23 Season 2018-2019 Thursday, November 29, at 7:30 The Philadelphia Orchestra Friday, November 30, at 8:00 Saturday, December 1, Yannick Nézet-Séguin Conductor at 8:00 Emanuel Ax Piano Brahms Piano Concerto No. 2 in B-flat major, Op. 83 I. Allegro non troppo II. Allegro appassionato III. Andante—Più adagio—Tempo I IV. Allegretto grazioso—Un poco più presto Intermission Brown Perspectives United States premiere Dvořák Symphony No. 7 in D minor, Op. 70 I. Allegro maestoso II. Poco adagio III. Scherzo: Vivace IV. Finale: Allegro This program runs approximately 2 hours, 5 minutes. The November 29 concert is sponsored by Elia D. Buck and Caroline B. Rogers. The November 29 concert is also sponsored by the Louis N. Cassett Foundation. The November 30 concert is sponsored by Alexandra Edsall and Robert Victor. The December 1 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 Please join us following the November 30 and December 1 concerts for a free Organ Postlude featuring Peter Richard Conte. Brahms Prelude, from Prelude and Fugue in G minor Brahms Fugue in A-flat minor Dvořák/transcr. Conte Humoresque, Op. 101, No. 7 Widor Toccata, from Organ Symphony No. 5 in F minor, Op. 42, No. 1 The Organ Postludes are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage. The Orchestra Center, Penn’s Landing, free Neighborhood is inspiring the future and and other cultural, civic, Concerts, School Concerts, transforming its rich tradition and learning venues. The and residency work in of achievement, sustaining Orchestra maintains a Philadelphia and abroad. the highest level of artistic strong commitment to Through concerts, tours, quality, but also challenging— collaborations with cultural residencies, presentations, and exceeding—that level, and community organizations and recordings, the on a regional and national by creating powerful musical Orchestra is a global cultural level, all of which create experiences for audiences at ambassador for Philadelphia greater access and home and around the world. and for the US. Having engagement with classical been the first American Music Director Yannick music as an art form. orchestra to perform in the Nézet-Séguin’s connection The Philadelphia Orchestra People’s Republic of China, to the Orchestra’s musicians serves as a catalyst for in 1973 at the request has been praised by cultural activity across of President Nixon, the both concertgoers and Philadelphia’s many ensemble today boasts critics since his inaugural communities, building an five-year partnerships with season in 2012. Under his offstage presence as strong Beijing’s National Centre for leadership the Orchestra as its onstage one. With the Performing Arts and the returned to recording, with Nézet-Séguin, a dedicated Shanghai Media Group. In four celebrated CDs on body of musicians, and one 2018 the Orchestra traveled the prestigious Deutsche of the nation’s richest arts to Europe and Israel. The Grammophon label, ecosystems, the Orchestra Orchestra annually performs continuing its history of has launched its HEAR at Carnegie Hall while also recording success. The initiative, a portfolio of enjoying summer residencies Orchestra also reaches integrated initiatives that in Saratoga Springs and Vail. thousands of listeners on the promotes Health, champions For more information on radio with weekly broadcasts music Education, eliminates The Philadelphia Orchestra, on WRTI-FM and SiriusXM. barriers to Accessing the please visit www.philorch.org. 26 Soloist Lisa-Marie Mazzucco Born in Poland, pianist Emanuel Ax moved to Canada with his family when he was a young boy. His studies at the Juilliard School were supported by the sponsorship of the Epstein Scholarship Program of the Boys Clubs of America; he subsequently won the Young Concert Artists Award and also attended Columbia University, where he majored in French. Mr. Ax captured public attention in 1974 when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv. He won the Michaels Award of Young Concert Artists in 1975, the same year he made his Philadelphia Orchestra debut. Four years later he was awarded the coveted Avery Fisher Prize. In partnership with violinist Leonidas Kavakos and cellist Yo-Yo Ma, Mr. Ax began the 2018-19 season with concerts in Vienna, Paris, and London, performing the trios of Brahms, recordings of which were recently released on Sony Classical. In addition to these current concerts, other season highlights include returns to the