Felix Mendelssohn Bartholdy Foundation

Total Page:16

File Type:pdf, Size:1020Kb

Felix Mendelssohn Bartholdy Foundation Felix Mendelssohn Bartholdy Foundation Information July/August 2011 President Maestro Kurt Masur honoured Award ceremony in Paris The German Foreign Ministry and the French Ministry of Foreign & European Affairs have chosen Maestro Kurt Masur and Professor Pierre Boulez as winners of the Adenauer- de Gaulle Prize in 2011. On 20 June 2011 the Prize was formally bestowed at a ceremony in the Hôtel de Beauharnais, the Residence of the German Ambassador in Paris, by the two Ministers responsible for Franco- German co-operation, French Europe Minister Laurent Wauquiez and the German friendship. The artistic careers of Pierre Boulez and Kurt Masur – for- Minister of State in the German Fo- med through many years of experience in Germany and France – are an exam- reign Office Dr Werner Hoyer. ple of the creativity and originality which the values of the European commu- nity have produced.” declared Minister of State Dr Hoyer. “In the French con- The Adenauer-de Gaulle Prize, ductor and composer Pierre Boulez and the German conductor Kurt Masur, this which was established on 22 January year we are honouring two personalities who, through their professional as 1988, is a distinction for those people well as private commitment, have made an extraordinary contribution to Fran- who have made an especial contribu- co-German relations. Both have worked tirelessly for many years in the neigh- tion to Franco-German co-operation. It bouring country. Kurt Masur was in charge of the “Orchestre National de France” is named after the former German from 2002 to 2008. Pierre Boulez, who had already conducted in Germany in Federal Chancellor Konrad Adenauer the 1950s and 1960s, has for many years worked together with the Berlin and the former President of the French Philharmonic Orchestra.” Republic Charles de Gaulle. Both poli- ticians strove for post-war reconcili- ation between the two European na- tions, which had previously regarded pictures; top left: Ministers Laurent Wauquiez (left) and Dr Werner Hoyer (right) watching Maestro one another other as arch-enemies. Kurt Masur lauding the musical opportunities and This reconciliation was sealed by the the wide-ranging musical education in France. Elysée Treaty. top right: Prof. Pierre Boulez thanking for being honoured with the Adenauer-de Gaulle Prize and “With the award of the Adenauer- speaking, amongst others, about the modern de Gaulle Prize we are honouring not German orchestras and their tradition formed by only two exceptional artists of our Felix Mendelssohn Bartholdy and which Boulez time, but also two great Europeans, experiences working in Germany. who are decisive figures in contempo- left: Both prize-winners in the Hôtel de rary European history and Franco- Beauharnais, Paris. p. 2 Fundraising Gala On 11 February 2011 the Felix- Mendelssohn-Bartholdy-Foundation invited guests to a further Gala event in the Music Salon of the Mendelssohn- House. Alfred Brendel, who has only recently ended his worldwide career as a pianist, read from his recent publi- cations (Über Soloabende, Klavier- gedichte, Ermahnung eines Mozart- Spielers an sich selbst, Der neue Stil und Hören) some lively and serious stories and poems, observations about music and its performers. He then introduced a young pianist, who in his view is the most talented of the next generation worldwide, and whom, accordingly, he is personally gui- ding – the 18-year-old Kit Armstrong, pictures; top: Maestro Masur welcoming the guests who played on an historic Tröndlin to the gala and speaking about the importance of Hammerflügel a lively and sparkling the Mendelssohn-House for the German music programme with works by Felix Men- history. left: Premier Tillich giving his welcoming speech in delssohn Bartholdy, Variations sérieu- the historic music salon of the Mendelssohn-House. ses