Who Pays for Music?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Open but Not Free — Publishing in the 21St Century Martin Frank, Ph.D
PERSPECTIVE For the Sake of Inquiry and Knowledge Research culture is far from knowledge. The new technology Disclosure forms provided by the author are available with the full text of this arti- monolithic. Systems that underpin is the internet. The public good cle at NEJM.org. scholarly communication will mi- they make possible is the world- grate to open access by fits and wide electronic distribution of From MIT Libraries, Massachusetts Insti- starts as discipline-appropriate op- the peer-reviewed journal litera- tute of Technology, Cambridge. tions emerge. Meanwhile, experi- ture and completely free and un- 1. Budapest Open Access Initiative (http:// ments will be run, start-ups will restricted access to it by all scien- www.opensocietyfoundations.org/ flourish or perish, and new com- tists, scholars, teachers, students, openaccess/read). munication tools will emerge, and other curious minds.” 2. Bethesda Statement on Open Access Pub- lishing (http://dash.harvard.edu/bitstream/ because, as the Bethesda Open There is no doubt that the pub- handle/1/4725199/suber_bethesda Access Statement puts it, “an old lic interests vested in funding .htm?sequence=1). tradition and a new technology agencies, universities, libraries, 3. Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities have converged to make possible and authors, together with the (http://www.zim.mpg.de/openaccess-berlin/ an unprecedented public good. power and reach of the Internet, berlin_declaration.pdf). The old tradition is the willingness have created a compelling and nec- 4. Suber P. Open access. Cambridge, MA: MIT Press, 2012. of scientists and scholars to pub- essary momentum for open ac- 5. -
WTX Microstream EN Manual-1
WTX MicroStream First Multiroom Plug & Play Audiophile Streamer What is the WTX-MicroStream The WTX-Microstream is an innovative wireless HiFi streamer which can be used with any amplier, HiFi sytem, soundbar, home theater into your home wi network. This system is multiroom. You can play your own music (PC/MAC, NAS), enjoy streaming services like Spotify, Tidal, Qobuz, etc... or radio service. The WTX-Microstream has an open interface with upgradable capability for future services and evolutions. Android and IOS apps will be available soon. What you will nd in the gift box - The WTX MicroStream x1 - The power adapter x1 - The EC plug x1 - The UK plug x1 - The US plug x1 Interface Wi-Fi led WPS button indicator for association Left channel Power supply To plug on your HiFi, active speaker, soundbar... Right channel Download your App / Android or Apple - To control your WTX-Microstreamer, please download on the App Store (if you are using Apple devices) or on Google Play (if you you are using an Android device). The name of the App is ADVANCE PLAYSTREAM How to connect your WTX MicroStream with WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Type your password of your router in ADVANCE PLAYSTREAM App. - Press WPS button on WTX MicroStream How to connect your WTX MicroStream without WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Enter “Setting” ->”WLAN” ->directly connect WTX MicroStreamer - Type your password of your router in ADVANCE PLAYSTREAM App. -
Spotify:Fast Facts
Spotify: Fast Facts A quick guide to Spotify What is Spotify? Play, discover and share for free Spotify is a new way to listen to music. We’re the Think of Spotify as the world’s music collection, free, world’s biggest music streaming service, giving you free legal, and at your fingertips. It’s how music should be. and instant access to over 18 million* tracks, any time you like. • Search for any track or album and hit play – it’s that simple. Now you can get all the music you’ll ever need, • Build your own library of playlists and share them wherever you are, on your computer, your mobile, your with friends with one click. iPad, and many more of your favourite devices. • Discover new music – check out your friends’ music collections, plus get inspired with great Spotify Apps like Last.fm, Rolling Stone and Spotify Radio. Choose how you listen There are three ways to enjoy Spotify: Spotify Free – millions of tracks for free, with ads to pay the music makers. Sign up at spotify.com Spotify Unlimited – ad-free, non- stop music to your computer. or Facebook Spotify Premium – the ultimate Spotify experience. Unlimited, ad-free music to your computer, iPad, mobile and favourite devices. Plus, store your playlists and listen offline – no connection needed. Better for artists, better for everyone Spotify is drawing people away from piracy. We’ve created a better, more convenient alternative where every single play results in revenue for artists and rights holders. It’s better for everyone. Give me some numbers Paying subscribers: Number of songs: -
FOSS Licensing
