DOCSLIB.ORG

Lesbian & Gay Film Festival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lesbian & Gay Film Festival University of Rhode Island DigitalCommons@URI GBLA Film Gender and Sexuality Center 1994 Lesbian & Gay Film Festival Follow this and additional works at: https://digitalcommons.uri.edu/gbla-film Recommended Citation "Lesbian & Gay Film Festival" (1994). GBLA Film. Paper 14. https://digitalcommons.uri.edu/gbla-film/14https://digitalcommons.uri.edu/gbla-film/14 This Playbill is brought to you for free and open access by the Gender and Sexuality Center at DigitalCommons@URI. It has been accepted for inclusion in GBLA Film by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. mediaby JennieLivingston (Pans 1s Burning) and Jim Lyons OnJune 28, 1969, (Poison),a selectionof films fromAndrea Weiss' recently publishet shortlyafter oneam, the NewYork Police City entered the Vampiresand Violets.Lesbians in Film anda videopresentation StonewallInn on a routineraid But on this fatefulmorning just andlecture, Fifty Yearsof Perversity,in whichRosa van Praunheim hoursafter the funeralof the legendaryJudy Garland a few will discusshis illustriouscinematic career. Closing the '94 bravesouls donned shields of rageand pride, igniting the historic Festivalwill be GreggBordowitz's powerful AIDS testimony Fast riot that wouldcome to be knownas the StonewallRebellion Trip,Long Drop GETYOUR Forfive dayslesbians and gays waged battle, ushering in an era As an organizationdependent upon the invaluableresource of of politicalactivism and personal pride, giving birth to a movement humanbeings, this programwould not havebeen possible without that haseffected phenomenal change and inspired generations the in kindskills of our '94 ProgrammingCommittee A veryspecial thanksto PamJennings, Irene Sosa, Mai Kiang PeterBowen, Thecause and the circumstancessurrounding the eventsof DarylChin, John Haffner Layden, Stephen Saba, Robin Vacha! and FREECD PatriciaWhite for their commitmentand dedication in programming that earlySunday morning are riddled with the expectedsubjectivity inherentin recordingand retelling history this year'sfestival NOW! DidJudy Garland's funeral act as the muchneeded and l1ng The 94 Festivalmedal of honorgoes to RobinVacha!, Festival awaitedcatalyst for a time that hadto come?Was it a butchdyke Coordinatorand Supreme Goddess for goingfar aboveand beyond dressedin men'sclothing that launchedthis historiceve? Or was the call of duty it a ferociousdrag queen who decidedshe was fed upwith years of relentlessharassment thereby marking June 28 as a dayof pride Andmany thanks to ourdedicated Board of Directors:Carol Alpert, andcelebration? PeterBowen Nan Buzard, Chiqui Cartagena, Daryl Chin, John HaffnerLayden Tom Healy, Rick Hutcheson, Terry Lawler, Calogero We maynever know the answersto thesequestions Salvo,Stephen Saba, and Patricia White; whose commitment has,and continues to be,essential to the life of ourorganization It's 1994,nearly 25 yearsafter that angryand courageous band andfestival of fagsand dykes decided they would no longerbe the victims of institutionalizedhomophobia We wouldno longershrink in fear We arealso grateful for the generoussupport of oursponsors but standand celebrate our livesand our culture. A culturethat andfunders and the manyothers who were instrumentalin making is as richand diverse as the worlditself; a culturethat existsin the the '94 NewYork Lesbian & GayFilm Festival possible annalsof time andin the mindsand hearts of millions WellingtonLove The1994 New York Lesbian & GayFilm Festival proudly celebrates ExecutiveDirector s the 25thanniversary of the StonewallRebellion May6, 1994 In its sixthand largest year, the Festivalrecognizes the importance In celebratmgour great accomplishments, we rememberour