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An Exploration of JK Rowling's Social and Political Agenda in the Harry
Vollmer UW-L Journal of Undergraduate Research X (2007) Harry’s World: An Exploration of J.K. Rowling’s Social and Political Agenda in the Harry Potter Series Erin Vollmer Faculty Sponsor: Richard Gappa, Department of English ABSTRACT Over the years, the Harry Potter series by J.K. Rowling has grown in popularity, becoming one of the most read and most criticized pieces of children’s literature to date. Interestingly, the series has not only gained popularity with children, but also their adult counterparts. As a result of its adult success, Harry Potter has attracted more and more scholars to pursue serious literary analysis, most frequently exploring themes such as death and religion. However, the focus of this research is on the intertextual parallels of the numerous hierarchical structures found in the Harry Potter series, examining how these hierarchies develop the social and racial themes in the story and vice versa. A further purpose is to determine if there is a correlation between the power structures found in the series and our own, drawing on secondary criticisms and theory for support. Above all, although the series should not be reduced to “this versus that,” there is sufficient evidence to argue that a conflict of materialistic versus altruistic values is at work in the Harry Potter series. Therefore, the examination of race, hierarchy, and power assists in the recognition of the social and political systems at work in the series. Keywords: J.K. Rowling, Hierarchy, Materialism INTRODUCTION When a skinny boy with black hair, green eyes, and a telltale scar appeared on the scene in 1997, nobody could have predicted the significant impact this seemingly insignificant boy would have on the world. -
Harry Potter: Order of the Phoenix Chair: Arjun Mathur JHUMUNC 2018
Harry Potter: Order of the Phoenix Chair: Arjun Mathur JHUMUNC 2018 Harry Potter: Order of the Phoenix Topic A: Increase security and impose stricter background checks on Ministry of Magic employees Topic B: Mobilize protection for the vulnerable Muggle population and for other creatures that are friends of the Wizarding World Committee Overview delegate motions otherwise, and most actions War has consumed the Wizarding will occur through the passing of directives. World. Since Voldemort’s return, destruction Directives and all other procedural matters and danger have run rampant throughout the will be passed with a simple majority. world and no one is safe. Voldemort’s army is a This committee is a specialized crisis threat to every person, Muggle or magic, and it committee — this gives you the freedom to is up to the Order of Phoenix to put a stop to him change how you want to run your committee. and his sinister agents, the Death Eaters. The It would be preferred if the topics were protection of both worlds rests squarely on the discussed in a moderated caucus so the shoulders of the Order of the Phoenix, a secret committee may move through them in an team of wizards and witches dedicated to orderly fashion. With that said, unmoderated safeguarding the rights of Muggles and wizards caucuses can be used fairly regularly if it will alike and fighting against dark magic. As the help the conversation move forward. Order of the Phoenix committee, you will be For those that are new to charged with making sure security measures are Crisis/Specialized, it is much more fast-paced in place such that no Death Eater can infiltrate than any of the GA committees. -
6 Harry Potter Fanfiction
Univerzita Hradec Králové Pedagogická fakulta Katedra anglického jazyka a literatury Vývoj vedlejších postav ságy Harryho Pottera ve fanfiction Development of Minor Characters from Harry Potter Saga in Fanfiction Diplomová práce Autor: Bc. Anna Fólová Studijní program: N7504 Učitelství pro střední školy Studijní obor: Učitelství pro střední školy – hudební výchova, Učitelství pro 2. stupeň ZŠ – anglický jazyk a literatura Vedoucí práce: Mgr. Jan Suk, Ph.D. Hradec Králové 2019 Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně a uvedla jsem všechny použité prameny a literaturu. V Hradci Králové dne 1.4.2019 Anotace FÓLOVÁ, Anna. Vývoj vedlejších postav ságy Harryho Pottera ve fanfiction. Hradec Králové: Pedagogická fakulta Univerzity Hradec Králové, 2019. 63 s. Diplomová práce. Tato práce představuje fanfikci a fanouškovskou tvorbu obecně. Uvádí její historický vývoj, reakce spisovatelů děl, podle kterých fanfikce vzniká a problémy s legální stránkou fanfikce. Popisuje fandom Harryho Pottera a jeho specifika, fandom také porovnává s fandomy ostatních děl převážně fantasy a science-fiction literatury. V praktické části potom analyzuje dvojici vybraných postav a jejich vývoj, které popisuje nejprve z pohledu původního díla, poté z pohledu fanfikce a posléze vývoj porovnává a shrnuje. Klíčová slova: Harry Potter, Fanfiction, Fandom, Vedlejší postavy. Annotation FÓLOVÁ, Anna. Development of Minor Characters from Harry Potter Saga in Fanfiction. Hradec Králové: Pedagogical Faculty, University of Hradec Králové, 2019, 63 pp. Diploma dissertation. This thesis presents fanfiction and fanwork in general. It introduces its historical development, reaction of the original work authors´ and legal issues of fanfiction. This thesis describes fandom of Harry Potter and its particularities, compares it with other fandoms, mostly fantasy and science fiction works. -
