SCMS 2017 CONFERENCE PROGRAM

FAIRMONT CHICAGO MILLENNIUM PARK March 22–26, 2017 Letter from the President

Dear Friends and Colleagues, On behalf of the Board of Directors, the Host and Program Committees, and the Home Office staff, let me welcome everyone to SCMS 2017 in Chicago! Because of its Midwestern location and huge hub airport, not to say its wealth of great restaurants, nightlife, museums, shopping, and architecture, Chicago is always an exciting setting for an SCMS conference. This year at the Fairmont Chicago hotel we are in the heart of the city, close to the Loop, the river, and the Magnificent Mile. You can see the nearby Millennium Park from our hotel and the Art Institute on Michigan Avenue is but a short walk away. Included with the inexpensive hotel rate, moreover, are several amenities that I hope you will enjoy. I know from previewing the program that, as always, it boasts an impressive display of the best, most stimulating work presently being done in our field, which is at once singular in its focus on visual and digital media and yet quite diverse in its scope, intellectual interests and goals, and methodologies. This year we introduced our new policy limiting members to a single role, and I am happy to say that we achieved our goal of having fewer panels overall with no apparent loss of quality in the program or member participation. With this conference we have made presentation abstracts available online on a voluntary basis, and I urge you to let them help you navigate your way through the program. To assist you further in navigating the program we have arranged for everyone to have access to the Grupio app. Among other features, it allows you to view the entire schedule and then to create your own calendars based on the sessions you want to attend. With this app you can also take notes during panels, interact with other attendees via social media, and navigate the hotel and the surrounding areas in downtown Chicago through in-app maps. I hope you’ll check it out! I know that you will find more information about the big evening events elsewhere in the program and in Pam Wojcik’s welcome letter, so let me call your attention to several other events organized by the Board of Directors for the membership. On Thursday from 11:00 am until 12:15 pm is the Caucus/SIG Open House. Please stop by for some edibles and beverages and an opportunity to meet your officers and Board members as well as representatives of the SIGs and caucuses. This is a wonderful opportunity for you to find out more about the work of the organization overall, to speak with representatives from groups that reflect your academic interests, and to learn about the numerous activities these groups have scheduled during the conference. Everyone is encouraged to attend, whether you are a new SCMS member or are an old hand. On Thursday evening at 7:00 pm the GSO holds its reception, and all graduate student members are invited for some libation and conversation. Other important SCMS events to put on your calendar take place on Friday. First up is the Members’ Business Meeting at 11:00 am where you will learn about the Society’s activities this past year. Later in the day the Awards Ceremony starts at 4:15 pm in the Fairmont. Here we will pay tribute to some of the best scholarship that appeared during the previous year. At the ceremony we will also honor and hear from the winner of this year’s Distinguished Career Award, Michele Hilmes. Following the ceremony, the official conference reception begins at 5:45 pm in the Mid-America Club on the 80th floor of the AON Center adjacent to the Fairmont. Here, over a drink and something to eat, you will have a chance to mingle with colleagues, catch up with old friends, make new acquaintances, and congratulate the winners. 2 I hope everyone will attend the reception in the AON Center and enjoy the distinctive panoramic view of Chicago that the Mid-America Club offers from the center’s 80th floor. We also have many panels scheduled for the AON Center during each day. Because the center requires an ID check, let me remind you all to keep your conference badges handy since—though you will reach the center via a short walkway from inside the hotel—you will need a badge to enter there for the reception and panels. Finally, a conference of this size is never possible without the help of many people, so I must single out and thank names you will hear again during the week: Leslie LeMond, Conference Manager; Molly Youngblood, Program Coordinator; Aviva Dove-Viebahn, Web Content Manager; and Bruce Brasell, SCMS Financial Analyst. We would all be lost without the insight and oversight of SCMS Executive Director, Jill Simpson. My gratitude also goes to Pam Wojcik who chaired the Program Committee and to the many hardworking members who volunteered to serve with her this year. I also thank the Host Committee, especially the chairs Eric Freedman and Ariel Rogers, for arranging the Saturday evening events. On a day-to-day basis, my job as President would not be possible without the valuable assistance of Jill and the Home Office staff as well as the Board of Directors, who meet three times a year and more often than that on e-mail. Your officers—Past President Barbara Klinger, President-Elect Pamela Wojcik, Secretary Victoria Johnson, and Treasurer Amanda Ann Klein—are tireless in their dedication to the Society. But so are your elected representatives: Mary Beltrán, Nick Davis, Mary Desjardins, Derek Kompare, Juan Llamas-Rodriguez, Linda Mizejewski and Miriam Petty. Juan, Mary B. and Mary D. will be cycling off at the end of this academic year, and I want to thank them now for their service. I also must not forget to mention my appreciation for the contributions of Will Brooker, Cinema Journal editor, and Joshua Nelson, the new representative of the film program at University of Oklahoma (where the home office is located), who both serve on the Board in an ex-officio capacity. Much of the work that keeps SCMS running efficiently and beneficially for our discipline is done on a volunteer basis. There are too many members who serve on annual, standing, and ad-hoc committees for me to thank each by name. To each of you, please know that the Board and I appreciate your service. I know I am not speaking only for myself when I say that active involvement in the Society is rewarding on both a personal and professional level. Please consider volunteering for serving on one of your Society’s annual or standing committees. Enjoy the conference! Steven Cohan President

3 Letter from Program Chair

Welcome to the 58th annual conference of the Society for Cinema Studies and welcome to our 4th conference in Chicago! This year’s program invites you to see Chicago in new ways. Our Host Committee has planned an evening of Chicago short films to be screened at the historical Essaney Studios (home to Chaplin comedies of 1915) on Saturday, March 25, with an after party in Chicago’s far north side. Our new Scholarly Interest Group (SIG) in Adult Film History will introduce us to Chicago’s Leather Museum and Archives in a special event on Thursday night at 8:00 pm. Thursday at 7:30 pm we also have an event on Migration and Mediations at DePaul University, inspired by Chicago’s status as a hub for migration. Opening night will feature three special events. “Living Thinkers” at 7:00 pm at DePaul University, addresses the role of African American women in the academy, “Listening to History” considers sound, memory, and preservation in the digital age, at 8:00 pm in the Fairmont Hotel. A special pop-up roundtable, “Collective Action in 2017,” featuring numerous members and SIG representatives, has been scheduled for Wednesday at 9:00 pm, to address the effects, affect, and desire for activism following the presidential election. This year, we are also including two special film screenings at the Fairmont by SCMS members: John Caldwell will show his media-archeology-road- movie Boron to Buttonwillow: Muscle, Media and American Identity on Highway 58 on Wednesday night at 8:30 pm and Saturday at 7:00 pm, Cinema Journal editor Will Brooker will screen his documentary about Being Bowie, his year-long effort to understand Bowie by “being” Bowie. While the conference is located in Chicago, SCMS is a global organization and the program features more than 260 international speakers from more than 30 nations, and topics ranging across the globe. Many panels deal with films from Latin America and Asia. While some members worried that limiting participants to one role would cut the number of submissions, we had the highest number of open call submissions ever (1004!) and 40 more pre-constituted panel proposals than our last conference in Chicago. The range of topics continues to expand: we noted a surge in papers on sports, games, film festivals, adult film, and timely papers on African Americans and state violence. Chairing the program committee has been a tremendous honor. A conference this size requires more than a village: it needs a multiverse. Thanks to our program committee, a mix of board members and volunteers, who took time from their busy schedules to read thousands of proposals for papers, panels, and workshops, and who created open call panels: Mark Gallagher, Tina Kendall, Moya Luckett, Zoran Samardzija, Kevin Sanson, Michael Talbott, Miriam Petty, Maggie Hennenfeld, Linda Mizejewski, Justin Rawlins, Nick Davis, Aniko Bodroghkozy, Shawn Shimpach, Grant Wiedenfeld, Justin Wyatt, Cynthia Lucia, Derek Kompare, Carly Kocurek, Mary Beltrán, Nilo Couret, Mary Desjardins, Chris Sieving, Ina Rae Hark, Ben Aslinger, Glyn Davis, Andree Lafontaine, John Bruns, and Elana Levine. Thanks also to those who organized special events, including Andrew Bottomley, Eric Schaefer, Peter Ailunas, John Stadler, Nilo Couret, E.J. Basa, Julian Etienne Gomez, Javier Ramirez, Cynthia Baron, Shelleen Greene, Stefania Marghitu, and especially Karen Ritzenhoff and Carol Vernallis. Thanks to the Host Committee for helping to prepare the guide to Chicago, raising funds, and organizing special events: co-chairs Eric Freedman and Ariel Rogers, plus Aymar Jean Christian, Allyson Field and Michael DeAngelis. The conference truly would not be possible without Leslie LeMond, who finds hotels years in advance, negotiates with them to obtain the 4 best rooms, wifi, room rates, technology, catering, and more; helps organize special events; and oversees the entire conference plan (including, this year, investigating Chicago’s karaoke scene to ensure a robust list for the program guide). Our program coordinator Molly Youngblood joined the SCMS home office in late summer just as proposals started coming in: she jumped in headfirst and became immediately informed, efficient, and essential. Bruce Brasell has the Herculean task of organizing our conference grid—planning the flow of panels, organizing mini-tracks within the conference, and helping to ensure that we avoid conflicts between panels—and he does so seemingly effortlessly. David Risenberg oversees the conference portal and addresses problems with submissions and evaluations throughout the conference organization process. Former Program Chairs Neepa Majumdar and Steven Cohan provided invaluable advice and guidance. Behind it all, our Executive Director Jill Simpson is the auteur who brings together all the parts of the multiverse to make it comprehensible. Above all, I thank all of you for your labor as scholars and for providing us the opportunity to hear your amazing work. Enjoy the conference, Pamela Robertson Wojcik President-Elect and Program Chair

5 Letter from the Executive Director

Dear SCMS Colleagues, Welcome to Chicago! The SCMS Board of Directors, staff, and I are all excited to welcome you back to Chicago for the 2017 conference. A big shout-out goes to the scores of member volunteers who offered their time and expertise on SCMS committees this year, our amazingly talented and hard-working staff, and our many loyal exhibitors, advertisers, and sponsors. We appreciate each and every one of you, without whose contributions the annual conference would not be possible. We are pleased to return to Chicago, a city steeped in rich cinema history. As you may know, in the early 1900s when Hollywood was still a small, dusty Los Angeles suburb, Chicago had already established itself a central hub for motion picture production, distribution, and exhibition. Soon after Essanay Studios was founded on Argyle Street in 1907, it grew to become one of the largest film studios in the world, launching the careers of future stars like Charlie Chaplin and Gloria Swanson. Thanks to the efforts of this year’s Host Committee, co-chaired by Eric Freedman and Ariel Rogers, you will have the opportunity to experience Essanay Studios firsthand on Saturday night for what is sure to be an evening of intriguing and entertaining short films. We hope that you won’t miss it. I urge you to attend the Members’ Business Meeting on Friday at 11:00 am. Representatives of the Board of Directors and the SCMS staff will be on hand to report our findings back to you on a number of topics, including the results of the recent change in conference participation rules. We will also provide you with an update on SCMS’s financial picture, and will build in time to field questions from the membership in attendance. For your convenience, this year we will have a few of our conference registration volunteers stationed in the lobbies of the Fairmont Hotel and AON Center, as well as in the connecting walkway, to provide directions as you navigate your way between the two buildings. They will be wearing “Conference Volunteer” stickers. I look forward to seeing you in the near future. Best wishes for a great conference! Jill Simpson Executive Director

6 Society for Cinema and Media Studies Founded in 1959, SCMS is a professional organization of college and university educators, filmmakers, historians, critics, scholars, and others devoted to the study of the moving image. Activities of the Society include an annual conference, Cinema Journal, the SCMS website, awards for excellence in film and media studies, and various other initiatives related to media research, education, and policy. SCMS Executive Council OFFICERS Steven Cohan ▶ Syracuse University ▶ President Victoria Johnson ▶ University of California, Irvine Pamela Wojcik ▶ University of Notre Dame ▶ Secretary ▶ President-Elect Amanda Ann Klein ▶ East Carolina Barbara Klinger ▶ Indiana University ▶ ex officio, University ▶ Treasurer Past President BOARD OF DIRECTORS Mary Beltrán ▶ University of Texas at Austin Miriam J. Petty ▶ Northwestern University Nick Davis ▶ Northwestern University Juan Llamas-Rodriguez ▶ University of Mary Desjardins ▶ Dartmouth College California, Santa Barbara • Graduate Student Derek Kompare ▶ Southern Methodist University Representative Linda Mizejewski ▶ Ohio State University NON-VOTING MEMBERS Will Brooker ▶ Kingston University • Editor, Joshua Nelson ▶ University of Oklahoma ▶ Cinema Journal Director of Film and Media Studies Aviva Dove-Viebahn ▶ Arizona State University Jill Simpson ▶ University of Oklahoma ▶ ▶ Web Content Manager Executive Director Leslie LeMond ▶ SCMS ▶ Conference Manager Conference Organization 2017 CONFERENCE PROGRAM COMMITTEE Pamela Wojcik ▶ University of Notre Dame ▶ (Chair) Andree Lafontaine ▶ Aichi University Ben Aslinger ▶ Bentley University Elana Levine ▶ University of Wisconsin-Milwaukee Mary Beltrán ▶ University of Texas at Austin Cynthia Lucia ▶ Rider University Aniko Bodroghkozy ▶ University of Virginia Moya Luckett ▶ New York University John Bruns ▶ College of Charleston Linda Mizejewski ▶ Ohio State University Nilo Couret ▶ University of Michigan Miriam Petty ▶ Northwestern University Nick Davis ▶ Northwestern University Justin Rawlins ▶ University of Tulsa Glyn Davis ▶ Edinburgh College of Art Zoran Samardzija ▶ Columbia College-Chicago Mary Desjardins ▶ Dartmouth College Kevin Sanson ▶ Queensland University of Technology Mark Gallagher ▶ University of Notthingham- Shawn Shimpach ▶ University of Massachusetts- University Park Amherst Ina Hark ▶ University of South Carolina Chris Sieving ▶ University of Georgia Maggie Hennefeld ▶ University of Minnesota Michael Talbott ▶ Castleton University Tina Kendall ▶ Anglia Ruskin University Grant Wiedenfeld ▶ Sam Houston State University Carly Kocurek ▶ Illinois Institute of Technology Justin Wyatt ▶ University of Rhode Island Derek Kompare ▶ Southern Methodist University 7 2017 HOST COMMITTEE Eric Freedman ▶ Columbia College Chicago ▶ Chair Allyson Nadia Field ▶ University of Chicago Ariel Rogers ▶ Northwestern University ▶ Chair Ilana Emmett ▶ Northwestern University Aymar Jean Christian ▶ Northwestern University Janina Cartier ▶ Northwestern University Michael DeAngelis ▶ DePaul University

2017 CONFERENCE ORGANIZERS

EXECUTIVE DIRECTOR: Jill Simpson COPY EDITOR: Mark Hain CONFERENCE MANAGER: Leslie LeMond PROGRAM DESIGNER AND TYPESETTER: Del LeMond ASSISTANT CONFERENCE MANAGER: Ginger Leigh WEBSITE MANAGEMENT AND COORDINATION: Aviva Dove-Viebahn PROGRAM SCHEDULE COORDINATOR AND FINANCIAL ANALYST: Bruce Brasell CONFERENCE PHOTOGRAPHER: Michael Kackman PROGRAM COORDINATOR: Molly Youngblood MULTIMEDIA FIELD PRODUCER: Maile Hetherington PROGRAM ASSISTANT: Marcia Tillison Special Thanks A special thanks to the following for their support and assistance with the 2017 conference: Joel Neville Anderson Barbara Klinger Haidee Wasson Christine Becker Lauren Murljacic MAC: Gina Trombetti Stephanie Brown Patrice Petro PSAV: Cole Murray Michael Kackman David Risenberg, BMM RentCom: Rich Franger, Edward Bill Kirkpatrick Desiree Scalavino Wolinski Tracy Hartmann Kelley Thompson SourceOne: Raymond Andel Kristina Kline Todd Thompson

Please Note Replacement conference badges Replacement conference programs are available at Registration for $20 (subject to are available at availability). Unless otherwise noted, all meetings, panels, workshops, and events will Registration for take place at the conference hotel—Fairmont Chicago, Millennium Park, 200 N Columbus 5 Drive and the Mid-America Club, 200 East Randolph Drive, 80th Floor, AON Center. (see p. 11 for hours)

Nominations for Distinguished Career Achievement & Pedagogy Awards All SCMS members—graduate students, part‑ and full‑time faculty, and independent scholars— are warmly encouraged to nominate scholars they consider deserving of the Distinguished Career Achievement and Pedagogy awards. A short nominating statement, submitted via an online form, is required by August 1 in each case. For further information, including additional criteria required for each award, please visit the Awards section of the SCMS website: cmstudies.org.

8 2017 Conference Sponsors SCMS would like to extend special thanks for the generous support from our sponsors.

Sponsorships

Northwestern University School of Communication Department of Radio, Television + Film Screen Cultures PhD Program Center for Screen Cultures Department of Radio/Television/Film Department of Communication Studies Rhetoric and Public Culture PhD Program

Columbia College, School of Media Arts

University of Notre Dame, Department of Film, Television, and Theatre

Steven Kovacs on behalf of Katherine Singer Kovacs

DePaul University College of Communication COLLEGE OF COMMUNICATION College of Computing and Digital Media COLLEGE OF COMPUTING AND DIGITAL MEDIA Global Engagement GLOBAL ENGAGEMENT

University of California Press

Syracuse University, Department of English English Department SYRACUSE UNIVERSITY

University of California, Irvine, Ph.D. Program in Visual Studies

University of Chicago, Department of Cinema and Media Studies

University of Texas, Department of Radio-Television-Film 9 Schedule of Events at a Glance

Wednesday, March 22 Friday, March 24 10:00 – 11:45 am Session A 9:00 – 10:45 am Session K 12:00 noon – 1:45 pm Session B 11:00 am – 12:00 noon Members’ Business Meeting 2:00 – 3:45 pm Session C 12:15 pm – 2:00 pm Session L 4:00 – 5:45 pm Session D 2:15 – 4:00 pm Session M 6:00 – 7:45 pm Session E 4:15 – 5:30 pm Awards Ceremony 7:00 – 10:00 pm SPECIAL EVENT: Living Thinkers: 5:45 – 6:45 pm Reception An Autobiography of Black Women in the Ivory Tower Saturday, March 25 9:00 – 10:45 am 8:00 – 9:30 pm SPECIAL EVENT: Listening to Session N History: Sound, Memory, and 11:00 am – 12:45 pm Session O Preservation in the Digital Age 1:00 – 2:45 pm Session P 9:00 pm SPECIAL EVENT: Collective Action 3:00 – 4:45 pm in 2017: Responding to Hate, Session Q Disenfranchisement, & the Loss of 5:00 – 6:45 pm Session R the Commons 7:30 – 11:00 pm HOST COMMITTEE EVENT: Thursday, March 23 Chicago Shorts & After Party 9:00 – 10:45 am Session F Sunday, March 26 11:00 am – 12:15 pm Caucus/SIG Open House 9:00 – 10:45 am Session S 11:00 am – 12:45 pm Session G 11:00 am – 12:45 pm Session T 1:00 – 2:45 pm Session H 1:00 – 2:45 pm Session U 3:00 – 4:45 pm Session I 3:00 – 4:45 pm Session V 5:00 – 6:45 pm Session J 7:00 pm SPECIAL EVENT: Graduate Student Reception 7:30 pm SPECIAL EVENT: Migrations & Mediations: The Politics of Movement 8:00 – 10:00 pm SPECIAL EVENT: An Evening at the Leather Archives & Museum

SCMS Social Media & Mobile App Follow us on Twitter (@SCMStudies) and Instagram (@scmstudies). Use #SCMS17 to post about your experiences during the conference. Find us on Facebook: facebook.com/SCMStudies and Grupio keep up to date on conference events via our Grupio mobile app. Access information about the conference from your mobile device including the conference schedule, directory of speakers and exhibiting vendors, sponsors and more! Further instructions on installing the app will be sent to registered conference goers in advance of the conference. 10 Registration Hours

Program/Badge Pick-Up (if you have pre-registered) ROOM Imperial Ballroom, Pre-Function Area ▶ Fairmont, B2 Level

On-site Registration ROOM Imperial Parlor ▶ Fairmont, B2 Level

TUESDAY, MARCH 21 FRIDAY, MARCH 24** 4:00 – 6:00 pm* 8:00 – 10:45 am *Tuesday hours for badge and conference program 12:15 – 4:00 pm pick-up only (pre-registered attendees) SATURDAY, MARCH 25 WEDNESDAY, MARCH 22 8:00 am – 5:00 pm 8:00 am – 5:00 pm SUNDAY, MARCH 26 THURSDAY, MARCH 23 8:30 am – 12:00 noon 8:00 am – 5:00 pm **On Friday, March 24, the registration desks will be closed from 10:45 am to 12:15 pm for the Members’ Business Meeting. Registration will re-open at 12:45 pm that day and will close again at 4 pm for the Awards Ceremony and Reception. Please be aware, conference attendees will not be able to pick up their registration materials or register on site during these times. Please allow 15 minutes for conference registration. If you are registering as a student, please be prepared to provide your student ID at the time of registration.

George Kaplan Faber College

Chicago, IL 22–26 March 2017 Your Name Badge Is Required For Admittance Registration fees help cover the cost of putting on the conference, and as such, only those who have registered are permitted to attend conference events. You should be aware that your conference badge will be required for admittance to the AON Center (the location of the Mid-America Club where many panels, workshops, SIG/Caucus meetings, and the conference reception Replacement will take place). It is the third tallest building in the city of Chicago and thus requires conference badges additional security. Your name badge is your proof of registration, and it is required are available at that you wear it whenever attending a meeting session or event. Registration for

The Fairmont Chicago and the AON Center are connected via an underground 5. Replacement badges will only walkway (pedway). Again, you will be required to show your badge to security on be printed during registration hours site to enter the AON Center. Please keep your name badge with you at all times. (see above) Replacement name badges will only be printed during registration hours (see above).

11 About the Annual Conference

Thanks for staying at the Fairmont Chicago, Millennium Park—If you booked a room at the Fairmont Chicago, Millennium Park under the SCMS room block (online or by phone), your guest room rate includes the following: ▶▶ $15 food & beverage credit to your guestroom per night, applicable towards meals, bar, in-room dining, etc. Food & beverage credit is non-transferable. ▶▶ 15% discount off restaurant and in-room dining pricing, as long as guests charge to individual guestrooms ▶▶ Complimentary basic guestroom Internet (valued at $14.95/day) ▶▶ Complimentary access to MySpa fitness center (valued at $15/day) ▶▶ 15% discount off 2017 MySpa treatment pricing ▶▶ 20% discount off 2017 overnight valet parking—will automatically go into effect when charged to your room

Wireless Internet Access—Standard in all meeting space at SCMS 2017. This includes the Exhibit Area (Imperial Ballroom, Fairmont, B2 Level) and the SCMS Lounge/Recharge Area (Fairmont, 2nd Floor). You will need to obtain a password at conference registration. The Front Desk will provide you details of how to log on to the Internet in your guest room so that it is taken care of on your final bill.

Green Partnership—Once you have arrived at the conference, please consider these greening options: ▶▶ Linen services—Cancel daily hotel linen service whenever possible. ▶▶ Cleaning products—Use your own toiletry products (shampoo, soap, etc.). ▶▶ Contribute to the 2017 SCMS Soap Drive—As an organization, we are collecting used & unused/opened & unopened hotel soaps, shampoos, conditioners, and other toiletry items that people in need might find useful. Please take your donations to the Registration area and look for the soap drive bin. More information about this initiative can be found on the website under the Conference tab, then under SCMS Policies. This year, we are thrilled that the Fairmont is lending support and taking part in this initiative with us! ▶▶ Recycling—Utilize paperless check-in, check-out, and billing procedures to minimize use of paper. Use the many recycling cans around the hotel. Reduce your electricity and water use in rooms. ▶▶ Recycle your name badge and conference program—Look for the bins in Registration area to turn in your name badge and your conference program.

Nursing Area—You are welcome to nurse wherever you feel comfortable feeding your child. If you are looking for a more private space, you can use the nursing area located on the 10th floor of the Fairmont in Room 1023.

Pronoun Stickers—As a show of SCMS’s commitment to diversity and inclusion, this year we are introducing

As Me My pronoun stickers for your name badge. Stickers will be available for pickup at registration and can easily be worn Pronouns as a show of solidarity, and a means of making our annual conference a friendly and safe environment for all.

All-Gender Restroom—SCMS is committed to making the conference accessible and welcoming to all of our community. Gender-neutral bathrooms are an important part of making the annual conference more inclusive. All person-all access restrooms are available at the Fairmont Chicago on the 2nd Floor close to the Embassy Room, the Gold Room and the International Ballroom. The all-gender restroom is marked with special signage during the conference. To find other safe restrooms in Chicago, visit Refuge . 12 On-site Accessibility Issues—Should you encounter an accessibility issue at SCMS 2017, please notify the hotel’s front desk (or the Mid-America’s front desk) so they can assist you immediately. You may also report the problem by e-mail .

Lost and Found—Lost and found items can be turned in at Registration during the conference. Any items not claimed by the end of the conference will be left at the hotel front desk.

Sanctuary City Status—On Jan 25, Mayor Rahm Emanuel reiterated that Chicago will remain a Sanctuary City regardless of the political or economic cost. Chicago Police will not collaborate with any federal directive aimed at detaining or deporting foreign citizens. Likewise, Cook County has a sanctuary ordinance that states that the Sheriff’s Office will not do so either. Passed before the recent presidential election, these ordinances are widely revered in Chicago as the cornerstone of the city’s reputation for welcoming citizens of all nations. The SCMS website links to Sanctuary City Supportive Resources. Look under the Conference tab, then under SCMS Policies.

SCMS Lounge/Recharge Area with Computer/Printer Access

ROOM Pre-Function Area of the International Ballroom ▶ Fairmont, 2nd Floor Feel free to hang out in this area, network, hold informal meetings, charge your devices, work on your computer/ tablet. All registered attendees of SCMS 2017 may use this area free of charge. Terms and conditions: you agree to use these computers at your own risk. They are public terminals and SCMS cannot be held responsible for results of usage.

Quiet Room

During the conference, persons who desire a quiet place to prepare for a presentation may visit the SCMS Quiet Room. It is located on the 10th floor of the Fairmont in Room 1023.

How Are Workshops Different than Panels?

Workshops are distinct from panels in that they focus on field-specific topics with brief presentations by presenters that lead to focused, substantive discussions and debate among workshop participants and the audience. Workshops are intended to be dialogical, interactive, and productive workspaces with topics typically focused on pedagogy, research strategies, and methodologies. They may also explore major intellectual issues/trends in the discipline.

13 How do I get to the Mid-America Club?

Directions to the Mid-America Club, Fairmont ▶ B1 Level 80th Floor, AON Center

FROM THE FAIRMONT ▶▶ Take the elevator or escalator to the B1 level of hotel. ▶▶ Follow the corridor past FedEx Office toward mySpa the Lakeshore Sports and Fitness Club. Aon Center & Fitness Center ▶▶ Turn left at the first set of (brass) doors for the AON Center. ▶▶ Security table with Mid-America tablecloth will be to your left. Show your conference badge. ▶▶ Pass through security gates. ▶▶ Take escalator to the upper lobby. ▶▶ Walk towards the middle bank of elevators servicing floors 70–80. ▶▶ Smart Elevator Directions ▷▷ Enter your destination on touchscreen (in this case, select “80” for the 80th floor, the Mid-America Club). Service Elevato ▷▷ Receive your elevator assignment. o Pub rs t rs o ▷▷ Follow the directions to your assigned elevator. lic Eleva t

Escala tor Lobby Level s

FedEx O ce Escalators to Level B2

AON Center’s Smart Elevator Directions Smart elevators make up and down buttons obsolete— users input their destinations and specific elevators are assigned to them—designed to boost efficiency. ▶▶ Enter your destination on the touchscreen (in this case, select “80” for the 80th floor, the Mid-America Club). ▶▶ Receive your elevator assignment. ▶▶ Follow the directions to your assigned elevator. 14 FROM THE MAIN ENTRANCE/SOUTH SIDE/RANDOLPH DRIVE ▶▶ The main entrance to the AON Center is located to the South (closest to Millennium Park) on Randolph Drive. ▶▶ To access the lobby, walk down the stairs near the water fountain. ▶▶ Check in with security at the main desk by showing your conference badge. ▶▶ Pass through the security gates. ▶▶ Take the escalator to the upper lobby. ▶▶ Walk towards the middle bank of elevators servicing floors 70–80. ▶▶ Smart Elevator Directions ▷▷ Enter your destination on touchscreen (in this case, select “80” for the 80th floor, the Mid-America Club). ▷▷ Receive your elevator assignment. ▷▷ Follow the directions to your assigned elevator. Accessible Directions to the Mid-America Club, 80th Floor, AON Center

FROM THE FAIRMONT ▶▶ Take the elevator to the B1 level of hotel. ▶▶ Follow the corridor past FedEx Office toward the Lakeshore Sports and Fitness Club. Turn left at the first set of (brass) doors for the AON Center. A security table with a Mid-America tablecloth will be to your left. Show your conference badge. ▶▶ Security will open gate. Proceed up the ramp to the bank of elevators servicing floors 3–19. ▶▶ Take the elevator up to “UL”. ▶▶ Head to middle bank of elevators servicing floors 70–80, even floors. ▶▶ Smart Elevator Directions ▷▷ Enter your destination on touchscreen (in this case, select “80” for the 80th floor, the Mid-America Club). ▷▷ Receive your elevator assignment. ▷▷ Follow the directions to your assigned elevator. ▷▷ Once on the 80th floor, the entire Club is Accessible. FROM THE MAIN ENTRANCE/SOUTH SIDE/RANDOLPH DRIVE ▶▶ Use the Plaza elevators down 1 level to the fountain. ▶▶ Proceed around the fountain. ▶▶ Proceed through the ADA sliding doors on the opposite side of the fountain. ▶▶ Check in with security at the main desk by showing your conference badge. ▶▶ Security will open the gate and you will proceed up the ramp to the bank of elevators servicing floors 3–19. ▶▶ Take the elevator up to “UL”. ▶▶ Head to middle bank of elevators servicing floors 70–80, even floors. ▶▶ Smart Elevator Directions ▷▷ Enter your destination on touchscreen (in this case, select “80” for the 80th floor, the Mid-America Club). ▷▷ Receive your elevator assignment. ▷▷ Follow the directions to your assigned elevator. ▷▷ Once on the 80th floor, the entire Club is Accessible. 15 SCMS Caucus & Scholarly Interest Group Meeting Schedule All SCMS members are welcome to attend. Burnham Ballroom A is located in the Mid-America Club (MAC) on the 80th Floor, AON Center The Lincoln Park Suite is located in the Fairmont Chicago, 37th Floor, Room 3709 Wednesday, March 22 10:00 – 11:45 am Experimental Film and Media Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 12:00 noon – 1:45 pm Urbanism/Geography/Architecture Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 12:00 noon – 1:45 pm Media, Science & Technology Studies Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 2:00 – 3:45 pm Comedy and Humor Studies Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 2:00 – 3:45 pm Cognitive/Analytic Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 4:00 – 5:45 pm Classical Hollywood Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 4:00 – 5:45 pm Caucus Coordinating Committee Lincoln Park Suite ▶ Fairmont, Room 3709 6:00 – 7:45 pm Horror Studies Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club Thursday, March 23 9:00 – 10:45 am Adult Film History Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 9:00 – 10:45 am Queer Caucus Lincoln Park Suite ▶ Fairmont, Room 3709 1:00 – 2:45 pm Comics Studies Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 1:00 – 2:45 pm Transmedia Studies Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 3:00 – 4:45 pm War and Media Studies Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 3:00 – 4:45 pm Children’s and Youth Media and Culture Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 5:00 – 6:45 pm Media Industries Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 5:00 – 6:45 pm Film and Media Festivals Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 7:00 – 8:45 pm Black Caucus Ambassador ▶ Fairmont, 2nd Floor Friday, March 24 9:00 – 10:45 am Scholarly Interest Group Coordinating Committee Burnham Ballroom A ▶ Mid-America Club 9:00 – 10:45 am Latino/a Caucus Lincoln Park Suite ▶ Fairmont, Room 3709 12:15 – 2:00 pm Women’s Caucus Burnham Ballroom A ▶ Mid-America Club 12:15 – 2:00 pm Fan and Audience Studies Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 2:15 – 4:00 pm Animated Media Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 7:00 – 8:45 pm Middle East Caucus Regal ▶ Fairmont, B2 Level 7:00 – 8:45 pm Caucus on Class Royal ▶ Fairmont, B2 Level Saturday, March 25 9:00 – 10:45 am French/Francophone Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 9:00 – 10:45 am Media and the Environment Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 11:00 am – 12:45 pm Sound Studies Scholarly Interest Group 37th Floor Boardroom ▶ Fairmont 11:00 am – 12:45 pm Documentary Studies Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 11:00 am – 12:45 pm Scandinavian Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 1:00 – 2:45 pm Transnational Cinemas Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 1:00 – 2:45 pm Radio Studies Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 3:00 – 4:45 pm Media Literacy and Pedagogical Outreach Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 3:00 – 4:45 pm Television Studies Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 5:00 – 6:45 pm Film Philosophy Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 5:00 – 6:45 pm Digital Humanities and Videographic Criticism Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 Sunday, March 26 9:00 – 10:45 am Central / East / South European Cinemas Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 9:00 – 10:45 am Women in Screen History Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 11:00 am – 12:45 pm Video Game Studies Scholarly Interest Group Burnham Ballroom A ▶ Mid-America Club 11:00 am – 12:45 pm Silent Cinema Cultures Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 1:00 – 2:45 pm Asian Pacific American Caucus Burnham Ballroom A ▶ Mid-America Club 1:00 – 2:45 pm Nontheatrical Film and Media Scholarly Interest Group Lincoln Park Suite ▶ Fairmont, Room 3709 16 3:00 – 4:45 pm Oscar Micheaux Society Lincoln Park Suite ▶ Fairmont, Room 3709 Exhibit Hours* ROOM Imperial Ballroom ▶ Fairmont, B2 Level THURSDAY, MARCH 23 FRIDAY, MARCH 24 SATURDAY, MARCH 25 10:30 am – 5:30 pm 9:30 am – 4:15 pm 9:00 am – 6:00 pm *hours subject to change

Thanks to Advertisers & Exhibitors We gratefully acknowledge the following advertisers and exhibitors for their support of this year’s conference. ADVERTISERS Berghahn Books New York University, Tisch School University of Illinois Press Brooklyn College, Barry R. of the Arts, Cinema Studies University of Michigan Press Feirstein Graduate School of Department University of Michigan, Cinema NYU Press Department of Screen Arts & Canadian Journal of Film Studies Ohio State University, Film Studies Cultures Columbia University Press Program University of Minnesota Press Duke University Press Oxford University Press University of Otago, Media, Film & Indiana University Media School Rutgers University Press Communication Department Indiana University Press Sacred Heart University, Masters University of Texas Press Maynooth University Studies, Media Literacy & University of Texas at Austin, McGill-Queen's University Press Digital Culture Radio, Television, Film Media, Cinema, and Digital Sonoma State University, School Department Studies Program, Department of Extended and International University of Toronto, Cinema of English, University of Education Studies Institute Wisconsin-Milwaukee SUNY Press University Press of Mississippi Muhlenberg College Toronto International Film Festival Wayne State University Press University of California Press EXHIBITORS AIDS Foundation of Chicago/ Indiana University Press SUNY Press Pride Action Tank Intellect The Criterion Collection Alexander Street, a ProQuest McFarland University of California Press Company McGill-Queen’s University Press University of Chicago Press American Civil Liberties Union of New Day Films University of Illinois Press Illinois NYU Press University of Iowa Press Berghahn Books Ohio State University’s Journal of University of Michigan Press Bloomsbury Short Film University of Minnesota Press Canyon Cinema Foundation Oxford University Press University of North Carolina Press Cinemasias Editions | NANG Palgrave Macmillan University of Texas Press Columbia University Press Peter Lang Publishing University Press of Mississippi Duke University Press Routledge, Taylor & Francis Group Wayne State University Press Edinburgh University Press Rowman & Littlefield Wiley Film Comment Rutgers University Press

17 Thanks to Our 2016–2017 Donors Many thanks to those who generously donated to the Award, General, Travel, and SCMS-U Funds: SCMS-U FUND Sarah Barrow Tiel Lundy Shawn C. Shimpach Sarah Cooper Constance Penley Victoria M. Sturtevant GENERAL FUND Rebecca L. Bell-Metereau Elizabeth Heffelfinger Paul S. Moore Jonathan Bratt Mary Harrod Michele Pierson Steven Cohan Victoria E. Johnson Jeffrey Sconce Susan C. Courtney Suzanne Langlois Jill A. Simpson Mary Desjardins Livia R. Monnet AWARD FUND James Leo Cahill Michael Renov TRAVEL GRANT FUND Christine A. Becker Robert T. Eberwein Joon Yang Kim Catherine L. Benamou Ken Feil Barbara Klinger Matthew H. Bernstein Margaret Frohlich Derek E. Kompare Jamie Berthe Kenneth Garner Leslie LeMond Katrina G. Boyd Jennifer Horne John MacKay Lauren Bratslavsky Ted R. Hovet Kathleen A. McHugh Anne T. Ciecko Dale Hudson Eric P. Schaefer Heidi Rae Cooley Brian R. Jacobson Haidee Wasson Mark Garrett Cooper Jonathan Kahana Pamela Wojcik Scott Curtis Mary Celeste Kearney Charles Wolfe Michael D. Dwyer Sarah Keller Patricia Zimmermann

Thanks to Our Registration Desk Volunteers Ivan Aguirre Bridget Kies Andrea Ruehlicke Sara Bakerman Jenny Korn Karly-Lynne Scott Molly Bandonis Ece Üçoluk Krane Nicole Strobel Anthony Coman Laura LaPlaca Staci Stutsman Kelsey Cummings Julia Largent Michael Anthony Turcios Julide Etem Caroline Leader Katherine Lonsdale Waller Julian Etienne Wan-Jun Lu Julianna Blair Watson Rachel Fabian Steven Malcic Thong Win Carolyn Fornoff Denise Mok Morgan Woolsey Leigh Goldstein Charlotte Orzel Xinyi Zhao Courtney Gray Miguel Penabella Andrew Zolides Lisa Han Jake Pitre Britta Hanson Javier Ramirez Lauren Herold Emily Rauber Rodriguez 18 Tien-Tien Jong John Roberts Thanks to Our 2016–2017 Institutional Members Academy of Motion Picture Arts and Sciences, University of California, Santa Barbara, Film & Media Margaret Herrick Library Studies The American University in Cairo, Film Program University of Chicago, Cinema & Media Studies Department of the Arts University of Colorado, Film Studies Program Brown University, Department of Modern Culture and University of Colorado Boulder, Department of Media Critical Media Practices Brooklyn College, Barry R. Feirstein Graduate School University of Iowa, Department of Cinematic Arts of Cinema University of Michigan, Ann Arbor, Department of Concordia University, Mel Hoppenheim School of Screen, Arts & Culture Cinema University of Minnesota, Department of Cultural Denison University, Department of Cinema Studies and Comparative Literature Florida Atlantic University, School of Communication University of Notre Dame, Film, TV & Theatre & Multimedia Studies Department John Moores University Liverpool, Film Studies University of Oklahoma, Film and Media Studies Maynooth University, Media Studies University of Oregon, Cinema Studies Muhlenberg College University of Texas, Radio, Television & Film New York University, Cinema Studies University of Virginia, Media Studies Northwestern University, RTVF Screen Cultures University of Wisconsin-Milwaukee, Film Studies Southern Methodist University, Film & Media Arts Program Syracuse University, English Department Washington University in St. Louis, Film & Media Toronto International Film Festival Studies University of California, Los Angeles, Film-TV-Digital Yale University, Film Studies Center Media York University, Department of Cinema and Media Arts University of California, Irvine, Program in Visual Studies

Become an Institutional Member! Benefits of SCMS Institutional Membership (membership year runs from July 1—June 30) Institutional members receive Cinema Journal, access to the members’ area of the website, e-newsletters and announcements, and a profile page. In addition, institutional members will be able to have unlimited access to our Career Center, enabling departments and programs to post and view job applications and to identify cinema/media scholars looking for full and/or part-time employment. Institutional members will also be featured in the Programs/Schools area of the SCMS website, listed in our annual conference program, and in future issues of Cinema Journal. In addition, institutional members receive a free ad in our conference app, a reduced rate on either a conference program ad or up to ten student memberships, and are invited to provide us with logos and links to their homepage to showcase their programs and activities on the SCMS website. For more information, please visit cmstudies.org/?page=institut_membership

19 Accessibility The Society for Cinema & Media Studies is committed to providing access and reasonable accommodation in its services, programs, activities, education, and employment for individuals with disabilities. All Meeting Locations All meeting locations have accessible lobbies; several have autoslide doors. Thresholds and doormats are in compliance with American with Disabilities Act (ADA) regulations and door-service personnel are available at most properties. Lobbies have marble floors and/or low-pile carpeting. Elevators connect all levels of each property. Each elevator has Braille numerals beside each control button. Restrooms in lobbies and on meeting room floors are wheelchair accessible and have tactile signage. Fairmont Chicago, Millennium Park The Fairmont Chicago, Millennium Park complies with the Americans with Disabilities Act of 1990, its regulations, and guidelines. The Fairmont has an accessible registration desk or will provide a clipboard to guests to complete registration documentation. The hotel has accessible guest rooms. Among other amenities, the guest rooms feature wheelchair-accessible doors, lever/lever door handles, ample room space, grab bars in restrooms, low sinks with insulated pipes, accessible towel racks, and accessible mirrors. The following auxiliary aids are available as well: flashing fire alarm, telephone, closed-caption decoders; Braille signage; and TTY phones. All areas of the facility are wheelchair accessible. Electronic doors are located at all main lobby entrances. All public restrooms are ADA accessible. Attendees needing assistance with accessibility should speak to a Guest Services representative in the Lobby. Valet Parking: Valet Parking is available with ADA spaces. The spaces, curb cuts, and garage accommodate vehicles with 82" and 108" clearance needs. Meeting Rooms: All levels of the Fairmont Chicago, Millennium Park are accessible by elevator. Restaurants: All dining areas meet ADA requirements and staff are willing and able to make reasonable accommodations for guests’ needs. Other aids can be made available: wheelchair accessible rooms with roll-in showers; policy to block a specific adapted room for guests with disabilities; procedure to flag guests with disabilities in computer and generate printouts; orientation for guests with vision loss; policy to accept service animals with no fees/deposit. Mid-America Club All areas of the facility are wheelchair accessible. All elevators are equipped with Braille signage. Attendees needing assistance with accessibility should speak to a Guest Services representative in the Lobby or call the Mid-America Club at (312) 861–1100. Parking: Parking is available at designated ADA spaces. Meeting Rooms: The Mid-America Club exists on one level-the 80th floor of the AON Center. The Club is accessible by elevator. To move from one meeting room to the next, there are no obstructions, steps, etc. Lobbies have marble floors and/or low-pile carpeting. Restaurants: All dining areas meet ADA requirements and staff are willing and able to make reasonable accommodations for guests’ needs. For information regarding Accessible Transportation (Taxis, Vans, Paratransit Services), Scooter Rentals, Service Animal 20 policies, and other Accessibility information, please look under the Conference Tab > SCMS Policies > Accessibility. 2017 Audio Visual Policy

The following equipment will be standard in all panel/workshop rooms at the conference: ▶▶ LCD projector (and audio) ▶▶ Power strip ▶▶ VGA cable (if you have a Mac, bring ▶▶ Wireless Internet access an adapter—mini display port to VGA, (you will obtain the password at thunderbolt to VGA, etc.) conference registration) ▶▶ Mini audio jack Because the cost of equipping rooms with computers is prohibitively expensive, we must ask you to bring your own laptop if you plan to use projection. In addition to your own laptop, please be sure to bring your power cord and any proprietary cords required for your computer. Mac users, please bring your own VGA adapter. Wireless Internet access will be provided in the panel/workshop rooms and conference space. We will not be offering computers, DVD players, overhead projectors, slide projectors, CD players, and/or additional audio components. Best Practices: Panels and workshops with multiple presentations using projection are encouraged to coordinate before their session time to have all presentations on a single computer or flash drive. Designate one person’s laptop for use during the session, load all presentations onto the laptop before the session; and test the presentation to make sure they will work with the software on the designated laptop. We cannot accommodate changes or requests for AV equipment onsite. SCMS is not responsible for the safety and security of attendee computers.Thank you for your cooperation.

Assistance with AV during the Conference

If your room’s equipment is malfunctioning or you are having difficulty, please contact one of the technicians from PSAV. At the Fairmont, there is a house phone in every room in which any department can be paged. Simply pick up the phone and a call will automatically be placed to the royal services paging department. State you would like a PSAV technician to come to the room and tell them the issue you are experiencing. You may also use this to page a PSAV technician to come speak with you if you have extensive questions to ask before your presentation. At The Mid-America Club, if your room’s equipment is malfunctioning or you are having difficulty, please seek a service person or RentCom technician. Thank you.

21 Meeting Space at at Glance Fairmont ▶ B2 Level

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23 Columbus Drive Dining Near the Conference (within 10 min) E Upper Wacker Drive

 H I J

F Water Street East South Water St B E Escalator/ A Elevator Access Stetson Ave

Michgan Ave Door Access Lake Street Underground

Park Drive Street Level

Benton Place

C Columbus Drive D K L Randolph Street We hope this list/map of pedway/ground level eateries, along with the restaurants listed on pages 28–29, will assist you when looking for a quick place to grab something to eat and get back to more panels and workshops! If they are open on the weekend, we have noted it. A Fairmont Hotel D Prudential Plaza Columbus Tap (lobby; open weekends) Caffe RōM (until 4 pm) B Radisson Blu Aqua Snarf’s Sandwiches (until 3 pm) Filini Restaurant (lobby; open weekends) Panda Express (until 6 pm) Market Creations: The Uncommon Café C AON Center (ground level; until 3 pm) Starbucks (until 6 pm) Wildberry Pancakes & Cafe (ground level; breakfast/ Market Thyme (until 3 pm Mon-Tue; until 8 pm lunch only—until 2:30 pm all week) Wed-Fri) Tavern at the Park (ground level; open Sat) Au Bon Pain (until 6 pm) Giordano’s (ground level; open weekends) Sopprafina Marketcaffe (until 4 pm) Freshii (until 6pm; except Fri until 5 pm) E Michigan Plaza (205–225 N. Michigan Ave.) Baskin Robbins (until 6 pm) Vista Café Dunkin’ Donuts (until 6 pm) Dunkin’ Donuts (Sat 5 pm, Sun 2 pm) Jimmy John’s (until 7 pm) Freshii (until 7 pm; open weekends) Green Apple Café and Juice Bar (until 3 pm) Mezza Mediterranean Grill (until 3 pm) Jaffa Bagels (until 2 pm) Pret A Manger (until 7 pm) Starbucks (until 6:30 pm) Wow Bao (until 6 pm) Jimmy John’s (until 9 pm; except Sun until 6 pm) Sweetwater Tavern and Grille (until 10 pm; except 24 Fri, Sat & Sun until 12 midnight) F 2 Illinois Center (233 N. Michigan Ave.) I 3 Illinois Center (303 E. Upper Wacker Dr.) Subway (until 9 pm) El Jardin Mexican Hannah’s Bretzel (until 3:30 pm) Bake for Me (upper level; until 5:30 pm Mon-Fri; I Love Sushi (until 3:30 pm) until 2 pm Sat) Froyo Chicago (until 4:30 pm) J Swissotel Cosi Sandwiches (until 7 pm) Geneva Restaurant (breakfast only-until 11 am Mon- Burrito Beach (until 3 pm) Fri; until 12 pm Sat & Sun) Halsted St. Deli (until 4 pm) Amuse Lobby Bar/Café (lobby) Blackwood BBQ (until 4 pm) The Palm (lobby) G 1 Illinois Center (111 E. Upper Wacker Dr.) K Village Market (ground level, outside) Sopraffina (until 3 pm) III Forks Steak House (open weekends) Potbelly (until 7 pm Mon-Fri; until 4 pm Sat) Subway (24 hours) Tokyo Lunch Box (Mon-Thurs only; (until 4 pm) Mezcalina Mexican Restaurant (closed Mon) Farmer’s Fridge (salad vending machine) Black Coffee Gallery (open weekends) McDonald’s (until 3 pm Sat; all day Sun) Eggy’s Diner (until 3 pm all week) H Hyatt Regency (lobby) Mariano’s Fresh Market (supermarket) Big Bar (open weekends) L Behind Village Market on Randolph Stetson’s Modern Steak and Sushi (open weekends) Brown Bag Seafood Co. (until 9 pm; closed Sun) American Craft Kitchen & Bar (open weekends) Market Chicago (24 hours)

Using the Pedway

Chicago’s downtown pedestrian way system, the Pedway, lies in the heart of the city. This system of underground tunnels and overhead bridges links more than 40 blocks in the Central Business District, covering roughly five miles. Used by tens of thousands of pedestrians each day, the Pedway connects more than 50 public and private buildings, CTA stations and commuter rail facilities.The Pedway is a safe, quick and convenient way for pedestrians to travel downtown—especially in the winter and during times of rain or snow.

Merchandise Mart W Carroll Ave N Dearborn St N La Salle St N Wells St N Clark St N State St Chicago River E Wacker Dr N Michigan Ave N Stetson Ave

swissôtel Hyatt Regency Illinois Center N Garvey Ct Illinois Center E Wacker Pl N Garland Ct S Water St Leo Burnett 205/225 Building Aqua N. Michigan Lakeshore E Haddock Pl Fairmont Hotel East Clark State

E Lake St N Columbus Dr N Beaubien Ct Beaubien N N Stetson Ave Lake Doral N Field Blvd E Benton Pl Plaza Harbor Dr W Couch Pl Blue James R. Chicago Cross €ompson Title Prudential AON Blue Plaza Shield Building Building Randolph Building Station E Randolph St Daley Center Harris eatre W Court Pl for Music & Dance 120 North Chicago LaSalle St Chicago Cultural City Hall Macy’s Center Sky Walk Cook County Building Washington Underground Washington E Washington St

N Holden Ct. Walkway N Garland Ct Music Millennium Pavilion & €ree First W Calhoun Pl Park Great Lawn National Plaza E Madison St Grant Madison Chase Tower Monroe Street Park 41 25 Chicago 2017

Host Committee Recommendations

Need to Know Most common credit cards are widely accepted. ATMs are widespread across the city in bank offices, convenience stores, and pharmacies. Further tourist information is available online at choosechicago.com. From O’Hare and Midway International Airports to the Conference Hotel

CHICAGO TRANSIT AUTHORITY (CTA) The elevated train system of the Chicago Transit Authority (CTA) has convenient transport to and from both of Chicago’s international airports. The Blue Line, with access to O’Hare, runs 24 hours a day, seven days a week. The Orange Line, with access to Midway, runs Monday through Saturday from 4 a.m. to 1 am, and Sundays with service ending at 11 pm From O’Hare International Airport: Take the Blue Line to the Clark and Lake stop. Then either take a cab to the hotel or walk East on Lake St. to Michigan Ave. Cross Michigan and continue to Stetson Ave.; you can walk up and across the hotel plaza to the front door. From Midway International Airport: Take the Orange Line to the Clark and Lake stop, then follow directions above. Trains originating from the O’Hare Station cost $5.00 per ride. You may purchase single-ride or 1-day tickets at Ventra machines located in the airports. More information on CTA transport to and from the airports can be found at transitchicago.com/ airports/. 26 Host Committee Recommendations Getting Around Town Walking Chicago is a walkable city—flat and easy to explore with a good pair of walking shoes. In March, any type of weather is possible, both in terms of temperature and precipitation, so plan accordingly when packing. The areas around the Fairmont Hotel and N. Michigan Ave. are relatively safe. Still, it would not be advisable to walk in alleys or dark areas by oneself after midnight. CTA If you are traveling within the city, one of the easiest ways to get around is by train. Traffic can be particularly heavy in the Loop and Magnificent Mile areas near the conference hotel. The CTA operates both subway and elevated (“L”) train lines, with over 140 train stations and more than 240 miles of track. Stations are located throughout the city and nearby suburbs, including Evanston and Oak Park. The underground subway stations closest to the hotel are Lake (State St. between Lake and Randolph streets) on the Red Line, and Clark/Lake (Lake St. between Clark and LaSalle streets) on the Blue Line. The Red and Blue lines each run 24 hours a day. The elevated above-ground stations closest to the conference hotel are Randolph/Wabash and State/Lake. In addition to the Blue and Orange lines that service the airports, the Brown Line serves neighborhoods to the north and northwest, the Green Line provides access to Oak Park, and the Purple Line serves Evanston. Please note that these lines do not run all night. The CTA system also features a number of bus routes with stops along Michigan Ave. You will find train and bus route maps and hours of operation at transitchicago.com. A one-way ride on the bus or train is $2.25, except for lines to and from the airports. For trains, you may purchase single-ride or 1-day tickets at Ventra machines located in all stations. You may pay your bus fare with either a Ventra card or cash (note that drivers do not carry change). If you are considering multiple rides during your stay in Chicago, consider purchasing a reloadable Ventra card, available at train stations and many CVS and Walgreens stores. The Ventra card machine closest to the Fairmont Hotel is located in the CVS store at 205 N. Michigan Ave., near Lake St. Stay safe on trains and buses. Keep your possessions in bodily contact and be aware of your surroundings. It is advisable to travel in groups if you are going out late at night. Taxis Hailing a cab and riding in Chicago are easy in the Loop and N. Michigan Ave. areas. Chicago taxicabs don’t have a uniform make or color, so just look for the light on the top of the cab. Rates are as follows: Base fare is $3.25, with each additional mile $2.25; every 36 seconds of time elapsed is $0.20. The first additional passenger is $1.00 extra, with each additional passenger after the first being an extra $0.50. The departure tax for airport destinations is $4.00. The cab should have proof of registration and a photo ID of the driver posted for the passenger to see. Taxi drivers generally don’t mind if you have more than four passengers. Drivers are required to accept credit cards, although they occasionally do not specify this. TAXI CAB APP—taxicabapp.com Need a ride? With the click of a button, TaxiCab app connects you with licensed taxis to get you where you’re going quickly and safely. They meet high-standards, including insurance, training, and background checks. You can download the app for free on iTunes and Google Play. 27 Host Committee Recommendations CHECKER CAB Order a Checker cab by text message: 1) text your address (no city, state or zip code) to 312–520–3029; 2) when asked enter your full name (ex: Jane Doe); 3) to get status of where your cab is—text status; 4) to cancel your trip—text cancel. CURB—gocurb.com Curb connects you to safe, reliable rides from professional drivers. Download Curb for iPhone or Android to request your ride with the tap of a button, track your driver’s arrival, and pay your fare seamlessly. Uber and Lyft Both Uber and Lyft operate in the Chicagoland area and offer competitive rates. Dining Near the Conference This list includes restaurants in the vicinity of the Fairmont Hotel, as well as suggestions and directions to other dining options in the city. In the Hotel Columbus Tap (312) 444–9494 columbustap.com Burgers, ribs, fish, salads, and brunch Average entrée: $10–30 Breakfast or Brunch Near the Hotel (within a 10-minute walk from the conference hotel) Eggsperience West Egg Café Yolk 35 W. Ontario St. 620 N. Fairbanks Ct. 355 E. Ohio St. (312) 870–6773 (312) 280–8366 (312) 822–9655 eggsperiencecafe.com westeggchicago.com eatyolk.com Average entrée: $10–20 Average entrée: $10–20 Breakfast and lunch Average entrée: $10–15 Einstein Bros. Bagels 300 E. Ohio St. (312) 787–6100 einsteinbros.com Average entrée: $5–15 Lunch or Dinner Near the Hotel (within a 10-minute walk from the conference hotel) Heaven on Seven Park Grill Purple Pig 111 N. Wabash Ave. 11 N. Michigan Ave. 500 N. Michigan Ave. (312) 263–6443 (312) 521–7275 (312) 464–1744 heaveonseven.com parkgrillchicago.com thepurplepigchicago.com Cajun, serving breakfast and lunch American cuisine, in nearby American, Mediterranean, and Average entrée: $10–15 Millennium Park Spanish, serving lunch and dinner Average entrée: $10–30 Average entrée: $10–15 28 Host Committee Recommendations South Water Kitchen Sweetwater Tavern and Grille Trattoria No. 10 225 N. Wabash Ave. 225 N. Michigan Ave. 10 N. Dearborn St. (312) 236–9300 (312) 698–7111 (312) 984–1718 southwaterkitchen.com sweetwatertavernandgrille.com trattoriaten.com Midwestern fare, with breakfast, Sandwiches and burgers Italian, serving lunch and dinner lunch, and dinner Average entrée: $10–15 Average entrée: $15–30 Average entrée: $15–35 Fast Food and Pubs Near the Hotel Broken English Taco Pub Foodlife Potbelly Sandwich Shop 75 E. Lake St. Water Tower Place, 835 Michigan 225 W. Randolph St. (312) 929–3601 Ave. (312) 332–5720 tacopub.com (312) 335–3663 potbelly.com Mexican foodlifechicago.com Made-to-order toasted sandwiches, Average entrée: $4–10 Food court with barbecue, Chinese, salads, soups, and baked goods pastas, soups, sandwiches, small Average entrée: $5–7 Brown Bag Seafood Co. grocery 340 E. Randolph St. Average entrée: $10 The Protein Bar (312) 496–3999 Two locations: 151 N. Michigan Ave. brownbagseafood.com The Goddess and Baker and 33 S. Wabash Ave. Terrific take-away fish 33 S. Wabash Ave. (312) 374–1459, (312) 631–3690 Average entrée: $8–11 (312) 877–5176 theproteinbar.com goddessandbaker.com Healthy wraps, smoothies, bowls, Corner Bakery Very pleasant pastries, sandwiches, salads, quinoa-focused. Breakfast 360 N. Michigan Ave. breakfast, lunch and dinner. Nice and lunch (312) 236–2400 coffee. Average entrée: $8–9 cornerbakerycafe.com Average entrées: $4–10 Bakery and sandwiches Seven on State Average entrée: $7–12 Latinicity 111 N. State St. 108 N. State St. (312) 782–1000 Elephant and Castle (312) 795–4444 Global food court on the seventh 185 N. Wabash Ave. latinicity.com floor of Macy’s department store, (312) 345–1710 Ten Latin-inspired eateries in a with Japanese, Mexican (Rick elephantcastle.com food court Bayless), salads, etc. Burgers and pub food, including Average entrée: varies Average entrée: $8–10 poutine Average entrée: $9–16 Pastoral Artisan Cheese, Wow Bao Bread, and Wine Two locations: 225 N. Michigan Epic Burger 53 E. Lake St. Ave. and 1 W. Upper Wacker Dr. 227 E. Ontario St. (312) 658–1250 (312) 226–2299, (312) 658–0305 (312) 257–3260 pastoralartisan.com wowbao.com epicburger.com Killer sandwiches, good for picking Asian steamed buns Beef, turkey, and portobello up food for hotel room N. Michigan Ave. location closed burgers, grilled cheese Average entrée: $8–10 Saturday and Sunday; Wacker Dr. Average entrée: $5–8 location open seven days a week Average entrée: $3–7

29 Host Committee Recommendations Good Places in the Area The following dining recommendations require a bit farther walk or a short cab ride. Bar Toma Gaylord Fine Indian Cuisine Roka Akor 110 E. Pearson St. 100 E. Walton St. 456 N. Clark St. (312) 266–3110 (312) 664–1700 (312) 477–7652 bartomachicago.com gaylordil.com rokaakor.com Gourmet pizzas and lots of small Indian, with lunch buffet Fridays, Japanese steaks, seafood, and sushi plates, plus Italian beers and wines Saturdays, and Sundays Average entrée: $20–40 Average entrée: $11–30 Average entrée: $15–20 Roy’s Ditka’s Restaurant Gibson’s Bar & Steakhouse 720 N. State St. 100 E. Chestnut St. 1028 N. Rush St. (312) 787–7599 (312) 587–8989 (312) 266–8999 roysrestaurant.com ditkasrestaurants.com gibsonssteakhouse.com Hawaiian fusion, with “Aloha Hour” Chops, steaks, burgers, with Steaks, fish, burgers, ribs drink specials and bar bites breakfast on weekends Average entrée: $15–60 Average entrée: $30–45 Average entrée: $20–40 Grand Lux Café Shaw’s Crab House Eataly 600 N. Michigan Ave., Suite7 21 E. Hubbard St. 43 E. Ohio St. (312) 276–2500 (312) 527–2722 (312) 521–8700 grandluxcafe.com shawscrabhouse.com eataly.com Eclectic global cuisine Seafood Huge Italian food market with Average entrée: $10–20 Average entrée: $30–55 restaurants and food stands Average entrée: $10–30 Hard Rock Café Volare 63 W. Ontario St. 201 E. Grand Ave. Francesca’s (312) 943–2252 (312) 410–9900 200 E. Chestnut St. hardrock.com volarerestaurant.com (312) 482–8800 American Traditional Italian miafrancesca.com Average entrée: $10–30 Average entrée: $20–40 Italian trattoria with bar that serves very good pasta, pizza, fish, Jake Melnick’s Corner Tap Wildfire veal, and beef. 41 E. Superior St. 159 W. Erie St. Average entrée: $10–30 (312) 266–0400 (312) 787–9000 jakemelnicks.com wildfirerestaurant.com Frontera Grill Burgers, ribs, sandwiches, and Steaks, burgers, seafood, salads 445 N. Clark St. platters, open until 2 am on Average entrée: $15–30 (312) 661–1434 weekends rickbayless.com Average entrée: $10–20 Xoco Celebrity chef Rick Bayless’s 449 N. Clark St. regional Mexican restaurant Maggiano’s Little Italy (312) 661–1434 Average entrée: $20–30 516 N. Clark St. rickbayless.com (312) 644–7700 Rick Bayless’s Mexican street The Gage maggianos.com food, serving breakfast, lunch, and 24 S. Michigan Ave. Italian dinner (312) 372–4243 Average entrée: $15–25 Average entrée: $8–12 thegagechicago.com Rustic American, with brunch on RL (Ralph Lauren) weekends 115 E. Chicago Ave. Average entrée: $15–35 (312) 475–1100 rlrestaurant.com Salads, sandwiches, and fish entrées Average entrée: $15–30

