DOCSLIB.ORG

The Glenn Dicterow Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Glenn Dicterow Collection New York Philharmonic Presents: THE GLENN DICTEROW COLLECTION New York Philharmonic Presents: LEONARD BERNSTEIN (1918-1990) ALBUM 3 (DOWNLOAD ONLY) 85:51 THE GLENN DICTEROW Serenade (after Plato’s “Symposium”) for Violin, String Orchestra, Harp, SERGEI PROKOFIEV (1891-1953) and Percussion 33:40 Violin Concerto No. 2 in G minor, COLLECTION 2 Phaedrus: Pausanias Op. 63 25:18 (Lento – Allegro marcato) 7:35 1 Allegro moderato 0:20 3 Aristophanes (Allegretto) 4:42 2 Andante assai – Allegretto – Tempo I 8:56 4 Erixymachus (Presto) 1:30 3 Allegro ben marcato 6:02 5 ALBUM 1 (CD AND DOWNLOAD) 76:12 Agathon (Adagio) 8:00 Zubin Mehta, conductor 6 Socrates: Alcibiades (Molto tenuto – June 15, 1985, Beethovenhalle, Bonn, Germany Allegro molto vivace – Presto vivace) 11:53 MAX BRUCH (1838-1920) 5 Moderato nobile 8:54 Leonard Bernstein, conductor KAROL SZYMANOWSKI (1882-1937) Violin Concerto No. 1 in G minor, 6 Romance 8:09 August 14, 1986, Blossom Music Center, Ohio 4 Violin Concerto No. 1, Op. 35 24:16 Op. 26 26:11 7 Finale: Allegro assai vivace 7:12 Kurt Masur, conductor 1 Prelude: Allegro moderato and Adagio 18:38 David Robertson, conductor SAMUEL BARBER (1910-1981) January 8, 9, 10, 13, 2004, Avery Fisher Hall 2 Finale: Allegro energico 7:33 May 22, 23, 24, 2008, Avery Fisher Hall Lorin Maazel, conductor Concerto for Violin and Orchestra, Op. 14 24:02 DMITRI SHOSTAKOVICH (1906-1975) March 9,13,14, 2009, Avery Fisher Hall JOHN WILLIAMS (B. 1932) 7 Allegro 11:31 Concerto No. 1 in A minor for 8 Theme from Schindler’s List 3:58 8 Andante 8:28 Violin and Orchestra, Op. 99 36:17 BÉLA BARTÓK (1881-1945) John Williams, conductor 9 Presto in moto perpetuo 4:03 5 Nocturne: Moderato 11:55 Violin Concerto No. 1, Op. posth., April 24, 26, 2006, Avery Fisher Hall Kurt Masur, conductor 6 Scherzo: Allegro 6:42 BB 48a 21:42 7 3 Andante sostenuto [attacca] 9:46 October 3, 4, 5, 1996, Avery Fisher Hall Passacaglia: Andante 8:18 4 ALBUM 2 (DOWNLOAD ONLY) 93:54 8 Cadenza 4:32 Allegro giocoso 11:56 9 Alan Gilbert, conductor FRANZ WAXMAN (1906-1967) Burlesque: Allegro con brio 4:50 0 Carmen Fantasie for Violin and May 19, 22, 26, 2012, Avery Fisher Hall AARON JAY KERNIS (B. 1960) Maxim Shostakovich, conductor 1 Lament and Prayer for Solo Violin, Orchestra Based on Themes from October 9, 1982, Avery Fisher Hall the Opera of Georges Bizet 10:56 ERICH WOLFGANG KORNGOLD (1897-1957) Oboe, Strings, and Percussion 25:16 Concerto in D major for Violin and Lorin Maazel, conductor Zubin Mehta, conductor Orchestra, Op. 35 24:15 January 20, 21, 22, 2005, Avery Fisher Hall January 13, 1990, Avery Fisher Hall nyphil.org/DicterowCollection 2 New York Philharmonic Presents THE GLENN DICTEROW COLLECTION 3 FROM THE MUSIC DIRECTOR his collection of recordings is an summate professionalism. I’ve seen him work important contribution in our cel- with conductors of great renown and complete T ebration of Glenn Dicterow, who is beginners, and have always been impressed by completing his fi nal season as the New York his consistent commitment and dedication. Philharmonic’s concertmaster. Numbers can In my fi rst weeks as music director, dur- hint at his contributions: he has provided a ing a concert on my fi rst Philharmonic tour, LEE CHRIS crucial underpinning and perspective during when I was hoping for something extra at a the tenures of four music directors and for certain moment in the music I looked over more than 200 guest conductors, and he has to Glenn and knew he absolutely understood presided over more than 6,000 concerts, and my intention. What happened next is an has given the Philharmonic for 34 years. has been his for decades this Orchestra will been a