Draco Malfoy- Expanded Pottermore Bio by J.K. Rowling Date- 22 Dec 2014
Draco Malfoy- Expanded Pottermore Bio by J.K. Rowling Date- 22 Dec 2014 Birthday: 5th June Wand: Hawthorn and Unicorn hair, Ten inches, Springy Hogwarts house: Slytherin Parentage: Witch mother, wizard father. Draco Malfoy grew up as an only child at Malfoy Manor, the magnificent mansion in Wiltshire which had been in his family’s possession for many centuries. From the time when he could talk, it was made clear to him that he was triply special: firstly as a wizard, secondly as a pure-blood, and thirdly as a member of the Malfoy family. Draco was raised in an atmosphere of regret that the Dark Lord had not succeeded in taking command of the wizarding community, although he was prudently reminded that such sentiments ought not to be expressed outside the small circle of the family and their close friends ‘or Daddy might get into trouble’. In childhood, Draco associated mainly with the pure-blood children of his father’s ex- Death Eater cronies, and therefore arrived at Hogwarts with a small gang of friends already made, including Theodore Nott and Vincent Crabbe. Like every other child of Harry Potter’s age, Draco heard stories of the Boy Who Lived through his youth. Many different theories had been in circulation for years as to how Harry survived what should have been a lethal attack, and one of the most persistent was that Harry himself was a great Dark wizard. The fact that he had been removed from the wizarding community seemed (to wishful thinkers) to support this view, and Draco’s father, wily Lucius Malfoy, was one of those who subscribed most eagerly to the theory. -
The Significance of Draco Malfoy in the Plots of J. K. Rowling’S Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE SIGNIFICANCE OF DRACO MALFOY IN THE PLOTS OF J. K. ROWLING’S HARRY POTTER AND THE HALF-BLOOD PRINCE AND HARRY POTTER AND THE DEATHLY HALLOWS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By MARIA FELICIA ADINDA SILALAHI Student Number: 164214111 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE SIGNIFICANCE OF DRACO MALFOY IN THE PLOTS OF J. K. ROWLING’S HARRY POTTER AND THE HALF-BLOOD PRINCE AND HARRY POTTER AND THE DEATHLY HALLOWS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By MARIA FELICIA ADINDA SILALAHI Student Number: 164214111 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI vi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI “And God shall wipe away all the tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain; for the former things are passed away.” (Revelation 21:4) vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI For Mamak, Bapak, Kakak, Abang, and me – myself. viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS My highest gratitude goes to Jesus Christ for His everlasting grace and blessings that keep me going against all odds and help me manage working on this undergraduate thesis. -
Gender and Power in the Harry Potter Series
Linfield University DigitalCommons@Linfield Senior Theses Student Scholarship & Creative Works 8-24-2015 Witches, Bitches, and the Patriarchy: Gender and Power in the Harry Potter Series Delaney Bullinger Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/englstud_theses Part of the English Language and Literature Commons Recommended Citation Bullinger, Delaney, "Witches, Bitches, and the Patriarchy: Gender and Power in the Harry Potter Series" (2015). Senior Theses. 13. https://digitalcommons.linfield.edu/englstud_theses/13 This Thesis (Open Access) is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Thesis (Open Access) must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. Witches, Bitches, and the Patriarchy: Gender and Power in the Harry Potter Series By Delaney Bullinger Presented in partial fulfillment of the requirements for the Bachelor of Arts in English Linfield College August 24, 2015 Appro Signature redacted ger Signature redacted an THESIS COPYRIGHT PERMISSIONS Please read this document carefully before signing. If you have questions about any of these permissions, please contact the DigitalCommons Coordinator. Title of the Thesis: Witches,Bitches ANDTHEPatriarchy:'ENDER andPower . INTHE Author's Name: (Last name, first name) Harry Potter "ULLINGER Delaney SERIES e Advisor's Name Katherine Kernberger J DigitalCommons@Linfield is our web-based, open access-compliant institutional repository for digital content produced by Linfield faculty, students, staff, and their collaborators. -
A Hermeneutic Analysis of Harry Potter Fan Discussions on Reddit