Sire Records, the little record label that could, brings you EVERYBODY of film andits placein our historyand culture Presenting212 enormousand incalculable loss Weremember those who areno NEEDSSOMEBODY, a NEW CD sampler of musical durables from Sire's consistently films andvideos from countries including Australia, Canada, Egypt, longerpresent to shareour lives, our experiences,our love outspoken roster -- EXCLUSIVELY FOR NEW AND CONTINUING Germany,Japan, New Zealand, Russia and the UK,the Festivalis We will neverforget GENRE SUBSCRIBERS! committedto representinga broadand culturally inclusive program GETTHIS FREE !DMPAIT DISC with of lesbianand gay films andvideos The1994 New YorkLesbian & GayFilm Festival is dedicatedto your subscr,pt1oli·to· GfNHf. DerekJarman and Marlon Riggs TheFestival is alsopleased to announcethe establishmentof the Call 1-800-576-993 3 VISA and MASTERCARD""''"' Or write P,O Bax 15169 Anaheim, CA 92815 ExposureFund, which will awardproduction and post-production Domestir subscriptionsS19 .. 95 far ten issues fundsto emergingartists Contents Cana.dian and intematiynat subscrjpfi11ns$40 U.5.JJreaaid 5 w1t1t an Jn-ternrmonamoney anttr arawn an a lf.!I. ·aalill. Thanks/Acknowledgements Please allow 6-8 weeks far delivery after payment is received, The'94 Festivalwill featurea numberof film series,guest-curated Essays. 6-9 16-1720-21 programs,special presentations, and special events Opening SpecialEvents Series and Programs 11 13-15 the Festivalis the NewYork premiere of RoseTroche's brilliantly FilmListings and Descriptions 23-45 irreverentand award winning first feature,Go Fish Fromthe early FilmCalendar CenterSpread Ohl, off,,,.,,,.""'"',~,,,,,~~~!~~oiE~l1Nt11f111DY. ·Subscribe to Post-Stonewallera, a seriesof historicalfilms includingJan SponsoringOrganizations 49 Offer is ovai)able to bo,h new 1ubscriber, and <arrcnt • dll, 1'!I 51 reader, who renew or e>.:tend thefr ,ub,eriprion, by the ,hove date. '._" "·-~ s:,:a.-00 ffiEFEL•PH!ty Oxenbergs A Comedyin Six UnnaturalActs, Rosa van Praunheim's AdvertisingIndex PaymentmustbereceivedbyJune30,f994, •"lllfl!S_· .. · ....,•• I•••••• ti ■■ nfl 56-60 C D will be m,il,d ,epara<e)y from your Genre ,obmipdon ~-.,'..*ifffSfR:ffe·~~hllQQllljr/6o1111! PabJJhi Armyof Lovers,Barbara Hammer's Sisters! and A GayDay, Arthur Filmand Program Index "<.'':.'.-;°' "' , '"P,I"'· Bressan'sGay USA, among others. Guest-curated progr,,ims include Distributors 60-62 two programsof lesbianfilms fromAustralia, a programof regional videosfrom Texas, and a seriesof rarefilms from EgyptWe are TheNew Festival,Inc alsopleased to presentseveral special presentations including 462Broadway Suite 510 NewYork, NY 10013 a video/lectureon sadomasochismin mainstream and independent 212-343-2707 3 A N G E L 0 VER L 0 N D 0 N INTERIORTHRONE ROOM DAY brushstrokesthese paintings loom with dark bloodyreds, recalling 'Angelscommemorate death without suggesting anything EDWARDstands alone at thetop of the stoneramp the clenchedfist andlocked jaw of politicalprotest that Derek aboutdying "-Prior Walter in TonyKushner s Angelsin America EDWARD: bothsupported and inspired vastly powerful works by an artistat Butwhat areKings, when regiment is gone? timesdriven as passionatelyby angeras by love I sawAngels in Americafor the first time at Londons National Butperfect shadows in a sunshineday? Theatrein Novemberof 1991 the dayI interviewedDerek Jarman I knownot, but of this I arnassured, Indeed,Derek s joustswith thosevery tabloids are legendary abouthis newly-released Edward II Seatedacross a tablefrom Thatdeath ends all. andI candie but once Whathe sawas the constantmisrepresentation of his life in their eachother, tape recorderspinning it was to bethe onlytime Comedeath andwith thy fingersclose my eyes pagescompelled