soloist in 219. illustration of what a quintessential concert- I am extremely fortunate to have been still benefi t from his impeccable virtuosity, true But statistics don’t capture the totality. master can do: Glenn, somehow, through the music director of the orchestra that Glenn professionalism, and beautiful playing. We wish Glenn is a legend. One of the world’s greatest force of his will and his body language, gal- Dicterow helped defi ne. He has been an es- him all success and happiness in his future. violinists, he brings his incredible musical vanized the orchestra, kicking things into a sential ingredient in the New York Philhar- point of view and inspires the highest standard turbo charge. This dramatic infl uence on the monic’s sound and approach to music. Long through the warmth of his sound and his con- entire ensemble is at the heart of what Glenn after he has stepped away from the seat that 6 New York Philharmonic Presents THE GLENN DICTEROW COLLECTION 7 New York Philharmonic Presents: THE GLENN DICTEROW COLLECTION Album Two Download Only at nyphil.org/DicterowCollection KERNIS Lament and Prayer BERNSTEIN Serenade BARBER Violin Concerto STEVEN SHERMAN Glenn with former Music Director Leonard Bernstein rehearsing in WAXMAN Central Park, 1986. Carmen Fantasie LAMENT AND PRAYER image of a cantor and a congregation. In the and in 1999 it premiered his Garden of Light, composer’s own words, “the music proceeds commissioned by the Walt Disney Company Glenn on Kernis: for Solo Violin, Oboe, Strings, as statement and response in much of the fi rst to celebrate the new millennium. and Percussion part, which is very chromatic, rather severe- His works for violin represent a signifi - I was looking for more cutting edge pieces since sounding and intense; the prayer is mostly cant volume of his repertoire, not surprising the Orchestra’s guest artists were playing most of Aaron Jay Kernis quiet, and spun from a very simple, long line since that is the instrument he principally the standards, such as, the Beethoven, Brahms, and the Bruch, in addition to the fact that I had b. Bensalem Township, Pennsylvania, with pulsing harmonies underneath — just studied when he began his path as a musi- already played them. I happened to listen to a January 15, 1960 the hint of the minimalist elements that oc- cian. His music is characterized by poetic recording of Pamela Frank playing Lament and casionally crop up in my music.” imagery, brilliant instrumental tones, a keen Prayer, and I was absolutely blown away. Lorin Maazel, conductor Glenn Dicterow, Lorin Maazel and the sense of exploration, and the feeling that It was the emotional content in the work Glenn Dicterow, violin New York Philharmonic performed the La- the composer gets under the skin of his with which I felt a great kinship. It’s heartfelt and it’s about the plight of the Jewish people and it ment and Prayer in January, 2005, building on a subject matter, reinventing his language to speaks for itself – lament and prayer. And I said, Performances of January 20, 21, 22, 2005 relationship that started with the Orchestra’s serve the project at hand. Among his other I have to play this piece! Even though it’s only Avery Fisher Hall premiere of Kernis’ Dream of the Morning Sky works are Color Wheel (2001, written for The about 21 minutes I felt it was very important and in its 1983 Horizons Festival that catapulted Philadelphia Orchestra on the opening of its one of Aaron’s best works. Working with Aaron was wonderful and I think quite successful. the young composer to national attention and new concert hall at the Kimmel Center for proclaimed his talent for composing for the the Performing Arts); a Toy Piano Concerto aron Jay Kernis’ Lament and Prayer more-or-less standard