FOSS Licensing Wikibooks.org March 13, 2013 On the 28th of April 2012 the contents of the English as well as German Wikibooks and Wikipedia projects were licensed under Creative Commons Attribution-ShareAlike 3.0 Unported license. An URI to this license is given in the list of figures on page 61. If this document is a derived work from the contents of one of these projects and the content was still licensed by the project under this license at the time of derivation this document has to be licensed under the same, a similar or a compatible license, as stated in section 4b of the license. The list of contributors is included in chapter Contributors on page 59. The licenses GPL, LGPL and GFDL are included in chapter Licenses on page 65, since this book and/or parts of it may or may not be licensed under one or more of these licenses, and thus require inclusion of these licenses. The licenses of the figures are given in the list of figures on page 61. This PDF was generated by the LATEX typesetting software. The LATEX source code is included as an attachment (source.7z.txt) in this PDF file. To extract the source from the PDF file, we recommend the use of http://www.pdflabs.com/tools/pdftk-the-pdf-toolkit/ utility or clicking the paper clip attachment symbol on the lower left of your PDF Viewer, selecting Save Attachment. After extracting it from the PDF file you have to rename it to source.7z. To uncompress the resulting archive we recommend the use of http://www.7-zip.org/. -
Remix My Lit M T: Creative Commons & Text
remix my lit M T: Creative Commons & Text In defining ‘web 2.0,’ Tim O’Reilly espouses the remixing of multiple sources of information, text case studies including the personal, to create rich user experiences (http://radar.oreilly.com/ archives/2005/10/web-20-compact-definition. Aduki Press: Stick This In Your html). Memory Hole 141 Nowhere is user participation in the creation of The Age Blogs 144 meaning more lauded than in the blogosphere. Bloggers are recognised to be among the ANAT Filter 145 first groups truly to embrace the CC scheme, On Line Opinion 148 and remain some of its strongest proponents. As exemplars in this field, Human Resources A New Leaf Media: The Pundit 150 consultant Michael Specht and Malaysian free John Quiggin 152 culture advocate Aizat Faiz build their writings around the desire to foster open source and free Michael Specht 155 content. This advocacy is driven by the desire to cultivate new voices and alternative viewpoints, Mike Seyfang 156 challenging the enduring corporate dominance of Remix My Lit 159 mainstream media, as aided by CC. As blogger Robin Good puts it: Strange Symphonies blog 161 ‘Web 2.0 is turbo-charging our capacity to re-establish this vibrant, participatory, people- Nevertheless, as shown in these case studies, driven, creative culture. But we the use of CC licensing on blogs is not always nevertheless face greater threats uncontroversial. Prominent Australian economist than ever to our cultural liberties, John Quiggin sparked a debate on the value of as corporations in league with CC licences to blogging, when he introduced the legislators dream up new ways licensing on his eponymous blog johnquiggin. -
Itunes Store and Spotify Recordings
A+ Music Memory 2016-2017 iTunes Store and Spotify Recordings Bach Pachelbel Canon and Other Baroque Favorites, track 12, Suite No. 2 in B Minor, BWV1067: Badinerie (James Galway, Zagreb Soloists & I Solisti di Zagreb, Universal International BMG Music, 1978). iTunes: https://itunes.apple.com/us/album/pachelbel-canon-other- baroque/id458810023 Spotify: https://open.spotify.com/track/4bFAmfXpXtmJRs2t5tDDui Bartók Bartók: Hungarian Pictures – Weiner: Hungarian Folk Dance – Enescu: Romanian Rhapsodies, track 2, Magyar Kepek (Hungarian Sketches), BB 103: No. 2. Bear Dance (Neeme Järvi & Philharmonia Orchestra, Chandos, 1991). iTunes: https://itunes.apple.com/us/album/bartok-hungarian-pictures/id265414807 Spotify: https://open.spotify.com/track/5E4P3wJnd2w8Cv1b37sAgb Beethoven Beethoven: Piano Sonatas Nos. 8, 14, 23 & 26, track 6, Piano Sonata No. 8 in C Minor, Op. 13 – “Pathétique,” III. Rondo (Allegro), (Alfred Brendel, Universal International Music B.V., 2001) iTunes: https://itunes.apple.com/us/album/beethoven-piano-sonatas- nos./id161022856 Spotify: https://open.spotify.com/track/2Z0QlVLMXKNbabcnQXeJCF Brahms Best of Brahms, track 11, Waltz No. 15 in A-Flat Minor, Op. 59 [Note: This track is mis-named: the piece is in A-Flat Major, from Op. 39] (Dieter Goldmann, SLG, LLC, 2009). iTunes: https://itunes.apple.com/us/album/best-of-brahms/id320938751 Spotify: https://open.spotify.com/track/1tZJGYhVLeFODlum7cCtsa A+ Mu Me ory – Re or n s of Clarke Trumpet Tunes, track 2, Suite in D Major: IV. The Prince of Denmark’s March, “Trumpet Voluntary” (Stéphane Beaulac and Vincent Boucher (ATMA Classique, 2006). iTunes: https://itunes.apple.com/us/album/trumpet-tunes/id343027234 Spotify: https://open.spotify.com/track/7wFCg74nihVlMcqvVZQ5es Delibes Flower Duet from Lakmé, track 1, Lakmé, Act 1: Viens, Mallika, … Dôme épais (Flower Duet) (Dame Joan Sutherland, Jane Barbié, Richard Bonynge, Orchestre national de l’Opéra de Monte-Carlo, Decca Label Group, 2009). -
Q1 2021 Shareholder Letter