him to createa historicalrecord that was both duringour six-year friendship that Derekand I wouldformally play Orif I live let meforget myself celebratoryand honest From Dancing Ledge to At YourOwn Risk, the rolesof artist andcritic We laugheda thousandtimes that Derekdeemed no experienceinsignificant Of his first boutwith day;it is difficultnow to write in the pasttense of onewho 'Why not 'Staydeath? , I askedDerek that dimlyashen London crabshe recalledhow hismother, thinking her son had slept with a personifiedthe veryact of living,investing every word and work of morningin 1991.'· Don t we all wantto live? Hisdeep, cobalt eyes prostitutedelighted to herbridge club, "Derek's got nits!' When art with suchforceful wisdom and enduring beauty as to almost shimmeredand his trademark cheshire grin spread about his face Jarmanwrote of cruisingthe Edenfound on HempsteadHeath in invitedisbelief Filmmaker set designerauthor activist, painter, as he gatheredhis navysweater against the oliveskin of his neck the muskyLondon summer, he immortalizedthe Cainsand Abels defiantlyproud Englishman sainted drag queen loving partner­ Then quitetrue to characterDerek Jarman laughed at me Leaning [out]on a hot night" Publishingwhat others kept secret Derek Derekwas a spiritedpioneer imbued with an insatiablethirst for forward handsclasped before his mouthhe saidsoftly: obliteratedignorance to set the recordwell queer the wholeof life destinedto barehis soulto the world It hasto be cornedeath' Because,you know we re all goingto A tirelesscampaigner, Derek fought for socialjustice by blasting Althoughfew peoplehave called Derek Jarman a patriot(his work die Andwe've become so awareof ourselveslately Thereal the repressionof Clause28 andthe hypocrisythat madethe ageof momentof releasewill cornewhen we no longerhave to be Then like thefilms TheLast of Englandand TheGarden and the book consentfor gaysand lesbians higher than the onefor 'heterosoc QueerEdward II ringswith contemptfor the conservativepolitics we will trulybe free ' Unafraidto
Load more

Recommended publications
  • Fabulous! the Story of Queer Cinema
    The Independent Film Channel Presents: An Orchard Films Production Fabulous! The Story of Queer Cinema Directed and Produced by Lisa Ades & Lesli Klainberg PUBLICITY AND ARTWORK, PLEASE CONTACT: Sophie Evans Manager, Consumer PR Kristen Andersen – PR Coordinator T: (917) 542-6336 T: (917) 542-6339 E: [email protected] E: [email protected] Synopsis: Fabulous! The Story of Queer Cinema explores the emergence of gay and lesbian films from the beginning of the gay rights movement in the 1960s to the “New Queer Cinema” of the 90s, the proliferation and influence of gay and lesbian films festivals, the discovery by the film business of the gay market; the explosion of gay images in the mainstream media and the current phenomenon of all things gay. The story of gay and lesbian cinema is closely related to the world surrounding it, and the use of popular culture is a backdrop against which the film examines important cultural, political and social moments- and movements that intersect with gay life. “Sex on the screen means something different for gay and lesbian audiences than for straight audiences because we’ve never been allowed to see it. If bodies that we can’t imagine being together are together, if women are rolling around in bed, if men are doing something more in the locker room than just simply taking a shower…all of these groundbreaking scenes of explicit sexuality have a meaning and a power that go beyond similar scenes for heterosexuals. It has to be there for audiences because for so long we were told ‘Oh no, they aren’t really gay because we have no proof that they ever did that’ there’s a sense that’s like – show me the money!” - B.