in D minor, opus 54, MWV U 156, below: Alfred Brendel reading from his books and and Johann Sebastian Bach, Prelude presenting the young pianist Kit Armstrong (bot- and Fugue in F sharp major, BWV 858, tom left) Prelude and Fugue in F sharp minor, bottom right: Mayor Burkhard Jung speaking to Maestro Masur’s guests about the worldwide activi- BWV 859 from the Book I of the Well- ty of the Felix-Mendelssohn-Bartholdy-Foundation Tempered Clavier, followed by Prelude and thanking for the support of the contributors. and Fugue in G major, BWV 860 and Prelude and Fugue in G minor, BWV 861 from Part II. Afterwards Maestro Kurt Masur invited the guests, including the Prime Minister of Saxony Stanislaw Tillich, the Lord Mayor of Leipzig Burkhard Jung and the well-known artist Neo Rauch, to a festive dinner in the for- mer coach-house of the Mendelssohn- House. The proceeds for the evening enab- led the above-mentioned Tröndlin Hammerklavier from Mendelssohn's time to be acquired by the Museum. It will now undergo thorough restoration. Further proceeds of the evening will be used for the digitalisation of the Mendelssohn-House's collection of Mendelssohn's early editions, in order to make them available on the Inter- net to as many scholars and musicians as possible throughout the world. p. 3 Prize Award News from the UK Friends 2011 On 24 September 2011 it will be On Saturday 21 May 2011 the UK sohn's magnificent Piano Trio No. 2 prize-giving time again in the Leipzig Friends of the Felix-Mendelssohn- in C minor, opus 66 (MWV Q 33). Gewandhaus. The Leipzig Internatio- Bartholdy-Foundation organised a nal Mendelssohn Prize will be awarded very successful fund-raising concert The audience showed their heart- for the fifth time. Since 2007 the Felix- and lunch in the lovely country home, felt appreciation of the outstanding Mendelssohn-Bartholdy-Foundation in Swan House, of our UK Friends performers through enthusiastic and Leipzig has awarded this distinguished Trustees Michael and Patricia Langley, prolonged applause. Afterwards audi- prize in various categories, in memory set amid the spectacular Cotswold ence and performers together enjoy- of Felix Mendelssohn and his legacy. Hills. ed a relaxed lunch and conversation The first recipient of the Leipzig Inter- in the beautiful gardens of Swan national Mendelssohn Prize was Kurt UK Friends Chairman Desmond House. Masur, who received the honour on the Cecil introduced the invited audience occasion of his 80th birthday. Kofi to the work of the Foundation, and its The generosity of the audience rai- Annan gave the laudation and Harald charitable objectives to promote out- sed substantial and most welcome Schmidt moderated the Gala concert. standing young musicians and a scho- funds for the UK Friends of the Felix- larship “in the spirit of Mendelssohn” Mendelssohn-Bartholdy-Foundation, The following year the violinist – musician, painter, humanist, world to contribute towards its future cha- Anne-Sophie Mutter and the philoso- citizen – as well as to the close links ritable objectives “in the spirit of pher Peter Sloterdijk received the between the UK Friends and Leipzig. Mendelssohn”. honour, and in the third year Helmut Schmidt, Riccardo Chailly and Armin The concert opened with a fascina- Mueller-Stahl were the prize-winners. ting talk by music critic, teacher and In 2010 the pianist Lang-Lang and the Mendelssohn scholar Rick Jones, who actress Iris Berben were honoured. described his recent trip around Scot- land in the historic footsteps of Felix The concert proceeds benefited the Mendelssohn Bartholdy, who visited Felix-Mendelssohn-Bartholdy-Foun- the landscape there in 1829. dation, which was thereby able to imple- ment important projects – including This was followed by fine perfor- paying off the mortgage of the Men- mances from three talented young mu- delssohn-House, the purchase of the sicians, Lisa Obert (violin), Ella Run- world's largest collection