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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Karaoke Songs by Title
Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J. -
Filmography 1963 Through 2018 Greg Macgillivray (Right) with His Friend and Filmmaking Partner of Eleven Years, Jim Freeman in 1976
MacGillivray Freeman Films Filmography 1963 through 2018 Greg MacGillivray (right) with his friend and filmmaking partner of eleven years, Jim Freeman in 1976. The two made their first IMAX Theatre film together, the seminal To Fly!, which premiered at the Smithsonian National Air and Space Museum on July 1, 1976, one day after Jim’s untimely death in a helicopter crash. “Jim and I cared only that a film be beautiful and expressive, not that it make a lot of money. But in the end the films did make a profit because they were unique, which expanded the audience by a factor of five.” —Greg MacGillivray 2 MacGillivray Freeman Films Filmography Greg MacGillivray: Cinema’s First Billion Dollar Box Office Documentarian he billion dollar box office benchmark was never on Greg MacGillivray’s bucket list, in fact he describes being “a little embarrassed about it,” but even the entertainment industry’s trade journal TDaily Variety found the achievement worth a six-page spread late last summer. As the first documentary filmmaker to earn $1 billion in worldwide ticket sales, giant-screen film producer/director Greg MacGillivray joined an elite club—approximately 100 filmmakers—who have attained this level of success. Daily Variety’s Iain Blair writes, “The film business is full of showy sprinters: filmmakers and movies that flash by as they ring up impressive box office numbers, only to leave little of substance in their wake. Then there are the dedicated long-distance specialists, like Greg MacGillivray, whose thought-provoking documentaries —including EVEREST, TO THE ARCTIC, TO FLY! and THE LIVING Sea—play for years, even decades at a time. -
A#1140 -: Chilatenslibrarians Are Increasingly ,Aware- of The
DOCOMEMS RESUME .p)- 077237 M 011 160 47'44 Ends in Children's Programs. A Bibliography Prepared by the Film Committee of the Children's and Young* People's Services Section oftheWisconsin Library Association. INSTITUTION Wisconsin Library Association; Madison. POEDATE 72 -NOTE 39p. AVAlIAELEFROMWisconsin Library, Association, 261 West Mifflin Street,,MadleOn-, j_WiscfOnSin-53703 = EDNS-PBICE MF-$O.65HC Not Available from DESORI-PTONS Bibliographies; : CatalCgSt. *Children;4Ti lm.Libraries;1 4,E-110S; -Guides A#1140 -: ChilatenSlibrarians are increasingly ,aware- of the 'value offilmsin programing::: films -are_ attractive to _children, -they _-_-illnitinate,the familiar ,;and i suggest new areas_ of interest to .explore,- and theyc:an_.ttoii-cw -,backgroundand open new -vistas : for the 41-71i*.a11.4-401411,40t.af40-0-111.-This -t-lti-P5.1-0cliti-On.,of the liStifig, -presentS-selections for-US!:in _- - ---,.. _-prfOgraMS--With-_-Children- frObs- gtadeS- three through _Sit,- with -information _ -,-,- -.- -- - .on- xi-inning,time,_-Prcidlider, :01S4i:biltCr 0'price, Whether itS-- black-and-white or -color,: and the :content. N bibliography of aids : forlibrary:use,a-_list of sources for- the selection of films, and a-cliktor--ofdistributors for purchase andrentalare riialtidEd: ._(SH)- ,=;-:±. FILMED FROM BEST AVAILABLE COPY 434odfosts, A_= Bibliography prepared.,by the Film Coamittee-=of' and xeisig;kekiii._!ir*!t*icks Sebtion:of the; A060.-ittion- WISCONSIN LIBRARY-ASSOCIATION 1 201 West Mifflinstieet- Nadiloti,Wis.3703 FILMS! IN'tifILDNEN'SiTNOGNANS-, A :Bibliography prepared' bzittie-FilmCommittee =of the Childten_is andYoungpeoPle!s Seitides -Section-ofthe Wisconsin Library AsSociation- 1972 U.S. DEPARTMENT OF HEALTH. -
Images of Disaster in Film and Media
EADP 2700 Syllabus – Fall Semester 2006 University of North Texas Spring Semester 2006 Emergency Administration and Planning Program Dept. of Public Administration EADP 2700: Images of Disaster in Film and Media Professor: Dr. Jack L. Rozdilsky Office Location: Wooten Hall 360 E-mail: [email protected] Phone: 940-565-3786 This Course Meets on Monday Afternoons from 3:00 to 5:50pm in 222 Wooten Hall I. EADP 2700 Fall Semester 2006 Syllabus The purpose of this syllabus is to provide a course description, to state the objectives for the course, to describe course expectations, to provide the planned schedule of topics to be covered during the semester, to specify the course’s grading system, to provide grading worksheets for the semester, to specify important dates for the course, to provide a description of the meaning of grades, and to state University and Departmental polices related to disability accommodations and cheating / plagiarism. As the field of emergency management is event driven, the Professor retains the right to alter the syllabus, as needed. While alterations are not planned, if any changes are made to this document they will be clearly announced at the beginning of class periods. II. Course Description The purpose of this course is to provide a context for better understanding the relationship between filmed programs and disaster management. The course begins with the suggestion that filmed programs are an important factor in contributing to society’s perception and understanding of both emergency management and disasters themselves. As film and mass media are ubiquitous in today’s world, it can be argued that much of the basis for understanding contemporary societal issues is provided by some form of filmed programs. -
Scms 2017 Conference Program