30 Host Committee Recommendations Restaurants Farther Away but Worth a Trip

Pretty close: West Loop Au Cheval The Publican Wishbone Restaurant 800 W. Randolph St. 837 W. Fulton Market 1001 W. Washington Blvd. (312) 929–4580 (312) 733–9555 (312) 850–2663 auchevalchicago.com thepublicanrestaurant.com wishbonechicago.com Upscale “diner” that works with A creative seafood and pork- Southern dishes and breakfast with ingredients ranging from bologna focused menu, plus global brews, a Cajun spin to foie gras communal tables Average entrée: $15–20 Average entrée: $11–30 Average entrée: $20–35 Avec La Sardine 615 W. Randolph St. 111 N. Carpenter St. (312) 377–2002 (312) 421–2800 avecrestaurant.com lasardine.com Inventive small and large plates, Classic French comfort food and communal seating drink Average entrée: $12–30 Average entrée: $20–35 Not too far, North: Lincoln Park Café Ba-Ba-Reeba! 2024 N. Halsted St. (773) 935–5000 cafebabareeba.com Tapas, pintxos, sangria Average entrée: $10–20 Not too far, Northwest: Wicker Park/Bucktown Antique Taco Le Bouchon Green Zebra 1360 N. Milwaukee Ave. (also has 1958 N. Damen Ave. 1460 W. Chicago Ave. location in Bridgeport) (773) 862–6600 (312) 243–7100 (773) 687–8697 lebouchonofchicago.com greenzebrachicago.com antiquetaco.com Small, bustling neighborhood Vegetarian restaurant with Excellent hipster Mexican place, French bistro with classic cuisine seasonal, creative small plates good drinks and quaint decor Average entrée: $12 Average Entrée: $7–9 Average entrée: $25 Mana Food Bar Big Star Furious Spoon Wicker Park 1742 W. Division St. 1531 N. Damen Ave. 1571 N. Milwaukee Ave. (also has (773) 342–1742 (773) 235–4039 location in Logan Square) manafoodbar.com bigstarchicago.com (773) 687–8445 Intimate spot with global Mexican street food, plus furiousramen.com vegetarian/vegan food, smoothies, margaritas. Gets crowded Japanese ramen soup offered with sake cocktails Average entrée: $4–7 toppings and sides Average entrée: $15 Average entrée: $7–12

31 Host Committee Recommendations Mindy’s Hot Chocolate Trenchermen Restaurant and Dessert Bar 2039 W. North Ave. 1747 N. Damen Ave. (773) 661–1540 (773) 489–1747 trenchermen.com hotchocolatechicago.com Hip spot for modern American Family-friendly American eatery dining and craft cocktails known for its seasonal fare, rich Average entrée: $20–40 desserts, and hot chocolate Average entrée: $20 Not too Far, Northwest: Logan Square Chicago Diner Giant Longman and Eagle 2333 N. Milwaukee Ave. (also has 3209 W. Armitage Ave. 2657 N. Kedzie Ave. location in Lakeview) (773) 252–0997 (773) 276–7110 (773) 252–3211, ext. 1 giantrestaurant.com longmanandeagle.com/ Veggiediner.com Seasonal New American plates and Nose-to-tail brew pub. Does not Vegetarian restaurant craft cocktails. Small and can be take reservations Average entrée: $14 tough to get a seat Average entrée: $12–32 Average entrée: $31 Lula Café 2537 N. Kedzie Blvd. (773) 489–9554 lulacafe.com Excellent farm-to-table restaurant serving brunch and dinner Average entrée: $12–30 A Short Cab Ride South and West: Pilsen and Bridgeport Kimski Maria’s Packaged Goods and Pleasant House Bakery 960 W. 31st St. (seating available Community Bar 2119 S. Halsted St., #1 in Maria’s Packaged Goods and 5357 W. Belmont Ave. (connected (773) 523–7437 Community Bar) to Kimski) pleasanthousepub.com/ community-bar.com/kimski (773) 545–9428 Rustic café with a blackboard Counter-serve spot featuring community-bar.com menu of farm-to-table fare, savory Korean-Polish fusion eats (kimchi Amazing bar with great cocktails, pies, baked goods, brunch, and pierogi!) with draft beer and wine home brew, and music Sunday tea service Average entrée: $7 Average entrée: $15 Far North: Edgewater Alice & Friends’ Vegan Kitchen Demera Ethiopian Restaurant Mas Alla del Sol 5812 N. Broadway 4801 N. Broadway 5848 N. Broadway (773) 275–8797 (773) 334–8787 (773) 654–1900 Average entrée: $11–30 demeraethiopian.com masalladelsolrestaurant Average entrée: $15–20 Mexican Cookies & Carnitas Average entrée: $15–25 5757 N. Broadway Mango Pickle (773) 769–2900 5842 N. Broadway Thai Pastry & Restaurant cookiesandcarnitas.com (773) 944–5555 4925 N. Broadway Organic sandwiches, tacos, pizza, mangopicklechicago.com (773) 784–5399 and cookies; BYOB Innovative Indian bistro thaipastry.com Average entrée: $10–15 Average entrée: $15–20 Average entrée: $10–20 32 Host Committee Recommendations “Old School” Chicago Joints Billy Goat Tavern Gold Coast Dogs Manny’s 430 N. Michigan Ave. (lower level) 159 N. Wabash Ave. 1141 S. Jefferson St. (312) 222–1525 (312) 917–1677 (312) 939–2855 Burgers, breakfast, and bar— Hot dogs, cheddar fries mannysdeli.com tavern inspired the famous Average entrée: $5–10 Deli “Cheezborger”/John Belushi Average entrée: $10–15 Saturday Night Live skit. Lou Mitchell’s Average entrée: $5–7 565 W. Jackson Blvd. Portillo’s (312) 939–3111 100 W. Ontario St. loumitchellsrestaurant.com (312) 587–8910 Breakfast portillos.com Average entrée: $10–15 Hot dogs, burgers, Italian beef, ribs Average entrée: $5 Chicago-style Pizza Gino’s East Lou Malnati’s Pizzeria Due 162 E. Superior St. 439 N. Wells St. 619 N. Wabash Ave. (312) 266–3337 (312) 828–9800 (312) 943–2400 ginoseast.com loumalnatis.com unos.com Giordano’s Pizzeria Uno Two locations: 730 N. Rush St. and 29 E. Ohio St. 130 E. Randolph St. (312) 321–1000 (312) 951–0747; (312) 616–1200 unos.com giordanos.com Bars/Hangouts Arbella The Signature Lounge at the Game Room Chicago at the 112 W. Grand Ave. John Hancock Center Chicago Athletic Association (312) 846–6654 875 N. Michigan Ave. 12 S. Michigan Ave., 2nd Floor arbellachicago.com (312) 787–9596 (312) 792–3535 Chic, cozy bar with global eats, signatureroom.com lsdatcaa.com/game-room-chicago craft cocktails, regular DJs, and Classic bar and restaurant with a Billiards tables, a full-sized bocce sometimes dancing fantastic city view from the 95th court, cards, checkers and chess floor of the Hancock Center tables, foosball, shuffleboard, and Boleo at the Kimpton Gray more. Delicious beverages and Hotel Burton Place finger-friendly foods 122 W. Monroe St. 1447 N. Wells St. (312) 750–9007 (312) 664–4699 Headquarters Beercade— boleochicago.com yelp.com/biz/burton-place-chicago River North Luxury rooftop restaurant and bar Casual, three-story bar and grill 213 W. Institute Pl. with a resident DJ featuring TVs, pool tables, and a (312) 291–8735 jukebox, plus pub grub served late hqbeercade.com Chicago Athletic Association Funky arcade bar with loads of Hotel throwback video games, plus craft 12 S. Michigan Ave. beers and specialty cocktails (312) 940–3552 chicagoathletichotel.com Lavish, large bar with early twentieth-century club feel 33 Host Committee Recommendations The Redhead Piano Bar SPiN Chicago 16 W. Ontario St. 344 N State St (312) 640–1000 (773) 635–9999 redheadpianobar.com chicago.wearespin.com Cocktail piano bar dressed in Energetic, sprawling hangout yesteryear memorabilia draws featuring lots of ping pong tables, the well-heeled for crooners and plus global food, cocktails, and DJs cocktails Clubs Bottom Lounge Double Door Primary 1375 W. Lake St. 1551 N. Damen Ave. 5 W. Division St. (312) 666–6775 (773) 489–3160 primarychi.com bottomlounge.com doubledoor.com Tuesday–Sunday (10 pm–4 am), Hip venue with live music and DJs. Big Wicker Park dance club. Saturday 10 pm–5 am) Check website for specific shows CumbiaSazo, a popular Latin night, Dedicated to the best in electronic and times is on Saturday. Check website for dance music. Check website for DJs other events. and show times. Disco 111 W. Hubbard St. Graffiti Lounge Spybar discochicago.com 116 W. Hubbard St., 8th Floor 646 N. Franklin St. Friday (11 pm–4 am) and Saturdays (312) 955–5000 (312) 337–2191 (11 pm–5 am) graffitichicago.com spybarchicago.com All disco, all the time at this chic Luxurious lounge featuring a range Long-running club and lounge new venue of DJs bringing in top tier global DJs Underground Wonderbar 710 N. Clark St. (312) 266–7761 undergroundwonderbar.com Evening live music upstairs and late-night dancing downstairs every day until 4 am Karaoke Alice’s Lounge Brando’s Speakeasy Cafe Mustache 3556 W. Belmont Ave. 343 S. Dearborn St. 2313 N. Milwaukee Ave. (773) 279–9382 (773) 216–3213 (773) 687–9063 yelp.com/biz/alices-lounge-chicago brandoschicago.com originalrapkaraoke.com Neighborhood tavern near the This 1920s-themed spot with red Hip hangout offering coffee, local Belmont Blue Line stop in Avondale velvet curtains has on-demand and microbrews, and light bites in chill transforms from a dive where you planned karaoke in addition to DJs quarters with an eclectic look. may have to be buzzed in during spinning classic soul, comfortable Home to Chicago’s original hip-hop the day into a packed karaoke couches, and cheap drink specials. karaoke on every first and third mecca at night for a mix of young Saturday night. and old singers.

34 Host Committee Recommendations Hidden Cove Sakura Karaoke Trader Todd’s 5338 N. Lincoln Ave. 234 W. Cermak Rd. 3216 N. Sheffield Ave. (773) 275–6711 (312) 326–9168 (773) 348–3250 yelp.com/biz/hidden-cove-chicago sakurakaraokebar.com tradertodd.com One big main room features a large Dim and almost dive-y, includes a Florida-imported island-themed dancefloor, wood-paneled walls, stage in the gently neon-lit main karaoke bar has a neon sign inside old-school tube TVs, and many room, and a full-beverage menu with proclaiming it “Chicago’s best cardboard cutouts of Corona models bottle service that’s cheaper than karaoke bar,” and it gets raucous and Dos Equis ads. other places. Private rooms cost many nights thanks to the sugary- between $30 and $50 per hour. drink-fueled masses. Lincoln Karaoke 5526 N. Lincoln Ave. Shoes Pub (773) 895–2299 1134 W. Armitage Ave. lincolnkaraoke.com (773) 871–4640 Best private-room karaoke on the shoespubchicago.com north side. The interior is no-frills, Raucous and loud, Shoes Pub is one the drinks are cheap, the food is main room where locals, DePaul fried. Hourly rates for groups of all students, and travelers loudly sing sizes run from $30–50. karaoke standards deep into the night on Fridays and Saturdays and Louie’s Pub munch on free popcorn. 1659 W. North Ave. (773) 227–7947 Spyners Pub louiespub.com 4623 N. Western Ave. There’s a long main front bar and a (773) 784–8719 back room, with a karaoke booth in yelp.com/biz/spyners-pub-chicago the middle where “karaoke jockeys” This tavern draws an eclectic crowd will play songs that you or groups for karaoke on Friday and Saturday of tipsy revelers can sing using nights, cheap drink specials, free wireless mics. pool, and free popcorn. LGBTQ+ Berlin Progress Second Story 954 W. Belmont Ave. 3359 N. Halsted St. 157 E. Ohio St., #2 berlinchicago.com progressbarchicago.com (312) 923–9536 Late-night staple brings diverse Popular bar/club in the heart of the Downtown dive bar with diverse crowds every night until 4 am Boystown strip, every night until 2 crowd, every night until 2 am (Saturday until 5 am). Check am (Saturday until 3 am) (Saturday until 3 am) website for specific parties as they vary widely in target audience. Specialty Film Venues Black Cinema House Block Cinema 6760 S. Stony Island Ave. 40 Arts Circle Dr., Evanston, IL (312) 857–5561 (847) 491–4000 rebuild-foundation.org/site/black- blockmuseum.northwestern.edu/ cinema-house view/ma Located at the Stony Island Arts Housed in the Mary and Leigh Bank, Black Cinema House screens Block Museum of Art on the films by and about Black people Northwestern University and the issues shaping their lives, campus, Block Cinema screens with programming ranging from contemporary as well as classic silent-era to contemporary. films. 35 Host Committee Recommendations Chicago Filmmakers Facets Multimedia Music Box Theatre 5243 N. Clark St. 1517 W. Fullerton Ave. 3733 N. Southport Ave. (773) 293–1447 (800) 331–6197 (773) 871–6607 chicagofilmmakers.org facets.org musicboxtheatre.com Home of Reeling: The Chicago A leading national media arts One of the premiere venues in LGBTQ+ International Film Festival and educational organization, Chicago for independent and and the Onion City Experimental Facets screens world, classic, and foreign films, the Music Box Film and Video Festival, Chicago independent film. Theatre opened as a neighborhood Filmmakers also offers year-round picture palace in 1929, and it has weekly programming dedicated Gene Siskel Film Center retained its original architecture to artistically innovative, socially 164 N. State St. and atmospheric design. relevant, and diverse films and (312) 846–2600 videos. siskelfilmcenter.org Northwest Chicago Film Affiliated with the School of the Society Doc Films Art Institute of Chicago, the Gene Building E, Northeastern Illinois Max Palevsky Cinema, Ida Noyes Siskel Film Center presents world- University, 3701 W. Bryn Mawr Ave. Hall, 1212 E. 59th St. class contemporary independent (773) 850–0141 (773) 702–8574 and international cinema as well as northwestchicagofilmsociety.org docfilms.uchicago.edu excellent repertory programs in a Repertory programming, featuring Located at the University of state-of-the-art space. film prints (mostly 35mm) from Chicago and founded in 1940, Doc studio vaults, film archives, and Films is the longest continuously private collections. running student film society in the United States. Theaters and Performance Spaces Chicago is recognized as one of the finest theater towns in the country. A number of productions that originated here in the past years have done on to worldwide fame and recognition. Theater companies are both large and small; some of the best experimental work takes place in the fringe groups. Auditorium Theatre of Goodman Theatre Private Bank Theatre Roosevelt University 170 N. Dearborn St. 17 E. Adams St. 50 E. Congress Pkwy. (312) 443–3800 (312) 977–1700 (312) 341–2310 goodmantheatre.org broadwayinchicago.com broadwayinchicago.com Harris Theater Second City Cadillac Palace Theatre 205 E. Randolph St. 1816 N. Wells St. 151 W. Randolph St. (312) 334–7777 (312) 337–3992 (312) 384–1502 harristheaterchicago.org secondcity.com broadwayinchicago.com Lookingglass Theater Steppenwolf Theatre Chicago Shakespeare Theater 821 N. Michigan Ave. 1650 Halsted St. 800 E. Grand Ave. (at Navy Pier) (312) 337–0655 (312) 335–1650 (312) 595–5600 lookingglasstheatre.org steppenwolf.org chicagoshakes.com Oriental Theatre Victory Gardens Theater Chicago Theater 24 W. Randolph St. 2433 N. Lincoln Ave. 175 N. State St. (312) 977–1700 (773) 871–3000 (312) 276–1235 broadwayinchicago.com victorygardens.org thechicagotheatre.com

36 Host Committee Recommendations Museums Adler Planetarium DuSable Museum of African Museum of Contemporary Art 1300 S. Lake Shore Dr. American History 220 E. Chicago Ave. (312) 992–7827 740 E. 56th Pl. (312) 280–2660 adlerplanetarium.org (773) 947–0600 mcachicago.org The Adler, which opened in 1930, dusablemuseum.org Chicago’s contemporary art center was the first planetarium in the DuSable is the nation’s oldest explores, exhibits, and collects art Western hemisphere. It now museum dedicated to the created since 1945. houses two star-gazing theaters, exploration, documentation, and a unique collection of antique celebration of the African American Museum of Science and instruments, extensive exhibit experience. Industry space, and many hands-on exhibits. 5700 S. Lake Shore Dr. Field Museum of Natural (773) 684–1414 Art Institute of Chicago History msichicago.org 111 S. Michigan Ave. 1400 S. Lake Shore Dr. Since 1933, this enormous museum (312) 443–3600 (312) 922–9410 has been dedicated to educating artic.edu fieldmuseum.org the public about science and Founded in 1879, the Art Institute The Field Museum currently holds, technology. is one of the leading art museums conserves, and studies more than in the United States, with a 20 million objects, a collection Peggy Notebaert Nature collection of about 300,000 which grew from holdings received Museum works ranging from ancient to after the World’s Columbian 2430 N. Cannon Dr. contemporary, and from around Exposition of 1893. (773) 755–5100 the world. A new modern wing, naturemuseum.org designed by Renzo Piano, opened Museum of Broadcast Devoted to “inspiring people to in 2009. Communications learn about and care for nature 360 N. State St. and the environment,” the Chicago History Museum (312) 245–8200 Notebaert Nature Museum works 1601 N. Clark St. museum.tv in conjunction with the collections (312) 642–4600 The Museum of Broadcast and scientists of the Chicago chicagohistory.org Communications is devoted Academy of Sciences. The Chicago History Museum to collecting, preserving, exhibits artifacts from the depth and presenting historic and The Shedd Aquarium of their 22-million-item collection contemporary radio and television 1200 S. Lake Shore Dr. and from the breadth of the city’s content. (312) 939–2438 history. sheddaquarium.org The Shedd houses 32,000 animals representing more than 1,500 species from waters around the world. Life’s Necessities (near the hotel)

Grocery Stores Bockwinkel’s Mariano’s Whole Foods Market 222 N. Columbus Dr. 333 E. Benton Pl. 255 E. Grand Ave. (312) 228–9920 (312) 228–1349 (312) 379–7900 Grocery store with deli, hot marianos.com wholefoods.com entrees, sandwiches, and liquor— open late Trader Joe’s 44 E. Ontario St. (312) 951–6369 traderjoes.com 37 Host Committee Recommendations Liquor Stores Bockwinkel’s and Mariano’s (listed above under “Grocery Stores”) sell alcoholic beverages. CVS and Walgreens (listed below under “Pharmacies”) both also sell alcoholic beverages; the CVS has a limited selection of beer, wine, and liquor, and Walgreens has an extensive selection of wine. Office Supplies Dry Cleaners Staples Associates Center Cleaners & Heritage at Millennium Park Shoe Repair 111 N. Wabash Ave. 150 N. Michigan Ave. (in the pedway) Pharmacies CVS Walgreens 205 N. Columbus Dr. (across from 151 N. State St. Fairmont Hotel) (312) 863–4249 (312) 861–0315 walgreens.com Open until midnight Miscellaneous Target 1 S. State St. (312) 279–2133 target.com Beyond Necessities: Books, Comics, and Records Chicago Comics Powell’s Bookstore The Seminary Co-op 3244 N. Clark St. 1501 E. 57th Street Bookstore (773) 528–1983 (773) 955–7780 5751 S. Woodlawn Ave. chicagocomics.com powellschicago.com (773) 752–4381 Very good comic shop in pleasant Not as large as Seattle’s famous semcoop.com neighborhood Powell’s, but darn good, filled Amazing academic bookstore in with excellent used books from Hyde Park neighborhood; a bit Dusty Groove University of Chicago faculty and far, but worth the trip. See also 1120 N. Ashland Ave. students its sister store 57th Street Books (312) 342–5800 at 1301 E. 57th Street for more dustygroove.com Reckless Records popular fare, including cookbooks Excellent record store with CDs 26 E. Madison St. and children’s books. and vinyl, featuring Latin, jazz, (312) 629–1810 soul, classical, and some rock. reckless.com Terrific record store (CDs and vinyl, Graham Crackers Comics as well as DVDs), mainly rock and 77 E. Madison St. pop grahamcrackers.com/chstore.htm Crowded, fun comic shop

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S Newberry Ave Newberry S S INSTRUCTIONS FOR PANEL AND WORKSHOP CHAIRS

1. Please keep panel presentations to 20 minutes and workshop presentations to no more than 10 minutes. Panels with more than 3 presenters will need to reduce presentation times to fit the 105‑minute sessions. • When one panelist goes over time, other panelists or workshop participants are deprived of a fair opportunity to present their research/comments. • Audience members are rightfully upset when there is no time to ask questions. 2. Papers should be no longer than 8 double‑spaced pages for a 20‑minute talk, and fewer pages if there are clips. If your panelists have more than this, ask them to edit down in advance. 3. Technology problems cut into panel times. Please have panelists check their technology (DVDs, laptops, flash drives) in advance. 4. Please check that all visuals and audio are functional before your session begins. 5. Chairs should give their panelists signals for 5 minutes left, 2 minutes left, and “please wrap up” at the 20-minute mark. 6. Chairs who are presenting papers should designate one of the panelists to time their paper when they are presenting. 7. Please end your panel or workshop promptly at 15 minutes before the hour to allow participants and audience members enough time to get to the next panel or workshop.

40 TO ALL SCMS MEMBERS YOU’RE INVITED! Caucus/SIG Open House Thursday, March 23 11:00 am – 12:15 pm ROOM Gold ▶ Fairmont, 2nd Floor Visit this drop-in open house to learn more about our various Caucuses and Scholarly Interest Groups and their current and upcoming activities. Representatives from these groups will be on hand to answer questions, welcome new conference attendees, and build connections with longtime SCMS members. Members’ Business Meeting Friday, March 24 11:00 am – 12:00 noon ROOM Gold ▶ Fairmont, 2nd Floor All SCMS members are encouraged to attend the annual Members’ Business Meeting to hear reports from the officers, Board of Directors, and Executive Director about recent efforts to support and enhance the member experience, as well as the solidify the overall health of the Society. Q & A to follow. Awards Ceremony Friday, March 24 4:15 – 5:30 pm ROOM International Ballroom ▶ Fairmont, 2nd Floor Please join us in acknowledging and honoring this year’s awards recipients. Reception Friday, March 24 5:45 – 6:45 pm ROOM Burnham Ballroom ▶ Mid-America Club, 80th Floor, AON Center Celebrate this year’s awards recipients, outgoing SCMS Board members, and others who have served the Society this past year while catching up with old friends and meeting new acquaintances. Please remember, your conference badge is required for admittance to the AON Center. You won’t want to miss the view at night! 41 SESSION Wednesday MARCH 22, 2017 A 10:00 – 11:45 am

A1 Navigating the Past A2 Nationhood and Collaboration  Excavation, Archiving, and Memory  in Transnational Media Culture

CHAIR Sophie Saint-Just ▶ Williams College CHAIR Michael Laramee ▶ Lasell College Justin Morris ▶ University of Toronto ▶ ​“Join the Michelle Baroody ▶ University of Minnesota ▶ ​ Dodge Rebellion!: Serializing Nostalgia in 1960s “Politics and Programming the Festival: The Place Television Advertising” of Levity and Experiment in Arab Cinema” Monica Filimon ▶ Kingsborough Community Olof Hedling ▶ Lund University ▶ ​“On Present College, CUNY ▶ ​“Buried Boxes: The Absurd as a European Co-production Practices through the Means of Working through the Past in Corneliu Prism of The Girl with the Dragon Tattoo (2009)” Porumboiu’s The Treasure (2015)” Michael Laramee ▶ Lasell College ▶ ​“Tunde Sophie Saint-Just ▶ Williams College ▶ ​“Afro- Kelani, Sawooride, and a Model of Pedagogically futurist Guadeloupean Dystopia: Archiving Intersecting Nollywood with Intergenerational Historical Memory in Janluk Stanislas’s Trafik Learning” d’info (2005)” SPONSOR Scandinavian Scholarly Interest Group

42 10:00 – 11:45 am WEDNESDAY march A3 Screening Race A5 Auteurs in Context 22  Cinemas of Difference and Identity  CHAIR Michael Baumgartner ▶ Cleveland State CHAIR Oliver Speck ▶ Virginia Commonwealth University University Anthony Coman ▶ University of Florida ▶ ​“‘A Punch Leila Estes ▶ University of Florida ▶ ​“Passing as in the Stomach’: CinemaScope and Displeasure in Transnational Trope: Basil Dearden’s Sapphire” Lola Montès (1955)” Oliver Speck ▶ Virginia Commonwealth University ▶ ​ Michael Baumgartner ▶ Cleveland State “Absolute Possession: Representations of Black University ▶ ​“F for Music or the M-Word as Fake: Captivity in Cinema” Music in Orson Welles’s Last Completed Film” Michele Beverly ▶ Mercer University ▶ ​“‘Blackness Amos Stailey-Young ▶ University of Iowa ▶ ​ Is a Void’: The Metaphysical Cinema of Kathleen “Narrative Ecologies: An Environmental Collins” Awareness in Agnès Varda’s La Pointe courte and Sarah Smyth ▶ University of Southampton ▶ ​“White The Gleaners and I” Space: Challenging the Racial Construction of Priyadarshini Shanker ▶ New York University ▶ ​ the British Period Drama in Amma Asante’s Belle “Chaitanya Tamhane’s Court: A Brave, New (2014)” Bombay Cinema!”

A4 Global Queer Audience A6 WORKSHOP  and Reception  Making Media in “The Chi”

CHAIR Andrew Davis ▶ Oklahoma State CHAIR Racquel Gates ▶ College of Staten Island, University CUNY ▶ Oklahoma State University ▶ ​ Andrew Davis WORKSHOP PARTICIPANTS “Transnational Queer Cinema and Its Audiences: Analyzing Circumstance and Its Marketing and Racquel Gates ▶ College of Staten Island, CUNY Reception” Jeffrey McCune ▶ Washington University in St. Louis Suzi Garcia ▶ University of Michigan ▶ ​“Don’t Be so Chiflada: An Examination of Raced Camp, Aymar Christian ▶ Northwestern University Kitsch, and Domesticana in Ugly Betty and Monica Ricardo Gamboa ▶ New York University McClure’s Chiflada” Tiffany Curtis ▶ Professional Actress

SPONSORS Caucus Coordinating Committee, SPONSOR Black Caucus SESSION Transnational Cinemas Scholarly Interest Group A

43 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 10:00 – 11:45 am march 7 Inside Out 9 Environmental Iterations 22 A Technology, Intermediality, Gender, and A Where the Digital and the Ecological Sexuality in the Japanese Cinema of Entwine in Media WEDNESDAY   Economic Miracle

CHAIR Dale Hudson ▶ New York University Abu CHAIR Chika Kinoshita ▶ Kyoto University Dhabi

RESPONDENT Dan O’Neill ▶ University of California, RESPONDENT Timothy Murray ▶ Cornell University Berkeley Dale Hudson ▶ New York University Abu Dhabi ▶ ​ Yutaka Kubo ▶ Kyoto University ▶ ​“Why Left “Digital Habitats: Ecologies of Sex, Race, Religion, Behind?: The Images of Passing Trains and and Species” Women in Keisuke Kinoshita’s Films” Patricia Zimmermann ▶ Ithaca College ▶ ​ Chika Kinoshita ▶ Kyoto University ▶ ​“The Birth “Unsettling and Reimagining Politics: Beyond of the Fetus and Male Subjectivity: Imaging Interventionist Activism” Technologies, Visual Culture, and the 1960s Claudia Pederson ▶ Wichita State University ▶ ​ Japanese Cinema” “New Screen Worlds: Critiquing Google Earth, Yusuke Kataoka ▶ Hitotsubashi University ▶ ​“The YouTube, and Empire” Sound of Occupation: The Sound of the Invisible Airplane and the Image of Pregnant Women in Japanese Atomic Bomb Films” A10 Contemporary Fandom and  Community Archives A8 Scalar Logics in Screen Media CHAIR John Bruns ▶ College of Charleston  Leah Steuer ▶ University of California, Los Angeles ▶ ​ CHAIR Christopher Ernst ▶ Stevenson University “She Believes in Yesterday: Archiving Intimacy Anne Pasek ▶ New York University ▶ ​“Climate and Obsession with the Beatles Fangirls” Visualization and the Problem of Scale” Ann-Marie Fleming ▶ University of Kent ▶ ​ Christopher Ernst ▶ Stevenson University ▶ ​“Size “100,000 Copies Can’t Be Wrong: British Fandom Matters: Toward a Cinematic Language for Mobile in Elvis Monthly 1960–1965” Devices” Jeremy Moore ▶ University of California, Santa Sam Roggen ▶ University of Antwerp ▶ ​“Planimetric Barbara ▶ ​“Constructing the Survivor Archive: Staging and Pictorial Flatness in 1950s Historicizing Reality Television through Surplus CinemaScope: A Systematic Style Analysis” Audience Labor” SESSION Steven Pustay ▶ Independent Scholar ▶ ​“The Micro Mike Van Esler ▶ University of Kansas ▶ ​“‘Elated and the Macro: Life, Death, and Fractal Logic in Just to See It’: The Videophile’s Newsletter, A The Tree of Life” Community, and Technological Meaning”

44 10:00 – 11:45 am WEDNESDAY march A11 Feminine/Feminist Aesthetic A13 Visual and Print Media 22 Strategies Adaptation, Influence, Intertextuality    - CHAIR Rachel Fabian ▶ University of California, Santa Barbara CHAIR Sarah Gleeson-White ▶ University of Sydney Katie Model ▶ New York University ▶ ​“Filming Therapy: Fragmentation, Performance and Priyanjali Sen ▶ New York University ▶ ​ Narrative Frames in ‘The Gloria Films’” “Transnational Conversations: Shakespeare and Contemporary Bengali Cinema” Rachel Fabian ▶ University of California, Santa Barbara ▶ ​“Historicizing Transnational Feminist Sarah Gleeson-White ▶ University of Sydney ▶ ​ Documentary Practice: The Case of Martha Stuart “Beyond Picturization: Early American Cinema Communications, Inc.” and Print Cultures, and the Case of Barton’s Camille (1926)” Vanessa Cambier ▶ University of Minnesota ▶ ​ “Womanhouse: Domestic Space, Gender Andrea Schmidt ▶ University of Washington ▶ ​ Performance, and the Everyday” “‘Then, I go among the Germans:’ Klein Dorrit (1934)” Karen Backstein ▶ Sterling Publishing ▶ ​ “Documenting the Dance Institution: Cinema, the Philip Scepanski ▶ Marist College ▶ ​“‘Our Most Ballet Company, and Culture” Distinguished Guest’: Prospects of Mankind, Eleanor Roosevelt, and John F. Kennedy”

12 Gameplay A A14 Documentary Cinema  Origins, Auteurs, and Performance CHAIR Jason Lopez ▶ University of Wisconsin-   Madison -

Matthew Knutson ▶ University of California, CHAIR Caroline Blinder ▶ Goldsmiths, University Irvine ▶ ​“Frame Perfect: Optimization in the of London Micro-Temporality of Skillful Play” Kathryn Hearst ▶ Brooklyn College, CUNY ▶ ​ Christopher Bingham ▶ University of Oklahoma ▶ ​ “Origins of Contemporary Documentary: Barbara “What’s for Sale on Twitch” Kopple’s Harlan County, USA, 40 Years Later” Alexander Champlin ▶ University of California, Daniel Sacco ▶ Ryerson University ▶ ​“Capturing Santa Barbara ▶ ​“Live from the Virtual Sofa: Robert Durst: The Jinx, All Good Things, and the Mediating Intimacy, Immediacy, and Player Power Performance of Objectivity” on Twitch.TV” SESSION Shilyh Warren ▶ The University of Texas at Dallas ▶ ​ Jason Lopez ▶ University of Wisconsin-Madison ▶ ​ “Observation: Lauren Greenfield and the Limits of “Regulating Mediated Spaces: Mobile Media and Feminist Vérité” the Rise of Fantasy Sports” Caroline Blinder ▶ Goldsmiths, University of A London ▶ ​“The Lyrical Gaze of Helen Levitt: In the Street (1952)”

45 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 10:00 – 11:45 am march 22 A15 What Is It Good For? A17 Intersectional Genres and Aesthetics of War and Peace Modes of Address

WEDNESDAY     - -

CHAIR Jonna Eagle ▶ University of Hawaii at CHAIR Jason Sperb ▶ Benedictine University Manoa Emily Saidel ▶ University of Michigan ▶ ​“Politics Is Katerina Loukopoulou ▶ University of the Arts the New Black: Governmental Fictions as a Genre London ▶ ​“Peace Documentaries: The Case of of American Prime Time” Thorold Dickinson’s Productions for the United Racquel Gonzales ▶ University of California, Nations” Irvine ▶ ​“‘Entertainment with an Ulterior Motive’: Jonna Eagle ▶ University of Hawaii at Manoa ▶ ​“To The Role of Procedural Reenactment in NBC’s Be Real: War and American Screen Culture” Dragnet” SPONSOR War and Media Studies Scholarly Interest Group Godofredo Mendez ▶ University of North Texas ▶ ​ “Gotta Colonize ‘em All: Pokémon as the New Western” Jason Sperb ▶ Benedictine University ▶ ​“Save that Gag for the Tourists: Industrial Reflexivity and 16 Crafting Cinema Post-tourism Narratives in Hollywood’s Hawaii A Cycle of the 1930s”   -

CHAIR Constance Balides ▶ Tulane University Eric Naessig ▶ Chapman University ▶ ​“The Construction of The Bridge on the River Kwai: 18 Situating Narrative Script Development Obscured with Secrecy” A Music, Time, and Place Brandon Colvin ▶ University of Wisconsin-Madison ▶ ​   “Directing Spontaneity: Improvisational Tactics in - American Microbudget Cinema” CHAIR Paula Musegades ▶ Brandeis University Julie Lavelle ▶ Indiana University ▶ ​“‘A Colored Serial Supreme!’: Richard E. Norman’s Zircon and Paula Musegades ▶ Brandeis University ▶ ​ the Long History of Serial Films” “Composing Place for Lost in Space: John Constance Balides ▶ Tulane University ▶ ​“Civic Williams’s Television Music” Cinema and the Secular Spectator: ‘Sociological’ Georgia Luikens ▶ Brandeis University ▶ ​“Motif and Films in the 1910s” the Mob: Locating On the Waterfront” Reba Wissner ▶ Montclair State University ▶ ​ SESSION “Suburban Explosions: Music, Destruction, and the Atomic Bomb in 1950s and 1960s Television A Anthologies”

46 10:00 – 11:45 am WEDNESDAY march A19 Hip-hop, Dance, Song, A20 The Politics and Aesthetics of 22 and Opera the (Global) Moving Image  Languages of Musical Cinema   

CHAIR Eric Herhuth ▶ Tulane University CHAIR Steve Spence ▶ Clayton State University Kalling Heck ▶ University of Wisconsin-Milwaukee ▶ ​ Dhrubaa Mukherjee ▶ Texas A&M University ▶ ​ “Global Art Cinema Aesthetics and the Messianic “Can the Subaltern Sing?” Gaze” Eleonora Sammartino ▶ King’s College London ▶ ​ Adam Cottrel ▶ Georgia State University ▶ ​“The “‘Tyler Gage Has a Hot Style’: Male Dancers Liquid Aesthetic of Global Art Cinema” and Fluid Masculinities in the Contemporary Eric Herhuth ▶ Tulane University ▶ ​“Post-truth American Film Musical” Pixar: Spectatorship and Judgment in Animated Panpan Yang ▶ University of Chicago ▶ ​ Film and Digital Culture” “Translocality, Remediation, and the Vernacular: Teochew Opera Film in the 1950s and 1960s” Steve Spence ▶ Clayton State University ▶ ​“Hip- hop Aesthetics in La Haine (Mathieu Kassovitz, 1995)”

SPONSOR Sound Studies Scholarly Interest Group

MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 10:00 – 11:45 am Experimental Film and Media Scholarly Interest Group

ROOM Burnham Ballroom A Mid-America Club, 80th Floor, AON Center

SESSION A

47 SESSION Wednesday MARCH 22, 2017 B 12:00 noon – 1:45 pm

B1 Media Temples B2 In Defense of Dheepan  Where and How Religion Gets Onscreen  (Jacques Audiard, 2015)

CHAIR Jenna Supp-Montgomerie ▶ University CHAIR Charlie Michael ▶ Georgia State University of Iowa RESPONDENT Vinay Swamy ▶ Vassar College Saundarya Thapa ▶ University of California, Los Charlie Michael ▶ Georgia State University ▶ ​ Angeles ▶ ​“Of Temples and Goddesses—a “Affect, Ambiguity, Audiard: Making Sense of Suggestive History of Film Exhibition in Nepal” Dheepan” Stephen Patino ▶ University of North Texas ▶ ​ Julianna Blair Watson ▶ Emory University ▶ ​“Can “Christian Exploitation Films: An Analytical Study Crime Pay?: Immigrant Criminality in Jacques of the Marketing and Box Office Success of Audiard’s Dheepan” Sony’s Faith-based Films” Subha Xavier ▶ Emory University ▶ ​“‘A Violence ▶ George Washington Julie Chamberlain of Their Own’: Audiard’s Cinematic Attempt to University ▶ ​“Rethinking the Study of Religion Capture the Tamil Diaspora in France” and the American News Media: US Journalists, Global Icons of Compassion, and the Politics of SPONSOR French/Francophone Scholarly Interest Group Religious Authenticity, 1980–2000” Jenna Supp-Montgomerie ▶ University of Iowa ▶ ​ “The Medium Is the Mission: Spectacular Media in Colonial Christianity”

48 12:00 noon – 1:45 pm WEDNESDAY march B3 WORKSHOP B5 Complex Figures in 22 Race Postrace Classic Hollywood  Culture, Critique, and the Color Line 

CHAIR Delia Konzett ▶ University of New CHAIR Sarah Banet-Weiser ▶ USC Annenberg Hampshire School for Communication and Journalism Delia Konzett ▶ University of New Hampshire ▶ ​ “Racial Fantasy and Colonial Gaze in Pre-Code WORKSHOP PARTICIPANTS Racial Adventure Films: W.S. Van Dyke’s Shadows Cynthia A. Young ▶ Pennsylvania State University of the South Seas and Tarzan the Ape Man” Karen Tongson ▶ University of Southern Stephen Sharot ▶ Ben-Gurion University of the California Negev ▶ ​“Class Passing in Cross-class Romance Brandi Summers ▶ Virginia Commonwealth Films of the 1930s: Societal Comparisons” University Katherine Fusco ▶ University of Nevada, Reno ▶ ​ Eva Hageman ▶ University of Richmond “Cluck Cluck Clams and Baby Burlesks: Child Inna Arzumanova ▶ University of Southern Stars and the Marketing of Wholesome California Hollywood” Andree Lafontaine ▶ Aichi University ▶ ​“‘Eating Chinese’: Chop Suey Identity in 1930s Hollywood”

SPONSOR Classical Hollywood Scholarly Interest Group B4 Screen Queerness, Sexuality,  and Feminism 6 Manufacturing Popular CHAIR Jenelle Troxell ▶ Union College B Jenelle Troxell ▶ Union College ▶ ​“‘I can’t get any Memory in the Present exultation from bombs bursting’: Close Up and the  Emergence of a Feminist Counter-cinema” CHAIR Matthew Leggatt ▶ University of Sarah Panuska ▶ Michigan State University ▶ ​“The Winchester Queerly Past and Present in Su Friedrich’s The Matthew Leggatt ▶ University of Winchester ▶ ​ Ties That Bind” “Cold War Nostalgia in Contemporary Television Desirae Embree ▶ Texas A&M University ▶ ​ Series (and why it’s not all just politics)” “Investigating Carol: Lesbian Representability and Ian Peters ▶ Brenau University ▶ ​“Post–9/11 Cold the Status of Intradiagetic Sound” War Nostalgia: The Americans, Deutschland 83, and the International Humanization of Conflict” SESSION Bailey Kelley ▶ University of Iowa ▶ ​“A Tale of Two Goldbergs: The Evolution of Jewishness on Broadcast Television” Matthew Ellis ▶ Brown University ▶ ​“Film and B Popular Memory Revisited: The Other Side of Neoliberalism in The Big Short and Two Days, One Night” 49 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 12:00 noon – 1:45 pm march 7 Moving Images 9 Case Studies for New Theories 22 B Videographic Visuality in B Subjectivity, Attention, Slowness, Post-Mao China Repetition WEDNESDAY  

CHAIR Jennifer Dorothy Lee ▶ School of the Art CHAIR David Johnson ▶ Salisbury University Institute of Chicago Cooper Long ▶ University of Chicago ▶ ​“Rethinking CO-CHAIR Katherine Grube ▶ New York University the Disruption-Attention Linkage: Theory, Katherine Grube ▶ New York University ▶ ​“From Language, and The Incredible Shrinking Man” Painting to Video: Zhang Peili’s 30 x 30” N Cabot ▶ Hallym University ▶ ​“Going through the Jennifer Dorothy Lee ▶ School of the Art Institute of Motions: Theorizing the Limited Animation Sight Chicago ▶ ​“Archiving Zhang Yuan’s Mama” Gag” Meng Jiang ▶ New York University ▶ ​ Chang-Min Yu ▶ University of Iowa ▶ ​“Cinema’s “Videographing Hong Kong Cinema” Turing Test: The Truth of Consciousness in Hardcore Henry (2015)” David Johnson ▶ Salisbury University ▶ ​“The Speed of Cinephilia” B8 Workflow, Style, and  Aesthetics in Digital Cinema 10 Precarious Movement CHAIR Marc Furstenau ▶ Carleton University B Embodied Uncertainty in Contemporary Marc Furstenau ▶ Carleton University ▶ ​“The  Latin American Cinema Aesthetics of Digital Montage: Film, Editing, and Technological Change in the Cinema” CHAIR Elaine Basa ▶ University of Wisconsin- Zach Cheney ▶ University of Oregon ▶ ​“Film Makes Milwaukee the Cut: Editing Long Takes in Analog and Digital” Lucia Palmer ▶ University of Texas at Austin ▶ ​ Matthew Hipps ▶ University of Iowa ▶ ​“Pixar, “Precarity, Grievability, and the Lives of Border Pixels, and Paper: Animation and the Digital Crossers: Documentary Film Activism and Amalgam” Reimagining Frameworks of Migration Along the Hiaw Khim Tan ▶ University of Chicago ▶ ​“‘A Mexico-US Border” Flexible Finish’: Approaching the Historiography Javier Ramirez ▶ Indiana University ▶ ​“Affect of Hollywood Studio Style through the Digital in Stillness and Slowness: Rodrigo Reyes’s Intermediate Process” Purgatorio and the Slow Cinema Aesthetic”

SESSION Elaine Basa ▶ University of Wisconsin-Milwaukee ▶ ​ “Strange Futures: Land, Body, and Film Intimacies in Perut and Osnovikoff’s SURIRE (2015)” Julian Etienne ▶ University of Texas at Austin ▶ ​ B “Vibrant Media: Gleaning, Digging, and Turbulence in the Work of Bruno Varela”

SPONSOR Latino/a Caucus

50 12:00 noon – 1:45 pm WEDNESDAY march B11 Categorical Ambiguity B13 The Screen Legacy of the 22 The Contemporary Genre Corpus and Group Theatre  Gendered Identity  Adler, Garfield, Brando, and De Niro

 CHAIR Emily Mattingly ▶ The University of the - Arts CHAIR Cynthia Baron ▶ Bowling Green State Daren Fowler ▶ Georgia State University ▶ ​ University “Queer Fusions: The Queer Utopia of Children’s Cynthia Baron ▶ Bowling Green State University ▶ ​ Animation” “The Strasberg-Adler Clash in 1934: A Window Kelsey Cummings ▶ University of Pittsburgh ▶ ​ into the History of Acting” “‘Can We Just Breathe?’: Contemporary White Justin Rawlins ▶ University of Tulsa ▶ ​“Pre- and Masculinities and Chris Evans as Sex Symbol” Re-historicizing the Method: John Garfield, Linda Liu ▶ University of Massachusetts Boston ▶ ​ the Group Theatre, and the Paratexts of “Bright Futures Ahead: Intimate Investments and Performance” Social Reproduction in Advantageous” Scott Balcerzak ▶ Northern Illinois University ▶ ​ Emily Mattingly ▶ The University of the Arts ▶ ​ “Marlon Brando and the Adler Tradition: “Old Friends, Fag Hags, and the Developmental Stanislavskian and Yiddish Characterizations” Plotlines of Sitcoms” R. Colin Tait ▶ Texas Christian University ▶ ​“Letters from Gadg: De Niro, Kazan, and The Last Tycoon”

B12 Reputation, Reputation, Reputation B14 Form and Rhetoric in Recent  Rethinking Contemporary Auteurs  Documentary Film  - CHAIR Concepcion Cascajosa Virino ▶ Carlos III University of Madrid CHAIR Scott Krzych ▶ Colorado College Brad Bellatti ▶ University of Minnesota ▶ ​“Not a Scott Krzych ▶ Colorado College ▶ ​“Hysterical Twist, but a Loss: The Politics of Grieving in M. Imitation in Conservative Political Night Shyamalan’s Oeuvre” Documentaries” Claudia Pummer ▶ University of Hawaii at Manoa ▶ ​ Boaz Hagin ▶ Tel Aviv University ▶ ​“Reenacting “The Voice and the Text: Danièle Huillet’s Neoliberalism: The Other Untold Story of Cannon Cinematic (After)life (in Recent Films by J.M. Films” Straub)” Elisabeth Windle ▶ Washington University in St. SESSION Concepcion Cascajosa Virino ▶ Carlos III University Louis ▶ ​“Nostalgia, a Queer Mode of Grief: Freud, of Madrid ▶ ​“‘Everybody Is a Showrunner Now’: Kübler-Ross, and Lovett’s Gay Sex in the 70s The Case of Television Creator Javier Olivares in (2005)” Spain and the Quest for Creative Autonomy” SPONSOR Documentary Studies Scholarly Interest Group B Maxfield Fulton ▶ Yale University ▶ ​“Gendered Media Consumption and Auteurist Self-fashioning in Lars von Trier’s Recent Trilogies” 51 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 12:00 noon – 1:45 pm march 15 They’re the Worst 17 Packaging Movies 22 B Interrogating Millennial Television B Exhibition and Booking Whiteness WEDNESDAY     - - CHAIR Bradley Schauer ▶ University of Arizona CHAIR Taylor Nygaard ▶ University of Denver Jessica Whitehead ▶ York University ▶ ​“From Blind Jorie Lagerwey ▶ University College Dublin ▶ ​ Pigs to Movie Palaces: The Rise and Decline of “Precarious Whiteness in the Time of Trump: the Palace Theatre in Timmins, Ontario” UnReal, Anti-heroines, and Mental Illness” Derek Long ▶ University of Wisconsin-Madison ▶ ​ Hunter Hargraves ▶ California State University, “‘Every Production to Stand on Its Own Merit’: Fullerton ▶ ​“Irritated Girls and the Problem of Selective Distribution and Early Hollywood’s Affective Representation” ‘Open Market Bunk,’ 1918–1922” Taylor Nygaard ▶ University of Denver ▶ ​“Broad Bradley Schauer ▶ University of Arizona ▶ ​“The City’s Affable Critique and the Racial Discourses Secret Weapon of the ‘Major Minor’: Universal- of Girlfriendship” International and the Postwar Programmer” Claire Jesson ▶ University of Warwick ▶ ​ “Experiencing the Difference: Film Exhibition as Represented in Movie Theater Policy Trailers” B16 Commodifying Girlhood in  the 21st Century  - 18 Revolutionary Archives B Censorship, Geopolitics, and State CHAIR Mary Harrod ▶ University of Warwick  Violence David Coon ▶ University of Washington Tacoma ▶ ​  “POWER UP Films: Filmmaking and Education as - Queer Feminist Activism” CHAIR Victoria Ruetalo ▶ University of Alberta Katherine Lehman ▶ Albright College ▶ ​“Queering the ‘Single Girl’: Bisexual Desire and Brazen Natalie Ryabchikova ▶ University of Pittsburgh ▶ ​ Humor on Comedy Central’s Broad City” “Between the Soviet State and the Film Industry: Association of Workers in Revolutionary Cinema Mary Harrod ▶ University of Warwick ▶ ​“Prosthetic in the 1920s” Identity and Eros as Mediatized Commodity in Spring Breakers and The Bling Ring” Pedro Doreste ▶ University of Chicago ▶ ​ “Revolutionary Exceptions: Reception of the Godfather Films in Cuba” SESSION Victoria Ruetalo ▶ University of Alberta ▶ ​“Reading the ‘Disappeared’ Film Censorship Archive in B Argentina”

52 12:00 noon – 1:45 pm WEDNESDAY march B19 Labor and Professionalization B20 Immersion, Distance, Space, 22 in Shifting Media Industries and Duration   Situating Practices of Spectatorship  

CHAIR Shawn VanCour ▶ University of California, Los Angeles CHAIR Nathan Carroll ▶ College of St. Scholastica Shawn VanCour ▶ University of California, Los Amanda Shubert ▶ University of Chicago ▶ ​“Magic Angeles ▶ ​“Defining Production Techniques for Lantern Projection and the Victorian Affective Postwar Television: Transformative Media Labor Spectator” and the Making of the Professional Television Nathan Carroll ▶ College of St. Scholastica ▶ ​“One Worker, 1945–1959” Shot in Real Time: Digitally Staging Sublime Danielle Williams ▶ Georgia Gwinnett College ▶ ​ Cinema” “Television Broadcasting Employment Defies the Sarah O’Brien ▶ Georgia Institute of Technology ▶ ​ Forces Reshaping Labor in the Media Industries” “Inhabiting Scarcity and Sprawl: Narrative Ritesh Mehta ▶ University of Southern California ▶ ​ Complexity and Spectacular Mise-en-scène in the “‘Hustling’ in Film School as Anticipating Early Contemporary Detective Mini-series/Anthology Career Work in Media Industries” Series” Catherine Bernier ▶ Concordia University ▶ ​ “The Labor of the ’Agents of Change’: Creative Autonomy and Socioprofessional Trajectories in the Bollywood Indies”

SPONSOR Media Industries Scholarly Interest Group

MEETING▶▶▶▶▶▶▶▶▶▶▶▶ MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 12:00 noon – 1:45 pm 12:00 noon – 1:45 pm Urbanism/Geography/Architecture Media, Science & Technology Studies Scholarly Interest Group Scholarly Interest Group

ROOM Burnham Ballroom A  ROOM Lincoln Park Suite  Mid-America Club, 80th Floor, AON Center Fairmont, 37th Floor, Room 3709

SESSION B

53 SESSION Wednesday MARCH 22, 2017 C 2:00 – 3:45 pm

C1 National Identities and C2 Politics in and of Middle Cultural Policy in the Eastern Fictional Television  Fiction Feature 

CHAIR Christa Salamandra ▶ Lehman College,

CHAIR Jeeyoung Shin ▶ Yonsei University CUNY Joseph Coppola ▶ Columbia University ▶ ​ Arzu Ozturkmen ▶ Boğaziçi University ▶ ​“On “Negotiating Italian Whiteness: Silent Cinema Politics of Political Expressivity in Turkish Revised” Television Series” Monica Garcia Blizzard ▶ Ohio State University ▶ ​ Christa Salamandra ▶ Lehman College, CUNY ▶ ​ “The Native as Spiritual Other in 20th-Century “The Critical Politics and Somber Poetics of Mexican Cinema” Syrian Television Drama” Jeeyoung Shin ▶ Yonsei University ▶ ​“Screening Burcu Yildiz ▶ Istanbul Technical University ▶ ​“‘It North Koreans in Multicultural South Korea” Is a Fictional Drama, Not a Documentary!’: The Magnificent Century as a Site of Memory in Michael Turcios ▶ University of Southern Turkey” California ▶ ​“A Cinematic Attempt to Address Mexico’s Blackness as Influenced by Hollywood’s Nour Halabi ▶ University of Pennsylvania ▶ ​“The Problem Film” Spatialized Politics of Syrian Television Drama” SPONSOR Middle East Caucus

54 2:00 – 3:45 pm WEDNESDAY march C3 Beyond MTV C5 Screen Cultures and the 22  Mediating Music on Screen  Curatorial Impulse

CHAIR Andrea Kelley ▶ Auburn University CHAIR Cary Elza ▶ University of Wisconsin- CO-CHAIR Landon Palmer ▶ Indiana University Stevens Point Andrea Kelley ▶ Auburn University ▶ ​“Up-close and Cary Elza ▶ University of Wisconsin-Stevens Point ▶ ​ Personal: The Shifting Aesthetics of the Jukebox “A Wunderkammer of Monsters: Guillermo del Film” Toro, Hollywood Pedagogy, and New Museology” Landon Palmer ▶ Indiana University ▶ ​“A Record Sarah Lerner ▶ University of California, Santa for Your Television: Music and SelectaVision Barbara ▶ ​“NASA CineSpace Seeks Higher Ground: during the Format Wars” Appropriation, Public Culture, and the Curatorial” Eric Harvey ▶ Grand Valley State University ▶ ​“From Ulrike Hanstein ▶ Friedrich Schiller University Jena ▶ ​ Blondie to Beyoncé: The ‘Visual Album’ in 1979 “Moving Images and Histories of Movements: and 2016” Transmissions of Pina Bausch’s Tanztheater” Mack Hagood ▶ Miami University ▶ ​“Sonic Selfcraft: A Comparison of Vibro-affective Media Practices”

6 Films Without Images C C4 WORKSHOP CHAIR Justin Remes ▶ Iowa State University Rethinking the Cinematic Justin Remes ▶ Iowa State University ▶ ​“Walter  Conversations on Public Engagement Ruttmann and the Blind Film” John Powers ▶ Washington University in St. Louis ▶ ​ “Stan Brakhage’s Dark Night of the Soul” CHAIR Nora M. Alter ▶ Temple University Bruce Jenkins ▶ School of the Art Institute of WORKSHOP PARTICIPANTS Chicago ▶ ​“Showing Nothing” Christa Blumlinger ▶ University of Paris 8 Jennifer Proctor ▶ University of Michigan- Dearborn ▶ ​“‘Am I Pretty?’: Visual Silence and the Christopher Pavsek ▶ Simon Fraser University Disrupted Gaze” Nora M. Alter ▶ Temple University SPONSOR CinemArts Scholarly Interest Group Louis Massiah ▶ Scribe Video Center

SESSION C

55 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 2:00 – 3:45 pm march 22 C7 Contemporary Economies of C9 Manifestos for Multiple East Asian Media Histories of Film

WEDNESDAY   The ‘Transitional Zones’ of Artists’ Films, Live Documentaries, Animations, and CHAIR Dennis Lo ▶ James Madison University Installations Hojin Song ▶ Roberts Wesleyan College ▶ ​ “Authenticity of Pasta: Distinction of the Upper- class Taste and the Boundaries of South Korean CHAIR Catherine Fowler ▶ University of Otago Foodways” Miriam De Rosa ▶ Coventry University ▶ ​ Dennis Lo ▶ James Madison University ▶ ​ “Manifesto One for a Cinema of Conjunction: “The Translocal Auteur: Production Studies of Artists’ Films and Variability” Hou Hsiao-Hsien’s Cross-Strait Location Shoots” Kim Nelson ▶ University of Windsor ▶ ​“Manifesto Raymond Tsang ▶ New York University ▶ ​ Two for New Historiophoties: Off-roading “The Myth of Hong Kong and the Rule of Law: Audiovisual Histories Foregrounding Rethinking Martial Arts Cinema and Government” Polyvocalities and Human-to-Human Interactivity via Participatory Live Documentary” SPONSOR Asian Pacific American Caucus Paola Voci ▶ University of Otago ▶ ​“Manifesto Three for the Digital Animateur: Shadow Plays and Handmade Cinema” Catherine Fowler ▶ University of Otago ▶ ​ “Manifesto Four for Dynamic Forms: The Precarity, C8 Small Screens and Provisionality and Chaos of Artistic Installations” Mundane Routines SPONSOR Experimental Film and Media  The App-ification of Media Scholarly Interest Group

CHAIR Jeremy Morris ▶ University of Wisconsin- Madison Jeremy Morris ▶ University of Wisconsin-Madison ▶ ​ “Is It Tuesday?: Novelty Apps and Mundane C10 Advertising and Promotional Media” Culture Elizabeth Ellcessor ▶ Indiana University ▶ ​  “Companion: Never Walk Alone” CHAIR JJ Bersch ▶ University of Wisconsin-Madison Devon Powers ▶ Temple University ▶ ​“This. Reader: Curating Influence or Community?” Jason Rothery ▶ Carleton University ▶ ​“Advertising Agency: Communicating Agency in Video Game ▶ University of Michigan ▶ ​“Carrot Sarah Murray Advertising” To-Do: The Name of the Productivity Game Is SESSION Shame” JJ Bersch ▶ University of Wisconsin-Madison ▶ ​“He’ll Make Your Company a Star: The Role of the Product Placement Marketer” C Victoria Gerstman ▶ University of Nottingham ▶ ​ “Media Industry Anxiety in the Age of Automation: Ethnography at Cannes Lions 2016”

56 2:00 – 3:45 pm WEDNESDAY march 11 Global Feminist Histories 13 Avant-garde Practitioners C 1950s Cinema and Its Afterlife C Experiment, Adaptation, Temporality 22

   - CHAIR Meredith Slifkin ▶ Concordia University CHAIR Allison Ross ▶ University of Southern RESPONDENT ▶ SUNY, Purchase College Agustin Zarzosa California Catherine Russell ▶ Concordia University ▶ ​“The Allison Ross ▶ University of Southern California ▶ ​ Three Disappearances of Soad Hosni: Melodrama, “Autobiography and Adaptation: Polyvocality Critical Cinephilia, and Egyptian Modernity” and Referential Imagery as Autoethnography in Meredith Slifkin ▶ Concordia University ▶ ​ Damned if You Don’t (1987)” “Melodrama at Sea: Constructing Female Atene Mendelyte ▶ Lund University ▶ ​ Citizenship in Hollywood’s Transnational “Structuralist Horror in Hollis Framptonʼs Imagination” (nostalgia)” Mitsuyo Wada-Marciano ▶ Carleton University ▶ ​ Jungmin Lee ▶ Harvard University ▶ ​“Scrolls as “Love Letter: Images of Prostitutes in Japanese Virtual Media: Kinetic Abstraction and Projection Films of the 1950s” circa 1920” Victoria Gao ▶ University of Rochester ▶ ​“The Anti- road Movie and Deconstructing Identity in Robert Frank’s Me and My Brother” 12 SPONSOR Experimental Film and Media C Remaking Bodies, Scholarly Interest Group  Remixing Media

CHAIR Phillip Maciak ▶ Louisiana State University Sasha Crawford-Holland ▶ University of Southern C14 Retracing Histories of Soviet California ▶ ​“Virtual Healing: Violence and and East European Media ‘Sourcery’ in Virtual Reality Exposure Therapy”   Annu Dahiya ▶ Duke University ▶ ​“Splice: - Femininzing the ‘Human’ and the Horror of CHAIR Zoran Samardzija ▶ Columbia College Trans* Non/human Subjectivity” Chicago Jessica Mathiason ▶ University of Minnesota ▶ ​ Lora Mjolsness ▶ University of California, “Patenting the Human: Orphan Black, Eugenics, Irvine ▶ and Michele Leigh ▶ Southern Illinois and Synthetic DNA” University Carbondale ▶ ​“Wom-an-imation: Was Phillip Maciak ▶ Louisiana State University ▶ ​ There a Soviet Women’s Animation?” “Post-filmic, Postsecular: Mel Gibson’s (Un)subtle SESSION Zoran Samardzija ▶ Columbia College Chicago ▶ ​ Effects” “From Socialist Realism to Political Modernism in Věra Chytilová” Colleen Montgomery ▶ University of Texas at C Austin ▶ ​“‘For Those Who Survived the ‘90s’: Aleksei Balabanov’s Post-Soviet Heritage Porn”