of Mendels- dle (violoncello) and Janneke Brits pictures: sohn’s first published editions, and the (piano). They began with transcrip- Mendelssohn Scholar Rick Jones in the garden of acquisition of a historic pianoforte for tions for piano trio of six of Mendels- Swan House and Young musicians Lisa Obert (left), Janneke Brits (middle), Ella Rundle (right) the concerts in the music salon of the sohn's charming Songs without enthusiastically applauded after their fine perfor- Mendelssohn-House. Words. They finished with Mendels- mance of Mendelssohn's Second Piano Trio. Those who would like to be present at this year's awards can apply for Gala concert tickets at the Leipzig Gewand- haus (60/50/40/30/15 euros, including taxes, and with appropriate reduc- tions, Telephone +49 341 1270 280). The names of the 2011 prize-win- ners were announced at a press con- ference in Leipzig on Thursday, 7 July. In the “Music” category, which is always represented, the singer Professor Peter Schreier will receive the prize. For his outstanding “Social Commitment” the author Professor Marcel Reich-Ranicki will be honoured. p. 4 Names and Facts Scholarship Programme 2011 The scholarship programme of the libraries, as well as visits to the muse- which the young conductors will direct Leipzig Foundation, in co-operation with ums and attendance at Gewandhaus their own rehearsals to achieve concert the American Friends of the Felix-Men- concert rehearsals, the scholars will go standard. The results of this workshop delssohn-Bartholdy-Foundation and the on excursions to Berlin, Weimar and project will be presented in a concert Japanese Circle of Friends, is continuing Bonn, where they will meet and discuss with an all-Mendelssohn programme in 2011. This year three conductors are with experts in the classical music tra- on 7 September in Böhlen near Leipzig. expected in Leipzig for further tuition, dition. two sent by the American Friends and Those interested in this orchestral one young conductor from Japan. An important part of the tuition in concert can obtain more information Leipzig will be an orchestral project and tickets from the Mendelssohn- In addition to the tuition with orche- with the Leipzig Symphony Orchestra House in Leipzig, stral musicians, in the archives and directed by Frank-Michael Erben, in Telephone +49 (341) 1270 294.
Recommended publications
  • Kurt Masur My Relationship to Beethoven
    Kurt Masur My Relationship to Beethoven Schriftenreihe Bulletin of the German Historical Institute Washington, D.C., Band 39 (Fall 2006) Herausgegeben vom Deutschen Historischen Institut Washington, D.C. Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publikationsplattform der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hinausgehende unerlaubte Verwendung, Reproduktion oder Weitergabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. FEATURES MY RELATIONSHIP TO BEETHOVEN Seventh Gerd Bucerius Lecture, Washington DC, May 31, 2006 Kurt Masur Music Director, Orchestre National de France Principal Conductor, London Philharmonic The Bucerius Lecture Series, endowed in memory of the publisher Gerd Bucerius, honors individuals who have made important contributions to the development of civil society. This year’s lecture honored the conductor Kurt Masur, Gewand- hauskapellmeister of the renowned Gewandhaus Orchestra in Leipzig from 1970 to 1996, who played an important role in the peaceful revolution of 1989 in East Germany. Kurt Masur spoke about his long engagement with the composer Ludwig van Beethoven, offering many spontaneous asides and anecdotes, and even occasionally breaking into song. He then answered audience questionsat length. Since no printed text can capture this remarkable performance, we only print selected excerpts here. A video recording of the lecture will be available on DVD. If you would like a free copy of this DVD, please send an email to [email protected] by January 31, 2007.
