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The Mad, Mad World of Niche Sports
By Ruth S. Barrett Th e Mad, Mad World of Niche Sports 74 Where the desperation of late-stage m 1120_WEL_Barrett_TulipMania [Print]_14155638.indd 74 9/22/2020 12:04:44 PM Photo Illustrations by Pelle Cass Among Ivy League– Obsessed Parents meritocracy is so strong, you can smell it 75 1120_WEL_Barrett_TulipMania [Print]_14155638.indd 75 9/22/2020 12:04:46 PM On paper, Sloane, a buoyant, chatty, stay-at-home mom from Faireld County, Connecticut, seems almost unbelievably well prepared to shepherd her three daughters through the roiling world of competitive youth sports. She played tennis and ran track in high school and has an advanced “I thought, What are we doing? ” said Sloane, who asked to be degree in behavioral medicine. She wrote her master’s thesis on the identied by her middle name to protect her daughters’ privacy connection between increased aerobic activity and attention span. and college-recruitment chances. “It’s the Fourth of July. You’re She is also versed in statistics, which comes in handy when she’s ana- in Ohio; I’m in California. What are we doing to our family? lyzing her eldest daughter’s junior-squash rating— and whiteboard- We’re torturing our kids ridiculously. ey’re not succeeding. ing the consequences if she doesn’t step up her game. “She needs We’re using all our resources and emotional bandwidth for at least a 5.0 rating, or she’s going to Ohio State,” Sloane told me. a fool’s folly.” She laughed: “I don’t mean to throw Ohio State under the Yet Sloane found that she didn’t know how to make the folly bus. -
Oversight of the Smithsonian Institution
OVERSIGHT OF THE SMITHSONIAN INSTITUTION HEARING BEFORE THE COMMITTEE ON HOUSE ADMINISTRATION HOUSE OF REPRESENTATIVES ONE HUNDRED SIXTEENTH CONGRESS FIRST SESSION SEPTEMBER 18, 2019 Printed for the use of the Committee on House Administration ( Available on the Internet: https://govinfo.gov/committee/house-administration U.S. GOVERNMENT PUBLISHING OFFICE 38–520 WASHINGTON : 2019 VerDate Sep 11 2014 21:08 Dec 30, 2019 Jkt 038520 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 E:\HR\OC\A520.XXX A520 lotter on DSKBCFDHB2PROD with HEARING VerDate Sep 11 2014 21:08 Dec 30, 2019 Jkt 038520 PO 00000 Frm 00002 Fmt 5011 Sfmt 5011 E:\HR\OC\A520.XXX A520 lotter on DSKBCFDHB2PROD with HEARING C O N T E N T S SEPTEMBER 18, 2019 Page Oversight of the Smithsonian Institution .............................................................. 1 OPENING STATEMENTS Chairperson Zoe Lofgren ......................................................................................... 1 Prepared statement of Chairperson Lofgren .................................................. 3 Hon. Rodney Davis, Ranking Member ................................................................... 5 Prepared statement of Ranking Member Davis ............................................. 7 WITNESSES Mr. Lonnie G. Bunch, III, Secretary, Smithsonian Institution ............................ 10 Prepared statement of Secretary Bunch ......................................................... 13 Ms. Cathy L. Helm, Inspector General, Smithsonian Institution ....................... 17 Prepared statement -
Library of Congress Magazine January/February 2018
INSIDE PLUS A Journey Be Mine, Valentine To Freedom Happy 200th, Mr. Douglass Find Your Roots Voices of Slavery At the Library LIBRARY OF CONGRESS MAGAZINE JANUARY/FEBRUARY 2018 Building Black History A New View of Tubman LOC.GOV LIBRARY OF CONGRESS MAGAZINE Library of Congress Magazine Vol. 7 No. 1: January/February 2018 Mission of the Library of Congress The Library’s central mission is to provide Congress, the federal government and the American people with a rich, diverse and enduring source of knowledge that can be relied upon to inform, inspire and engage them, and support their intellectual and creative endeavors. Library of Congress Magazine is issued bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and research institutions, donors, academic libraries, learned societies and allied organizations in the United States. Research institutions and educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is also available on the web at loc.gov/lcm/. All other correspondence should be addressed to the Office of Communications, Library of Congress, 101 Independence Ave. S.E., Washington DC 20540-1610. [email protected] loc.gov/lcm ISSN 2169-0855 (print) ISSN 2169-0863 (online) Carla D. Hayden Librarian of Congress Gayle Osterberg Executive Editor Mark Hartsell Editor John H. Sayers Managing Editor Ashley Jones Designer Shawn Miller Photo Editor Contributors Bryonna Head Wendi A. -
