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SIGCD656_16ppBklt**.qxp_BookletSpread.qxt 19/11/2020 17:06 Page 1 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. 16 1 291.0mm x 169.5mm SIGCD656_16ppBklt**.qxp_BookletSpread.qxt 19/11/2020 17:06 Page 2 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. rEDISCOvErEd British Clarinet Concertos Dolmetsch • Maconchy • Spain-Dunk • Wishart 1. Cantilena (Poem) for Clarinet and Orchestra, Op. 51 * Susan Spain-Dunk (1880-1962) ............[11.32] Concertino for Clarinet and String Orchestra Elizabeth Maconchy (1907-1994) 2. I. Allegro .....................................................................................................................................................................................................................[5.01] 3. II. Lento .......................................................................................................................................................................................................................[6.33] 4. III. Allegro ................................................................................................................................................................................................................. [5.32] Concerto for Clarinet, Harp and Orchestra * Rudolph Dolmetsch (1906-1942) 5. I. Allegro moderato ......................................................................................................................................................................................[10.34] -
Programme Information
Programme information Saturday 17 February to Friday 23 February 2018 WEEK 08 NEW SERIES: TURNING POINTS on CLASSIC FM Saturday 17 February, 9pm to 10pm Tonight, we launch a brand new series on Classic FM in partnership with the Honda Jazz, exploring the biggest moments, changes and ‘turning points’ in the history of classical music. Who were the innovators? Who took the risks? Who challenged the norm – and what did they do? From Franz Liszt, whose radical approach made him the first true classical music ‘superstar’; to the invention of the printing press; to the revolutionary female composer Hildegard of Bingen, we’ll hear stories of extraordinary people – and the music that accompanied the most exciting moments in classical music over the last 600 years. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com and on the Classic FM app. 1 WEEK 08 SATURDAY 17 FEBRUARY 5pm to 7pm: SATURDAY NIGHT AT THE MOVIES with ANDREW COLLINS With the awards season in full flow, Andrew Collins presents the first of two special awards trivia shows, looking at the big winners, losers and surprises over the decades. Who was the first woman to win Best Picture at the Academy Awards? Who was the first actress to receive twenty nominations for acting? And which film composers have received Oscar nominations over the longest span of time – six decades to be precise? Expect two hours of fun facts and great film scores from the 1930s to the present day, including Toy Story, Gone With the Wind and Ben-Hur. -
Benjamin Grosvenor, Piano
BENJAMIN GROSVENOR, PIANO a formidable technician and a thoughtful, coolly assured interpreter - Allan Kozinn, New York Times, ...a skill and talent not heard since Kissins teenage Russian debut - Bryce Morrison, Gramophone Magazine British pianist Benjamin Grosvenor is internationally recognized for his electrifying performances and penetrating interpretations. An exquisite technique and ingenious flair for tonal colour are the hallmarks which make Benjamin Grosvenor one of the most sought-after young pianists in the world. His virtuosic command over the most strenuous technical complexities never compromises the formidable depth and intelligence of his interpretations. Described by some as a Golden Age pianist (American Record Guide) and one almost from another age (The Times), Benjamin is renowned for his distinctive sound, described as poetic and gently ironic, brilliant yet clear-minded, intelligent but not without humour, all translated through a beautifully clear and singing touch (The Independent). Benjamin first came to prominence as the outstanding winner of the Keyboard Final of the 2004 BBC Young Musician Competition at the age of eleven. Since then, he has become an internationally regarded pianist performing with orchestras including the London Philharmonic, RAI Torino, New York Philharmonic, Philharmonia, Tokyo Symphony, and in venues such as the Royal Festival Hall, Barbican Centre, Singapores Victoria Hall, The Frick Collection and Carnegie Hall (at the age of thirteen). Benjamin has worked with numerous esteemed conductors including Vladimir Ashkenazy, Jií Blohlávek, Semyon Bychkov and Vladimir Jurowski. At just nineteen, Benjamin performed with the BBC Symphony Orchestra on the First Night of the 2011 BBC Proms to a sold-out Royal Albert Hall. -