57 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 2:00 – 3:45 pm march 22 C15 Media Publics and C17 Faces, Voices, and Sounds in Communities Contested Spaces

WEDNESDAY     - -

CHAIR Evan Brody ▶ University of Southern CHAIR Babli Sinha ▶ Kalamazoo College California Babli Sinha ▶ Kalamazoo College ▶ ​“Mulk Raj Charles Bludsworth ▶ Queens University of Anand, the BBC Imperial Service, and the Crisis of Charlotte ▶ ​“Slates for Sarah: Marking Mourning Cosmopolitanism” and Community-building in the Film Industry” Eszter Zimanyi ▶ University of Southern California ▶ ​ Sangeet Kumar ▶ Denison University ▶ ​ “Digital Transciene: Emplacement and Authorship “Facebook’s Emotional Contagion Study and the in Refugee Selfies” Appropriation of Networked Desire” Kariann Goldschmitt ▶ Wellesley College ▶ ​ Evan Brody ▶ University of Southern California ▶ ​ “Samba for Survival: Sonic Stereotypes of Urban “One Day You’re Queer and the Next Day You’re Violence in City of God and Elite Squad” Gone: OutQ, Logo, and the Shifting Nature of Modern LGBT-specific Programming”

C18 Media in a Surveillance Culture 16 Working It  C Performance and Structure  -  in Media Labor CHAIR Camilla Fojas ▶ University of Virginia  - Camilla Fojas ▶ University of Virginia ▶ ​“Wild Border: Drones and Surveillance Media” CHAIR Kelly Wolf ▶ University of South Carolina Emma Bedor Hiland ▶ University of Minnesota ▶ ​ Kelly Wolf ▶ University of South Carolina ▶ ​ “Governing from the Armchair Media, Psychiatric “Training Grounds: Performance Infrastructures Discourses, and Psychosurveillance” and Multispecies Ethnography within Media Industries” Chris Barnes ▶ Syracuse University ▶ ​“The Embodied Experience of Solitary Confinement in Bryan Hartzheim ▶ Reitaku University ▶ ​“Jokes Herman’s House” and Stories: Writing for Children’s TV in the US and Japan” Alexandra Bevan ▶ Massey University ▶ ​“Designed for Threat: School Architecture, Mass Shootings, Ramna Walia ▶ University of Texas at Austin ▶ ​ and Surveillance Culture” “Branding Mollywood: Mobile Economy of India’s SESSION Spoof Video Industry” Li Cornfeld ▶ McGill University ▶ ​“Sexy Work: C Booth Babes as Media Labor”

58 2:00 – 3:45 pm WEDNESDAY march C19 WORKSHOP C20 Difference, Disability, and 22 Reformattings of Touch Mental Illness  A Workshop in Haptic Media Studies   

CHAIR Kristen Loutensock ▶ University of CHAIR David Parisi ▶ College of Charleston California, Berkeley ▶ University of California, WORKSHOP PARTICIPANTS Kristen Loutensock Berkeley ▶ ​“Detecting Difference: Disability in Jason Archer ▶ University of Illinois at Chicago Television Crime Serials” Kelsey Cameron ▶ University of Pittsburgh Christina Wilkins ▶ University of Winchester ▶ ​ Rachel Plotnick ▶ Northwestern University “Recoding the Stereotype: Mental Illness and Erkki Huhtamo ▶ University of California, Los Technology in Mr. Robot” Angeles Slava Greenberg ▶ Tel Aviv University ▶ ​“Disabling the Corporeal Body: Embodiment in Adam Elliot’s Claymations”

MEETING▶▶▶▶▶▶▶▶▶▶▶▶ MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 2:00 – 3:45 pm 2:00 – 3:45 pm Comedy and Humor Studies Cognitive/Analytic Scholarly Interest Group Scholarly Interest Group

ROOM Burnham Ballroom A  ROOM Lincoln Park Suite  Mid-America Club, 80th Floor, AON Center Fairmont, 37th Floor, Room 3709

SESSION C

59 SESSION Wednesday MARCH 22, 2017 D 4:00 – 5:45 pm

1 Beyond Mise-en-scène 2 Unstable Publics D Aspects of Film Style D The Political Aesthetics of Media   Infrastructures in India

CHAIR Ryan Bowles Eagle ▶ California State University, Dominguez Hills CHAIR Ishita Tiwary ▶ Columbia University Andrew Falcao ▶ Wilfrid Laurier University ▶ ​ Ritika Kaushik ▶ University of Chicago ▶ ​ “Tragedy, Ecstasy, Doom: Abstract Expressionism “Bureaucratic Film Infrastructures in the Time of and West Side Story” Emergency” Carolin Kirchner ▶ University of California, Los Ishita Tiwary ▶ Columbia University ▶ ​“Unsettling Angeles ▶ ​“Traces of Noir: Neo-modernist News: Video Magazines in 1980s India” Revisionism and the Vernacular Cityscape in Shaunak Sen ▶ Jawaharlal Nehru University, New Jacques Deray’s The Outside Man (1972)” Delhi ▶ ​“Infrastructures of Truth: Sting-Videos Ryan Bowles Eagle ▶ California State University, and ‘Court-Video’ Cultures in India” Dominguez Hills ▶ ​“Playing Pretend: The Significance of Staging and Setups in Documentaries about Children”

60 4:00 – 5:45 pm WEDNESDAY march 3 Understanding the Formation 5 Eco-criticism across Media D Re-viewing Beyoncé’s Lemonade through D 22  a Media Studies Lens  CHAIR Jacob Smith ▶ Northwestern University Jacob Smith ▶ Northwestern University ▶ ​ CHAIR Miriam Petty ▶ Northwestern University “Adventurous Listening and CBS Radio’s Escape” Bambi Haggins ▶ Arizona State University ▶ ​“Does Eric Jenkins ▶ University of Cincinnati ▶ ​“The She Slay?: Beyoncé’s Televisual Performances of Attraction versus Tracking Media: Insights from Blackness through Lemonade” WALL-E on Cinema and Consumerism in Control Camille DeBose ▶ DePaul University ▶ ​“Resituating Society” ‘Video’ as Cinema in Lemonade” Alok Amatya ▶ University of Miami ▶ ​“Cinematic Jennifer Porst ▶ Emerson College ▶ ​“Beyoncé’s Itineraries of Conflict: Tracing Ecological Justice and HBO’s Lemonade Stand: A Case Study of Struggles in East-Central India” Exclusivity, Prestige, and Disruption in the Matt Thompson ▶ University of Toronto ▶ ​ Contemporary Media Industry” “Spaceship Earth: Silent Running and the Unlikely Kristen Warner ▶ University of Alabama ▶ ​ Union of Space Travel and Environmentalism”

“Sometimes It Takes a White Man: Authorship, SPONSORS Media and the Environment White Artistry, Black Authenticity and Beyoncé’s Scholarly Interest Group, Lemonade” Radio Studies Scholarly Interest Group SPONSORS Black Caucus, Oscar Micheaux Society

D6 Civics Lesson D4 Relocating the Screen’s Screen Media’s Potential for Empathy,  Gothic Heroine  Engagement, and Humanitarianism

CHAIR Christina Petersen ▶ Eckerd College CHAIR Spring-Serenity Duvall ▶ Salem College Katerina Flint-Nicol ▶ University of Kent ▶ ​ Spring-Serenity Duvall ▶ Salem College ▶ ​ “There’s a Secret behind the Door? And that “Believing in Emma Watson: Fandom and Secret Is Me?: The Reimagining of the Gothic Feminism in Audience Support for the United Heroine as Bluebeard in Agatha Christie’s And Nations HeForShe Campaign” Then There Were None” Sarah Bell ▶ Michigan Technological University ▶ ​ A. Dana Weber ▶ Florida State University ▶ ​ “Standing in the Middle of the Empathy Machine: “Secrets beyond the Prison Door: East German Audience Responses to United Nations Virtual Bluebeards” Reality Documentaries” SESSION Frances Kamm ▶ University of Kent ▶ ​“Gothic Shirley Roburn ▶ McGill University ▶ ​“Beyond Futures: Bluebeard, Science Fiction and Aliens” the ‘Blackfish Effect’: Rethinking Film Impact Frameworks” SPONSOR Central/East/South European D Scholarly Interest Group Cornel Sandvoss ▶ University of Huddersfield ▶ ​ “From Popular Culture to Post-truth Politics: Fandom, Civic Engagement, and Democratic Participation between Utopia and Dystopia” 61 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 4:00 – 5:45 pm march 22 D7 WORKSHOP D9 Asserting and Unsettling Media Ruins National Identity in Media

WEDNESDAY  Objects, Sites, Images, and Salvage 

CHAIR Iskandar Zulkarnain ▶ University of CHAIR Saul Kutnicki ▶ Indiana University Rochester ▶ Hobart and William Smith Colleges ▶ ​ WORKSHOP PARTICIPANTS Lisa Patti “Small Worlds: Distributing Global Cinema in the Charles Acland ▶ Concordia University US” Robert Burley ▶ Ryerson University Adele Reinhartz ▶ University of Ottawa ▶ ​“Grace Maggie Zakri ▶ Neon Museum and the Grotesque: Coming of Age in Léolo (Jean- Claude Lauzon,1992)” Paul McEwan ▶ Muhlenberg College ▶ ​“The Idea of National Cinema” Iskandar Zulkarnain ▶ University of Rochester ▶ ​ D8 Politics of Archival Absence “Digital Flag-raising Ceremony: Indonesian Social  and Recovery Media Culture, Nationalism, and Class”

CHAIR Tim Palmer ▶ University of North Carolina at Wilmington Fredrik Norén ▶ Umeå University ▶ and 10 Re-imagining Animation Pelle Snickars ▶ Umeå University ▶ ​“Film D Politics at a Distance—via 7,000 Swedish  Governmental Official Reports” CHAIR Heather Osborne-Thompson Elizabeth Heffelfinger ▶ Western Carolina ▶ California State University, Fullerton University ▶ ​“Time and Motion Study in a Barn or Dan Bashara ▶ DePaul University ▶ ​“Cartographic Sorting Personal Laundry?: A Small College Takes Cartoons: Animated Space and the Logic of the on the Big Task of Choosing Films for Europe’s Map” Postwar Recovery” Jennifer Lynde Barker ▶ Bellarmine University ▶ ​ Tim Palmer ▶ University of North Carolina at “Noburô Ôfuji and the Treasure Box of 1930s Wilmington ▶ ​“A Woman Adrift: Paule Delsol Animation” Inside and Outside the French New Wave” Heather Osborne-Thompson ▶ California State Jasmijn Van Gorp ▶ Utrecht University ▶ and University, Fullerton ▶ ​“Peppa Pig vs. Sarah and Rosita Kiewik ▶ Utrecht University ▶ ​“What Is Duck: Nickelodeon, Netflix, and Transnational Not in the Archive: Teaching Television History in Quality Children’s Television” the ‘Digital Humanities’ Era” SESSION Tyler Williams ▶ University of Iowa ▶ ​“The Origin SPONSOR Scandinavian Scholarly Interest Group of Adult Swim’s ‘Minimal’ Animation” D SPONSOR Animated Media Scholarly Interest Group

62 4:00 – 5:45 pm WEDNESDAY march D11 Virtual Reality, Videogames, D13 Sex and Gender 22 and First-Person Cinema Ambivalence and Ambiguity   Queering the Boundaries

 CHAIR Jedd Hakimi ▶ University of Pittsburgh - Chaorong Hua ▶ Concordia University ▶ ​“The CHAIR ▶ Arizona State Alternative Character Engagement: Point-of-View Aviva Dove-Viebahn University and Sharing” Jedd Hakimi ▶ University of Pittsburgh ▶ ​“‘Why Are Aviva Dove-Viebahn ▶ Arizona State University ▶ ​ Video Games So Special?’: The Supreme Court “Queering the Femme Fae-tal: Sexual Agency, and the Case against Video Games’ Medium Identity Politics, and Difference in Lost Girl” Specificity” Jessica Johnston ▶ University of Wisconsin- Zeke Saber ▶ University of Southern California ▶ ​ Milwaukee ▶ ​“Growing Up Trans: Negotiating “Taking Realism Metaphorically: An Interrogation the Celebrity and Labor of Teen Activist Jazz of Virtual Reality and Its Incorporation of Jennings” Cinematic Myth” Britta Hanson ▶ University of Texas at Austin ▶ ​ Harry Burson ▶ University of California, Berkeley ▶ ​ “Wig in a Box: Queer Ambivalence and Gender “Virtually Listening: Sonic Immersion and the Politics on Lip Sync Battle” Aesthetics of Presence in Cinema and Virtual Jonathan Cicoski ▶ University of Southern California ▶ ​ Reality” “The Homophilms of Pat Rocco: Queer Collectivity, Monogamy, and Public Idealism”

D12 WORKSHOP Applied Media Studies D14 Between Written Word  and Visual Style  Soviet Filmmaking and Criticism, CHAIR Kirsten Ostherr ▶ Rice University 1930s–1960s WORKSHOP PARTICIPANTS  - Bo Reimer ▶ Malmö University Kirsten Ostherr ▶ Rice University CHAIR Zdenko Mandusic ▶ University of Chicago

RESPONDENT SPONSOR Media Literacy and Pedagogical Outreach Lida Oukaderova ▶ Rice University Scholarly Interest Group Vincent Bohlinger ▶ Rhode Island College ▶ ​ “Discussions on Innovations in Sound and Color in Soviet Cinema of the 1930s” SESSION Viktoria Paranyuk ▶ Yale University ▶ ​“Framing the Shot: Scriptwriting and Cinematography in Soviet Fiction Film of the 1950s” D Zdenko Mandusic ▶ University of Chicago ▶ ​“The Documentary Style in Soviet Cinema of the 1960s”

63 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 4:00 – 5:45 pm march 22 D15 Activating Audiences D17 New Aesthetics Designs and Performing Fandom Reimaging Space in Site-specific Media

WEDNESDAY     - -

CHAIR Erin Hanna ▶ University of Oregon CHAIR Matt Von Vogt ▶ Indiana University Erin Hanna ▶ University of Oregon ▶ ​“#SKWAD Heather Birdsall ▶ University of California, Los Goals and Experiential Marketing: From Active Angeles ▶ ​“You’ve Just Crossed Over Into . . . Audience to Activated Audience” the Abyss: Mise en abyme as a Spatial Narrative Strategy in The Twilight Zone Tower of Terror” Margaret Rossman ▶ Indiana University ▶ ​“Is This Real Life or Just a Youtube Fantasy?: Matt Von Vogt ▶ Indiana University ▶ ​“Site-specific Shifting Celebrity and Fandom in the Live Digital Art Meets Apparatus Theory: Robert Smithson’s Performance” Cinema Cavern” Miranda Larsen ▶ University of Tokyo ▶ ​“Happy Ryan Thames ▶ Georgia State University ▶ ​ Land—Tokyo’s Koreatown as K-Pop Paradise” “Reflection in Time and Space: How the Design of Game Space Impacts the Experience of Time, Aubrey Mishou ▶ Old Dominion University ▶ ​ Emotion, and Moral Reflection” “Swapped, Crossed, and Blurring Boundaries: Negotiations of Identity in Fan Costuming”

D18 Temporalities of D16 “A Different Kind  Recorded Sound of Soap Opera”   Melodrama Reexamined - CHAIR  Seth Kim-Cohen ▶ School of the Art - Institute of Chicago

CHAIR Kristen Hatch ▶ University of California, RESPONDENT Neil Verma ▶ Northwestern University Irvine Michael Gallope ▶ University of Minnesota ▶ ​“The Nicholas Forster ▶ Yale University ▶ ​“‘A New Bootleg as a Critical Form of Decay” Form of Black Genre Communication’: Bill Amy Skjerseth ▶ University of Chicago ▶ ​“Haptic Gunn, Personal Problems, and the Afterlives of Audiovisuality and Yoko Ono’s Fly: Embodied Production” Vibrations and Tactile Memory” Amanda Doxtater ▶ University of Oregon ▶ ​ Berthold Hoeckner ▶ University of Chicago ▶ ​ “Melodrama and Affected ‘Sleep’: Revisiting Carl “Mnemonic Innervations: Music Replaying SESSION Th. Dreyer’s Nordisk Scenarios, 1913–1920” Movies”

Kristen Hatch ▶ University of California, Irvine ▶ ​ SPONSOR Sound Studies Scholarly Interest Group “Melodrama, Moral Legibility, and Cable TV’s Villainous Heroes” D Joseph Perna ▶ Sewanee: The University of the South ▶ ​“Ophüls and Ruttmann in Italy”

64 4:00 – 5:45 pm WEDNESDAY march D19 The Parameters of D20 Marketplaces, 22  “Television” in the  Economies, Crisis Age of Streaming 

 CHAIR Diane Cormany ▶ University of Minnesota CHAIR Megan Ankerson ▶ University of Michigan Diane Cormany ▶ University of Minnesota ▶ ​ Ian Murphy ▶ University of North Carolina at Chapel “Marketplace and the Sound of Finance” Hill ▶ ​“Livestreaming the Gridiron: What the Harry Karahalios ▶ Duke University ▶ ​ NFL’s Streaming Deal with Twitter Says about the “‘Nightmare Narratives’ of the Economic Crisis: Evolution of Live Television” Deconstructing the Family of the Greek Weird Myles McNutt ▶ Old Dominion University ▶ ​ Wave” “Classroom Instruments and Carpool Karaoke: Temitope Abisoye Noah ▶ New York University ▶ ​ Ritual and Collaboration in Late Night TV’s “Marx and the Cinema of Djibril Diop Mambety” YouTube Era” Jenny Gunn ▶ Georgia State University ▶ ​ Casey McCormick ▶ McGill University ▶ ​“Netflix “Techno(claustro)phobia: Eli Roth’s Knock Knock Poetics” and the Compromise Formation” Megan Ankerson ▶ University of Michigan ▶ ​“The Periscopic Regime of Live Streaming: Media Witnessing in the Platform Era”

SPONSOR Television Studies Scholarly Interest Group

MEETING▶▶▶▶▶▶▶▶▶▶▶▶ MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 4:00 – 5:45 pm 4:00 – 5:45 pm Classical Hollywood Caucus Coordinating Committee

Scholarly Interest Group ROOM Lincoln Park Suite  Fairmont, 37th Floor, Room 3709 ROOM Burnham Ballroom A  Mid-America Club, 80th Floor, AON Center

SESSION D

65 SESSION Wednesday MARCH 22, 2017 E 6:00 – 7:45 pm

E1 Mediating Trauma through E2 The Body and  the Haunted Screen  Its Nonhuman Double

CHAIR Rebecca Harrison ▶ University of Glasgow CHAIR Elena del Rio ▶ University of Alberta

RESPONDENT James Paasche ▶ DePauw University Jennifer M. Barker ▶ Georgia State University ▶ ​ “Fucking like Bunnies and Swimming with Sharks: Rebecca Harrison ▶ University of Glasgow ▶ ​“The The Interspecies Language of Movement in The Afterlife Onscreen: Cinema and Spiritualism in Lobster (2015)” the First World War” Kriss Ravetto-Biagioli ▶ University of California, Marlo DeLara ▶ University of Leeds ▶ ​“Filmmaking, Davis ▶ ​“Defacing the Close-up” Haunting, and Transgenerational Trauma Narratives for Filipina America” Nikolaj Lubecker ▶ University of Oxford ▶ ​“From the Human Body to the Sound of Sand: Hiroshi Thong Win ▶ University of California, Santa Teshigahara and Jacob Kirkegaard” Barbara ▶ ​“Saved from the Fire: Haunted Lives in Post-socialist Vietnamese Cinema” Elena del Rio ▶ University of Alberta ▶ ​“Nymph()maniac: Cruel Polyphony of Nature” SPONSOR War and Media Studies Scholarly Interest Group SPONSOR Film Philosophy Scholarly Interest Group

66 6:00 –7:45 pm WEDNESDAY march E3 WORKSHOP E5 Negotiating Crisis in 22  Energizing Media  Middle Eastern Media

CHAIR Shane Brennan ▶ New York University CHAIR Greg Burris ▶ American University of CO-CHAIR Hunter Vaughan ▶ Oakland University Beirut Chad Elias ▶ Dartmouth College ▶ ​“Emergency WORKSHOP PARTICIPANTS Cinema: Documentary Film and Human Rights in Mél Hogan ▶ University of Calgary Syria” Nicole Starosielski ▶ New York University Julide Etem ▶ Indiana University ▶ ​“Exploring Janet Walker ▶ University of California, Santa Syrian Refugees in Turkey through Multi- and Barbara Hidden-Cameras”

SPONSOR Media and the Environment Asli Tunc ▶ Istanbul Bilgi University ▶ ​“Visualizing Scholarly Interest Group the Coup: Construction of Collective Memory through Iconic Images” Greg Burris ▶ American University of Beirut ▶ ​ “‘We’re the Kings of Jerusalem’: Palestine and the Utopian Present in My Love Awaits Me by the Sea” E4 Chinese Queer Fan Cultures SPONSOR Middle East Caucus in the Twenty-first Century  Queering Heterosexuality, Geopolitics, and Transcultural Imaginations

6 Hollywood Archives CHAIR Jamie J Zhao ▶ University of Warwick E Race, Indigeneity, and Labor Politics RESPONDENT Lori Hitchcock Morimoto ▶ Independent  Scholar CHAIR Philana Payton ▶ University of Southern Maud Lavin ▶ School of the Art Institute of California Chicago ▶ ​“Li Yuchun’s Fans and Imaginaries of Contemporary Chinese Singledom” Philana Payton ▶ University of Southern California ▶ ​ Ling Yang ▶ Xiamen University ▶ ​“‘The World of “The Black List: What the Archive Reveals about Grand Union’: Engendering Trans/nationalism via Film and Race in the Hollywood Studio System” Boys’ Love in Chinese Online Hetalia Fandom” Katherine Quanz ▶ Wilfrid Laurier University ▶ ​ Jamie J Zhao ▶ University of Warwick ▶ ​“The Letter “Enacting Union Lines: Equity, SAG, and the ‘L’ in Somewhere Else: Worlding in the Chinese Battle for the Stars, 1933–1937” Queer Fandom of Western TV—a Study of the GE Jacob Floyd ▶ Oklahoma State University ▶ ​ SESSION Fan Site” “DeMille’s Useful History: The Changing Indigenous Metaphors in the Development, SPONSOR Fan and Audience Studies Scholarly Interest Group Production, and Promotion of North West Mounted Police” E Raven Maragh ▶ University of Iowa ▶ ​“Race and Diaspora Online: Lessons from the 20th Century Black International”

SPONSOR Classical Hollywood Scholarly Interest Group 67 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 6:00 –7:45 pm march 22 E7 Cinematic Mobility and the E9 Strategies of Adaptation Screening of Global Asias History, Politics, Auteurs

WEDNESDAY  

CHAIR Nadine Chan ▶ University of Chicago CHAIR Suzanne Gauch ▶ Temple University Nadine Chan ▶ University of Chicago ▶ ​“Storage Suzanne Gauch ▶ Temple University ▶ ​“Awesome and Circulation: Imagining Asia through Empire Sights: The Arabian Nights in Three Weimar Films” Film Libraries and Media’s ‘Free Flows’” Isa Murdock-Hinrichs ▶ Tulane University ▶ ​ Dong Hoon Kim ▶ University of Oregon ▶ ​“Mobile “Genre-defying Adaptations: Dissolutions of Film Screening and the Formation of Colonial Space and Time in Grant Gee’s Patience (After Film Spectatorship in Colonial Korea” Sebald) and Stan Neumann’s Austerlitz” Cheryl Narumi Naruse ▶ University of Dayton ▶ ​ Peter Lesnik ▶ University of Pennsylvania ▶ ​ “Motherhood, Transnational Mobility, and “Undermining Auteurism through Literary Neoliberal Culture in Anthony Chen’s Ilo Ilo” Adaptation in Blow-Up” Brian Bernards ▶ University of Southern California ▶ ​ Booth Wilson ▶ University of Wisconsin-Madison ▶ ​ “Cinematic Soft Power: Memorializing Taiwan’s “Literary Adaptation by Political Means: Russian Colonial History in Umin Boya’s KANO” Inter-revolutionary Iconoclasm in Father Sergius (1918)”

SPONSOR Central/East/South European Scholarly Interest Group E8 Theatrical Distribution  and Exhibition 10 Digital Aesthetics CHAIR Alicia Kozma ▶ University of Illinois at E Urbana-Champaign  CHAIR Andrew Johnston ▶ North Carolina State Wyatt Phillips ▶ Texas Tech University ▶ ​“The University GFC, the UBO, and the Theatrical Syndicate: The Reorganization of Distribution at/as the Dawn of Andrew Johnston ▶ North Carolina State Mass Media” University ▶ ​“To Render Ghosts: 8-bit Algorithms Wesley Jacks ▶ University of California, Santa and Aesthetics” Barbara ▶ ​“High Hopes and Flat Fees: An Analysis Forrest Greenwood ▶ Indiana University ▶ ​“Super of Film Import Distribution in China between Mario’s Faux-Arabian Ancestry: Super Mario 1978–1993” Bros. 2, Yume Koujou: Doki Doki Panic, and the Leo Rubinkowski ▶ University of Wisconsin- Transmedia Aesthetics of Character Compositing” SESSION Madison ▶ ​“An Industry on the Periphery: A First SPONSOR Animated Media Scholarly Interest Group Sketch of Alternative Content Distribution in the United States” E Alicia Kozma ▶ University of Illinois at Urbana- Champaign ▶ ​“Screen or Die: Conglomerated Exhibition and Clearances during the Digital Turn”

68 6:00 –7:45 pm WEDNESDAY march E11 Screening the Maternal E13 For Whom the Story 22 Motherhood in Contemporary Global Is(n’t) Told  Culture  Making Meaning from Texts and Paratexts

CHAIR Nam Lee ▶ Chapman University  - CO-CHAIR Linda Robinson ▶ University of Wisconsin- Whitewater CHAIR Jacqueline Vickery ▶ University of North Nam Lee ▶ Chapman University ▶ ​“‘Don’t you have Texas a mother?’: The Monstrous Maternal in Bong Paul Reinsch ▶ Texas Tech University ▶ ​“Movies in Joon-ho’s Mother (2009)” Speakers: A History of the Unified Soundtrack Susan Ericsson ▶ Concordia University Chicago ▶ ​ Album” “Parenthood, Shame, and Secret Lives: What Do Wan-Jun Lu ▶ University of Wisconsin-Madison ▶ ​ Television Mothers Say about Teen Sex?” “Made in Taiwan: Taiwanese Audiences and the Inyoung Nam ▶ Dongseo University ▶ ​“Performing Paratexts of Life of Pi” the Maternal: Alternative Motherhoods in the Jacqueline Vickery ▶ University of North Texas ▶ ​ Korean Feminist Documentaries Shocking Family “‘We’ve all seen The Fosters, and it’s nothing and 2 Lines” like that’: Teens in Foster Care Respond to The Linda Robinson ▶ University of Wisconsin- Fosters” Whitewater ▶ ​“Gram or Glam: The Fairy Katerina Symes ▶ Concordia University ▶ ​“Orange Is Godmother as Maternal Helper Character in the New Black as Complex Television: Contesting Disney’s Cinderella (1950) and Cinderella (2015)” the Privileging of Piper Chapman’s Narrative Positioning through Nonlinear Storytelling” E12 The Ideological Politics of  Film/Video Materiality 14 Documentary, Authenticity, CHAIR E Heather Hendershot ▶ Massachusetts and the Archive Institute of Technology   Heather Hendershot ▶ Massachusetts Institute of - Technology ▶ ​“Conspiracies, Communists, and the Dumpsters of History; or, How the John Birch CHAIR Deborah Jaramillo ▶ Boston University Society Used Filmstrips to Make Enemies and Jane’a Johnson ▶ Brown University ▶ ​“Le Sang des Influence People” bêtes: On the Fringes of History” Isabel Arredondo ▶ SUNY, University at Adam Diller ▶ Temple University ▶ ​“Phonography Plattsburgh ▶ ​“The Super 8 Revolution and Third and the Theory and Practice of Location Sound SESSION Cinema: A Matter of Gauge!” Recording in Documentary Film” Ann Curran ▶ Dublin Institute of Technology ▶ ​ Laurel Ahnert ▶ Georgia State University ▶ ​“The “Mediated (Dis)continuities: Gender, Affect, and Agency of the Corpse: The Ethics and Aesthetics Voice in the History of the Irish Tapes” of Visualizing Black Death in Documentary E Emily Rauber Rodriguez ▶ University of Southern Media” California ▶ ​“The Revolution Will Not Be Filmed: Deborah Jaramillo ▶ Boston University ▶ ​“Atrocity The Relationship of Film and Video to the TV: Violence and Authenticity in Netflix’s Narcos” Militant Chicano Movement” 69 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 6:00 –7:45 pm march 15 Stardom Imaginaries 17 Gender and Sexualities 22 E Industry, Identity, Ethnicity E Genre, Ecstasy, and Ordinary Gayness

WEDNESDAY     - -

CHAIR Alice Maurice ▶ University of Toronto CHAIR Gregoire Halbout ▶ François Rabelais Beth Corzo-Duchardt ▶ Muhlenberg College ▶ ​ University “The Imaginary Other Spectator: A Paradigm for Gregoire Halbout ▶ François Rabelais University ▶ ​ Early Cinema Spectatorship” “Andrew Haigh on Masculine Intimacy: The Chris O’Rourke ▶ University of Lincoln ▶ ​ Authentic Itinerary of Ordinary Gayness” “Exploiting Ambition across the Atlantic: Norma Laura Beadling ▶ Youngstown State University ▶ ​ Talmadge, First National, and the Search for a “Kelly Reichardt’s Meek’s Cutoff within the British Star” Landscape of Contemporary Westerns: Gender, Alice Maurice ▶ University of Toronto ▶ ​“‘Making Genre, and Geo-politics” Themselves Up Ugly’: Makeup Practices, Gender, Edwardo Rios ▶ University of Nebraska ▶ ​“Sights to and Character in Early Cinema” Dream of, Not to Tell: Ecstatic Visions of Queer Grace Jung ▶ University of California, Los Angeles ▶ ​ Pornographies” “Asian American Masculinity in Classical SPONSOR Adult Film History Scholarly Interest Group Hollywood’s Cultural Imaginary”

SPONSOR Silent Cinema Cultures Scholarly Interest Group

E18 Radio, Education, and Urban Crisis 16 Stretching beyond the Box  E  Television across Borders and Screens -   CHAIR Alexander Russo ▶ The Catholic - University of America CHAIR Sebnem Baran ▶ University of Southern Alexander Russo ▶ The Catholic University of California America ▶ ​“Boss Radio in More than One Sense: Jennifer Kang ▶ The University of Texas at Austin ▶ ​ Bill Drake and Disc-Jockey Labor in 1960s Radio “The Great Inheritance from Television?: The Production Cultures” Emergence of South Korean Web Dramas” Brian Fauteux ▶ University of Alberta ▶ ​ Joonseok Choi ▶ University of Iowa ▶ ​“MIPFormats “‘Good Music’ and ‘Uplifting’ Taste: CKUA Radio’s and the Commodification of TV Formats” Educational Mandate and Popular Music” SESSION Sebnem Baran ▶ University of Southern California ▶ ​ Annie Laurie Sullivan ▶ Northwestern University ▶ ​ “Crossing the Western Borders: The End as the “Building a Black Television Station: WGPR-TV Beginning of New Television Flows?” and the Practice of Urban Archivism” Margaret Steinhauer ▶ University of Southern William Boddy ▶ Baruch College, CUNY ▶ ​ E California ▶ ​“Who’s Really Controlling the “Cinema, the University, and the Urban Crisis in Set?: Active Television Spectatorship and 1960s America”

Contemporary Reception Dynamics” SPONSORS Oscar Micheaux Society, Radio Studies Scholarly Interest Group 70 6:00 –7:45 pm WEDNESDAY march E19 Doing US and Global Media E20 Missing Links, Forgotten 22 Industry Studies Research Roots, and Telling Gaps  from the Ground  Reassessing the History of Film Theory

 

CHAIR Julia Himberg ▶ Arizona State University CHAIR Scott Curtis ▶ Northwestern University CO-CHAIR Courtney Brannon Donoghue Daniel Fairfax ▶ Yale University ▶ ​“‘The Brain Is ▶ Oakland University the Screen’: Gilles Deleuze and Cahiers du cinéma”

RESPONDENT Serra Tinic ▶ University of Alberta Randall Halle ▶ University of Pittsburgh ▶ ​ “Apparatus Now, More than Ever” Julia Himberg ▶ Arizona State University ▶ ​ “Studying Up: LGBT Hollywood and Under-the- Naoki Yamamoto ▶ University of California, Santa radar Activism” Barbara ▶ ​“Dialectics without Synthesis: Tracking Documentary Film Theory in Japan” Kevin Sanson ▶ Queensland University of Technology ▶ ​“Interchangeable Parts?: A Global Scott Curtis ▶ Northwestern University ▶ ​ Ecology of Screen Media Labor and Locations” “Münsterberg’s Missing Link?: The Photoplay and the Aesthetics of Ethel Puffer” Stefano Baschiera ▶ Queen’s University Belfast ▶ ​ “Location Hubs and Production Mobility: HBO’s Game of Thrones in Europe” Courtney Brannon Donoghue ▶ Oakland University ▶ ​“Hollywood’s Problem with Women: Navigating Professional Barriers and Managing MEETING▶▶▶▶▶▶▶▶▶▶▶▶ Power from Financing to Festivals” 6:00 – 7:45 pm Horror Studies Scholarly Interest Group

ROOM Burnham Ballroom A  Mid-America Club, 80th Floor, AON Center

Name Badge SESSION If you need a replacement badge, they are available at Registration for $5. E Replacement badges will only be printed during registration hours (see page 11).

71 WEDNESDAY 22 march 72 also beapaneldiscussionwiththefollowing participants: The filmscreening willbefollowed by aquestionandanswer withthedirector, Roxana Walker-Canton. There will university level, andthechallenges of navigating thepoliticsof higher education. addresses theintersectionality of labor issues,race, expectations of women inacademia,power dynamicsatthe does thedocumentaryfacilitate discussiononexperiences of blackwomen intheuniversity, experiences documentingissuessurrounding racial identity, race, class,gender roles, andeducation.Not only one hundred blackwomen professors andadministrators across theUnited States toprovide akaleidoscope of Independent filmmaker andvideoinstallationartistRoxana Walker-Canton hasgathered theinterviews of over Wednesday, March 22 SPECIAL EVENT Dr. Karen A.Ritzenhoff Dr. MiriamJ.Petty Dr. Soyini Madison Dr. Karla Fuller Roxana Walker-Canton An Autobiography of BlackWomen intheIvory Tower Women’s Caucus,MediaLiteracy andPedagogical Outreach Scholarly Interest Group SPONSORS University of California Press, BlackCaucus,Latino/a Caucus,Queer Caucus, ▶ SCMS, CaucusonClass,Women inScreen HistoryScholarly Interest Group, LOCATION Theater capacityis90;seatingavailable first come, first serve. Columbia College ▶ ▶ DePaul University, Daley Building,LL 102 Northwestern University Northwestern University Admission isfree tothisevent withanSCMSbadge. ▶ ▶ ▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ Guest Filmmaker Central Connecticut State University DIRECTIONS Living Thinkers: 7:00 –10:00 10-minute walk from theFairmont pm ▶ ▶  Moderator 14 E.JacksonBlvd.

Living Thinkers

also also WEDNESDAY 73 22 march

Chair ▶ pm Fairmont, 2nd Floor Fairmont,  ▶ State 9:30 – 9:30 8:00 ROOM ROOM Listening to History: Listening ▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ Library of Congress/ARSC of Library

Media Literacy and Pedagogical Outreach Scholarly Interest Group, Interest Scholarly Outreach and Pedagogical Media Literacy 2017 Sound History Fellow, Library of Congress’ NRPB Congress’ of Library 2017 Sound History Fellow, American Archive of Public Broadcasting Public of Archive American Studs Terkel Radio Archive (Chicago) Archive Radio Terkel Studs ▶ Smithsonian Center for Folklife and Cultural Heritage and Cultural Folklife for Smithsonian Center Smithsonian National Museum of African American History and Culture American African Museum of Smithsonian National NPR ▶ ▶ ▶

▶ SPONSORS SPONSORS ▶ ▶ Sound Studies Scholarly Interest Group, Media Archives Standing Committee, SCMS Committee, Standing Archives Media Group, Interest Scholarly Sound Studies Nontheatrical Media Studies Scholarly Interest Group, Radio Studies Scholarly Interest Group, Interest Scholarly Radio Studies Group, Interest Scholarly Media Studies Nontheatrical Sound, Memory, and Preservation in the Digital Age and Preservation Sound, Memory, Alan Gevinson Rhea Combs Barton Matthew David Walker David Allison Schein Julie Rogers Josh Shepperd Josh SPECIAL EVENT SPECIAL screenings, the following panel will discuss how historical media becomes circulated: historical media becomes panel will discuss how the following screenings, Participants processes by which new information is identified, processed, and made available for research. for and made available processed, is identified, information which new by processes discuss to media industry groups noncommercial from leading representatives brings together This roundtable that includes format In an interactive in sound historical memory work. involved processes the step-by-step in archival, metadata, curatorial, and technical approaches to digitization and public circulation. There are many are There digitization and public circulation. to and technical approaches metadata, curatorial, in archival, content, accessible available, into digitally old media when transforming however, consider, to obstacles and steps This policies. copyright complex of and navigation material degradation which includes rapid the least of not and logistical about the federal awareness benefits from historical memory research how explores roundtable yet to be preserved, especially materials related to minority, alterity, and subjugated histories. The introduction The introduction histories. subjugated and alterity, minority, to related materials especially to be preserved, yet to related historical narratives capacity to expand holds the research into curriculum and sources primary new of a renaissance undergoing is currently sound preservation The field of and social participation. identity, dominance, Over the past several years, a vital and widespread discussion has emerged regarding the importance of exploring of the importance regarding discussion has emerged a vital and widespread years, the past several Over have media-based sources and media studies curricula. Many historical memory projects for archives unprocessed Wednesday, March 22 March Wednesday, WEDNESDAY 22 march 74 and projected intheafternoon. on the rewind table from 10:00 Admission isfree tothisevent. The filmwillbeavailable having justbeenrestored by theartistandColorlab. screening, curated by Scott MacDonald,andafter being publicly exhibited for thefirst timesince a1986 means of filmproduction andreception. The filmis peliculas projected images andhand-heldphilosophicaltoys. the splithistoricaltrajectory of thecinema,from a rewind table,over alightbox, thereby acknowledging and asamaterialobject,accessible togallery-goers on image thatoverflows itsframe withinagallery space, be experienced intwo forms—as amagnified projected horizontally across the frames. The film is intended to throughout andahand-written text, writtenin cursive 16mm frames from a found footage film inserted by the American artistPatrick Clancyconsists of peliculas Wednesday–Saturday, March 22–25 AFFILIATE EVENT LOCATION Michigan Avenue, oppositeMillenniumPark, and isan8-minutewalk from theFairmont. DIRECTIONS Cultural Affairs andSpecialEvents and Chicago Cultural Center, 78E.Washington St. invites itsspectators toreflect uponthe —a 16mmfilminstallationcreated in1979 PROVIDED BY (Use theE.RandolphSt. entrance). Please seepage 94for more information. the Schoolof the Art Institute. 10:00 10:00 The Cultural Center islocatedoff of Patrick Clancy’s This coincides with panelH19. The Chicago Departmentof peliculas am – 6:00 6:00 ▶▶▶▶▶▶▶▶ am –6:00 pm

pm

each day, Wednesday, March 22 historically andcinematically significant. a roadway thatissomehow both nondescript and “missing” legof the1930s Okie migration route, up awealth of promotional videosmadealongthis Soderbergh, Anderson, Ridley Scott), anddredges Hollywood (Zanuck, Ford, Flaherty, Hitchcock, and Taylor), re-films locationsusedhabitually by locations of the1930sFSA photographers (Lange in California. Director John Caldwell re-photographs cuts across oneof themostcontested landscapes landscape of asingle129-mileremote highway that This film-archeology-road-movie traces the cultural AFFILIATE EVENT Screening andQ&A with filmmaker John Caldwell Group, MediaIndustriesScholarly Interest Group PROVIDED BY and thefilmwillbefollowed by aQ&A withthe John Caldwell willpresent abrief introduction, filmmaker immediately after thescreening. Muscle, Media, andAmerican Identity Boron to Buttonwillow ROOM Documentary Studies Scholarly Interest (2016, NR,Documentary, 95m) Chancellor on Highway 58 8:30 8:30 ▶  Fairmont, 3rd Floor pm ▶▶▶▶▶▶▶▶

WEDNESDAY 75 22 march

pm Fairmont, 2nd Floor Fairmont,  ▶ 9:00 9:00 Chair Gold ▶ ROOM ROOM ▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ University of California, Santa Barbara California, of University Media and the Environment Scholarly Interest Group, Queer Caucus, Queer Group, Interest Scholarly Media and the Environment Women in Screen History Scholarly Interest Group Interest History Scholarly in Screen Women ▶ Oakland University University of Florida of University Black Caucus, Caucus on Class, Latino/a Caucus, Middle East Caucus, Black Caucus, Caucus on Class, Latino/a Stanford University Stanford University of North Carolina North of University ▶ University of California, Santa Barbara California, of University ▶ ▶ ▶ University of Illinois at Chicago of University ▶ PROVIDED BY PROVIDED ▶ Women’s Caucus, Women’s Collective Action in 2017: Responding to Hate, in 2017: Responding Action Collective Disenfranchisement, and the Loss of the Commons the of Loss and the Disenfranchisement, Anna Everett Korn Jenny Turim Maureen Vaughan Hunter Carol Vernallis Carol Cante Richard Inés Casillas Dolores SPECIAL EVENT SPECIAL In this session, panelists will present brief presentations and then discussion will be turned over to the floor. We We the floor. to will be turned over and then discussion presentations brief will present In this session, panelists the commons. protecting to devoted that are projects SCMS members’ of PowerPoints will share Participants speech and movement, demagoguery, the production of ignorance, and increasing income disparity, to name but disparity, income and increasing ignorance, of the production demagoguery, speech and movement, new a possible of face in the engaged remain can we How might be most effective? What do? can we What a few. normal? Many of us are terrified by the rise in Islamophobia and other racisms, misogyny and homophobia, threats to threats homophobia, and misogyny racisms, and other Islamophobia rise in the by terrified are us of Many of on freedom and the limits surveillance rise of the war, nuclear of possibilities and increased the environment Wednesday, March 22 March Wednesday, SESSION Thursday MARCH 23, 2017 F 9:00 – 10:45 am

F1 Negotiating Difference across F2 Boardroom Fantasies and the Globe Sexy Models   Contextualizing Trends in Media Financing and Labor Agreements CHAIR Samanta Ordonez ▶ Wake Forest University Bruno Guarana ▶ New York University ▶ ​“Taís CHAIR Ethan Tussey ▶ Georgia State University Araújo: The Black Helena against Brazil’s Ethan Tussey ▶ Georgia State University ▶ ​“A Whitening Television” Disturbance in the Force: A Case Study of Samanta Ordonez ▶ Wake Forest University ▶ ​ Evolving Production Cultures” “Violence, Neoliberalism, and the Andrew deWaard ▶ University of California, Los Transformations of Affect in Contemporary Angeles ▶ ​“At the Intersection of Hollywood Mexican Film” Boulevard and Wall Street: Private Equity Firms Shelley Bradfield ▶ Central College ▶ ​“Producing and the Financialization of Hollywood” and Contesting Colour TV in Postapartheid South Shawna Kidman ▶ University of California, San Africa” Diego ▶ ​“Legal Scaffolding in New Media Alexander Greenhough ▶ San Francisco Art Industries: Comic Books, YouTube, and Institute ▶ ​“Feel Good: Taika Waititi’s New Entrepreneurial Labor” Zealand Comedies” Karen Petruska ▶ Gonzaga University ▶ ​“Paying Up: Streaming Media, Subscription Packaging, and the Search for a Sustainable Business Model”

SPONSOR Comics Studies Scholarly Interest Group 76 9:00 – 10:45 am F3 A Hundred Busters F5 Israeli Cinema  Keaton’s Transnational Legacy  Beyond the National

CHAIR Manuel Garin ▶ Pompeu Fabra University CHAIR Dan Chyutin ▶ University of Haifa CO-CHAIR Rachel S. Harris ▶ University of Illinois at Charles Wolfe ▶ University of California, Santa THURSDAY Barbara ▶ ​“Still Buster: Robert Benayoun and the Urbana-Champaign Keaton European Revival” Dan Chyutin ▶ University of Haifa ▶ ​“Notes toward march Alex Clayton ▶ University of Bristol ▶ ​“What Is a Transnational History of Israeli Cinema” 23 Deadpan?” Rachel S. Harris ▶ University of Illinois at Urbana- Maria Corrigan ▶ Concordia University ▶ ​ Champaign ▶ ​“Six-Shooters and Headstones: “Biomechanical Buster: Keaton and Eccentric Death and the Western Imaginary in Israeli Soviet Performance” Cinema” Manuel Garin ▶ Pompeu Fabra University ▶ ​ Tobias Ebbrecht-Hartmann ▶ The Hebrew “Written Busters: The Literary Remediations of University of Jerusalem ▶ ​“Traveling Memories: Keaton” Transnational and Trans-temporal Encounters in Israeli-German Cinema” SPONSORS Comedy and Humor Studies Scholarly Interest Group, Silent Cinema Ariel Sheetrit ▶ Open University ▶ ​“Transnational Cultures Scholarly Interest Group Spaces and Positionings in Palestinian Film that Is ‘Made in Israel’”

SPONSOR Transnational Cinemas Scholarly Interest Group

F4 “Feel the Game” Cultural, Historical, and Technological 6 Mediating Infinitude  Perspectives on EA Sport’s FIFA Series F Framing the Limitless across Film  and Media CHAIR Raiford Guins ▶ Indiana University

CO-CHAIR Henry Lowood ▶ Stanford University CHAIR Iggy Cortez ▶ University of Pennsylvania Henry Lowood ▶ Stanford University ▶ ​“‘Where CO-CHAIR Karen Redrobe ▶ University of There Is Smoke, There Is Fire . . .’: The FIFA Pennsylvania Engine and Its Discontents” Karen Redrobe ▶ University of Pennsylvania ▶ ​ Carlin Wing ▶ Scripps College ▶ ​“Touching You, “Underground Cinema and the Mine’s Eye: Film Touching Me: Getting the Physics Right in EA and Media Theory from Below” FIFA” Karl Schoonover ▶ University of Warwick ▶ ​ Raiford Guins ▶ Indiana University ▶ ​“11 Madeleines “Sinkholes” SESSION in White: Longing, Loving, and Losing as a Leeds Iggy Cortez ▶ University of Pennsylvania ▶ ​ United Supporter Playing EA Sport’s FIFA” “Unlimited Flux: Rhythmic Intertextuality in 35 SPONSOR Video Game Studies Scholarly Interest Group Shots of Rum” F Eugenie Brinkema ▶ Massachusetts Institute of Technology ▶ ​“The Lobster: Infinite Difference and the Form of Love”

SPONSOR Film Philosophy Scholarly Interest Group 77 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 9:00 – 10:45 am F7 Extending the “Margins” F9 Marginality and Migration of Received Latinx/Latin across Borders  American Film Historiography 

CHAIR Christopher Oscarson ▶ Brigham Young

CHAIR Naida Garcia-Crespo ▶ United States University Naval Academy Ljudmila Bilkic ▶ University of Pittsburgh ▶ ​ march Colin Gunckel ▶ University of Michigan ▶ ​“LA/ “Empty Flags and Zones of Exception–Ursula 23 LA Land: The Challenges of Researching and Biemann’s Contained Mobility and X-Mission as Programming Transnational Film History” De-identification of the Illegal” THURSDAY Frank García ▶ University of Illinois at Urbana- Jiwon Ahn ▶ Keene State College ▶ ​“Gendered Champaign ▶ ​“Boxing Racism: Latina Representation, Voices in the North-South Imagination: Two National Discourse, and The Ring (1952)” ‘Korean’ Films” Naida Garcia-Crespo ▶ United States Naval Christopher Oscarson ▶ Brigham Young Academy ▶ ​“Romancing the US Hispanic Market: University ▶ ​“Finding Place between the Local and Juan Viguié’s Romance Tropical and US/Puerto the Global: Nordic Cinema’s Deterritorialization Rican Film Coproduction in the 1930s” and Reterritorialization of the Far North” Irene Rozsa ▶ Concordia University ▶ ​“Latin SPONSOR Scandinavian Scholarly Interest Group American Experimental Filmmaking: Kaleidoscopio (1945) and the Amateur Cinema League”

SPONSOR Latino/a Caucus F10 Exploring Authorship through the Archives  Robert Altman F8 From Pre-Code to Hanky-Code  S/M, Gays, and the Media CHAIR Lisa Dombrowski ▶ Wesleyan University Mark Minett ▶ University of South Carolina ▶ ​ “Elaborative Infidelity: Reconsidering Robert CHAIR David Lugowski ▶ Manhattanville College Altman’s Early Transpositional Strategies through RESPONDENT R. Bruce Brasell ▶ Independent Scholar the Archive” David Lugowski ▶ Manhattanville College ▶ ​ Nathan Koob ▶ Oakland University ▶ ​“America’s “Bound to Please: BDSM Representation and Gay Best-placed Candidate: Robert Altman’s Mock- Male (Retro)spectatorship, Linking Valentino and documentary Approach to Mid-West American Mainstream Media to Modern Porn” Cities” SESSION Ken Feil ▶ Emerson College ▶ ​“Slapstick Suffering Lisa Dombrowski ▶ Wesleyan University ▶ ​“Ready and Bourgeois Bondage: Pasolini’s I racconti to Sue: The Anatomy of a Deal Gone Bad in di Canterbury (1972) and the S/M Aesthetic of Altman v. Miramax” F Medieval Comedy” Philip Hallman ▶ University of Michigan ▶ ​“Stand Gary Needham ▶ University of Liverpool ▶ ​“Born by Your Altman: The Unheralded Authorship of to Raise Hell (1974): Cutting Sex and Shattering Kathryn Altman” Theory in an ‘Underground S/M Classic’”

78 SPONSOR Adult Film History Scholarly Interest Group 9:00 – 10:45 am

11 Widening the Soundscape 14 American Conceptions of Home F Film Sound beyond the Text F Creating Space and Place

   - CHAIR Meredith Ward ▶ John Hopkins University CHAIR Jacqueline Pinkowitz ▶ University of

Eric Dienstfrey ▶ University of Wisconsin-Madison ▶ ​ THURSDAY Texas at Austin “Harvey Fletcher and the Curious Concept of a Proper Sound System” Carolyn Jacobs ▶ Yale University ▶ ​“There’s a march Daniel Schwartz ▶ McGill University ▶ ​“Sounding Future in Your Ford: Ford Motor Company’s 23 the Inaudible: Urban Noise, Silent Sound, and Educational Films and the Remapping of Space in the City as Auditorium and Orchestra in Walter Postwar America, 1946–1957” Ruttmann’s Berlin, Symphony of a Big City and Ilana Emmett ▶ Northwestern University ▶ ​“The Dziga Vertov’s Man with a Movie Camera” Sounds of Home: Radio Soap Operas and the Kyle Stine ▶ University of Maryland, Baltimore Creation of Domestic Space” County ▶ ​“Ambient Drones and Data Centers: On Jacqueline Pinkowitz ▶ University of Texas at the Cultural Techniques of Sound Processing” Austin ▶ ​“‘A Land of Cavaliers and Cotton Fields Meredith Ward ▶ John Hopkins University ▶ ​“The Called the Old South’: The Production of Place in Architect, the Listener, and the Similarity Gone with the Wind (1939)” between Sound Cultures: Nineteenth-Century Denise Mok ▶ Columbia University ▶ ​“Stella’s Opera and Cinema with the Shift to Film Sound” Spaces: Interiority, Identity, and Liminality in Film Versions of Stella Dallas (1925 and 1937)” SPONSOR Sound Studies Scholarly Interest Group

F13 Unsanctioned Television Access F15 Policing Bodies,  Witnessing Media -    CHAIR Mark Stewart ▶ University of Amsterdam - CO-CHAIR Rhiannon Bury ▶ Athabasca University CHAIR Veena Hariharan ▶ Jawaharlal Nehru Rhiannon Bury ▶ Athabasca University ▶ ​“Now University Bring Me that Broadcast: The ‘Pirates’ of Kiran Samuel ▶ New York University ▶ ​“Witnessing Television Fandom” Police Brutality through Media: The Role of Nicole Hentrich ▶ University of Michigan ▶ ​“Not Technology in Perpetuating a Racial Unconscious” Quite TV Everywhere: Popular, Industrial, and Andrew McLaughlin ▶ University of Oregon ▶ ​ Political Discourses of Unsanctioned Television “Good versus Other: Funker530, the Body-worn SESSION Access in Australia” Camera, and the Faces of Combat Footage” Camilo Diaz Pino ▶ University of Wisconsin- Veena Hariharan ▶ Jawaharlal Nehru University ▶ ​ Madison ▶ ​“Trans-Pacific Piracy: Asian Media’s “True Lies and False Truths: The Case of Talvar Informal Circulation in Mexico City” (2015)” F Mark Stewart ▶ University of Amsterdam ▶ ​“The Affect of Unsanctioned Television Access”

SPONSOR Fan and Audience Studies Scholarly Interest Group 79 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 9:00 – 10:45 am

16 Seeing Seeing 18 “Stop Bringing Race into This” F The Media of Human Perception F Tracing the Operations of Race/Racism in Fan Studies    -  - CHAIR Oliver Gaycken ▶ University of Maryland CO-CHAIR Will Schmenner ▶ University of CHAIR Rukmini Pande ▶ University of Western Australia march Pennsylvania 23 Will Schmenner ▶ University of Pennsylvania ▶ ​ Rukmini Pande ▶ University of Western Australia ▶ ​ “Keaton’s Perceptual Praxis: Patterns of Motion in “Recalibration Necessary, Mr. Spock: Race and

THURSDAY 1920s Slapstick” the Dynamics of Media Fandom Communities” Flora Lysen ▶ University of Amsterdam ▶ ​“The Angie Fazekas ▶ University of Toronto ▶ ​“Alpha, Illuminated Brain Model from Vienna: Dynamic Beta, Omega: Queer Futurity and Racial Displays for Dynamic Brains, 1931” Narratives in Erotic Fanfiction” Oliver Gaycken ▶ University of Maryland ▶ ​“Cinema Dayna Chatman ▶ University of Pennsylvania ▶ and Is ‘I Fly’: J. J. Gibson and the Aviation Psychology Myoung-Sun Song ▶ University of Southern Program’s Film Work” California ▶ ​“From Colorism to the ‘N-word’: Black Women K-Pop Fans’ Fight against Anti- Ben Singer ▶ University of Wisconsin-Madison ▶ ​ blackness” “Negotiating Stylistic Universals in Film” Camila Franco Monteiro ▶ University of SPONSOR Media, Science, and Technology Studies Huddersfield ▶ ​“‘As long as you stay there’: How Scholarly Interest Group Favela Culture Is Accepted from Afar”

SPONSOR Fan and Audience Studies Scholarly Interest Group

F17 WORKSHOP De-materialized Evidence  Film Archival Holdings and the Transition to Digital Technology 19 That Thing Called “Theory” F The Matter of the Feminist Avant-garde    -

CHAIR Sabrina Negri ▶ University of Chicago CHAIR Tess Takahashi ▶ Camera Obscura WORKSHOP PARTICIPANTS Sarah Keller ▶ University of Massachusetts Boston ▶ ​ Ross Lipman ▶ Milestone Films/Conner Family “Radical Content, Radical Form, and Feminist Trust Filmmaking” SESSION Giovanna Fossati ▶ EYE Film Institute Tess Takahashi ▶ Camera Obscura ▶ ​“Films that Netherlands/University of Amsterdam ‘Matter’: Rethinking the 1980s Feminist Avant- Zack Lischer-Katz ▶ University of Oklahoma garde and Minority Documentary Filmmaking” F Sabrina Negri ▶ University of Chicago Soyoung Yoon ▶ The New School ▶ ​“‘A Cyborg Daniela Curro ▶ George Eastman Museum Manifesto’: Theresa Hak Kyung Cha’s Apparatus Revisited”

SPONSOR Experimental Film and Media 80 Scholarly Interest Group 9:00 – 10:45 am MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 20 Race/Ethnicity/Species F Chinese Cinema’s Others 9:00 – 10:45 am   Adult Film History Scholarly Interest Group CHAIR Ying Qian ▶ Columbia University

ROOM Burnham Ballroom A  THURSDAY RESPONDENT Carlos Rojas ▶ Duke University Mid-America Club, 80th Floor, AON Center Ying Qian ▶ Columbia University ▶ ​“Ethnographic march Documentary as Cultural Techniques of Rule in 23 China (1956–65)” Yiman Wang ▶ University of California, Santa Cruz ▶ ​“Almost Wild, but Not Quite: The Animal MEETING▶▶▶▶▶▶▶▶▶▶▶▶ Other Mediating Ecocinema and Chinese Co- productions, Born in China and Wolf Totem” 9:00 – 10:45 am Jenny Chio ▶ Emory University ▶ ​“Ethnic Queer Caucus Portraiture and Ethnographic Filmmaking in Minority China” ROOM Lincoln Park Suite  Fairmont, 37th Floor, Room 3709 SPONSOR Asian Pacific American Caucus

Soap Drive Contribute to the 2017 SCMS Soap Drive As an organization, we are collecting used & unused/opened & unopened hotel soaps, shampoos, conditioners, and other toiletry items that people in need might find useful. Please take your SESSION donations to the Registration area and look for the soap drive bin. F

81 SESSION Thursday MARCH 23, 2017 G 11:00 am – 12:45 pm

G1 Urban Experiments G2 Cinematic Labor in Southeast Space, Trauma, Spectacle and Central Europe,   1945–1989

CHAIR Brigitte Humbert ▶ Middlebury College

Carolina Rueda ▶ University of Oklahoma ▶ ​ CHAIR Masha Shpolberg ▶ Yale University “Piercing the City: Shapes of Trauma, Affection, Joshua Malitsky ▶ Indiana University ▶ ​ and Survival in Iñárritu’s Biutiful” “Brotherhood and Unity as Master Signifier in Kyle Miner ▶ University of Wisconsin-Milwaukee ▶ ​ Yugoslav Postwar Nonfiction Film” “Ghostly Trajectories: Neorealism and Urban Marla Zubel ▶ University of Minnesota ▶ ​“Socialist Movement in Ramin Bahrani’s ‘American Dream’ Ciné-ethnography: Representing the African Body Trilogy” in Polish Socialist Newsreels” Novia Shih-Shan Chen ▶ Simon Fraser University ▶ ​ Dominic Leppla ▶ Concordia University ▶ ​“Negative “Hong Kong as a City of the Spectacle: Reading Labor in Polish Cinema: The 1970s Experimental Anson Mak’s Experimental Documentaries” Features of Grzegorz Krolikiewicz” Joni Hayward ▶ University of Wisconsin-Milwaukee ▶ ​ Masha Shpolberg ▶ Yale University ▶ ​“552% of the “No Safe Space: Economic Anxiety and Post- Quota: Deconstructing the Stakhanovite Worker recession Spaces in Horror Films” in the Films of Andrzej Wajda and Wojciech SPONSOR Urbanism/Geography/Architecture Scholarly Wiszniewski” Interest Group

82 11:00 am – 12:45 pm G3 When the Astronaut G5 Converging Stars Is a Woman Weimar Cinema’s Beauty Pageants,  Beyond the Frontier in Film and  Movie Magazines, and Police Campaigns Television

CHAIR Ervin Malakaj ▶ Sam Houston State THURSDAY CHAIR Lorrie Palmer ▶ Towson University University CO-CHAIR Lisa Purse ▶ University of Reading CO-CHAIR Sara Hall ▶ University of Illinois march Catherine Constable ▶ University of Warwick ▶ ​ RESPONDENT Anjeana Hans ▶ Wellesley College 23 “Getting Above Herself: Transcendence and Mila Ganeva ▶ Miami University ▶ ​“Beauty Rebirth in Gravity” Pageants and the Film Industry in Weimar Liz Faber ▶ Manhattanville College ▶ ​“Mother- Germany” Ships: Reproduction and Representation in Star Sara Hall ▶ University of Illinois ▶ ​“Stars of Beat Trek: The Next Generation, Stargate SG1, and and Screen: The Unique Star Culture of the Farscape” Weimar Police Film” Lisa Purse ▶ University of Reading ▶ ​“Cheek Ervin Malakaj ▶ Sam Houston State University ▶ ​ and Jaw: Connoting Female Strength in the “Fandom’s Minutia: Palm Readings in Weimar Technologized Worlds of Cinematic Space Travel” Film Magazine Culture”

Lorrie Palmer ▶ Towson University ▶ ​“‘Off SPONSORS Central/East/South European Scholarly Structure’: Chaos, the Female Astronaut, and Interest Group, Silent Cinema Cultures Untethered Technology in Gravity” Scholarly Interest Group