''What Lips These Lips Have Kissed'': Refiguring the Politics of Queer Public Kissing
Communication and Critical/Cultural Studies Vol. 3, No. 1, March 2006, pp. 1Á/26 ‘‘What Lips These Lips Have Kissed’’: Refiguring the Politics of Queer Public Kissing Charles E. Morris III & John M. Sloop In this essay, we argue that man-on-man kissing, and its representations, have been insufficiently mobilized within apolitical, incremental, and assimilationist pro-gay logics of visibility. In response, we call for a perspective that understands man-on-man kissing as a political imperative and kairotic. After a critical analysis of man-on-man kissing’s relation to such politics, we discuss how it can be utilized as a juggernaut in a broader project of queer world making, and investigate ideological, political, and economic barriers to the creation of this queer kissing ‘‘visual mass.’’ We conclude with relevant implications regarding same-sex kissing and the politics of visible pleasure. Keywords: Same-Sex Kissing; Queer Politics; Public Sex; Gay Representation In general, one may pronounce kissing dangerous. A spark of fire has often been struck out of the collision of lips that has blown up the whole magazine of 1 virtue.*/Anonymous, 1803 Kissing, in certain figurations, has lost none of its hot promise since our epigraph was penned two centuries ago. Its ongoing transformative combustion may be witnessed in two extraordinarily divergent perspectives on its cultural representation and political implications. In 2001, queer filmmaker Bruce LaBruce offered in Toronto’s Eye Weekly a noteworthy rave of the sophomoric buddy film Dude, Where’s My Car? One scene in particular inspired LaBruce, in which we find our stoned protagonists Jesse (Ashton Kutcher) and Chester (Seann William Scott) idling at a stoplight next to superhunk Fabio and his equally alluring female passenger. -
CRISIS of PURPOSE in the IVY LEAGUE the Harvard Presidency of Lawrence Summers and the Context of American Higher Education
Institutions in Crisis CRISIS OF PURPOSE IN THE IVY LEAGUE The Harvard Presidency of Lawrence Summers and the Context of American Higher Education Rebecca Dunning and Anne Sarah Meyers In 2001, Lawrence Summers became the 27th president of Harvard Univer- sity. Five tumultuous years later, he would resign. The popular narrative of Summers’ troubled tenure suggests that a series of verbal indiscretions created a loss of confidence in his leadership, first among faculty, then students, alumni, and finally Harvard’s trustee bodies. From his contentious meeting with the faculty of the African and African American Studies Department shortly af- ter he took office in the summer of 2001, to his widely publicized remarks on the possibility of innate gender differences in mathematical and scientific aptitude, Summers’ reign was marked by a serious of verbal gaffes regularly reported in The Harvard Crimson, The Boston Globe, and The New York Times. The resignation of Lawrence Summers and the sense of crisis at Harvard may have been less about individual personality traits, however, and more about the context in which Summers served. Contestation in the areas of university governance, accountability, and institutional purpose conditioned the context within which Summers’ presidency occurred, influencing his appointment as Harvard’s 27th president, his tumultuous tenure, and his eventual departure. This work is licensed under the Creative Commons Attribution - Noncommercial - No Derivative Works 3.0 Unported License. To view a copy of this license, visit http://creativecom- mons.org/licenses/by-nc-nd/3.0/. You may reproduce this work for non-commercial use if you use the entire document and attribute the source: The Kenan Institute for Ethics at Duke University. -
The National Museum of African American History and Culture
The National Museum of African American History and Culture: A Museum 100 Years in the Making Sarah J. Beer History 489: Research Seminar December 9, 2016 Contents Abstract…………………………………………………………………………………………………...iii Introduction………………………………………………………………………………………………..1 Congressional History of the NMAAHC: 1916-1930……………………………………………………2 Early Reviews of NMAAHC……………………………………………………………………………...6 Contents of the Museum…………………………………………………………………………………10 History Gallery: Slavery and Freedom, 1400-1877………………………………………………12 History Gallery: Defending freedom, Defining Freedom: The Era of Segregation, 1876-1968…15 History Gallery: A Changing America: 1968 and Beyond……………………………………….18 Culture Galleries, Community Galleries, and More……………………………………………...21 Personal Review and Critique of NMAAHC…………………………………………………………...22 Conclusion………………………………………………………………………………………………...25 Works Cited………………………………………………………………………………………………27 Works Consulted…………………………………………………………………………………………28 ii Abstract: The Smithsonian Institution has been making headlines in recent news for one momentous reason: the opening of a new museum commemorating African American history. Beginning in 1916, several bills, resolutions, and hearings have taken place in Congress to introduce legislation that would create a museum, but none would be successful. John Lewis picked up the fight by introducing legislation immediately after becoming a Georgia congressman in 1986. It took Lewis almost twenty years, but in 2003 President George W. Bush finally signed the law to create the National Museum of African American History and Culture. My capstone paper studies the congressional history, early reviews, and content of the museum while also including my personal review: as a public history student, I pay close attention to how the museum presents the content and narrative, as well as the content and narrative themselves. I am able to do this because a research grant through the Office of Research and Sponsored Programs gave me the opportunity to visit the museum in early November. -
Programs & Exhibitions
PROGRAMS & EXHIBITIONS Winter/Spring 2020 To purchase tickets by phone call (212) 485-9268 letter | exhibitions | calendar | programs | family | membership | general information Dear Friends, Until recently, American democracy wasn’t up for debate—it was simply fundamental to our way of life. But things have changed, don’t you agree? According to a recent survey, less than a third of Americans born after 1980 consider it essential to live in a democracy. Here at New-York Historical, our outlook is nonpartisan Buck Ennis, Crain’s New York Business and our audiences represent the entire political spectrum. But there is one thing we all agree on: living in a democracy is essential indeed. The exhibitions and public programs you find in the following pages bear witness to this view, speaking to the importance of our democratic principles and the American institutions that carry them out. A spectacular new exhibition on the history of women’s suffrage in our Joyce B. Cowin Women’s History Gallery this spring sheds new light on the movements that led to the ratification of the 19th Amendment to the Constitution 100 years ago; a major exhibition on Bill Graham, a refugee from Nazi Germany who brought us the Grateful Dead, Jefferson Airplane, Jimi Hendrix, and many other staples of rock & roll, stresses our proud democratic tradition of welcoming immigrants and refugees; and, as part of a unique New-York Historical–Asia Society collaboration during Asia Society’s inaugural Triennial, an exhibition of extraordinary works from both institutions will be accompanied by a new site-specific performance by drummer/composer Susie Ibarra in our Patricia D. -
Here Are So Many People, Decisions and Steps in Between That Are Rarely Discussed
