Concertgebouw Future in Doubt Representative Soft -Pedaled the Dy- Go Off in the 1812 Overture We'd Bet- Namic Range Attribute of Digital

Total Page:16

File Type:pdf, Size:1020Kb

Concertgebouw Future in Doubt Representative Soft -Pedaled the Dy- Go Off in the 1812 Overture We'd Bet- Namic Range Attribute of Digital 39 Classical Radio Facing New Digital Woes Disks' Extended Dynamic Range Creates Problems By IS HOROWITZ justly proud of the cleanliness of when it takes up the topic "Signal their broadcast signals and their fi- Processing for Broadcasting." NEW YORK--Hybrid digital - delity to the original programs now The meeting will be held at the analog recordings that manage to face an increasing need to compro- WQXR Auditorium, 229 West 43rd pack in a few more dBs of dynamic mise dynamics. If the permissible Street, Oct. 5 at 7 p.m. Classical sta- range than conventional LPs are peak is exceeded, the signal im- tions will be represented by Richard creating some new problems for pinges on a dial neighbor's territory, Koziol and Matt Biberfeld of quality conscious classical radio. something the FCC frowns upon to WNCN, and Doc Masoomian and The very attribute that is consid- the point of imposing sanctions. Too Robert Sherman of WXQR. They ered one of digital recording's quiet a signal. on the other hand. will be joined on the panel by Herb strongest selling points- extended places the program "down in the Squire and Dene Hallum of country dynamic range -is the one that gives mud" of near inaudibility. station WHN -AM, and Bob Deitsch radio the most trouble. Broadcasters are glad that rela- and Larry Berger of local rocker Compression of the signal, or sub- tively few classical recordings so far WPLJ. jective gain riding, becomes a fact of tax the practical limits, although Biberfeld says WNCN's approach radio life when up to 68dB of dy- they wonder to what extent the to the dynamics problem is to rely HOT OFF THE PRESS -A first copy of Deutsche Grammophon's new "Turan- namic range. considered the outside problem may be exacerbated when largely on judicious gain riding to dot" is admired by Katia Ricciarelli and Herbert von Karajan, who star in the limit that can be engraved cleanly on the true digital disk. with its theoreti- contain level peaks rather than on digital production. Presentation during the Salzburg Festival was by DG's an analog disk. must be broadcast cal dynamic range extended by as automatic compression. He doesn't production chief Gunther Breest, left. over FM stereo that permits no more much as another 20dB, reaches the feel that any compressor yet avail- than about 56dB of dynamic spread. market. able can be relied on to perform ade- Classical stations which have been When the question was posed quately under all circumstances. REPORT CALLS FOR CUTBACKS during a demonstration at the recent The trick is to keep both extremes conference of the Concert Music of level within technical limits with- Broadcasters Assn. in Lenox, Mass. out destroying the illusion of reality ( Billboard. Aug. 21), a Soundstream for the listener. "When the cannons Concertgebouw Future In Doubt representative soft -pedaled the dy- go off in the 1812 Overture we'd bet- namic range attribute of digital. He ter have someone standing by," says By WILLEM HOOS And Bernard Haitink. Concertge- But Haitink is organizing an inter- preferred to stress other positive Biberfeld. bouw conductor, infuriated by the national campaign to protect the size qualities. such as low distortion and The knowledgeable engineer also AMSTERDAM -The future of report's findings. warns: This kind and stature of the Concertgebouw absence of tape speed fluctuations. has to be concerned with low level the Concertgebouw Orchestra, Hol- of cutback. if adopted, could prove a Orchestra. Initially, he's preparing a However. radio's concern with the passages that can hardly be detected land's most prestigious classical en- death blow." petition to be signed by top inter- problem will be aired during a meet- by the listener. The FCC sets limits semble and a major source of The report was produced by Ca- national conductors. many previ- ing here next month of the New on how long such superquiet musi- recordings for several generations, is nario, a business efficiency outfit ously involved with the orchestra, York section of the Audio Engineer- cal whisperings can be broadcast. al- under a cloud, following a recom- here. The main advice given was and submitted to the ministry of cul- ing Society. Massaging of dynamics though station management desir- mendation that 24 of its 116 musi- that the Concertgebouw and three tural affairs. and the digital factor are slated to be ing that their station be heard in its cians be sacked. other leading Dutch classical orches- Additionally. around 30.000 post- on the agenda of a joint session with market may set an even more strin- That is the most drastic point tras. the Amsterdam Philharmonic. cards, bearing the slogan "Minister, the Society of Broadcast Eneineers gent standard. made in an investigative report com- the Rotterdam Philharmonic and Protect The Concertgebouw." are to missioned by the ministry of cultural the Resident Orchestra of The be sent by fans to the minister in- affairs here, which has been charged Hague, should each reduce the num- volved. Haitink is also sending a per- with seeking economies in govern- her of musicians to a maximum of sonal letter pointing out. for ex- Intersound Set To Launch ment expenditures. 