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Turns to Affect in Feminist Film Theory 97 Anu Koivunen Sound and Feminist Modernity in Black Women’S Film Narratives 111 Geetha Ramanathan
    European Film Studies Mutations and Appropriations in THE KEY DEBATES FEMINISMS Laura Mulvey and 5 Anna Backman Rogers (eds.) Amsterdam University Press Feminisms The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, Annie van den Oever Feminisms Diversity, Difference, and Multiplicity in Contemporary Film Cultures Edited by Laura Mulvey and Anna Backman Rogers Amsterdam University Press The publication of this book is made possible by grants from the Netherlands Organisation for Scientific Research (NWO). Cover design: Neon, design and communications | Sabine Mannel Lay-out: japes, Amsterdam Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 676 7 e-isbn 978 90 4852 363 4 doi 10.5117/9789089646767 nur 670 © L. Mulvey, A. Backman Rogers / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Editorial 9 Preface 10 Acknowledgments 15 Introduction: 1970s Feminist Film Theory and the Obsolescent Object 17 Laura Mulvey PART I New Perspectives: Images and the Female Body Disconnected Heroines, Icy Intelligence: Reframing Feminism(s)
    [Show full text]
  • ''What Lips These Lips Have Kissed'': Refiguring the Politics of Queer Public Kissing
    Communication and Critical/Cultural Studies Vol. 3, No. 1, March 2006, pp. 1Á/26 ‘‘What Lips These Lips Have Kissed’’: Refiguring the Politics of Queer Public Kissing Charles E. Morris III & John M. Sloop In this essay, we argue that man-on-man kissing, and its representations, have been insufficiently mobilized within apolitical, incremental, and assimilationist pro-gay logics of visibility. In response, we call for a perspective that understands man-on-man kissing as a political imperative and kairotic. After a critical analysis of man-on-man kissing’s relation to such politics, we discuss how it can be utilized as a juggernaut in a broader project of queer world making, and investigate ideological, political, and economic barriers to the creation of this queer kissing ‘‘visual mass.’’ We conclude with relevant implications regarding same-sex kissing and the politics of visible pleasure. Keywords: Same-Sex Kissing; Queer Politics; Public Sex; Gay Representation In general, one may pronounce kissing dangerous. A spark of fire has often been struck out of the collision of lips that has blown up the whole magazine of 1 virtue.*/Anonymous, 1803 Kissing, in certain figurations, has lost none of its hot promise since our epigraph was penned two centuries ago. Its ongoing transformative combustion may be witnessed in two extraordinarily divergent perspectives on its cultural representation and political implications. In 2001, queer filmmaker Bruce LaBruce offered in Toronto’s Eye Weekly a noteworthy rave of the sophomoric buddy film Dude, Where’s My Car? One scene in particular inspired LaBruce, in which we find our stoned protagonists Jesse (Ashton Kutcher) and Chester (Seann William Scott) idling at a stoplight next to superhunk Fabio and his equally alluring female passenger.
    [Show full text]
  • Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan
    FOR IMMEDIATE RELEASE Media Contact: November 1, 2013 Casey De La Rosa 310.360.1981 [email protected] Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan Led By The Royal Film Commission-Jordan in Consultation with Sundance Institute, Lab Supports Emerging Filmmakers in Egypt, Jordan, Lebanon and Palestine Los Angeles, CA — Screenwriting fellows for the ninth edition of the Rawi Screenwriters Lab (November 1-5) were announced today by The Royal Film Commission-Jordan and Sundance Institute. The Lab is an example of Sundance Institute’s longstanding work to support emerging filmmakers around the world. Former Rawi Fellows include Cherien Dabis (Amreeka), Mohammed Al Daradji (Son of Babylon), Sally El Hosaini (My Brother The Devil) and Haifaa Al Mansour (Wadjda). Launched in 2005, the Lab is led by the Royal Film Commission of Jordan (RFC) and managed by Deema Azar, in consultation with Sundance Institute’s Feature Film Program, under the direction of Michelle Satter. The Lab provides an opportunity for filmmakers from the region to develop their work under the guidance of accomplished Creative Advisors—this year including Jeremy Pikser (Bulworth), Najwa Najjar (Pomegranates & Myrrh), Mo Ogrodnick (Deep Powder). Aseel Mansour (Line Of Sight), Rose Troche (The L Word, The Safety Of Objects) and Jerome Boivin (La cloche a sonné)—in an environment that encourages storytelling at the highest level. George David, General Manager of the RFC, said, “For the ninth consecutive year, RAWI continues to unveil the regions’ exceptional talent and narratives as part of the RFC’s goal to champion a new generation of Arab film professionals who will represent our noble culture and values, our triumphs and struggles and our hopes and dreams through their films.” Paul Federbush, International Director of the Sundance Institute Feature Film Program, said, “We’ve had the privilege to help give voice to some extraordinary new filmmakers in the region over our nine-year partnership with the RFC.
    [Show full text]
  • Challenging the Apartheid of the Closet: Establishing Conditions for Lesbian and Gay Intimacy, Nomos, and Citizenship, 1961-1981 William N
    Hofstra Law Review Volume 25 | Issue 3 Article 7 1997 Challenging the Apartheid of the Closet: Establishing Conditions for Lesbian and Gay Intimacy, Nomos, and Citizenship, 1961-1981 William N. Eskridge Jr. Follow this and additional works at: http://scholarlycommons.law.hofstra.edu/hlr Part of the Law Commons Recommended Citation Eskridge, William N. Jr. (1997) "Challenging the Apartheid of the Closet: Establishing Conditions for Lesbian and Gay Intimacy, Nomos, and Citizenship, 1961-1981," Hofstra Law Review: Vol. 25: Iss. 3, Article 7. Available at: http://scholarlycommons.law.hofstra.edu/hlr/vol25/iss3/7 This document is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Review by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. Eskridge: Challenging the Apartheid of the Closet: Establishing Conditions CHALLENGING THE APARTHEID OF THE CLOSET: ESTABLISHING CONDITIONS FOR LESBIAN AND GAY INTIMACY, NOMOS, AND CITIZENSHIP, 1961-1981 William N. Eskridge, Jr.* CONTENTS INTRODUCTION ............................... 819 I. PROTECTING PRIVATE GAY SPACES: DuE PROCESS AND FOURTH AMENDMENT RIGHTS ....................... 828 A. Due Process Incorporationof the Bill of Rights (CriminalProcedure) ....................... 830 1. The Warren Court's Nationalization of the Rights of Criminal Defendants .............. 830 2. Criminal Procedural Rights as Protections for Homosexual Defendants ....... 832 3. Criminal Procedural Rights and Gay Power ..... 836 B. Substantive Due Process and Repeal or Nullification of Sodomy Laws (The Right to Privacy) .......... 842 C. Vagueness and Statutory Obsolescence ........... 852 1. Sodomy Laws ......................... 855 2. Lewdness and Sexual Solicitation Laws ....... 857 3.
    [Show full text]
  • Accentmemphls Gaypride Governor Jimmy Carter, # %.Ab" 5 ~ 4S
    MissGeorge‘s—pg10 Are Homosexuals BarNews—pg.8 Ist Anniversary Issue Revolting? Photo Phunnies—pg.7 You Bet We Are! ».; 50¢ GAIWT ... reflecting gay life in the south Vol. II No. 1 PUBLISHED IN MEMPHIS, TENNESSEE July, 1976 Carter Sidestep Dance, Picnic AccentMemphls Gay Pride Plank, Rut Will Sign Iwo events are scheduled in Memphis during Gay Pride Week Gay Rights Bill that will bring gay people to— Former Georgia Governor gether in an atmosphere of u— and Democratic presidential nity and friendliness. frontrunner, Jimmy Carter, At noon Sunday, June 27, a has announced that he would gay picnic will be held at Au— sign the national Gay rights dubon Park. The gathering bill if elected president. will be at the southwest cor— Carter made the announcement ner of the park at Goodlett on May 21 while campaigning and Park Ave. The picnic is in San Francisco. being sponsored by the Sexu— "I will certainly sign uality and Lesbianism Task — it," Carter said, "because I Force of the Memphis chapter don‘t want to single out ho— of NOW. The MCC Study Group of Memphis is also supporting mosexuals for special abuse the event. Everyone is in— or harrassment." vited; bring your own food. Carter‘s position on gay If it‘s raining, grab your rights has been unclear in waterproofs and come anyway. the past. Three weeks after # %. aB" 98 uCale A women‘sdance, also spon— making a positive statement, 5 ~ 4s sored by the S.&L. Task Force, Carter told. a reporter he will be held at 8 p.m.