G4 The Sounds of Sports Media G6 Immanent Frames  Thinking Postsecular Cinema CHAIR Branden Buehler ▶ SUNY, University at  Oneonta CHAIR Russell Kilbourn ▶ Wilfrid Laurier CO-CHAIR Matthew Perkins ▶ University of University California Los Angeles CO-CHAIR John Caruana ▶ Ryerson University Branden Buehler ▶ SUNY, University at Oneonta ▶ ​ Mark Cauchi ▶ York University ▶ ​“Toward a “The Lenticular Logic of the Masters Telecast” Concept of ‘Postsecular Cinema’” Matthew McDonald ▶ Northeastern University ▶ ​ John Caruana ▶ Ryerson University ▶ ​“Postsecular “Keeping It Real: The Soundscapes of NFL Cinema in an Atheist Key” Broadcasts” SESSION Russell Kilbourn ▶ Wilfrid Laurier University ▶ ​“The Matthew Mihalka ▶ University of Arkansas ▶ ​“The Passion of the Close-up: Postsecular Cinema and Prelude to Kilometer 0: The Theme Music of Tour the Affection Image” de France Coverage” Catherine Wheatley ▶ King’s College London ▶ ​ G Matthew Perkins ▶ University of California, Los “Vocation and the Quest for God in the Films of Angeles ▶ ​“Voice-over: Authorship in Sports Mia-Hansen Løve” Podcast Networks” SPONSOR Film Philosophy Scholarly Interest Group 83 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 11:00 am – 12:45 pm G7 Gaming beyond the G8 Trans-locality, Temporality, Digital Divide and Queer Asian Cinema in  Video Games and Game Cultures of the  the Age of Globalization Global South

CHAIR Ungsan Kim ▶ University of Washington CHAIR Phillip Penix-Tadsen ▶ University of CO-CHAIR Shi-Yan Chao ▶ Hong Kong Baptist march Delaware University 23 Jules Brown ▶ University of Oxford ▶ ​“Colonized Shi-Yan Chao ▶ Hong Kong Baptist University ▶ ​ Play: Racism, Sexism, and Colonial Legacies in “Queer Diaspora and Post/colonial Ambivalence: THURSDAY the Dota 2 South Africa Gaming Community” A Case Study of Simon Chung” Daniel Calleros ▶ California State University, Arnika Fuhrmann ▶ Cornell University ▶ ​“Let’s Love Fresno ▶ ​“Digital Luchadores as Representational Hong Kong: Hyper-density, Virtual Possibility, and Fetish: Articulation of Mexican Pop Culture Icons Queer Women in Hong Kong Independent Film” in Video Games” Po-Chen Tsai ▶ National Yang-Ming University, Jenna Altomonte ▶ Ohio University ▶ ​“Digital Taiwan ▶ ​“A Cinema of Hopelessness: Rethinking Protest Online: Joseph Delappe’s Killbox” Queerness and Globalization through Three Phillip Penix-Tadsen ▶ University of Delaware ▶ ​ Recent Taiwan Films” “Exhibiting Play: Collecting and Dis/playing Video Ungsan Kim ▶ University of Washington ▶ ​“Queerly Games in Latin America” In-between: Perverse Literacy and Queer SPONSOR Video Game Studies Scholarly Interest Group Translation in Park Chan-wook’s The Handmaiden”

SPONSOR Queer Caucus

AWARDS Join Us Friday at 4:15 pm SESSION for the Awards Ceremony International Ballroom G Fairmont, 2nd Floor

84 11:00 am – 12:45 pm G9 Now Being Continued G10 Historical Perspectives New Practices in TV Series’ Revivals and on Adult Film and Media  Reactivations  Distribution

CHAIR Kathleen Loock ▶ Free University Berlin/

CHAIR Maureen Rogers ▶ University of THURSDAY University of Wisconsin-Madison Wisconsin-Madison Ryan Lizardi ▶ SUNY Institute of Technology ▶ ​ Maureen Rogers ▶ University of Wisconsin- march “Gilmore Girls: A Year in the Life: Re-piloting a Madison ▶ ​“Tent-poles, Drive-ins, and Dracula’s Nostalgic Dual Audience One Season at a Time” 23 Dog : Crown International Pictures and Julia Leyda ▶ Norwegian University of Science and Exploitation Distribution in the New Hollywood” Technology ▶ ​“Financial Times: The Economic and Tom Fallows ▶ University of Exeter ▶ ​“Rotting Industrial Temporalities of Arrested Development” Flesh/Rutting Bodies: Independent Production Matt Hills ▶ University of Huddersfield ▶ ​“The and Exploitation Distribution in George A. Ontological (In)security of Cult TV Revivals for Romero’s The Crazies (1973)” Their Enduring Fans: Twin Peaks as Generational Devin McGeehan Muchmore ▶ Yale University ▶ ​ Seriality” “Fighting ‘The Russian Roulette Game of Sexual Kathleen Loock ▶ Free University Berlin/University Mail-order’: Mail-order Fraud and the Consumer of Wisconsin-Madison ▶ ​“‘Everywhere you look’: Politics of Adult Media in the United States, Fuller House, Sequelization, and the Series Revival 1968–1972” in Times of ‘Peak TV’” SPONSOR Adult Film History Scholarly Interest Group SPONSOR Television Studies Scholarly Interest Group

11 Media (as) Ventriloquism G Race, Gender, and the Re-embodied  Voice

CHAIR Jaimie Baron ▶ University of Alberta Ryan Friedman ▶ Ohio State University ▶ ​“‘Mike Fright’: Racial Ventriloquism in the Hollywood Talkies” Shannon Wong-Lerner ▶ The University of North Carolina at Chapel Hill ▶ ​“The ‘Diva’ Lip-Synchs: Media Ventriloquisms and National Voice” SESSION Paul Flaig ▶ University of Aberdeen ▶ ​“Edison’s Sirens: Female Noise between Phonographic Doll and Digital Séance” G Jaimie Baron ▶ University of Alberta ▶ ​“Speaking through the Other; or, The Ethics of the Appropriated Voice”

85 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 11:00 am – 12:45 pm G13 Animation and Advertising G15 WORKSHOP Commerce, Persuasion, and Appeal Film and Media Studies    in the Digital Era - Assessing the Benefits and Challenges of

CHAIR Malcolm Cook ▶ University of Open Access Publishing

Southampton  march Malcolm Cook ▶ University of Southampton ▶ ​ - “Adapting Illustrations: Advertising and the CHAIR Caroline Edwards ▶ Birkbeck, University 23 Development of Animation in Britain in the Early of London

THURSDAY 20th Century” Timothy Brayton ▶ University of Wisconsin- WORKSHOP PARTICIPANTS Madison ▶ ​“Victory through Star Power: Disney Jefferson Pooley ▶ Muhlenberg College Animation and the Marketing of Patriotism” Katie Gallof ▶ Bloomsbury Publishing Timothy Jones ▶ University of California, Los Anna Froula ▶ East Carolina University Angeles ▶ ​“‘Stupid Little Stories’: The Role of Advertising and Interstitials in Shaping the Professional Culture of Indian Animation” Ronja Trischler ▶ Justus Liebig University ▶ ​ “Effective Advertising: Affect in Digital 16 Seeing Seeing II Animation” G Technologies of Vision SPONSOR Animated Media Scholarly Interest Group   -

CHAIR Nicholas Miller ▶ Loyola University Maryland Brian Jacobson ▶ University of Toronto ▶ ​“French 14 WORKSHOP G Nuclear Vision from Oblivion to Infinity: Védrès, The Challenges of Chairing Cocteau, Marker”  the Media Studies Olga Blackledge ▶ University of Pittsburgh ▶ ​ Department “Seeing Thought on the Screen: Animation in Soviet Kul’turfil’mas”  - Mikki Kressbach ▶ University of Chicago ▶ ​“Seeing at Every Scale: From Microscopic Image to Global CHAIR Jacqueline Reich ▶ Fordham University Outbreak” WORKSHOP PARTICIPANTS Nicholas Miller ▶ Loyola University Maryland ▶ ​ “Vertical Cinema: Microscopy, Animation, and the SESSION Diane Negra ▶ University College Dublin Adam Lowenstein ▶ University of Pittsburgh Science of Seeing” Sue Thornham ▶ University of Sussex G Jacqueline Reich ▶ Fordham University

86 11:00 am – 12:45 pm G17 The Geopolitics of G18 Insurgent Historiographies Film Festivals Media Responses to Anti-black Violence  Funding New Transnational Spaces   -  - CHAIR Roxanne Samer ▶ University of Southern THURSDAY CHAIR Sabine Haenni ▶ Cornell University California CO-CHAIR Beth Tsai ▶ SUNY, University at Stony RESPONDENT Kara Keeling ▶ University of Southern march Brook California 23 Sabine Haenni ▶ Cornell University ▶ ​“The Festival Roxanne Samer ▶ University of Southern California ▶ ​ of the Border Zone: What Does It Mean to Claim “Producing Freedom: 1970s Feminist Documentary the ‘Mediterranean’?” and Women’s Prison Activism” Maya Nedyalkova ▶ Independent Scholar ▶ Caetlin Benson-Allott ▶ Georgetown University ▶ ​ ​“A Carrier of Transnational Cultural Value: The “Blood, Guns, and Popcorn: The Warriors and Sofia International Film Festival in Bulgaria” Collective Fantasies of Theater Violence” Beth Tsai ▶ SUNY, University at Stony Brook ▶ ​“Tsai Lokeilani Kaimana ▶ University of Texas at Austin ▶ ​ Ming-liang’s Cine-installations: On Film Festivals “Creative Combatants: QTPOC Media Aesthetics as Producers and Cinema in the Gallery” as Intergenerational Pedagogies” Eren Odabasi ▶ University of Massachusetts Amherst ▶ ​ “Funded for and by Festivals: An Empirical Analysis of Film Funding and the Presence of Turkish Films in International Festivals” SPONSOR Film and Media Festivals Scholarly Interest Group G19 Slapstick Comedy and the  Avant-gardes 

CHAIR Hilde D’haeyere ▶ University College Ghent Malcolm Turvey ▶ Tufts University ▶ ​“Comedic Modernism” Hilde D’haeyere ▶ University College Ghent ▶ ​ “‘What Is Surrealism? Mack Sennett in Movement’: Surrealist Nostalgia for Sennett Slapstick Comedy” Jennifer Wild ▶ University of Chicago ▶ ​“‘Hands off Love’ Revisited: Slapstick and the Force of Death SESSION in the Avant-garde” Steven Jacobs ▶ Ghent University ▶ ​“Slapstick Cinema and Architectural Modernism” G SPONSORS CinemArts Scholarly Interest Group, Comedy and Humor Studies Scholarly Interest Group, French/Francophone Scholarly Interest Group, Silent Cinema Cultures Scholarly Interest Group 87 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 11:00 am – 12:45 pm

20 Media Technology G Design, Function, and Failure

 

CHAIR Chris Baumann ▶ Stockholm University Dylan Mulvin ▶ Microsoft Research New England ▶ ​ march “Through Amber Colored Glasses: Light Mitigation Technologies and the Politics of Media 23 Prophylaxis”

THURSDAY Marley Rosner ▶ SUNY, University at Stony Brook ▶ ​ “Through the Years: Memory and Nostalgia in Graphical Interface Design” Chris Baumann ▶ Stockholm University ▶ ​“A Brief History of Failure: Google’s Nexus Q and the Limits of Streaming” Victoria Simon ▶ McGill University ▶ ​“Playing with Productivity: Musical Screens and the App Economy”

SPECIAL EVENT▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ Thursday, March 23 11:00 am – 12:15 pm Caucus/SIG Open House ROOM Gold ▶ Fairmont, 2nd Floor Visit this drop-in open house to learn more about our various Caucuses and Scholarly Interest Groups and their current and upcoming activities. Representatives from these groups will be on hand to answer

SESSION questions, welcome new conference attendees, and build connections with longtime SCMS members. G SPONSORED University of Notre Dame, Department of Film, Television, and Theatre

88 SESSION Thursday MARCH 23, 2017 H 1:00 – 2:45 pm

H1 Postwar Figures of H2 The Paradox of Intimate Liberation Rediscovered Labor in Transpacific Film  Gender, Sexuality, and Changing Nations  and Media Cultures

CHAIR Jinhee Choi ▶ King’s College London CHAIR Jih-Fei Cheng ▶ University of Southern Alison Guenther-Pal ▶ Lawrence University ▶ ​ California “Transforming Masculinity: Fritz and Friederike Feng-Mei Heberer ▶ Massachusetts Institute of and the 1950s West German Trouser Role Film” Technology ▶ ​“Racial Surplus 2.0” Dijana Jelaca ▶ St. John’s University ▶ ​“Socialist Hoang Tan Nguyen ▶ University of California, Minor Cinema of Soja Jovanović” San Diego ▶ ​“How to Win at Censorship: Thai Benjamin Kruger-Robbins ▶ University of Cinema, Junta Politics, and Queer Transparency” California, Irvine ▶ ​“‘Holy Fruit Salad, Batman!’: Kimberly Icreverzi ▶ Harvard University ▶ ​ Unmasking Queer Conceits of ABC’s Late–1960s “Guardians of Sleep: Trans-Asian Visions of Branding” Somnambulant Labor” Jinhee Choi ▶ King’s College London ▶ ​“The 1970s’ Jih-Fei Cheng ▶ University of Southern California ▶ ​ Girls: Innocence, Sexuality, and Labor” “Visceral Violence and Archives of Indigenous SPONSOR Central/East/South European Survivance in Warriors of the Rainbow: Seediq Bale Scholarly Interest Group (2011)”

SPONSOR Asian Pacific American Caucus

89 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 1:00 – 2:45 pm

3 The Politics of Funny Women 5 Poaching Politics H Negotiating Femininities and Feminisms H Fandom and the 2016 Election Cycle  through Comedy 

CHAIR Amber Davisson ▶ Keene State College CHAIR Inger-Lise Kalviknes Bore ▶ Birmingham Amber Davisson ▶ Keene State College ▶ ​“Broing City University Out with Bernie Sanders’ Dank Meme Stash: march Akane Kanai ▶ University of Newcastle ▶ ​“Desires Memes and the Politics of Gender in the 2016 23 for Sisterhood: The Family Unit, Comedy, and Election Cycle” Feminist Affect in Sisters (2015)” Ashley Hinck ▶ Xavier University ▶ ​“Ted Cruz Is a THURSDAY Sarah Ralph ▶ Northumbria University ▶ ​“Queen Star Wars Fan: Deploying Fandom for in the 2016 Bee: Tina Fey and the Enduring Resonance and US Presidential Campaign” Cultural Reception of Mean Girls” Lies Lanckman ▶ University of Kent ▶ ​“‘These days, Inger-Lise Kalviknes Bore ▶ Birmingham City I think of her as General Leia’: The Stardom and University ▶ ​“Inspirational Amy Schumer: Fandom of Hillary Rodham Clinton”

The Unruly Woman as a Pinned Promise of SPONSOR Fan and Audience Studies Happiness” Scholarly Interest Group SPONSOR Comedy and Humor Studies Scholarly Interest Group

H6 Pure Media/Impure Cinema 4 Mediated Contests  H Sports, Race, and the Power of Narrative CHAIR Noam Elcott ▶ Columbia University  CO-CHAIR Nico Baumbach ▶ Columbia University Noam Elcott ▶ Columbia University ▶ ​“Light as CHAIR Samantha Sheppard ▶ Cornell University Dirt” Samantha Sheppard ▶ Cornell University ▶ ​ Seb Franklin ▶ King’s College London ▶ ​“Unmarked “Bodies, Blackness, and ‘Boobie Miles’ in and Mediation” beyond Friday Night Lights” Nico Baumbach ▶ Columbia University ▶ ​“The ▶ University of TreaAndrea Russworm Desire for Impurity: From Realism to Materialism Massachusetts Amherst ▶ ​“He’s Gotta Have It: NBA to Nostalgia” 2K, Spike Lee, and Gaming’s Racial Divide” Damon Young ▶ University of California, Berkeley ▶ ​ ▶ Rhodes College ▶ ​“Beyond Les Keith Corson “Pure and Impure Irony” Bleus: French Basketball, American Media, and SPONSOR CinemArts Scholarly Interest Group SESSION Racial Performance in les banlieues” H SPONSOR Oscar Micheaux Society

90 1:00 – 2:45 pm H7 Transnational H9 Serial Chronotopes (Latin American) Genres On Narrative World Building   in Screen Media

CHAIR Olivia Cosentino ▶ Ohio State University CHAIR Jeffrey Sconce ▶ Northwestern University Ana Lopez ▶ Tulane University ▶ ​“Excavating an THURSDAY Early Transnational Genre: Pornography in Latin CO-CHAIR Babette B. Tischleder ▶ University of American Cinema” Goettingen march Olivia Cosentino ▶ Ohio State University ▶ ​“Out Babette B. Tischleder ▶ University of Goettingen ▶ ​ 23 with the Old, In with the New: The Transnational “Doing Time in Spatial Fashion: The Women’s Youth Genre” Prison as Serial Chronotope” Ignacio Sanchez Prado ▶ Washington University Maria Sulimma ▶ Free University Berlin ▶ ​“No in St. Louis ▶ ​“Neoliberal Gothic: Latin American Place like Home?: Apartment Shares of Horror Cinema and Its Hollywood Remakes” Contemporary Female TV Protagonists” Dolores Tierney ▶ University of Sussex ▶ ​“Latin Jeffrey Sconce ▶ Northwestern University ▶ ​“The American Disaster Films: Children of Men (Alfonso Universal Chronotope: Gothicized Europe on Cuarón, 2006) and Blindness (Fernando Meirelles, American Television” 2009)”

SPONSORS Latino/a Caucus, Transnational Cinemas Scholarly Interest Group 10 Open 24/7 H Mapping Adult Exhibition’s Pasts and 8 From Margin to Intersection  Futures H Approaches to Intersectionality in Video  Games CHAIR Peter Alilunas ▶ University of Oregon Peter Alilunas ▶ University of Oregon ▶ ​“Small, CHAIR Shira Chess ▶ University of Georgia Dark, Sticky . . . and Forgotten: The Jefferson Shira Chess ▶ University of Georgia ▶ ​“The Body Theatre and the Importance of Adult Film Problem: Feminism and the Mess of Gaming Exhibition History” Bodies” Whitney Strub ▶ Rutgers University ▶ ​ Stephanie Jennings ▶ Rensselaer Polytechnic “Pornography in Newark: The Little Theater and Institute ▶ ​“Situated Knowledge, Situated Play: Microhistories of Exhibition, Place, Race, and Experiencing Bloodborne through Feminist Sexuality from Black Power to Neoliberalism” Epistemology” Brandon Arroyo ▶ Concordia University ▶ ​ Adrienne Massanari ▶ University of Illinois at “Montreal as Pornosphere” SESSION Chicago ▶ ​“Intersectional Game Design: Lessons Lynn Comella ▶ University of Nevada, Las Vegas ▶ ​ from Never Alone” “Erotic Exhibition and the Rise of the Webcam SPONSORS Caucus Coordinating Committee, Auteur” Video Game Studies Scholarly Interest Group SPONSOR Adult Film History Scholarly Interest Group H

91 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 1:00 – 2:45 pm H11 Hearing Queer Voices in H14 Documenting US History Genre Cinema   Horror and the Musical  -

CHAIR Susan Courtney ▶ University of South Carolina CHAIR Joseph Wlodarz ▶ University of Western Ontario Laura LaPlaca ▶ Northwestern University ▶ ​“‘All march CO-CHAIR Allison McCracken ▶ DePaul University We’ve Broken so Far Is a Vase in Ed Sullivan’s Living Room’: Technology, Domesticity, and ‘Authenticity’ Allison McCracken ▶ DePaul University ▶ ​“Bobby 23 in Edward R. Murrow’s Person to Person” Breen and the Cultural Work of the Boy Soprano” THURSDAY Nicole Strobel ▶ University of California, Santa Sean Griffin ▶ Southern Methodist University ▶ ​ Barbara ▶ ​“Capturing the Ephemeral: The “With a Smile and a Song: The Queerness of Vanderbilt Television News Archive and the Snow White’s Voice” Serious Business of Nightly Network News” Joseph Wlodarz ▶ University of Western Ontario ▶ ​ Michelle Kelley ▶ Washington University in St. Louis ▶ ​ “Coding the Male Scream in Classic Horror “Pedagogy and Broadcasting: The Planning and Cinema” Production of Eyes on the Prize (1987)” Morgan Woolsey ▶ University of California, Los Ashley J. Smith ▶ Stockholm University ▶ ​“Jim Angeles ▶ ​“Listening to the Lesbian Vampire” Crow at the Periphery: Southern Home Movies as SPONSORS Queer Caucus, Horror Studies Uneventful Witness” Scholarly Interest Group

H13 Internet Information and  Interaction  -

CHAIR Bish Sen ▶ University of Oregon Renee Pastel ▶ University of California, Berkeley ▶ ​ “Hashtag Television: Onscreen Branding, Second Screen Viewing, and Emerging Modes of Television Audience Interaction” Bish Sen ▶ University of Oregon ▶ ​“Informational Aesthetics: Data-driven Entertainment in Indian SESSION Television” Zach Horton ▶ University of Pittsburgh ▶ ​“No Man’s Sky and the Cultural Logic of Ubiquitous H Scanning” John McMurria ▶ University of California, San Diego ▶ ​“Race and the Limits of Net Neutrality”

92 1:00 – 2:45 pm H15 WORKSHOP H16 Rethinking Medium The Media Ecology Project Specificity  Pilot Projects and Hands-on Tutorial    - - CHAIR Konstantinos Koutras ▶ Carleton THURSDAY CHAIR Mark Williams ▶ Dartmouth College University CO-CHAIR Dimitrios Latsis ▶ Internet Archive Andrew Lison ▶ University of Kansas ▶ ​“Medium march Specificity and Historical Dynamism: Digital 23 WORKSHOP PARTICIPANTS Media from Multimedia to Computation” Tami Williams ▶ University of Wisconsin- Matthew Noble-Olson ▶ Georgetown University ▶ ​ Milwaukee “Acinematic Atopia” Jenny Oyallon-Koloski ▶ University of ▶ Sam Houston State University ▶ ​ Wisconsin-Madison Grant Wiedenfeld “Screen, Performance, Record: A Disciplined Bret Vukoder ▶ Carnegie Mellon University Definition for a Specific Medium” Lauren Tilton ▶ University of Richmond Konstantinos Koutras ▶ Carleton University ▶ ​ Aparna Sharma ▶ University of California, “An Idea of Art: Jacques Rancière’s Rethinking of Los Angeles Medium Specificity” Brittany Murphy ▶ Dartmouth College SPONSORS Film Philosophy Scholarly Interest Group, SPONSORS Media Literacy and Pedagogical Outreach Media, Science, and Technology Studies Scholarly Interest Group, Nontheatrical Film Scholarly Interest Group and Media Scholarly Interest Group, Women In Screen History Scholarly Interest Group

17 Film Festivals H Collaborative Practices and Affective  Economies  -

CHAIR Daniel Miller ▶ University of Oregon Jonathan Petrychyn ▶ York University ▶ ​“Sticky Explore . . . Films: Film Festivals as Affective Economies” the SCMS Exhibit Area Clinton Glenn ▶ McGill University ▶ ​“We Are Imperial Ballroom People–Not Propaganda” Aniko Kovecsi ▶ Central European University ▶ ​ SESSION Fairmont, B2 Level “Accessing Documentary Films: Festivals and see page 17 for Exhibit Hours Beyond” Daniel Miller ▶ University of Oregon ▶ ​“All Roads Lead to—and from—IDFA: The Convergence H of Impact and Documentary Cinema at the International Documentary Festival, Amsterdam”

SPONSOR Film and Media Festivals Scholarly Interest Group 93 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 1:00 – 2:45 pm H18 Navigating Hegemonic H20 Medial Negotiations Whiteness Tele-visuality and the Cinema in Pre-  Black Americans’ Digital Strategies for  Olympic Japan Negotiating and Resisting Whiteness 

 - CHAIR Rea Amit ▶ Illinois College march CHAIR Sarah Florini ▶ Arizona State University CO-CHAIR Takuya Tsunoda ▶ University of Chicago 23 Catherine Knight Steele ▶ University of Yoshikuni Igarashi ▶ Vanderbilt University ▶ ​“Japan Maryland ▶ ​“Deviant Black Bodies and Embodied circa 1959: The High-growth Economy and the

THURSDAY Black Feminism in the Blogosphere” Social Effects of Television” Jenny Korn ▶ University of Illinois at Chicago ▶ ​ Rea Amit ▶ Illinois College ▶ ​“A Televisual Reality of “#Whitesplaining: Where Black Twitter Counters Cinema: The Postwar Japanese Program Picture” Whiteness” Michael Raine ▶ Western University, Canada ▶ ​ Sarah Florini ▶ Arizona State University ▶ ​ “From Film to Entertainment: Televisual Celebrity “#BernieSoBlack: Enclaving, Counter-discourse, in the Cinema of High Economic Growth” and Gatekeeping in Black Digital Networks” Takuya Tsunoda ▶ University of Chicago ▶ ​ André Brock ▶ University of Michigan ▶ ​“Black “Televisual Transmission of Amateurism: On Respectability Politics as Dogmatic Digital Practice” Reflexivity and the Cinemas of the 1960s”

H19 The Intermedia Work of  Patrick Clancy MEETING▶▶▶▶▶▶▶▶▶▶▶▶  1:00 – 2:45 pm

CHAIR Lisa Zaher ▶ School of the Art Institute of Comics Studies Chicago Scholarly Interest Group

Scott MacDonald ▶ Hamilton College ▶ ​“Working ROOM Burnham Ballroom A  Marginally: Patrick Clancy’s Early Photoscrolls” Mid-America Club, 80th Floor, AON Center Louis Kaplan ▶ University of Toronto ▶ ​“The Photoscroll and the Rhizome: Reflections on Patrick Clancy’s 365/360” Lisa Zaher ▶ School of the Art Institute of Chicago ▶ ​ “Geologies of the Image: The Work of Patrick MEETING▶▶▶▶▶▶▶▶▶▶▶▶ Clancy across Media” SESSION Tom Gunning ▶ University of Chicago ▶ ​ 1:00 – 2:45 pm “Cinematography: The Writing of Motion in Transmedia Studies Patrick Clancy’s peliculas” Scholarly Interest Group H SPONSOR Experimental Film and Media Scholarly Interest Group ROOM Lincoln Park Suite  Fairmont, 37th Floor, Room 3709 This panel coincides with the peliculas installation at the Chicago Cultural Center. 94 Please see page 74 for more information. SESSION Thursday MARCH 23, 2017 I 3:00 – 4:45 pm

I1 Deconstructing the I2 Television Distribution and  “Classical”  Invisible Labor

CHAIR Burke Hilsabeck ▶ University of Northern CHAIR Eleanor Patterson ▶ University of Iowa Colorado Evan Elkins ▶ Colorado State University ▶ ​“The Burke Hilsabeck ▶ University of Northern Work of Pirate Livestreaming” Colorado ▶ ​“Classical Cinema: The History of a Taylor Cole Miller ▶ University of Wisconsin- Critical Construct” Madison ▶ ​“Edited for Syndication: The Invisible Andrea Comiskey ▶ Franklin & Marshall College ▶ ​ Post-post-production Authors of Television” “On the Marketing and Reception of Stop-motion Eleanor Patterson ▶ University of Iowa ▶ ​ Animation in the Studio Era” “Troubleshooting TV Distribution: The Invisible Melissa Gelinas ▶ University of Michigan ▶ ​“De- Labor of DirecTV’s Work-at-Home Technical centering ‘Classical Film Theory’: Translating the Support Staff”

Works of Paulin Soumanou Vieyra” SPONSORS Media Industries Scholarly Interest Group, Selina Hangartner ▶ University of Zurich ▶ ​“Self- Television Studies Scholarly Interest Group reflexivity and Irony in Early German Sound Film”

SPONSOR Central/East/South European Scholarly Interest Group

95 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 3:00 – 4:45 pm

3 Making a Spectacle of Herself 5 The Celebrity of Politics I Women Comedians and the Public I Crafting Public Image and Performing  Sphere  the Presidency in the 21st Century

CHAIR Linda Mizejewski ▶ Ohio State University CHAIR Lindsay Hogan ▶ Boston College Lori Landay ▶ Berklee College of Music ▶ ​ Lindsay Giggey ▶ University of California, march “Producing and Performing Selfhood: Women’s Los Angeles ▶ ​“From ‘You’re Fired!’ to TV Comedy and the Pursuit of ‘Money, Dick, #MakeAmericaGreatAgain: Public Personae and 23 Power’” the Dubious Relationships between Presidential

THURSDAY Victoria Sturtevant ▶ University of Oklahoma ▶ ​ Politics and Reality TV” “Abortion/Comedy: Obvious Child (2014) and the Matt Sienkiewicz ▶ Boston College ▶ ​“Bernie, Problem of Smashmortion” Larry, and the Contemporary Politics of Jewish Kathryn Kein ▶ George Washington University ▶ ​ Universalism” “Tig Notaro and the Queerness of the Awkward Charlotte Howell ▶ Boston University ▶ ​“What Body” Does a Female President Look Like?: TV’s Linda Mizejewski ▶ Ohio State University ▶ ​“Con Female Presidents and Hillary Rodham Clinton’s Woman and Sister Citizen: Mo’Nique in I Coulda Candidate Persona” Been Your Cellmate” Lindsay Hogan ▶ Boston College ▶ ​“Making W.

SPONSOR Comedy and Humor Studies Seem Great Again: Jenna Bush Hager and the Scholarly Interest Group Presidential Legacy of George W. Bush”

I4 From Crying Jordan to I6 WORKSHOP Ronda Rousey Researching Amateur  Difference and Authenticity in Digital  Film History Sports Media Archives, Publics, Digital Platforms

CHAIR Andrew Harrington ▶ Irvine Valley CHAIR Charles Tepperman ▶ University of College Calgary

Robert Cavanagh ▶ Emerson College ▶ ​“Crying WORKSHOP PARTICIPANTS Jordan and the NBA’s Cartoon Difference” Dan Streible ▶ NYU Orphan Film Symposium Andrew Harrington ▶ Irvine Valley College ▶ ​ Dwight Swanson ▶ Center for Home Movies SESSION “#TFW You Don’t Know What’s Real: NBA Vines and Rupture of Televised Sports Realism” Karan Sheldon ▶ Northeast Historic Film Nancy Watrous ▶ Chicago Film Archives Jennifer McClearen ▶ University of Washington ▶ ​ “‘We Are All Fighters’: The Transmedia Sheena Manabat ▶ University of Calgary I Marketing of Difference in the Ultimate Fighting SPONSOR Nontheatrical Film and Media Championship (UFC)” Scholarly Interest Group

96 3:00 – 4:45 pm I7 The Incalculable Futurity of I9 Animals and Ecology in Feminism in Latin American Screen Art  Film Studies 

CHAIR Trevor Mowchun ▶ Concordia University

CHAIR Dianna Niebylski ▶ University of Illinois at Carrie Reese ▶ University of Toronto ▶ ​“Of Beasts THURSDAY Chicago and Sovereigns: Ana Mendieta’s Dog and the CO-CHAIR Julian Daniel Gutierrez-Albilla Borders of Man” march ▶ University of Southern California Kathy Kasic ▶ Montana State University ▶ ​ 23 Dianna Niebylski ▶ University of Illinois at Chicago ▶ ​ “The Sensory Vérité Form in Contemporary “Adolescent Girls, Sound and Fury in Martel and Documentary” Carri: The Sonic Range of Divergent Feminisms” Trevor Mowchun ▶ Concordia University ▶ ​“The Ana Morana ▶ Shippensburg University ▶ ​“Body Death of God, the Birth of Film, and the New Talk: Gender in Postfeminist Times in Lucía Metaphysics” Puenzo’s XXY (Argentina, 2007)” Leslie Marsh ▶ Georgia State University ▶ ​“Can Bananas Be Her Business?: Women, Gender and Film Comedy in Brazil” Julian Daniel Gutierrez-Albilla ▶ University of 10 Digital Documentary Southern California ▶ ​“Documenting One’s Other I Mediated Citizenship and Networks of Self: Memory, Exile, and Feminine Subjectivity  Disidentification in Sandra Kogut’s Documentary Um Passaporte Húngaro (2001)” CHAIR Michelle Stewart ▶ SUNY, Purchase College 8 Video Games and Queer Affect Scott Richmond ▶ University of Toronto ▶ ​ I Empathy, Embodiment, Exile, and Economy “Suspensions of Identification: #blacklivesmatter  and Documentary Violence beyond Melodrama” Jeff Scheible ▶ King’s College London ▶ ​“Deep CHAIR Bonnie Ruberg ▶ University of Southern Mediations: Citizen Kane, Citizenfour, and California Cinema’s Digital Futures” Bonnie Ruberg ▶ University of Southern California ▶ ​ Tom Roach ▶ Bryant University ▶ ​“The Neoliberal “Feeling for Others: Video Games and the Uses of Sexual Citizen: Skin, Skill Sets, and Fungible Queer Affect” Avatars” Whitney Pow ▶ Northwestern University ▶ ​ Michelle Stewart ▶ SUNY, Purchase College ▶ ​ “‘Someday We Won’t Have to Sneak Around “Narrowcasting Hate: Rightwing Media and the Anymore’: Queer Exile, Diaspora, and Affect in the Crisis of Digital Citizenship” SESSION Video Game Gone Home” SPONSOR Documentary Studies Scholarly Interest Group Christopher Goetz ▶ University of Iowa ▶ ​“Coin of Another Realm: Gaming’s Queer Economy” I Diana Pozo ▶ University of California, Santa Barbara ▶ ​“The Trouble With ‘Empathy Games’: Queer Game Design as Haptic Media”

SPONSORS Queer Caucus, Video Game Studies Scholarly Interest Group 97 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 3:00 – 4:45 pm I11 Histories of Indian Cinema I13 Border Cinema Playback The Aesthetics of Dis-integrating  The Transnational Circulation of Song  Boundaries and Soundtrack  -

CHAIR Rebecca Sheehan ▶ Harvard University CHAIR Peter Bloom ▶ University of California, march Santa Barbara Marina Hassapopoulou ▶ New York University ▶ ​ CO-CHAIR Kaitlynn Zigterman ▶ University of “Composite Aesthetics as Cultural Cartographies 23 California, Santa Barbara of Europe in Transition” THURSDAY Peter Bloom ▶ University of California, Santa Rebecca Sheehan ▶ Harvard University ▶ ​ Barbara ▶ ​“‘Indomalayan’ Radio-Cinema “Undocumated: Documentary Animation’s Aesthetics: Indian Playback Cinema in Unsettled Borders” Midcentury Singapore” Monica Hanna ▶ California State University, Shikha Jhingan ▶ Jawaharlal University ▶ ​“Live Fullerton ▶ ​“Communication, Corporeality, and Concerts, Transnational Routes: Tracing the Radio Crossings: The Paradoxes of Global Borders in Voice of the Playback Singer” Alejandro González Iñárritu’s Babel” Kaitlynn Zigterman ▶ University of California, Santa Kavita Daiya ▶ George Washington University ▶ ​ Barbara ▶ ​“Transnational Western Bollywood “‘Reunion’: The Geopolitics of Peace and Border- Cinema: Recasting Song and Soundtrack” crossings in Bollywood Cinema” Katie Young ▶ Royal Holloway, University of London ▶ ​“Exploring the Transnational Influence of the Hindi Film Song Sequence in Northern Ghanaian Films, 1990-Present” 14 SPONSORS Radio Studies Scholarly Interest Group, I Mapping Space Sound Studies Scholarly Interest Group  in Action Media  -

CHAIR Joshua Wucher ▶ Michigan State University Jon Kraszewski ▶ Seton Hall University ▶ ​“The 1980s Action Film and the Politics of Urban Expulsions” Nick Jones ▶ Queen Mary University of London ▶ ​ “Exemplars of British Fortitude: James Bond and Trending . . . the Restructuring of London” SESSION Joshua Wucher ▶ Michigan State University ▶ ​ Like SCMS on Facebook “Urban Militarization, Modern Warfare, and facebook.com/SCMStudies Architectural Space in Dredd 3D” I SPONSOR Urbanism/Geography/Architecture Scholarly Interest Group

98 3:00 – 4:45 pm I15 Black Boxes, Walled Gardens I17 WORKSHOP Political Economies of Copyright and Art Cinemas, Festivals,  Digital Rights Management Technologies  and Pop-ups  Indie Theatrical Exhibition in a - Streaming Age THURSDAY CHAIR David Murphy ▶ York University/Ryerson  University - march Sydney Warshaw ▶ McGill University ▶ ​“Beyond CHAIR Joan Hawkins ▶ Indiana University Creative Commons: New Licensing Models for a 23 CO-CHAIR Andy Uhrich ▶ Indiana University Socially Progressive Future” Kalervo Sinervo ▶ Concordia University ▶ ​ WORKSHOP PARTICIPANTS “Distribution Shuffle: Notes on the Piracy- Jacqueline Stewart ▶ University of Chicago Copyright Dialectic in Digital Comics” Bryan Wendorf ▶ Chicago Underground Film David Murphy ▶ York University/Ryerson Festival University ▶ ​“Consoles, Copyright, and Conduct: Michael W Phillips Jr. ▶ South Side Projections Fair Use and the Recording and Sharing of Play” Amir George ▶ The Cinema Culture and Black SPONSOR Comics Studies Scholarly Interest Group Radical Imagination Brian Andreotti ▶ Music Box Theater

SPONSOR Film and Media Festivals Scholarly Interest Group

I16 A World of Color  in Film and Media  I18 WORKSHOP - Approaches to Teaching CHAIR Joshua Yumibe ▶ Michigan State  Moving Images of and about University Police Violence Joshua Yumibe ▶ Michigan State University ▶ ​“Vivid  Color, Revolution, and the ‘Primitive’ Experience” - Kirsten Moana Thompson ▶ Seattle University ▶ ​ CHAIR Amy Corbin ▶ Muhlenberg College “Lanu Moana (Blue) and Brown Skin: Disney Color Design and the Pacific” WORKSHOP PARTICIPANTS Sarah Street ▶ University of Bristol ▶ ​“The Maryann Erigha ▶ University of Memphis Monopack Revolution and Global Cinema” Kimberly Grocher ▶ Weill Cornell Medicine Kirsty Sinclair Dootson ▶ Yale University ▶ ​ Michelle Materre ▶ The New School SESSION “Technicolor in China: Printing, Dyeing and Zhang SPONSORS Black Caucus, Caucus Coordinating Yimou’s Ju Dou” Committee I

99 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 3:00 – 4:45 pm I19 Sexploitation/Underground/ I20 Youth, Gender, and Power Experimental/Porn in Japanese Popular Culture  Intersecting Histories and Contact   Zones, 1960–1980

 CHAIR Jennifer Coates ▶ Kyoto University Jennifer Coates ▶ Kyoto University ▶ ​“Youth march CHAIR Elena Gorfinkel ▶ King’s College London and Power in Japan’s Nuclear Age: The Shōjo in 23 J. Carlos Kase ▶ University of North Carolina Classical Narrative Cinema” at Wilmington ▶ ​“New Discoveries: Carolee Yuka Kanno ▶ Doshisha University ▶ ​“Queer Girls’ THURSDAY Schneemann, Feminist Icon in the Trenches of Cinema as Counter-climax Cinema” Sexploitation Cinema” Grace Ting ▶ Macalester College ▶ ​“The Love and Ryan Powell ▶ Indiana University ▶ ​“Sherpix Inc. Death of ‘Magical Girls’: Queer and Feminist and the Ubiquitous Underground” Potentialities in Transnational Girls’ Culture” Eric Schaefer ▶ Emerson College ▶ ​“‘Turning People On’: Jerry Abrams, Art, and Showmanship in the San Francisco Scene, 1967–1975” Amy Herzog ▶ Queens College, CUNY ▶ ​“‘Prurience Is Part of the Machine’: Automation, Arousal, and New York’s Underground Screens”

SPONSORS Adult Film History Scholarly Interest Group, Experimental Film and Media Scholarly Interest Group

MEETING▶▶▶▶▶▶▶▶▶▶▶▶ MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 3:00 – 4:45 pm 3:00 – 4:45 pm War and Media Studies Children’s and Youth Scholarly Interest Group Media and Culture

ROOM Burnham Ballroom A  Scholarly Interest Group Mid-America Club, 80th Floor, AON Center ROOM Lincoln Park Suite  Fairmont, 37th Floor, Room 3709 SESSION I

100 SESSION Thursday MARCH 23, 2017 J 5:00 – 6:45 pm

J1 Space, Affect, and (Post) J2 WORKSHOP Socialist Subjectification Theorizing Craft  Readings of the Romanian New Wave  History and Interpretation of Below-the- line Creative Work

CHAIR Jesse Schlotterbeck ▶ Denison University CHAIR Chris Cagle ▶ Temple University RESPONDENT Alina Haliliuc ▶ Denison University Jennifer Stob ▶ Texas State University ▶ ​“The WORKSHOP PARTICIPANTS Delinquency of the Script: Corneliu Porumboiu’s Patrick Keating ▶ Trinity University Police, Adjective” Paul Monticone ▶ University of Texas at Austin Chris Robe ▶ Florida Atlantic University ▶ ​ Bob Rehak ▶ Swarthmore College “Communist Structures of Feeling within the Chris Cagle ▶ Temple University Romanian New Wave” Marie-Louise Paulesc ▶ Arizona State University ▶ ​ “The Autobiography of Nicolae Ceauşescu: (Not) a Documentary, (Not) an Autobiography, (Non) Fiction, and (Not) Archival Research”

SPONSOR Central/East/South European Scholarly Interest Group

101 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 5:00 – 6:45 pm J3 WORKSHOP J5 The Functions of Celebrity in Teaching Comedy and Production Culture  Pedagogies of Laughter  Methods, Modes, and Mediatization CHAIR Swapnil Rai ▶ University of Texas at Austin Andrew Myers ▶ University of Southern California ▶ ​ CHAIR William Costanzo ▶ SUNY, Westchester “Recycling Walt Disney: Creating and Preserving march Community College a Legacy through Mass Media”

23 WORKSHOP PARTICIPANTS Patrick Terry ▶ University of Kansas ▶ ​“Success through Failure: Kadokawa Haruki and the THURSDAY Amber Day ▶ Bryant University Persona of the Celebrity Producer” Viveca Greene ▶ Hampshire College Swapnil Rai ▶ University of Texas at Austin ▶ ​“The Rebecca Krefting ▶ Skidmore College Rise of Bollywood’s Global Stars: SRK, Aamir and John Alberti ▶ Northern Kentucky University the Centrality of the Star in Indian Hindi Cinema’s Jared Champion ▶ Young Harris College Transnational Entertainment Network”

SPONSORS Comedy and Humor Studies Scholarly Interest Julie Nakama ▶ University of Pittsburgh ▶ ​“Tailoring Group, Media Literacy and Pedagogical Production Studies: Hollywood Costume, Edith Outreach Scholarly Interest Group Head’s Fashion Shows, and the Afterlife of Craft Labor”

J4 WORKSHOP Sports Media in Cinema and J6 Critical University Studies as  Media Studies Media Studies? From Research to the Classroom 

CHAIR Mark Cooper ▶ University of South Carolina CHAIR Travis Vogan ▶ University of Iowa RESPONDENT Christopher Newfield ▶ University of WORKSHOP PARTICIPANTS California, Santa Barbara Ron Becker ▶ Miami University Mark Cooper ▶ University of South Carolina ▶ and Victoria Johnson ▶ University of California, Irvine John Marx ▶ University of California, Davis ▶ ​ CL Cole ▶ University of Illinois at Urbana- “Towards a Media History of the University” Champaign Hadi Gharabaghi ▶ New York University ▶ ​“Nation- Travis Vogan ▶ University of Iowa building via Documentary: Syracuse University SESSION Audio-Visual Center in the Middle East during the 1950s” Michael Zryd ▶ York University ▶ ​“The J Experimental Film and Media Syllabus as Teaching Machine”

SPONSOR Media Literacy and Pedagogical Outreach Scholarly Interest Group 102 5:00 – 6:45 pm J7 WORKSHOP J9 Fluid Structures Inventing Film Studies in Gendered Negotiations of the  Latin America  Transnational

CHAIR Alia Ayman ▶ New York University

CHAIR Nilo Couret ▶ University of Michigan THURSDAY RESPONDENT Samhita Sunya ▶ University of Virginia WORKSHOP PARTICIPANTS Claire Cooley ▶ University of Texas at Austin ▶ ​ march David Wood ▶ National Autonomous University “Umm Kulthum Enters the Big Screen: Navigating 23 of Mexico Womanhood and the National through the Sound Kathleen Newman ▶ University of Iowa Film” Sarah Barrow ▶ University of Lincoln Laura Fish ▶ University of Texas at Austin ▶ ​“Thank Ana Laura Lusnich ▶ University of Buenos Aires You for Sharing: Invigorating Online Sharing Joao Luiz Vieira ▶ Federal Fluminense University of Iranian Popular Cinema through Layered Masculinities” SPONSOR Latino/a Caucus Qui Ha Nguyen ▶ University of Southern California ▶ ​ “From a Victim to a Hero: Socialist Modernity and the Remaking of Motherhood in Vietnamese Revolutionary Cinema” J8 WORKSHOP Unobscuring the Work  of Games Design, Designers, and Methods of J10 Queer New Media Inquiry  Histories and Historicities CHAIR ▶ Illinois Institute of Carly Kocurek CHAIR Dan Udy ▶ King’s College London Technology Abigail De Kosnik ▶ University of California, WORKSHOP PARTICIPANTS Berkeley ▶ and Andrea Horbinski ▶ University Jennifer deWinter ▶ Worcester Polytechnic of California, Berkeley ▶ ​“Historicizing Fandom’s Institute Queerness: Conflicts over Sexual Content in the Early Years of Internet Fan Fiction Communities” Christopher Hanson ▶ Syracuse University Dan Udy ▶ King’s College London ▶ ​ Anastasia Salter ▶ University of Central Florida “Pornogeography: Spatializing Queer History, Wendi Sierra ▶ St. John Fisher College Historicizing Queer Space” Richard Cante ▶ University of North Carolina at SESSION Chapel Hill ▶ ​“Queer (In)direct Address and the Limits of History” Eric Freedman ▶ Columbia College Chicago ▶ ​ “Engineering Queerness: Historicity and the J Game Development Pipeline”

SPONSOR Queer Caucus

103 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 5:00 – 6:45 pm J11 WORKSHOP J14 Local Codes Everything You Always The Production Code Administration and  Wanted to Know about Film  Film Reception Music (But Were Afraid to  Teach) - CHAIR Steven Carr ▶ Indiana University-Purdue University Fort Wayne march CHAIR Richard Ness ▶ Western Illinois University 23 RESPONDENT Walter Metz ▶ Southern Illinois University WORKSHOP PARTICIPANTS Steven Carr ▶ Indiana University-Purdue University THURSDAY Caryl Flinn ▶ University of Michigan Fort Wayne ▶ ​“Inside the Chicago Exhibition of Kathryn Kalinak ▶ Rhode Island College Inside Nazi Germany (RKO, 1938)” Krin Gabbard ▶ Columbia University Benjamin Strassfeld ▶ University of Michigan ▶ ​ “The Politics of Detroit Movie Censorship” Jennifer Fleeger ▶ Ursinus College Monica Sandler ▶ University of California, Los SPONSOR Sound Studies Scholarly Interest Group Angeles ▶ ​“The Road to the Advertising Code: The Problem of Advertising in Hollywood (1924–1934)”

SPONSOR Classical Hollywood Scholarly Interest Group J13 Situating Commercial Sponsorship in Broadcast  History

 15 Political Cinema and 1968 - J  CHAIR Molly Schneider ▶ Northwestern  - University CHAIR Christina Gerhardt ▶ University of Hawaii Jennifer Wang ▶ Independent Scholar ▶ ​“‘We Talk’: at Manoa Selling Women’s Gossip, Super Suds, and Radio Christina Gerhardt ▶ University of Hawaii at Listening to Early Network Radio Audiences” Manoa ▶ ​“Ousmane Sembène: Between Global Kit Hughes ▶ Colorado State University ▶ ​ and Local” “Programming Pragmatism: Sponsored Films on Paul Grant ▶ University of San Carlos ▶ ​“Cinéthique Early Television” and Militant Film Practice in Post–68 France” Molly Schneider ▶ Northwestern University ▶ ​ Zakir Hossain Raju ▶ Independent University, “Traumas and Fantasies of War: Institutional Bangladesh ▶ ​“Zahir Raihan’s National(ist) SESSION Advertising in the Midcentury Television Cinema and the ‘Long Sixties’ of Europe: Anthology Drama” Europeanizing (East) Pakistan Cinema?” Cynthia Meyers ▶ College of Mount Saint Vincent ▶ ​ Man Tat Terence Leung ▶ School of Professional “Ozzie Nelson, Kodak, and J. Walter Thompson Education & Executive Development, Hong Kong J (1956–57): A Case Study of the Decline of Polytechnic University ▶ ​“Fidelity and Minimalism: Sponsor Program Control” Melancholy, State Repressions, and the Dark SPONSOR Radio Studies Scholarly Interest Group Commemorations of 1968 in Philippe Garrel’s Les Amants réguliers (2005)” 104 5:00 – 6:45 pm J16 Color, Desire, and the J18 Material Horrors Moving Image    -  - CHAIR Allan Cameron ▶ University of Auckland CHAIR Thomas West ▶ Syracuse University ▶ Brigham Young University ▶ ​“Brian Marc Olivier THURSDAY Hannah Garibaldi ▶ Chapman University ▶ ​“Blood, De Palma’s Sleeper Sofa: Split Screens, Split Sand, and Sexuality: Chromatically Deviating Personalities, and Dual-purpose Furniture in march from the Hollywood Production Code” Sisters (1973)” 23 Thomas West ▶ Syracuse University ▶ ​“The (Un) Allan Cameron ▶ University of Auckland ▶ ​“Glass, fortunate Fall into Color: The Technicolor Sex Gauze, Skin, and Steel: The Matter of the Cut in Drive and the Unquiet Pleasures of History in Giallo Cinema” Cecil B. DeMille’s Samson and Delilah” S Walton ▶ University of South Australia ▶ ​ Allain Daigle ▶ University of Wisconsin-Milwaukee ▶ ​ “Something Wicked in the Air: Theorizing Film “Of Love and Longing: Color and Queer Nostalgia Mood, Atmosphere, and Environment in The in Carol (2015)” Witch (2015)” M.M. Chandler ▶ Santa Monica College ▶ ​“Loving Misha Kavka ▶ University of Auckland ▶ ​“On the an Artificial Image: Kodachrome Color Aesthetics” Strangeness of Things: The Material History of Uncanny Memory in Stranger Things (2016)” SPONSOR CinemArts Scholarly Interest Group SPONSOR Horror Studies Scholarly Interest Group

J17 Mediating Blackness,  Then and Now J19 Experiments in Feminine  Poetics -   CHAIR Mary Celeste Kearney ▶ University of Notre Dame CHAIR Rebekah Rutkoff ▶ Princeton University Mary Celeste Kearney ▶ University of Notre Dame ▶ ​ RESPONDENT Paige Sarlin ▶ SUNY, University at Buffalo “Only Extras?: Black Girls in Early 1960s US Film and Television” Noa Steimatsky ▶ University of California, Berkeley ▶ ​ “Cecilia Mangini’s Tapestry of Italian Women” Christopher Sieving ▶ University of Georgia ▶ ​ “Integrating the Pantheon: The Cases for (and Rebekah Rutkoff ▶ Princeton University ▶ ​“Soft against) Black Auteurs” Fictions: Strand/Tsangari”

Mary Schmitt ▶ University of California, Irvine ▶ ​ Ara Osterweil ▶ McGill University ▶ ​“No Visible SESSION “Revolutions that Don’t Revolutionize!: The Embodiment: Chantal Akerman’s Monuments to Liberal Rewriting of Black Radical History in Motherhood” Stanley Nelson’s The Black Panthers: Vanguard of the Revolution” J Christine Acham ▶ University of Southern California ▶ ​“Courting Controversy: The Politics of The Carmichael Show”

SPONSORS Black Caucus, Oscar Micheaux Society 105 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 5:00 – 6:45 pm MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 20 Cinema of Displacement J Negotiating Politics, Gender, Identity, 5:00 – 6:45 pm  and Family in Chinese-language Cinema Film and Media Festivals  Scholarly Interest Group

ROOM Lincoln Park Suite  CHAIR Mei-Hsuan Chiang ▶ Taipei National Fairmont, 37th Floor, Room 3709 University of the Arts march Weijia Du ▶ University of Illinois at Urbana- 23 Champaign ▶ ​“(Anti-)official Occidentalism:

THURSDAY Foreign Films in China, 1949–66” I In Chiang ▶ Rhodes College ▶ ​“Femme Fatale in Shaw Brothers’ Historical Epic: A Modern Woman AFFILIATE EVENT▶▶▶▶▶▶▶▶ in Disguise” Mei-Hsuan Chiang ▶ Taipei National University of Thursday, March 23 the Arts ▶ ​“Interethnic Romance and Displaced Identities in Taiwan’s Cold War Cinema” 5:00 – 7:30 pm Documentary Studies Scholarly Interest Group Social Event

LOCATION Game Room Chicago ▶  MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 12 S. Michigan Avenue, 2nd Floor 5:00 – 6:45 pm Chance for members of the Documentary Studies Media Industries Scholarly Interest Group to connect and socialize Scholarly Interest Group DIRECTIONS Walking distance (.5 miles) from conference hotel ROOM Burnham Ballroom A 

Mid-America Club, 80th Floor, AON Center SPONSORED BY Documentary Studies Scholarly Interest Group

MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 7:00 – 8:45 pm SESSION Black Caucus J ROOM Ambassador ▶ Fairmont, 2nd Floor

106 SPECIAL EVENT▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ Thursday, March 23 7:00 pm

Graduate Student Reception THURSDAY ROOM Gold ▶ Fairmont, 2nd Floor march All graduate student members are invited to meet, mingle, and network at this Graduate Student Happy Hour. 23 Take a break from an otherwise very busy conference and get to know the next generation of media scholars.

SPONSORED BY Northwestern University Department of Radio/Television/Film Screen Cultures PhD Program, Syracuse University Department of English, University of California, Irvine Ph.D. Program in Visual Studies, University of Texas Department of Radio-Television-Film English Department Department of Radio/Television/Film SYRACUSE UNIVERSITY

AFFILIATE EVENT▶▶▶▶▶▶▶▶ Thursday, March 23 7:00 – 10:30 pm Grrrls Night Out

LOCATION Nia’s Restaurant ▶ 803 W. Randolph Street Grrrls Night Out (GNO) is an open, friendly networking/social extravaganza aimed at encouraging conversation and connection among all women: trans, cis, and gender queer. You don’t have to be an SCMS member to attend, and we welcome friends and children of our grrrls, too. And please forward this invitation to any other conference-goers you think might be interested. We especially want to reach out to international scholars and graduate students. This year GNO is proud to host our annual dinner at Nia’s Restaurant in Chicago, a Mediterranean adventure. Vegetarian, vegan, and gluten-free options available; open cash bar (must be paid in cash); wine, beer, other beverages available but not included in the price of the ticket. We will have dinner family style in a private venue that is accessible via a short flight of stairs. Please let us know if that is a challenge. Tickets must be purchased in advance at https://www.eventbrite.com/o/the-grrrls-night-out-team–12666815348 $30.00/graduate students and adjunct/under-employed faculty, $40.00 for full time faculty (we ask faculty to pay more to help finance the meals for those who can afford less)

DIRECTIONS The restaurant is about 1.8 miles away from the conference hotel For questions, please e-mail Karen A. Ritzenhoff ([email protected]) or Sarah Sinwell ([email protected]) 107 SPECIAL EVENT▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ Thursday, March 23 7:30 pm Migrations and Mediations: march 23 The Politics of Movement LOCATION DePaul University CDM Auditorium ▶ 14 E. Jackson Blvd., Basement LL 105 THURSDAY For many, Chicago was not always “home.” In the early twentieth century, African Americans seeking to leave the racial climate of the American South behind and Mexican migrants seeking work far north of the border joined European migrants new to the city. Today, one out of seven residents of the state of Illinois is an immigrant; almost 34% of those migrants, who come from all over the world, live in Chicago. This program of six short films explores mediatized representations of the movement and dispersal — voluntary or forced—of populations across the world. The event will bring together experimental media and screen practices that articulate the post-cinemati— how film appears ubiquitous in the museum and on the street, on planes and in cars, and across new digital communication platforms—with inquiries into the movement of people, commodities, ideas, and cultures. The program includes a post-screening conversation with scholar Pooja Rangan, Amherst College, and US-based filmmakers Javier Ortiz and Alireza Khatami. Admission is free to this event with an SCMS conference name badge. Theatre capacity is 156; seating is available first come, first serve.

DIRECTIONS The CDM Theatre is roughly one mile from the Fairmont Hotel. WALKING Walk down Columbus Drive and turn right on Randolph Street. Walk west and turn left on Michigan Avenue. Walk south for five blocks until Jackson Street. The venue is 14 E. Jackson Street. PUBLIC TRANSIT Take the Green, Orange or Purple Line at Randolph/Wabash on stop to Adams/Wabash. Similarly, you could take the Bus 3 or 26 down Michigan Avenue from the Michigan & Washington stop.

SPONSORED BY SCMS, Experimental Film and Media Scholarly Interest Group, Latino/a Caucus, Middle East Caucus, French/Francophone Scholarly Interest Group, Urbanism/Geography/Architecture Scholarly Interest Group, Documentary Studies Scholarly Interest Group, Transnational Cinemas Scholarly Interest Group, DePaul University College of Communications, DePaul University College of Computing and Digital Media, and DePaul University Office of Global Engagement

COLLEGE OF COMMUNICATION COLLEGE OF COMPUTING AND DIGITAL MEDIA GLOBAL ENGAGEMENT

108 SPECIAL EVENT▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ ▶ Thursday, March 23 8:00 pm

An Evening at the THURSDAY march Leather Archives & Museum 23 LOCATION Leather Archives & Museum ▶ 6418 N. Greenview Avenue The Adult History Scholarly Interest Group is pleased to present an evening showcasing holdings of the Leather Archives & Museum. The LA&M is dedicated to the “compilation, preservation, and maintenance of leather, kink and fetish lifestyles.” For media scholars focused on Adult Film History, home movies, LGBTQ+ media, and other areas, this event provides a unique overview of the moving image material held by the singular institution. Doors open at 7:00 pm allowing attendees to experience the LA&M’s exhibitions. The screening begins at 8:00 pm and will feature a range of material including Rose Bonahn Memoirs, a segment from a 1950s interview with a lesbian S&M practitioner; Lash of the Lesbian from the 1930s; the opening of Danse Macabre, a straight homemade VHS S&M film; a homemade postwar 8mm threesome movie; a segment from Fred Halsted’s classic hardcore feature Sextool; Lesbian Coffin Sex; and much more. Seating is strictly limited to 160 and attendees must present a ticket and their SCMS conference name badge for admission. Please attend the AFH SIG meeting or see the Conference Registration Desk for tickets.

DIRECTIONS The Leather Archives & Museum is located at 6418 N. Greenview Avenue in Chicago. Public transportation: From the Fairmont walk west on E. Lake Street to N. State Street, and then south one block to the Chicago Transit Authority Lake Street subway station at N. State and E. Benton Place. Take the Red Line northbound (approx. 30 minutes and 16 stops) to Loyola stop. From the Loyola Station walk south on N. Sheridan Road approximately two blocks to W. Devon Avenue. Proceed west on W. Devon six blocks and then turn right on N. Greenview Avenue. The Archive is on the west side on N. Greenview Avenue.