92. a 20`i cutback involving the loss ample, that with a musician cutback Hain van Royan, the orchestra's of' more than 80 jobs. of the size recommended the orches- artistic director. says: "Such a cut- Earlier this year Canario looked tra would not be able to perform 90- Minute Cassette Line back would be disastrous. To lose so into the future the Dutch regional works by Mahler. a key factor in the of NEW YORK -Intersound Inc. is censee covers the Western Hemi- many musicians would mean a and provincial orchestras, coming to ensemble's international reputation. introducing a series of 90- minute sphere, as well as certain other dreadful crumbling stand- the conclusion six But of quality that orchestras Canario spokesman say free- midline cassettes containing selec- territories. says Johnson. ards. It would suggest the Concert- should fold or merge. putting lance musicians could be employed tions drawn from its Quintessence Neville Marriner will be among gebouw Orchestra is being down- around 300 musicians out of work. for specific concerts. adding that this line and designed for "people on the the artists recording for Delta in graded to the level of a provincial The belief here is that this recom- system works for leading London - move." 1983 and 1984, notes the Intersound orchestra." mendation will become reality. based orchestras. Haitink insists Called "Classics For Joy." the chief. He will direct the Dresden there is a shortage of top freelancers series carries a suggested list of $6.98 State Orchestra. There will also be in Holland. per cassette. but is being discounted some co- productions between Delta These suggested cutbacks of na- to the trade to permit a retail price and Intersound. tional and regional orchestras reflect point $5.99, according - of to Inter Meanwhile. Intersound's Pro Arte Classical Notes the poor state of the Dutch economy. sound president Don Johnson. The cultural affairs ministry handles label will be recording its own roster Skitch Henderson will be conductor of the Lions consider the format as a profitable switch. Intersound has also entered into subsidies and if all the cuts were of artists. Due out later this month is New York Pops Orchestra, a project being devel- West Coast importer Brilly Corp. has intro- an agreement for licensed material made there could be a saving of the first album in á projected com- oped by publicists /managers James Murtha and duced a new line of contemporary music record- with Delta Productions of Cologne. plete set of the Beethoven sonatas by Bernard Gurtman. Concerts and recordings are ings, Pro Viva, originating in Germany. A (Continued on page Johnson notes. special 62 to supplement mate- pianist Russell Sherman. The label in prospect.... Physicians at the Massachusetts Eastman series, featuring American works, is rial secured from Seon, Supraphon has a pact with the Cantilena Play- General Hospital are claiming some success also on the way, says Laurence Vibes, Brilly and Harmonia Mundi (Germany). ers, and deals with other artists are in treating concert pianists who have developed exec.... Bridge Record Productions bows on Recordings from this new source near the signing stage. says Johnson. hand problems. Gary Graffman, now again able the scene with an album of contemporary music New Classical will begin to appear in November. to play with his right hand after a number of featuring guitar. David Starobin is soloist.... Both Pro Arte, Intersound's top - years of disability, was among those treated. Leonora Productions, known primarily for its Radio Directory price line, and Quintessence will be The affliction seems to hit "steely- fingered" pi- recordings of works by women composers, has a outlets for Delta product, which will Russian anists of the school most, it is said. new "Schone Mullerin" said to be performed NEW YORK -About 250 radio include digitally recorded titles. Liszt Society Grenadilla Records celebrates its 10th anni- from the "original" score. The album also has stations across the country Digitals on Quintessence will list at versary by commissioning a new composition selections by Louise Reichardt and Fanny Men - broadcast at least 20 hours of $7.98, a new industry low for such Honors Five from Pulitzer Prize- winning composer Karel delssohn. classical music weekly, although albums. List for digital recordings Husa. Naturally, it will be recorded on the Neville Marriner, who is fast closing in on BUDAPEST -Five recordings re- only 46 are commercial enter- on Pro Arte is $12.98.
Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • WTUL Classical Listener's Guide
    9 WTUL Classical Lisfener s Guide Don9t F orgef Featured pieces will be aired weekly at 7 a.m., and on Sundays at 7 p.m. and 9 p.m. The week of Jan. 31 -Feb. 5 The week of Feb. 7 - 12 The §ymphony1 Sunday - The 20th Century Sunday with Stefan ext season, the symphony will return. While we despair over its absence, the WTUL Classical Classical Show with Lester o J.S. Bach Cello Suite No.6 in D Major, BWV 1012 Department will do its best to continue their sea­ Focus on Classic Movie Scores: Nikolaus Harnoncourt, cello N son for them. On the radio, that is. o Virgil Thomson o Franz Waxman The River Lost Command o FJ. Haydn Beginning next month, and for the remainder of the reg­ Cello Concerto in C, Hob. Vllb No. 1 ular season, WTUL will broadcast the music originally Los Angeles Chamber o Jerome Moross English Chamber Orchestra) Edo DeWaart conducting Orchestra) Neville Mar- The Proud Rebel planned for live performance by the New Orleans Sym­ riner conducting o Gabriel Faure' phony. More details next issue, but if you have any com­ Cello Sonata No. 1 in D Minor, Op. 109 ments, please don't hesitate to write or call. Monday with Tom And if you have a chance, please drop by the Encore o Benjamin Britten Monday with Suzanne Shop on 7814 Maple Street. It's a store of previously "Occassional Overture," Op, 38 o Hector Berlioz owned clothing where all sales proceeds go to benefit the Symphonie Fantastique, Op.
    [Show full text]
  • BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973)
    [Show full text]
  • Itunes Store and Spotify Recordings
    A+ Music Memory 2016-2017 iTunes Store and Spotify Recordings Bach Pachelbel Canon and Other Baroque Favorites, track 12, Suite No. 2 in B Minor, BWV1067: Badinerie (James Galway, Zagreb Soloists & I Solisti di Zagreb, Universal International BMG Music, 1978). iTunes: https://itunes.apple.com/us/album/pachelbel-canon-other- baroque/id458810023 Spotify: https://open.spotify.com/track/4bFAmfXpXtmJRs2t5tDDui Bartók Bartók: Hungarian Pictures – Weiner: Hungarian Folk Dance – Enescu: Romanian Rhapsodies, track 2, Magyar Kepek (Hungarian Sketches), BB 103: No. 2. Bear Dance (Neeme Järvi & Philharmonia Orchestra, Chandos, 1991). iTunes: https://itunes.apple.com/us/album/bartok-hungarian-pictures/id265414807 Spotify: https://open.spotify.com/track/5E4P3wJnd2w8Cv1b37sAgb Beethoven Beethoven: Piano Sonatas Nos. 8, 14, 23 & 26, track 6, Piano Sonata No. 8 in C Minor, Op. 13 – “Pathétique,” III. Rondo (Allegro), (Alfred Brendel, Universal International Music B.V., 2001) iTunes: https://itunes.apple.com/us/album/beethoven-piano-sonatas- nos./id161022856 Spotify: https://open.spotify.com/track/2Z0QlVLMXKNbabcnQXeJCF Brahms Best of Brahms, track 11, Waltz No. 15 in A-Flat Minor, Op. 59 [Note: This track is mis-named: the piece is in A-Flat Major, from Op. 39] (Dieter Goldmann, SLG, LLC, 2009). iTunes: https://itunes.apple.com/us/album/best-of-brahms/id320938751 Spotify: https://open.spotify.com/track/1tZJGYhVLeFODlum7cCtsa A+ Mu Me ory – Re or n s of Clarke Trumpet Tunes, track 2, Suite in D Major: IV. The Prince of Denmark’s March, “Trumpet Voluntary” (Stéphane Beaulac and Vincent Boucher (ATMA Classique, 2006). iTunes: https://itunes.apple.com/us/album/trumpet-tunes/id343027234 Spotify: https://open.spotify.com/track/7wFCg74nihVlMcqvVZQ5es Delibes Flower Duet from Lakmé, track 1, Lakmé, Act 1: Viens, Mallika, … Dôme épais (Flower Duet) (Dame Joan Sutherland, Jane Barbié, Richard Bonynge, Orchestre national de l’Opéra de Monte-Carlo, Decca Label Group, 2009).
    [Show full text]
  • Minnesota Orchestra
    MINNESOTA ORCHESTRA I Sponsoring assistance by I\!iP Wednesday, May 7, 1986 Orchestra Hall Thursday, May 8, 1986 Ordway Music Theatre Friday, May 9, 1986 Orchestra Hall *Saturday, May 10, 1986 Orchestra Hall 8:00 p.m, SIR NEVILLE MARRINER conducting SUSAN DUNN, soprano JOANNA SIMON, mezzo-soprano KEITH LEWIS, tenor STEPHEN DUPONT, bass DALE WARLAND SYMPHONIC CHORUS Dale Warland, music director Sir Neville Marriner Sigrid Johnson, assistant conductor (Biography appears on page 22.) WAGNER Prelude and Liebestod, from Tristan and Isolde Intermission BEETHOVEN Symphony No. 9 in D minor, Opus 125 (Choral) I. Allegro rna non troppo, un poco maestoso II. Molto vivace- Presto III. Adagio molto e cantabile-Andante moderato IV. Finale: Presto-Allegro; Allegro assai; Presto Susan Dunn Soprano Susan Dunn is remembered by Twin Cities audiences for a variety of per- formances with the Minnesota Orchestra, particularly last Sommerfest's concert presentation of Turandot, when her creation of the role of Uti drew thunder- ous applause. Dunn, an Arkansas native, gained the attention of the music world by winning three prestigious competitions in 1983: the Richard Tucker Award, Chi- Performance time, including intermission, is approximately one hour and 55 minutes. cago's WGN-Illinois Opera Competition *A pension benefit concert. and Dallas' Dealey Competition. She has The Friday evening concert is broadcast livethroughout the region on Minnesota Public subsequently made debuts with such emi- Radio stations, including KSJN-FM (91.1) in the Twin Cities. The H. B. Fuller nent ensembles as the Chicago Lyric Company underwrites the broadcast, which is also heard throughout the country on Opera, as Leonora in La Forza del stations of the American Public Radio Network.