symphony orchestra. (2002, written for Margaret Leng Tan); a song marks the culmination of a group By the end of that decade Kernis had begun cycle for the soprano Renée Fleming; and complement described by the composer as A of compositions motivated by the to display a style marked by expressive lyri- an ambient-sound installation for the Rose “triangles (with thin triangle beaters), jingles, composer’s reaction to war, suffering and cism and was sometimes cited as a leading ex- Center for Earth and Space at the American metal shakers, sizzle cymbals (with thin genocide. Completed in 1996, the dedica- ponent of the “New Romanticism.” In 1994 Museum of Natural History in New York. triangle beaters, light sticks, or brushes), small tion in the score reads: “In commemoration the Philharmonic premiered his New Era Asian bells, and other metal percussion in- of the 50th anniversary of the end of World Dance, one of the commissions the Orchestra Instrumentation: oboe (offstage); chimes struments”; two harps; and strings; in addition War II and the Holocaust” and invokes the extended to celebrate its 150th anniversary, (offstage), and an additional percussion to the solo violin. 32 New York Philharmonic Presents THE GLENN DICTEROW COLLECTION 33 SERENADE concerto for Isaac Stern to premiere at the Venice Festival in September.” Candide would (after Plato’s “symposium”) end up dragging on and on. The “violin Glenn on Bernstein and his Serenade: for Violin, String Orchestra, concerto,” however, was accomplished in less Harp, and Percussion than a year once he set about working on it Since his fi rst performance of the Serenade to do it with the composer on the podium. seriously in the fall of 1953, and those close in 1986, Glenn has performed the work 22 The fi rst time I played it was at a daunt- times with the Philharmonic alone, seven of ing Parks Concert in 1986. There must have to Bernstein reported that it remained one of those with Bernstein.
Load more

Recommended publications
  • Choose Yourfavorite Three Concerts
    CHOOSE YOUR FAVORITE THREE CONCERTS. You’ll Save 33% – That’s Up to $200 in Savings with Added Benefits Call 212-875-5656 or visit nyphil.org/CYO33 and use promo code CYO33. ** U.S. Premiere–New York Philharmonic Co-Commission with the London Philharmonic Orchestra *** World Premiere–New York Philharmonic Commission † Commissions made possible by The Marie-Josée Kravis Prize for New Music †New York City Premiere–New York Philharmonic Co-Commission Tuesday Wednesday Thursday Friday Saturday 7:30pm 7:30pm 7:30pm 8:00pm 8:00pm unless otherwise noted unless otherwise noted Conductor Guest Artists Program Esa-Pekka Leila Josefowicz violin RAVEL Mother Goose Suite NOV Salonen Esa-Pekka SALONEN Violin Concerto NOV OCT OCT NOV conductor (New York Concert Premiere) 5 30 31 1 2 SIBELIUS Symphony No. 5 (11:00am) Bernard Miah Persson soprano J.S. BACH Cantata No. 51, Jauchzet Labadie Stephanie Blythe Gott in allen Landen! conductor mezzo-soprano HANDEL “Let the Bright Seraphim” Frédéric Antoun tenor from Samson Andrew Foster- MOZART Requiem NOV NOV NOV Williams bass 7 8 9 Matthew Muckey trumpet New York Choral Artists Joseph Flummerfelt director Alan Gilbert Liang Wang oboe R. STRAUSS Also sprach Zarathustra conductor Glenn Dicterow, violin NOV Christopher ROUSE Oboe Concerto NOV NOV NOV 15 (New York Premiere) 19 14 16 R. STRAUSS Don Juan (2:00pm) Glenn Dicterow, violin Alan Gilbert Paul Appleby tenor BRITTEN Serenade for Tenor, Horn, conductor Philip Myers horn and Strings Kate Royal soprano BRITTEN Spring Symphony Sasha Cooke mezzo-soprano NOV NOV NOV New York Choral Artists 21 22 23 Joseph Flummerfelt director Brooklyn Youth Chorus Dianne Berkun- Menaker director Alan Gilbert Paul Appleby tenor MOZART Symphony No.
