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Fall 2015 Uchicago Arts Guide

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UCHICAGO ARTS FALL 2015 EVENT & EXHIBITION HIGHLIGHTS IN THIS ISSUE The Renaissance Society Centennial UChicago in the Chicago Architecture Biennial CinéVardaExpo.Agnès Varda in Chicago arts.uchicago.edu BerlinFullPage.pdf 1 8/21/15 12:27 PM 2015 Randy L. and Melvin R. BERLIN FAMILY LECTURES CONTENTS 5 Exhibitions & Visual Arts 42 Youth & Family 12 Five Things You (Probably) Didn’t 44 Arts Map Know About the Renaissance Society 46 Info 17 Film 20 CinéVardaExpo.Agnès Varda in Chicago 23 Design & Architecture Icon Key 25 Literature Chicago Architecture Biennial event 28 Multidisciplinary CinéVardaExpo event C M 31 Music UChicago 125th Anniversary event Y 39 Theater, Dance & Performance UChicago student event CM MY AMITAV GHOSH The University of Chicago is a destination where ON THE COVER CY artists, scholars, students, and audiences converge Daniel Buren, Intersecting Axes: A Work In Situ, installation view, CMY T G D and create. Explore our theaters, performance The Renaissance Society, Apr 10–May 4, 1983 K spaces, museums and galleries, academic | arts.uchicago.edu F, H, P A programs, cultural initiatives, and more. Photo credits: (page 5) Attributed to Wassily Kandinsky, Composition, 1914, oil on canvas, Smart Museum of Art, the University of Chicago, Gift of Dolores and Donn Shapiro in honor of Jory Shapiro, 2012.51.; Jessica Stockholder, detail of Rose’s Inclination, 2015, site-specific installation commissioned by the Smart Museum of Art;page ( 6) William G W Butler Yeats (1865–1939), Poems, London: published by T. Fisher Unwin; Boston: Copeland and Day, 1895, promised Gift of Deborah Wachs Barnes, Sharon Wachs Hirsch, Judith Pieprz, and Joel Wachs, AB’92; Justin Kern, Harper Memorial Reading Room, 2015, photo courtesy the artist; page( 7) Gate of Xerxes, Guardian Man-Bulls of the eastern doorway, from Erich F. Schmidt, Persepolis I: Structures, reliefs, inscriptions, pl.11 (Chicago: University of Chicago Press, [1953–1970]); Anna Elise Johnson,Good Governance, 2015, courtesy of the artist; (page 8) Salvage 3.0, image courtesy Taylor McKinley / Stony Island Arts Bank; (page 10) Matthew Metzger, photo courtesy the artist; (page 12–13) Renaissance Society feature: [1] The New Curiosity Shop, installation view, 1971; [2] Heimo Zobernig, installation view, 1996; [3] 1915 invitation to the Renaissance Society’s first 3 public meeting, University of Chicago, Office of the President, Harper, Judson and Burton Administrations 1869–1925, Records Box 70, folder 16, Special Collections Research Fiction I Fiction II History Politics Center, University of Chicago Library; [4] Solveig Øvstebø, left, and Nora Schultz, right, 2014, photo by Yuri Stone; [5] 1982 film series poster, co-presented with Doc Films at the University of Chicago; (page 13) Lothar of Segni (Pope Innocent III), De missarum mysteriis (On the Mysteries of the Mass), Gotha, Forschungsbibliothek Erfurt-Gotha, September 29 September 30 October 6 October 7 Cod. Memb. I–123, Paris, ca. 1200; (page 14) Gramsci Monument, 2013, photo by Ángel Franco; Antony Gormley, after an idea by Gabriel Mitchell,Infinite Cube, 2014, mirrored glass with internal copper wire matrix of 1,000 hand-soldered omnidirectional LED lights, Smart Museum of Art, the University of Chicago, Gift of Antony Gormley and W.J.T. 5:30PM 5:30PM 5:30PM 5:30PM Mitchell, 2014.63; (page 16) Hito Steyerl, 2012, photo by Tobias Zielony; (page 17) Vanessa Renwick, still from layover, 2014; Gordon Park, still from Shaft, 1971; (page 18) Still from Boo Moon, 1953; (page 19) Jacqueline Stewart, 2014, photo courtesy Jacqueline Stewart; (pages 20–21)CinéVardaExpo feature, images, left to right, top to bottom: [1] Agnès Varda, In Venice in front of a Bellini Painting, 1962, © Agnès Varda; [2] Agnès Varda, still from Cléo de 5 à 7 / Cleo From Five To Seven, 1961, © ciné-tamaris; [3] Agnès Varda, still from Du côté de la côte / The Riviera—Today’s Eden, 1958, © ciné-tamaris; [4] Agnès Varda, still from Le Bonheur / Happiness, 1965, © ciné-tamaris; [5] Autoportrait morcelé / Fractured Self-Portrait, 2009, part of the Portraits brisés / Shattered Portraits series, © Agnès Varda; (page 21) F.W. Murnau, photo of Nosferatu, 1922; (page 22) Still from A Trip Through China, 1916; (page 23) Chicago skyline, 2010, photo by Tom Rossiter; Nova Strana, Kunstverein Langenhagen, installation view, 2014; (page 25) Henri REVA AND DAVID LOGAN CENTER FOR THE ARTS Cole, cover artwork for Nothing to Declare: Poems, 2015; John Corbett and Steve Lacy, 1997, photo by Fred Burkhardt;page ( 26) Vu Tran, 2014, photo by Joel Wintermantle; ERFORMANCE ALL Henri Cole, photo courtesy the artist; (page 27) Garth Risk Hallberg, photo by Mark Vessey; (page 28) Gregory Sholette image courtesy the artist; Amitav Ghosh, © Emilio P H Madrid-Kuser; (page 31) Lenka Lichtenberg & Fray, photo courtesy the artists; Chicago Symphony Orchestra Music Director Riccardo Muti conducts the CSO at Orchestra Hall TH TREET HICAGO in Chicago, photo by Todd Rosenberg; (page 32) Regina Carter, photo by David Katzenstein; (page 33) Música Temprana, photo courtesy the artists; Academy of St Martin in the 915 E 60 S , C IL, 60637 Fields, photo by Chris Watling; (page 34) University Chorus, Motet Choir, and Rockefeller Chapel Choir, 2013, photo by Robert Kozloff; 2014 USO Halloween concert, photo by Shaun Sartin; (page 35) Bach Collegium Japan, photo by Marco Borggreve; (page 38) Voices in Your Head, 2015, photo courtesy Voices in Your Head; Anonymous 4, photo by Christian Steiner; (page 39) Gem of the Ocean, Felicia P. Fields as Aunt Ester and Jerod Haynes as Citizen Barlow, 2015, photo by Michael Brosilow;Suburbia artwork courtesy Theater & Performance Studies; (page 40) Agamemnon, Sandra Marquez as Clytemnestra, 2015, photo by Michael Brosilow; (page 41) One Tree, Many Branches, photo cour- berlinfamilylectures.uchicago.edu tesy Muntu Dance Theatre; (page 42) Mummies Night, photo courtesy the Oriental Institute; Family Saturday Arts and Crafts workshop participants, photo by Jean Lachat. uchicagoarts 773.702.ARTS arts.uchicago.edu uchicagohumanities @uchicagohum Expressionist Impulses, Oct 1, 2015–Jan 10, 2016 “ ” IT’S SOME KIND OF WONDERFUL!–NY1 EXHIBITIONS & VISUAL ARTS EXHIBITIONS Agnès Varda puts films in her photos, and photos, potatoes, and shells in her films Irena Haiduk: Seductive Exacting Realism and video-installations. The exhibition Through Oct 8, 2015 proposes a dialogue between still The Renaissance Society photography and moving pictures. Four This new work—one part of a two-part recent video installations will be presented | arts.uchicago.edu ARTS EXHIBITIONS & VISUAL BEGINS DECEMBER 1, 2015 DECEMBER 2, 2015 — JANUARY 17, 2016 project, presented as parallel exhibitions alongside a selection of her photographic at the Renaissance Society and the 14th work exploring or questioning the polarity Istanbul Biennial—sees Haiduk transform between still and moving, broken and FROM THE DIRECTOR OF KINKY BOOTS the gallery into a temple, where sirens continuous, fleeting and fixed or captured. AND ON YOUR FEET lounge in the eaves overhead. A discursive Curated by Dominique Bluher, Lecturer data stream fills the room, carrying a song and Director of MA Studies, Department Jessica Stockholder: Rose’s in the form of a debate between two of Cinema and Media Studies. Part of A DRAMATIC FANTASIA melodic voices. CinéVardaExpo, a weeklong program of Inclination Free. Presented by the Renaissance Society. events, workshops and screenings. Through Jul 2, 2017 INSPIRED BY THE LIFE OF COMEDIAN Free. Presented by Logan Center Exhibitions, Smart Museum of Art RICHARD PRYOR Lauren Deutsch: A Musical Metamorphosis the Logan Center, Department of Cinema In a site-specific installation, – Photographs from 1979–2015 and Media Studies, and Film Studies Center. UChicago professor and artist Through Oct 18, 2015 Jessica Stockholder intersects Logan Center Level 2 Katarina Burin: Petra Andrejova- A self-described “artist disguised as Molnár – Contribution and Collaboration the Smart’s threshold with Given the strong language and adult situations inherent in this story, this production is recommended for a wave of color and texture audiences 16 years of age and older. This play is in no way supported, endorsed or created by, nor does it an arts administrator,” Jazz Institute Through Nov 13, 2015 in any manner emanate from, Richard Pryor, his estate or other successor(s). of Chicago Executive Director Lauren Neubauer Collegium for Culture and that climbs to the clerestory, | arts.uchicago.edu Deutsch has spent 35 years transforming Society Gallery 5 4 DECEMBER 13, 2015 — JANUARY 10, 2016 BEGINS OCTOBER 6, 2015 NOVEMBER 10 — 15, 2015 cuts across the lobby floor, improvised music into a visual art form. An exhibition of works attributed to and travels outwards into the THEATRE FOR FAMILY AUDIENCES Deutsch creates photographs of sound, the Czechoslovakian architect Petra- Museum’s sculpture garden. capturing the shapes and colors of music Andrejova Molnár, an overlooked figure Free. Presented by the Smart in an improvisatory and collaborative active in the first half of the 20th century, response to live performance. as realized by the American artist Katarina Museum of Art in partnership Photographs in this exhibition imagine Burin. In generating Andrejova-Molnár’s with the Chicago Architecture what sound looks like from the inside, work and the scholarly apparatus around Biennial. serving as a reflection of the process of it, Burin simultaneously inserts her into creating improvised music.
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