Delius Monument Dedicatedat the 23Rd Annual Festival by Thomas Hilton Gunn
The Delius SocieQ JOUrnAtT7 Summer/Autumn1992, Number 109 The Delius Sociefy Full Membershipand Institutionsf 15per year USA and CanadaUS$31 per year Africa,Australasia and Far East€18 President Eric FenbyOBE, Hon D Mus.Hon D Litt. Hon RAM. FRCM,Hon FTCL VicePresidents FelixAprahamian Hon RCO Roland Gibson MSc, PhD (FounderMember) MeredithDavies CBE, MA. B Mus. FRCM, Hon RAM Norman Del Mar CBE. Hon D Mus VernonHandley MA, FRCM, D Univ (Surrey) Sir CharlesMackerras CBE Chairman R B Meadows 5 WestbourneHouse. Mount ParkRoad. Harrow. Middlesex HAI 3JT Ti,easurer [to whom membershipenquiries should be directed] DerekCox Mercers,6 Mount Pleasant,Blockley, Glos. GL56 9BU Tel:(0386) 700175 Secretary@cting) JonathanMaddox 6 Town Farm,Wheathampstead, Herts AL4 8QL Tel: (058-283)3668 Editor StephenLloyd 85aFarley Hill. Luton. BedfordshireLul 5EG Iel: Luton (0582)20075 CONTENTS 'The others are just harpers . .': an afternoon with Sidonie Goossens by StephenLloyd.... Frederick Delius: Air and Dance.An historical note by Robert Threlfall.. BeatriceHarrison and Delius'sCello Music by Julian Lloyd Webber.... l0 The Delius Monument dedicatedat the 23rd Annual Festival by Thomas Hilton Gunn........ t4 Fennimoreancl Gerda:the New York premidre............ l1 -Opera A Village Romeo anrl Juliet: BBC2 Season' by Henry Gi1es......... .............18 Record Reviews Paris eIc.(BSO. Hickox) ......................2l Sea Drift etc. (WNOO. Mackerras),.......... ...........2l Violin Concerto etc.(Little. WNOOO. Mackerras)................................22 Violin Concerto etc.(Pougnet. RPO. Beecham) ................23 Hassan,Sea Drift etc. (RPO. Beecham) . .-................25 THE HARRISON SISTERS Works by Delius and others..............26 A Mu.s:;r1/'Li.fe at the Brighton Festival ..............27 South-WestBranch Meetinss.. ........30 MicllanclsBranch Dinner..... ............3l Obittrary:Sir Charles Groves .........32 News Round-Up ...............33 Correspondence....... -
2003-2004 Amernet String Quartet: Strings of the Heart Series
I CONSERVATORY OF Music presents Al\1ERNET STRING QUARTET Strings of the Heart Series with Sergiu Schwartz ~ violin Sylvia Kim~ violin Dmitry Pogorelov ~viola Johanne Perron ~ cello and Tao Lin ~ harpsichord Friday, October 17, 2003 7:30p.m. Amamick-Goldstein Concert Hall de Hoemle International Center Program String Quartet No. 19 in C Major, K 465 "Dissonance" ..... W. A. Mozart (1756-1791) Adagio-Allegro Andante Cantabile Menuetto-Allegro Allegro Amernet String Quartet Misha Vitenson - violin Marsha Littley- violin Michael Klotz- viola Javier Arias- cello Concerto ind minor for Two Violins, BWV 1043 .............. J. S. Bach (1685-1750) Vivace Largo ma non tanto Allegro Sergiu Schwartz-violin Misha Vitenson - violin Marcia Littley, Sylvia Kim-violin Michael Klotz, Dmitry Pogorelov -viola Javier Arias, Johanne Perron-cello Tao Lin - harpsichord INTERMISSION 1 Octet, Op. 20 .................................................................... Felix Mendelssohn (1809-1847) Allegro moderato Andante Scherzo -Allegro leggierissimo Presto Misha Vitenson, Sergiu Schwartz, Sylvia Kim, MarciaLittley-violin Michael Klotz, Dmitry Pogorelov -viola Javier Arias, Johanne Perron-cello Biographies r Amernet String Quartet The Amernet String Quartet, Ensemble-in-Residence at Northern .,_ Kentucky University, has garnered worldwide praise and recognition as one of today's exceptional young string quartets. i It rose to international attention after only one year of existence, after winning the Gold Medal at the 7th Tokyo International Music Competition in 1992. Three years later the group was the First Prize winner of the prestigious 5th Banff International String Quartet Competition. The Amernet String Quartet has been described by The New York Times as "an accomplished and intelligent ensemble," and by the Niirnberger Nachrichten (Germany) as "fascinating with flawless intonation, extraordinary beauty of sound, virtuosic brilliance and homogeneity of ensemble." The Amernet String Quartet formed in 1991, while two of its members were students at The Juilliard School. -