    [Show full text]
  • Kurt Masur My Relationship to Beethoven
    Kurt Masur My Relationship to Beethoven Schriftenreihe Bulletin of the German Historical Institute Washington, D.C., Band 39 (Fall 2006) Herausgegeben vom Deutschen Historischen Institut Washington, D.C. Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publikationsplattform der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hinausgehende unerlaubte Verwendung, Reproduktion oder Weitergabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. FEATURES MY RELATIONSHIP TO BEETHOVEN Seventh Gerd Bucerius Lecture, Washington DC, May 31, 2006 Kurt Masur Music Director, Orchestre National de France Principal Conductor, London Philharmonic The Bucerius Lecture Series, endowed in memory of the publisher Gerd Bucerius, honors individuals who have made important contributions to the development of civil society. This year’s lecture honored the conductor Kurt Masur, Gewand- hauskapellmeister of the renowned Gewandhaus Orchestra in Leipzig from 1970 to 1996, who played an important role in the peaceful revolution of 1989 in East Germany. Kurt Masur spoke about his long engagement with the composer Ludwig van Beethoven, offering many spontaneous asides and anecdotes, and even occasionally breaking into song. He then answered audience questionsat length. Since no printed text can capture this remarkable performance, we only print selected excerpts here. A video recording of the lecture will be available on DVD. If you would like a free copy of this DVD, please send an email to [email protected] by January 31, 2007.
    [Show full text]
  • Pizzazz on the Podium
    Montage Art, books, diverse creations 14 Open Book 15 Bishop Redux 16 Kosher Delights 17 And the War Came 18 Off the Shelf 19 Chapter and Verse 20 Volleys in F# Major places this orchestra square- ly at the center of cultural and intellectual discourse.” The Philharmonic sounds better than it has in decades, too, because Gilbert has im- proved morale, changed the seating plan, and worked on details of tone and balance— even the much-reviled acoustics of Avery Fisher Hall at Lincoln Center sound Alan Gilbert less jagged now. The conducting conductor is also pre- CHRIS LEE the New York Pizzazz on the Podium Philharmonic pared to be surprised: at Avery Fisher to him, his job is both Alan Gilbert’s music that should be heard Hall in Lincoln to lead and take in Center what the musicians by richard dyer are offering. The unexpected hit of his first season ike his celebrated predecessor as diverse as György Ligeti and Wynton was Ligeti’s avant-garde opera, Le Grand Leonard Bernstein ’39, D.Mus. Marsalis, named a composer-in-residence Macabre, in a staging by visual artist Doug ’67, Alan Gilbert ’89 seems to en- (Magnus Lindberg), and started speaking Fitch ’81, a friend who had tutored art in joy whipping up a whirlwind and informally to the audience, as Bernstein Adams House when Gilbert was in col- then taking it for an exhilarating sometimes did. His programs are full of lege. To publicize the opera, Gilbert ap- L ride. Though only in his second year on interconnections and his seasons add peared in three homespun videos that the the job, the second Harvard-educated mu- up; Gilbert has said that every piece tells Philharmonic posted on YouTube; Death, sic director of the New York Philharmonic a story, and every program should, too.
    [Show full text]
  • [email protected] N
    FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No.
    [Show full text]
  • ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
    ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
    [Show full text]
  • LIVE from LINCOLN CENTER December 31, 2002, 8:00 P.M. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert
    LIVE FROM LINCOLN CENTER December 31, 2002, 8:00 p.m. on PBS New York Philharmonic All-Gershwin New Year's Eve Concert Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East.Lorin Maazel, an icon among present-day conductors, will make his long anticipated Live From Lincoln Center debut conducting the New York Philharmonic’s gala New Year’s Eve concert on Tuesday evening, December 31. Maazel began his tenure as the Philharmonic’s new Music Director in September, and already has put his stamp of authority on the playing of the orchestra. Indeed he and the Philharmonic were rapturously received wherever they performed on a recent tour of the Far East. Celebrating the New Year with music is nothing new for Maazel: he holds the modern record for most appearances as conductor of the celebrated New Year’s Day concerts in Vienna by the Vienna Philharmonic Orchestra. There, of course, the fare is made up mostly of music by the waltzing Johann Strauss family, father and sons. For his New Year’s Eve concert with the New York Philharmonic Maazel has chosen quintessentially American music by the composer considered by many to be America’s closest equivalent to the Strausses, George Gershwin.