    [Show full text]
  • Pizzazz on the Podium
    Montage Art, books, diverse creations 14 Open Book 15 Bishop Redux 16 Kosher Delights 17 And the War Came 18 Off the Shelf 19 Chapter and Verse 20 Volleys in F# Major places this orchestra square- ly at the center of cultural and intellectual discourse.” The Philharmonic sounds better than it has in decades, too, because Gilbert has im- proved morale, changed the seating plan, and worked on details of tone and balance— even the much-reviled acoustics of Avery Fisher Hall at Lincoln Center sound Alan Gilbert less jagged now. The conducting conductor is also pre- CHRIS LEE the New York Pizzazz on the Podium Philharmonic pared to be surprised: at Avery Fisher to him, his job is both Alan Gilbert’s music that should be heard Hall in Lincoln to lead and take in Center what the musicians by richard dyer are offering. The unexpected hit of his first season ike his celebrated predecessor as diverse as György Ligeti and Wynton was Ligeti’s avant-garde opera, Le Grand Leonard Bernstein ’39, D.Mus. Marsalis, named a composer-in-residence Macabre, in a staging by visual artist Doug ’67, Alan Gilbert ’89 seems to en- (Magnus Lindberg), and started speaking Fitch ’81, a friend who had tutored art in joy whipping up a whirlwind and informally to the audience, as Bernstein Adams House when Gilbert was in col- then taking it for an exhilarating sometimes did. His programs are full of lege. To publicize the opera, Gilbert ap- L ride. Though only in his second year on interconnections and his seasons add peared in three homespun videos that the the job, the second Harvard-educated mu- up; Gilbert has said that every piece tells Philharmonic posted on YouTube; Death, sic director of the New York Philharmonic a story, and every program should, too.
    [Show full text]
  • Program Notes | Yannick and Manny
    23 Season 2018-2019 Thursday, November 29, at 7:30 The Philadelphia Orchestra Friday, November 30, at 8:00 Saturday, December 1, Yannick Nézet-Séguin Conductor at 8:00 Emanuel Ax Piano Brahms Piano Concerto No. 2 in B-flat major, Op. 83 I. Allegro non troppo II. Allegro appassionato III. Andante—Più adagio—Tempo I IV. Allegretto grazioso—Un poco più presto Intermission Brown Perspectives United States premiere Dvořák Symphony No. 7 in D minor, Op. 70 I. Allegro maestoso II. Poco adagio III. Scherzo: Vivace IV. Finale: Allegro This program runs approximately 2 hours, 5 minutes. The November 29 concert is sponsored by Elia D. Buck and Caroline B. Rogers. The November 29 concert is also sponsored by the Louis N. Cassett Foundation. The November 30 concert is sponsored by Alexandra Edsall and Robert Victor. The December 1 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 Please join us following the November 30 and December 1 concerts for a free Organ Postlude featuring Peter Richard Conte. Brahms Prelude, from Prelude and Fugue in G minor Brahms Fugue in A-flat minor Dvořák/transcr. Conte Humoresque, Op. 101, No. 7 Widor Toccata, from Organ Symphony No. 5 in F minor, Op. 42, No. 1 The Organ Postludes are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation.
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • BRETT MITCHELL Biography
    BRETT MITCHELL Biography Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, Brett Mitchell began his tenure as Music Director of the Colorado Symphony in July 2017. Prior to this appointment, he served as the orchestra's Music Director Designate during the 2016-17 season. He leads the orchestra in ten classical subscription weeks per season as well as a wide variety special programs featuring such guest artists as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. Highlights of his 2018-19 season include subscription debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, Milwaukee, National, Oregon, and San Antonio symphonies, the Grant Park Festival Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. From 2013 to 2017, Mr. Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra's hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010.
    [Show full text]
  • Itunes Store and Spotify Recordings
    A+ Music Memory 2016-2017 iTunes Store and Spotify Recordings Bach Pachelbel Canon and Other Baroque Favorites, track 12, Suite No. 2 in B Minor, BWV1067: Badinerie (James Galway, Zagreb Soloists & I Solisti di Zagreb, Universal International BMG Music, 1978). iTunes: https://itunes.apple.com/us/album/pachelbel-canon-other- baroque/id458810023 Spotify: https://open.spotify.com/track/4bFAmfXpXtmJRs2t5tDDui Bartók Bartók: Hungarian Pictures – Weiner: Hungarian Folk Dance – Enescu: Romanian Rhapsodies, track 2, Magyar Kepek (Hungarian Sketches), BB 103: No. 2. Bear Dance (Neeme Järvi & Philharmonia Orchestra, Chandos, 1991). iTunes: https://itunes.apple.com/us/album/bartok-hungarian-pictures/id265414807 Spotify: https://open.spotify.com/track/5E4P3wJnd2w8Cv1b37sAgb Beethoven Beethoven: Piano Sonatas Nos. 8, 14, 23 & 26, track 6, Piano Sonata No. 8 in C Minor, Op. 13 – “Pathétique,” III. Rondo (Allegro), (Alfred Brendel, Universal International Music B.V., 2001) iTunes: https://itunes.apple.com/us/album/beethoven-piano-sonatas- nos./id161022856 Spotify: https://open.spotify.com/track/2Z0QlVLMXKNbabcnQXeJCF Brahms Best of Brahms, track 11, Waltz No. 15 in A-Flat Minor, Op. 59 [Note: This track is mis-named: the piece is in A-Flat Major, from Op. 39] (Dieter Goldmann, SLG, LLC, 2009). iTunes: https://itunes.apple.com/us/album/best-of-brahms/id320938751 Spotify: https://open.spotify.com/track/1tZJGYhVLeFODlum7cCtsa A+ Mu Me ory – Re or n s of Clarke Trumpet Tunes, track 2, Suite in D Major: IV. The Prince of Denmark’s March, “Trumpet Voluntary” (Stéphane Beaulac and Vincent Boucher (ATMA Classique, 2006). iTunes: https://itunes.apple.com/us/album/trumpet-tunes/id343027234 Spotify: https://open.spotify.com/track/7wFCg74nihVlMcqvVZQ5es Delibes Flower Duet from Lakmé, track 1, Lakmé, Act 1: Viens, Mallika, … Dôme épais (Flower Duet) (Dame Joan Sutherland, Jane Barbié, Richard Bonynge, Orchestre national de l’Opéra de Monte-Carlo, Decca Label Group, 2009).
    [Show full text]
  • Pdf 139.3 Kb
    Dresdner Philharmonie The Dresden Philharmonic can look back on 150 years of history as the orchestra of Saxony’s capital Dresden. When the so-called “Gewerbehaussaal” opened on 29 November 1870, the citizens of the city were given the opportunity to organise major orchestra concerts. Philharmonic concerts were held regularly starting in 1885; the orchestra adopted its present name in 1923. In its first decades, composers such as Brahms, Tchaikovsky, Dvořák and Strauss conducted the Dresdner Philharmonie with their own works. The first desks were presided over by outstanding concertmasters such as Stefan Frenkel, Simon Goldberg and the cellists Stefan Auber and Enrico Mainardi. From 1934, Carl Schuricht and Paul van Kempen led the orchestra; van Kempen in particular guided the Dresden Philharmonic to top achievements. All of Bruckner’s symphonies were first performed in their original versions, which earned the orchestra the reputation of a “Bruckner orchestra” and brought renowned guest conductors such as Hermann Abendroth, Eduard van Beinum, Fritz Busch, Eugen Jochum, Joseph Keilbert, Erich Kleiber, Hans Knappertsbusch and Franz Konwitschny to the rostrum. After 1945 and into the 1990s, Heinz Bongartz, Horst Förster, Kurt Masur (from 1994 also honorary conductor), Günther Herbig, Herbert Kegel, Jörg-Peter Weigle and Michel Plasson were the principal conductors. In recent years, conductors such as Marek Janowski, Rafael Frühbeck de Burgos and Michael Sanderling have shaped the orchestra. As of season 2019/2020, Marek Janowski has returned to the Dresden Philharmonic as principal conductor and artistic director. Its home is the highly modern concert hall inaugurated in April 2017 in the Kulturpalast building in the heart of the historic old town.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer
    SUMMER 2009 BOSTON SYM ON Y ORCH E RA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY r ^ m I &£ V + i HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstenpalleries.com i photo: Icrcsa Nouri I O l \ e Broun and Coral Pink Persian Set They're Not Only Preparing ^ / for a Changing World They're Preparing to Change the World y M 1 what girls have in mind 'J'NZib-iS 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] V Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " 'Hot is the WOrdfor this show. —The New York T Museum of Fine Arts, Boston March 15- August 16, 2009 Tickets: 800-440-6975 or www.mfa.org BOSTON The exhibition is organized by the Museum The exhibition is PIONEER of Fine Arts, Boston and the Mus6e du fcUniCredit Group sponsored by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937. 1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 *f=^y Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M.