April 28, 2021 Dear Shareholders,1 We are pleased with our performance in Q1. The business delivered subscriber growth and Gross Margin at the top end of our guidance range, a continued improvement in ARPU, and operating income better than plan. We saw greater MAU variability this quarter, but results were within our range of expectations given the outperformance in Q4 and the continued impact from COVID-19. Revenue grew by 16% (22% excluding the impact of FX) and was at the upper end of our guidance range. Other highlights from the quarter include a successful launch in 86 new markets, a $1.5 billion Exchangeable Notes offering, and the acquisition of Betty Labs (Locker Room). 1 Free Cash Flow is a non-IFRS measure. See “Use of Non-IFRS Measures” and “Reconciliation of IFRS to Non-IFRS Results” for additional information. Spotify Technology S.A. 42-44 avenue de la Gare, LU-1610 Luxembourg 1 MONTHLY ACTIVE USERS (“MAUs”) Total MAUs grew 24% Y/Y to 356 million in the quarter, finishing within our guidance range but modestly below our internal expectations. In Q1, we added 11 million MAUs, which drove healthy double digit Y/Y growth across all regions. We saw meaningful contributions from markets such as the US, Mexico, Russia, and India. However, growth was lower than plan in Latin America and Europe. In aggregate, the performance of our newly launched markets was in line with our expectations. Global consumption hours continued to grow meaningfully in Q1 on a Y/Y basis. Per user consumption grew in developed regions such as North America and Europe, while developing regions showed signs of improvement but remained below pre-COVID levels. -
Internet Radio: an Analysis of Pandora and Spotify
Internet Radio: An Analysis of Pandora and Spotify BY Corinne Loiacono ADVISOR • Jim Bishop EDITORIAL REVIEWER • Phyllis Schumacher _________________________________________________________________________________________ Submitted in partial fulfillment of the requirements for graduation with honors in the Bryant University Honors Program APRIL 2014 Internet Radio Customizations: An Analysis of Pandora and Spotify Senior Capstone Project for Corinne Loiacono Table of Contents Acknowledgements: ..................................................................................................................................... 3 Abstract: ........................................................................................................................................................ 4 Introduction: ................................................................................................................................................. 5 Review of Literature: .................................................................................................................................... 7 An Overview of Pandora: ................................................................................................................ 7 An Overview of Spotify: ............................................................................................................... 10 Other Mediums: ............................................................................................................................. 12 A Comparison: .............................................................................................................................. -
Facilitating Access to Free Online Resources: Challenges and Opportunities for the Library Community
Facilitating access to free online resources: challenges and opportunities for the library community A white paper from Taylor & Francis May 2013 Introduction The volume of freely available online resources continues to grow exponentially. Potentially, many of these resources could be of enormous value for teaching, learning and research purposes. However, finding, evaluating and facilitating access to this content brings with it many challenges, for both librarians and their user communities. Taylor & Francis have conducted a research programme to help explore the issues relating to free content discoverability from the perspective of librarians. We wanted to understand what role librarians see free content having within their institutions; its relative importance compared to paid-for resources; and the challenges associated with making better use of this material. This paper presents the results of this research programme. We hope that by exposing some of the challenges we can stimulate discussion on this important topic and help make it easier for institutions to enrich their paid-for collections with high-quality free content. “This survey is a good starting conversation.” - Subject Librarian, (USA) commenting on the T&F Survey: Facilitating Access to Free Online Resources, distributed April 2013 ______________________________________________________________________________________ Research methodology Our librarian research programme comprised two focus groups, one held in London (UK) in late 2012 and one in Seattle, Washington (USA) -
To Stream, to Spend, Or to Steal? Alexa Koch University