1 Gender representations of dark fictional characters: A hermeneutic analysis of Harry Potter fan discussions on Reddit Student: Jason Maurer Course: Media and Communication Studies: Master's (One-Year) Thesis-VT20 Advisor: Asko Kauppinen Date: June 7, 2020 Word count: 17,297 2 Abstract The aim of this thesis was to deepen our understanding of how audiences represent male and female dark fictional characters (DFCs) by exploring how Harry Potter fans discuss four of these characters on Reddit. Drawing on affective disposition theory as a guiding framework as well as previous investigations of gender representation and online fan cultures, I collected and analyzed 117 posts (containing 9,693 comments) about four DFCs from the Harry Potter franchise. I chose two male DFCs (Lord Voldemort and Severus Snape) and two female ones (Bellatrix Lestrange and Dolores Umbridge) for my investigation. The data were analyzed using a productive hermeneutics approach. Fans’ representation of these characters intersected with the extent which the characters’ fictionality was salient, how they were visualized, the online culture of Reddit, and fans’ presumed identification with these characters. Bellatrix was defined by her portrayal by Helena Bonham Carter in the films and her combination of valuable masculine and feminine traits. Moreover, she was a figure of pure fantasy, which allowed fans to love her depravity. Umbridge and Snape, by contrast, were hated for intruding into the fantasy that Harry Potter offered, reminding fans of bullying and overly controlling teachers. Snape, however, was redeemed by his complexity and embodiment of geek masculinity. Voldemort was valued for his intellect and power but also criticized as a peer failing to rise to his intellectual potential; fans at turns identified with and undercut him through humor. -
A Marginal Plot in the Harry Potter Series
Proctor 1 Heather Proctor Dr. Clapp-Itnyre English L450 23 April 2013 Knowledge of a Death Eater: A Marginal Plot in the Harry Potter Series J.K. Rowling’s Harry Potter series is full of mystery and secrets that are unveiled by the author of the novels. Through a linear plot, the reader follows Harry on his journey through a magical world by experiencing the story through his perspective. However, reading between the lines of Harry’s story brings a secondary plotline to the surface. Therefore, Rowling avoids a monological approach to her work, allowing other voices to be heard, like the marginal plot of the Death Eaters. By using Bakhtin’s dialogism ideology of multiple perspectives and voices in a novel, and through Rowling’s foreshadowing, the knowledge and voices of the Death Eaters are interjected from a subplot into the linear plot in the Harry Potter series. Russian philosopher Mikhail Bakhtin’s literary theory, The Dialogic Imagination, concentrates on the dialogic and monologic approach in works of literature. Andrew Robinson’s article, “In Theory Bakhtin: Dialogism, Polyphony and Heteroglossia,” he discusses Bakhtin’s ideas of dialogism and monologic stories as they are presented in novels and how using one versus the other shapes the structure of the novel. Robinson states: “In a monological novel for instance, characters exist solely to transmit the author’s ideology, and the author represents only their idea, not anyone else’s” (Robinson 5). Robinson also reveals that Bakhtin views such works as “featureless and flat, marked by a single tone” (Robinson 5). Rowling diverts a “single tone” structure throughout the series by interrupting Harry’s linear plot, with the voices and perspectives of the Death Eaters. -
Handbook-Alexmun-Uncct-1.Pdf
Dear Magic community, we give you the warmest welcome to ALEXMUN 2021, the 10th edition of this Model UN, and to work on the representation of the Ministry of Magic and the Department Against Terrorism. Please keep in mind that this is a level 3 committee and that we will be debating a very delicate topic that affects the whole magic community, including muggles and institutions, so we expect all of you to have a diplomatic posture throughout the whole debate. At FANMUN we need the presence of experienced delegates who have the ability to maintain a fluid debate with the parameters that we establish, with the information available and with the support of their handbook. During these two days of debating, you will be discussing two topics, Death Eater attacks on the International Magic Community on the Quidditch Tournament and the attack on Diagon Alley by suspected Death Eaters in search of MudBloods/Half-Bloods. We expect to see a committed attitude and formal teamwork for the development of the topics, with the intention that you have the best experience, do not hesitate at any time to ask us anything from protocol information or on the timeline where we're going to go to spend our debate, remember that we want you to live a great academic experience and we are for you. As chair we promise to be there at all times supporting and guiding them for any questions that may arise, our main objective in this Model is to promote the development of their knowledge and their attitude as magicians when it comes to solving the problems of our magical community and promoting the well-being of the citizens of the world, regardless of their race or condition, which will help them in their training as a magician, student, instructor and friend in debate. -
