) Mussorgsky Berlioz: Symphonie Fantastique – Dukas: The Sorceror’s Apprentice – Mussorgsky: Night on Bald Mountain, track 10, Night on Bald Mountain (Eugene Ormandy and Philadelphia Orchestra, Sony BMG Music Entertainment, 2002). iTunes: https://itunes.apple.com/us/album/berlioz-symphonie- fantastique/id264720009 (album only) Spotify: https://open.spotify.com/track/5FMmhANpoVzm6nXfnZKnXE Schubert 21 Lieder, track 21, Der Erlkönig, D328 (1988 Remastered Version), (Dietrich Fischer- Dieskau and Gerald Moore, EMI Records Ltd., 1988). iTunes: https://itunes.apple.com/us/album/21-leider/id695976991 Spotify: https://open.spotify.com/track/0hES7IYAQSwBAPXJeLKcGN Sibelius Sibelius: Orchestral Works, track 1, Finlandia, Op. 26 (Helsinki Philharmonic Orchestra and Okko Kamu, Finladia Records, 2011). iTunes: https://itunes.apple.com/us/album/sibelius-orchestral-works/id435374707 Spotify: https://open.spotify.com/track/6zVDbyKLRGkShSiNkwPovD A+ Mu Me ory – Re or n s of .
Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • Lectures and Community Engagement 2017­–18 About the Metropolitan Opera Guild
    Lectures and Community Engagement 2017 –18 About the Metropolitan Opera Guild The Metropolitan Opera Guild is the world’s premier arts educa- tion organization dedicated to enriching people’s lives through the magic and artistry of opera. Thanks to the support of individuals, government agencies, foundations, and corporate sponsors, the Guild brings opera to life both on and off the stage through its educational programs. For students, the Guild fosters personal expression, collaboration, literacy skills, and self-confidence with customized education programs integrated into the curricula of their schools. For adults, the Guild enhances the opera-going experience through intensive workshops, pre-performance talks, and community outreach programs. In addition to educational activities, the Guild publishes Opera News, the world’s leading opera magazine. With Opera News, the Guild reaches a global audience with the most insightful and up-to-date writing on opera available anywhere, helping to maintain opera as a thriving, contemporary art form. For more information about the Metropolitan Opera Guild and its programs, visit metguild.org. Additional information and archives of Opera News can be found online at operanews.com. How to Use This Booklet This brochure presents the 2017–18 season of Lectures and Community Programs grouped into thematic sections—programs that emphasize specific Met performances and productions; courses on opera and its history and culture; and editorial insights and interviews presented by our colleagues at Opera News. Courses of study are arranged chronologically, and learners of all levels are welcome. To place an order, please call the Guild’s ticketing line at 212.769.7028 (Mon–Fri 10AM–4PM).
    [Show full text]
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Program Notes | Yannick and Manny
    23 Season 2018-2019 Thursday, November 29, at 7:30 The Philadelphia Orchestra Friday, November 30, at 8:00 Saturday, December 1, Yannick Nézet-Séguin Conductor at 8:00 Emanuel Ax Piano Brahms Piano Concerto No. 2 in B-flat major, Op. 83 I. Allegro non troppo II. Allegro appassionato III. Andante—Più adagio—Tempo I IV. Allegretto grazioso—Un poco più presto Intermission Brown Perspectives United States premiere Dvořák Symphony No. 7 in D minor, Op. 70 I. Allegro maestoso II. Poco adagio III. Scherzo: Vivace IV. Finale: Allegro This program runs approximately 2 hours, 5 minutes. The November 29 concert is sponsored by Elia D. Buck and Caroline B. Rogers. The November 29 concert is also sponsored by the Louis N. Cassett Foundation. The November 30 concert is sponsored by Alexandra Edsall and Robert Victor. The December 1 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 Please join us following the November 30 and December 1 concerts for a free Organ Postlude featuring Peter Richard Conte. Brahms Prelude, from Prelude and Fugue in G minor Brahms Fugue in A-flat minor Dvořák/transcr. Conte Humoresque, Op. 101, No. 7 Widor Toccata, from Organ Symphony No. 5 in F minor, Op. 42, No. 1 The Organ Postludes are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation.