** SCHEDULE OF SPECIAL EVENTS AND INDUSTRY PANELS BELOW BY DATE** (***Additions to Be Announced asap***) THURSDAY, JUNE 24 EPSTEIN’S SHADOW: GHISLAINE MAXWELL (Peacock; June 24)-OPENING NIGHT EVENT In Attendance: Barbara Shearer (Director & Executive Producer), Jennifer Harkness, Nina Burleigh and Emma Cooper (Executive Producers) The documentary series will investigate the powerful, connected, and mysterious Ghislaine Maxwell, who was once the heiress to the Maxwell fortune but whose life takes a sordid downturn when she meets Jeffrey Epstein, the serial sex offender. This investigative series will reveal a complicated story of power, sex, and money, which leads to Ghislaine Maxwell’s arrest awaiting trial in November 2021. The series, titled “Ghislaine Maxwell: Epstein’s Shadow,” will also premiere on Sky Documentaries and streaming service NOW in the UK on June 28. Deadline INSIDE LOOK: THE DAILY SHOW WITH TREVOR NOAH (Comedy Central; Weeknights)- PANEL In Attendance: Desi Lydic and Dulcé Sloan (Correspondents), Jen Flanz (Executive Producer and Showrunner), Zhubin Parang (Supervising Producer and Writer), and Dan Amira (Head Writer and Producer) Between a global pandemic and countless social justice crises this past year, The Daily Show with Trevor Noah offered both levity and crucial commentary on some of today’s most uncomfortable truths. Sit down with The Daily Show’s creative team to discuss how the show works behind the scenes to tackle tough conversations, elevate underrepresented voices and navigate the unforeseen challenges of 2020—all while making the audience laugh. Veteran creatives and correspondents share their insight on what it takes to make a successful show and keep audiences engaged 24/7 with not just the program, but also more broadly with the world around them. -
Lesbian & Gay Film Festival
University of Rhode Island DigitalCommons@URI GBLA Film Gender and Sexuality Center 1994 Lesbian & Gay Film Festival Follow this and additional works at: https://digitalcommons.uri.edu/gbla-film Recommended Citation "Lesbian & Gay Film Festival" (1994). GBLA Film. Paper 14. https://digitalcommons.uri.edu/gbla-film/14https://digitalcommons.uri.edu/gbla-film/14 This Playbill is brought to you for free and open access by the Gender and Sexuality Center at DigitalCommons@URI. It has been accepted for inclusion in GBLA Film by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. mediaby JennieLivingston (Pans 1s Burning) and Jim Lyons OnJune 28, 1969, (Poison),a selectionof films fromAndrea Weiss' recently publishet shortlyafter oneam, the NewYork Police City entered the Vampiresand Violets.Lesbians in Film anda videopresentation StonewallInn on a routineraid But on this fatefulmorning just andlecture, Fifty Yearsof Perversity,in whichRosa van Praunheim hoursafter the funeralof the legendaryJudy Garland a few will discusshis illustriouscinematic career. Closing the '94 bravesouls donned shields of rageand pride, igniting the historic Festivalwill be GreggBordowitz's powerful AIDS testimony Fast riot that wouldcome to be knownas the StonewallRebellion Trip,Long Drop GETYOUR Forfive dayslesbians and gays waged battle, ushering in an era As an organizationdependent upon the invaluableresource of of politicalactivism and personal pride, giving birth to a movement humanbeings, this -
Take Ivy Was Originally Published Shosuke Ishizu Is the Representative Director in Japan in 1965, Setting Off an Explosion of of Ishizu Office