    [Show full text]
  • The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
    Thu, Jun 18, 2020 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 11:59 Handel Trio Sonata in F, Op. 2 No. 4 Heinz Holliger Wind 00341 Denon 7026 N/A Ensemble 00:14:2918:00 Brahms Variations on a Theme by Saint Louis 01966 RCA 7920 078635792027 Haydn, Op. 56a Symphony/Slatkin 00:33:29 26:06 Mozart Violin Concerto No. 4 in D, K. Stern/English Chamber 02925 Sony 66475 074646647523 218 Orchestra/Schneider 01:01:0528:17 Chadwick Aphrodite, a symphonic poem Czech State 03308 Reference 2104 030911210427 Philharmonic, Recordings Brno/Serebrier 01:30:2212:50 Rossini Overture to Semiramide Vienna 03679 Seraphim/ 69137 724356913721 Philharmonic/Sargent EMI 01:44:1214:53 Haydn Piano Sonata No. 47 in B minor Emanuel Ax 10100 Sony 53635 074645363523 Classical 02:00:3510:51 Bizet Children's Games, Op. 22 Concertgebouw/Haitink 01008 Philips 416 437 028941643728 (Jeux d'enfants) 02:12:2612:02 Wagner Die Meistersinger: Selections Chicago 05288 BMG 63301 090266330126 (for orchestra) Symphony/Reiner 02:25:2833:21 Medtner Piano Concerto No. 1 in C Tozer/London 02666 Chandos 9039 095115903926 minor, Op. 33 Philharmonic/Jarvi 03:00:1910:51 Schumann Fantasy Pieces, Op. 73 du Pre/Moore 09531 EMI 65955 724356595521 03:12:1031:22 Mendelssohn String Quintet No. 1 in A, Op. L'Archibudelli 05537 Sony 60766 074646076620 18 Classical 03:44:32 13:38 Carpenter Sea Drift Indianapolis 08678 Decca 458 157 028945845725 Symphony/Leppard 03:59:4017:01 Tubin Suite on Estonian Dances Lubotsky/Gothenburg 01654 BIS 286 N/A Symphony/Jarvi 04:17:41 02:56 Halvorsen Valse caprice Trondheim 01943 Aurora 1921 702626219212 Symphony/Ruud 6 04:21:3738:22 Beethoven Piano Concerto No.