Analyzing the Levels of the Foucauldian Panoptic Gaze in J.K
“VISIBILITY IS A TRAP”: ANALYZING THE LEVELS OF THE FOUCAULDIAN PANOPTIC GAZE IN J.K. ROWLING’S HARRY POTTER SERIES A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By SARAH MARIE BULLWINKEL B.A., Wittenberg University, 2010 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL April 12, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Sarah Marie Bullwinkel ENTITLED “Visibility is a Trap”: Analyzing the Levels of the Foucauldian Panoptic Gaze in J.K. Rowling’s Harry Potter Series” BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Andrew Strombeck, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Committee on Final Examination ____________________________ Andrew Strombeck, Ph.D. ____________________________ Barry Milligan, Ph.D. ____________________________ Crystal Lake, Ph.D. ____________________________ R. William Ayres, Ph.D. Interim Dean, Graduate School ABSTRACT Bullwinkel, Sarah Marie. M.A. English Department, Wright State University, 2013. “Visibility is a Trap”: Analyzing the Levels of the Foucauldian Panoptic Gaze in J.K. Rowling’s Harry Potter Series. The structures of power in the Potter universe are both evident and insidious. Whether one considers the disciplinary influences enforced by Headmaster and mentor Albus Dumbledore; The Ministry of Magic’s Fudge, Umbridge, and Scrimgeour; or, the power watching over them all: Voldemort, J.K. Rowling presents a world marked by surveillance and self-policing in her Harry Potter novels. These three levels of the Panoptic Gaze discipline Harry in various ways that ultimately result in producing him as a self-sacrificing hero at the series’ close. -
Harry Potter and the Half-Crazed Bureaucracy
Michigan Law Review Volume 104 Issue 6 2006 Harry Potter and the Half-Crazed Bureaucracy Benjamin H. Barton University of Tennessee College of Law Follow this and additional works at: https://repository.law.umich.edu/mlr Part of the Law and Politics Commons, Law and Society Commons, and the Public Law and Legal Theory Commons Recommended Citation Benjamin H. Barton, Harry Potter and the Half-Crazed Bureaucracy, 104 MICH. L. REV. 1523 (2006). Available at: https://repository.law.umich.edu/mlr/vol104/iss6/13 This Review is brought to you for free and open access by the Michigan Law Review at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. HARRY POTTER AND THE HALF-CRAZED BUREAUCRACY * Benjamin H. Barton HARRY POTTER AND THE HALF-BLOOD PRINCE. By J.K. Rowling. New York: Scholastic Press. 2005. Pp. x, 652. $29.99. TABLE OF CONTENTS l. HARRY POTTER AND THE REPULSIVE MINISTRY OF MAGIC ... 1527 II. HARRY POTTER AND THE PuBLIC-CHOICE GOVERNMENT ....• 1530 Ill. HARRY POTTER AND THE BUREAUCRACY THAT ATE GOVERNMENT WHOLE··························································· 1532 A. The Democratic Defense ................................................. 1532 B. The Structural Defense .................................. .. ................ 1533 C. The Free Press ................................... ........................... .. 1534 -
That the Harry Potter Stories Are Primarily About Good and Evil Is
Ordinary Wizards: The Psychology of Evil in the Harry Potter Universe By Mikhail Lyubansky That the Harry Potter stories are primarily about good and evil is undeniable, and no fictional character since Darth Vader has embodied the latter quality as thoroughly as Lord Voldemort. The rapidly growing psychological literature on psychopathy can provide some insight into Voldemort’s evil nature. But what of his followers? Are the legions of Death Eaters similarly psychologically disturbed? And what of the Wizards who denied Voldemort’s presence and refused to stand up to him as he and his followers tried to create a “pure” social order? This paper uses scholarship from Holocaust Studies and Psychology to argue that, unlike Voldemort and a handful of other Death Eaters, most of Voldemort’s followers, as well as those whose lack of resistance facilitated Voldemort’s agenda, are neither mentally ill nor morally corrupt but are ordinary and possibly even decent wizards caught up in unusual circumstances out of their control. The Holocaust and Harry Potter Given that J. K. Rowling is on record as acknowledging some intentional parallels between Voldemort and Adolf Hitler1 and the many other similarities between Nazis and Death Eaters (e.g., their love of racial purity and their efforts to create a racially pure society), it is reasonable to begin the analysis of evil in the Harry Potter universe with an examination of the voluminous Holocaust studies literature. Two particular scholarship inquiries are particular relevant to this essay: 1) Why