SCMS 2017 CONFERENCE PROGRAM FAIRMONT CHICAGO MILLENNIUM PARK March 22–26, 2017 Letter from the President Dear Friends and Colleagues, On behalf of the Board of Directors, the Host and Program Committees, and the Home Office staff, let me welcome everyone to SCMS 2017 in Chicago! Because of its Midwestern location and huge hub airport, not to say its wealth of great restaurants, nightlife, museums, shopping, and architecture, Chicago is always an exciting setting for an SCMS conference. This year at the Fairmont Chicago hotel we are in the heart of the city, close to the Loop, the river, and the Magnificent Mile. You can see the nearby Millennium Park from our hotel and the Art Institute on Michigan Avenue is but a short walk away. Included with the inexpensive hotel rate, moreover, are several amenities that I hope you will enjoy. I know from previewing the program that, as always, it boasts an impressive display of the best, most stimulating work presently being done in our field, which is at once singular in its focus on visual and digital media and yet quite diverse in its scope, intellectual interests and goals, and methodologies. This year we introduced our new policy limiting members to a single role, and I am happy to say that we achieved our goal of having fewer panels overall with no apparent loss of quality in the program or member participation. With this conference we have made presentation abstracts available online on a voluntary basis, and I urge you to let them help you navigate your way through the program. -
Blue Documentary As a Tool for Marine Life Conservation Nurul Hidayah Mat, Cardiff University, United Kingdom the Asian Conferen
Blue Documentary as a Tool for Marine Life Conservation Nurul Hidayah Mat, Cardiff University, United Kingdom The Asian Conference on Media, Communication and Film 2017 Official Conference Proceedings Abstract Human activities, including over-exploitation, food consumption, tourism, and many other economic related activities are found to have significant impacts on the ocean. In Malaysia, it is considered as a major contributor to marine life extinction. Therefore, our responsibility is to ensure the continuity of a sustainable marine ecosystem while preventing any possible extinction for the future generations to enjoy. Scholars through previous research claim that lack of information has led to ignorance amongst the public about the importance of marine life. Therefore, a number of studies have been carried out to analyse a documentary’s role in promoting species conservation awareness, which consequently leads to actions being taken. Following that, this study asserts that blue documentary (BD) plays a crucial role in providing information about environmental degradation, particularly marine life extinction. It also changes public’s perception and stimulates conservation action. Following that, this study discusses and analyses the pedagogical functions of blue documentary that could foster positive relationships between human and non-human, and become a mechanism to grab people’s attention while changing public’s perception on the marine life. In addition, it can also be an additional learning source, a platform for knowledge dissemination on scientific discoveries, a vehicle for multiple parties’ collaboration in highlighting the complex issue of the marine life, and device to push policy makers to sanction biodiversity conservation plans. It is therefore undeniable that knowing the truth about the condition of local marine life from a documentary can be a driving factor for viewer’s pro-conservation actions. -
Jewel Is an Acclaimed American Singer, Songwriter, Actress, Poet, Painter, Philanthropist and Daughter to an Alaskan Cowboy Singer-Songwriter
WORLDWIDE SPEAKERS GROUP LLC YOUR GLOBAL PARTNER IN THOUGHT LEADERSHIP JEWEL Jewel is an acclaimed American singer, songwriter, actress, poet, painter, philanthropist and daughter to an Alaskan cowboy singer-songwriter. From the remote ranch of her Alaskan youth to the triumph of international stardom, the four-time Grammy nominee, hailed by the New York Times as a “songwriter bursting with talents” has enjoyed career longevity rare among her generation of artists. Her singular style and beauty continuously land her on the covers of such diverse magazines as TIME, People, Entertainment Weekly, Vanity Fair, In Style, Glamour and Seventeen. Stuff listed her among its “102 Sexiest Women in the World” while Blender went further, crowning her “rock’s sexiest poet.” Jewel launched her musical career early on, performing as a father-daughter act in Alaskan biker bars and lumberjack joints. Her solo career took off after she moved to San Diego, where she experienced moderate success in the folk-coffeehouse scene while living out of her car. Her first record, a deeply introspective, modern folk collection called Pieces of You, sold about 3,000 copies, nearly all in San Diego, in the nine months after its February 1995 debut. She then hit the road, touring with and opening for the likes of Bob Dylan, Merle Haggard, and Neil Young. She followed up her debut album with a succession of albums that steadily built her reputation and fan base: Spirit, This Way, and 0304. After a tremendous amount of success as a singer-songwriter and over 27 million albums sold, Jewel returned to her roots with the release of two country albums Perfectly Clear and Sweet and Wild. -
American Society of Plastic Surgeons Closes Loop on Breast Cancer
American Society of Plastic Surgeons Closes Loop on Breast Cancer During First BRA Day USA, October 17 Board-Certified Plastic Surgeons, Singer-Songwriter Jewel and Supporters Across the Country Unite to Educate Women about Breast Reconstruction FOR IMMEDIATE RELEASE October 10, 2012 ARLINGTON HEIGHTS, Ill. – On October 17, the American Society of Plastic Surgeons (ASPS) and The Plastic Surgery Foundation (The PSF) will launch the first-ever Breast Reconstruction Awareness (BRA) Day USA, leading the charge to promote education, awareness and access to breast reconstruction following mastectomy or lumpectomy. The statistics are alarming: 7 out of 10 women eligible for breast reconstruction following cancer surgery are not being informed of their options. