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Fabulous! the Story of Queer Cinema
The Independent Film Channel Presents: An Orchard Films Production Fabulous! The Story of Queer Cinema Directed and Produced by Lisa Ades & Lesli Klainberg PUBLICITY AND ARTWORK, PLEASE CONTACT: Sophie Evans Manager, Consumer PR Kristen Andersen – PR Coordinator T: (917) 542-6336 T: (917) 542-6339 E: [email protected] E: [email protected] Synopsis: Fabulous! The Story of Queer Cinema explores the emergence of gay and lesbian films from the beginning of the gay rights movement in the 1960s to the “New Queer Cinema” of the 90s, the proliferation and influence of gay and lesbian films festivals, the discovery by the film business of the gay market; the explosion of gay images in the mainstream media and the current phenomenon of all things gay. The story of gay and lesbian cinema is closely related to the world surrounding it, and the use of popular culture is a backdrop against which the film examines important cultural, political and social moments- and movements that intersect with gay life. “Sex on the screen means something different for gay and lesbian audiences than for straight audiences because we’ve never been allowed to see it. If bodies that we can’t imagine being together are together, if women are rolling around in bed, if men are doing something more in the locker room than just simply taking a shower…all of these groundbreaking scenes of explicit sexuality have a meaning and a power that go beyond similar scenes for heterosexuals. It has to be there for audiences because for so long we were told ‘Oh no, they aren’t really gay because we have no proof that they ever did that’ there’s a sense that’s like – show me the money!” - B. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Turns to Affect in Feminist Film Theory 97 Anu Koivunen Sound and Feminist Modernity in Black Women’S Film Narratives 111 Geetha Ramanathan
European Film Studies Mutations and Appropriations in THE KEY DEBATES FEMINISMS Laura Mulvey and 5 Anna Backman Rogers (eds.) Amsterdam University Press Feminisms The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, Annie van den Oever Feminisms Diversity, Difference, and Multiplicity in Contemporary Film Cultures Edited by Laura Mulvey and Anna Backman Rogers Amsterdam University Press The publication of this book is made possible by grants from the Netherlands Organisation for Scientific Research (NWO). Cover design: Neon, design and communications | Sabine Mannel Lay-out: japes, Amsterdam Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 676 7 e-isbn 978 90 4852 363 4 doi 10.5117/9789089646767 nur 670 © L. Mulvey, A. Backman Rogers / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Editorial 9 Preface 10 Acknowledgments 15 Introduction: 1970s Feminist Film Theory and the Obsolescent Object 17 Laura Mulvey PART I New Perspectives: Images and the Female Body Disconnected Heroines, Icy Intelligence: Reframing Feminism(s) -
''What Lips These Lips Have Kissed'': Refiguring the Politics of Queer Public Kissing
Communication and Critical/Cultural Studies Vol. 3, No. 1, March 2006, pp. 1Á/26 ‘‘What Lips These Lips Have Kissed’’: Refiguring the Politics of Queer Public Kissing Charles E. Morris III & John M. Sloop In this essay, we argue that man-on-man kissing, and its representations, have been insufficiently mobilized within apolitical, incremental, and assimilationist pro-gay logics of visibility. In response, we call for a perspective that understands man-on-man kissing as a political imperative and kairotic. After a critical analysis of man-on-man kissing’s relation to such politics, we discuss how it can be utilized as a juggernaut in a broader project of queer world making, and investigate ideological, political, and economic barriers to the creation of this queer kissing ‘‘visual mass.’’ We conclude with relevant implications regarding same-sex kissing and the politics of visible pleasure. Keywords: Same-Sex Kissing; Queer Politics; Public Sex; Gay Representation In general, one may pronounce kissing dangerous. A spark of fire has often been struck out of the collision of lips that has blown up the whole magazine of 1 virtue.*/Anonymous, 1803 Kissing, in certain figurations, has lost none of its hot promise since our epigraph was penned two centuries ago. Its ongoing transformative combustion may be witnessed in two extraordinarily divergent perspectives on its cultural representation and political implications. In 2001, queer filmmaker Bruce LaBruce offered in Toronto’s Eye Weekly a noteworthy rave of the sophomoric buddy film Dude, Where’s My Car? One scene in particular inspired LaBruce, in which we find our stoned protagonists Jesse (Ashton Kutcher) and Chester (Seann William Scott) idling at a stoplight next to superhunk Fabio and his equally alluring female passenger. -
Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan
FOR IMMEDIATE RELEASE Media Contact: November 1, 2013 Casey De La Rosa 310.360.1981 [email protected] Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan Led By The Royal Film Commission-Jordan in Consultation with Sundance Institute, Lab Supports Emerging Filmmakers in Egypt, Jordan, Lebanon and Palestine Los Angeles, CA — Screenwriting fellows for the ninth edition of the Rawi Screenwriters Lab (November 1-5) were announced today by The Royal Film Commission-Jordan and Sundance Institute. The Lab is an example of Sundance Institute’s longstanding work to support emerging filmmakers around the world. Former Rawi Fellows include Cherien Dabis (Amreeka), Mohammed Al Daradji (Son of Babylon), Sally El Hosaini (My Brother The Devil) and Haifaa Al Mansour (Wadjda). Launched in 2005, the Lab is led by the Royal Film Commission of Jordan (RFC) and managed by Deema Azar, in consultation with Sundance Institute’s Feature Film Program, under the direction of Michelle Satter. The Lab provides an opportunity for filmmakers from the region to develop their work under the guidance of accomplished Creative Advisors—this year including Jeremy Pikser (Bulworth), Najwa Najjar (Pomegranates & Myrrh), Mo Ogrodnick (Deep Powder). Aseel Mansour (Line Of Sight), Rose Troche (The L Word, The Safety Of Objects) and Jerome Boivin (La cloche a sonné)—in an environment that encourages storytelling at the highest level. George David, General Manager of the RFC, said, “For the ninth consecutive year, RAWI continues to unveil the regions’ exceptional talent and narratives as part of the RFC’s goal to champion a new generation of Arab film professionals who will represent our noble culture and values, our triumphs and struggles and our hopes and dreams through their films.” Paul Federbush, International Director of the Sundance Institute Feature Film Program, said, “We’ve had the privilege to help give voice to some extraordinary new filmmakers in the region over our nine-year partnership with the RFC. -
Challenging the Apartheid of the Closet: Establishing Conditions for Lesbian and Gay Intimacy, Nomos, and Citizenship, 1961-1981 William N
Hofstra Law Review Volume 25 | Issue 3 Article 7 1997 Challenging the Apartheid of the Closet: Establishing Conditions for Lesbian and Gay Intimacy, Nomos, and Citizenship, 1961-1981 William N. Eskridge Jr. Follow this and additional works at: http://scholarlycommons.law.hofstra.edu/hlr Part of the Law Commons Recommended Citation Eskridge, William N. Jr. (1997) "Challenging the Apartheid of the Closet: Establishing Conditions for Lesbian and Gay Intimacy, Nomos, and Citizenship, 1961-1981," Hofstra Law Review: Vol. 25: Iss. 3, Article 7. Available at: http://scholarlycommons.law.hofstra.edu/hlr/vol25/iss3/7 This document is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Review by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. Eskridge: Challenging the Apartheid of the Closet: Establishing Conditions CHALLENGING THE APARTHEID OF THE CLOSET: ESTABLISHING CONDITIONS FOR LESBIAN AND GAY INTIMACY, NOMOS, AND CITIZENSHIP, 1961-1981 William N. Eskridge, Jr.* CONTENTS INTRODUCTION ............................... 819 I. PROTECTING PRIVATE GAY SPACES: DuE PROCESS AND FOURTH AMENDMENT RIGHTS ....................... 828 A. Due Process Incorporationof the Bill of Rights (CriminalProcedure) ....................... 830 1. The Warren Court's Nationalization of the Rights of Criminal Defendants .............. 830 2. Criminal Procedural Rights as Protections for Homosexual Defendants ....... 832 3. Criminal Procedural Rights and Gay Power ..... 836 B. Substantive Due Process and Repeal or Nullification of Sodomy Laws (The Right to Privacy) .......... 842 C. Vagueness and Statutory Obsolescence ........... 852 1. Sodomy Laws ......................... 855 2. Lewdness and Sexual Solicitation Laws ....... 857 3. -
Accentmemphls Gaypride Governor Jimmy Carter, # %.Ab" 5 ~ 4S