    [Show full text]
  • The Academy of St Martin in the Fields Australian Tour
    MEDIA RELEASE Monday October 24 MELBOURNE RECITAL CENTRE, SYDNEY OPERA HOUSE and QUEENSLAND PERFORMING ARTS CENTRE PRESENT The Academy of St Martin in the Fields Australian tour “brooding power, poetic sparkle, dramatic attack” The Times, UK Led by virtuoso violinist Joshua Bell, Academy of St Martin in the Fields, will tour Australia in April 2017, their first national visit in 29 years, performing at Melbourne Recital Centre, the Sydney Opera House and Queensland Performing Arts Centre (QPAC), Brisbane. Established in 1958 by the late Sir Neville Marriner, the orchestra takes its name from the church of St Martin-in-the-Fields, where the Academy gave its first performance. In the decades since, the Academy has become one of the world’s most revered and recorded chamber orchestras – familiar to music-lovers everywhere for their classic recordings of Vivaldi’s Four Seasons and the soundtrack of Miloš Forman’s Amadeus. Joshua Bell, one of the most celebrated violinists of his era, became the Academy’s Music Director in 2011, leading the orchestra from the first violin and performing as a soloist. A native of Bloomington Indiana, Bell made his orchestral debut aged 14 with Riccardo Muti and the Philadelphia Orchestra. It was an incognito performance in a Washington DC subway station in 2007, however, that transformed his reputation from musician’s musician to household name. Bell will lead the Academy players in two dynamic and spellbinding concerts in each city with two separate programs, catering to both aficionados and those newly awakened to the beauty of classical music. Program One in Sydney and Melbourne features Tchaikovsky’s Violin Concerto, where audiences will be immersed in Bell’s iconic performance of this pinnacle of the Romantic repertoire.
    [Show full text]
  • Academy of St Martin in the Fields with Jeremy Denk SAT / MAR 9 / 7:30 PM
    Academy of St Martin in the Fields with Jeremy Denk SAT / MAR 9 / 7:30 PM Jeremy Denk PIANO Tomo Keller DIRECTOR PROGRAM Tomaso Albinoni (1671-1750/51) Concerto a cinque No. 5 in A minor, Op. 5 Carl Philipp Emanuel Bach (1714-1788) Symphony in E-flat major, H. 654 i. Prestissimo ii. Larghetto iii. Presto Wolfgang Amadeus Mozart (1756-1791) Piano Concerto No. 12 in A major, K. 414 i. Allegro ii. Andante iii. Allegretto Intermission Benjamin Britten (1913-1976) Young Apollo, Op. 16 Franz Joseph Haydn (1732-1809) Symphony No. 44 in E minor (Mourning) i. Allegro con brio ii. Menuet: Allegretto; canon in diapason iii. Adagio iv. Presto PERFORMANCES MAGAZINE 12 Wilson Michael by Photo ABOUT THE ARTISTS Classical Music Series at THE ACADEMY OF ST MARTIN IN THE to connect and learn with the The Broad Stage made possible FIELDS is one of the world’s finest orchestra. in part by the generous support chamber orchestras, renowned for of the Colburn Foundation. fresh, brilliant interpretations of the JEREMY DENK is one of America’s world’s greatest orchestral music. foremost pianists. Winner of a Formed by Sir Neville Marriner in 1958 MacArthur “Genius” Fellowship, and the Tonight's performance is in honor of from a group of leading London Avery Fisher Prize, Denk was recently Judy and the late Dr. Sheldon Spector’s musicians, the Academy gave its first elected to the American Academy of support of The Broad Stage. performance in its namesake church in Arts and Sciences. Denk returns November 1959. Through unrivalled live frequently to Carnegie Hall and in The Academy’s work in the US is performances and a vast recording recent seasons has appeared with supported by Maria Cardamone and output—including the soundtrack to the the Chicago Symphony, New York Paul Matthews together with the Oscar-winning filmAmadeus —the Philharmonic, Los Angeles American Friends of the Academy Academy quickly gained an enviable Philharmonic, San Francisco Symphony international reputation for its and Cleveland Orchestra, as well as on of St Martin in the Fields.