    [Show full text]
  • Emerging Narrative
    Emerging Narrative 25 Feature Scripts in Development Arrow Written and directed by Emily Carmichael, produced by Adam Spielberg and Josh Hetzler, cinematography by Ben Richardson. In a madcap alternate-reality Brooklyn, three science-fiction heroes face their greatest challenge yet: not saving the world anymore. (Sci- fi/Comedy) The Assumption Written and directed by Tom Quinn, produced by Steve Beal and Ellen Knechel. A young priest attempting to save his elementary school from closure becomes a local celebrity after a near-death experience. (Drama) Baby Lu Written and directed by Emily Ray Reese, produced by Tati Barrantes and Caroline Oliveira. A forbidden crush forces 13-year-old Lucinda and her mountain man father to confront her developing sexuality in a small town in Northern New Mexico. (Coming of Age) The Blandishments Written and directed by Kyle Smith. The Blandishments, a five-piece band from Indiana, weather the challenges that come with writing a hit alternative-rock song in 1993. (Comedy) Brooklyn Flee Written and directed by Alexandra Roxo, written and produced by Devon Kirkpatrick. When two girls meet online and agree to drive across country together, their impromptu adventure brings them much closer than they’d anticipated. (Comedy) Chicken Day Written by Melissa Brandt. A troublesome teenage girl must win a small town’s annual chicken competition in order to save the members of her dysfunctional family. (Drama) Cutlet Written and directed by Clay Liford, produced by Angie Meyer and Brock Williams. A road trip to an isolated farm becomes a nightmare for two siblings when they are forced to battle a mutated herd of carnivorous cattle.
    [Show full text]
  • Blacklist100 E-Book 14JUL2020 V2.3
    Table of Contents 04: Curatorial Note 10: Open Letter on Race 19: Short Essay: Celebrating Blackness on Juneteenth 25: Artist Statement & Works (Elizabeth Colomba) 28: Short Essay: Who sets the standards for equality (E’lana Jordan) 31: Category 1: Cause & Community 58: Category 2: Industry & Services 85: Spoken Word Poem: A-head of the School 86: Category 3: Marketing, Communication & Design 113: Spoken Word Poem: Culture Storm 114: Category 4: Media, Arts & Entertainment 141: Category 5: STEM & Healthcare 168: Full 2020 blacklist100 171: Closing Acknowledgements 2 Curatorial Note This e-book originated as a post on LinkedIn the week following the death of George Floyd. The post included an 8-page document entitled an “Open Letter on Race." The letter was released as a 25-minute video, also. The central theme of the letter was a reflection on Dr. Martin Luther King’s critical question: “Where do we go from here?" Leading into the week of Juneteenth, the Open Letter on Race received over 30,000 views, shares, and engagements. Friends were inspired to draft essays sharing their stories; and this book represents their collective energy. In the arc of history, we stand hopeful that we have now reached a long-awaited inflection point; this book is a demonstration that the People are ready to lead change. This e-book features 100 Black culture-makers & thought-leaders whose message is made for this moment. The theme of this book is “A Call for Change.” This interactive book will never be printed, and has embedded hyperlinks so you can take action now.