SPONSORED BY: Adult Film History Scholarly Interest Group and SCMS

109 SESSION Friday MARCH 24, 2017 K 9:00 – 10:45 am

K1 The Body as Image K2 Porn, Swords, Cannibals, Capitalism and the Monstrous Body Booze   Genres of Transgression and Excess

CHAIR Christine List ▶ Chicago State University Deborah Tudor ▶ Southern Illinois University CHAIR Benjamin Rogerson ▶ Texas Tech Carbondale ▶ ​“Alienation: Cinema’s Monstrous University Bodies” Rachael Ball ▶ University of California, Santa Keith B. Wagner ▶ University College London ▶ ​ Barbara ▶ ​“Ultimo mondo cannibali: Digesting the “Radical Feminists and Pretty Capital in South Imagined Other in the Italian Cannibal Cycle” Korean Media: Megalia and Produce 101 as Gender David Pratt ▶ College of William & Mary ▶ ​“‘The Gap Extremes” Hole You’re In’: Leaving Las Vegas, Gender, and the Jyotsna Kapur ▶ Southern Illinois University Modern Alcoholism Film Genre” Carbondale ▶ ​“Frankenstein’s Lab: Playing at Life Benjamin Rogerson ▶ Texas Tech University ▶ ​ from Photography and Cinema to Bio Art” “‘We’re Going to the Movies’: Pornographic Films SPONSOR Caucus on Class and Professionalism in New Hollywood Cinema” Kevin Flanagan ▶ University of Pittsburgh ▶ ​“From Crowds to Swarms: Movement and Bodies in Neo-peplum Films”

110 9:00 – 10:45 am K3 WORKSHOP K5 Mediating the War on Terror  Deformative Criticism and  Digital Experimentations in CHAIR Daniel Grinberg ▶ University of California, Film and Media Studies Santa Barbara Kristopher Fallon ▶ University of California, Davis ▶ ​ “The Truth about ‘Truthers’: Conspiracy Media CHAIR Jason Mittell ▶ Middlebury College Post–9/11” WORKSHOP PARTICIPANTS Lindsay Palmer ▶ University of Wisconsin-Madison ▶ ​ Stephanie Boluk ▶ University of California, Davis “News ‘Fixers’: A Media Industries Approach to Shane Denson ▶ Stanford University War Reporting” Kevin Ferguson ▶ Queens College, CUNY Lisa Parks ▶ Massachusetts Institute of Technology ▶ ​ Virginia Kuhn ▶ University of Southern California “Orbital Platforms and the War on Terror”

Mark Sample ▶ Davidson College Daniel Grinberg ▶ University of California, Santa FRIDAY Barbara ▶ ​“Re-viewing Histories: Seeing march Documentary Production and Surveillance through the Freedom of Information Act” 24

SPONSORS Middle East Caucus, War and Media Studies K4 Rethinking Silent Scholarly Interest Group  Cinema Sound

CHAIR Julie Hubbert ▶ University of South Carolina K6 Intermediality as a James Buhler ▶ University of Texas at Austin ▶ ​ Historiographic Method “Playing the Picture: Theory and Practice of  Silent Film Accompaniment” CHAIR Lucia Nagib ▶ University of Reading Claus Tieber ▶ University of Salzburg ▶ ​“The Silent Musical: Song-and-Dance Scenes in Austrian Luciana Correa de Araujo ▶ Federal University of Silent Cinema” São Carlos ▶ ​“Intermediality in Brazilian Silent Cinema: Luiz de Barros’s Works and Intermedial Anna Windisch ▶ University of Salzburg ▶ ​“‘. . . Strategies” anything but a film!’: Multi-medial Exhibition Practices in Viennese Lecture Films of the 1920s” Lucia Nagib ▶ University of Reading ▶ ​“‘Mysteries of Lisbon’ and Intermedial History-telling” Martin Marks ▶ Massachusetts Institute of Technology ▶ ​“Scoring Silent Films Today: Samuel Paiva ▶ Federal University of São Carlos ▶ ​ Practices and Problems to Ponder” “Latin American Road Movies, History, and Intermedialities” SESSION SPONSORS Silent Cinema Cultures Scholarly Interest Group, Albert Elduque ▶ University of Reading ▶ ​ Sound Studies Scholarly Interest Group “Intermediality between Film and Music: The Case of Bob Dylan” K SPONSOR Latino/a Caucus

111 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 9:00 – 10:45 am K7 Theatrical Exhibition K9 Femininity, Disability,  in the 2010s  and Trauma

CHAIR Todd Kushigemachi ▶ University of CHAIR Kathleen McHugh ▶ University of California, Los Angeles California, Los Angeles Xuenan Cao ▶ Duke University ▶ ​“‘Bullet-curtained’ Raz Yosef ▶ Tel Aviv University ▶ ​“Conditions of Cinema: A New Format in the Production of Visibility: Contemporary Israeli Women’s Cinema Visual Culture in China” and Trauma” Charlotte Orzel ▶ Concordia University ▶ ​“The Big Karin Badt ▶ Paris 8 University ▶ ​“Trauma, Gender, Picture: Cineplex, Emerging Exhibition Practices, and Cinema: The Traumatized Female Self in the and Branding Cinemagoing” Films of Chantal Akerman, Lynn Ramsay, and Florian Hoof ▶ Goethe University Frankfurt ▶ ​ Dana Rotberg” “Cinemas without Movies: Alternative Content in Kathleen McHugh ▶ University of California, Los Multiplex Cinemas” Angeles ▶ ​“The Gaze and the Stare: Seeing march 24 Todd Kushigemachi ▶ University of California, Los through Invisible Disabilities” FRIDAY Angeles ▶ ​“Missiles and Muscles in 3D: Aesthetic Caitlin Manocchio ▶ Academy of Motion Pictures Tension and Interpretive Possibility in Legend3D’s Arts and Sciences ▶ ​“Lost in Adaptation” Top Gun Conversion”

K8 Lifting the Curtain K10 Weird(ing) Cinema to the Past/East   Cinematic Exchanges and Coproductions CHAIR Steen Christiansen ▶ Aalborg University in Central Europe of the Postwar Era in CO-CHAIR Selmin Kara ▶ OCAD University the Legacy of the 1920s and the 1930s Steen Christiansen ▶ Aalborg University ▶ ​“Weird Media Ecologies” CHAIR Mariana Ivanova ▶ Miami University Nathan Lee ▶ Brown University ▶ ​“Weird

RESPONDENT Matthew Bauman ▶ University of Fascination: Demonic Epistemology in Paranormal Cincinnati Activity” Mariana Ivanova ▶ Miami University ▶ ​“The Legacy Selmin Kara ▶ OCAD University ▶ ​“Weirding of Film Europe: UFA’s and DEFA’s Cooperation Post-cinema: Synthetic Ecologies and the with France before and after WWII” Anthropocene Imaginary” SPONSOR Horror Studies Scholarly Interest Group SESSION Pavel Skopal ▶ Masaryk University ▶ ​“Survivor Strategies: The Czech Film Industry Facing Global Ambitions (1930s–1950s)” Qinna Shen ▶ Bryn Mawr College ▶ ​“Raising the K ‘Bamboo Curtain’: The Cultural Mediator Manfred Durniok and His Encounter with China”

SPONSORS Central/East/South European Scholarly Interest Group, Transnational 112 Cinemas Scholarly Interest Group 9:00 – 10:45 am K11 Media, Gentrification, and K14 Social Criticism the Making of the American through Humor  Neoliberal City  The Arts of East Asian Comedies  - CHAIR Elizabeth Patton ▶ University of Maryland, Baltimore County CHAIR Yi Lu ▶ University of Texas at Austin Joshua Glick ▶ Hendrix College ▶ ​“Number Our Days Melissa Chan ▶ University of Southern California ▶ ​ (1976) and Contested Public Cultures of Venice” “Martial Arts and Masked Heroes: Remixing Comedy and Politics in Hong Kong’s Video Noelle Griffis ▶ Indiana University ▶ ​“From Creatives” New York to Nashville: Television Production Industries, Media Branding, and Urban Soo Hyun Lee ▶ University of Minnesota ▶ ​“Fatty Development” and Skinny: Modernity and South Korean Comedy Cinema” Elizabeth Patton ▶ University of Maryland, FRIDAY Hui Liu ▶ University of Minnesota ▶ ​“Carnival Baltimore County ▶ ​“Gentrification and the march Circulation of Capital in Portlandia’s Hipster Laughter, Failure Performance, and Chinese Black Wonderland” Comedy Films: The Case Study of Ning Hao’s 24 Crazy Series” Erica Stein ▶ Marymount Manhattan College ▶ ​ “The Guys Who Get away with It: Gentrification, Yi Lu ▶ University of Texas at Austin ▶ ​“Playing Gangsters, and Contesting Revanchism” Games: The Carnivalesque Spirit and Utopia in Dream Factory (1997)” SPONSOR Urbanism/Geography/Architecture Scholarly Interest Group SPONSOR Comedy and Humor Studies Scholarly Interest Group

13 Rereading Postwar Auteurs K15 New Documentary Forms K Histories, Performances, Politics Aesthetics and Ethics     - -

CHAIR Stephen Prince ▶ Virginia Tech University CHAIR Vinicius Navarro ▶ Emerson College Seth Friedman ▶ DePauw University ▶ ​“Grappling Dustin Zemel ▶ Louisiana State University ▶ ​ with Infinite Interpretations and Beyond: The “Robert Fulton and the Documentary Integrity of Marketing of 2001: A Space Odyssey and the the Superimposition” Reception of Stanley Kubrick’s Films” Kevin Sherman ▶ San Francisco State University ▶ ​ “Structural Documentary and Microcinema in the Stephen Prince ▶ Virginia Tech University ▶ ​ SESSION “Adjudicating War Crimes in the Films of Digital Age” Kobayashi Masaki” Vinicius Navarro ▶ Emerson College ▶ ​“Form, Andrew Nelson ▶ Montana State University ▶ ​ Process, and Place in Documentary Media” “Delmer Daves, Casualty of Auteurism” Tien-Tien Jong ▶ University of Chicago ▶ ​“Missing K Matthew Hubbell ▶ University of Chicago ▶ ​ Pictures, Looks of Silence: Traumatic Witnessing “Spontaneity and Form: Improvisation, Direct in the Films of Joshua Oppenheimer and Rithy Cinema, and Other Figures of the Unforeseen in Panh” the Cinema of Jacques Rivette” SPONSOR Documentary Studies Scholarly Interest Group 113 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 9:00 – 10:45 am K16 WORKSHOP K18 A Necessary Evil? Surviving the Adjunct Indie Game Publishers, Promotion, and   Platforms  -  - CHAIR Andrew Scahill ▶ Salisbury University CHAIR John Vanderhoef ▶ California State WORKSHOP PARTICIPANTS University, Dominguez Hills Kevin John Bozelka ▶ Bronx Community College John Vanderhoef ▶ California State University, Katrina G Boyd ▶ University of Oklahoma Dominguez Hills ▶ ​“Brews, Burgers, and Indie Darcey Morris ▶ Towson University Bombast: The Antiestablishment Neoliberalism of Devolver Digital” Felan Parker ▶ Concordia University ▶ ​ “Intermediating Indie Games: The Indie Megabooth from Collective to Curator” march 17 Queer Time and Daniel Joseph ▶ Ryerson University ▶ ​“Digital 24 K Distribution: Independence or Business as FRIDAY AIDS Media Archives Usual?”  Ephemeral Objects, Bodies, and Institutions Candace Moore ▶ University of Michigan ▶ ​ “Videogame Praxis: Queer and Trans-friendly  Game Environments” - SPONSOR Video Game Studies Scholarly Interest Group CHAIR Maria Pramaggiore ▶ Maynooth University James Morrison ▶ Claremont McKenna College ▶ ​ “Trading in AIDS Awareness: Queer Time and Archival Redemption” 20 Eco-Cinema Páraic Kerrigan ▶ Maynooth University ▶ ​“Celebrity K PWAs and the Retroactive Indexing of AIDS: Rock in an Expanded Frame Hudson and Vincent Hanley”  From Crystal Balls to Melting Glaciers KT Pinion ▶ SUNY, University at Stony Brook ▶ ​“‘I  Kill with My Cunt’: Slava Tsukerman’s Liquid Sky and Queer Ephemerality” CHAIR Alexandra Bush ▶ University of California, Maria Pramaggiore ▶ Maynooth University ▶ ​ Berkeley “Towards a Metagenerational AIDS Archive: Alexandra Bush ▶ University of California, Dublin’s Hirschfeld Center” Berkeley ▶ ​“Freezing Frames: Early Filmic

SESSION Inscriptions of Glacial Space” Jonathan Knapp ▶ Harvard University ▶ ​“All the World’s a Screen: Solar Projection in the ‘Robot K Art’ of P.K. Hoenich”

114 MEETING▶▶▶▶▶▶▶▶▶▶▶▶ MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 9:00 – 10:45 am 9:00 – 10:45 am Scholarly Interest Group Latino/a Caucus

Coordinating Committee ROOM Lincoln Park Suite  Fairmont, 37th Floor, Room 3709 ROOM Burnham Ballroom A  Mid-America Club, 80th Floor, AON Center FRIDAY march 24

SPECIAL EVENT▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ Friday, March 24 11:00 am – 12:00 noon Members’ Business Meeting ROOM Gold ▶ Fairmont, 2nd Floor All SCMS members are encouraged to attend the annual Members’ Business Meeting to hear reports from the officers, Board of Directors, and Executive Director about recent efforts to support and enhance the member experience, as well as the solidify the overall health of the Society. Q & A to follow.

115 SESSION Friday MARCH 24, 2017 L 12:15 – 2:00 pm

L1 Interrogating Comparative L2 The Mirrors of Hollywood  Media Historiographies  Strategies of Self-representation

CHAIR Ariel Rogers ▶ Northwestern University CHAIR Charlie Keil ▶ University of Toronto CO-CHAIR Tiago de Luca ▶ University of Warwick CO-CHAIR Denise McKenna ▶ University of Southern California Tiago de Luca ▶ University of Warwick ▶ ​“Global Visions Then and Now” Doron Galili ▶ Stockholm University ▶ ​“Early Hollywood Theorizes Itself” Jeffrey Geiger ▶ University of Essex ▶ ​“Unstable Realism: Convolutions of Color Media” Charlie Keil ▶ University of Toronto ▶ and Denise McKenna ▶ University of Southern Ariel Rogers ▶ Northwestern University ▶ ​“Large California ▶ ​“The Mirrors of Hollywood: Strategies Medium and Small: Shaping Film and Television of Self-representation” Screens” Mark Lynn Anderson ▶ University of Pittsburgh ▶ ​ Agnieszka Piotrowska ▶ University of “Today the World, Tomorrow Hollywood: Film Bedfordshire ▶ ​“The Function of Obsolete History as Effigy at the Los Angeles Museum Technology in Stories We Tell” during the 1930s”

SPONSORS Classical Hollywood Scholarly Interest Group, Silent Cinema Cultures Scholarly Interest Group

116 12:15 – 2:00 pm L3 Genealogies of L4 Race in American Media Environments Nontheatrical Film  The Past from the Vantage Point of the  Mining Archives, Expanding Canons Present

CHAIR Marsha Gordon ▶ North Carolina State CHAIR Antonio Somaini ▶ University of Paris 3: University Sorbonne Nouvelle CO-CHAIR Allyson Nadia Field ▶ University of Weihong Bao ▶ University of California, Chicago Berkeley ▶ ​“Set Design Thinking: From Huanjing Allyson Nadia Field ▶ University of Chicago ▶ and (Environment) to Qifen (Atmosphere)” Marsha Gordon ▶ North Carolina State Robert Bird ▶ University of Chicago ▶ ​“Plasmatic University ▶ ​“Making Space for Race: Diffusion in Early Russian Film Theory” Nontheatrical Filmmaking in 1960s Los Angeles”

Inga Pollmann ▶ University of North Carolina at Colin Williamson ▶ Pace University ▶ ​“The FRIDAY Chapel Hill ▶ ​“The Interweaving: Stimmung, Politics of Vanishing Celluloid: Rediscovering Fort march Milieu, and the Moving Image” Rupert and the Kwakwaka’wakw in American Antonio Somaini ▶ University of Paris 3: Sorbonne Ethnographic Film” 24 Nouvelle ▶ ​“Towards a Genealogy of the Medium Noah Tsika ▶ Queens College, CUNY ▶ ​“‘I Have My as Sensible Milieu: Aura, Atmosphäre, and Choice’: Behind Every Good Man and the Black Stimmung in Riegl, Simmel, Balázs, and Bloch” Queer Subject in American Nontheatrical Film”

SPONSORS Film Philosophy Scholarly Interest Group, Laura Isabel Serna ▶ University of Southern Media and the Environment California ▶ ​“Voice of la raza (1971): Making Scholarly Interest Group Hispanics”

SPONSOR Nontheatrical Film and Media Scholarly Interest Group

L5 WORKSHOP Out of the Darkness  Curating the History of Cinema Made You Look Follow SCMS on Instagram CHAIR Ryan Linkof ▶ Academy Museum of Motion @scmstudies Pictures CO-CHAIR ▶ Academy Museum of Jessica Niebel SESSION Be sure to tag your Instagram Motion Pictures photos with #SCMS17. WORKSHOP PARTICIPANTS Britt Salvesen ▶ Los Angeles County Museum of L Art Barbara Miller ▶ Museum of the Moving Image Alison Trope ▶ University of Southern California

SPONSOR CinemArts Scholarly Interest Group 117 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 12:15 – 2:00 pm L6 Pan-American Journeys L8 Coproduction Policies and Intermedial Relationships between Practices I  Brazilian and American Cinema  Policy-driven Official Coproduction

CHAIR Flavia Cesarino Costa ▶ Federal CHAIR Julia Hammett-Jamart ▶ University of University of São Carlos Wollongong Suzana Reck Miranda ▶ Federal University of São Petar Mitric ▶ University of Copenhagen ▶ ​“Player Carlos ▶ ​“(In)visible Musicians: The Supporting or Piece?: Paradigm Shifts in Policies of the Pan- Instrumentalists and Their Intermedial Vocation” European Film Fund Eurimages” Flavia Cesarino Costa ▶ Federal University of São Gertjan Willems ▶ Ghent University ▶ ​ Carlos ▶ ​“Hollywood Seen from Rio de Janeiro: “Coproducing ideologies: The Role of a Greater Musical Numbers in Brazilian Comedies of Dutch ideology in Dutch-Flemish Coproductions” the 1940s and 1950s and the Work of Watson Julia Hammett-Jamart ▶ University of Macedo” Wollongong ▶ ​“Out of Shot: The Untold Story march John Gibbs ▶ University of Reading ▶ ​“Popular of Hollywood Involvement on European Official 24 Forms and Musical Journeys: Transnational Coproductions” FRIDAY Exchange in Musical Performance” Marco Cucco ▶ Universita della Svizzera italiana ▶ ​ Stefan Solomon ▶ University of Reading ▶ ​“Comics “Learning from Switzerland in the Time of Brexit” at the Margin: ‘Coffin Joe’ between Page and SPONSOR Media Industries Scholarly Interest Group Screen”

SPONSOR Latino/a Caucus

L9 The Sound and Image L7 Labor, Affect, and Femininity of Silence  in US Women’s Media Culture  Rethinking Aural Aesthetics

CHAIR Suzanne Leonard ▶ Simmons College CHAIR Mark Durrand ▶ University at Buffalo, SUNY Leigh Goldstein ▶ Northwestern University ▶ ​ “‘Feeling Trapped’: Rethinking Friedan, Postwar Arzu Karaduman ▶ Georgia State University ▶ ​ Television, and the Affective Impoverishment of “Anasonicity: Echoing Sonic Flashback in Lady the Everyday” Vengeance” Suzanne Leonard ▶ Simmons College ▶ ​“Political Justin Horton ▶ Georgia State University ▶ ​“The Animals?: Huma Abedin, Weiner, and Mediated Silent Image of Woman: Interiority and Radical SESSION Labors of Wifedom” Opacity in Recent Art Cinema” Moya Luckett ▶ New York University ▶ ​“Post-work/ Ian Kennedy ▶ Wayne State University ▶ ​“Unsonic Postfemininity: Female Labor and the Mediation Images: Carsten Nicolai and the Deep Inaudibility L of Self in Neoliberal Culture” of Contemporary Technics” Julie Wilson ▶ Allegheny College ▶ and Mark Durrand ▶ University at Buffalo, SUNY ▶ ​ Emily Yochim ▶ Allegheny College ▶ ​“Labors of “Behaving Mission: Impossible: Toward a Theory of Entanglement: Digital Media as Women’s Work” Musico-cinematic Vitality”

118 SPONSOR Women’s Caucus 12:15 – 2:00 pm L10 Genres of the Anthropocene L13 WORKSHOP   From Media Situations to CHAIR Jennifer Peterson ▶ Woodbury University Media Theory Media Theorization in a Global Context RESPONDENT Lesley Stern ▶ University of San Diego  James Cahill ▶ University of Toronto ▶ ​“Cinema’s - Natural History” CHAIR Alexander Zahlten ▶ Harvard University Jennifer Fay ▶ Vanderbilt University ▶ ​“Learning How to Die in the Anthropocene; or, The WORKSHOP PARTICIPANTS Ecologies of Film Noir” Anne McKnight ▶ University of Southern Jennifer Peterson ▶ Woodbury University ▶ ​ California “Soundstage Nature: The Artificial Outdoors in Victor Fan ▶ King’s College London Midcentury American Film” Alexander Zahlten ▶ Harvard University FRIDAY Graig Uhlin ▶ Oklahoma State University ▶ ​“From Marc Steinberg ▶ Concordia University Pathos to Sensitivity: The Anthropocene’s march Nonindifferent Nature” 24 SPONSOR Media and the Environment Scholarly Interest Group L14 Between Universality and Particularity  Korean Cinema’s Global Conundrum 11  Reading Black Liquidity - L Formalist and Materialist Approaches to  Race in Contemporary Media CHAIR Steve Choe ▶ San Francisco State University Se Young Kim ▶ Vanderbilt University ▶ ​“The CHAIR Alessandra Raengo ▶ Georgia State Disease of an Advanced Nation: The Chaser University and the Emergence of the South Korean Serial Charles Linscott ▶ Ohio University ▶ ​“The Murderer” Vibrational Liquidity of Blackness: Noise, Steve Choe ▶ San Francisco State University ▶ ​“Park Improvisation, and the Limits of Visuality” Chan-wook beyond Globalization” Alessandra Raengo ▶ Georgia State University ▶ ​ Hyon Joo Yoo ▶ University of Vermont ▶ ​“Can “Wetness in the Camera: Blackness, Liquidity, Anthropos Theorize Man?” and the Photographic Image” Kyung Hyun Kim ▶ University of California, Irvine ▶ ​ Lauren Cramer ▶ Pace University ▶ ​“The Liquid “South Korea’s Turn toward a Post-traumatic SESSION ‘Formations’ of Black Social Life” Future?” Cameron Kunzelman ▶ Georgia State University ▶ ​ “Assembling Kanye: ‘BLKKK SKKKN HEAD’ and the Modeled Body” L SPONSORS Black Caucus, CinemArts Scholarly Interest Group

119 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 12:15 – 2:00 pm L15 Chinese Documentary beyond L17 Visualizing Deep Time Truth    -  - CHAIR Hannah Goodwin ▶ University of

CHAIR Corey Byrnes ▶ Northwestern University California, Santa Barbara CO-CHAIR Erin Huang ▶ Princeton University CO-CHAIR Stephan Boman ▶ University of California, Santa Barbara Erin Huang ▶ Princeton University ▶ ​“Documentary Horror: Postsocialist Experiment, Ruin-in-reverse, RESPONDENT Brooke Belisle ▶ SUNY, University at Stony Urban Avisuality” Brook Christopher Tong ▶ University of Maryland, Stephan Boman ▶ University of California, Santa Baltimore County ▶ ​“Environmental Disasters in Barbara ▶ ​“Ecstatic Affinities: Photographs, China: Documents and the Documentary” Fossils, and the Weave of Evolutionary Time” Calvin Hui ▶ College of William & Mary ▶ ​“Wounded Hannah Goodwin ▶ University of California, Santa march Attachments: The Migrant Worker in Recent Barbara ▶ ​“‘Millions of Years Will Pass before the 24 Chinese Documentaries” Eye’: Deep Time in Silent-era Astronomy Films” FRIDAY Corey Byrnes ▶ Northwestern University ▶ ​“Where Andrew Utterson ▶ Ithaca College ▶ ​“Visualizing the Truth Lies; or, Towards a New Theory of Cosmic History in IMAX: The Expanded Frame(s) Chinese Documentary” of Terrence Malick’s Voyage of Time (2016)”

SPONSOR Film Philosophy Scholarly Interest Group, Media, Science, and Technology Studies Scholarly Interest Group 16 The Art of Intimacy L Examining the Aesthetics of Podcasting

  - CHAIR Andrew Bottomley ▶ SUNY, University at 18 Chantal Akerman Oneonta L New Approaches, New Readings CO-CHAIR Christopher Cwynar ▶ Defiance College   Andrew Bottomley ▶ SUNY, University at -

Oneonta ▶ ​“Think It, Speak It: The Unedited CHAIR Michael Walsh ▶ University of Hartford Radio Voice and Podcasting’s Roots in the Early CO-CHAIR Maureen Turim ▶ University of Florida 2000s Practice of Audioblogging” Kelley Conway ▶ University of Wisconsin-Madison ▶ ​ Amanda Keeler ▶ Marquette University ▶ ​“True “Akerman’s Songs” Crime Podcasting and the Intersection of Genre and Aesthetics” Heike Klippel ▶ Braunschweig University of Art ▶ ​ SESSION “Jeanne Dielman and Time in Reproductive Work” Christopher Cwynar ▶ Defiance College ▶ ​ “Reflections on the Art of Introspection: Maureen Turim ▶ University of Florida ▶ ​“Next to Analyzing the Discursive Construction of Chantal Akerman: An Installation of Generations L Soundwork Aesthetics” and the Shoah” Kyle Wrather ▶ University of Texas at Austin ▶ ​“Clap Michael Walsh ▶ University of Hartford ▶ ​“Chantal for the Listeners at Home: Performance and Akerman and the History of Durational Cinema” Politics of the Podcast ‘Live Show’” SPONSOR French/Francophone Scholarly Interest Group

120 SPONSOR Radio Studies Scholarly Interest Group 12:15 – 2:00 pm MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 20 From Above and Within L War and Aerial Vision in the 12:15 – 2:00 pm  Contemporary and Historical Imagination Women’s Caucus ROOM Burnham Ballroom A   Mid-America Club, 80th Floor, AON Center

CHAIR Robert Burgoyne ▶ University of St Andrews Paula Amad ▶ University of Iowa ▶ ​“Drone Discourse: From Walter Benjamin to Akram Zaatari’s Letter to a Refusing Pilot (2013)” MEETING▶▶▶▶▶▶▶▶▶▶▶▶ Eileen Rositzka ▶ University of St Andrews ▶ ​“The 12:15 – 2:00 pm Fall of Icarus: Re-framing the Aerial View in Rescue Dawn and Canopy” Fan and Audience Studies FRIDAY Garrett Stewart ▶ University of Iowa ▶ ​ Scholarly Interest Group march “Aericonoclasm: Toward a Counter-invasive Frame ROOM Lincoln Park Suite  24 in Conceptual Art” Fairmont, 37th Floor, Room 3709 Robert Burgoyne ▶ University of St Andrews ▶ ​ “‘Eye in the Sky’: Aerial Vision and Somatic Witnessing”

SPONSOR War and Media Studies Scholarly Interest Group

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your experiences SESSION during the conference Use #SCMS17 L

121 SESSION Friday MARCH 24, 2017 M 2:15 – 4:00 pm

M1 Somatic Beats, Synesthesia, M2 WORKSHOP and Hallucinogenic Vision Kartemquin at 50   The Case of Kartemquin Films and the Mode(s) of Production of Documentary CHAIR Michael DeAngelis ▶ DePaul University Catherine Clepper ▶ University of Washington ▶ ​ “The Dream (Ol)Factory: Scent of Mystery, CHAIR Bernard Cook ▶ Georgetown University Hollywood Classicism, and Somatic CO-CHAIR Heather McIntosh ▶ Minnesota State Spectatorship” University, Mankato Michael DeAngelis ▶ DePaul University ▶ ​ WORKSHOP PARTICIPANTS “Hallucinogenic Drug Therapy in American ▶ Kartemquin Films Cinema of the 1960s” Gordon Quinn Tim Horsburgh ▶ Kartemquin Films Sanja Obradovic ▶ York University ▶ ​“Stereokino: Unearthing the Revolutionary Potential of the Judy Hoffman ▶ University of Chicago Soviet 3D Cinema” SPONSOR Documentary Studies Scholarly Interest Group

122 2:15 – 4:00 pm M3 Genealogies of M5 Women and Technology Media Environments in Spanish Early and  The Present from the Vantage Point  Silent Film Culture of the Past From Material Force to Mystical Muse

CHAIR Francesco Casetti ▶ Yale University CHAIR Eva Woods ▶ Vassar College Francesco Casetti ▶ Yale University ▶ ​“Screening: RESPONDENT Susan Larson ▶ Texas Tech University A Counter-genealogy of the Silver Screen” Leigh Mercer ▶ University of Washington ▶ ​“This Oksana Chefranova ▶ Yale University ▶ ​“Veiling: Woman’s Work: Julienne Mathieu’s Technological On Genealogy of Translucent Screen” Labor and Representation in the Films of Yuriko Furuhata ▶ McGill University ▶ ​“Clouding: Segundo de Chomón” Inventing the Fog Medium and Expanded Screen Alicia Cerezo ▶ University of Wisconsin-Madison ▶ ​ Environments” “‘Between Calculation and Chance’: Women as FRIDAY SPONSOR Media and the Environment Cinema in Chomón and Guerin” march Scholarly Interest Group Eva Woods ▶ Vassar College ▶ ​“Where Does It 24 Stop? Women Transforming and Transformed: Technology and the Body in Spanish Cinema and Film Magazines, 1921–1936”

SPONSORS Media, Science, and Technology Studies M4 The Advocacy Strategies Scholarly Interest Group, Silent Cinema of Noncommercial Media, Cultures Scholarly Interest Group  1930–1970

CHAIR Allison Perlman ▶ University of California, Irvine

RESPONDENT Victor Pickard ▶ University of Pennsylvania Josh Shepperd ▶ The Catholic University of America ▶ ​“Rockefeller, Ford Foundation, and Payne Fund Influence upon Noncommercial Trending . . . Media Advocacy Strategies, 1930–1955” Kathryn Ostrofsky ▶ Angelo State University ▶ ​ Like SCMS on Facebook “Publicity as Activism on Sesame Street” facebook.com/SCMStudies Allison Perlman ▶ University of California, Irvine ▶ ​ SESSION “Betraying the Dream (Machine): PBS and the Politics of Public Television in the 1970s” M

123 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 2:15 – 4:00 pm M6 Language Politics M8 Coproduction Policies in Latino Media and Practices II  Speech, Race, and Technology  Industry-driven Coproduction

CHAIR Dolores Ines Casillas ▶ University of CHAIR Jaap Verheul ▶ New York University California, Santa Barbara Jaap Verheul ▶ New York University ▶ ​“Prelude Danny Mendez ▶ Michigan State University ▶ ​ to Brexit: British Flanders and the Limits of a “‘Three Mawnths’ Time and Everybawdy Knows European Heritage” Me’: Maria Montez and the Decolonial Speech Acts Ilse Schooneknaep ▶ Free University of Brussels ▶ ​ of a Dominican Actress in Hollywood in the 1940s” “At the End of the Rainbow, You’ll Find a Pot of Manuel G. Aviles-Santiago ▶ University of Texas Gold?: An Examination of the Use of Tax Shelter at Austin ▶ ​“Targeting Billenials: The Policing Mechanisms in Europe” of Spanish versus the Linguistic Flexibility in Petr Szczepanik ▶ Masaryk University ▶ ​“Breaking Univision” the Eastern-European Ceiling: Channels and march Sara Hinojos ▶ University of Houston ▶ ​“Latina Barriers of Knowledge Transfer in Hybrid and 24 Language Politics in Anjelah Johnson’s Digital Non-official Coproduction Practices” FRIDAY

Humor” SPONSOR Media Industries Scholarly Interest Group Dolores Ines Casillas ▶ University of California, Santa Barbara ▶ ​“There’s an App for That: The Racial Politics of Rosetta Stone and Other Language Learning Technologies” SPONSOR Latino/a Caucus 9 Ruins of Reproducibility M Liveness, Stasis, Image M7 Asian American Media  across Platforms CHAIR Pablo Goncalo Martins ▶ Federal  Transforming Citizens from the Margins University of Brasília to the Digital Mainstream Kalani Michell ▶ University of Minnesota ▶ ​“Taking Down Pictures: Joseph Beuys—Unpublished Photographs by Manfred Tischer” CHAIR Peter Feng ▶ University of Delaware Emily Capper ▶ University of Minnesota ▶ ​“Films- Lori Lopez ▶ University of Wisconsin-Madison ▶ ​ as-Performance Score” “After Asian American YouTube: Digitizing Minority Histories and Futures” Pablo Goncalo Martins ▶ Federal University of Brasília ▶ ​“Quasi-cinema: Bertolt Brecht and His Peter Feng ▶ University of Delaware ▶ ​“Consuming Unfilmed Scripts” Chinese Cooking Shows: From Martin Yan to SESSION YouTube” Brian Hu ▶ Pacific Arts Movement ▶ ​“Asian American Film Festivals, Post-raciality, and the M Narrative Feature” Lia Wolock ▶ University of Michigan ▶ ​“Curating South Asian America: From the Smithsonian to the South Asian American Digital Archive”

124 SPONSOR Asian Pacific American Caucus 2:15 – 4:00 pm M10 The Fantastic in M12 International Westerns  Chinese Cinemas  in Context

CHAIR Andrew Stuckey ▶ University of Colorado CHAIR Austin Fisher ▶ Bournemouth University Boulder Austin Fisher ▶ Bournemouth University ▶ ​ CO-CHAIR Kenneth Chan ▶ University of Northern “Localizing the Classical Western: The Italian Colorado Reception of Shane” Cara Healey ▶ University of California, Santa Sonja Simonyi ▶ New York University ▶ ​“For a Few Barbara ▶ ​“Steampunk and Wuxia: Reimagining Forints Less: Tracing the Circulation and Textual Chinese History” Influences of Italian Western Comedies in Late Kenneth Chan ▶ University of Northern Colorado ▶ ​ Socialist Hungarian Film Culture” “Eco-fantasia in Contemporary Chinese Cinemas” Jenny Barrett ▶ Edge Hill University ▶ ​“Stranger

Mei Yang ▶ University of San Diego ▶ ​ and Friend: Non-American Westerns and the FRIDAY Immigrant in the 21st Century” “Domesticality, Sentimentality, and Otherness: march The Boundary of the Human and the Humane in SPONSOR Transnational Cinemas Scholarly Interest Group Monster Hunt” 24 Andrew Stuckey ▶ University of Colorado Boulder ▶ ​ “The Restrained Fantastic in Hou Hsiao-hsien’s The Assassin” 13 Trauma Time M Cinematic Ruptures, Rifts, and  Repetitions  11 Online Beauty Cultures - M Media, Mediation, and the Natural Look  CHAIR Nathan Blake ▶ Northeastern University Nathan Blake ▶ Northeastern University ▶ ​“Living CHAIR Michele White ▶ Tulane University Death: Replay and Redeployment in Source Code” Dara Murray ▶ Manhattanville College ▶ ​ Rachel Joseph ▶ Trinity University ▶ ​“David Lynch’s “Contemporary Digital Beauty Aesthetics and the Stage-Time and Trauma” Labor of the ‘Natural, No-Makeup Look’” Kelli Fuery ▶ Chapman University ▶ ​“Empty Time as Brenda Weber ▶ Indiana University ▶ ​“Did She or Traumatic Duration: Towards a Cinematic Aevum” Didn’t She?: Renée Zellweger and the Mediated Pedagogies of Surgical Selfhood” Anna Everett ▶ University of California, Santa Barbara ▶ and Michele White ▶ Tulane SESSION University ▶ ​“Natural Matters and Online Textures: Black Women’s Natural Hair and Men’s Natural Look Beauty Communities of Practice” M Jessalynn Keller ▶ University of Calgary ▶ ​“‘A Glimmer of Continuous Consent:’ The Makeup Tutorial as Feminist Activism”

SPONSOR Women’s Caucus 125 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 2:15 – 4:00 pm M14 Transmedia Influences in M20 Global Cinema Hollywood History Between Cosmopolitanism and   Resistance  - 

CHAIR Deron Overpeck ▶ Eastern Michigan University CHAIR Lisa Rabin ▶ George Mason University Hannah Graves ▶ University of Warwick ▶ ​ Paul Fileri ▶ New York University ▶ ​“‘A Black “‘Magazine Illustration’ Filmmaking: Darryl King in the Pantheon?’: Race in Postwar Liberal F. Zanuck, Henry Luce and the Culture of Documentary Cinema, Figures of Emancipation, Democracy” and the Contradictions of French Republican Discourse on Anticolonial Resistance” Deron Overpeck ▶ Eastern Michigan University ▶ ​ “Packaging the Super Agent: Michael Ovitz and Chi Wang ▶ Communication University of China ▶ ​ the Rise of Industrial Gossip in Mainstream “The Chinese New Documentary Movement Journalism” Reevaluated” march James Rosenow ▶ University of Chicago ▶ ​ Lisa Rabin ▶ George Mason University ▶ ​“The Social 24 “Vertically Integrated Autonomy: The Lesson of Dimensions of Educational Film: Hadassah’s Local FRIDAY Pete Smith and His Specialties” US Screenings of Tomorrow’s A Wonderful Day (Helmar Lerski, 1947, English adaptation Hazel Tiel Lundy ▶ University of Colorado Boulder ▶ ​ Greenwald, Hadassah, 1948 (1948–1957))” “Bosom Buddies: Hollywood and the Lingerie Industry, 1930–1949” Tupur Chatterjee ▶ University of Texas at Austin ▶ ​ “Gender, Geography, and the Cinema Hall: A Map of Public Anxiety”

15 Historicizing the M MEETING▶▶▶▶▶▶▶▶▶▶▶▶ “Poor Image”  Material, Libidinal, and Medium-specific 2:15 – 4:00 pm Economies of Image and Sound Poverty Animated Media  - Scholarly Interest Group ROOM Lincoln Park Suite  CHAIR Jacob Gaboury ▶ SUNY, University at Stony Brook Fairmont, 37th Floor, Room 3709 Genevieve Yue ▶ The New School ▶ ​“Film against Cinema: Reconceiving the Medium’s Radical Aspiration” RECEPTION▶▶▶▶▶▶▶▶▶▶▶ SESSION Neta Alexander ▶ New York University ▶ ​“For 3:00 – 4:00 pm a ‘Good Enough Cinema’: Efficiency, ‘Speed Watching’ and the Cult of Film ‘Crunching’” Edinburgh University Press Reception M Pooja Rangan ▶ Amherst College ▶ ​“Against ‘Poor ROOM Imperial Ballroom ▶ Fairmont, B2 Level Sound’: The Losses of the Unmarked Voice in EUP’s table in the exhibit area Katarina Zdjelar’s Films” Join the editors to celebrate over 10 years of the SPONSOR Experimental Film and Media Traditions in World Cinema series. 126 Scholarly Interest Group SPECIAL EVENT ▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ Friday, March 24 4:15–5:30 pm Awards Ceremony

ROOM International Ballroom ▶ Fairmont, 2nd Floor

PRESENTER Steven Cohan ▶ Syracuse University ▶ SCMS President Student Writing Award Best Essay in an Edited Collection 1ST PLACE WINNER Chelsea Birks ▶ University of Glasgow ▶ ​ James Leo Cahill ▶ University of Toronto ▶ ​“A

“Objectivity, Speculative Realism and Cinematic YouTube Bestiary” in New Silent Cinema FRIDAY Apparatus” (Routledge, 2016) march 2ND PLACE AWARD OF DISTINCTION 24 Sophie Christman Lavin ▶ SUNY, University at Hye Jean Chung ▶ Kyung Hee University ▶ Stony Brook ▶ ​“Feher isten (White God)”: ​“Media Heterotopias and Science Fiction” in Is the gaze only human?” Simultaneous Worlds: Global Science Fiction Cinema (University of Minnesota Press, 2015) 3RD PLACE Darshana Sreedhar Mini ▶ University of Southern Best Edited Collection California ▶ ​“The Rise of Soft Porn in Malayalam Cinema and the Precarious Stardom of Shakeela” WINNER Allyson Field ▶ University of Chicago ▶ Dissertation Award Jan-Christopher Horak ▶ University of California, Los Angeles ▶ and Jacqueline Najuma Stewart WINNER ▶ University of Chicago ▶ L.A. Rebellion: Creating a Laliv Melamed ▶ New York University ▶ ​“Sovereign New Black Cinema (University of California Press, Intimacy: Israeli Homemade Video Memorials and 2015) the Politics of Loss” AWARD OF DISTINCTION AWARD OF DISTINCTION Anton Kaes ▶ University of California, Berkeley ▶ Nadine Chan ▶ University of Southern California ▶ ​ Nicholas Baer ▶ SUNY, Purchase College ▶ and “A Cinema Under the Palms: The Unruly Lives of Michael Cowan ▶ St. Andrews University ▶ The Colonial Educational Films of British Malaya” Promise of Cinema: German Film Theory, 1907–1933 (University of California Press, 2016) The Katherine Singer Kovács Essay Award WINNER Best First Book Award Eric Dienstfrey ▶ University of Wisconsin-Madison ▶ ​ Allison McCracken ▶ DePaul University ▶ “The Myth of Speakers: A Critical Reexamination of Real Men Don’t Sing: Crooning in American Culture Dolby History,” Film History 28, no. 1 (2016): 167–93 (Duke University Press, 2015) AWARD OF DISTINCTION Miriam Petty ▶ Northwestern University ▶ Rochona Majumdar ▶ University of Chicago ▶ ​“Art Stealing the Show: African American Performers Cinema: The Indian Career of a Global Category,” and Audiences in 1930s Hollywood Critical Inquiry 42 (Spring 2016): 580–610 (University of California Press, 2016) 127 The Katherine Singer Kovács Book Award Service Award WINNER Haidee Wasson ▶ Concordia University Thomas Waugh ▶ Concordia University ▶ The Conscience of Cinema: The Work of Joris Ivens, Pedagogy Award 1912–1989 (Amsterdam University Press, 2016) Ellen Seiter ▶ University of Southern California AWARD OF DISTINCTION Distinguished Career Achievement Award Nicholas Sammond ▶ University of Toronto ▶ Birth of an Industry: Blackface Minstrelsy and the Michele Hilmes ▶ University of Wisconsin-Madison Rise of American Animation (Duke University Press, 2015)

The Anne Friedberg Innovative Scholarship Award WINNER Noam M. Elcott ▶ Columbia University ▶ Artificial march Darkness: An Obscure History of Modern Art and 24 Media (University of Chicago Press, 2016) FRIDAY AWARD OF DISTINCTION Homay King ▶ Bryn Mawr College ▶ Virtual Memory: Time-based Art and the Dream of Digitality (Duke University Press, 2016)

SPECIAL EVENT ▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ Friday, March 24 5:45 – 6:45 pm Reception ROOM Burnham Ballroom  Mid-America Club, 80th Floor, AON Center Celebrate this year’s awards recipients, outgoing SCMS Board members, and others who have served the Society this past year while catching up with old friends and meeting new acquaintances. Please remember, your conference badge is required for admittance to the AON Center. You won’t want to miss the view at night!

128 MEETING▶▶▶▶▶▶▶▶▶▶▶▶ RECEPTION▶▶▶▶▶▶▶▶▶▶▶ 7:00 – 8:45 pm 7:00 – 9:00 pm Middle East Caucus University of California,

ROOM Regal ▶ Fairmont, B2 Level Los Angeles Reception

ROOM Regent ▶ Fairmont, 3rd Floor Reception for UCLA faculty, students, alumni hosted by UCLA’s Department of Film, Television and Digital Media. MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 7:00 – 8:45 pm Caucus on Class FRIDAY ROOM Royal ▶ Fairmont, B2 Level RECEPTION▶▶▶▶▶▶▶▶▶▶▶ march 7:00 – 9:00 pm 24 New York University Department of Cinema Studies RECEPTION▶▶▶▶▶▶▶▶▶▶▶ Reception 7:00 – 9:00 pm ROOM Gold ▶ Fairmont, 2nd Floor Reception for faculty, students, alumni, University of and friends of the Department. Wisconsin-Madison Reception

ROOM Ambassador ▶ Fairmont, 2nd Floor Reception for faculty, students, alumni and friends of the Department. RECEPTION▶▶▶▶▶▶▶▶▶▶▶ 7:30 – 9:00 pm Oxford University Press

ROOM State ▶ Fairmont, 2nd Floor A cocktail reception to celebrate the publication of OUP film and media books and journals for 2016–2017. Directions . . . All are welcome. to the Mid-America Club 80th Floor, AON Center see page 14 for assistance

129 SESSION Saturday MARCH 25, 2017 N 9:00 – 10:45 am

N1 Sensory Media N2 Educational (Multi)media   Histories CHAIR Maria Engberg ▶ Malmö University Dimitrios Pavlounis ▶ University of Michigan ▶ ​ CHAIR Victoria Cain ▶ Northeastern University “‘Your Tape Recorder Cracked the Case:’ Sound Meredith Bak ▶ Rutgers University-Camden ▶ ​ Recording and the Production of Evidence in CBS “From Pre-cinema to STEM Education: Optical Radio’s Night Watch” Toys and Their Pedagogical Contexts” Lyn Goeringer ▶ Michigan State University ▶ ​ Katie Good ▶ Miami University ▶ ​“Sightseeing “Towards a Media Archeology of EMF: Sounding in the School: Educational Technology, Virtual Out the City with Unseen Media” Experience, and World Citizenship in American Maria Engberg ▶ Malmö University ▶ ​“The Education, 1900–1939” Polyaesthetics of Emergent Multisensory Media: Victoria Cain ▶ Northeastern University ▶ ​ The Intimacy Registers of OMGYes and NYTVR” “Teaching in Black and White: Race and the Corinna Kirsch ▶ SUNY, University at Stony Brook ▶ ​ Evolution of Instructional Television, 1953–1970” “Video Is a Body Control System: Les Levine’s Samuel Franklin ▶ Brown University ▶ ​“The ‘John and Mimi’s Book of Love’ (1970)” Medium and Message of ‘Creativity,’ 1979–1985”

SPONSOR Radio Studies Scholarly Interest Group SPONSORS Media Literacy and Pedagogical Outreach Scholarly Interest Group, Nontheatrical Film and Media Scholarly Interest Group

130 9:00 – 10:45 am N3 “Disruption”—Remaking N5 Cruising the Seventies Contemporary Television Glancing Backwards at Queer Cinema  Culture, Part 1 

Nation, Audience, and Infrastructure CHAIR Glyn Davis ▶ University of Edinburgh

RESPONDENT Richard Rodriguez ▶ University of CHAIR Michael Kackman ▶ University of Notre California, Riverside Dame Greg Youmans ▶ Western Washington University ▶ ​ Graeme Turner ▶ University of Queensland ▶ ​ “Locating the 1970s: Sex and Cinema at Druid “Netflix and the Reconfiguration of the Australian Heights” Television Market” Bill Marshall ▶ University of Stirling ▶ ​“Lionel Joe Straubhaar ▶ University of Texas at Austin ▶ ​ Soukaz: Historicity and Time” “Class, Cosmopolitanism, Access, and Netflix in Glyn Davis ▶ University of Edinburgh ▶ ​“Hanging Latin America: Transformation within a Digital Out at Derek Jarman’s Squat” Divide” SPONSOR Queer Caucus Solomon Waliaula ▶ Maasai Mara University ▶ ​ “Audiencing Live European Soccer and the ‘Football-Kiosk Media Culture’ in Eldoret, Kenya” Michael Kackman ▶ University of Notre Dame ▶ ​ “Parliamentary Television Culture: Imagining the

Nation after Television” N6 The Media and the Failed Coup SATURDAY Attempt in Turkey, July 2016  march

CHAIR Zeynep Gursel ▶ Macalester College 25 4 Sinophilia and Francophonia N Ergin Bulut ▶ Koç University ▶ ​“Turkey’s Failed on Screen Coup and the Declaration of New Turkey as  The Chinese-French Cinematic Symbiosis a ‘Weird Global Media Event’: Performing Confession, and the Post-coup Aesthetics of Populism” CHAIR Ling Zhang ▶ SUNY, Purchase College Josh Carney ▶ University of South Florida ▶ ​ CO-CHAIR Catherine Clark ▶ Massachusetts Institute of Technology “Reflecting the Public Deflecting the Coup: Screens and Spatial Practice in Turkey’s Post- RESPONDENT Dudley Andrew ▶ Yale University coup ‘Democracy Watches’” Catherine Clark ▶ Massachusetts Institute of Feride Cicekoglu ▶ Istanbul Bilgi University ▶ ​“‘East Technology ▶ ​“French Maoism for the Masses: of Everything’: Masculinity Crisis in the Image of Jean Yanne’s Les Chinois à Paris (1974)” Istanbul” SESSION Ling Zhang ▶ SUNY, Purchase College ▶ ​“Taming the Zeynep Gursel ▶ Macalester College ▶ ​“Mass Wind: Joris Ivens’s Cinematic Journey in Socialist Transportation as Mass Media: Rethinking China” Mediation in Istanbul’s Public Spaces” Erin Schlumpf ▶ Ohio University ▶ ​“No Flashbacks, SPONSOR Middle East Caucus N No Future: The Last Children of the Sino-French Marriage in Emily Xiaobai Tang’s Conjugation”

SPONSORS Asian Pacific American Caucus, French/Francophone Scholarly Interest Group 131 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 9:00 – 10:45 am

7 GIF, MOV, Flash 9 Unruly Genres N The Format Aesthetics of Ordinary N Comedies Crossing the Line  Media 

CHAIR Stephen Babish ▶ DePaul University CHAIR Mashinka Firunts ▶ University of Mary Feld ▶ Georgia State University ▶ ​“Comedy as Pennsylvania Trojan Horse: Paratexts, Generic Expectations, James Hodge ▶ Northwestern University ▶ ​“Autistic and Attending to Marginalized Groups in Orange Cinema: twohundredfiftysixcolors” Is the New Black” Mashinka Firunts ▶ University of Pennsylvania ▶ ​ Stephen Babish ▶ DePaul University ▶ ​“‘It’s Set “Mobile Pedagogy Units: Video Tutorials, in the Future, but It Looks Backwards’: Sleeper’s Lecture-Performances, and Hito Steyerl’s Didactic Antimodern Utopianism” Educational.MOV Files” Megan Boyd ▶ University of Wisconsin-Madison ▶ ​ David Bering-Porter ▶ The New School ▶ ​ “The Comedy-Drama: Rethinking Silent Film “Visuality and Data: Exploring the Cinematic Comedy and Conceptions of Genre” Fingerprint through Visualizations of Ordinary Hamidreza Nassiri ▶ University of Wisconsin- Media” Madison ▶ ​“Cross-dressing Iranian Style: An Daniel Snelson ▶ Northwestern University ▶ ​“Flash Exploration of Cross-dressing in Iranian Comedy Video at the Avant-garde of the Avant-garde: Films from 1995 to the Present”

Recoding Use as Supertemporal Cinema” SPONSOR Comedy and Humor Studies Scholarly Interest Group

march 25 8 The Fan as Doppelgänger SATURDAY N  N10 The Disappearing World of CHAIR Anupama Kapse ▶ Queens College, CUNY  Analogue Film Projection CO-CHAIR Meheli Sen ▶ Rutgers University

Neepa Majumdar ▶ University of Pittsburgh ▶ ​ CHAIR Jon Burrows ▶ University of Warwick “Embodiment and Stardom in Shahrukh Khan’s Jon Burrows ▶ University of Warwick ▶ ​“Film Fan” Mutilation: Reading the Material Traces of the Nilanjana Bhattacharjya ▶ Arizona State Projectionist’s Labor” University ▶ ​“Doubling Offscreen and Onscreen: Lucie Cesalkova ▶ Masaryk University ▶ ​“Feel Queering the Star and the Fan in Fan” the Film: Materiality of Film Screening in Meheli Sen ▶ Rutgers University ▶ ​“The Mirror of Projectionists’ Memories” SESSION Desire: Queerness, Fan and the Riddles of Paheli” Michael Pigott ▶ University of Warwick ▶ ​“Sounds Anupama Kapse ▶ Queens College, CUNY ▶ ​“No of the Projection Box” Connection: SRK and the Dilemma of Kinship” Haidee Wasson ▶ Concordia University ▶ ​ N SPONSOR Asian Pacific American Caucus “Portability and Projectability: Notes Towards Cinema’s Expanded Apparatus”

132 9:00 – 10:45 am

11 The Chicago Way 13 Living Archives N The Second City on Film N    -

CHAIR Robert Silberman ▶ University of CHAIR Bhaskar Sarkar ▶ University of California, Minnesota Santa Barbara Leslie Abramson ▶ American Bar Foundation ▶ ​ Bhaskar Sarkar ▶ University of California, Santa “Establishing Shots: The Court of Criminal Barbara ▶ ​“Archival Folds: Bombay the Cinema, Appeals, Chicago (1927) Style” Bombay the City” Steve Macek ▶ North Central College ▶ ​“Nothing Joshua Neves ▶ Concordia University ▶ ​“People as Derogatory to Chicago: Local Film Censorship (Media) Infrastructure/Archive: Pirated Copy and and the Policing of Chicago’s Screen Image” the Volatility of Distribution” Ken Eisenstein ▶ Bucknell University ▶ ​“James Cait McKinney ▶ Western University, Canada ▶ ​ Benning @ 75: Looking Back through Chicago in “Dropped Frames, Lost Time: Digitizing Queer the 1970s” VHS” Marian Sciachitano ▶ Washington State Bishnupriya Ghosh ▶ University of California, Santa University ▶ ​“‘Haunting Recognitions’ of Police Barbara ▶ ​“How Are You Feeling?: Diagnostic Brutality in The End of the Nightstick” Media and HIV/AIDS Archives”

SPONSOR Urbanism/Geography/Architecture Scholarly Interest Group SATURDAY N14 The Horror Film march Franchises, Feminism, and the Fantastic 25 N12 Female Authorship and   Artistry in Film History and -  the Entertainment Industry CHAIR Adam Knee ▶ International Institute for Asian Studies/University of Nottingham Ningbo CHAIR Cynthia Lucia ▶ Rider University Mikhail Skoptsov ▶ Brown University ▶ ​“Never- Paula J. Massood ▶ Brooklyn College, CUNY ▶ ​ ending Nightmares: Seriality and the Horror Film “‘Observe, Look, Listen’: Helen van Dongen as Franchise” Editor, Filmmaker, and Archivist” Adam Knee ▶ International Institute for Asian J. E. Smyth ▶ University of Warwick ▶ ​“‘They All Studies/University of Nottingham Ningbo ▶ ​“The Called Me Bobbie’: Gender, Authorship, and New Chinese Horror Film: Regulating the Borders Barbara McLean’s Impact on 20th Century-Fox” of the Fantastic” SESSION Roy Grundmann ▶ Boston University ▶ ​“Dropping Sonia Lupher ▶ University of Pittsburgh ▶ ​“Gesture in on the Boys: Professionalism and Virtuosity in across Genres: Horror, Comedy, and Bodily Caterina Valente’s US TV Appearances” Incoherence in Robert Englund/Freddy Krueger’s Desiree Garcia ▶ Arizona State University ▶ ​“‘Go Intertwined Stardom” N ahead and stare!’: The Musical Stage in Dance, Ian Olney ▶ York College of Pennsylvania ▶ ​“The Girl, Dance (1940)” Zombie Weepie: Melodrama, Gender, and the Living Dead in Recent Horror Cinema”

SPONSOR Horror Studies Scholarly Interest Group 133 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 9:00 – 10:45 am N15 Time and History in the N17 Transnational Orientations Composite Image Asian American Film Historiography   from Center to Margins  -  - CHAIR Michael Cramer ▶ Sarah Lawrence College CHAIR Denise Khor ▶ University of Massachusetts Michael Cramer ▶ Sarah Lawrence College ▶ ​“Pre- Boston revolutionary Nostalgia: History and the Digital in Russian Ark and The Lady and the Duke” CO-CHAIR William Gow ▶ University of California, Berkeley Pao-chen Tang ▶ University of Chicago ▶ ​“Of Snow and Flow: Profilmic Actions and Digital Effects in Kim Khavar Fahlstedt ▶ Stockholm University ▶ ​ The Grandmaster” “Charlie Chan’s Last Mystery” Natalia Brizuela ▶ University of California, William Gow ▶ University of California, Berkeley ▶ ​ Berkeley ▶ ​“History, Otherwise: Paz Encina and “The Politics of Wartime Theatricality: Richard Susana Sousa de Dias” Loo’s Cross-ethnic Performance in The Purple Heart” Charleen Wilcox ▶ Georgia State University ▶ ​ “Rendering ‘What Will Have Been’: Imaging the Ramona Curry ▶ University of Illinois at Urbana- Temporality of Miscegenation” Champaign ▶ ​“The Historiographic Import of Pioneering Screenwriter-Director James B. Leong (1889–1967) and His 1921 Film Lotus Blossom” Denise Khor ▶ University of Massachusetts Boston ▶ ​ “‘Owned, Controlled, and Operated by Japanese’: Racial Uplift and Japanese Immigrant Film march 16 WORKSHOP N Production, 1912–1930” Open Access Book Publishing 25 SPONSOR Asian Pacific American Caucus

SATURDAY  Making It Work

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CHAIR Eric Hoyt ▶ University of Wisconsin- Madison

WORKSHOP PARTICIPANTS Mary Francis ▶ University of Michigan Press Catherine Grant ▶ University of Sussex Nedda Ahmed ▶ Georgia State University Vicki Mayer ▶ Tulane University SESSION Lea Jacobs ▶ University of Wisconsin-Madison N

134 9:00 – 10:45 am

18 Know Thyself(ie) 20 Framing Production N Image, Self, Representation N Media Policy and Tax Incentives

    -

CHAIR Nicole Erin Morse ▶ University of Chicago CHAIR Jade Miller ▶ Wilfrid Laurier University CO-CHAIR Anirban Baishya ▶ University of Southern Benjamin Pearson ▶ University of Michigan ▶ ​“Art California House Aid?: European Union Funded Filmmaking Anirban Baishya ▶ University of Southern in the Global South” California ▶ ​“The Selfie as Affective Labor: Jade Miller ▶ Wilfrid Laurier University ▶ ​“Louisiana Electoral Politics and the Mask of Progress in Disguised: Film Tax Incentives and Location Contemporary India” Representation in Contemporary Hollywood Gary Kafer ▶ University of Chicago ▶ ​“Unidentified Films” Selves: Anonymous Selfies in the Age of Pietari Kaapa ▶ University of Warwick ▶ ​ Transparency” “Environmental Incentives for the Media Vishnupriya Das ▶ University of Michigan ▶ ​“The Industry: A Materialist Perspective on Ecomedia” Great Indian Sexy Selfie: How Dating Apps Are Jonathan Buchsbaum ▶ Queens College, CUNY ▶ ​ Defining Visual Culture and Sexual Aesthetics in “Digitization and the French Film Industry: Policy India” Challenges” Nicole Erin Morse ▶ University of Chicago ▶ ​ “Captioning the Selfie: Image and Text in SATURDAY DarkMatter’s Online Activism” march MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 25 9:00 – 10:45 am N19 WORKSHOP French/Francophone Back to the Future Scholarly Interest Group  Historical Perspectives on the ROOM Burnham Ballroom A  Contemporary Media Industries and Mid-America Club, 80th Floor, AON Center Cultures of Production



CHAIR Miranda Banks ▶ Emerson College

WORKSHOP PARTICIPANTS MEETING▶▶▶▶▶▶▶▶▶▶▶▶ John Caldwell ▶ University of California, 9:00 – 10:45 am SESSION Los Angeles Jennifer Holt ▶ University of California, Media and the Environment Santa Barbara Scholarly Interest Group N Erin Hill ▶ University of California, Los Angeles ROOM Lincoln Park Suite  Fairmont, 37th Floor, Room 3709 SPONSOR Media Industries Scholarly Interest Group

135 SESSION Saturday MARCH 25, 2017 O 11:00 am – 12:45 pm

O1 Destruction, Obsolescence, O2 Body Parts in Performance Decay Hand, Mouth, Voice, and Pose  Media, Materiality and the Aesthetics of  Dissolution CHAIR Christine Holmlund ▶ University of Tennessee

CHAIR Derek Kompare ▶ Southern Methodist CO-CHAIR Philippa Lovatt ▶ University of Stirling University Philippa Lovatt ▶ University of Stirling ▶ ​“The Face Derek Kompare ▶ Southern Methodist University ▶ ​ as a Screen: Dickie Beau’s ‘Blackouts’” “Rewind: Tape and the Construction of Modular Christine Holmlund ▶ University of Tennessee ▶ ​ Media Culture” “‘Je est un autre’: Hallucinated Voice, Courtney White ▶ Pomona College ▶ ​“The Polymorphous Pose, and Malkovich across Media” Aesthetics of Smashing: Digital Destruction in Karen Lury ▶ University of Glasgow ▶ ​“‘I will lay the Marvel Cinematic Universe” mine hand upon my mouth’ (Job 40:4): Tasting/ Matthew Stoddard ▶ University of Toronto ▶ ​“A touching Lust, Horror and Shame In Adaptations New Materialist: On the ‘Film Alchemy’ of Jürgen Of Cape Fear” Reble” Amy Holdsworth ▶ University of Glasgow ▶ ​“TV Bites”

136 11:00 am – 12:45 pm O3 “Disruption”—Remaking O5 Media, Attention, and Contemporary Television Techniques of Governance  Culture, Part 2  New Programming Forms CHAIR Dan Hassoun ▶ Indiana University

RESPONDENT Richard Rushton ▶ Lancaster University CHAIR Sharon Shahaf ▶ Georgia State University Kenneth Rogers ▶ York University, Toronto ▶ ​ Sharon Shahaf ▶ Georgia State University ▶ ​ “Manage Your Feed!: Governing Attention in “‘Every Format Is like a Startup’– Israeli Creative Distributed Media Ecosystems” Industries Talking ‘Disruption’” Jocelyn Szczepaniak-Gillece ▶ University of Sookeung Jung ▶ Georgia State University ▶ ​ Wisconsin-Milwaukee ▶ ​“‘Unwholesome Effects’: “Terrestrial TV Embracing Personal Web TV: A Spectatorship, the Apparatus, and the Regulation Case Study of My Little Television” of Marijuana and Alcohol in the Movie Theater” Juan Pinon ▶ New York University ▶ ​“The (Re) Dan Hassoun ▶ Indiana University ▶ ​“Patrolling invention of Genres and Formats in Fictional the Aisles: Police, Theater Security, and the Television” Maintenance of Attentional Conduct” Chiara Ferrari ▶ California State University, Chico ▶ ​ “Italian Television between Old and New Practices: Netflix, Sky, and the (Slow) Transition to Quality TV” O6 Documentary Narratives of SATURDAY Dissidence in Turkey march  25 O4 More than Play CHAIR Irem Inceoğlu ▶ Kadir Has University Gamers as Fans and Tinkerers in the Era Cüneyt Çakırlar ▶ Nottingham Trent University ▶ ​  of the Microcomputer “Transnational Pride, Global Closets and Regional Formations of Screen Activism: Documentary LGBTQ Narratives from Turkey” CHAIR Helen Stuckey ▶ Flinders University Didem Pekün ▶ Koç University ▶ ​“First Person as CO-CHAIR Melanie Swalwell ▶ Flinders University Molecular Subjectivities: Turkey and Turkishness” Melanie Swalwell ▶ Flinders University ▶ ​“The ▶ Kadir Has University ▶ ​“Filming Forgotten User: Hardware Hacking in 1980s Irem Inceoğlu the Muted and Obscured Narratives of Massacre, Microcomputer Culture” Exile, and (Re)settling” Matthew Payne ▶ University of Notre Dame ▶ ​ ▶ Kadir Has University ▶ ​“Essayistic “Micro-computers, Macro-worlds: Remediating Elif Akçali Tendencies in Contemporary Kurdish Filmmaking Fantasy Gaming from Tabletop to Screen” SESSION in Turkey” Morgan O’Brien ▶ University of Texas at Austin ▶ ​ SPONSOR Middle East Caucus “A Cracking Good Time–Exploring Amiga Cracker Culture in 1980s Britain” O Helen Stuckey ▶ Flinders University ▶ ​“Solved, Shared, and Made with Quill: 1980s Text Adventure Fan Communities”

SPONSOR Video Game Studies Scholarly Interest Group 137 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 11:00 am – 12:45 pm

7 Mattering 9 Material Media History O Blackness, Substance, and Agency in the O  Anthropocene  CHAIR Mark J.P. Wolf ▶ Concordia University Wisconsin CHAIR Nicholas Sammond ▶ University of Mark J.P. Wolf ▶ Concordia University Wisconsin ▶ ​ Toronto “Farewell to the Phosphorescent Glow: The Long CO-CHAIR Michael B. Gillespie ▶ City College of New Life of the Cathode Ray Tube” York Jaime Kirtz ▶ University of Colorado Boulder ▶ ​ Michael B. Gillespie ▶ City College of New York ▶ ​ “Plugging into Gender: Hidden Histories of “‘Sing About Me/Dying of Thirst’: Film Blackness Electric Media Outlets, Gender, and Media and Matters of Black Becoming” Infrastructure” Tiffany Barber ▶ University of Rochester ▶ ​ Amanda McQueen ▶ University of Wisconsin- “The Speculative Matters of Black Death” Madison ▶ ​“Nitrate Film and the Exhibition John E. Drabinski ▶ Amherst College ▶ ​“Spike Lee Sector, 1910s–1930s” and the Matter of Masculinity” Brad Chisholm ▶ St. Cloud State University ▶ ​ Nicholas Sammond ▶ University of Toronto ▶ ​ “Reconstructive Archaeology and the Origins of “Emory Douglas Asks, What’s the Matter with Cinema: The Gordon Trewinnard Project” R. Crumb?”