    [Show full text]
  • Tamás Vásáry
    如 • 歌 • 文 • 化 Ruge Artists Management 扫描关注微信订阅号 CONDUCTOR PIANIST Tamás Vásáry ARTISTIC ACHIEVEMENTS Tamás Vásáry is a famous conductor and pianist in the Hungary even in the world. He had known as a gifted pianist in the Hungary when he was a teenager. After becomed an important pianist of the 20th century, he becomed a conductor. He is world-famous more than 60 years by his excellent artistic attainments. PERFORMANCES His immensely successful debut in the Royal Festival Hall in London signified the launch of his international career. From that moment on he gave on average one-hundred concerts every year in the most important musical centers the world over (London, Paris, Berlin, Vienna, Rome, Madrid, Lisbon, Luxembourg, Stockholm, Oslo, and others). In 1962 he made his USA debute in Carnegie Hall in New York under the baton of George Szell. He performed regularly with the world's leading orchestras and most prestigious conductors, such as Ernest Ansermet, André Cluitens, Paul Kletzki, Ferenc Fricsai, André Previn, Claudio Abbado, Simon Rattle, Wolfgang Sawallisch, Eugen Jockhum, Erick Leinsdorf, Antal Dorati, Bernard Haitink, Kurt Sanderling, György Solti, Rudolf Kempe, Neville Marriner, Adrian Boult, and others. He was also a distinguished guest at the most important music festivals, including the Salzburg Festival, the Edinburgh Music Festival, the Berlin Music Festival, the Granada Music Festival, the Aldeburgh Festival of Music, the Tanglewood Music Festival in the United States, the Blossom Music Festival in Cleveland, the Streza Music Festival, the Hong-Kong Music Festival, the London South Bank Festival, BBC.Prom, the Holland Music Festival, and the Spring Festival in Budapest.
    [Show full text]
  • 20100811 V.A.-Essential Releaxing Classics
    CD 1 01. Sheep May Safely Graze From Cantata No. 208 (Arr. Marriner) - Ian Watson 02. Canon In D - Sir Neville Marriner 03. Konzert Für Klarinette Und Orchester A-Dur KV 622 - Rekonstruierte Fassung Für Bassettklarinette - II. Adagio 04. Hans Vonk 05. Piano Sonata No. 14 In C Sharp Minor 'Moonlight' Op. 27 No. 2 - I. Adagio Sostenuto (Excerpt) - Dame Moura Lympany 06. Concerto No. 4 In F Minor (L'inverno/ Winter) RV297 (Op. 8 No. 4) - II. Largo - Paul Cocker 07. Flute And Harp Concerto In C K.299 - II Andantino - Fritz Helmis 08. Flute And Harp Concerto In C K.299 - Fantasia On A Theme By Thomas Tallis (Opening) - Sir Adrian Boult 09. Piano Concerto No.2 In C Minor Op.18 - II Adagio Sostenuto (Excerpt) - Sir Simon Rattle 10. Cello Concerto In E Minor Op. 85 - III. Adagio - Jacqueline Du Pré 11. Cello Concerto In E Minor Op. 85 - Symphony No. 9 In E Minor Op. 95 'From The New World': Second Movement: Largo (Opening) - Oslo Philharmonic Orchestra 12. Cello Concerto In E Minor Op. 85- The Lark Ascending (Opening) - Hugh Bean 13. Cello Concerto In E Minor Op. 85 - Adagio From The Piano Concerto No.5 In E Flat Major. Op.73 ''The Emperor'' - The National Radio Orchestra Of The Netherlands 14. Cello Concerto In E Minor Op. 85 - Concerto For Violin And Orchestra No. 1 In G Minor Op. 26: Second Movement: Adagio (Opening) - Walter Susskind 15. Variations On An Original Theme, 'Enigma' Op. 36 - IX. Nimrod - Sir Adrian Boult 16. Variations On An Original Theme, 'Enigma' Op.