orchestras of Cleveland, Chicago, New York, San Francisco, Los Angeles, Minneapolis, Washington, Detroit, Pittsburgh, Nashville, and Portland (OR), and to Carnegie Hall for a recital. In Europe he can be heard in Munich, Amsterdam, Berlin, Rome, Vienna, London, and on tour with the Budapest Festival Orchestra in Italy. Always a committed exponent of contemporary composers, with works written for him by John Adams, Christopher Rouse, Krzysztof Penderecki, Bright Sheng, and Melinda Wagner already in his repertoire, he has most recently added HK Gruber’s Piano Concerto and Samuel Adams’s Impromptus. Mr. Ax is a Grammy-winning recording artist exclusive to Sony Classical since 1987. His recent releases include Mendelssohn trios with Mr. Ma and violinist Itzhak Perlman, Strauss’s Enoch Arden narrated by Patrick Stewart, and discs of two-piano music by Brahms and Rachmaninoff with Yefim Bronfman. In 2015 Deutsche Grammophon released a duo recording of Mr. Ax and Mr. Perlman performing sonatas by Fauré and Strauss. Mr. Ax is a Fellow of the American Academy of Arts and Sciences and holds honorary doctorates of music from Skidmore College and Yale and Columbia universities. He resides in New York City with his wife, pianist Yoko Nozaki; they have two children. For more information please visit www.emanuelax.com. 27 28 Framing the Program Johannes Brahms’s Second Piano Concerto was dubbed Parallel Events a “symphony with piano obbligato” by Eduard Hanslick, the 1881 Music powerful Viennese music critic. While the four-movement Brahms Borodin structure points toward the genre of the symphony, the Piano Concerto String Quartet hallmark of concertos—the interaction between soloist No. 2 No. 2 and ensemble—is unforgettably established at the Literature opening when a lyric horn melody is gracefully answered James by the piano, leading into a dazzling keyboard cadenza. The Portrait of a Lady Stacey Brown’s Perspectives, which received its premiere Art in Montreal last year conducted by Yannick Nézet-Séguin, Böcklin is inspired by a work of contemporary sculpture. The The Isle of the Canada-based composer says she sought to translate Dead “an aesthetic experience from one medium to another, History from visual to auditory.” She seeks to put into music the Vatican archives experience of walking around a work of art: “The object opened to remains the same, but the perspective changes.” scholars Brahms was an ardent champion of Antonín Dvořák, 1884 Music who in turn found a potent model in his mentor’s music. Dvořák Debussy Dvořák’s impassioned Symphony No. 7, which partly Symphony L’Enfant reflects the political struggles of his Czech countrymen, No. 7 prodigue has touched audiences since its London premiere in Literature 1885, conducted by the composer. Ibsen The Wild Duck Art Seurat Une Baignade, Asnières History First subway, in London The Philadelphia Orchestra is the only orchestra in the world with three weekly broadcasts on SiriusXM’s Symphony Hall, Channel 76, on Mondays at 7 PM, Thursdays at 12 AM, and Saturdays at 4 PM. 29 The Music Piano Concerto No. 2 When Robert Schumann endorsed the young Johannes Brahms as the rightful heir to Beethoven, it was a double- edged sword. While it was flattering to be regarded as the savior of German music, Brahms was intimidated by the pressure to write new works worthy of Beethoven’s legacy. Brahms was in his 40s before he could bring himself to complete a symphony “after Beethoven,” as he put it, and even then he worried it would not be good enough. But in the meantime, he had composed a number of other orchestral works, many of them symphonic in conception Johannes Brahms if not explicitly in name, and many of them undeniably Born in Hamburg, May 7, successful with the public. 1833 Died in Vienna, April 3, Anxiety about a Second Piano Concerto In 1878, 1897 with two actual symphonies under his belt, Brahms began composing his Piano Concerto No. 2. But this new project was also rife with potential apprehensions and insecurities. His First Piano Concerto, composed 20 years earlier, was initially a demoralizing failure. It had been his first orchestral work to be performed publicly, and the backlash at the premiere had stung the composer deeply. The time lag between the two concertos is often interpreted as evidence that Brahms, chronically self-critical, was reluctant to place himself again in a vulnerable position with his audience, especially on the piano, his own instrument.