    [Show full text]
  • July 18, 2002, 8:00 P.M
    LIVE FROM LINCOLN CENTER July 18, 2002, 8:00 p.m. on PBS Lincoln Center Festival/New York Philharmonic Kurt Masur's 75th Birthday & Farewell "Thank you, Kurt Masur" has been the season-long motto of the New York Philharmonic. Indeed, there is much for which to thank Mr. Masur. His 11 seasons as the Orchestra's Music Director have seen a dramatic improvement in the Philharmonic's performance standards as well as a discipline in its playing that have laid to rest the one-time canard that the players of the New York Philharmonic are an unruly bunch. Concert after concert during the Masur years the Philharmonic has shown that it can stand comparison with the greatest orchestras anywhere in the world. The 2001-2002 season has been Mr. Masur's final one as Music Director, though he will return for a number of weeks next season as a Guest Conductor. To put the seal on the Masur tenure, as well as to celebrate the Maestro's 75th birthday, a special concert by the New York Philharmonic has been scheduled in Avery Fisher Hall for Thursday evening, July 18. Characteristically, Mr. Masur has devised a program that beams a spotlight on a number of the orchestra's principal players. Happily, we'll be in Avery Fisher Hall that evening with our cameras and microphones to bring that concert to you live in our continuing Live From Lincoln Center series. The concert will begin with a demonstration of the corporate excellence of the players-the Overture to Candide by Leonard Bernstein (himself a former Music Director of the Philharmonic), performed by the orchestra without conductor! I remember a similar conductorless Candide Overture performance as a memorial to Bernstein in Carnegie Hall with musicians from several of the orchestras with whom he had particularly close associations, among them the Philharmonic, of course, as well as the Boston Symphony, the London Symphony, the Concertgebouw Orchestra of Amsterdam, and the Vienna Philharmonic.
    [Show full text]
  • Presentazione Standard Di Powerpoint
    The History www.fazioli.com The History www.fazioli.com 1944–1977 Paolo Fazioli was born in Rome in 1944, into a family of furniture makers. From a very early age he demonstrated a gift for music and a keen interest in the piano. He consequently started taking piano lessons and continued his piano studies thorough his high school and university years, during which he developed a keen interest in the piano construction technology, broadening his knowledge by visiting manufacturing and restoration workshops and reading the most authoritative literature on the subject. In 1969, he graduated from the University of Rome with a degree in Mechanical Engineering and in 1971 he received a degree in piano performance from the G. Rossini Conservatory in Pesaro, under the guidance of Maestro Sergio Cafaro. At the same time, he earned a Master’s degree in Music Composition at the St Cecilia Academy in Rome, where he studied under the composer Boris Porena. In the meantime, his elder brothers took over the family business, manufacturing office The FAZIOLI family in 1947 furniture and exporting it throughout the world under the brand of MIM (Mobili Italiani Moderni). The Turin factory specialised in the production of metal furniture, while the Sacile factory (in the province of Pordenone) manufactured wood furniture using rare and exotic woods such as teak, mahogany and rosewood. 1944–1977 Paolo Fazioli joined the company after graduation, honing his management skills as a production planning manager first in Rome and then at the Turin factory, while at the same time developing his expertise in wood processing.
    [Show full text]
  • New York Philharmonic
    New York Philharmonic 2 3 Alan Gilbert and the New York Philharmonic New York Philharmonic 2012–13 Season Alan Gilbert has said that every concert offer with the audience in a very palpable, Alan Gilbert, Conductor should be an event, a philosophy that visceral, and potent way.” Emanuel Ax, Piano pervades the New York Philharmonic’s pro- These high-quality recordings of almost grams week after week. Twelve of these 30 works, available internationally, reflect concerts are captured live in Alan Gilbert Alan Gilbert’s wide-ranging interests and Recorded live October 4–6, 2012 and the New York Philharmonic: 2012–13 passions, from Bach’s B-minor Mass to Avery Fisher Hall at Lincoln Center for the Performing Arts Season, demonstrating the excitement sur- brand-new music by Christopher Rouse. rounding the Orchestra as the Music Direc- Bonus content includes audio record- J.S. BACH (1685–1750) tor has entered the fourth year of his tenure. ings of the Music Director's occasional Keyboard Concerto No. 1 in D minor, BWV 1052 About his rapport with the Philharmonic onstage commentaries, program notes players, Alan Gilbert has said: “The chem- published in each concert’s Playbill, and (ca. 1714–17/ca.1729–39) 21:43 istry between the Orchestra and me is encores — all in the highest audio quality Allegro 8:02 ever-evolving and deepening. It is a great available for download. Adagio 6:01 joy to make music with these incredible For more information about the series, Allegro 7:40 musicians and to share what we have to visit nyphil.org/recordings.
    [Show full text]