MissGeorge‘s—pg10 Are Homosexuals BarNews—pg.8 Ist Anniversary Issue Revolting? Photo Phunnies—pg.7 You Bet We Are! ».; 50¢ GAIWT ... reflecting gay life in the south Vol. II No. 1 PUBLISHED IN MEMPHIS, TENNESSEE July, 1976 Carter Sidestep Dance, Picnic AccentMemphls Gay Pride Plank, Rut Will Sign Iwo events are scheduled in Memphis during Gay Pride Week Gay Rights Bill that will bring gay people to— Former Georgia Governor gether in an atmosphere of u— and Democratic presidential nity and friendliness. frontrunner, Jimmy Carter, At noon Sunday, June 27, a has announced that he would gay picnic will be held at Au— sign the national Gay rights dubon Park. The gathering bill if elected president. will be at the southwest cor— Carter made the announcement ner of the park at Goodlett on May 21 while campaigning and Park Ave. The picnic is in San Francisco. being sponsored by the Sexu— "I will certainly sign uality and Lesbianism Task — it," Carter said, "because I Force of the Memphis chapter don‘t want to single out ho— of NOW. The MCC Study Group of Memphis is also supporting mosexuals for special abuse the event. Everyone is in— or harrassment." vited; bring your own food. Carter‘s position on gay If it‘s raining, grab your rights has been unclear in waterproofs and come anyway. the past. Three weeks after # %. aB" 98 uCale A women‘sdance, also spon— making a positive statement, 5 ~ 4s sored by the S.&L. Task Force, Carter told. a reporter he will be held at 8 p.m. -
Emerging Narrative
Emerging Narrative 25 Feature Scripts in Development Arrow Written and directed by Emily Carmichael, produced by Adam Spielberg and Josh Hetzler, cinematography by Ben Richardson. In a madcap alternate-reality Brooklyn, three science-fiction heroes face their greatest challenge yet: not saving the world anymore. (Sci- fi/Comedy) The Assumption Written and directed by Tom Quinn, produced by Steve Beal and Ellen Knechel. A young priest attempting to save his elementary school from closure becomes a local celebrity after a near-death experience. (Drama) Baby Lu Written and directed by Emily Ray Reese, produced by Tati Barrantes and Caroline Oliveira. A forbidden crush forces 13-year-old Lucinda and her mountain man father to confront her developing sexuality in a small town in Northern New Mexico. (Coming of Age) The Blandishments Written and directed by Kyle Smith. The Blandishments, a five-piece band from Indiana, weather the challenges that come with writing a hit alternative-rock song in 1993. (Comedy) Brooklyn Flee Written and directed by Alexandra Roxo, written and produced by Devon Kirkpatrick. When two girls meet online and agree to drive across country together, their impromptu adventure brings them much closer than they’d anticipated. (Comedy) Chicken Day Written by Melissa Brandt. A troublesome teenage girl must win a small town’s annual chicken competition in order to save the members of her dysfunctional family. (Drama) Cutlet Written and directed by Clay Liford, produced by Angie Meyer and Brock Williams. A road trip to an isolated farm becomes a nightmare for two siblings when they are forced to battle a mutated herd of carnivorous cattle. -
Blacklist100 E-Book 14JUL2020 V2.3
Table of Contents 04: Curatorial Note 10: Open Letter on Race 19: Short Essay: Celebrating Blackness on Juneteenth 25: Artist Statement & Works (Elizabeth Colomba) 28: Short Essay: Who sets the standards for equality (E’lana Jordan) 31: Category 1: Cause & Community 58: Category 2: Industry & Services 85: Spoken Word Poem: A-head of the School 86: Category 3: Marketing, Communication & Design 113: Spoken Word Poem: Culture Storm 114: Category 4: Media, Arts & Entertainment 141: Category 5: STEM & Healthcare 168: Full 2020 blacklist100 171: Closing Acknowledgements 2 Curatorial Note This e-book originated as a post on LinkedIn the week following the death of George Floyd. The post included an 8-page document entitled an “Open Letter on Race." The letter was released as a 25-minute video, also. The central theme of the letter was a reflection on Dr. Martin Luther King’s critical question: “Where do we go from here?" Leading into the week of Juneteenth, the Open Letter on Race received over 30,000 views, shares, and engagements. Friends were inspired to draft essays sharing their stories; and this book represents their collective energy. In the arc of history, we stand hopeful that we have now reached a long-awaited inflection point; this book is a demonstration that the People are ready to lead change. This e-book features 100 Black culture-makers & thought-leaders whose message is made for this moment. The theme of this book is “A Call for Change.” This interactive book will never be printed, and has embedded hyperlinks so you can take action now. -
Fifth Freedom, 1975-01-01