    [Show full text]
  • To Read Or Download the Competition Program Guide
    THE KLEIN COMPETITION 2021 JUNE 5 & 6 The 36th Annual Irving M. Klein International String Competition TABLE OF CONTENTS Board of Directors Dexter Lowry, President Katherine Cass, Vice President Lian Ophir, Treasurer Ruth Short, Secretary Susan Bates Richard Festinger Peter Gelfand 2 4 5 Kevin Jim Mitchell Sardou Klein Welcome The Visionary The Prizes Tessa Lark Stephanie Leung Marcy Straw, ex officio Lee-Lan Yip Board Emerita 6 7 8 Judith Preves Anderson The Judges/Judging The Mentor Commissioned Works 9 10 11 Competition Format Past Winners About California Music Center Marcy Straw, Executive Director Mitchell Sardou Klein, Artistic Director for the Klein Competition 12 18 22 californiamusiccenter.org [email protected] Artist Programs Artist Biographies Donor Appreciation 415.252.1122 On the cover: 21 25 violinist Gabrielle Després, First Prize winner 2020 In Memory Upcoming Performances On this page: cellist Jiaxun Yao, Second Prize winner 2020 WELCOME WELCOME Welcome to the 36th Annual This year’s distinguished jury includes: Charles Castleman (active violin Irving M. Klein International performer/pedagogue and professor at the University of Miami), Glenn String Competition! This is Dicterow (former New York Philharmonic concertmaster and faculty the second, and we hope the member at the USC Thornton School of Music), Karen Dreyfus (violist, last virtual Klein Competition Associate Professor at the USC Thornton School of Music and the weekend. We have every Manhattan School of Music), our composer, Sakari Dixon Vanderveer, expectation that next June Daniel Stewart (Music Director of the Santa Cruz Symphony and Wattis we will be back live, with Music Director of the San Francisco Symphony Youth Orchestra), Ian our devoted audience in Swensen (Chair of the Violin Faculty at the San Francisco Conservatory attendance, at the San of Music), and Barbara Day Turner (Music Director of the San José Francisco Conservatory.
    [Show full text]
  • By MARTIN BOOKSPAN
    December 31, 2007, 8:00pm on PBS New York Philharmonic New Year’s Eve Gala with Joshua Bell In September Live From Lincoln Center observed one of its longtime traditions: the Gala opening concert of the new season of the New York Philharmonic. On December 31 we'll re-invent another longtime Live From Lincoln Center tradition: the Gala New Year's Eve concert by the New York Philharmonic. Music Director Lorin Maazel will be on the podium for a program of music appropriate for the festive occasion, and the guest artist will be the acclaimed violinist, Joshua Bell. I first encountered Joshua Bell at the Spoleto Festival, U.S.A. in Charleston, South Carolina. He was then barely into his teens but he was already a formidable violinist, playing chamber music with some of the world's most honored musicians. Not long afterward he burst upon the international scene at what was described as "a sensational debut" with the Philadelphia Orchestra and its Music Director of the time, Riccardo Muti. Joshua Bell was brought up in Bloomington, Indiana, where his father was a Professor at Indiana University. I.U., as it is known in academia, is an extraordinary university, with a School of Music that is world-renowned. Among its outstanding faculty was the eminent violinist Josef Gingold, who became Josh's inspired (and inspiring) mentor and devoted friend. Indeed it was the presence of Gingold in Indiana that led to the establishment of the Indianapolis International Violin Competition. One way for a young musician to attract attention is to win one of the major international competitions.
    [Show full text]
  • Official Commendation
    RESOLUTION NUMBER 1244 A RESOLUTION WELCOMING THE VIOLINISTAND EDUCATOR MIDORI TO BOULDER FINDINGS 1. Boulder has a long and deep commitment to arts and culture. It was originally shaped by the rich, impactfuland original culture ofthe Ute, Arapaho, Jicarilla Apache, Comanche, and Navajo nations that originally called this place home. One of the first modem cultural resources was the Colorado Chautauqua, founded before the incorporation of the city. The University of Colorado and residents of early Boulder continued this tradition, particularly with accomplishments among visual artists, authors, poets, filmmakers, and others. Today, Boulder wins awards forthe artists who live here, the organizations that present the art, and the commitment of the entire community to the advancement of culture. 2. The Boulder Philharmonic (Boulder Phil) and Greater Boulder Youth Orchestra (GBYO) were chosen froma national pool of applicants to bring the outstanding violinist and educator Midori to Boulder for a five-dayimmersive residency during the 2019-2019 season. 3. Midori is a celebrated and respected concert violinist of extraordinary talent and internationalfame. She has performed with the world's most important orchestras and received numerous awards including the Kennedy Center Gold Medal in the Arts in 2010. Expanding the role of her musical abilities, Midori is committed to education and cultural diplomacy, being named a United Nations Messenger of Peace. 4. Throughout her career, Midori has been devoted to working with youth and communities in a way that few performing artists of her caliber can claim. Through the Midori Orchestra Residency Program, she visits one or two mid-sized communities each year to share her impressive artistry and inclusive vision of the vital role that music and the arts can play - not only in the concert hall, but across the entire community and in the lifeof every citizen.