Teruyoshi Hayashida was born in the fashionable Aoyama District of Tokyo, where he also grew up. He began shooting cover images for Men’s Club magazine after the title’s launch. A sophisticated Photographs by Teruyoshi Hayashida dresser and a connoisseur of gourmet food, Text by Shosuke Ishizu, Toshiyuki Kurosu, he is known for his homemade, soy-sauce- and Hajime (Paul) Hasegawa marinated Japanese pepper (sansho), and his love of gunnel tempura and Riesling wine. Described by The New York Times as, “a treasure of fashion insiders,” Take Ivy was originally published Shosuke Ishizu is the representative director in Japan in 1965, setting off an explosion of of Ishizu Office. Originally born in Okayama American-influenced “Ivy Style” fashion among Prefecture, after graduating from Kuwasawa Design students in the trendy Ginza shopping district School he worked in the editorial division at Men’s of Tokyo. The product of four collegiate style Club until 1960 when he joined VAN Jacket Inc. enthusiasts, Take Ivy is a collection of candid He established Ishizu Office in 1983, and now photographs shot on the campuses of America’s produces several brands including Niblick. elite, Ivy League universities. The series focuses on men and their clothes, perfectly encapsulating Toshiyuki Kurosu was raised in Tokyo. He joined the unique student fashion of the era. Whether VAN Jacket Inc. in 1961, where he was responsible lounging in the quad, studying in the library, riding for the development of merchandise and sales bikes, in class, or at the boathouse, the subjects of promotion. He left the company in 1970 and Take Ivy are impeccably and distinctively dressed in started his own business, Cross and Simon. -
“THE IVY LOOK POCKET GUIDE” Interview by GSTAG
“THE IVY LOOK POCKET GUIDE” Interview by GSTAG. 1) Could you please introduce yourself? JP Gall: JP Gall, modernist, flaneur, salesman and author. Graham Marsh: Graham Marsh is an art director, illustrator and author. He never wears double breasted jackets or black shoes. 2) How did you both come to The Ivy Look? G.M.: As I said in the book, Ivy clothes were addictive. I got hooked the first time I saw them being worn by the pilgrims of modern jazz who inhabited the London based art Department of Marvel Comics where I first worked back in the early 1960s. It was an insider’s world of narrow lapelled sharp Ivy suits, narrow knitted ties and narrow haircuts. The soundtrack to this cool, detached world included the music of Miles Davis, Gerry Mulligan and Jimmy Smith. This was a world I wanted into and like a sponge proceeded to soak up all it had to offer. JP.G.: I made a concerted effort to be different from my peers. I was a teenager in the 1980s and I felt completely disconnected from the music and fashion of that period. It left me cold. I thank 2 people. Firstly Paul Weller who made me a mod, because from there it was a process of curiosity and research that led me on from elementary mod to the whole Ivy League thing. And I also need to thank John Simons, a mentor for many of us kids keen to get the feel of the original Ivy League jazz culture under our finger nails. -
Kizzy (Entertainer)
Kizzy (entertainer) Kizzy Yuanda Constance Getrouw is a Dutch actress, singer-songwriter, poet and television host who performs under her stage name Kizzy. She became a household name in the Netherlands Antilles with a hit songs and TV shows. In the United States she presented TV shows on both The Gossip Swapp on XY TV and CN8. Her best known poems are Supervrouwen and Cel Voor Cel. For faster navigation, this Iframe is preloading the Wikiwand page for Kizzy (entertainer). Home. News. Kizzy Yuanda Constance Getrouw (born 14 March 1979) is a Dutch actress, singer-songwriter, poet and television host who performs under her stage name Kizzy. She became a household name in the Netherlands Antilles with a hit songs and TV shows. In the United States she presented TV shows on both The Gossip Swapp on XY TV and CN8. Her best known poems are Supervrouwen and Cel Voor Cel. Kizzy currently presents kids tv shows. Kizzy (entertainer). Kizzy Yuanda Constance Getrouw (born 14 March 1979) is a Dutch actress, singer-songwriter, poet and television host who performs under her stage name Kizzy. She became a household name in the Netherlands Antilles with a hit songs and TV shows. In the United States she presented TV shows on both The Gossip Swapp on XY TV and CN8. Her best known poems are Supervrouwen and Cel Voor Cel. Kizzy currently presents kids tv shows. Kizzy. Kizzy in Manhattan. Born. Kizzy Yuanda Constance Getrouw (born 14 March 1979) is a Dutch actress, singer-songwriter and television host. She performs under her first name and artist name Kizzy .