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • The 28Th Edition of Aria
    The newsletter of the Kiri Te Kanawa Foundation ISSUE 28 | DECEMBER 2019 Dame Kiri comments … My seventy-fifth birthday year has been incredibly busy and filled with memorable moments, but when they told me about the move to attach my name to the Concert Hall in the Aotea Centre it took me by complete surprise. Looking back on those 75 years, for me, this has to be the high point of all the high points! 2019 has been another very interesting year for me – full of surprises and memorable experiences, interesting musical projects and lots of contact with young singers being supported by the Foundations. There is so much good news to report – from the UK Foundation’s 12-monthly report, Manase Latu taking out the Australian Singing Competition with Samson Setu CREDIT JOHN SWANNELL close behind and the appointment of two new trustees. Our current singers in the UK are also continuing to Welcome to the 28th perform and study well. edition of Aria I know you will enjoy this 28th edition of Aria. Featured in this issue . Finally I want to thank my Trustees in New Zealand and Gala Concert honours Dame Kiri 2 the UK for their untiring efforts to achieve our goals and News in brief 3 to wish them, all our enthusiastic supporters and the New UK Trustees 4 singers we are currently helping, a very Happy Christmas UK Foundation reflects 4 and New Year! on a busy year Dame Kiri and the Trustees of the Kiri Te Kanawa Foundations extend their very best wishes for a very happy Christmas to all our supporters and their families and the singers that the Foundations are privileged to work with and support.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • View Album Insert
    music director patron sponsors Lan Shui a standing ovation for our corporate partners official official official official official airline hotel radio station postage sponsor outdoor media partners Schumann Symphony Spectacular Symphonic Fantasy LEE FOUNDATION Supported by various corporate sponsors and individual donors, the Singapore Symphony Orchestra is a not-for-profit company limited by guarantee and registered under the Charities Order. Singapore Symphony Orchestra 11 Empress Place, Victoria Concert Hall, Singapore 179558 Sat, 30 Jan 10 Company registration no: 197801125M Phone +65 6338 1230 (main) Fax +65 6336 6382 Esplanade Concert Hall E-mail [email protected] Website www.sso.org.sg Performing Home of the SSO All Rights Reserved, National Library Board, Singapore For song title, key in 924 and SMS to 72346. Each SMS costs 30 cents. Service provided by MediaCorp Pte Ltd, 6877 7132. All Rights Reserved, National Library Board, Singapore Sat, 30 Jan 10 Schumann Symphony Spectacular Symphonic Fantasy Singapore Symphony Orchestra Okko Kamu conductor Dang Thai Son piano Robert Schumann Manfred: Overture, Op. 115 12’00 Frédéric Chopin Piano Concerto No. 1 in E minor, Op. 11 39’00 Intermission 20’00 Dang Thai Son will sign autographs at the stall foyer Robert Schumann Symphony No. 4 in D minor, Op. 120 28’00 Concert Duration: 1 hr 50 min All Timings Indicated Are Approximate. All Rights Reserved, National Library Board, Singapore “Today it unquestionably ranks among the world’s best… A world-class orchestra that can switch between such radically divergent styles with virtuosic ease.” American Record Guide March/April 2007 All Rights Reserved, National Library Board, Singapore 03 Singapore Symphony Orchestra A premier Asian orchestra gaining recognition around the world, the Singapore Symphony Orchestra (SSO) aims to enrich the local cultural scene, serving as a bridge between the musical traditions of Asia and the West, and providing artistic inspiration, entertainment and education.
    [Show full text]
  • Who Pays for Music?
    Who Pays For Music? The Honors Program Senior Capstone Project Meg Aman Professor Michael Roberto May 2015 Who Pays For Music Senior Capstone Project for Meg Aman TABLE OF CONTENTS ABSTRACT ....................................................................................................................... 3 LITERATURE REVIEW ................................................................................................ 4 INTRODUCTION ................................................................................................................. 4 MUSIC INDUSTRY BACKGROUND ...................................................................................... 6 THE PROBLEM .................................................................................................................. 8 THE MUSIC INDUSTRY ..................................................................................................... 9 THE CHANGING MUSIC MARKET .................................................................................... 10 HOW CAN MUSIC BE FREE? ........................................................................................... 11 MORE OR LESS MUSIC? .................................................................................................. 12 THE IMPORTANCE OF SAMPLING ..................................................................................... 14 THE NETWORK EFFECTS ................................................................................................. 16 WHY STREAMING AND DIGITAL MUSIC STORES ............................................................