    [Show full text]
  • West Side Story
    To Our Readers ow can something be as fresh, as bril­ Hliant, as explosively urgent as "West Side Story," and be 50 years old? How can this brand new idea for the American theatre have been around for half a century? Leonard Bernstein used to say that he wished he could write the Great American Opera. He was still designing such a project shortly before his death. But in retrospect, we can say that he fulfilled his wish. "West Side Story" is performed to enthusiastic audiences in opera houses around the world - recently in La Scala and, before this year is out, at the Theatre du Chatelet in Paris. Is there a Broadway revival in the works? The signs are highly auspicious. In this issue, we celebrate "West Side Story": its authors, its original performers, and its continuing vital presence in the world. Chita Rivera regrets that, due to scheduling conflicts, she was unable to contribute to this issue by print time. [ wEst SIDE ·sronv L "West Side Story" continues to break ground to this very day. Earlier this year, the show was performed by inmates at Sing Sing. A few months later, it was presented as part of a conflict resolution initiative for warring street gangs in Seattle. And if there's a heaven, Leonard Bernstein was up there dancing for joy last summer while Gustavo Dudamel led his sensational 200-piece Simon Bolfvar Youth Orchestra in the "Mambo" at the Proms in London. The audience went bonkers. Check it out: http://www.dailymotion.com/swf/ 6pXLfR60dUfQNjMYZ There are few theatrical experiences as reliably thrilling as a student production of "West Side Story".
    [Show full text]
  • BRETT MITCHELL Biography
    BRETT MITCHELL Biography Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, Brett Mitchell began his tenure as Music Director of the Colorado Symphony in July 2017. Prior to this appointment, he served as the orchestra's Music Director Designate during the 2016-17 season. He leads the orchestra in ten classical subscription weeks per season as well as a wide variety special programs featuring such guest artists as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. Highlights of his 2018-19 season include subscription debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, Milwaukee, National, Oregon, and San Antonio symphonies, the Grant Park Festival Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. From 2013 to 2017, Mr. Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra's hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010.
    [Show full text]
  • JAN MRÁČEK, Violin
    JAN MRÁČEK, violin Czech violinist Jan Mráček was born in 1991 in Pilsen and began studying violin at the age of 5, most recently under the guidance of the former Vienna Symphony concert master Jan Pospíchal. As a teenager he enjoyed his first successes, winning numerous competitions, participating in the master classes of Maestro Václav Hudeček - the beginning of a long and fruitful association. He was the youngest Laureate of the Prague Spring International Festival competition in 2010, and in 2011 was the youngest soloist in the history of the Czech Radio Symphony Orchestra. In 2014 he took first prize at Vienna’s Fritz Kreisler International Violin Competition at the Vienna Konzerthaus. He has performed as soloist with the Kuopio Symphony Orchestra and Romanian Radio Symphony, both under Sascha Goetzel, Lappeenranta City Orchestra (Finland), Czech National Symphony Orchestra, Prague Symphony Orchestra (FOK), Janáček Philharmonic Orchestra and almost all Czech regional orchestras. Jan Mráček had the honour of being invited by Maestro Jiří Bělohlávek to guest lead the Czech Philharmonic Orchestra in their three concert residency at Vienna’s Musikverein, and the European Youth Orchestra under Gianandrea Noseda and Xian Zhang on their 2015 summer tour. He is a member of the Lobkowicz Piano Trio, which took first prize and the audience prize at the International Johannes Brahms Competition in Pörtschach (Austria) in 2014. His acclaimed recording of the Dvořák violin concerto and other works by the Czech composer under James Judd with the Czech National Symphony was released on the Onyx label, and most recently he recorded works of Milan Mihajlovic with Howard Griffiths and the Brandenburg State Symphony for the CPO label.
    [Show full text]