    [Show full text]
  • 1. 101 Strings: Panoramic Majesty of Ferde Grofe's Grand
    1. 101 Strings: Panoramic Majesty Of Ferde Grofe’s Grand Canyon Suite 2. 60 Years of “Music America Loves Best” (2) 3. Aaron Rosand, Rolf Reinhardt; Southwest German Radio Orchestra: Berlioz/Chausson/Ravel/Saint-Saens 4. ABC: How To Be A Zillionaire! 5. ABC Classics: The First Release Seon Series 6. Ahmad Jamal: One 7. Alban Berg Quartett: Berg String Quartets/Lyric Suite 8. Albert Schweitzer: Mendelssohn Organ Sonata No. 4 In B-Flat Major/Widor Organ Symphony No. 6 In G Minor 9. Alexander Schneider: Brahms Piano Quartets Complete (2) 10. Alexandre Lagoya & Claude Bolling: Concerto For Classic Guitar & Jazz Piano 11. Alexis Weissenberg, Georges Pretre; Chicago Symphony Orchestra: Rachmaninoff Concerto No. 3 12. Alexis Weissenberg, Herbert Von Karajan; Orchestre De Paris: Tchaikovsky Concerto #2 13. Alfred Deller; Deller Consort: Gregorian Chant-Easter Processions 14. Alfred Deller; Deller Consort: Music At Notre Dame 1200-1375 Guillaume De Machaut 15. Alfred Deller; Deller Consort: Songs From Taverns & Chapels 16. Alfred Deller; Deller Consort: Te Deum/Jubilate Deo 17. Alfred Newman; Brass Of The Hollywood Bowl Symphony Orchestra: Hallelujah! 18. Alicia De Larrocha: Grieg/Mendelssohn 19. Andre Cluytens; Paris Conservatoire Orchestra: Bizet 20. Andre Kostelanetz & His Orchestra: Columbia Album Of Richard Rodgers (2) 21. Andre Kostelanetz & His Orchestra: Verdi-La Traviata 22. Andre Previn; London Symphony Orchestra: Rachmaninov/Shostakovich 23. Andres Segovia: Plays J.S. Bach//Edith Weiss-Mann Harpsichord Bach 24. Andy Williams: Academy Award Winning Call Me Irresponsible 25. Andy Williams: Columbia Records Catalog, Vol. 1 26. Andy Williams: The Shadow Of Your Smile 27. Angel Romero, Andre Previn: London Sympony Orchestra: Rodrigo-Concierto De Aranjuez 28.
    [Show full text]
  • Press Release
    FREDERICK DELIUS 150TH ANNIVERSARY EDITION ICPN 5099908417527 (18CD) “The last great apostle in our time of romance, emotion, and beauty in music" Sir Thomas Beecham “A record to treasure. Quintessential Delius in quintessential performances. The greatest recordings made in stereo by the greatest British conductor at the peak of his career." Gramophone on Delius: Brigg Fair and other orchestral works, Sir Thomas Beecham In celebration of Frederick Delius’s upcoming 150th birthday in January 2012, EMI Classics releases an 18-CD set performed by some of the greatest performers of the composer’s works, such as Thomas Beecham, John Barbirolli, Vernon Handley, Eric Fenby, Malcolm Sargent, among others. EMI’s long association with the music of Delius is represented here in recordings made between 1929 and 2003 by his most noted interpreters, from ever-popular miniatures such as On Hearing the First Cuckoo in Spring to the elusive flow and sensuous textures of his operas and choral works. This definitive collection, produced with the endorsement of the Delius Society, will be supported with a comprehensive online destination, www.frederickdelius.com offering exclusive interviews, never-before-seen material and an interactive timeline to help listeners journey through the life and music of Delius. Following boxes celebrating the music of Elgar, Vaughan Williams and Britten, this set provides music lovers with an opportunity to join the ever-growing band of Delius fans throughout the world. In addition to Delius’s orchestral music, the collection features three of his operas and examples of his chamber and solo works, as well as songs. Among many highlights is a 25-minute promotional presentation given in October 1948 by Thomas Beecham for the launch of his recording of A Village Romeo and Juliet.
    [Show full text]