    [Show full text]
  • WTUL Classical Listener's Guide
    9 WTUL Classical Lisfener s Guide Don9t F orgef Featured pieces will be aired weekly at 7 a.m., and on Sundays at 7 p.m. and 9 p.m. The week of Jan. 31 -Feb. 5 The week of Feb. 7 - 12 The §ymphony1 Sunday - The 20th Century Sunday with Stefan ext season, the symphony will return. While we despair over its absence, the WTUL Classical Classical Show with Lester o J.S. Bach Cello Suite No.6 in D Major, BWV 1012 Department will do its best to continue their sea­ Focus on Classic Movie Scores: Nikolaus Harnoncourt, cello N son for them. On the radio, that is. o Virgil Thomson o Franz Waxman The River Lost Command o FJ. Haydn Beginning next month, and for the remainder of the reg­ Cello Concerto in C, Hob. Vllb No. 1 ular season, WTUL will broadcast the music originally Los Angeles Chamber o Jerome Moross English Chamber Orchestra) Edo DeWaart conducting Orchestra) Neville Mar- The Proud Rebel planned for live performance by the New Orleans Sym­ riner conducting o Gabriel Faure' phony. More details next issue, but if you have any com­ Cello Sonata No. 1 in D Minor, Op. 109 ments, please don't hesitate to write or call. Monday with Tom And if you have a chance, please drop by the Encore o Benjamin Britten Monday with Suzanne Shop on 7814 Maple Street. It's a store of previously "Occassional Overture," Op, 38 o Hector Berlioz owned clothing where all sales proceeds go to benefit the Symphonie Fantastique, Op.
    [Show full text]
  • WTX Microstream EN Manual-1
    WTX MicroStream First Multiroom Plug & Play Audiophile Streamer What is the WTX-MicroStream The WTX-Microstream is an innovative wireless HiFi streamer which can be used with any amplier, HiFi sytem, soundbar, home theater into your home wi network. This system is multiroom. You can play your own music (PC/MAC, NAS), enjoy streaming services like Spotify, Tidal, Qobuz, etc... or radio service. The WTX-Microstream has an open interface with upgradable capability for future services and evolutions. Android and IOS apps will be available soon. What you will nd in the gift box - The WTX MicroStream x1 - The power adapter x1 - The EC plug x1 - The UK plug x1 - The US plug x1 Interface Wi-Fi led WPS button indicator for association Left channel Power supply To plug on your HiFi, active speaker, soundbar... Right channel Download your App / Android or Apple - To control your WTX-Microstreamer, please download on the App Store (if you are using Apple devices) or on Google Play (if you you are using an Android device). The name of the App is ADVANCE PLAYSTREAM How to connect your WTX MicroStream with WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Type your password of your router in ADVANCE PLAYSTREAM App. - Press WPS button on WTX MicroStream How to connect your WTX MicroStream without WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Enter “Setting” ->”WLAN” ->directly connect WTX MicroStreamer - Type your password of your router in ADVANCE PLAYSTREAM App.
    [Show full text]
  • Spotify:Fast Facts
    Spotify: Fast Facts A quick guide to Spotify What is Spotify? Play, discover and share for free Spotify is a new way to listen to music. We’re the Think of Spotify as the world’s music collection, free, world’s biggest music streaming service, giving you free legal, and at your fingertips. It’s how music should be. and instant access to over 18 million* tracks, any time you like. • Search for any track or album and hit play – it’s that simple. Now you can get all the music you’ll ever need, • Build your own library of playlists and share them wherever you are, on your computer, your mobile, your with friends with one click. iPad, and many more of your favourite devices. • Discover new music – check out your friends’ music collections, plus get inspired with great Spotify Apps like Last.fm, Rolling Stone and Spotify Radio. Choose how you listen There are three ways to enjoy Spotify: Spotify Free – millions of tracks for free, with ads to pay the music makers. Sign up at spotify.com Spotify Unlimited – ad-free, non- stop music to your computer. or Facebook Spotify Premium – the ultimate Spotify experience. Unlimited, ad-free music to your computer, iPad, mobile and favourite devices. Plus, store your playlists and listen offline – no connection needed. Better for artists, better for everyone Spotify is drawing people away from piracy. We’ve created a better, more convenient alternative where every single play results in revenue for artists and rights holders. It’s better for everyone. Give me some numbers Paying subscribers: Number of songs:
    [Show full text]