SPONSORS Oscar Micheaux Society

march O10 On the Precipice of a 25 Tipping Point SATURDAY O8 Mediated Land-ings  Envisioning Global Media Industries in  Communication, Control, and Extraction the Era of China’s Rise CHAIR Aynne Kokas ▶ University of Virginia CHAIR Tyler Morgenstern ▶ University of California, Santa Barbara Michael Curtin ▶ University of California ▶ ​“The Rafico Ruiz ▶ Trent University ▶ ​“Bathymetric New Geography of the Global Blockbuster: Visuality in Greenland: Sea Level Rise, Wanda Scales Up” Glaciological Knowledge, and the Production of Aynne Kokas ▶ University of Virginia ▶ ​“The Money Underwater Media Environments” and the Power: Network Management and Global Tyler Morgenstern ▶ University of California, Santa Chinese Film Production” Barbara ▶ ​“Programming Settler Futures: Four Darrell Davis ▶ Lingnan University ▶ ​“Two Systems SESSION Proposals on Cybernetics and Settler Colonialism” Differential: Informal Media and Decolonization Lisa Han ▶ University of California, Santa Barbara ▶ ​ in Hong Kong” “Taking the Deep: Seismic Imaging and Extraction SPONSORS Asian Pacific American Caucus, O at the Seafloor” Media Industries Scholarly Interest Group Darin Barney ▶ McGill University ▶ ​“The Sovereign Elevator: Mediation and Materiality in the Prairies”

SPONSORS Media and the Environment Scholarly Interest Group, Scandinavian Scholarly Interest Group 138 11:00 am – 12:45 pm O11 What Does Film and Media O12 Feminism, Archives, and Philosophy Do with the Women’s Media Histories  Subject?  Reconceptualizing the Subject for CHAIR Yvonne Tasker ▶ University of East Anglia Motion Image Studies Shelley Stamp ▶ University of California, Santa Cruz ▶ ​“Forgetting Women and the Silent CHAIR Terrance McDonald ▶ Brock University Screen” CO-CHAIR Katherine Rennebohm ▶ Harvard Yvonne Tasker ▶ University of East Anglia ▶ ​ University “Archives, Authors, and the Feminist History of Katherine Rennebohm ▶ Harvard University ▶ ​ Jill Craigie” “The Local View Genre as a Medium of the Self; Jane Gaines ▶ Columbia University ▶ ​“Archival or, The Ethical Subject after Cinema” Trouble” Yvette Granata ▶ SUNY, University at Buffalo ▶ ​ Hannah Hamad ▶ University of East Anglia ▶ ​“Mary “Mutual Wave Machine: Laruelle and Stott, ‘Women in Media’ and the Emergence of Transcendental Subjects of Ordinary Ethics in Feminist Media Studies: Activist, Academic and Cinema and New Media Events” Archival Intersections”

Lukas Brasiskis ▶ New York University ▶ ​“On the SPONSOR Women in Screen History Possibility of ‘Object-position’ Film History and Scholarly Interest Group Non-human Affect”

Terrance McDonald ▶ Brock University ▶ ​“The SATURDAY Forms of Percepts: Reading the Sensations of march Film Noir” 13 Connected Viewing; or, How SPONSOR O Film Philosophy Scholarly Interest Group We Learned to Stop Worrying 25  and Love Big Data

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CHAIR Josh Stenger ▶ Wheaton College Libby Hemphill ▶ Illinois Institute of Technology ▶ ​ “So Ready for the #Gayzzoli: Rizzoli and Isles Lesbian Subtext on Social Media” Josh Stenger ▶ Wheaton College ▶ ​“Inside the Fanfiction Data Mine: Rethinking Canons, Corpora and Fan-Industry Relations”

Brendan Kredell ▶ Oakland University ▶ ​ SESSION “Superpredictors: Netflix and the Uneven Topography of Film Consumption” Theo Plothe ▶ Walsh University ▶ and Amber Buck ▶ University of Alabama ▶ ​“Do O Spoilers Matter?: Second Screens in the Age of Streaming Television”

SPONSOR Fan and Audience Studies Scholarly Interest Group 139 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 11:00 am – 12:45 pm O14 The Permeable Screen O16 Cinema as Public Relation Time, Movement, Image in Early Soviet Culture  Cinema  Publicity Practices from Early Hollywood  to HBO -  CHAIR Lilya Kaganovsky ▶ University of Illinois -

at Urbana-Champaign CHAIR Giorgio Bertellini ▶ University of Michigan Lilya Kaganovsky ▶ University of Illinois at Urbana- Jeremy Groskopf ▶ Averett University ▶ ​“The Champaign ▶ ​“From Movement Image to Time Robyn-Kander Movie Ticket Corporation and the Image: Vertov, Shub, and the Cinema of Duration” Rise of Coupon Publicity” Anne Eakin Moss ▶ Johns Hopkins University ▶ ​ Richard Abel ▶ University of Michigan ▶ ​“Defining “‘A Finished Etude of Absolute Vision’: Vertov’s Publicity in 1918: Moving Picture World vs. Current Enthusiasm and Cinema as Umwelt” Research” Joan Neuberger ▶ University of Texas at Austin ▶ ​ Sue Collins ▶ Michigan Technological University ▶ ​ “Eisenstein, Gesture, and the Dialectics of Acting” “All-Star PR: Popular Authority and the SPONSOR Silent Cinema Cultures Scholarly Interest Group Financialization of the Militarized State” Kathryn Brownell ▶ Purdue University ▶ ​“HBO and the Promise of an Entertainment Explosion”

O15 Responsibilities to march Communities 25  Space and Text 17 “So Bad It’s Good” O New Perspectives on the Politics SATURDAY  -  of Bad Taste  CHAIR Mary Beltrán ▶ University of Texas at - Austin CHAIR Kevin Chabot ▶ University of Toronto Mary Beltrán ▶ University of Texas at Austin ▶ ​“TV Storytelling and Responsibility to Communities: Iain Smith ▶ King’s College London ▶ ​“So ‘Foreign’ The Cases of Resurrection Blvd., George Lopez, and It’s Good: Interrogating the Transnational Cult Cristela” Surrounding Émigré Directors” Monica Ndounou ▶ Tufts University ▶ ​“The Jonathan Foltz ▶ Boston University ▶ ​“Degradation ‘Roots’ of Today’s Cinematic Slavery: 1970s Chic: Harmony Korine and the Abstraction of Bad Cinematic Adaptations, Black Lives Matter, and Taste”

SESSION Revolutionary Slavery Films of the 21st Century” Kate Russell ▶ University of Toronto ▶ ​“‘Good Bad Kayti Lausch ▶ University of Michigan ▶ ​“‘Now Your Taste’ and the Outsider: Russ Meyer and John Family Has Its Own TV Network:’ The Christian Waters” Broadcasting Network and Family Television” Bryan Wuest ▶ University of California, Los O Jasmine Trice ▶ University of California, Los Angeles ▶ ​ Angeles ▶ ​“Gaysploitation!: Taste, Value, and “Ethnoburban Exhibition: The Multiplex and Politics in Contemporary LGBT Media” Diasporic Moviegoing in Los Angeles”

140 11:00 am – 12:45 pm O18 Critical Voicings O20 Opacity and Transparency Mediating Voice and Dialogue across in Media Technology  Multiple Screens    - CHAIR Christopher Miles ▶ Indiana University CHAIR Jennifer O’Meara ▶ St. Andrews University Daniela Agostinho ▶ University of Copenhagen ▶ ​ Debora Regina Opolski ▶ Tuiuti University of “Under Watchful Skies: Transparency, Opacity, Paraná ▶ and Luis Bourscheidt ▶ Instituto and Surveillance in Midnight Special” Federal do Paraná ▶ ​“Speech in Eduardo Michael Litwack ▶ University of Alberta ▶ ​“Black Coutinho’s Documentary O fim e o princípio Skin, Black Box” (2005)” Christopher Miles ▶ Indiana University ▶ ​“As Nessa Johnston ▶ Edge Hill University ▶ ​“Notes on Below, So Above: Media Farms, Agricultural Blindness (2014): The Mediated Voice and ‘Visual Drones, and the Quest for Transparent Nature” Overdubbing’” Martina Broner ▶ Cornell University ▶ ​“Rendered Jennifer O’Meara ▶ St. Andrews University ▶ ​ Visible: Forensic Architecture and Erasure in “Speaking across Screens: Cyberfeminism and the Amazonia” Digital Recycling of Women’s Voices” SPONSOR Media, Science, and Technology Studies Milena Droumeva ▶ Simon Fraser University ▶ ​ Scholarly Interest Group “The Battle Cry: Gendered Sonic Archetypes in Games” SATURDAY

march MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 25 O19 WORKSHOP 11:00 am – 12:45 pm  Tackling the 21st-Century Documentary Studies Academic Job Market Scholarly Interest Group  ROOM Burnham Ballroom A  Mid-America Club, 80th Floor, AON Center CHAIR Kuhu Tanvir ▶ University of Pittsburgh

WORKSHOP PARTICIPANTS Elana Levine ▶ University of Wisconsin-Milwaukee Patrice Petro ▶ University of California, Santa Barbara MEETING▶▶▶▶▶▶▶▶▶▶▶▶ SESSION Jonathan Sterne ▶ McGill University 11:00 am – 12:45 pm Scandinavian Scholarly Interest Group O ROOM Lincoln Park Suite  Fairmont, 37th Floor, Room 3709

141 SESSION Saturday MARCH 25, 2017 P 1:00 – 2:45 pm

1 Shifting Perceptions 2 Filmic Visions about the Past P New Cameras and New Visions P Spanish and Latin American Historical   Films

CHAIR James Gilmore ▶ Indiana University James Gilmore ▶ Indiana University ▶ ​“Wearable CHAIR Carolina Rocha ▶ Southern Illinois Cameras and Embodied Images: Between the University Banality and Spectacle of Recording” CO-CHAIR Paul Schroeder Rodriguez ▶ Amherst College Sylvie Vitaglione ▶ New York University ▶ ​ “Body Shots: GoPro Cameras and the Body as RESPONDENT Steven Marsh ▶ University of Illinois at Cinematographer” Chicago Alexander Svensson ▶ Indiana University ▶ ​ Steven Marsh ▶ University of Illinois at Chicago ▶ ​ “Interactive Terrors, Ephemeral Frights: Snapchat “History, Hauntology, Representation: Spanish as Prime Platform for the Marketing and Making Cinema against Itself” of Horror” Luisela Alvaray ▶ DePaul University ▶ ​“Drawing History: Chilean Animation and Historical Representation” Paul Schroeder Rodriguez ▶ Amherst College ▶ ​ “History, Scientific Knowledge, and Moral Universalism in Patricio Guzmán’s Nostalgia for the Light” Carolina Rocha ▶ Southern Illinois University ▶ ​ “Argentine Heritage Films of the late 1960s: The 142 Gauchesque” 1:00 – 2:45 pm P3 Teen Series, Industrial P5 Passport Performances Practices, and Marketing Transnational Screen Acting and  Strategies  Stardom in the New Millennium

CHAIR Mark Gallagher ▶ University of CHAIR Ellen Seiter ▶ University of Southern Nottingham California Christine Becker ▶ University of Notre Dame ▶ ​ Alice Leppert ▶ Ursinus College ▶ ​“Making “The Valuation of British Actors on American Teenagers Family-friendly: Sitcom Idols, Screens” Syndication, and the Rise of ABC’s TGIF” Mark Gallagher ▶ University of Nottingham ▶ ​“Idris Michael Rennett ▶ University of Texas at Austin ▶ ​ Elba and ‘Too Street’ Afro-global Performance” “Teen TV Graduates: One Tree Hill and Marketing ‘Genre Evolution’” Dona Kercher ▶ Assumption College ▶ ​“The Brooding Bro Cast Adrift: Ricardo Darín in Recent Gry Cecilie Rustad ▶ Hedmark University College ▶ ​ Spanish-Argentine Coproductions” “Teen Service Broadcasting: Innovations in Public Service Broadcasting Production and Gohar Siddiqui ▶ University of Wisconsin- Distributional Aesthetics” Platteville ▶ ​“Contesting Global Islamophobia: The Stardom of ‘Hindu-Muslim’ Salman Bhaijaan” Stefania Marghitu ▶ University of Southern California ▶ ​“Safe Sex, Non-profit Funding and the Sabido Method in Hulu’s East Los High” SATURDAY P6 Queer(ing) Production/ march Producing Queerness 25 4 Violence at the Cinema  P Confrontation, Conflict, and Catastrophe CHAIR Alfred Martin ▶ University of Colorado  Denver CHAIR Eric Smoodin ▶ University of California, Eve Ng ▶ Ohio University ▶ ​“‘Just a movie about Davis love’ or ‘Too gay’?: Carol, Freeheld, and Production Annie Fee ▶ University College London ▶ ​“Political Contexts for Contemporary Queer Films” Violence and Cinephile Activism in 1920s Parisian Andrew Owens ▶ Boston College ▶ ​“‘If people Cinemas” want porno, let them take it off the Internet’: Eric Smoodin ▶ University of California, Davis ▶ ​ Producing Queer Prurience on Here!” “Fascists at the Aubert-Palace: The Cinema and Quinn Miller ▶ University of Oregon ▶ ​“The Case of 1930s Rightwing Violence in Paris” the Missing Fiancé: Reading ABC Biography Press Alison Griffiths ▶ Baruch College, CUNY ▶ ​“Real Releases as an Archive of Queer Production in the SESSION and Imagined Violence at the Prison Film Late 1960s” Screening” Alfred Martin ▶ University of Colorado Denver ▶ ​ Jon Lewis ▶ Oregon State University ▶ ​“Turning “Queerly Cast: Television Production, Casting, and the Erasure of Queer Labor” P Kids into Killers: Theater Violence and Movie Promotion in Modern Hollywood” SPONSORS Queer Caucus, Television Studies Scholarly Interest Group

143 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 1:00 – 2:45 pm P7 Directors in Hollywood P9 Contextualizing   Contemporary True Crime CHAIR Virginia Wexman ▶ University of Illinois at Narratives Chicago

RESPONDENT James Naremore ▶ Indiana University CHAIR Staci Stutsman ▶ Syracuse University Virginia Wexman ▶ University of Illinois at Staci Stutsman ▶ Syracuse University ▶ ​“‘I killed Chicago ▶ ​“Hollywood Directors and Their them all of course’: Robert Durst and True Crime Collaborators” Bad Guys” William Luhr ▶ Saint Peter’s University ▶ ​“Survival Elizabeth Gailey ▶ University of Tennessee ▶ ​“‘I’m in Classical Hollywood: John Ford and Orson Not Black, I’m O.J.’: Sports Celebrity, True Crime, Welles” and Contextualization of Racial Dynamics in J. D. Connor ▶ University of Southern California ▶ ​ ESPN’s O.J.: Made in America” “Go Again: Digital Transformations in Directorial Tanya Horeck ▶ Anglia Ruskin University ▶ ​ Micropractices” “‘Viewers with a job to do’: Interactive Spectatorship, True Crime Documentaries and The Extraordinary Case of Making a Murderer”

8 Fan Magazine Research P Micro, Macro, Meta  P10 The Public Life of Cinema march in East Asia 1 CHAIR Tamar Jeffers McDonald ▶ University of 25  Vision, Sound, and Embodied Feelings Kent SATURDAY Tamar Jeffers McDonald ▶ University of Kent ▶ ​ “‘Do you know the menace of Reduceomania?’: CHAIR Areum Jeong ▶ University of California, Fan Magazines, Stars, and the Perfectible Body” Santa Barbara Adrienne L. McLean ▶ University of Texas at Junjun Zhang ▶ Zhejiang University of Media and Dallas ▶ ​“‘Give Them a Good Breakfast, Says Communications ▶ ​“Cinema for Nation-building: Nancy Carroll’: Fan Magazine Advice across Time” A Study on a Temporary Film Screening in 1906” Lea Whittington ▶ Margaret Herrick Library ▶ ​ Areum Jeong ▶ University of California, Santa “Fashion, Gossip, Studios, and Stars: Exploring Barbara ▶ ​“Performing Early Film Viewing the Margaret Herrick Library Periodical Experience in South Korea” Collection” Ling Kang ▶ Washington University in St. Louis ▶ ​ Mary Desjardins ▶ Dartmouth College ▶ ​“Fan “Sounding Body: Public Speech and Embodied SESSION Magazines for Dummies: Formal Analysis and Voice in Revolutionary Cinema” Intertextual Considerations” Aubrey Tang ▶ University of California, Irvine ▶ ​ SPONSOR Classical Hollywood Scholarly Interest Group “Tough Time: Working through Problems in P A Hero Never Dies (1998)”

144 1:00 – 2:45 pm P11 Design and Architecture P13 Computational Culture in Cinema and Television   Studies  - CHAIR Jonathan Cohn ▶ University of Alberta

CHAIR Lucy Fischer ▶ University of Pittsburgh Jonathan Cohn ▶ University of Alberta ▶ ​ “‘SunSpring’; or, The Willful Incoherence of ▶ Northwestern University ▶ ​“TV Lynn Spigel Algorithms and Digital Culture” Snapshots: An Archive of Everyday Life” Aleksandra Kaminska ▶ University of Montreal ▶ ​ ▶ Stockholm University ▶ ​“Hitchcock by Jan Olsson “Security Matters and Devices: Toward an Design” Archaeology of Irreproducible Media” Lucy Fischer ▶ University of Pittsburgh ▶ ​“Art Steven Malcic ▶ University of California, Santa Nouveau, the Horror Film, and the Jew in the Barbara ▶ ​“In the Blockchain We Trust: Bitcoin Text” and the Moral Economy of Digital Address” Mark Shiel ▶ King’s College London ▶ ​ Alexander Johnston ▶ University of California, “‘Ornamentation of buildings is un-functional . . . Santa Cruz ▶ ​“‘And Again, and Again, and Again’: if not un-American . . .’: TV News and Current Rhythm, Repetition, Tempo, and the GIF as Affairs Reporting on Los Angeles Architecture and Indexical Document” Urban Renewal in the 1960s”

SPONSOR Urbanism/Geography/Architecture Scholarly Interest Group SATURDAY P14 Uneven Transitions march Early Soviet Sound Films Revisited 25   12 WORKSHOP P - Gender in Independent Cinema CHAIR Matthew Kendall ▶ University of  Past, Present and Future California, Berkeley

RESPONDENT Jason Cieply ▶ Stanford University CHAIR Michele Schreiber ▶ Emory University Anne Nesbet ▶ University of California, Berkeley ▶ ​ CO-CHAIR Claire Perkins ▶ Monash University “Freedom, Constraint, and the Transition to WORKSHOP PARTICIPANTS Sound in Soviet Film, 1929–1933” Claire Perkins ▶ Monash University Matthew Kendall ▶ University of California, Berkeley ▶ ​“Locked in Sync: Incarceration in Early Michele Schreiber ▶ Emory University Soviet Sound Film 1932–1936” Corinn Columpar ▶ University of Toronto Herbert Eagle ▶ University of Michigan ▶ ​“Soviet SESSION Sarah Projansky ▶ University of Utah and American Musicals in the 1930s: Parallel Kent A. Ono ▶ University of Utah Trajectories in Structure and Themes” SPONSOR Sound Studies Scholarly Interest Group P

145 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 1:00 – 2:45 pm P15 Beyond P17 Feminized Cult Viewing ‘A Window to the World’ Experiences in Contemporary  Histories of Television and Spatiality  Film and Television

  - -

CHAIR Jennifer Hessler ▶ University of California, CHAIR Amanda Ann Klein ▶ East Carolina Santa Barbara University Hannah Spaulding ▶ Northwestern University ▶ ​“‘A Jacinta Yanders ▶ Ohio State University ▶ ​ Window to the Self’: Television, Feedback, and “Progressive Futures: Wynonna Earp and the the Rise of Video Therapy” Hopes of Syfy” Stacy Takacs ▶ Oklahoma State University ▶ ​ Dana Och ▶ University of Pittsburgh ▶ ​“Mother, “Window or Door? Satellites and Globalization May I Sleep with Twilight?: Transforming the Revisited” gendering of cult and cult spaces” Jennifer Hessler ▶ University of California, Santa Melissa Lenos ▶ Donnelly College ▶ ​“Ain’t No Barbara ▶ ​“Me TV: Portability, Control, and the Bitches Gonna Hunt No Ghosts: The Preemptive Promotional Gendering of the Sony Watchman” Culting of Ghostbusters” Sheila Murphy ▶ University of Michigan ▶ ​ Amanda Ann Klein ▶ East Carolina University ▶ ​ “Television In and Out in Space: Of Viewscreens, “Grown Woman Shit: A Case for Magic Mike XXL as Tricorders, and Contemporary TV Habits” Cult Text”

SPONSOR Television Studies Scholarly Interest Group SPONSOR Women’s Caucus

march 25 P16 Serial Bonds

SATURDAY Narrative, Repetition and Play in 007  Media  -

CHAIR Colin Burnett ▶ Washington University, St Louis

CO-CHAIR Scott Higgins ▶ Wesleyan University Scott Higgins ▶ Wesleyan University ▶ ​“Saturday Afternoon Blockbuster: James Bond’s Serial Heritage” James Fleury ▶ University of California, Los Angeles ▶ ​ SESSION “Back in the USSR: Paratextual Reframing and the From Russia With Love Video Game” Ilka Brasch ▶ University of Hannover ▶ ​“Games, Machines, and Maps: Linear Episodicity versus P Serial Sprawl in the James Bond Films” Colin Burnett ▶ Washington University, St Louis ▶ ​ “Richard Maibaum’s 007 Screenplays: ‘Lost’ James Bond Stories and the Intricacies of 146 Threaded Serialism” 1:00 – 2:45 pm P18 Animating the Frame/ P20 Media Archaeologies Reframing Animation Theorizing the Elemental     -

CHAIR Hannah Frank ▶ University of North CHAIR Ennuri Jo ▶ University of Southern Carolina Wilmington California

CO-CHAIR Alla Gadassik ▶ Emily Carr University of Daniel D’Amore ▶ Harvard University ▶ ​“Green Art + Design Thumbs and Phantom Leaves: Thelma Moss and Hannah Frank ▶ University of North Carolina the Potentiality of Kirlian Aura Photography” Wilmington ▶ ​“Arresting Animation: The Poetics Kaitlin Forcier ▶ University of California, Berkeley ▶ ​ and Aesthetics of Stroboscopic Flicker Effects in “Smell-O-Vision Then and Now: theorizing Hollywood Cartoons, 1920s–1960s” olfactory cinema” Alla Gadassik ▶ Emily Carr University of Art + Design ▶ ​ Joseph Pomp ▶ Harvard University ▶ ​“Keeping It “Wasting Space: Aesthetics of the Blank Canvas in Cool: The Electric Fan in the Cinema Machine” Independent Animation” Ennuri Jo ▶ University of Southern California ▶ ​ Ryan Pierson ▶ University of Calgary ▶ ​“Walk “Toward an Oceanography of Media: The Ocean Cycles and Offscreen Space” as an Archive in A Movie by Bruce Conner and Jen Mihaela Mihailova ▶ Yale University ▶ ​“The Ghost(s) Proctor (1959, 2011)” of Invisible Labor: Allegorical Framing of Stop-

Motion Production in LAIKA’s Animated Features” SATURDAY

SPONSOR Animated Media Scholarly Interest Group march MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 25 1:00 – 2:45 pm P19 WORKSHOP Historiographical Approaches Transnational Cinemas  and Challenges in Researching Scholarly Interest Group the Centennial History of the ROOM Burnham Ballroom A  Hollywood Film Studios Mid-America Club, 80th Floor, AON Center



CHAIR Yannis Tzioumakis ▶ University of Liverpool WORKSHOP PARTICIPANTS MEETING▶▶▶▶▶▶▶▶▶▶▶▶ Thomas Schatz ▶ University of Texas Austin 1:00 – 2:45 pm SESSION Douglas Gomery ▶ University of Maryland/ Library of American Broadcasting Radio Studies Clara Pafort-Overduin ▶ Utrecht University Scholarly Interest Group Frederick Wasser ▶ Brooklyn College P ROOM Lincoln Park Suite  Matthew H. Bernstein ▶ Emory University Fairmont, 37th Floor, Room 3709

SPONSORS Classical Hollywood Scholarly Interest Group, Media Industries Scholarly Interest Group 147 SESSION Saturday MARCH 25, 2017 Q 3:00 – 4:45pm

Q1 Addressing the Author in Q2 Questioning Reality Arab Cinemas Media for and against Institutional   Agendas

CHAIR Peter Limbrick ▶ University of California, Santa Cruz CHAIR Michael Renov ▶ University of Southern California Peter Limbrick ▶ University of California, Santa Cruz ▶ ​“Authorship, the Individual, and the State Michael Renov ▶ University of Southern California ▶ ​ in Postcolonial Moroccan Cinema” “Ethics and the Documentary Difference” Samirah Alkassim ▶ Palestine Center & Jerusalem Katherine Morrow ▶ University of Washington ▶ ​ Fund ▶ ​“Interpellation in the Works of Two Key “Change of Form, Form of Change: Bianxingji, Auteurs in the Arab World” the Swap Format, and the Urban-Rural Divide in China” Nezar Andary ▶ Zayed University ▶ ​“Intertextuality and Trauma: Muhammad Malas as the Marisela Chavez ▶ Northwestern University ▶ ​ Transnational, Syrian, and Arab Auteur” “Channel Ochocinco: Remediating Black Athletic Celebrity on Reality TV” SPONSOR Middle East Caucus Laurie Ouellette ▶ University of Minnesota ▶ and Allison Page ▶ Hampshire College ▶ ​“The Prison-Televisual-Complex”

148 3:00 – 4:45 pm Q3 Materiality and Place Q5 WORKSHOP in Documentary Film The Classroom   and the Archive Teaching Film and Media History Using CHAIR Roger Hallas ▶ Syracuse University Digital and Physical Primary Materials Allison Rittmayer ▶ Northwestern State University of Louisiana ▶ ​“‘Horror Vacui’: Chilean History through Patricio Guzmán’s Lens​“ CHAIR Emily Carman ▶ Chapman University

Elizabeth Gleesing ▶ Syracuse University ▶ ​ WORKSHOP PARTICIPANTS “Material Evidence as Witness in Forensic Architecture’s Memorial in Exile” Elizabeth Lunden ▶ Stockholm University Ross Melnick ▶ University of California, Santa Charles Musser ▶ Yale University ▶ ​“Charles Barbara Sheeler, Paul Strand and the Materiality of Place: From Architectural Photography to Cinema and Jenny Romero ▶ Academy of Motion Picture Arts Beyond” and Sciences, Margaret Herrick Library Roger Hallas ▶ Syracuse University ▶ ​“The Place of Daniel Steinhart ▶ University of Oregon the Photographic Object in Picturing Derry” Brett Service ▶ University of Southern California

SPONSOR Documentary Studies Scholarly Interest Group SATURDAY Q6 Locating Amateur Production Across Media march Q4 Crime Scenes  25 and Gothic Means CHAIR Isabelle Lefebvre ▶ Université de  The Spaces of Transnational Television Montréal Drama CO-CHAIR Philippe Bedard ▶ Université de Montréal Philippe Bedard ▶ Université de Montréal ▶ ​ CHAIR Matthew Fee ▶ Le Moyne College “Aesthetic of the Extreme: Amateur Video Ina Hark ▶ University of South Carolina ▶ ​“The Toxic Production in the World of GoPro” Intertwining of Small Town Lives in Happy Valley” Andree Betancourt ▶ Montgomery College ▶ ​“Fans Barbara Klinger ▶ Indiana University ▶ ​“Down Get Mad Creative: The Relationship Between Mad the Dark Staircase: Gothogenic Space and the Men and Fan Productions on Social Media and Transnational Appeal of European TV Crime Beyond” Drama Today” Isabelle Lefebvre ▶ Université de Montréal ▶ ​ SESSION Lisa Coulthard ▶ University of British Columbia ▶ ​ “Regulating Player’s Creativity: Steam Workshop, “Emotional Landscapes: Affect and Place in Bethesda’s Creation Kit, and Skyrim Mods” Supernatural Crime Drama” Matthew Fee ▶ Le Moyne College ▶ ​“Traversing the Q Gothic Returns of Les Revenants”

149 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 3:00 – 4:45 pm Q7 Ladies of Labor Q8 Engaging Indigeneity and Working in the Classical Hollywood Era Settler Colonialism in Cinema   and Media Studies

CHAIR Julie Grossman ▶ Le Moyne College

CO-CHAIR ▶ Syracuse University Will Scheibel CHAIR Beenash Jafri ▶ University of California, Julie Grossman ▶ Le Moyne College ▶ ​“Ida Lupino Davis and Labors of Authorship and Star Performance CO-CHAIR Bruno Cornellier ▶ University of Winnipeg in Classic Hollywood” Joshua Whitehead ▶ University of Calgary ▶ ​ Will Scheibel ▶ Syracuse University ▶ ​“Gene “Feeling Historical, Becoming Horrific: Tierney, ‘Troubled Beauty’: Star Labor, Mental Indigenizing Freddy Krueger” Health, and Narratives of Recuperation” Beenash Jafri ▶ University of California, Davis ▶ ​ Steven Cohan ▶ Syracuse University ▶ ​“The “Diasporic Cinemas of Refusal” ‘Screen-struck’ Girl on Film: The Cost of Stardom Bruno Cornellier ▶ University of Winnipeg ▶ ​ in What Price, Hollywood?” “Extracting Indigeneity for Cinephile Jouissance: Sheri Chinen Biesen ▶ Rowan University ▶ ​“Images The of the North Controversy and the White of Women’s Labor in Postwar Gothic Film Noir” Possessive” SPONSORS Women’s Caucus, Classical Hollywood Michelle Raheja ▶ University of California, Scholarly Interest Group, Women In Screen Riverside ▶ ​“Visual Repatriation in the Filmic and History Scholarly Interest Group Performance Work of Tanya Tagaq”

SPONSOR Caucus Coordinating Committee march 25 SATURDAY Q9 Documents of Seriality and  Speculation

CHAIR Ilona Hongisto ▶ Macquarie University Browse . . . RESPONDENT Jason Middleton ▶ University of Rochester Toni Pape ▶ Universiteit van Amsterdam ▶ ​“Filming the SCMS Exhibit Area ‘A Life’: Documentary Speculation in the closes at 6 pm. Longitudinal Up Series” Be sure and stop by for Alanna Thain ▶ McGill University ▶ ​“Post-Digital SESSION some great deals! Faciality, Affect and Cartographies of Emotion” Ilona Hongisto ▶ Macquarie University ▶ ​ “Frames of Fabulation: Seriality and Social Q Transformation” SPONSOR Documentary Studies Scholarly Interest Group

150 3:00 – 4:45 pm Q10 The Public Life of Cinema Q12 WORKSHOP in East Asia 2 Studying Older Age in Cinema  Film as Text, the (Inter)text of Cinema 

CHAIR Timothy Shary ▶ Independent Scholar CHAIR Yomi Braester ▶ University of Washington WORKSHOP PARTICIPANTS Hongwei Chen ▶ University of Minnesota ▶ ​ “Cinemas, Highways, and the Making of Provincial Sally Chivers ▶ Trent University Spectatorship: Mobile Screenings in Jiangsu, Lester Friedman ▶ Hobart and William Smith China, 1933–1937” Colleges William Carroll ▶ University of Chicago ▶ ​“Probing E. Ann Kaplan ▶ SUNY, University at Stony Brook the Omoshirosa: Spectatorship in Ueno Koshi’s Nancy McVittie ▶ Northeastern Illinois University Cinema 69 Criticism” Yomi Braester ▶ University of Washington ▶ ​ “Saving the Audience from Bad Films: Cinephiliac Criticism in 1980s PRC” Xiqing Zheng ▶ University of Washington ▶ ​ 13 Animating Infrastructures “Barrage Subtitles as a Form of Identity Q  Performances”  -

CHAIR Juan Llamas Rodriguez ▶ University of California, Santa Barbara SATURDAY Q11 The Politics of Memory Juan Llamas Rodriguez ▶ University of California, march and Forgetting Santa Barbara ▶ ​“Two or Three Ways to Access a 25  Narco-tunnel” Meryem Kamil ▶ University of Michigan ▶ ​“Post- CHAIR Catherine Benamou ▶ University of spatial, Post-colonial: Accessing Palestine in the California, Irvine Digital” Antonio Golán ▶ Stetson University ▶ ​“Please Do David Colangelo ▶ Portland State University ▶ ​ Forget about Me: The Contours of the Public “Conversations with Buildings: The Animated Domain and Individual Identity in Light of the Infrastructure of Buildings, Bridges, and European Union’s ‘Right to Be Forgotten’” Underpasses” Igor Krstić ▶ Independent Scholar ▶ ​“Urban Tung-Hui Hu ▶ University of Michigan ▶ ​“Freezing Palimpsests in Transnational Film and TV: The and Idling; or, How to Deactive the Internet” Politics of Memory in The Get Down (2016) and SPONSORS Animated Media Scholarly Interest Group, Horse Money (2014)” Media, Science, and Technology Studies Angela Aguayo ▶ Southern Illinois University ▶ and Scholarly Interest Group, Urbanism/Geography/ SESSION Molly Bandonis ▶ Southern Illinois University Architecture Scholarly Interest Group Carbondale ▶ ​“Critical Interruptions and the Mobile Screen: Disorienting Affect and the Sandra Bland Digital Archive” Q Catherine Benamou ▶ University of California, Irvine ▶ ​“When the Media Go into Mourning: The Late Juan Gabriel and the Transborder Dynamics of Spanish-language Television” 151 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 3:00 – 4:45 pm

14 Platform Follows Function 16 Still Taboo Q The Turn Towards Platform Theory Q Sexual Provocation  for Media Studies  on 21st-Century Screens   - -

CHAIR Christopher Cox ▶ Georgia State CHAIR Maria San Filippo ▶ Goucher College University Michele Meek ▶ University of Rhode Island ▶ ​“The Christopher Cox ▶ Georgia State University ▶ ​ Spectacle Is Looking at You: Teen Girls, Sexting, “Going to the (For)Mat: Formatting Practices of and the Popular Imagination” Internet Television Platforms Tethered to ISP Maria San Filippo ▶ Goucher College ▶ ​“Good Infrastructure” Sex, ‘Bad Feminists,’ and Emergent Women Rory Solomon ▶ New York University ▶ ​“Platform Provocauteurs” Connectivity and the Politics of Infrastructure Carol Siegel ▶ Washington State University Interfacing” Vancouver ▶ ​“Not So Nice Jewish Girls in Anne Major ▶ University of Texas at Austin ▶ ​ Transparent and Broad City” “Niche Streams: Fandor and Tribeca Shortlist’s John Stadler ▶ Duke University ▶ ​“Devious Subscription Video-on-demand Services” Pleasures: Feedback and Disavowal in Modern Cole Stratton ▶ Indiana University ▶ ​“Making Teledildonics”

Commerce Ubiquitous: Smartphones, Beacons, SPONSORS Women’s Caucus, Adult Film History and the Practice of Connected Shopping” Scholarly Interest Group

march 25 SATURDAY Q15 Aesthetics and Authenticity Q17 Nordic Cinemas of Elsewhere  Global Circulations until the 1970s  -   CHAIR John Belton ▶ Rutgers University - Halide Velioglu ▶ Karabuk University ▶ ​“Anonymity CHAIR Anna Stenport ▶ Georgia Institute of and Belonging: Aesthetic and Political Life of Technology Masks and Dead Voices in Turkey” Julie Allen ▶ Brigham Young University ▶ ​“At the Angelica Fenner ▶ University of Toronto ▶ ​ End of the Earth: Nordic Silent Film in the Pacific” “Rethinking Suture in the One-take Film” Emil Stjernholm ▶ Lund University ▶ ​“Arne Maria Hofmann ▶ University of Minnesota ▶ ​ Sucksdorff’s Documentary Authorship Abroad—A “Indirect Cinema: The Politics of Representation Transnational Approach” SESSION in The Missing Picture” Anna Stenport ▶ Georgia Institute of Technology ▶ ​ John Belton ▶ Rutgers University ▶ ​“Malick and the “Nordic Globalization in Big Production Fiction Rejection of Scene Dissection” Feature Films: Opening Up the Postwar World” Q Mariah Larsson ▶ Linnaeus University ▶ ​ “Documentary Elsewheres by Mai Zetterling”

SPONSORS Scandinavian Scholarly Interest Group, Transnational Cinemas Scholarly Interest Group 152 3:00 – 4:45 pm Q18 Medium Cool Q20 Computer History Between Fiction and Decompiled  Documentary in Chicago, 1968    - CHAIR William Lockett ▶ New York University CHAIR Joshua Gleich ▶ University of Arizona RESPONDENT Laine Nooney ▶ Georgia Institute of CO-CHAIR Lawrence Webb ▶ University of Sussex Technology Lawrence Webb ▶ University of Sussex ▶ ​“Medium William Lockett ▶ New York University ▶ ​“An Cool (1969) and the ‘Wandering Women’ of New Autotelic Folk-model for Children of All Ages” Hollywood” Mingyi Yu ▶ Harvard University ▶ ​“Screening Stephen Charbonneau ▶ Florida Atlantic Computation at IBM in the 1950s” University ▶ ​“‘We Have a Visitor’: Haskell Wexler’s Cinematographic Boundary-crossing in Peter Collopy ▶ University of Southern California ▶ ​ The Bus and Medium Cool” “‘Our Best Machines Are Made of Sunshine’: Magnetic Recording and the History of Joshua Gleich ▶ University of Arizona ▶ ​“Haskell Consciousness” Wexler: Interlocutor for the New American Cinematography” Sudeep Sharma ▶ University of California, Los Angeles ▶ ​“Medium Cool as a Model for Understanding the Television News Genre” MEETING▶▶▶▶▶▶▶▶▶▶▶▶ SATURDAY 3:00 – 4:45 pm march Media Literacy and 25 19 Trans Media Production Pedagogical Outreach Q Temporality, Authorship, Desire Scholarly Interest Group

  ROOM Burnham Ballroom A  Mid-America Club, 80th Floor, AON Center

CHAIR Laura Horak ▶ Carleton University Laura Horak ▶ Carleton University ▶ ​“Imagining Transgender: Impact of the First Trans Film Festivals” Cael Keegan ▶ Grand Valley State University ▶ ​“‘You MEETING▶▶▶▶▶▶▶▶▶▶▶▶ Can Believe What You Feel’: The Wachowskis’ 3:00 – 4:45 pm Bound at 20” SESSION Eliza Steinbock ▶ Leiden University ▶ ​“The Television Studies Extended Portrait of the Trans Muse: Temporal Scholarly Interest Group Activism in the Documentary Films of J. Jackie ROOM Lincoln Park Suite  Baier (Berlin, Germany)” Fairmont, 37th Floor, Room 3709 Q SPONSORS Queer Caucus, Women’s Caucus

153 SESSION Saturday MARCH 25, 2017 R 5:00 – 6:45 pm

1 Nonhuman Visions 2 Mediating Things in Motion R Rethinking Realism in Ecology R  and Virtual Reality  CHAIR Greg Siegel ▶ University of California, Santa Barbara

CHAIR Stephen Groening ▶ University of CO-CHAIR Kim Beil ▶ Stanford University Washington Kim Beil ▶ Stanford University ▶ ​“Seeing Speed: Chelsea Birks ▶ University of Glasgow ▶ ​“Eco- Producing Experience with the Camera at consciousness: Subjectivity and Nature in Midcentury” Nymphomaniac and Under the Skin” Alice Lovejoy ▶ University of Minnesota ▶ ​“Raw Sara Swain ▶ York University ▶ ​“The World Viewed, Film Stock in Motion, 1939–1945” with Pigeons: Reflections on the Avian Ontology Greg Siegel ▶ University of California, Santa of Cinema” Barbara ▶ ​“Planet Waves: Sensing the Global Stephen Groening ▶ University of Washington ▶ ​ Subaudible” “Insecticide” Vanessa Chang ▶ Stanford University ▶ ​“Catching Jacob Bohrod ▶ University of Southern California ▶ ​ the Ghost: Motion Capture and the Body “Through the Eyes of the Last Medium: The Recorded” Witness and the New Virtual Reality”

SPONSOR Scandinavian Scholarly Interest Group

154 5:00 – 6:45 pm R3 Gaming’s Midway Point R5 The Aesthetics of Critique  Games and Game Culture in Chicago  Essays Films and the Avant-garde

CHAIR Ian Jones ▶ School of the Art Institute of CHAIR Corey Creekmur ▶ University of Iowa Chicago Jordan Schroeder ▶ University of North Carolina at Julianne Grasso ▶ University of Chicago ▶ ​“Replay Chapel Hill ▶ ​“Communicative Structures of the Value: Performing Videogame Music in Chicago” Essay Film: Rethinking the Relation between Film Daniel Johnson ▶ New York University ▶ ​ and Viewer in Chris Marker’s Sans soleil” “Dimensions of Dungeoneering in Table-top RPG Corey Creekmur ▶ University of Iowa ▶ ​“The Module Design” Function of (Audiovisual) Criticism at the Present Ian Jones ▶ School of the Art Institute of Chicago ▶ ​ Time” “Playbor in the Loop: eSports and Athletic Kenneth Berger ▶ Brown University ▶ ​“Refusal, Scholarships in Chicago Education” Critique, and the Two Avant-gardes” Chris Carloy ▶ University of Chicago ▶ ​“Beyond Kian Bergstrom ▶ Roosevelt University ▶ ​“Psychos, Watch Dogs: A Historical Survey of Adapting Killjoys, and Trash: Adorno’s Critique of Time in Chicago for Videogame Play” Sweeper’s Clock, 24 Hour Psycho, and 24 Hours of

SPONSOR Video Game Studies Scholarly Interest Group Happy” SPONSOR Experimental Film and Media Scholarly Interest Group SATURDAY

4 Beyond Whodunit march R New Approaches to British Television 25  Crime Drama R6 WORKSHOP  Teaching International CHAIR Cynthia Erb ▶ Independent Scholar Media Industries Kathryn Silverstein ▶ SUNY, University at Stony Brook ▶ ​“‘Mad Enough, Even For You’: BBC CHAIR Daniel Herbert ▶ University of Michigan Sherlock and the Metaphysical Detective Story” Barbara Selznick ▶ University of Arizona ▶ ​ WORKSHOP PARTICIPANTS “‘How Could You Not Know?’: The Crimes of Paul McDonald ▶ King’s College London Motherhood in Broadchurch” Yeidy Rivero ▶ University of Michigan Cynthia Erb ▶ Independent Scholar ▶ ​“Shaken and Patrick Vonderau ▶ Stockholm University Stirred: The Television Update of le Carré’s The Emilie Yeh ▶ Lingnan University Night Manager” SESSION SPONSORS Media Industries Scholarly Interest Group, Media Literacy and Pedagogical Outreach Scholarly Interest Group R

155 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 5:00 – 6:45 pm

7 Waterloos 9 Expanded Interface R Navigating Desire and R  Critical Taboo in Carol (2015)  CHAIR Stephen Monteiro ▶ Concordia University Scott Kushner ▶ University of Rhode Island ▶ ​ CHAIR Dolores McElroy ▶ University of “Ticketing as an Interface: Accessing Official California, Berkeley Culture” CO-CHAIR Marc Francis ▶ University of California, Ian Hartman ▶ Northwestern University ▶ ​“Yogic Santa Cruz Interfaces: Elmer and Alyce Green, Biofeedback, RESPONDENT Patricia White ▶ Swarthmore College and the Beginnings of the Quantified Self” Dolores McElroy ▶ University of California, Elisa Jochum ▶ University College London ▶ ​ Berkeley ▶ ​“‘I Never Looked Like That’: “Between Mail and Movies: Mailboxes in Identification, Desire, and the Intra-feminine American Cinema (1939–1955)” Gaze in Carol” Stephen Monteiro ▶ Concordia University ▶ ​“‘You Marc Francis ▶ University of California, Santa Are Here’: Interface, Space, and Identity”

Cruz ▶ ​“Learning from the Best: Carol and the SPONSOR CinemArts Scholarly Interest Group Programming of Lesbian Seduction Tropes” Katherine Gray ▶ Rutgers University ▶ ​“‘Islands in Time’: Carol and the Desire for Queer Time”

SPONSOR Queer Caucus R10 The Public Life of Cinema march in East Asia 3 25  Unexpected Audiences

SATURDAY 8 Another Fifties R Documentary on the Margins in Postwar CHAIR Chenshu Zhou ▶ Stanford University  France Danju Yu ▶ SUNY, University at Stony Brook ▶ ​ “Female Workers Watching Romance: Tracing the Reception of Qiong Yao’s Wenyi Aiqing Pian” CHAIR Jamie Berthe ▶ New York University Belinda He ▶ University of Washington ▶ ​“Ways Jamie Berthe ▶ New York University ▶ ​“Illegible of Exposing: Cinema as Struggle Session in the Politics: Jean Rouch and the Elusive Anarchist People’s Republic of China” Aesthetic” Chenshu Zhou ▶ Stanford University ▶ ​“The Iron Sam Di Iorio ▶ Hunter College, CUNY ▶ ​“The Work Curtain Parted: Watching Western Films in 1950s of Art in the Wake of National Reconstruction: China” Chris Marker and Alain Resnais’s Statues Also Die” SESSION Hongjian Wang ▶ Purdue University ▶ ​“A Chinese Rachel Gabara ▶ University of Georgia ▶ ​“Paulin Ghost Story: A Hong Kong Film’s Cult Following in Soumanou Vieyra: African Documentary from Mainland China” France to Senegal” SPONSOR Fan and Audience Studies Scholarly Interest R Steven Ungar ▶ University of Iowa ▶ ​“Second Nature Group in Alain Resnais’s Le Mystère de l’atelier 15 (1957)”

SPONSORS Documentary Studies Scholarly Interest Group, French/Francophone Scholarly Interest 156 Group 5:00 – 6:45 pm R11 Television and Memory R13 Navigating Transnational The Value of Extras and Audience Production  Archives   -

CHAIR Jennifer Gillan ▶ Bentley University CHAIR Marta Boni ▶ University of Montreal Joanne Garde-Hansen ▶ University of Warwick ▶ ​ Marta Boni ▶ University of Montreal ▶ ​“Technology “Extras: ‘Beyond the Line’ TV Production and Geography of Online Platforms: Memories on Location” Reconsidering Global Television (Fictional) Kristyn Gorton ▶ University of York ▶ ​“Caring for Formats through Spreadability” Past Television: The Case of British Children’s Jesse Anderson-Lehman ▶ University of Television and Its Extras” Pittsburgh ▶ ​“A Proliferation of Kusanagis: Traces Melanie Kohnen ▶ Lewis and Clark College ▶ ​ of Media Production in the Ghost in the Shell “Convention Memories as Currency: The Industry Franchise” of Fan Experiences at San Diego Comic-Con” Nick Marx ▶ Colorado State University ▶ ​“Live Jennifer Gillan ▶ Bentley University ▶ ​“Blu-ray from Seoul!: Transnational Television and Cross- Extras as Production Memoir: Recollections from cultural Comedy in Saturday Night Live Korea” the ‘Extra’ Cast and Crew on ‘Team Apatow’” Shelley Cobb ▶ University of Southampton ▶ ​ SPONSOR Television Studies Scholarly Interest Group “Transnational Women Filmmakers and the British Film Industry: The Careers of Lone Scherfig and Xialou Guo” SATURDAY

march R12 WORKSHOP 14 25 Reflecting on Popcorn Venus R Race, Nation, Modernity  and Early Feminist Film   - Criticism with Marjorie Rosen CHAIR Charlene Regester ▶ University of North Carolina at Chapel Hill CHAIR Andrea Press ▶ University of Virginia Deborah Starr ▶ Cornell University ▶ ​“Performing Egyptianness: Nubian White Face and Borscht WORKSHOP PARTICIPANTS Belt Minstrelsy in Togo Mizrahi’s 7 O’Clock” Marjorie Rosen ▶ Lehman College, CUNY Charlene Regester ▶ University of North Carolina at Maya Montanez Smukler ▶ The New School Chapel Hill ▶ ​“Ava Gardner Unmasking Whiteness: Diane Waldman ▶ University of Denver An Examination of the Complexity of Race in Pamela Wojcik ▶ University of Notre Dame Showboat (1951) and Mogambo (1950)” SESSION SPONSORS Women’s Caucus, Women in Screen History Mohannad Ghawanmeh ▶ University of California, Scholarly Interest Group Los Angeles ▶ ​“News of the Nation: Mohamed Bayoumi’s News Films in the Newly Independent Egypt, 1923–1935” R Richard Davis ▶ University of Chicago ▶ ​“Whose Blue Heaven?: Musicality in the Early Japanese Talkies”

SPONSORS Middle East Caucus, Oscar Micheaux Society 157 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 5:00 – 6:45 pm R15 Transnational Science Fiction R17 Unsettling Music Film and Media Crossing Borders, Pushing Boundaries     - -

CHAIR Anders Bergstrom ▶ Wilfrid Laurier CHAIR Will Brooker ▶ Kingston University London University Nilgun Bayraktar ▶ California College of the Arts ▶ ​ Steve Rawle ▶ York St John University ▶ ​“Kaijū vs. “Performing Non-belonging: Intersections of the World: The Transnational Monster Movie, and Screen Art, Music Video, and Refugee Mobilities” Genrifying Fandom” Matthew Treon ▶ University of Minnesota ▶ ​ Karma Waltonen ▶ University of California, Davis ▶ ​ “Grindhouse Sound: From Superfly to Dawn of the “Monsters of the Snow: Scandinavian Film Dead” Fiends” Will Brooker ▶ Kingston University London ▶ ​“David Anders Bergstrom ▶ Wilfrid Laurier University ▶ ​ Bowie: Death, Resurrection, and Deconstruction” “Imagining Chinese Futures: Science Fiction Amy Monaghan ▶ Clemson University ▶ ​ Tropes in Chinese-language Transnational Art “Weaponizing Marvin Hamlisch: Soundtrack as Cinema” No-touch Torture Device in Steven Soderbergh’s

SPONSORS Scandinavian Scholarly Interest Group, The Informant!” Transnational Cinemas Scholarly Interest Group

march R18 New Imaginings 25 of the Regional

SATURDAY 16 Jean Rouch at 100  R   -  - CHAIR Shanti Kumar ▶ University of Texas at CHAIR William Rothman ▶ University of Miami Austin Charles Warren ▶ Boston University, Harvard Aniko Imre ▶ University of Southern California ▶ ​“A University ▶ ​“The Path of Art in Chronicle of a Europe of the (Media) Regions” Summer and Chris Marker’s Le Joli Mai” Jonathan Gray ▶ University of Wisconsin-Madison ▶ ​ Sarah Cooper ▶ King’s College London ▶ ​“Re- “Rumphi, Malawi, Africa: The Variability of imagining Rouch” Regions in Media Consumption and Distribution” William Rothman ▶ University of Miami ▶ ​“Rouch Sriram Mohan ▶ University of Michigan ▶ and as Artist and Theorist” Aswin Punathambekar ▶ University of Michigan ▶ ​“A Peninsular Imagination: Online SESSION SPONSORS Film Philosophy Scholarly Interest Group, French/Francophone Scholarly Interest Group Video and the Narration of a Global South Indian Culture” Shanti Kumar ▶ University of Texas at Austin ▶ ​ R “Beyond the ‘Regional’: South Indian Blockbusters in Indian Cinema”

158 5:00 – 6:45 pm

19 Fandom and Merchandising 20 Media Historiographies R R Defining Media    

CHAIR Suzanne Scott ▶ University of Texas at Austin CHAIR Daniel Marcus ▶ Goucher College Avi Santo ▶ Old Dominion University ▶ ​“Express Shawn Shimpach ▶ University of Massachusetts Yourself: Buying into Fandom as Lifestyle” Amherst ▶ ​“‘Were you listening to the radio Elizabeth Affuso ▶ Pitzer College ▶ ​“Branding the or viewing television just now?’: ‘Ratings’ as Fan Body: Feminized Fandom, Retail, and Beauty Continuity and Rupture in the History of Media Culture” Audiences” Derek Johnson ▶ University of Wisconsin-Madison ▶ ​ Daniel Marcus ▶ Goucher College ▶ ​“‘To Call It a “Merchandising, Multiplicity, and Management in ‘Zoo’ Would Be Unkind to Animals’: How Cable #FranchiseActivism” Television Came to Miami” Suzanne Scott ▶ University of Texas at Austin ▶ ​ Danny Kimball ▶ Goucher College ▶ ​“The Fight “(Cross) Dressing the Part: Fan Identity, Everyday over Public Access Cable Television and the Legal Cosplay, and Character Dresses” Decision between Closed and Open Networks in FCC v. Midwest Video II (1979)” SPONSOR Fan and Audience Studies Scholarly Interest Group Greg Smith ▶ Georgia State University ▶ ​“Serial Logics” SATURDAY

march MEETING▶▶▶▶▶▶▶▶▶▶▶▶ MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 25 5:00 – 6:45 pm 5:00 – 6:45 pm Film Philosophy Digital Humanities and Scholarly Interest Group Videographic Criticism

ROOM Burnham Ballroom A  Scholarly Interest Group Mid-America Club, 80th Floor, AON Center ROOM Lincoln Park Suite  Fairmont, 37th Floor, Room 3709

Soap Drive SESSION Contribute to the 2017 SCMS Soap Drive As an organization, we are collecting used & unused/opened & R unopened hotel soaps, shampoos, conditioners, and other toiletry items that people in need might find useful. Please take your donations to the Registration area and look for the soap drive bin.

159 HOST COMMITTEE EVENT▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶▶ Saturday, March 25 Chicago Shorts 7:30 – 9:00 pm

LOCATION Charlie Chaplin Auditorium ▶ Essanay Studios at St. Augustine College, 1345 W. Argyle Street This anthology screening showcases short films produced in Chicago, from the silent era to the present. Reflecting the diverse community of filmmakers working in the city, this program provides a look into Chicago’s rich media production history. The event venue is Essanay Studios, the former home of Essanay Film Manufacturing Company, a studio founded in 1907 and perhaps best known for its 1915 Chaplin comedies. The screening will be preceded by opening remarks about the program, which includes selections from the Chicago Film Archives.

DIRECTIONS to Essanay Studios from the conference hotel via the Red Line (the Red Line is a 10-minute walk from the hotel): Take the pedestrian tunnel. Turn left on East Randolph Street. Turn right onto North State Street. Enter the Red Line at Lake—188 N. State Street. Head north on the Red Line (toward Howard). Exit the Red Line at Argyle. Head west on Argyle toward North Broadway. Turn left onto North Broadway. Turn right to continue on Argyle. Essanay will be on your left. Admission is free to this event with an SCMS conference name badge. Seating is limited. To reserve your ticket, please register in advance through Eventbrite: https://scms2017.eventbrite.com

march After Party 25 9:00 – 11:00 pm SATURDAY LOCATION Replay Andersonville ▶ Food, Drinks, and Vintage Video Arcade Games 5358 N. Clark Street Join fellow conference attendees for cocktails, food, and vintage arcade games at Replay in Andersonville, just a short walk from Essanay Studios.

DIRECTIONS the Replay Bar is a 10-minute walk from Essanay Studios. Continue west on Argyle to North Clark Street. Turn right onto North Clark Street. Head north on North Clark Street for approximately 7 blocks. Replay will be on your left.

SPONSORED BY Columbia College School of Media Arts, Northwestern University School of Communication, Northwestern University Department of Radio-TV-Film, Northwestern University Screen Cultures Program, Northwestern Center for Screen Cultures, Northwestern Department of Communication Studies, Northwestern Rhetoric and Public Culture Program, University of Chicago Department of Cinema and Media Studies, Chicago Film Archives

Department of Radio/Television/Film 160 AFFILIATE EVENT▶▶▶▶▶▶▶▶ AFFILIATE EVENT▶▶▶▶▶▶▶▶

Saturday, March 25 Saturday, March 25 7:00 – 8:30 pm 8:15 – 10:15 pm Being Bowie Sami Blood (2016, 61m, foreverstardust.com ) (Sameblod, Amanda Kernell, Sweden, 2016)

ROOM Ambassador ▶ Fairmont, 2nd Floor LOCATION Gene Siskel Film Center of the School of the Art Institute of Chicago ▶  Screening and Q&A with filmmaker 164 N. State Street Edited by Rebecca Bryant, this one-hour video essay SPONSORED BY Scandinavian Scholarly Interest Group, documents Will Brooker’s unique, immersive research European Union Center at the University of process into David Bowie, which was interrupted Illinois at Urbana-Champaign, EU Film Festival halfway through by the singer’s tragic death. DIRECTIONS from Conference Hotel: South on N Will Brooker will present a brief introduction, and the Columbus Drive to E. Randolph Street. Right on film will be followed by a Q&A with the filmmaker Randolph for 5 blocks to N. State Street. Right immediately after the screening. on N State Street to Gene Siskel Center PROVIDED BY Queer Caucus, Documentary Studies Scholarly Interest Group, Fan and Audience Studies Scholarly Interest Group SATURDAY

march 25 AFFILIATE EVENT▶▶▶▶▶▶▶▶

Saturday, March 25 7:00 – 9:00 pm Cinephilia Today Tweet . . . Centre National du Cinéma and your experiences French Cultural Services in the United States during the conference ROOM Regent ▶ Fairmont, 3rd Floor Use #SCMS17 Panel Discussion with Michel Ciment, film critic and editor of French cinema magazine Positif, Françoise Pams, Special Advisor to the President, Centre National du Cinéma, Dudley Andrew, Yale University, and Kelley Conway, University of Wisconsin, followed by a reception.