    [Show full text]
  • Fifth Freedom, 1975-01-01
    State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State The aM deline Davis Gay, Lesbian, Bisexual, The iF fth rF eedom Transgender Archives of Western New York 1-1-1975 Fifth rF eedom, 1975-01-01 The aM ttachine Society of the Niagara Frontier Follow this and additional works at: http://digitalcommons.buffalostate.edu/fifthfreedom Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation The aM ttachine Society of the Niagara Frontier, "Fifth rF eedom, 1975-01-01" (1975). The Fifth Freedom. 24. http://digitalcommons.buffalostate.edu/fifthfreedom/24 This Book is brought to you for free and open access by the The aM deline Davis Gay, Lesbian, Bisexual, Transgender Archives of Western New York at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in The iF fth rF eedom by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. Fifth FreedomJAN.-FEB. 75 VOL. 5 NO. 1 AND 2 Hibachi Room Justice Done International Congress Report Lesbian Mother Fights For Custody - and much more \ ri"U|Jl HJlOlfc/l Specification V \ FREE Estimates Open 9-7 \ \ FREE Pickup ? Delivery Sat. 9-5 Sun.ll-3 \ I wide selection of \ \ fabrics to suit s*#*ll *m I M »w I \ every taste °QH uenny or Larry I I incSuding - - ' 8/5 ~7444 l synthetic fur - . 1 fabrics ! CUStOmi uP"o*s*erinq^^ \ \ SI9S NIAGARA ST. [ '>'\o. /I I \ MflßnEß'sflffIW eJAFCO \ V I J \ \ \ made cushions \ Jcustom made draperies Table of Contents The FIFTH FREEDOM is publish- ed at Main St«,Buffalo, 1350 HIBACHI ROOM TRIUMPHS k by the Mattachine Society of : the Niagara Frontier uhone (716) - LESBIAN MOTHER FIGHTS FOR 881-5335 \ CUSTODY 6 Address CORRESPONDENCE to MUGGERS ATmCK 9 Fifth Freedom c/o HSNF -P.O.- Bok 975, Sllicott Sta, HiT, - ON JULIUS EASTMANS SECOND Buffalo, 11205 PERFORMANCE LASTING- ONE HOUR 10 Circulation is 2000 copies.
    [Show full text]
  • GLMA's 35Th Annual Conference on LGBT Health
    Conference Program GLMA’s 35th Annual Conference on LGBT Health Hotel Map Conference Program GLMA’s 35th Annual Conference on LGBT Health Table of Contents About GLMA........................................................................................................ 2 GLMA President’s Welcome................................................................................ 4 GLMA Education Committee Welcome........................................................... 5 General Information............................................................................................. 6 Social Networking Information............................................................... 6 Conference Goals & Learning Objectives............................................. 8 CME / CE & Evaluation Information.................................................. 9 Special & Social Events Calendar........................................................................ 11 GLMA Achievement Awards Gala.................................................................... 15 Schedule-at-a-Glance............................................................................................. 16 Conference Schedule............................................................................................. 17 Wednesday................................................................................................... 17 Thursday...................................................................................................... 18 Friday...........................................................................................................
    [Show full text]
  • 2003 Accomplishments 5.Qx4
    Media Trainings Bishop Gene Robin MSNBC Michael Savage Take Action! HIV/AIDS Bug Chasers Rolling Stone stina Aguilera GLAAD Media Awards USA Today Families Matter Boy Meet ESPN Queer Eye Angels in America osie O’Donnell Jerry Thacker Gallup Massachusetts Canada Marriage Eq ames Dobson Anti-Gay Industry Kent in2 Scalia 003Lawrence v. Texas Santorum Hate Crimes Sakia Gunn Bella Evang ational Black Justice Coalition Brides Opinión Bishop Gene Robinson Integ Media Trainings Sabado Gigante AP Announcing Equality New York Time HBO Harvey Milk School “Fag Song” Bravo Write Now! glaad was there. Massachusetts Canada Marriage E New Year’s Hate Crime In Cincinnati – january After media outlets in Cincinnati downplay coverage of the hate-motivated New Year’s ‘Rolling Stone’ Chases Bugs – GLAAD MSNBC’SANTI-GAY SAVAGE calls on Rolling Stone to publicly correct Eve murder of Gregory Beauchamp (who GLAAD FOCUS gross errors of fact and attribution in an was shot to death by a man yelling homo- In February 2003, MSNBC announced it article about “bug chasers,” men who phobic slurs), Associate Regional Media would launch a show featuring viru- actively seek HIV infection. When the anti- Director Michael Young works with local lently homophobic radio host Michael gay Traditional Values Coalition exploits reporters to examine the unique nature of Savage. MSNBC’s Savage Nation pre- the article’s inaccuracies to claim bug- hate-motivated violence. The resulting sented GLAAD an opportunity to focus chasing is an “epidemic,” GLAAD partners media coverage and community activism national attention on cable news’ grow- with HIV/AIDS experts to urge media to leads the city council to introduce and pass ing embrace of right-wing homophobes debunk the TVC’s fabrications and publish a hate crimes law the following month.
    [Show full text]