RUNNING HEAD: THE DIGITALIZATION OF MUSIC 1 The Digitalization of Music: To Stream, To Spend, or To Steal? Alexa Koch University of Miami RUNNING HEAD: THE DIGITALIZATION OF MUSIC 2 Abstract A music-streaming format delivers audio files or radio waves on a continuous basis, often through a subscription or verified user account. Streaming can be hosted traditionally, on a computer or Internet-enabled device, or via Bluetooth or other connectivity technology. Today, audio streaming accounts for almost one-third of the music industry; this forces record labels, organizations, and legislators, amongst others, to question the role played by music pirates in an industry so dominated by technological means of transmission. Critics suggest that there may be a link between streaming and piracy, such that the former enables the latter and that the two can coexist in a world dominated by music- streaming services. This link might exist within, and be more prevalent within, certain demographics, such as male millennials, but there is no evidence that all music streamers and paid subscribers. Keywords: music streaming, P2P file-sharing, music piracy, sound culture RUNNING HEAD: THE DIGITALIZATION OF MUSIC 3 The Digitalization of Music: To Stream, To Spend, or To Steal? Introduction Music streaming continues to grow, a force to be reckoned with, even as the rise in sales of vinyl has gone up in the last few years. Total revenue from all streaming services, which includes both passive and active streaming media, surpassed that of paid downloads by $1 million last year (Rosenblatt, 2016). According to the Recording Industry Association of America’s (RIAA) 2016 Mid-Year Report on Music Shipment and Revenue Statistics, streaming music revenues from the first half of 2016 totaled $1.6 billion, “up 57% year-over-year, and accounted for 47% of industry revenues compared with 32% [in the first half of 2015],” a figure that includes revenues from subscription services, streaming radio services, and non-subscription on-demand services. -
Characterizing Internet Radio Stations at Scale
Characterizing Internet Radio Stations at Scale Gustavo R. Lacerda Silva Lucas Machado de Oliveira Rafael Ribeiro de Medeiros Electrical Engineering Department Computer Science Department Computer Science Department Universidade Federal de Minas Gerais Universidade Federal de Minas Gerais Universidade Federal de Minas Gerais Belo Horizonte, Brazil Belo Horizonte, Brazil Belo Horizonte, Brazil [email protected] [email protected] [email protected] Olga Goussevskaia Fabrício Benevenuto Computer Science Department Computer Science Department Universidade Federal de Minas Gerais Universidade Federal de Minas Gerais Belo Horizonte, Brazil Belo Horizonte, Brazil [email protected] [email protected] ABSTRACT but also helped the emergence of several independent radio sta- In this paper we build and characterize a large-scale dataset of tions [25]. 1 internet radio streams. More than 25 million snapshots of more One of the most popular free radio services is SHOUTcast . Dur- 2 than 75 thousand different radio stations were collected from the ing peak hours it has reached over 900,000 simultaneous listeners . SHOUTcast service between December 2016 and April 2017. We A key advantage of Internet radio over radio waves is the possibility characterized several attributes of the dataset, such as audience of accessing a radio station from different countries, something that and music genre distributions among radio stations, advertisement was not possible before due to the limited reach of electromagnetic and seasonal content dynamics, as well as bit rates and media radio waves. Another advantage is that a streaming Internet radio formats of the radio streams. Finally, we analyzed to which extent station is cheap to set up [25]. -
The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry
UCLA UCLA Entertainment Law Review Title The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry Permalink https://escholarship.org/uc/item/7n4322vm Journal UCLA Entertainment Law Review, 22(1) ISSN 1073-2896 Author Richardson, James H. Publication Date 2014 DOI 10.5070/LR8221025203 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry James H. Richardson* I. INTRODUCTION �����������������������������������������������������������������������������������������������������46 II. ILLEGAL DOWNLOADING LOCALLY STORED MEDIA, AND THE RISE OF STREAMING MUSIC ����������������������������������������������������������������������������������������������������������������47 A. The Digitalization of Music, and the Rise of Locally Stored Content. ......47 B. The Road to Legitimacy: Digital Media in Light of A&M Records, Inc. ..48 C. Legitimacy in a Sea of Piracy: The iTunes Music Store. ...........................49 D. Streaming and the Future of Digital Music Service. ���������������������������������50 III. THE COPYRIGHT AND DIGITALIZATION �������������������������������������������������������������������51 A. Statutory Background ................................................................................51 B. Digital Performance Right in Sound Recordings Act ................................52