ORGANIZED IN cooperation with the French/Francophone Scholarly Interest Group

161 SESSION Sunday MARCH 26, 2017 S 9:00 – 10:45 am

S1 Crossing Borders S2 The Score  in Public Service Media  Film Music, Text, and Paratext

CHAIR Helen Morgan Parmett ▶ University of CHAIR Lisa Scoggin ▶ Independent Scholar Vermont Lisa Scoggin ▶ Independent Scholar ▶ ​“Music and Annemarie Iddins ▶ University of Michigan ▶ ​ Sound Design as Propaganda in Hell Bent for “Becoming Beur: Airwave Liberalization and the Election” Maghrebi Diaspora in 1980s France” Paul Sommerfeld ▶ Duke University ▶ ​“(Re)scoring Mari Pajala ▶ University of Minnesota ▶ ​ Star Trek’s Utopia: Musical Retrofuturism and the “Finland Calling in Michigan: Local Television Political Ideology of Star Trek (2009)” Entertainment, Space and Nationality in the Early Kristopher Cannon ▶ Northeastern University ▶ ​ 1960s” “What Does a Gay Bar Sound Like?: The Brad Stiffler ▶ University of Minnesota ▶ ​ Temporality of Sound in Queer as Folk” “Subcultural Community Cable: The Entanglement of Media on Vancouver’s Nite Dreems (1976–1983) and The GINA Show (1978– 1981)” Helen Morgan Parmett ▶ University of Vermont ▶ ​ “Television for the Peace Arch Country: Transnational Broadcasting History in the Pacific Northwest”

162 SPONSOR Scandinavian Scholarly Interest Group 9:00 – 10:45 am

3 Film, Comics, and Culture 5 Alternative Film Studios S The Practices and Praxis of Comic Book S Design, Corporate Aesthetics, and  Adaptations  Midcentury Knowledge Work

CHAIR Barry Keith Grant ▶ Brock University CHAIR Jeffrey Menne ▶ Oklahoma State Scott Bukatman ▶ Stanford University ▶ ​“The University Crossroads of Infinity or, Universum Incognitum” CO-CHAIR Justus Nieland ▶ Michigan State University James Taylor ▶ University of Warwick ▶ ​“Can a Digitally Constructed Spider-Man Do Whatever a Laura Frahm ▶ Harvard University ▶ ​“‘Here Is Hand-drawn Spider-Man Can?: CGI as Adaptation Futureland’: Film Experiments at the Bauhaus” Strategy” Amy Beste ▶ School of the Art Institute of Chicago ▶ ​ Julian Hoxter ▶ San Francisco State University ▶ ​ “Studio Production and Encyclopaedia Britannica “‘We Roller Coaster Through . . .’: Screenwriting, Films” Narrative Economy, and the Inscription of the Justus Nieland ▶ Michigan State University ▶ ​ Haptic in Tentpole Comic Book Movies” “Postindustrial Studio Lifestyle: The Eameses in Aaron Taylor ▶ University of Lethbridge ▶ ​“Genre the Environment of 901” and Superhero Cinema” Jeffrey Menne ▶ Oklahoma State University ▶ ​“The SPONSOR Comics Studies Scholarly Interest Group Last Qualitative Scientist: Hollis Frampton and the Digital Arts Lab”

SPONSOR CinemArts Scholarly Interest Group

S4 WORKSHOP Incorporating No-budget  Production in Cinema and S6 Cinematic Renderings Media Studies Courses and/of Global Activism A Discussion of Pedagogy, Practices,  and Tips SUNDAY CHAIR Kirsten Pike ▶ Northwestern University in march Qatar 26 CHAIR Dawn Fratini ▶ Chapman University Kirsten Pike ▶ Northwestern University in Qatar ▶ ​ CO-CHAIR Jennifer Myers Baran ▶ University of “Mediating the Majlis: Arab Girls’ Documentaries Washington Tacoma about ‘Women’s Gatherings’ in Qatar” Kiki Tianqi Yu ▶ Shanghai Jiaotong University ▶ ​ WORKSHOP PARTICIPANTS “First-person Action Documentary Practice in an Lauren Berliner ▶ University of Washington Individualising China: Camera, Provocation, and SESSION Russell Meeuf ▶ University of Idaho the Changing Sense of Self” Isra Ali ▶ New York University David Scott Diffrient ▶ Colorado State University ▶ ​ Zach Saltz ▶ University of Kansas “‘Rescuers and Redeemers of the Benighted S World’: NGO Heroes and Activists as Protagonists SPONSOR Media Literacy and Pedagogical Outreach in Human Rights Cinema” Scholarly Interest Group

163 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 9:00 – 10:45 am S7 History, Horror,and S9 Moving Particles Apocalypse Infrastructural Media Aesthetics and the  Dystopian Melodrama  Art of Transmission in the 1960s

CHAIR Despina Kakoudaki ▶ American CHAIR Lindsey Lodhie ▶ Harvard University University Niko Vicario ▶ Amherst College ▶ ​“Teletypologies: Despina Kakoudaki ▶ American University ▶ ​ The Art of Information Transmission between “Melodrama and Apocalypse: The Melodramatic Argentina, the US, and Brazil, 1968–1970” Mode in Contagion” Lindsey Lodhie ▶ Harvard University ▶ ​“‘Hello? Is Rachel Schaff ▶ University of Minnesota ▶ ​ Art There?’: Art by Telephone (1969) Conceptual “Melodrama and Memory: Constructing and Telephony, and the Exhibition as Receiver” Historicizing Pathos in Czech Holocaust Films” Leah Aronowsky ▶ Harvard University ▶ ​“Time Cynthia Morrill ▶ Riverside City College ▶ ​“Race, Travel as Aesthetic: George Kubler, Robert Racism, and the Melodrama of the Creature from Smithson, and the Nature of History” the Black Lagoon” Mal Ahern ▶ Yale University ▶ ​“Dots: An

SPONSORS Central/East/South European Scholarly Infrastructure of the Technical Image” Interest Group, Horror Studies SPONSOR Experimental Film and Media Scholarly Interest Group Scholarly Interest Group

S8 Questions of Feminism S10 Embodiment and the Ends and Means Television Spectator   in the Post-network Era CHAIR Caroline Eades ▶ University of Maryland

Maryn Wilkinson ▶ University of Amsterdam ▶ ​ CHAIR Marsha Cassidy ▶ University of Illinois at march “Working Girls: The Performativity of Labor and Chicago Femininity in Mad Men” RESPONDENT Carl Plantinga ▶ Calvin College 26 Ece Üçoluk Krane ▶ Georgia State University ▶ ​ SUNDAY “Leaping over the Wall of Fear: Embracing Marsha Cassidy ▶ University of Illinois at Chicago ▶ ​ Solidarity and Socialist Feminism in Hell” “Is There a Body out There?: Rethinking the TV Spectator in the Digital Era” Caroline Eades ▶ University of Maryland ▶ ​“A Perfect Subject: Radicalized Women in Recent Alexander Thimons ▶ DePaul University ▶ ​“Feeling SESSION French Films” Well: Sensory Experience in Direct-to-consumer Pharmaceuticals Advertisements” Tina Kendall ▶ Anglia Ruskin University ▶ ​“Logging In and Zoning Out: Netflix and the Ends of Sleep”

S SPONSOR Television Studies Scholarly Interest Group

164 9:00 – 10:45 am S11 New Gender Performances S13 Who/Where Is Claude Jutra? in New Media    -

CHAIR Thomas Waugh ▶ Concordia University CHAIR Ricardo E. Zulueta ▶ University of Miami CO-CHAIR Julianne Pidduck ▶ University of Montreal Ricardo E. Zulueta ▶ University of Miami ▶ ​ “Networked Perspectives: The Cyberqueer Films RESPONDENT Frédéric Moffet ▶ School of the Art of Ryan Trecartin” Institute of Chicago Esther Wright ▶ University of Warwick ▶ ​“Rockstar Julianne Pidduck ▶ University of Montreal ▶ ​“Queer Games’ ‘Difficult Men’: Contemporary Masculinity Authorship and National Cinema: The Case of in Video Games and Television” Claude Jutra” Lauren Weinzimmer ▶ University of Minnesota ▶ ​ Gregorio Pablo Rodríguez-Arbolay ▶ Concordia “‘How-to’ Perform Femininity Is Not (Really) New: University ▶ ​“À tout prendre as a Postcolonial Historicizing YouTube Beauty Vlogs” ‘Multimedia Archive’” Thomas Waugh ▶ Concordia University ▶ ​“Calfcake Revisited”

S12 WORKSHOP Critical Karaoke  Critics Perform with Film, Television, S14 Understanding Historical and Social Media  Constructions of Difference  CHAIR Lisa Henderson ▶ University of -

Massachusetts Amherst CHAIR David Lerner ▶ Fairfield University WORKSHOP PARTICIPANTS Josslyn Luckett ▶ University of Pennsylvania ▶ ​ Sarah T. Roberts ▶ University of California, Los “#FilmSchoolSoColored?: A Rebellious Look back Angeles at the Multiracial Media Insurgents of UCLA’s SUNDAY Ethno-Communications Program” Vincent Doyle ▶ IE University march Beth Capper ▶ Brown University ▶ ​“(Un)working Andrea Zeffiro ▶ McMaster University Feminist Community: Labors and Temporalities of 26 Anilyn Diaz ▶ University of Puerto Rico at Arecibo Struggle in the films of Lizzie Borden” Lisa Henderson ▶ University of Massachusetts Ashley Young ▶ University of Southern California ▶ ​ Amherst “K.C. Undercover: and the Case of Didactic Diversity” David Lerner ▶ Fairfield University ▶ ​“Mondo SESSION Mainstream Hollywood: Producing and Depicting Africa in The Dark of the Sun (1968)” S

165 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 9:00 – 10:45 am S15 Politics in North African S17 Rethinking Queer Film History Cinema    -  - CHAIR Jose Capino ▶ University of Illinois at

CHAIR Terri Ginsberg ▶ American University in Urbana-Champaign Cairo Jose Capino ▶ University of Illinois at Urbana- Ahmed Ghazal ▶ University of Auckland ▶ ​“What is Champaign ▶ ​“‘Capitalizing on ‘The Faggot’s ‘Political Cinema’ in Egypt Today?” Dilemma’: The Sexual Politics, Packaging, and Reception of Lino Brocka’s Queer Melodramas” Terri Ginsberg ▶ American University in Cairo ▶ ​ “Propaganda or Pedagogy?: Politics and Rhetoric Laura Stamm ▶ University of Pittsburgh ▶ ​“A in Recent Egyptian Independent Documentary” Portrait of Queer History: Delphinium’s Re- imaging of Derek Jarman” Nicole Wallenbrock ▶ University of Tennessee ▶ ​ “The Franco-Algerian War as Jacques Derrida’s Curran Nault ▶ University of Texas at Austin ▶ ​ Scission: Mesrine Part I: The Death Instinct “Homonationalism of a Different Hue: Bakla (L’Instinct de mort); Part II: Public Enemy No.1 Cinema in the Philippines” (L’Ennemi public no. 1) Jean-Paul Richet, 2008” William J. Simmons ▶ Graduate Center, CUNY ▶ ​

SPONSOR Middle East Caucus “‘Our Fling Back in 2002’: Glen Fogel’s Queer Melodramas”

SPONSOR Adult Film History Scholarly Interest Group

16 S Nazis, Fascists, Reds, S18 Contemporary Latin American and Hollywood Cinema beyond the Human  Ideological Complexities and the  American Film Industry, 1933–1947  -  - CHAIR Carolyn Fornoff ▶ University of Pennsylvania CHAIR Chuck Maland ▶ University of Tennessee march Jorge Marcone ▶ Rutgers University ▶ ​“Amazonia Steven Ross ▶ University of Southern California ▶ ​ in Black and White: Embrace of the Serpent as 26 “The Secret Life of George Gyssling: German

SUNDAY Analogical Device” Consul General in Los Angeles” Carolyn Fornoff ▶ University of Pennsylvania ▶ ​ Amanda Minervini ▶ Colorado College ▶ ​“Mussolini “Drought and Futurity in Contemporary Mexican Speaks (1933): Il Duce’s American Biopic” Documentaries” Chuck Maland ▶ University of Tennessee ▶ ​ Ivan Aguirre ▶ Washington University in St. SESSION “Readers Tangle with Agee: The Perils of Movie Louis ▶ ​“The Sacred Space of Motoapohua: Reviewing in World War II and Beyond” Intercorporeal Animality in Nicolas Echeverría’s Thomas Doherty ▶ Brandeis University ▶ ​“The Eco de la montaña (2015)” Waldorf Statement: In the Room where It S Gisela Heffes ▶ Rice University ▶ ​“Undisciplined Happened” Knowledge: Indigenous Activism, Resistance, and SPONSOR Classical Hollywood Scholarly Interest Group the Making of the Documentary”

SPONSORS Latino/a Caucus, Media and the Environment 166 Scholarly Interest Group 9:00 – 10:45 am S19 GIFs and the Digital Culture S20 Time, Space, and Storytelling  of Moving Image Quotation    CHAIR Jason Gendler ▶ University of California,

CHAIR Jennifer Malkowski ▶ Smith College Los Angeles CO-CHAIR Michael Z. Newman ▶ University of Jason Gendler ▶ University of California, Los Wisconsin-Milwaukee Angeles ▶ ​“Storytelling Conventions of Bulk- Michael Z. Newman ▶ University of Wisconsin- release Television Narratives” Milwaukee ▶ ​“GIFs and the New Quotation Shannon Tarbell ▶ University of Chicago ▶ ​“The Culture” Verbal Flashback in the Sound Film” Tim Highfield ▶ Queensland University of Laura McGough ▶ SUNY, University at Buffalo ▶ ​ Technology ▶ ​“The GIF and News Coverage: “The Turn to Liveness within The Media Arts: Remediated, Remixed, and Reimagined” From Presence to Co-presence” Anthony Bleach ▶ Kutztown University ▶ ​“The GIF Eliot Bessette ▶ University of California, Berkeley ▶ ​ Economy: Digital Cinephilia and the Animated “Haunt Mediation: 2D Renderings of 3D Threat GIF” Spaces” Jennifer Malkowski ▶ Smith College ▶ ​“Spatial Montage, in Miniature: Movie GIF Sets on Tumblr”

SPONSOR Animated Media Scholarly Interest Group

MEETING▶▶▶▶▶▶▶▶▶▶▶▶ MEETING▶▶▶▶▶▶▶▶▶▶▶▶ SUNDAY 9:00 – 10:45 am 9:00 – 10:45 am march Central/East/South Women in Screen History 26 European Cinemas Scholarly Interest Group

Scholarly Interest Group ROOM Lincoln Park Suite  Fairmont, 37th Floor, Room 3709 ROOM Burnham Ballroom A  Mid-America Club, 80th Floor, AON Center SESSION S

167 SESSION Sunday MARCH 26, 2017 T 11:00 am– 12:45 pm

T1 Possessive Spectatorship T2 Virtual/Augmented Reality  and Identity Creation  Embodying the Impossible

CHAIR Michael Lawrence ▶ University of Sussex CHAIR Michael LaRocco ▶ University of Southern California Adan Avalos ▶ University of New Mexico ▶ ​“The Dimming Screen: The Rise of the Star in Popular CO-CHAIR Maria Cecire ▶ Bard College Mexican Cinema” Maria Cecire ▶ Bard College ▶ ​“Making Magic: Michael Lawrence ▶ University of Sussex ▶ ​ Representability and Technology in the Wizarding “Rekha: Scandal, Gossip, and Diva Worship in the World of Harry Potter” Digital Era” Cynthia Chris ▶ College of Staten Island, CUNY ▶ ​ “Impossible Objects: 3D and the Speculative Sublime” Patrick Jagoda ▶ University of Chicago ▶ ​“Alternate Reality Games as Cultural Probes: Design, Experiment, and Speculation” Michael LaRocco ▶ University of Southern California ▶ ​“Simulator Sickness: Reconfiguring Modern Perception in the Virtual Reality User”

168 11:00 am – 12:45 pm T3 WORKSHOP T5 Transitional Devices Researching the Technology, Practice, Style  Media Industries 

The Case of the American Comic Book CHAIR Philippe Gauthier ▶ University of Ottawa Industry Jonah Horwitz ▶ University of Wisconsin-Madison ▶ ​ “‘Almost Equally Stimulating’: The Ideology of CHAIR Alisa Perren ▶ University of Texas at Austin Liveness and the Coming of Videotape in US Television” CO-CHAIR Gregory Steirer ▶ Dickinson College Philippe Gauthier ▶ University of Ottawa ▶ WORKSHOP PARTICIPANTS “Crosscutting, D.W. Griffith and the Evolution Liam Burke ▶ Swinburne University of Technology of the Underlying Narrator during Cinema’s M.J. Clarke ▶ California State University, Los Transitional Era” Angeles Peter Labuza ▶ University of Southern California ▶ ​ Jennifer Smith ▶ University of Wisconsin-Madison “The Veil of Independence: The Short Form Gregory Steirer ▶ Dickinson College Joint Venture Contract’s Role in New Hollywood Production” Benjamin Woo ▶ Carleton University Alisa Perren ▶ University of Texas at Austin

SPONSOR Comics Studies Scholarly Interest Group T6 WORKSHOP  Ask the Archivists T4 Nostalgia for the ’80s in 21st-Century Film CHAIR Heather Heckman ▶ University of South  and Television Carolina WORKSHOP PARTICIPANTS

Brian Woodman ▶ Washington University in St. SUNDAY CHAIR Douglas Cunningham ▶ Westminster College Louis march Amy Sloper ▶ Wisconsin Center for Film & Theater Douglas Cunningham ▶ Westminster College ▶ ​ 26 Research “Nostalgia for the Nascent Digital Era in TRON: Legacy” Heather Heckman ▶ University of South Carolina Jake Pitre ▶ Carleton University ▶ ​“Shameless. . . Cassie Blake ▶ Academy of Motion Picture Arts but Sincere: Eighties Homage in Stranger Things and Sciences and Everybody Wants Some!!” SPONSOR Nontheatrical Film and Media SESSION Mark Sandberg ▶ University of California, Berkeley ▶ ​ Scholarly Interest Group “Period Knowledge: The Investigation of Obliviousness in The Americans” Justin Wyatt ▶ University of Rhode Island ▶ ​“On T the Limits of Nostalgia: Understanding the Marketplace for Remakes and Reboots”

169 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶11:00 am – 12:45 pm T7 Studies in Horror T9 Phenomenology and Realism  Bodies, Music, Auteurs  Capturing Gesture and Communication

CHAIR Nina Martin ▶ Connecticut College CHAIR Jordan Schonig ▶ University of Chicago Brian Hauser ▶ Clarkson University ▶ ​“Pandora Ksenia Fedorova ▶ University of California, Davis ▶ ​ Experimentia and the Legend of Wes Craven’s “Motion Capture in Experimental Performance First Film” and Public Media Art” Ashley R. Smith ▶ Northwestern University ▶ ​ Jordan Schonig ▶ University of Chicago ▶ ​“Habitual “Border Crossing: Body Horrors, Abjection, and Gestures: Postwar Realism, Agency, and the Monstrous Femininity in Pedro Almodóvar’s The Inscription of Bodily Movement” Skin I Live In” Andrew Vielkind ▶ Yale University ▶ ​“In-formation Amanda Landa ▶ University of Texas at Austin ▶ ​ Feedback: Stan Brakhage and the Anthropology “Channeling John Carpenter: Retro Horror of Communication” Aesthetics and Synthesizer Soundtracks” Nina Martin ▶ Connecticut College ▶ ​“Are You My Mother?: The Horrors of Subjectivity in Goodnight Mommy (2014)” SPONSOR Horror Studies Scholarly Interest Group T10 Documentary, Celebrity,  and Stardom

CHAIR Kristen Fuhs ▶ Woodbury University 8 Women Filmmakers Kristen Fuhs ▶ Woodbury University ▶ ​“Branding T Art, Excess, and Vision Celebrity: Documentary as Self-promotion”  Elizabeth Nathanson ▶ Muhlenberg College ▶ ​ “The Labor of Unruly Celebrity: Nostalgia for CHAIR Stacey Weber-Feve ▶ Iowa State Authentic Stardom in Joan Rivers: A Piece of Work” University David Church ▶ Northern Arizona University ▶ ​ march Stacey Weber-Feve ▶ Iowa State University ▶ ​ “Cruising Celebrity, Cruising Queerness: James “Marjane Satrapi’s Cinéma-monde: A Personal Franco’s Performance Art and Interior. Leather 26 Transnational Cinema” Bar.” SUNDAY Phuong Le ▶ King’s College London ▶ ​“On Elaine Laurel Westrup ▶ University of California, Los May’s Fascination with the Phony: Faking Angeles ▶ ​“Exhausting Kurt Cobain” Heterosexuality in A New Leaf” SPONSOR Documentary Studies Scholarly Interest Group Aurore Spiers ▶ University of Chicago ▶ ​“Painting SESSION and Agnès Varda’s Cinema: Tableaux Vivants and Enactments in Jane B. par Agnès V. (1988) and Les Plages d’Agnès (2008)” T Aaron Kerner ▶ San Francisco State University ▶ ​ “Mika Ninagawa: Lavish Excesses”

170 11:00 am – 12:45 pm T11 From Spectacle T13 Visualizing Catastrophe to the Quotidian Apocalypse, Body Trauma, and the  Nature and Landscape in Asian Cinema  Politics of Memory  - CHAIR Junko Yamazaki ▶ Terasaki Center for Japanese Studies at UCLA CHAIR Timothy Holland ▶ North Carolina State University CO-CHAIR Yuqian Yan ▶ University of Chicago Drew Ayers ▶ Eastern Washington University ▶ ​ RESPONDENT Kristi McKim ▶ Hendrix College “Digital Resurrection, Aging, and The Terminator’s Yuqian Yan ▶ University of Chicago ▶ ​“Landscaping Body Trauma” the Past: Location Shooting in Chinese Costume A. Carla Manzoni ▶ St. Olaf College ▶ ​“Multi- Dramas in the 1920s” screens of Memory in Post-dictatorial Argentina Junko Yamazaki ▶ Terasaki Center for Japanese and Spain” Studies at UCLA ▶ ​“Forget-me-not: Quotidian Linette Park ▶ University of California, Nature in Kato Tai’s Jidaigeki Films” Irvine ▶ ​“Discipline and Sonic Aesthetics: Sara Saljoughi ▶ University of Toronto ▶ ​ Steve McQueen’s Hunger and the Politics of “Collectivity amidst the Olive Trees: The Politics Confinement” of Landscape in the Iranian New Wave” Timothy Holland ▶ North Carolina State University ▶ ​“After the End: Melancholia and the Cinematic Apocalypse”

T12 Broadway and Media Studies  14 Internationalizing CHAIR Peter Kunze ▶ University of Texas at Austin T the French New Wave ▶ University of Illinois at Urbana- Jeff Magee  Anti-colonialism and Global Rebellion Champaign ▶ ​“What Does It Get You?: ‘Rose’s

Turn’ from Stage to Screen”  SUNDAY - Jamie Hook ▶ Indiana University ▶ ​“‘I’d do the march television version!’: Reconsidering the Troubled CHAIR Sarah Hamblin ▶ University of 26 Transmediation of Oh! Calcutta! in the Moment of Massachusetts Boston BroadwayHD” Laure Maude Astourian ▶ Columbia University ▶ ​ Peter Kunze ▶ University of Texas at Austin ▶ ​ “The French New Wave and Sub-Saharan Africa” “Broadway (Re)bound: Howard Ashman, Beauty David Fresko ▶ Indiana University ▶ ​“Far from and the Beast, and the Disney Renaissance” Vietnam’s Counter-cinematic Publics” SESSION Laura Felschow ▶ University of Texas at Austin ▶ ​ Sarah Hamblin ▶ University of Massachusetts “Broadway Is a Two-way Street: Co-opting Boston ▶ ​“1968 and Political Modernism: A Hollywood Distribution and Exhibition” Global Mode of Film Practice” SPONSOR French/Francophone Scholarly Interest Group T

171 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶11:00 am – 12:45 pm

15 Forms of Feeling 17 Enabling Constraints T T Queer Television’s Limits and   -  Possibilities  CHAIR Katherine Morrissey ▶ Rochester Institute of Technology - Elizabeth Kirkendoll ▶ Ohio State University ▶ ​ CHAIR Nick Salvato ▶ Cornell University “Watching Characters Listen: Meta-catharsis in RESPONDENT Benjamin Aslinger ▶ Bentley University Love Actually” Nick Salvato ▶ Cornell University ▶ ​“Closet Daniel Singleton ▶ University of Rochester ▶ ​ Television” “Murphy’s Law: Affective Bewilderment in F. Hollis Griffin ▶ Denison University ▶ ​“Snow Robocop” Globes and Trojan Horses: Queer TV in the Age of Kerrie Welsh ▶ University of California, Santa Cruz ▶ ​ the Algorithm” “Saphic Cinemania: From Olga Nethersole to Moon Charania ▶ Spelman College ▶ and George Cukor” Cory Albertson ▶ Georgia State University ▶ ​ Katherine Morrissey ▶ Rochester Institute of “The New Disney and the New Girl: Mapping Technology ▶ ​“‘Quality’ Sex: Packaging Female Queer Melancholy and Feminist Trauma in Disney Desire for Premium Cable” Films”

SPONSOR Television Studies Scholarly Interest Group

16 Bringing the Global Home T Media and Difference in Postwar America 18 Piracy! (Maybe?)  T Copyright’s Blurred Edge    - - CHAIR Amy Villarejo ▶ Cornell University CHAIR Josh Jackson ▶ University of California, Meenasarani Murugan ▶ Fordham University ▶ ​ Berkeley march “‘Prince Ali’s magic tube come true!’: Selling the ▶ Monash University ▶ ​“Distributed Enchanted Box” Michael Lim 26 By: The Audience (as Pirate as Distributor)” SUNDAY Benjamin Han ▶ Concordia University Wisconsin ▶ ​ ▶ University of Alberta ▶ ​“If You “Talk of the Town: Black Entertainers and Jeffrey Brassard Can’t Beat Them, Join Them: How Russian Media Television in Postwar Las Vegas” Companies Are Battling Internet Piracy” Melissa Phruksachart ▶ New York University ▶ ​ ▶ University of California, Berkeley ▶ ​ “Rod Serling’s Speculative Antiracisms” Josh Jackson SESSION “Fair-enough Use: Copyright on YouTube as Shelby Cadwell ▶ Wayne State University ▶ ​ Agreed-upon, Global, and Hybrid” “Western Minds/Eastern Bodies: Reading Liminal Embodiment and Assimilation in the Planet of the T Apes Series”

172 11:00 am – 12:45 pm

19 Sonic Liminality 20 Transmedia Optics T Videographic Explorations T Rethinking the Role of the Visual  of Sound E/Affects in Cinema  in a Digital Age  

CHAIR Liz Greene ▶ Liverpool John Moores CHAIR Braxton Soderman ▶ University of University California, Irvine Allison de Fren ▶ Occidental College ▶ ​“Spaced Ivan Girina ▶ King’s College London ▶ ​“Cinematic Out: A Video Essay on the Gendered Soundscape Games: Reassessing the Aesthetic Influence of of Gravity (2013)” Cinema on Video Games” Brian Cantrell ▶ University of Southern California ▶ ​ Braxton Soderman ▶ University of California, “Impulse: Electronic Tonalities in Cinema” Irvine ▶ ​“Visual Studies and Video Games: Tracy Cox-Stanton ▶ Savannah College of Art and Practices of Looking as Game Mechanics” Design ▶ ​“Film Noise, Material Thinking, and Jennifer Pranolo ▶ University of California, Videographic Writing” Berkeley ▶ ​“Image Search: Picturing the Digital Liz Greene ▶ Liverpool John Moores University ▶ ​ Index” “Sounding Out David Lynch’s Blue Velvet (1986)”

SPONSOR Sound Studies Scholarly Interest Group

MEETING▶▶▶▶▶▶▶▶▶▶▶▶ MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 11:00 am – 12:45 pm 11:00 am – 12:45 pm Video Game Studies Silent Cinema Cultures Scholarly Interest Group Scholarly Interest Group

ROOM Burnham Ballroom A  ROOM Lincoln Park Suite  Mid-America Club, 80th Floor, AON Center Fairmont, 37th Floor, Room 3709 SUNDAY march 26

SESSION Recycle . . . your badge & conference program— T look for the bins in the Conference Registration area.

173 SESSION Sunday MARCH 26, 2017 U 1:00 – 2:45 pm

1 Long Distance Connections 2 Elemental Affinities U Transnational Media Flows and U The Ecological Question  Meanings  for Film and Media

CHAIR Tijana Mamula ▶ John Cabot University CHAIR Thomas Patrick Pringle ▶ Brown Paul Morton ▶ University of Washington ▶ ​“Life in University the Imperfect City: Professor Balthazar and the Jessica Bardsley ▶ Harvard University ▶ ​“Mortal Yugoslav Ideal” Water: Process, Time, and Elemental Cinema in Tijana Mamula ▶ John Cabot University ▶ ​“‘Words Roni Horn’s Water, Selected” Matter Less and Less’: Tacit Multilingualism and Cassandra Guan ▶ Brown University ▶ ​“Critique Antonioni’s L’Avventura” of Flowers: Ecology and Affect in the Era of Agnes Tam ▶ University of Münster ▶ ​“Meet-the- Technical Reproduction” Audience: Productive Use of Narrative Space Thomas Patrick Pringle ▶ Brown University ▶ ​ across Asian, US, and European Markets– “The Condition Consistent: The Digital Media Study of Shifting Exilic Identity of WKW’s The Aesthetics of Climate Crisis and the 2016 Alberta Grandmaster” Wildfire” So Hye Kim ▶ University of Chicago ▶ ​“The Divided Caufield Schnug ▶ Harvard University ▶ ​“The Wind Nation and Korean Diasporic Filmmakers’ in the Trees: Aura, Stimmung, and Cinematic Bittersweet Return” Atmospheres”

SPONSORS Caucus on Class, Media and the Environment Scholarly Interest Group 174 1:00 – 2:45 pm U3 Analyzing Networks U5 Intensities of Intention “from Below” Screen Performance between  Critical Case Studies  Action and Affect in Media Distribution

CHAIR Rick Warner ▶ University of North Carolina

CHAIR Paul Moore ▶ Ryerson University at Chapel Hill CO-CHAIR Deb Verhoeven ▶ Deakin University CO-CHAIR Kyle Stevens ▶ Appalachian State University Paul Moore ▶ Ryerson University ▶ ​“Paramount Murray Pomerance ▶ Ryerson University ▶ ​“I am Cooperation: National Advertising in the Political Acting.” Economy of US Movie Exhibition in the 1920s” Kyle Stevens ▶ Appalachian State University ▶ ​“The Anne MacLennan ▶ York University ▶ ​“Threatened Joy of Hostility: Affective Scale, Sexual Politics, and and Vulnerable Survivors: Canadian Networks and Farcical Performance through La Cage aux folles” Independent Radio Broadcasting, 1922–1939” Daniel Varndell ▶ University of Winchester ▶ ​“The Jessica Bay ▶ York University ▶ ​“Advertising the British Violence of ‘Stiff Upper Lips’ in Ridley Revolution: Leveraging Teen Fan Girls through Scott’s The Duellists” Social Media Marketing in Lionsgate’s YA Rick Warner ▶ University of North Carolina at Chapel Adaptations” Hill ▶ ​“At the Threshold of Action: The Aesthetics Deb Verhoeven ▶ Deakin University ▶ ​“Measuring and Politics of Performance in the Slow Cinemas the Value of Network Analysis for Cinema Studies” of Apichatpong and Costa”

SPONSOR Radio Studies Scholarly Interest Group

4 Screening and Obscuring 6 Bodies Inside and Out U U Corporeality and Paradoxes the Human Face of Subjectivity  Representation, Inscription,  and Identification

CHAIR April Miller ▶ Arizona State University SUNDAY April Miller ▶ Arizona State University ▶ ​“Trans CHAIR S. Yigit Soncul ▶ University of march Southampton Bodies in Techno-Gothic Space: Aliens, Cyborgs, and Transhumanist Monstrosity” 26 CO-CHAIR Grant Bollmer ▶ University of Sydney Karly-Lynne Scott ▶ Northwestern University ▶ ​ S. Yigit Soncul ▶ University of Southampton ▶ ​ “Ecstatic Aesthetics: Representing Subjective “Technicity of the Face: Mask and Faciality” Experience in the Sexual Education Films of the Mark Hayward ▶ York University, Toronto ▶ ​ National Sex Forum” “Between the Bankograph and the Mark of the ▶ Georgia State University ▶ ​ SESSION Beast” Brooke Sonenreich “Coated in Blackness: Blackness as a Means for Grant Bollmer ▶ University of Sydney ▶ ​“Aesthetics Disposal of the Jewish Body” of Empathy: Affect and Digital Facial Images” Lawrence Musante ▶ Georgia State University ▶ ​ Eda Sancakdar ▶ Istanbul Bilgi University ▶ ​ “Objet A(ffect) and Che(www) Vuoi: The Fleshy U “‘Unveiling’ the Face: The Scientific Gaze in Horror of the Unknowable Other in Spring and Photographs of 19th-Century Ottoman Women” Honeymoon” SPONSOR Media, Science, and Technology Studies SPONSOR Horror Studies Scholarly Interest Group Scholarly Interest Group 175 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 1:00 – 2:45 pm U7 Sound Studies and the Auteur U9 Foreign Screen Bodies  Music, Sound, Affect  Blackness and/in Italy

CHAIR Anthony Bushard ▶ University of CHAIR Ellen Nerenberg ▶ Wesleyan University Nebraska, Lincoln RESPONDENT Lorenzo Fabbri ▶ University of Minnesota Michael Slowik ▶ Wesleyan University ▶ ​“‘Not for Fred Kuwornu ▶ Independent Filmmaker ▶ ​ Tourists’: Sonic Sparseness in the Films of Alfred “#BlackItalianLivesMatter” Hitchcock” Ellen Nerenberg ▶ Wesleyan University ▶ ​“Hail ▶ University of Nebraska, Anthony Bushard Caesura: Blackness, Performance, and Disruption” Lincoln ▶ ​“Thomas Newman’s Audiovisual Triads: Using Musical Space to Communicate Cinematic Shelleen Greene ▶ University of Wisconsin- Space” Milwaukee ▶ ​“Lions of the Desert: Envisioning (Post) Anti-colonial Critique in Everson’s ▶ University of Rochester ▶ ​ Patrick Sullivan Rhinoceros (2013) and Akkad’s Lion of the Desert “‘Clatter Machines’: The Rhythm of Anguish in (1981)” Lars von Trier’s Dancer in the Dark” Evelyn Kreutzer ▶ Northwestern University ▶ ​ “‘Music you listen to and music you don’t:’ Medium Self-reflexivity, Intertextuality, and the Classical Music Canon in Jean-Luc Godard’s 2 ou 3 choses que je sais d’elle, La Chinoise, and Weekend” U10 Fashioning Femininity  across Media History

CHAIR Amelie Hastie ▶ Amherst College 8 Peter Lester ▶ Brock University ▶ ​“Mary Pickford’s Playing with the Archive Faustian Bargain: Controversy, Negative Publicity, U Memories of the Past in Contemporary and the Abandoned Productions of Faust, Spanish Film and Television  1922–1923” Catherine Martin ▶ Boston University ▶ ​“Good march CHAIR Dean Allbritton ▶ Colby College Girls Are Selfless. . . and They Don’t Have Sex: H. Rosi Song ▶ Bryn Mawr College ▶ ​“Kinship and Defining Femininity on Radio and Television 26 between 1940 and 1960” SUNDAY Memory: Remaking the Spanish Past” Tom Whittaker ▶ University of Liverpool ▶ ​ Sara Bakerman ▶ University of Southern California ▶ ​ “Criminality, El Caso, and the Archive in La Isla “‘A Legend in Her Own Time’: Lauren Bacall and mínima (Alberto Rodríguez, 2014)” the Comeback of the Aging Star” Amelie Hastie ▶ Amherst College ▶ ​“Minor Quakes: SESSION Dean Allbritton ▶ Colby College ▶ ​“Remastering the Past: Scrubbing the AIDS Archive in Spain” Wanda and Rethinking 1970s US Cinema” Sarah Thomas ▶ Brown University ▶ ​“The SPONSORS Women’s Caucus, Radio Studies U Intermedial Past in Recent Spanish Cinema” Scholarly Interest Group

176 1:00 – 2:45 pm

11 Seeing the Invisible 13 Cinematic Re-visions U New Perspectives on the U New Approaches to Seeing  Revelationist Tradition  through Media  - CHAIR Ila Tyagi ▶ Yale University CHAIR Malini Guha ▶ Carleton University Ila Tyagi ▶ Yale University ▶ ​“Spatial Survey: Mapping Oilfield Infrastructures Using Drones” Mariko Plescia ▶ University of Oregon ▶ ​“An Alison Landsberg ▶ George Mason Univeristy ▶ ​ Epistemology of Doubt: Documentary Film, Time, “Ghosts in the Flesh: Mr. Robot and Political and the Return to Democracy in Ecuador” Activation” Malini Guha ▶ Carleton University ▶ ​“The Swagato Chakravorty ▶ Yale University ▶ ​ Cinematic Revival of ‘Low London’ in the Age of “Blindsight: Images of an Unseen Cinema” Smart Urbanism” Ellina Sattarova ▶ University of Pittsburgh ▶ ​ “The Soviet Zombieland; or, The Politics of Necrospectacle” U12 Film/Vaudeville Intermediality  Opera, Circus, Phonograph U14 Hong Kong Cinema and the Cold War CHAIR Anthony McKenna ▶ Shanghai Jiao Tong   University - Kristen Anderson Wagner ▶ Solano College ▶ ​“‘A CHAIR Kristof Van den Troost ▶ The Chinese Guest in the Home’: Intermedial Crossover and University of Hong Kong Comediennes in Vaudeville/Radio/Television” Yanhong Zhu ▶ Washington and Lee University ▶ ​ Vincent Longo ▶ University of Michigan ▶ ​ “The Temporal Turn from Atemporal Ashes:

“Vaudeville Postmortem: Live Performance in SUNDAY Love, Nation, and Identity in Wong Kar-wai’s The Film Exhibition after 1930” Grandmaster” march Anthony McKenna ▶ Shanghai Jiao Tong ▶ Lingnan University ▶ ​“Age University ▶ ​“Terry Turner: The Forgotten Link Mary Shuk-han Wong 26 of Disturbance: Michelangelo Antonioni’s Blow Up Between Circus Sideshows and Multimedia Movie and the Formation of Modernism in 1960s Hong Marketing” Kong Cinema” Sarah Fuchs Sampson ▶ Syracuse University ▶ ​ ▶ Columbia University ▶ ​“Im/possibility “Opera between Art and Attraction: Alice Guy’s Xinyi Zhao of Representation: The 1967 Hong Kong Leftist Operatic phonoscènes (1905–6)” SESSION Riots on Screen” Kristof Van den Troost ▶ The Chinese University of Hong Kong ▶ ​“Cold War Thaw: Changing Film Censorship in 1980s Hong Kong and Its Impact on U the Crime Film Genre”

177 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 1:00 – 2:45 pm

15 Documenting at the Edge 17 Film-Philosophy U Producing, Distributing, and Living U Time, Negation, and Horror Mediated Reality     - - CHAIR Sam B. Girgus ▶ Vanderbilt University CHAIR Chelsey Crawford ▶ North Central College Tamas Nagypal ▶ York University ▶ ​“‘Not Even Caitlin McClune ▶ University of Texas at Austin ▶ ​ a Victim of Society?’: The Subtraction-image in “Digital Unhu: Network Connectivity and Early Neo-noir” Emerging Tendencies in the Zimbabwean Christine Evans ▶ University of British Columbia ▶ ​ Documentary Zim.Doc” “The Image of Thought: Epistemology and Time Benjamin Schultz-Figueroa ▶ University of in the Cinema of Ron Howard” California, Santa Cruz ▶ ​“Life Repeated: Animals Maxime Bey-Rozet ▶ University of Pittsburgh ▶ ​ and Film as Experimental Bodies” “The Sisyphus Effect: Approaching an Affectless Chelsey Crawford ▶ North Central College ▶ ​“On a Apparatus of Horror in Tarkovsky’s The Mirror” Certain Tendency of MTV: Reality Programming Sam B. Girgus ▶ Vanderbilt University ▶ ​“Temporal and Double Deception” Spacing in the Films of DeSica, the Dardenne Nora Stone ▶ University of Wisconsin-Madison ▶ ​ Brothers, and Rodrigo Plá”

“Marketing the Real: Distributing Documentary SPONSOR Horror Studies Scholarly Interest Group Features, 1975 to 1988”

18 WORKSHOP 16 Home Noir U U Gender in Postwar American Film Noir Copyright, Creativity,  and Domestic Melodrama (1946–1959  Collaboration Strategies for Online Teaching in Film  and Media -  CHAIR Therese Grisham ▶ Oakton Community march - College 26 CHAIR Anne Gilbert ▶ University of Kansas

SUNDAY Alison McKee ▶ San Jose State University ▶ ​“Home and Hybridity in Melodrama and Film Noir” WORKSHOP PARTICIPANTS Therese Grisham ▶ Oakton Community College ▶ ​ Cindy Conaway ▶ SUNY, Empire State College “Recalcitrant Homes: Unmarried Women and Frank Bridges ▶ Rutgers University Queer Uncles” SESSION Lauren Bratslavsky ▶ Illinois State University Merrill Schleier ▶ University of the Pacific ▶ ​ Debra Sea ▶ Bemidji State University “The Specter of Race in the Post-World War II American Cinematic Suburbs” Pia Hunter ▶ University of Illinois at Urbana- Champaign U SPONSOR Urbanism/Geography/Architecture Scholarly Interest Group

178 1:00 – 2:45 pm U19 Journeys and (E)motion U20 Countercultural Currents Engines in Film  How Video Games Move   

CHAIR Katherine Kinney ▶ University of CHAIR Oscar Moralde ▶ University of California, California, Riverside Los Angeles Katherine Kinney ▶ University of California, Harrison Gish ▶ University of California, Los Riverside ▶ ​“Improvisation c. 1959: Beat Acting” Angeles ▶ ​“Database Trajectories: Navigating Leah Vonderheide ▶ University of Iowa ▶ ​ Through Object-oriented Virtual Worlds” “Counter-counterculture: The Moral Cinema of Aubrey Anable ▶ Carleton University ▶ ​ Robert Bresson and Eric Rohmer” “Disorienting Game Studies: Feeling History in Chad Trevitte ▶ Bridgewater College ▶ ​“Negative Kentucky Route Zero” and Positive Freedom in Aram Avakian’s End of Oscar Moralde ▶ University of California, Los the Road” Angeles ▶ ​“Candles in the Water: The Empathetic Spaces of The Witness and No Man’s Sky”

SPONSORS Animated Media Scholarly Interest Group, Video Game Studies Scholarly Interest Group

MEETING▶▶▶▶▶▶▶▶▶▶▶▶ MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 1:00 – 2:45 pm 1:00 – 2:45 pm Asian Pacific American Caucus Nontheatrical Film and Media

ROOM Burnham Ballroom A  Scholarly Interest Group Mid-America Club, 80th Floor, AON Center

ROOM Lincoln Park Suite  SUNDAY Fairmont, 37th Floor, Room 3709 march 26

SESSION U

179 SESSION Sunday MARCH 26, 2017 V 3:00 – 4:45 pm

V1 Spaces of Exhibition V2 Marginalized Labor  Architecture, Landscape, Regionality  CHAIR Kate Fortmueller ▶ University of Georgia CHAIR Philip Sewell ▶ Bucknell University Eszter Polonyi ▶ Columbia University ▶ ​“Béla Elizabeth Wijaya ▶ Cornell University ▶ ​“Fu Hou Balázs and the Film Scenario: An Unwritten Grand Theatre, the Time after, and Material Hauntology” Witnessing” Diana Jaher ▶ Illinois State University ▶ ​“The Rise Philip Sewell ▶ Bucknell University ▶ ​ of the Female Casting Director” “‘Decentralizing’ Studio-era Exhibition Practices: Kate Fortmueller ▶ University of Georgia ▶ ​ Texas’s Movie Monopoly and Its Ethos and “Gendered Labor, Gender Politics: How Edith Practices of Local Showmanship” Head Designed Her Career and Styled Women’s Erik Watschke ▶ Irvine Valley College ▶ ​“Actioneers Lives” of Poverty Row: Republic Pictures Serials and Child Spectatorship”

180 3:00 – 4:45 pm V3 Media Art and Urban Screens V5 Politics and Paradoxes of Locating Points and Routes of Modern Celebrity  Comparison and Practice 

CHAIR James Lyons ▶ University of Exeter CHAIR Stephanie DeBoer ▶ Indiana University Timothy Piper ▶ University of Texas at Austin ▶ ​ RESPONDENT Heidi Rae Cooley ▶ University of South “#NoJusticeNoLeBron: Black Athlete Activism, Carolina Messianic Masculinity, and Social Media” Nanna Verhoeff ▶ Utrecht University ▶ ​“Urban Thomas Dolan ▶ George Washington University ▶ ​ Media Art as Creative Archeology for the “Her Hips Don’t Lie: Hearing without Seeing the Emergent Present” Global Middle East” Kristy H.A. Kang ▶ Nanyang Technological James Lyons ▶ University of Exeter ▶ ​“‘Risking University ▶ ​“The Practice of Cultural Heritage an uncontrolled disclosure’: Performance in through Urban Media Art in Singapore” Citizenfour” Holly Willis ▶ University of Southern California ▶ ​ Fabrizio Cilento ▶ Messiah College ▶ ​“In and Out “The City and the Cinema: Screened Urbanism” of the Jungle: The Politics of Gael García Bernal” Stephanie DeBoer ▶ Indiana University ▶ ​“On Infrastructural Tactics for Urban Screens”

SPONSOR Urbanism/Geography/Architecture Scholarly Interest Group V6 Technologies of Leisure,  Education, and Surveillance 4 CHAIR Luci Marzola ▶ University of Southern V On Absent Grounds. California Theorizing the Cinematic  Luci Marzola ▶ University of Southern California ▶ ​ Off-Screen “Inventing the Mazda Tests: Industrial

Collaboration and the Incandescent Conversion SUNDAY of Hollywood” CHAIR Sulgi Lie ▶ Free University of Berlin march Emily Rees ▶ University of Nottingham ▶ ​ ▶ Indiana University ▶ ​“The Messiah of Eyal Peretz “Commodifying the Television Set in Britain, 26 the Mute: Chaplin, the Off-Screen, and the Birth 1937–1960” of Cinematic Speech” Katie Bird ▶ University of Pittsburgh ▶ ​“Editing ▶ University of Chicago ▶ ​“Off- Daniel Morgan Gunsmoke in the 21st Century: The Educational Screen: Space and Time, Media Theory and Projects of the American Cinema Editors and the Aesthetic Possibilities” Society of Motion Picture Editors in the 1950s SESSION Sulgi Lie ▶ Free University Berlin ▶ ​“The Birds Is and 60s” Coming!: Hitchcock and the End of Off-Screen” Lindsay Weinberg ▶ University of California, Santa Cruz ▶ ​“The Rationalization of Leisure: V A New Approach to Historicizing Commercial Surveillance”

SPONSOR Media, Science, and Technology Studies Scholarly Interest Group 181 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 3:00 – 4:45 pm V7 Re-considering Modernism V9 Constructing Selves in in Japanese Films 21st-Century Media  Forms of Subjectivity from the 1930s to  the Late 1940s CHAIR June Deery ▶ Rensselaer Polytechnic Institute CHAIR Mitsuhiro Hayashi ▶ Cornell University Andrea Ruehlicke ▶ University of Illinois at Urbana- Junko Aoki ▶ Daito Bunka University ▶ ​“Actresses’ Champaign ▶ ​“‘I am proud of what I did, but at Fashion in Films: Kinuyo Tanaka and a New Way the same time I have moved on’: The Life-cycle of Life for Women in the Age of Modernism” and Labor of Reality Television Contestants” Mitsuhiro Hayashi ▶ Cornell University ▶ ​“The Sonali Pahwa ▶ University of Minnesota ▶ ​ Battle with Interiority: Modernism in Japanese “Mutating the Meme: Machine Algorithms and Propaganda Films during World War II” Body Technology in a Saudi Woman’s Beauty Kyohhei Kitamura ▶ University of Tokyo ▶ ​“The Vlog” Star Actress as Trans/national Media: Setsuko Marina Merlo ▶ University of Montreal ▶ ​ Hara’s Cinematic Motion and Corporeality during “Selfietopia: Looking at Images in the Digital Age” the Asia-Pacific War” June Deery ▶ Rensselaer Polytechnic Institute ▶ ​ Akiko Miyamoto ▶ Tokyo Institute of Technology ▶ ​ “American Idol: Reality TV and Candidate Trump” “How Do They Show Modernism?: Actresses as Comediennes in Yasujirō Ozu’s 1930s and 1940s”

V10 Corporeal and Embodied Media V8 Affects of Contemporary  Film, Television, and Video  Animation CHAIR Emilija Talijan ▶ University of Cambridge Adam Pugen ▶ University of Toronto ▶ ​“The Ideational Interface: A Digital Orientation for march CHAIR Angelo Restivo ▶ Georgia State University Existential Phenomenology” Angelo Restivo ▶ Georgia State University ▶ ​ Carl Laamanen ▶ Ohio State University ▶ ​“The Still, 26 “Television beyond Representation: Breaking Bad” Small Voice: Phenomenology, Sound, and the SUNDAY Edwin Lohmeyer ▶ North Carolina State Religious Experience of Film” University ▶ ​“The Feel of the Cut: Mimetic Andrea Gyenge ▶ University of Minnesota ▶ ​“A Embodiment in Lewis Klahr’s Pony Glass” Language Lined with Flesh: Reading Cinema in Simon Troon ▶ Monash University ▶ ​“The Way the Roland Barthes’s The Pleasure of the Text” SESSION World Has Ended: Disaster and Ecology in the Emilija Talijan ▶ University of Cambridge ▶ ​“Hard- Films of Richard Kelly” core Sound?: Challenging Pornography from the Ahmet Yuce ▶ Georgia State University ▶ ​“Moving Auditory Realm” V Images, Color Swirls: Affect and Otherness in The Lobster”

182 3:00 – 4:45 pm V11 Gendered Tropes V13 Masculinity, Sexuality, and Emerging and Disappearing Genre in Contemporary   Entertainment

CHAIR David Gurney ▶ Texas A&M University-  Corpus Christi -

Catherine Harrington ▶ Northwestern University ▶ ​ CHAIR Alyxandra Vesey ▶ College of Wooster “Barbies and Barbells?–New Media and the Soumik Pal ▶ Southern Illinois University Positioning of Female Muscularity” Carbondale ▶ ​“Fractured Masculinities in Jennifer Moorman ▶ Loyola Marymount Neoliberal India: An Exploration through University ▶ ​“Rattling the Cage: LBTQ Bollywood Films Fan, Raghav Raman 2.0, and Representation and the Women’s Prison Trope in Sultan” Orange Is the New Black” Megan Connor ▶ Indiana University ▶ ​“John Cena Is Joseph Valle ▶ Southern Illinois University the Perfect Boyfriend: Total Divas, the WWE, and Carbondale ▶ and Namrata Sathe ▶ Southern Female Audiences” Illinois University Carbondale ▶ ​“The Hijra Alyxandra Vesey ▶ College of Wooster ▶ ​“Music, Conundrum: The Disappearance of Transgendered His Story: Programming Rock Masculinity on HBO Indians in Popular Hindi Cinema” (2012–2016)” David Gurney ▶ Texas A&M University-Corpus Rusty Hatchell ▶ University of Texas at Austin ▶ ​ Christi ▶ ​“‘Who Wants to Be a Hunk?’: Absurd “Grand New Opry: Steve Grand, Gay Musicians, Masculinity and Queer Positionality in Avant- and Subverting the American Music Industry” garde Television Comedy”

14 WORKSHOP 12 Generation Gaps V V Teen TV Across Three Generations Scenes of Film Subjection  Slavery on Film and Disciplinary Divides

 SUNDAY  CHAIR Kelly Kessler ▶ DePaul University - march

Caryn Murphy ▶ University of Wisconsin-Oshkosh ▶ ​ CHAIR Rebecca Wanzo ▶ Washington University 26 “The Trouble with Teenagers: ABC and the Youth in St. Louis Market in the 1960s” Sharon Ross ▶ Columbia College Chicago ▶ ​“‘I’d WORKSHOP PARTICIPANTS Like It if They Liked Us, but I Don’t Think They Ellen Scott ▶ University of California, Los Angeles Like Us’: The Failure of CBS’s Square Pegs in the Martha Jones ▶ University of Michigan SESSION Pre-niche 1980s” Richard Yarborough ▶ University of California, Kelly Kessler ▶ DePaul University ▶ ​“Quality and Los Angeles Class or Malls and Music Video: Early Cable Rebecca Wanzo ▶ Washington University in St. Attempts to Market the Musical” Louis V Morgan Blue ▶ Independent Scholar ▶ ​“Capturing Anticipatory Adolescence: Contemporary ‘Tween’ TV, Girls’ Media Production, and the Culture of Display and Confession” 183 ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ ▶ 3:00 – 4:45 pm V15 Digital Identities V17 WORKSHOP in Cultural Context Teaching with Fan Video   Pedagogies and Classroom Strategies  -  - CHAIR Kyle Parry ▶ University of California, Santa Cruz CHAIR Kristina Busse ▶ Independent Scholar ▶ University of California, Santa Cruz ▶ ​ Kyle Parry WORKSHOP PARTICIPANTS “Theorizing Metadata” Tisha Turk ▶ University of Minnesota, Morris Andrew Zolides ▶ University of Wisconsin- ▶ Utrecht University Madison ▶ ​“We Are Legion, We Are on Twitter: Anne Kustritz Anonymous and the Paradoxical Politics of Online Francesca Coppa ▶ Muhlenberg College Branding” Kristina Busse ▶ Independent Scholar

Jennifer Blaylock ▶ University of California- SPONSORS Fan and Audience Studies Scholarly Interest Berkeley ▶ ​“Initial Contacts in the Digital Age; or, Group, Media Literacy and Pedagogical When the Visual Record ‘Skips’” Outreach Scholarly Interest Group

V16 Newsfilm Production V18 Filming the Real and its Excess   Uncovering News in Theaters, Archives,  - and Historical Events CHAIR Janelle Blankenship ▶ University of  Western Ontario - Jessica DePrest ▶ University of California, Los CHAIR Sara Levavy ▶ University of North Carolina Angeles ▶ ​“From Cape Town to Cairo: Cinematic at Chapel Hill Cartographies of the Race for Colonial Power in Amy Meaney ▶ University of South Carolina ▶ ​ Africa” march “Learning to Read the News: Tapping Local Janelle Blankenship ▶ University of Western 26 Television Outtakes and Broadcast Scripts” Ontario ▶ ​“The Scientist as Showman: SUNDAY Sara Levavy ▶ University of North Carolina at Chapel Exhibiting the UFA Kulturfilm Filmreise durch den Hill ▶ ​“The Wellesley College Hoop Roll and Menschenkoerper (Film Trip through the Human Internationally Distributed News” Body, 1930)” Aniko Bodroghkozy ▶ University of Virginia ▶ ​ Jake Bart ▶ University of Southern California ▶ ​ SESSION “Television News and Newsfilm in the 1960s” “Detours through Time: The City Symphony as Michael Aronson ▶ University of Oregon ▶ ​“A Very Personal Essay-film” Circuitous Route: Locating the Telenews Theatre Vincent Bouchard ▶ Indiana University ▶ ​“The Chain, 1939–1949” Senegalese Non-fiction Film Production at Independence Times” V SPONSOR Nontheatrical Film and Media Scholarly Interest Group

184 3:00 – 4:45 pm V19 Videographic Approaches V20 Trauma Time to World Cinema and Critiques of Violence  Transnational Circulation  

 CHAIR Rebecca Bell-Metereau ▶ Texas State University CHAIR David Richler ▶ Carleton University Kevin Wynter ▶ Colgate University ▶ ​“The David Richler ▶ Carleton University ▶ ​“Curating Exorbitant Mirror: Violence, Disavowal, and the Connection: The Omnibus Film (Festival) as a Logic of Terror in The White Ribbon” Microcosm of ‘World Cinema’” David Pettersen ▶ University of Pittsburgh ▶ ​ Jeffrey Middents ▶ American University ▶ ​“Aloft “Martyrs: The Color of Horror and the Face of the vs. No Llores, Vuela; or, When Claudia Llosa’s Film Universal” Meets English and Spanish Film Critics” Rebecca Bell-Metereau ▶ Texas State University ▶ ​ SPONSORS Film and Media Festivals Scholarly Interest Group, “Abduction, Rape, and Revenge in Lolita, Dragon Transnational Cinemas Scholarly Interest Group Tattoo, and Room”

MEETING▶▶▶▶▶▶▶▶▶▶▶▶ 3:00 – 4:45 pm Oscar Micheaux Society

ROOM Lincoln Park Suite  Fairmont, 37th Floor, Room 3709 SUNDAY march 26

SESSION V

185 Index

A Abel, Richard O16 Alberti, John J3 Amit, Rea H20 Aronowsky, Leah S9 Abramson, Leslie N11 Albertson, Cory B16 Anable, Aubrey U19 Aronson, Michael V16 Acham, Christine J17 Alexander, Neta M15 Andary, Nezar Q1 Arredondo, Isabel E12 Acland, Charles D7 Ali, Isra S4 Anderson Wagner, Arroyo, Brandon H10 Affuso, Elizabeth R19 Alilunas, Peter H10 Kristen U12 Arzumanova, Inna B3 Agostinho, Daniela O20 Alkassim, Samirah Q1 Anderson, Mark Lynn L2 Aslinger, Benjamin T17 Aguayo, Angela Q11 Allbritton, Dean U8 Anderson-Lehman, Jesse R13 Astourian, Laure Maude T14 Aguirre, Ivan S18 Allen, Julie Q17 Andreotti, Brian I17 Avalos, Adan T1 Ahern, Mal S9 Alter, Nora M. C4 Andrew, Dudley N4 Aviles-Santiago, Ahmed, Nedda N16 Altomonte, Jenna G7 Ankerson, Megan D19 Manuel G. M6 Ahn, Jiwon F9 Alvaray, Luisela P2 Aoki, Junko V7 Ayers, Drew T13 Ahnert, Laurel E14 Amad, Paula L20 Applicable, Not H15 Ayman, Alia J9 Akcali, Elif O6 Amatya, Alok D5 Archer, Jason C19 B Babish, Stephen N9 Baumann, Chris G20 Bessette, Eliot S20 Boman, Stephan L17 Backstein, Karen A11 Baumbach, Nico H6 Beste, Amy S5 Boni, Marta R13 Badt, Karin K9 Baumgartner, Michael A5 Betancourt, Andree Q6 Bore, Inger-Lise Kalviknes H3 Baishya, Anirban N18 Bay, Jessica U3 Bevan, Alexandra C18 Bottomley, Andrew L16 Bak, Meredith N2 Bayraktar, Nilgun R17 Beverly, Michele A3 Bouchard, Vincent V18 Bakerman, Sara U10 Beadling, Laura E17 Bey-Rozet, Maxime U17 Bowles Eagle, Ryan D1 Balcerzak, Scott B13 Becker, Christine P5 Bhattacharjya, Nilanjana N8 Boyd, Katrina G K16 Balides, Constance A16 Becker, Ron J4 Bilkic, Ljudmila F9 Boyd, Megan N9 Ball, Rachael K2 Bedard, Philippe Q6 Bingham, Christopher A12 Bozelka, Kevin John K16 Bandonis, Molly Q11 Bedor Hiland, Emma C18 Bird, Katie V6 Bradfield, Shelley F1 Banet-Weiser, Sarah B3 Beil, Kim R2 Bird, Robert L3 Braester, Yomi Q10 Banks, Miranda N19 Belisle, Brooke L17 Birdsall, Heather D17 Brannon Donoghue, Bao, Weihong L3 Bell, Sarah D6 Birks, Chelsea R1 Courtney E19 Baran, Sebnem E16 Bellatti, Brad B12 Blackledge, Olga G16 Brasch, Ilka P16 Barber, Tiffany O7 Bell-Metereau, Rebecca V20 Blake, Cassie T6 Brasell, R. Bruce F8 Bardsley, Jessica U2 Belton, John Q15 Blake, Nathan M13 Brasiskis, Lukas O11 Barker, Jennifer Lynde D10 Beltran, Mary O15 Blankenship, Janelle V18 Brassard, Jeffrey T18 Barker, Jennifer M. E2 Benamou, Catherine Q11 Blaylock, Jennifer V15 Bratslavsky, Lauren U18 Barnes, Chris C18 Benson-Allott, Caetlin G18 Bleach, Anthony S19 Brayton, Timothy G13 Barney, Darin O8 Berger, Kenneth R5 Blinder, Caroline A14 Brennan, Shane E3 Baron, Cynthia B13 Bergstrom, Anders R15 Bloom, Peter I11 Bridges, Frank U18 Baron, Jaimie G11 Bergstrom, Kian R5 Bludsworth, Charles C15 Brinkema, Eugenie F6 Baroody, Michelle A2 Bering-Porter, David N7 Blue, Morgan V12 Brizuela, Natalia N15 Barrett, Jenny M12 Berliner, Lauren S4 Blumlinger, Christa C4 Brock, André H18 Barrow, Sarah J7 Bernards, Brian E7 Boddy, William E18 Brody, Evan C15 Bart, Jake V18 Bernier, Catherine B19 Bodroghkozy, Aniko V16 Broner, Martina O20 Basa, Elaine B10 Bernstein, Matthew H. P19 Bohlinger, Vincent D14 Brooker, Will R17 Baschiera, Stefano E19 Bersch, JJ C10 Bohrod, Jacob R1 Brown, Jules G7 Bashara, Dan D10 Bertellini, Giorgio O16 Bollmer, Grant U4 Brownell, Kathryn O16 Bauman, Matthew K8 Berthe, Jamie R8 Boluk, Stephanie K3 Bruns, John A10 186 Index