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State The aM deline Davis Gay, Lesbian, Bisexual, The iF fth rF eedom Transgender Archives of Western New York 1-1-1975 Fifth rF eedom, 1975-01-01 The aM ttachine Society of the Niagara Frontier Follow this and additional works at: http://digitalcommons.buffalostate.edu/fifthfreedom Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation The aM ttachine Society of the Niagara Frontier, "Fifth rF eedom, 1975-01-01" (1975). The Fifth Freedom. 24. http://digitalcommons.buffalostate.edu/fifthfreedom/24 This Book is brought to you for free and open access by the The aM deline Davis Gay, Lesbian, Bisexual, Transgender Archives of Western New York at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in The iF fth rF eedom by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. Fifth FreedomJAN.-FEB. 75 VOL. 5 NO. 1 AND 2 Hibachi Room Justice Done International Congress Report Lesbian Mother Fights For Custody - and much more \ ri"U|Jl HJlOlfc/l Specification V \ FREE Estimates Open 9-7 \ \ FREE Pickup ? Delivery Sat. 9-5 Sun.ll-3 \ I wide selection of \ \ fabrics to suit s*#*ll *m I M »w I \ every taste °QH uenny or Larry I I incSuding - - ' 8/5 ~7444 l synthetic fur - . 1 fabrics ! CUStOmi uP"o*s*erinq^^ \ \ SI9S NIAGARA ST. [ '>'\o. /I I \ MflßnEß'sflffIW eJAFCO \ V I J \ \ \ made cushions \ Jcustom made draperies Table of Contents The FIFTH FREEDOM is publish- ed at Main St«,Buffalo, 1350 HIBACHI ROOM TRIUMPHS k by the Mattachine Society of : the Niagara Frontier uhone (716) - LESBIAN MOTHER FIGHTS FOR 881-5335 \ CUSTODY 6 Address CORRESPONDENCE to MUGGERS ATmCK 9 Fifth Freedom c/o HSNF -P.O.- Bok 975, Sllicott Sta, HiT, - ON JULIUS EASTMANS SECOND Buffalo, 11205 PERFORMANCE LASTING- ONE HOUR 10 Circulation is 2000 copies. -
GLMA's 35Th Annual Conference on LGBT Health
Conference Program GLMA’s 35th Annual Conference on LGBT Health Hotel Map Conference Program GLMA’s 35th Annual Conference on LGBT Health Table of Contents About GLMA........................................................................................................ 2 GLMA President’s Welcome................................................................................ 4 GLMA Education Committee Welcome........................................................... 5 General Information............................................................................................. 6 Social Networking Information............................................................... 6 Conference Goals & Learning Objectives............................................. 8 CME / CE & Evaluation Information.................................................. 9 Special & Social Events Calendar........................................................................ 11 GLMA Achievement Awards Gala.................................................................... 15 Schedule-at-a-Glance............................................................................................. 16 Conference Schedule............................................................................................. 17 Wednesday................................................................................................... 17 Thursday...................................................................................................... 18 Friday........................................................................................................... -
2003 Accomplishments 5.Qx4
Media Trainings Bishop Gene Robin MSNBC Michael Savage Take Action! HIV/AIDS Bug Chasers Rolling Stone stina Aguilera GLAAD Media Awards USA Today Families Matter Boy Meet ESPN Queer Eye Angels in America osie O’Donnell Jerry Thacker Gallup Massachusetts Canada Marriage Eq ames Dobson Anti-Gay Industry Kent in2 Scalia 003Lawrence v. Texas Santorum Hate Crimes Sakia Gunn Bella Evang ational Black Justice Coalition Brides Opinión Bishop Gene Robinson Integ Media Trainings Sabado Gigante AP Announcing Equality New York Time HBO Harvey Milk School “Fag Song” Bravo Write Now! glaad was there. Massachusetts Canada Marriage E New Year’s Hate Crime In Cincinnati – january After media outlets in Cincinnati downplay coverage of the hate-motivated New Year’s ‘Rolling Stone’ Chases Bugs – GLAAD MSNBC’SANTI-GAY SAVAGE calls on Rolling Stone to publicly correct Eve murder of Gregory Beauchamp (who GLAAD FOCUS gross errors of fact and attribution in an was shot to death by a man yelling homo- In February 2003, MSNBC announced it article about “bug chasers,” men who phobic slurs), Associate Regional Media would launch a show featuring viru- actively seek HIV infection. When the anti- Director Michael Young works with local lently homophobic radio host Michael gay Traditional Values Coalition exploits reporters to examine the unique nature of Savage. MSNBC’s Savage Nation pre- the article’s inaccuracies to claim bug- hate-motivated violence. The resulting sented GLAAD an opportunity to focus chasing is an “epidemic,” GLAAD partners media coverage and community activism national attention on cable news’ grow- with HIV/AIDS experts to urge media to leads the city council to introduce and pass ing embrace of right-wing homophobes debunk the TVC’s fabrications and publish a hate crimes law the following month.