June WTTW & WFMT Member Magazine
Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event. -
Sir Mark Elder Leads CSO in Exploration of Literature's Influence
ChicagoPride.com News December 13, 2011 Sir Mark Elder leads CSO in exploration of literature's influence on music By GoPride.com News Staff December 13, 2011 https://chicago.gopride.com/news/article.cfm/articleid/24335776 CST actors also to perform scenes from selected plays, January 5-10, and 12-15 CHICAGO, IL -- British conductor Sir Mark Elder makes his return to Orchestra Hall for a two-week residency that explores the influence of Shakespeare and other works of literature on music and features actors from Chicago Shakespeare Theater (CST), under the direction of CST Artistic Director Barbara Gaines, bringing the Bard's words to life. Sir Mark Elder's first subscription week of concerts on January 5-10, is an all-Berlioz program, highlighted by the Queen Mab Scherzo and Romeo at the Tomb from the composer's Romeo and Juliet. Select readings from Shakespeare's Romeo and Juliet, performed by Brendan Marshall-Rashid and Susan Strunk from the Chicago Shakespeare Theater, precede these two works. British violist Lawrence Power also makes his CSO debut on these concerts and is featured in Berlioz's Harold in Italy, a work Paganini encouraged Berlioz to compose and was inspired by Lord Byron's poetry. Elder concludes his two-week winter residency January 12-15, with a further exploration into Shakespeare's influence on music through works by Delius, Elgar, Rimsky-Korsakov and Tchaikovsky. Included on the program is Elgar's rarely performed orchestral work Falstaff, which portrays Shakespeare's Sir John Falstaff from Henry IV. Actor Greg Vinkler brings to life passages from Henry IV Parts 1 and 2. -
Oct 12 to 18.Txt
CLASSIC CHOICES PLAYLIST Oct. 12 - 18, 2020 PLAY DATE: Mon, 10/12/2020 6:02 AM Antonio Vivaldi Concerto for violin, 2 flutes, 2 oboes & 6:13 AM Wolfgang Amadeus Mozart Symphony No. 27 6:29 AM Arcangelo Corelli Concerto Grosso No. 6 6:44 AM Johann Nepomuk Hummel Gesellschafts Rondo 7:02 AM Michel Richard Delalande Suite No. 12 7:16 AM Muzio Clementi Piano Sonata 7:33 AM Mademoiselle Duval Suite from the Ballet "Les Génies" 7:46 AM Georg (Jiri Antonin) Benda Sinfonia No. 9 8:02 AM Johann David Heinichen Concerto for fl,ob,vln,clo,theorbo,st,bc 8:12 AM Franz Joseph Haydn String Quartet 8:31 AM Joan Valent Quatre Estacions a Mallorca 9:05 AM Ralph Vaughan Williams Symphony No. 3 9:41 AM Robert Schumann Fantasiestucke 9:52 AM Ralph Vaughan Williams Silent Noon 10:00 AM Wolfgang Amadeus Mozart LA CLEMENZA DI TITO: Overture 10:06 AM Wolfgang Amadeus Mozart Violin Sonata No. 27 10:24 AM Wolfgang Amadeus Mozart Flute & Harp Concerto (mvmt 2) 10:34 AM Wolfgang Amadeus Mozart Divertimento No. 1 10:49 AM Wolfgang Amadeus Mozart Sonata for 2 pianos 11:01 AM Mark Volker Young Prometheus 11:39 AM Georg Philipp Telemann Paris Quartet No. 2:TWV 43: a 3 12:00 PM Ludwig Van Beethoven Wellington's Victory (Battle Symphony) 12:14 PM Ludwig Van Beethoven Piano Sonata No. 6 12:28 PM Johann Strauss, Jr. Wine, Women & Song 12:40 PM John Ireland Piano Trio No. 2 12:54 PM Michael Kamen CRUSOE: Marooned 1:02 PM Mark O'Connor Trio No. -
Orchestra - Workshop Pieces 2021: All Orchestras Taking Part in the Competition Are Asked to Prepare Their Respective Compulsory Piece for the First Workshop