Buchsbaum, Jonathan N20 Bulut, Ergin N6 Burris, Greg E5 Bushard, Anthony U7 Buck, Amber O13 Burgoyne, Robert L20 Burrows, Jon N10 Busse, Kristina V17 Buehler, Branden G4 Burke, Liam T3 Burson, Harry D11 Byrnes, Corey L15 Buhler, James K4 Burley, Robert D7 Bury, Rhiannon F13 Bukatman, Scott S3 Burnett, Colin P16 Bush, Alexandra K20 C Cabot, N B9 Chabot, Kevin O17 Chyutin, Dan F5 Coppola, Joseph C1 Cadwell, Shelby T16 Chakravorty, Swagato U11 Cicekoglu, Feride N6 Corbin, Amy I18 Cagle, Chris J2 Chamberlain, Julie B1 Cicoski, Jonathan D13 Cormany, Diane D20 Cahill, James L10 Champion, Jared J3 Cieply, Jason P14 Cornellier, Bruno Q8 Cain, Victoria N2 Champlin, Alexander A12 Cilento, Fabrizio V5 Cornfeld, Li C16 Cakirlar, Cuneyt O6 Chan, Kenneth M10 Clark, Catherine N4 Correa de Araujo, Luciana K6 Caldwell, John N19 Chan, Melissa K14 Clarke, M.J. T3 Corrigan, Maria F3 Calleros, Daniel G7 Chan, Nadine E7 Clayton, Alex F3 Corson, Keith H4 Cambier, Vanessa A11 Chandler, M.M. J16 Clepper, Catherine M1 Cortez, Iggy F6 Cameron, Allan J18 Chang, Vanessa R2 Coates, Jennifer I20 Corzo-Duchardt, Beth E15 Cameron, Kelsey C19 Chao, Shi-Yan G8 Cobb, Shelley R13 Cosentino, Olivia H7 Cannon, Kristopher S2 Charania, Moon B16 Cohan, Steven Q7 Costa, Flavia Cesarino L6 Cante, Richard J10 Charbonneau, Stephen Q18 Cohn, Jonathan P13 Costanzo, William J3 Cantrell, Brian T19 Chatman, Dayna F18 Colangelo, David Q13 Cottrel, Adam A20 Cao, Xuenan K7 Chatterjee, Tupur M20 Cole, CL J4 Coulthard, Lisa Q4 Capino, Jose S17 Chavez, Marisela Q2 Collins, Sue O16 Couret, Nilo J7 Capper, Beth S14 Chefranova, Oksana M3 Collopy, Peter Q20 Courtney, Susan H14 Capper, Emily M9 Chen, Hongwei Q10 Columpar, Corinn P12 Cox, Christopher Q14 Carloy, Chris R3 Chen, Novia Shih-Shan G1 Colvin, Brandon A16 Cox-Stanton, Tracy T19 Carman, Emily Q5 Cheney, Zach B8 Coman, Anthony A5 Cramer, Lauren L11 Carney, Josh N6 Cheng, Jih-Fei H2 Comella, Lynn H10 Cramer, Michael N15 Carr, Steven J14 Chess, Shira H8 Comiskey, Andrea I1 Crawford, Chelsey U15 Carroll, Nathan B20 Chiang, I In J20 Conaway, Cindy U18 Crawford-Holland, Sasha C12 Carroll, William Q10 Chiang, Mei-Hsuan J20 Connor, J. D. P7 Creekmur, Corey R5 Caruana, John G6 Chinen Biesen, Sheri Q7 Connor, Megan V13 Cucco, Marco L8 Cascajosa Virino, Chio, Jenny F20 Constable, Catherine G3 Cummings, Kelsey B11 Concepcion B12 Chisholm, Brad O9 Conway, Kelley L18 Cunningham, Douglas T4 Casetti, Francesco M3 Chivers, Sally Q12 Cook, Bernard M2 Curran, Ann E12 Casillas, Dolores Ines M6 Choe, Steve L14 Cook, Malcolm G13 Curro, Daniela F17 Cassidy, Marsha S10 Choi, Jinhee H1 Cooley, Claire J9 Curry, Ramona N17 Cauchi, Mark G6 Choi, Joonseok E16 Cooley, Heidi Rae V3 Curtin, Michael O10 Cavanagh, Robert I4 Chris, Cynthia T2 Coon, David B16 Curtis, Scott E20 Cecire, Maria T2 Christian, Aymar A6 Cooper, Mark J6 Curtis, Tiffany A6 Cerezo, Alicia M5 Christiansen, Steen K10 Cooper, Sarah R16 Cwynar, Christopher L16 Cesalkova, Lucie N10 Church, David T10 Coppa, Francesca V17 D Dahiya, Annu C12 Davis, Richard R14 DeBose, Camille D3 Di Iorio, Sam R8 Daigle, Allain J16 Davisson, Amber H5 Deery, June V9 Diaz Pino, Camilo F13 Daiya, Kavita I13 Day, Amber J3 DeLara, Marlo E1 Diaz, Anilyn S12 D’Amore, Daniel P20 De Kosnik, Abigail J10 Denson, Shane K3 Dienstfrey, Eric F11 Das, Vishnupriya N18 de Luca, Tiago L1 DePrest, Jessica V18 Diffrient, David Scott S6 Davis, Andrew A4 De Rosa, Miriam C9 Desjardins, Mary P8 Diller, Adam E14 Davis, Darrell O10 DeAngelis, Michael M1 deWaard, Andrew F2 Doherty, Thomas S16 Davis, Glyn N5 DeBoer, Stephanie V3 D’haeyere, Hilde G19 Dolan, Thomas V5 187 Index

Dombrowski, Lisa F10 Dove-Viebahn, Aviva D13 Drabinski, John E. O7 Durrand, Mark L9 Dootson, Kirsty Sinclair I16 Doxtater, Amanda D16 Droumeva, Milena O18 Duvall, Spring-Serenity D6 Doreste, Pedro B18 Doyle, Vincent S12 Du, Weijia J20 E Eades, Caroline S8 Eisenstein, Ken N11 Elza, Cary C5 Ernst, Christopher A8 Eagle, Herbert P14 Elcott, Noam H6 Embree, Desirae B4 Estes, Leila A3 Eagle, Jonna A15 Elduque, Albert K6 Emmett, Ilana F14 Etem, Julide E5 Eakin Moss, Anne O14 Elias, Chad E5 Engberg, Maria N1 Etienne, Julian B10 Ebbrecht-Hartmann, Elkins, Evan I2 Erb, Cynthia R4 Evans, Christine U17 Tobias F5 Ellcessor, Elizabeth C8 Ericsson, Susan E11 Everett, Anna M11 Edwards, Caroline G15 Ellis, Matthew B6 Erigha, Maryann I18 F Fabbri, Lorenzo U9 Feng, Peter M7 Florini, Sarah H18 Fratini, Dawn S4 Faber, Liz G3 Fenner, Angelica Q15 Floyd, Jacob E6 Freedman, Eric J10 Fabian, Rachel A11 Ferguson, Kevin K3 Fojas, Camilla C18 Fresko, David T14 Fahlstedt, Kim Khavar N17 Ferrari, Chiara O3 Foltz, Jonathan O17 Friedman, Lester Q12 Fairfax, Daniel E20 Field, Allyson Nadia L4 Forcier, Kaitlin P20 Friedman, Ryan G11 Falcao, Andrew D1 Fileri, Paul M20 Fornoff, Carolyn S18 Friedman, Seth K13 Fallon, Kristopher K5 Filimon, Monica A1 Forster, Nicholas D16 Froula, Anna G15 Fallows, Tom G10 Firunts, Mashinka N7 Fortmueller, Kate V2 Fuchs Sampson, Sarah U12 Fan, Victor L13 Fischer, Lucy P11 Fossati, Giovanna F17 Fuery, Kelli M13 Fauteux, Brian E18 Fish, Laura J9 Fowler, Catherine C9 Fuhrmann, Arnika G8 Fay, Jennifer L10 Fisher, Austin M12 Fowler, Daren B11 Fuhs, Kristen T10 Fazekas, Angie F18 Flaig, Paul G11 Frahm, Laura S5 Fulton, Maxfield B12 Fedorova, Ksenia T9 Flanagan, Kevin K2 Francis, Marc R7 Furstenau, Marc B8 Fee, Annie P4 Fleeger, Jennifer J11 Francis, Mary N16 Furuhata, Yuriko M3 Fee, Matthew Q4 Fleming, Ann-Marie A10 Franco Monteiro, Camila F18 Fusco, Katherine B5 Feil, Ken F8 Fleury, James P16 Frank, Hannah P18 Feld, Mary N9 Flinn, Caryl J11 Franklin, Samuel N2 Felschow, Laura T12 Flint-Nicol, Katerina D4 Franklin, Seb H6 G Gabara, Rachel R8 Garin, Manuel F3 Gillespie, Michael B. O7 Goodwin, Hannah L17 Gabbard, Krin J11 Gates, Racquel A6 Gilmore, James P1 Gordon, Marsha L4 Gaboury, Jacob M15 Gauch, Suzanne E9 Ginsberg, Terri S15 Gorfinkel, Elena I19 Gadassik, Alla P18 Gauthier, Philippe T5 Girgus, Sam B. U17 Gorton, Kristyn R11 Gailey, Elizabeth P9 Gaycken, Oliver F16 Girina, Ivan T20 Gow, William N17 Gaines, Jane O12 Geiger, Jeffrey L1 Gish, Harrison U19 Granata, Yvette O11 Galili, Doron L2 Gelinas, Melissa I1 Gleesing, Elizabeth Q3 Grant, Barry Keith S3 Gallagher, Mark P5 Gendler, Jason S20 Gleeson-White, Sarah A13 Grant, Catherine N16 Gallope, Michael D18 George, Amir I17 Gleich, Joshua Q18 Grant, Paul J15 Gamboa, Ricardo A6 Gerhardt, Christina J15 Glenn, Clinton H17 Grasso, Julianne R3 Ganeva, Mila G5 Gerstman, Victoria C10 Glick, Joshua K11 Graves, Hannah M14 Gao, Victoria C13 Gharabaghi, Hadi J6 Goeringer, Lyn N1 Gray, Jonathan R18 Garcia Blizzard, Monica C1 Ghawanmeh, Mohannad R14 Goetz, Christopher I8 Gray, Katherine R7 Garcia, Desiree N12 Ghazal, Ahmed S15 Golán, Antonio Q11 Greenberg, Slava C20 García, Frank F7 Ghosh, Bishnupriya N13 Goldschmitt, Kariann C17 Greene, Liz T19 Garcia, Suzi A4 Gibbs, John L6 Goldstein, Leigh L7 Greene, Shelleen U9 Garcia-Crespo, Naida F7 Giggey, Lindsay I5 Gomery, Douglas P19 Greene, Viveca J3 Garde-Hansen, Joanne R11 Gilbert, Anne U18 Gonzales, Racquel A17 Greenhough, Alexander F1 188 Garibaldi, Hannah J16 Gillan, Jennifer R11 Good, Katie N2 Greenwood, Forrest E10 Index

Griffin, F. Hollis T17 Grocher, Kimberly I18 Guan, Cassandra U2 Gunn, Jenny D20 Griffin, Sean H11 Groening, Stephen R1 Guarana, Bruno F1 Gunning, Tom H19 Griffis, Noelle K11 Groskopf, Jeremy O16 Guenther-Pal, Alison H1 Gurney, David V11 Griffiths, Alison P4 Grossman, Julie Q7 Guha, Malini U13 Gursel, Zeynep N6 Grinberg, Daniel K5 Grube, Katherine B7 Guins, Raiford F4 Gutierrez-Albilla, Grisham, Therese U16 Grundmann, Roy N12 Gunckel, Colin F7 Julian Daniel I7 Gyenge, Andrea V10 H Haenni, Sabine G17 Hark, Ina Q4 Heffes, Gisela S18 Holmlund, Christine O2 Hageman, Eva B3 Harrington, Andrew I4 Hemphill, Libby O13 Holt, Jennifer N19 Haggins, Bambi D3 Harrington, Catherine V11 Hendershot, Heather E12 Hongisto, Ilona Q9 Hagin, Boaz B14 Harris, Rachel S. F5 Henderson, Lisa S12 Hoof, Florian K7 Hagood, Mack C3 Harrison, Rebecca E1 Hentrich, Nicole F13 Hook, Jamie T12 Hakimi, Jedd D11 Harrod, Mary B16 Herbert, Daniel R6 Horak, Laura Q19 Halabi, Nour C2 Hartman, Ian R9 Herhuth, Eric A20 Horbinski, Andrea J10 Halbout, Gregoire E17 Hartzheim, Bryan C16 Herzog, Amy I19 Horeck, Tanya P9 Haliliuc, Alina J1 Harvey, Eric C3 Hessler, Jennifer P15 Horsburgh, Tim M2 Hall, Sara G5 Hassapopoulou, Marina I13 Higgins, Scott P16 Horton, Justin L9 Hallas, Roger Q3 Hassoun, Dan O5 Highfield, Tim S19 Horton, Zach H13 Halle, Randall E20 Hastie, Amelie U10 Hill, Erin N19 Horwitz, Jonah T5 Hallman, Philip F10 Hatch, Kristen D16 Hills, Matt G9 Howell, Charlotte I5 Hamad, Hannah, O12 Hatchell, Rusty V13 Hilsabeck, Burke I1 Hoxter, Julian S3 Hamblin, Sarah T14 Hauser, Brian T7 Himberg, Julia E19 Hoyt, Eric N16 Hammett-Jamart, Julia L8 Hawkins, Joan I17 Hinck, Ashley H5 Hu, Brian M7 Han, Benjamin T16 Hayashi, Mitsuhiro V7 Hinojos, Sara M6 Hu, Tung-Hui Q13 Han, Lisa O8 Hayward, Joni G1 Hipps, Matthew B8 Hua, Chaorong D11 Hangartner, Selina I1 Hayward, Mark U4 Hitchcock Morimoto, Lori E4 Huang, Erin L15 Hanna, Erin D15 He, Belinda R10 Hodge, James N7 Hubbell, Matthew K13 Hanna, Monica I13 Healey, Cara M10 Hoeckner, Berthold D18 Hubbert, Julie K4 Hans, Anjeana G5 Hearst, Kathryn A14 Hoffman, Judy M2 Hudson, Dale A9 Hanson, Britta D13 Heberer, Feng-Mei H2 Hofmann, Maria Q15 Hughes, Kit J13 Hanson, Christopher J8 Heck, Kalling A20 Hogan, Lindsay I5 Huhtamo, Erkki C19 Hanstein, Ulrike C5 Heckman, Heather T6 Hogan, Mél E3 Hui, Calvin L15 Hargraves, Hunter B15 Hedling, Olof A2 Holdsworth, Amy O2 Humbert, Brigitte G1 Hariharan, Veena F15 Heffelfinger, Elizabeth D8 Holland, Timothy T13 Hunter, Pia U18 I Icreverzi, Kimberly H2 Igarashi, Yoshikuni H20 Ivanova, Mariana K8 Iddins, Annemarie S1 Imre, Aniko R18 J Jacks, Wesley E8 Jelaca, Dijana H1 Johnson, David B9 Jones, Timothy G13 Jackson, Josh T18 Jenkins, Bruce C6 Johnson, Derek R19 Jong, Tien-Tien K15 Jacobs, Carolyn F14 Jenkins, Eric D5 Johnson, Jane’a E14 Joseph, Daniel K18 Jacobs, Lea N16 Jennings, Stephanie H8 Johnson, Victoria J4 Joseph, Rachel M13 Jacobs, Steven G19 Jeong, Areum P10 Johnston, Alexander P13 Jung, Grace E15 Jacobson, Brian G16 Jesson, Claire B17 Johnston, Andrew E10 Jung, Sookeung O3 Jafri, Beenash Q8 Jhingan, Shikha I11 Johnston, Jessica D13 Jagoda, Patrick T2 Jiang, Meng B7 Johnston, Nessa O18 Jaher, Diana V2 Jo, Ennuri P20 Jones, Ian R3 Jaramillo, Deborah E14 Jochum, Elisa R9 Jones, Martha V14 Jeffers McDonald, Tamar P8 Johnson, Daniel R3 Jones, Nick I14 189 Index K Kaapa, Pietari N20 Kataoka, Yusuke A7 Kim, Dong Hoon E7 Koob, Nathan F10 Kackman, Michael N3 Kaushik, Ritika D2 Kim, Kyung Hyun L14 Korn, Jenny H18 Kafer, Gary N18 Kavka, Misha J18 Kim, Se Young L14 Koutras, Konstantinos H16 Kaganovsky, Lilya O14 Kearney, Mary Celeste J17 Kim, So Hye U1 Kovecsi, Aniko H17 Kaimana, Lokeilani G18 Keating, Patrick J2 Kim, Ungsan G8 Kozma, Alicia E8 Kakoudaki, Despina S7 Keeler, Amanda L16 Kimball, Danny R20 Krane, Ece Üçoluk S8 Kalinak, Kathryn J11 Keeling, Kara G18 Kim-Cohen, Seth D18 Kraszewski, Jon I14 Kamil, Meryem Q13 Keil, Charlie L2 Kinney, Katherine U20 Kredell, Brendan O13 Kaminska, Aleksandra P13 Kein, Kathryn I3 Kinoshita, Chika A7 Krefting, Rebecca J3 Kamm, Frances D4 Keller, Jessalynn M11 Kirchner, Carolin D1 Kressbach, Mikki G16 Kanai, Akane H3 Keller, Sarah F19 Kirkendoll, Elizabeth T15 Kreutzer, Evelyn U7 Kang, Jennifer E16 Kelley, Andrea C3 Kirsch, Corinna N1 Krstić, Igor Q11 Kang, Kristy H.A. V3 Kelley, Bailey B6 Kirtz, Jaime O9 Kruger-Robbins, Benjamin H1 Kang, Ling P10 Kelley, Michelle H14 Kitamura, Kyohhei V7 Krzych, Scott B14 Kanno, Yuka I20 Kendall, Matthew P14 Klein, Amanda Ann P17 Kubo, Yutaka A7 Kaplan, E. Ann Q12 Kendall, Tina S10 Klinger, Barbara Q4 Kuhn, Virginia K3 Kaplan, George M17 Kennedy, Ian L9 Klippel, Heike L18 Kumar, Sangeet C15 Kaplan, Louis H19 Kercher, Dona P5 Knapp, Jonathan K20 Kumar, Shanti R18 Kapse, Anupama N8 Kerner, Aaron T8 Knee, Adam N14 Kunze, Peter T12 Kapur, Jyotsna K1 Kerrigan, Paraic K17 Knutson, Matthew A12 Kunzelman, Cameron L11 Kara, Selmin K10 Kessler, Kelly V12 Kocurek, Carly J8 Kushigemachi, Todd K7 Karaduman, Arzu L9 Khor, Denise N17 Kohnen, Melanie R11 Kushner, Scott R9 Karahalios, Harry D20 Kidman, Shawna F2 Kokas, Aynne O10 Kustritz, Anne V17 Kase, J. Carlos I19 Kiewik, Rosita D8 Kompare, Derek O1 Kutnicki, Saul D7 Kasic, Kathy I9 Kilbourn, Russell G6 Konzett, Delia B5 L Laamanen, Carl V10 Lee, Nathan K10 Linscott, Charles L11 Lovatt, Philippa O2 Labuza, Peter T5 Lee, Soo Hyun K14 Lipman, Ross F17 Lovejoy, Alice R2 Lafontaine, Andree B5 Lefebvre, Isabelle Q6 Lischer-Katz, Zack F17 Lowenstein, Adam G14 Lagerwey, Jorie B15 Leggatt, Matthew B6 Lison, Andrew H16 Lowood, Henry F4 Lanckman, Lies H5 Lehman, Katherine B16 List, Christine K1 Lu, Wan-Jun E13 Landa, Amanda T7 Leigh, Michele C14 Litwack, Michael O20 Lu, Yi K14 Landay, Lori I3 Lenos, Melissa P17 Liu, Hui K14 Lubecker, Nikolaj E2 Landsberg, Alison U11 Leonard, Suzanne L7 Liu, Linda B11 Lucia, Cynthia N12 LaPlaca, Laura H14 Leppert, Alice P3 Lizardi, Ryan G9 Luckett, Josslyn S14 Laramee, Michael A2 Leppla, Dominic G2 Llamas Rodriguez, Juan Q13 Luckett, Moya L7 LaRocco, Michael T2 Lerner, David S14 Lo, Dennis C7 Lugowski, David F8 Larsen, Miranda D15 Lerner, Sarah C5 Lockett, William Q20 Luhr, William P7 Larson, Susan M5 Lesnik, Peter E9 Lodhie, Lindsey S9 Luikens, Georgia A18 Larsson, Mariah Q17 Lester, Peter U10 Lohmeyer, Edwin V8 Lunden, Elizabeth Q5 Latsis, Dimitrios H15 Leung, Man Tat Terence J15 Long, Cooper B9 Lundy, Tiel M14 Lausch, Kayti O15 Levavy, Sara V16 Long, Derek B17 Lupher, Sonia N14 Lavelle, Julie A16 Levine, Elana O19 Longo, Vincent U12 Lury, Karen O2 Lavin, Maud E4 Lewis, Jon P4 Loock, Kathleen G9 Lusnich, Ana Laura J7 Lawrence, Michael T1 Leyda, Julia G9 Lopez, Ana H7 Lyons, James V5 Le, Phuong T8 Lie, Sulgi V4 Lopez, Jason A12 Lysen, Flora F16 Lee, Jennifer Dorothy B7 Lim, Michael T18 Lopez, Lori M7 Lee, Jungmin C13 Limbrick, Peter Q1 Loukopoulou, Katerina A15 Lee, Nam E11 Linkof, Ryan L5 Loutensock, Kristen C20

190 Index M MacDonald, Scott H19 Mattingly, Emily B11 Mendez, Godofredo A17 Monticone, Paul J2 Macek, Steve N11 Maurice, Alice E15 Menne, Jeffrey S5 Moore, Candace K18 Maciak, Phillip C12 Mayer, Vicki N16 Mercer, Leigh M5 Moore, Jeremy A10 MacLennan, Anne U3 McClearen, Jennifer I4 Merlo, Marina V9 Moore, Paul U3 Magee, Jeff T12 McClune, Caitlin U15 Metz, Walter J14 Moorman, Jennifer V11 Major, Anne Q14 McCormick, Casey D19 Meyers, Cynthia J13 Moralde, Oscar U19 Majumdar, Neepa N8 McCracken, Allison H11 Michael, Charlie B2 Morana, Ana I7 Malakaj, Ervin G5 McCune, Jeffrey A6 Michell, Kalani M9 Morgan Parmett, Helen S1 Maland, Chuck S16 McDonald, Matthew G4 Middents, Jeffrey V19 Morgan, Daniel V4 Malcic, Steven P13 McDonald, Paul R6 Middleton, Jason Q9 Morgenstern, Tyler O8 Malitsky, Joshua G2, I4 McDonald, Terrance O11 Mihailova, Mihaela P18 Morrill, Cynthia S7 Malkowski, Jennifer S19 McElroy, Dolores R7 Mihalka, Matthew G4 Morris, Darcey K16 Mamula, Tijana U1 McEwan, Paul D9 Miles, Christopher O20 Morris, Jeremy C8 Manabat, Sheena I6 McGeehan Muchmore, Miller, April U6 Morris, Justin A1 Mandusic, Zdenko D14 Devin G10 Miller, Barbara L5 Morrison, James K17 Manocchio, Caitlin K9 McGough, Laura S20 Miller, Daniel H17 Morrissey, Katherine T15 Manzoni, A. Carla T13 McHugh, Kathleen K9 Miller, Jade N20 Morrow, Katherine Q2 Maragh, Raven E6 McIntosh, Heather M2 Miller, Nicholas G16 Morse, Nicole Erin N18 Marcone, Jorge S18 McKee, Alison U16 Miller, Quinn P6 Morton, Paul U1 Marcus, Daniel R20 McKenna, Anthony U12 Miller, Taylor Cole I2 Mowchun, Trevor I9 Marghitu, Stefania P3 McKenna, Denise L2 Miner, Kyle G1 Mukherjee, Dhrubaa A19 Marks, Martin K4 McKim, Kristi T11 Minervini, Amanda S16 Mulvin, Dylan G20 Marsh, Leslie I7 McKinney, Cait N13 Minett, Mark F10 Murdock-Hinrichs, Isa E9 Marsh, Steven P2 McKnight, Anne L13 Mishou, Aubrey D15 Murphy, Brittany H15 Marshall, Bill N5 McLaughlin, Andrew F15 Mitric, Petar L8 Murphy, Caryn V12 Martin, Alfred P6 McLean, Adrienne L. P8 Mittell, Jason K3 Murphy, David I15 Martin, Catherine U10 McMurria, John H13 Miyamoto, Akiko V7 Murphy, Ian D19 Martin, Nina T7 McNutt, Myles D19 Mizejewski, Linda I3 Murphy, Sheila P15 Martins, Pablo Goncalo M9 McQueen, Amanda O9 Mjolsness, Lora C14 Murray, Dara M11 Marx, John J6 McVittie, Nancy Q12 Model, Katie A11 Murray, Sarah C8 Marx, Nick R13 Meaney, Amy V16 Moffet, Frédéric S13 Murray, Timothy A9 Marzola, Luci V6 Meek, Michele Q16 Mohan, Sriram R18 Murugan, Meenasarani T16 Massanari, Adrienne H8 Meeuf, Russell S4 Mok, Denise F14 Musante, Lawrence U6 Massiah, Louis C4 Mehta, Ritesh B19 Monaghan, Amy R17 Musegades, Paula A18 Massood, Paula J. N12 Melnick, Ross Q5 Montanez Smukler, Maya R12 Musser, Charles Q3 Materre, Michelle I18 Mendelyte, Atene C13 Monteiro, Stephen R9 Myers Baran, Jennifer S4 Mathiason, Jessica C12 Mendez, Danny M6 Montgomery, Colleen C14 Myers, Andrew J5 N Naessig, Eric A16 Ndounou, Monica O15 Neves, Joshua N13 Noble-Olson, Matthew H16 Nagib, Lucia K6 Nedyalkova, Maya G17 Newfield, Christopher J6 Nooney, Laine Q20 Nagypal, Tamas U17 Needham, Gary F8 Newman, Kathleen J7 Norén, Fredrik D8 Nakama, Julie J5 Negra, Diane G14 Newman, Michael Z. S19 Nygaard, Taylor B15 Nam, Inyoung E11 Negri, Sabrina F17 Ng, Eve P6 Naremore, James P7 Nelson, Andrew K13 Nguyen, Hoang Tan H2 Naruse, Cheryl Narumi E7 Nelson, Kim C9 Nguyen, Qui Ha J9 Nassiri, Hamidreza N9 Nerenberg, Ellen U9 Niebel, Jessica L5 Nathanson, Elizabeth T10 Nesbet, Anne P14 Niebylski, Dianna I7 Nault, Curran S17 Ness, Richard J11 Nieland, Justus S5 Navarro, Vinicius K15 Neuberger, Joan O14 Noah, Temitope Abisoye D20

191 Index O Obradovic, Sanja M1 Olsson, Jan P11 Orzel, Charlotte K7 Ouellette, Laurie Q2 O’Brien, Morgan O4 O’Meara, Jennifer O18 Osborne-Thompson, Oukaderova, Lida D14 O’Brien, Sarah B20 O’Neill, Dan A7 Heather D10 Overpeck, Deron M14 Och, Dana P17 Ono, Kent A. P12 Oscarson, Christopher F9 Owens, Andrew P6 Odabasi, Eren G17 Opolski, Debora Regina O18 Osterweil, Ara J19 Oyallon-Koloski, Jenny H15 Olivier, Marc J18 Ordonez, Samanta F1 Ostherr, Kirsten D12 Ozturkmen, Arzu C2 Olney, Ian N14 O’Rourke, Chris E15 Ostrofsky, Kathryn M4 P Paasche, James E1 Patino, Stephen B1 Petruska, Karen F2 Polonyi, Eszter V2 Pafort-Overduin, Clara P19 Patterson, Eleanor I2 Petrychyn, Jonathan H17 Pomerance, Murray U5 Page, Allison Q2 Patti, Lisa D9 Pettersen, David V20 Pomp, Joseph P20 Pahwa, Sonali V9 Patton, Elizabeth K11 Petty, Miriam D3 Pooley, Jefferson G15 Paiva, Samuel K6 Paulesc, Marie-Louise J1 Phillips Jr., Michael W I17 Porst, Jennifer D3 Pajala, Mari S1 Pavlounis, Dimitrios N1 Phillips, Wyatt E8 Pow, Whitney I8 Pal, Soumik V13 Pavsek, Christopher C4 Phruksachart, Melissa T16 Powell, Ryan I19 Palmer, Landon C3 Payne, Matthew O4 Pickard, Victor M4 Powers, Devon C8 Palmer, Lindsay K5 Payton, Philana E6 Pidduck, Julianne S13 Powers, John C6 Palmer, Lorrie G3 Pearson, Benjamin N20 Pierson, Ryan P18 Pozo, Diana I8 Palmer, Lucia B10 Pederson, Claudia A9 Pigott, Michael N10 Pramaggiore, Maria K17 Palmer, Tim D8 Pekun, Didem O6 Pike, Kirsten S6 Pranolo, Jennifer T20 Pande, Rukmini F18 Penix-Tadsen, Phillip G7 Pinion, KT K17 Pratt, David K2 Panuska, Sarah B4 Peretz, Eyal V4 Pinkowitz, Jacqueline F14 Press, Andrea R12 Pape, Toni Q9 Perkins, Claire P12 Pinon, Juan O3 Prince, Stephen K13 Paranyuk, Viktoria D14 Perkins, Matthew G4 Piotrowska, Agnieszka L1 Pringle, Thomas Patrick U2 Parisi, David C19 Perlman, Allison M4 Piper, Timothy V5 Proctor, Jennifer C6 Park, Linette T13 Perna, Joseph D16 Pitre, Jake T4 Projansky, Sarah P12 Parker, Felan K18 Perren, Alisa T3 Plantinga, Carl S10 Pugen, Adam V10 Parks, Lisa K5 Peters, Ian B6 Plescia, Mariko U13 Pummer, Claudia B12 Parry, Kyle V15 Petersen, Christina D4 Plothe, Theo O13 Punathambekar, Aswin R18 Pasek, Anne A8 Peterson, Jennifer L10 Plotnick, Rachel C19 Purse, Lisa G3 Pastel, Renee H13 Petro, Patrice O19 Pollmann, Inga L3 Pustay, Steven A8 Q Qian, Ying F20 Quanz, Katherine E6 Quinn, Gordon M2 R Rabin, Lisa M20 Reck Miranda, Suzana L6 Renov, Michael Q2 Rodriguez-Arbolay, Raengo, Alessandra L11 Redrobe, Karen F6 Restivo, Angelo V8 Gregorio Pablo S13 Raheja, Michelle Q8 Rees, Emily V6 Richler, David V19 Rodriguez, Richard N5 Rai, Swapnil J5 Reese, Carrie I9 Richmond, Scott I10 Rogers, Ariel L1 Raine, Michael H20 Regester, Charlene R14 Rios, Edwardo E17 Rogers, Kenneth O5 Raju, Zakir Hossain J15 Rehak, Bob J2 Rittmayer, Allison Q3 Rogers, Maureen G10 Ralph, Sarah H3 Reich, Jacqueline G14 Rivero, Yeidy R6 Rogerson, Benjamin K2 Ramirez, Javier B10 Reimer, Bo D12 Roach, Tom I10 Roggen, Sam A8 Rangan, Pooja M15 Reinhartz, Adele D9 Robe, Chris J1 Rojas, Carlos F20 Rauber Rodriguez, Emily E12 Reinsch, Paul E13 Roberts, Sarah T. S12 Romero, Jenny Q5 Ravetto-Biagioli, Kriss E2 Remes, Justin C6 Robinson, Linda E11 Rosen, Marjorie R12 Rawle, Steve R15 Rennebohm, Katherine O11 Roburn, Shirley D6 Rosenow, James M14 Rawlins, Justin B13 Rennett, Michael P3 Rocha, Carolina P2 Rositzka, Eileen L20

192 Index

Rosner, Marley G20 Rothman, William R16 Ruehlicke, Andrea V9 Russo, Alexander E18 Ross, Allison C13 Roy, Rajendra L5 Ruetalo, Victoria B18 Russworm, TreaAndrea H4 Ross, Sharon V12 Rozsa, Irene F7 Ruiz, Rafico O8 Rustad, Gry Cecilie P3 Ross, Steven S16 Ruberg, Bonnie I8 Rushton, Richard O5 Rutkoff, Rebekah J19 Rossman, Margaret D15 Rubinkowski, Leo E8 Russell, Catherine C11 Ryabchikova, Natalie B18 Rothery, Jason C10 Rueda, Carolina G1 Russell, Kate O17 S Saber, Zeke D11 Schonig, Jordan T9 Siegel, Carol Q16 Spence, Steve A19 Sacco, Daniel A14 Schooneknaep, Ilse M8 Siegel, Greg R2 Sperb, Jason A17 Saidel, Emily A17 Schoonover, Karl F6 Sienkiewicz, Matt I5 Spiers, Aurore T8 Saint-Just, Sophie A1 Schreiber, Michele P12 Sierra, Wendi J8 Spigel, Lynn P11 Salamandra, Christa C2 Schroeder Rodriguez, Paul P2 Sieving, Christopher J17 Stadler, John Q16 Saljoughi, Sara T11 Schroeder, Jordan R5 Silberman, Robert N11 Stailey-Young, Amos A5 Salter, Anastasia J8 Schultz-Figueroa, Silverstein, Kathryn R4 Stamm, Laura S17 Saltz, Zach S4 Benjamin U15 Simmons, William J. S17 Stamp, Shelley O12 Salvato, Nick T17 Schwartz, Daniel F11 Simon, Victoria G20 Starosielski, Nicole E3 Samardzija, Zoran C14 Sciachitano, Marian N11 Simonyi, Sonja M12 Starr, Deborah R14 Samer, Roxanne G18 Scoggin, Lisa S2 Sinervo, Kalervo I15 Steele, Catherine Knight H18 Sammartino, Eleonora A19 Sconce, Jeffrey H9 Singer, Ben F16 Steimatsky, Noa J19 Sammond, Nicholas O7 Scott, Ellen V14 Singleton, Daniel T15 Stein, Erica K11 Sample, Mark K3 Scott, Karly-Lynne U6 Sinha, Babli C17 Steinberg, Marc L13 Samuel, Kiran F15 Scott, Suzanne R19 Skjerseth, Amy D18 Steinbock, Eliza Q19 San Filippo, Maria Q16 Sea, Debra U18 Skopal, Pavel K8 Steinhart, Daniel Q5 Sancakdar, Eda U4 Seiter, Ellen P3 Skoptsov, Mikhail N14 Steinhauer, Margaret E16 Sanchez Prado, Ignacio H7 Selznick, Barbara R4 Slifkin, Meredith C11 Steirer, Gregory T3 Sandberg, Mark T4 Sen, Bish H13 Sloper, Amy T6 Stenger, Josh O13 Sandler, Monica J14 Sen, Meheli N8 Slowik, Michael U7 Stenport, Anna Q17 Sandvoss, Cornel D6 Sen, Priyanjali A13 Smith, Ashley J. H14 Stern, Lesley L10 Sanson, Kevin E19 Serna, Laura Isabel L4 Smith, Ashley R. T7 Sterne, Jonathan O19 Santo, Avi R19 Service, Brett Q5 Smith, Greg R20 Steuer, Leah A10 Sarkar, Bhaskar N13 Sewell, Philip V1 Smith, Iain O17 Stevens, Kyle U5 Sarlin, Paige J19 Shahaf, Sharon O3 Smith, Jacob D5 Stewart, Jacqueline I17 Sathe, Namrata V11 Shanker, Priyadarshini A5 Smith, Jennifer T3 Stewart, Mark F13 Sattarova, Ellina U13 Sharma, Aparna H15 Smoodin, Eric P4 Stewart, Michelle I10 Scahill, Andrew K16 Sharma, Sudeep Q18 Smyth, J. E. N12 Stiffler, Brad S1 Scepanski, Philip A13 Sharot, Stephen B5 Smyth, Sarah A3 Stine, Kyle F11 Schaefer, Eric I19 Shary, Timothy Q12 Snelson, Daniel N7 Stjernholm, Emil Q17 Schaff, Rachel S7 Sheehan, Rebecca I13 Snickars, Pelle D8 Stob, Jennifer J1 Schatz, Thomas P19 Sheetrit, Ariel F5 Soderman, Braxton T20 Stoddard, Matthew O1 Schauer, Bradley B17 Sheldon, Karan I6 Solomon, Rory Q14 Stone, Nora U15 Scheibel, Will Q7 Shen, Qinna K8 Solomon, Stefan L6 Strassfeld, Benjamin J14 Scheible, Jeff I10 Sheppard, Samantha H4 Somaini, Antonio L3 Stratton, Cole Q14 Schleier, Merrill U16 Shepperd, Josh M4 Sommerfeld, Paul S2 Straubhaar, Joe N3 Schlotterbeck, Jesse J1 Sherman, Kevin K15 Soncul, S. Yigit U4 Street, Sarah I16 Schlumpf, Erin N4 Shiel, Mark P11 Sonenreich, Brooke U6 Streible, Dan I6 Schmenner, Will F16 Shimpach, Shawn R20 Song, H Rosi U8 Strobel, Nicole H14 Schmidt, Andrea A13 Shin, Jeeyoung C1 Song, Hojin C7 Strub, Whitney H10 Schmitt, Mary J17 Shpolberg, Masha G2 Song, Myoung-Sun F18 Stuckey, Andrew M10 Schneider, Molly J13 Shubert, Amanda B20 Spaulding, Hannah P15 Stuckey, Helen O4 Schnug, Caufield U2 Siddiqui, Gohar P5 Speck, Oliver A3 Sturtevant, Victoria I3

193 Index

Stutsman, Staci P9 Summers, Brandi B3 Swain, Sara R1 Symes, Katerina E13 Sulimma, Maria H9 Sunya, Samhita J9 Swalwell, Melanie O4 Szczepaniak-Gillece, Sullivan, Annie Laurie E18 Supp-Montgomerie, Jenna B1 Swamy, Vinay B2 Jocelyn O5 Sullivan, Patrick U7 Svensson, Alexander P1 Swanson, Dwight I6 Szczepanik, Petr M8 T Tait, R. Colin B13 Terry, Patrick J5 Tinic, Serra E1 Tsang, Raymond C7 Takacs, Stacy P15 Thain, Alanna Q9 Tischleder, Babette B. H9 Tsika, Noah L4 Takahashi, Tess F19 Thames, Ryan D17 Tiwary, Ishita D2 Tsunoda, Takuya H20 Talijan, Emilija V10 Thapa, Saundarya B1 Tong, Christopher L15 Tudor, Deborah K1 Tam, Agnes U1 Thimons, Alexander S10 Tongson, Karen B3 Tunc, Asli E5 Tan, Hiaw Khim B8 Thomas, Sarah U8 Treon, Matthew R17 Turcios, Michael C1 Tang, Aubrey P10 Thompson, Kirsten Trevitte, Chad U20 Turim, Maureen L18 Tang, Pao-chen N15 Moana I16 Trice, Jasmine O15 Turk, Tisha V17 Tanvir, Kuhu O19 Thompson, Matt D5 Trischler, Ronja G13 Turner, Graeme N3 Tarbell, Shannon S20 Thornham, Sue G14 Troon, Simon V8 Turvey, Malcolm G19 Tasker, Yvonne O12 Tieber, Claus K4 Trope, Alison L5 Tussey, Ethan F2 Taylor, Aaron S3 Tierney, Dolores H7 Troxell, Jenelle B4 Tyagi, Ila U11 Taylor, James S3 Tilton, Lauren H15 Tsai, Beth G17 Tzioumakis, Yannis P19 Tepperman, Charles I6 Ting, Grace I20 Tsai, Po-Chen G8 U Udy, Dan J10 Uhrich, Andy I17 Utterson, Andrew L17 Uhlin, Graig L10 Ungar, Steven R8 V Valle, Joseph V11 Vaughan, Hunter E3 Vicario, Niko S9 Vogan, Travis J4 Van den Troost, Kristof U14 Velioglu, Halide Q15 Vickery, Jacqueline E13 Von Vogt, Matt D17 Van Esler, Mike A10 Verheul, Jaap M8 Vieira, Joao Luiz J7 Vonderau, Patrick R6 Van Gorp, Jasmijn D8 Verhoeff, Nanna V3 Vielkind, Andrew T9 Vonderheide, Leah U20 VanCour, Shawn B19 Verhoeven, Deb U3 Villarejo, Amy T16 Vukoder, Bret H15 Vanderhoef, John K18 Verma, Neil D18 Vitaglione, Sylvie P1 Varndell, Daniel U5 Vesey, Alyxandra V13 Voci, Paola C9 W Wada-Marciano, Mitsuyo C11 Warren, Shilyh A14 Wexman, Virginia P7 Williams, Tami H15 Wagner, Keith B. K1 Warshaw, Sydney I15 Wheatley, Catherine G6 Williams, Tyler D10 Waldman, Diane R12 Wasser, Frederick P19 White, Courtney O1 Williamson, Colin L4 Walia, Ramna C16 Wasson, Haidee N10 White, Michele M11 Willis, Holly V3 Waliaula, Solomon N3 Watrous, Nancy I6 White, Patricia R7 Wilson, Booth E9 Walker, Janet E3 Watschke, Erik V1 Whitehead, Jessica B17 Wilson, Julie L7 Wallenbrock, Nicole S15 Watson, Julianna Blair B2 Whitehead, Joshua Q8 Win, Thong E1 Walsh, Michael L18 Waugh, Thomas S13 Whittaker, Tom U8 Windisch, Anna K4 Walton, S J18 Webb, Lawrence Q18 Whittington, Lea P8 Windle, Elisabeth B14 Waltonen, Karma R15 Weber, A. Dana D4 Wiedenfeld, Grant H16 Wing, Carlin F4 Wang, Hongjian R10 Weber, Brenda M11 Wijaya, Elizabeth V1 Wissner, Reba A18 Wang, Jennifer J13 Weber-Feve, Stacey T8 Wilcox, Charleen N15 Wlodarz, Joseph H11 Wang, Yiman F20 Weinberg, Lindsay V6 Wild, Jennifer G19 Wojcik, Pamela R12 Wanzo, Rebecca V14 Weinzimmer, Lauren S11 Wilkins, Christina C20 Wolf, Kelly C16 Ward, Meredith F11 Welsh, Kerrie T15 Wilkinson, Maryn S8 Wolf, Mark J.P. O9 Warner, Kristen D3 Wendorf, Bryan I17 Willems, Gertjan L8 Wolfe, Charles F3 Warner, Rick U5 West, Thomas J16 Williams, Danielle B19 Wolock, Lia M7 194 Warren, Charles R16 Westrup, Laurel T10 Williams, Mark H15 Wong, Mary Shuk-han U14 Index

Wong-Lerner, Shannon G11 Woodman, Brian T6 Wrather, Kyle L16 Wuest, Bryan O17 Woo, Benjamin T3 Woods, Eva M5 Wright, Esther S11 Wyatt, Justin T4 Wood, David J7 Woolsey, Morgan H11 Wucher, Joshua I14 Wynter, Kevin V20 X Xavier, Subha B2 Y Yamamoto, Naoki E20 Yarborough, Richard V14 Youmans, Greg N5 Yu, Kiki Tianqi S6 Yamazaki, Junko T11 Yeh, Emilie R6 Young, Ashley S14 Yu, Mingyi Q20 Yan, Yuqian T11 Yildiz, Burcu C2 Young, Cynthia A. B3 Yuce, Ahmet V8 Yanders, Jacinta P17 Yochim, Emily L7 Young, Damon H6 Yue, Genevieve M15 Yang, Ling E4 Yoo, Hyon Joo L14 Young, Katie I11 Yumibe, Joshua I16 Yang, Mei M10 Yoon, Soyoung F19 Yu, Chang-Min B9 Yang, Panpan A19 Yosef, Raz K9 Yu, Danju R10 Z Zaher, Lisa H19 Zhang, Junjun P10 Zhu, Yanhong U14 Zubel, Marla G2 Zahlten, Alexander L13 Zhang, Ling N4 Zigterman, Kaitlynn I11 Zulkarnain, Iskandar D9 Zakri, Maggie D7 Zhao, Jamie J E4 Zimanyi, Eszter C17 Zulueta, Ricardo E. S11 Zarzosa, Agustin C11 Zhao, Xinyi U14 Zimmermann, Patricia A9 Zeffiro, Andrea S12 Zheng, Xiqing Q10 Zolides, Andrew V15 Zemel, Dustin K15 Zhou, Chenshu R10 Zryd, Michael J6

195 U FIFTH ANNUAL SCMS Undergraduate Conference April 20-22, 2017 • Minneapolis Hosted by The University of Minnesota The Society for Cinema and Media Studies is proud to announce its support for the fifth annual Society for Cinema and Media Studies Undergraduate Conference. Originating at the University of Notre Dame in 2013, The SCMS Undergraduate Conference offers undergraduate students a forum to present papers representing their best work in the field. Each year, a panel comprised of faculty from the host institution selects the best papers from the proposals received. In 2017, the panel will be composed of faculty from the University of Minnesota. The resulting conference allows undergraduate students the rare opportunity to share their cinema and media history, criticism, and theory work with peers from across the country. We ask that you tell your undergraduate students about the conference. As mentioned, this year it will be held at The University of Minnesota Twin Cities Campus, April 20–22, 2017. The 2018 Conference will be hosted by the faculty of Wilfrid Laurier University in Waterloo, Ontario, Canada. The deadline for submitting to this year’s conference has passed but members are encouraged to think about the 2018 conference. More information about next year’s conference will be available on the SCMS website in the fall. Questions about the 2017 conference should be directed to Dr. Graeme Stout, at the University of Minnesota ([email protected]). If your institution is interested in hosting the undergraduate conference in the future, please contact Jill Simpson ([email protected]). For the call for papers, please visit https://cmstudies.site-ym.com/?page=undergraduate from from Duke University Press

Camera Obscura Poetics Today Lalitha Gopalan, Lynne Joyrich, Homay King, Brian McHale, editor Bliss Cua Lim , Constance Penley, Tess Takahashi, Patricia White, and Qui Parle Sharon Willis, editors Simone Stirner and Jordan Lev Greenwald, editors Cultural Politics John Armitage, Ryan Bishop, Social Text and Douglas Kellner, editors Tavia Nyong’o and Neferti X. M. Tadiar, editors differences Elizabeth Weed and Ellen Rooney, editors Theater Tom Sellar, editor New German Critique David Bathrick, Andreas Huyssen, Media Studies Journals Studies Media and Anson Rabinbach, editors

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SUPERMAN DISNEY CULTURE ZOMBIE CINEMA DIGITAL MUSIC NEW AFRICAN The Persistence of an John Wills Ian Olney VIDEOS CINEMA American Icon paper $17.95 paper $17.95 Steven Shaviro Valérie K Orlando Ian Gordon paper $17.95 paper $17.95 paper $28.95 A volume in the Comics Culture series VISIT OUR TABLE!

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HOLLYWOOD’S ABSTINENCE SOCIOLOGY ON FILM REPUBLIC ON THE DESIGNING SOUND HAWAII CINEMA Postwar Hollywood’s WIRE Audiovisual Race, Nation, and War Virginity and Prestige Commodity Cable Television, Aesthetics in 1970s Delia Malia Caparoso the Rhetoric of Chris Cagle Pluralism, and the American Cinema Konzett Sexual Purity in paper $26.95 Politics of New Jay Beck paper $27.95 Contemporary Film Technologies, paper $28.95 A volume in the War Casey Ryan Kelly 1948-1984 A volume in the Techniques Culture series of the Moving Image series paper $26.95 John McMurria paper $27.95

Behind the Silver Screen Series

New in Paper NEVER DONE EDITING AND FANTASIES OF COSTUME, MAKEUP, SPECIAL/VISUAL NEGLECT THE WRITERS A History of Women’s AND HAIR Work in Media Edited by EFFECTS Imagining the Urban A History of American Edited by Charlie Keil Production Adrienne L. McLean Child in American Screenwriters and Erin Hill and Kristen Whissel Film and Fiction Their Guild paper $27.95 Pamela Robertson Miranda J. Banks paper $27.95 paper $27.95 Wojcik paper $29.95 paper $27.95 A volume in the Rutgers Series in Childhood Studies VISIT OUR TABLE! Visit our website and sign up for news and special offers. eNewsletter Sign Up rutgersuniversitypress.org Receive free email alerts

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School of Extended and International Education

True Degrees Take Grit.

Presented by Sonoma State University M.A. Film Studies Degree Program Two tracks — Film Studies and Digital Media, grounded in the fundamentals of film history and theory. Starting Fall 2017 Now accepting applications www.sonoma.edu/exed/film 707.664.2394 1801 East Cotati Avenue, Rohnert Park, CA 94928-3609 M.A. Film Studies is made possible with a partnership between the School of Extended & International Education and the School of Arts & Humanities. University of Wisconsin — Milwaukee MEDIA, CINEMA, AND DIGITAL STUDIES Building on its traditions of innovative graduate study in cinema and critical theory,

UW-Milwaukee’s English Department offers a unique, interdisciplinary graduate

curriculum in Media, Cinema, and Digital Studies. The Master’s and Doctoral

program combines studies of film, media, and popular culture with studies of

developing digital technologies and textualities. Students are encouraged to pursue

their own areas of concentration from courses in film television FACULTY Gilberto Blasini: third cinemas, cultural studies, film and television criticism; Dave Clark: digital textualities, web production and theory; Richard media theory Grusin: digital theory, science and technology studies, philosophy; Lane Hall: cultural studies activism and tactical media, experimental narrative, multimedia production; critical theory Jennifer Johung: digital culture, media art, performance studies; Thomas Malaby: game studies, video game industry and culture; Stuart Moulthrop: game multimedia writing studies, digital theory, digital literature; Tasha Oren: cultural studies, global alternative textual media history/theory, television, screenwriting; Peter Paik: world cinema, anime, production political philosophy; Peter Sands: science fiction, utopianism, technoculture, law; Jocelyn Szczepaniak-Gillece: American exhibition, spectatorship, special effects technology and screen technology; Tami Williams: French cinema, early cinema, digital digital studies culture. game studies technology theory

For more information, visit media.uwm.edu and more or contact Tami Williams, Coordinator, [email protected]

N E W from O X F O R D

Hollywood Aesthetic Rock 'N' Film Projections of Memory Pleasure in American Cinema Cinema's Dance With Popular Music Romanticism, Modernism, and the TODD BERLINER DAVID E. JAMES Aesthetics of Film 2017 320 pp. 100 illus. 2016 488 pp. 73 illus. RICHARD I. SUCHENSKI Paperback $39.95 Hardcover $35.00 2016 336 pp. 80 color illus. Paperback $24.95 Split Screen Nation The Documentary Film Reader Moving Images of the American History, Theory, Criticism Roland Barthes' Cinema West and South Edited by PHILIP WATTS SUSAN COURTNEY JONATHAN KAHANA 2016 216 pp. 9 illus. 2017 328 pp. 400+ illus. 2016 1056 pp. 91 illus. Paperback $24.95 Paperback $35.00 Paperback $65.00 Locating the Voice in Film William Faulkner at Twentieth Pleasing Everyone Critical Approaches and Global CenturyFox Mass Entertainment in Renaissance Practices The Annotated Screenplays London and GoldenAge Hollywood Edited by TOM WHITTAKER SARAH GLEESON-WHITE JEFFREY KNAPP and SARAH WRIGHT 2017 968 pp. 19 illus. 2017 312 pp. 129 illus. 2016 336 pp. 35 illus. Hardcover $99.00 Hardcover $35.00 Paperback $35.00

Film is Like a Battleground The Oxford Handbook of Oxford Bibliographies Sam Fuller's War Movies Adaptation Studies MARSHA GORDON Edited by THOMAS LEITCH Oxford Bibliographies in 2017 328 pp. 88 illus. (Oxford Handbooks) Cinema and Media Studies Paperback $29.95 2017 800 pp. 74 illus. offers exclusive, authoritative Hardcover $150.00 research guides that combine Intimate Violence the best features of an Hitchcock, Sex, and Queer Theory How the Essay Film Thinks annotated bibliography and a DAVID GREVEN LAURA RASCAROLI high-level encyclopedia. 2017 296 pp. 33 illus. 2017 216 pp. 55 illus. Paperback $29.95 Paperback $29.95 oxfordbibliographies.com

Fade In, Crossroads The Face on Film A History of the Southern Cinema NOA STEIMATSKY Follow OUP on Twitter! ROBERT JACKSON 2017 296 pp. 193 illus. @OUPAcademic 2017 312 pp. 38 illus. Paperback $45.00 Paperback $35.00

Prices are subject to change and apply only in the US. To order or for more information, visit our website at www.oup.com/academic Essential reading in film and media studies from berghahn

THE MAN FROM THE THIRD ROW Series: Film Europa Hasse Ekman, Swedish Cinema and GERMAN TELEVISION the Long Shadow of Ingmar Bergman Historical and Theoretical Perspectives Fredrik Gustafsson Larson Powell and Robert R. Shandley [Eds.] 176 pages • Paperback Original 242 pages • Hardback RE-IMAGINING DEFA IMPERIAL PROJECTIONS East German Cinema in Its National and Transnational Contexts Screening the German Colonies Seán Allan and Sebastian Heiduschke [Eds.] Wolfgang Fuhrmann 378 pages • Paperback Original 322 pages • New in Paperback

POLAND DAILY 2014 PREMIO LIMINA PRIZE FOR BEST FILM STUDIES BOOK Economy, Work, Consumption and Social Class (IN A LANGUAGE OTHER THAN ITALIAN) in Polish Cinema THE EMERGENCE OF FILM CULTURE Ewa Mazierska Knowledge Production, Institution Building, and the 378 pages • Hardback Fate of the Avant-garde in Europe, 1919–1945 Malte Hagener [Ed.] STARS AND STARDOM IN BRAZILIAN CINEMA 390 pages • New in Paperback Tim Bergfelder, Lisa Shaw and João Luiz Vieira [Eds.] 302 pages • Hardback NEW IN PAPERBACK NEW USES OF BOURDIEU IN BODIES IN PAIN FILM AND MEDIA STUDIES Emotion and the Cinema of Darren Aronofsky Guy Austin [Ed.] Tarja Laine 184 pages • Hardback 194 pages • Paperback RELUCTANT SKEPTIC TELEVISION’S MOMENT Siegfried Kracauer and the Crises of Weimar Culture Sitcom Audiences and the Sixties Cultural Revolution Harry T. Craver Christina von Hodenberg Spektrum Series 342 pages • Paperback 370 pages • Hardback

STORIES MAKE THE WORLD SILENCE, SCREEN, AND SPECTACLE Reflections on Storytelling and the Rethinking Social Memory in the Age of Information Art of the Documentary Lindsey A. Freeman, Benjamin Nienass, and Rachel Daniell [Eds.] Stephen Most Remapping Cultural History 294 pages • Forthcoming Paperback Original 260 pages • Paperback

THE BRESSONIANS SOUNDS OF MODERN HISTORY French Cinema and the Culture of Authorship Auditory Cultures in 19th- and 20th-Century Europe Codruţa Morari Daniel Morat [Ed.] 216 pages • Forthcoming Hardback 352 pages • Paperback

Follow us on Twitter: @BerghahnFilm berghahn Order online (use code SCMS17) and receive a 25% discount! N EW YoR k . o x F o RD www.berghahnbooks.com berghahn journals

NEW IN 2016! SCREEN BODIES Editor: Brian Bergen-Aurand, Nanyang Technological University, Singapore Screen Bodies is a peer-reviewed journal focusing on the intersection of Screen Studies and Body Studies across disciplines, institutions, and media. It is a forum promoting the discussion of research and practices through articles, reviews, and interviews that investigate various aspects of embodiment on and in front of screens.

RECENT ARTICLES Ruined Abjection and Allegory in Deadgirl, Sol Neely Pain and the Cinesthetic Subject in Black Swan, Steen Ledet Christiansen Monstrous Genres: Inverting the Romantic Poetics in Shelley Jackson’s Patchwork Girl, Eliza Deac Whose Club Is It Anyway? The Problematic of Trans Representation in Mainstream Films, "Rayon," and Dallas Buyers Club as a Case Study, Akkadia Ford ISSN: 2374-7552 (Print) • ISSN: 2374-7560 (Online) • Volume 2/2017, 2 issues p.a. www.berghahnjournals.com/screen-bodies

WINNER OF THE 2008 AAP/PSP PROSE AWARD FOR BEST NEW JOURNAL IN THE SOCIAL SCIENCES & HUMANITIES! PROJECTIONS The Journal for Movies and Mind Editor: Stephen Prince, Virginia Tech Associate Editors: Todd Berliner, University of North Carolina Wilmington, and Ted Nannicelli, University of Queensland Published in association with the Society for Cognitive Studies of the Moving Image Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores the way in which the mind experiences, understands, and interprets the audio-visual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition and emotion, according to frameworks supplied by psychology, psychoanalysis, and the cognitive and neurosciences. ISSN: 1934-9688 (Print) • ISSN: 1934-9696 (Online) • Volume 11/2017, 2 issues p.a. www.berghahnjournals.com/projections

Visit the Berghahn stand to pick up free journal samples! berghahn Follow us on Twitter @BerghahnFilm NEW YORK . OXFORD www.berghahnjournals.com e UNIVERSITY of OKLAHOMA

Film and Media Studies is an interdisciplinary undergraduate program FILM & at the University of Oklahoma designed to give students a broad MEDIA understanding of film and media history, theory, and criticism. OU Film STUDIES and Media Studies, in the College of Arts and Sciences, is proud to be the institutional home of the SCMS Office and staff.

Established in 1890, the University of Oklahoma is known for its academic excellence and strong sense of community. Attracting top students from across the nation and more than 100 countries around the world, it is a comprehensive public research university offering a wide array of undergraduate, graduate, and professional programs and extensive continuing education and public service programs. It ranks first in the nation among public universities in the number of National Merit Scholars enrolled, and its 2000-acre Norman Campus houses fifteen colleges with approximately 1300 faculty serving more than 26,000 students.

http://cas.ou.edu/fms/ Graduate Faculty Giorgio Bertellini, Associate Professor: Silent Cinemas; Comparative Media Studies; Fascism; Italian Cinema and TV Hugh cohen, Professor: The Western; Film Criticism; Scandinavian Film caryl Flinn, Professor: Film Music & Musicals; Gender; Critical Theory & Cultural Studies colin Gunckel, Associate Professor & DGS: Am Film History; Chicano/Latino Film & Media; Latina American Cinema dan Herbert, Associate Professor: Media Industries; Media Geographies; Video Studies amanda lotz, Professor: TV Studies; Media Ph.D. Program Industry Studies; Gender and Media candace Moore, Assistant Professor: American in Screen artS & cultureS TV; Queer Media; Production & Fan Cultures Sheila Murphy, Associate Professor: Digital Media; Internet Studies; Video Game Studies; TV Sarah Murray, Assistant Professor, Digital he UM Screen Arts & Cultures Media, Histories and Theory of New & Emerging Media, TV Audiences, Production Cultures doctoral program emphasizes the abé Mark Nornes, Professor: Asian Film; T study of representations exhibited, Documentary; Translation Theory produced and consumed via screens— yeidy rivero, Professor: International TV & Media; Race & Ethnic Representations in Media whether cinematic or televisual screens, Matthew Solomon, Associate Professor: video monitors, computer display, handheld French & US Film History & Theory; Authorship; devices, etc. We pursue screen media in Intermediality their social, national, transnational, and Johannes von Moltke, Chair & Professor: Film & Critical Theory; Spectatorship; Genre; German historical contexts using historically- and Film History; Fascist Cinemas theoretically-based methods from film, affiliated Faculty: Megan Sapnar Ankerson, Nilo Couret, television, and digital studies as well as Susan Douglas, Herb Eagle, Geoff Eley, cultural and critical theory. Daniel Herwitz, Tung-Hui Hu, Madhumita Lahiri, Lisa Nakamura, Aswin Punathambekar, Christian Sandvig, Katherine Sender

www.lsa.umich.edu/sac —In Memoriam— We lost leaders in film and media this past year.

David Lavery Victor F. Perkins Elayne Antler Rapping 1949–2016 1936–2016 1938–2016 photo credit, hillarykyeager.com photo credit, Constantine Gras photo credit, Douglas Levere