Orchestra - Workshop Pieces 2021: All orchestras taking part in the Competition are asked to prepare their respective compulsory piece for the first workshop. For the second workshop, please select one piece from the list of your respective category.Y ou may also choose a piece from your additional program. This piece, however, needs to be confirmed by the Artistic Director first. All orchestras taking part in the Celebration are invited to prepare two pieces from the list of your respective category. You may also choose a piece from your additional program. This piece, however, needs to be confirmed by the Artistic Director first. Symphony Orchestra: Ludwig van Beethoven: Symphony No. 8 in F major, Op.93, IV. Allegro vivace Hector Berlioz: Béatrice et Bénédict: Overture Ludwig van Beethoven: One movement from 1st, 2nd,4th or 5th Symphony Ludwig van Beethoven: One movement from Egmont, Coriolan or Fidelio Overture Robert Schumann: Symphony No. 1 in B flat major, Op. 38, 3rd movement, Scherzo Molto Vivace Felix Mendelssohn-Bartholdy: Symphony No.3 in a minor Op. 56 (“Scottish”) 2nd movement, Vivace non troppo Antonín Dvořák: Slavonic Dances No. 3 and 8 Chamber Orchestra: Franz Joseph Haydn: Symphony No. 104 in D major, I. Adagio – Allegro or IV. Finale: Spiritoso Franz Schubert: One movement from Symphony No.5 in B flat major (D 485) Joseph Haydn: One movement from Symphony No.43 in Efl at major Hob.I: 43 (“Mercury”) Wolfgang Amadeus Mozart: One movement from Symphony Nr. 29 in A major, KV 201 Béla Bartók: Rumanian Folk Dances String Orchestra: Felix Mendelssohn-Bartholdy: Sinfonia No. -
The Late Summer Newsletter
AUGUST 2020 Issue No: 17 Welcome to the late summer newsletter. AGM and the musical phrasing stand out, always with clear thought for the meaning. Furthermore, the perfect Please note that the AGM has been postponed to December velvety colouring of their basses, with no forcing of the 2020 – date/venue to follow in the next newsletter. As the Holst th lower register whatsoever, eases the tuning and Birthplace Trust annual concert scheduled for 19 September harmonic construction of the ensemble. Preece proves 2020 has been cancelled, so too must our AGM pencilled in for that Holst is more than The Planets. that afternoon. Hopefully, if concerts resume in the next three months, we could have our AGM in the afternoon of a Saturday Jerónimo Marin before Christmas with a concert in Cheltenham that evening. HOLST/ VAUGHAN WILLIAMS/ WALT WHITMAN SAVITRI Holst, Vaughan Williams and the poetry of Walt Holst’s one-act opera will be performed in the gardens of Whitman Lauderdale House, Highgate, London, with two performances each evening on August 13th, 15th, 20th and 22nd. The The poems of Walt Whitman, and in particular his production given by Hampstead Garden Opera will be staged Leaves of Grass, first published in 1855, soon inspired by Julia Mintzer and conducted by Thomas Payne (please visit new generations of English composers. These website at https://hgo.org.uk/savitri/ for further detail). included Ralph Vaughan Williams and Gustav von Holst. Vaughan Williams was introduced to Whitman’s PART SONGS BY HOLST poetry by Bertrand Russell in 1892, the year of the poet’s death. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Psaudio Copper
Issue 77 JANUARY 28TH, 2019 Welcome to Copper #77! I hope you had a better view of the much-hyped lunar-eclipse than I did---the combination of clouds and sleep made it a non-event for me. Full moon or no, we're all Bozos on this bus---in the front seat is Larry Schenbeck, who brings us music to counterbalance the blah weather; Dan Schwartz brings us Burritos for lunch; Richard Murison brings us a non-Python Life of Brian; Jay Jay French chats with Giles Martin about the remastered White Album; Roy Hall tells us about an interesting day; Anne E. Johnson looks at lesser-known cuts from Steely Dan's long career; Christian James Hand deconstructs the timeless "Piano Man"; Woody Woodward is back with a piece on seminal blues guitarist Blind Blake; and I consider comfort music, and continue with a Vintage Whine look at Fairchild. Our reviewer friend Vade Forrester brings us his list of guidelines for reviewers. Industry News will return when there's something to write about other than Sears. Copper#77 wraps up with a look at the unthinkable from Charles Rodrigues, and an extraordinary Parting Shot taken in London by new contributor Rich Isaacs. Enjoy, and we’ll see you soon! Cheers, Leebs. Stay Warm TOO MUCH TCHAIKOVSKY Written by Lawrence Schenbeck It’s cold, it’s gray, it’s wet. Time for comfort food: Dvořák and German lieder and tuneful chamber music. No atonal scratching and heaving for a while! No earnest searches after our deepest, darkest emotions. What we need—musically, mind you—is something akin to a Canadian sitcom.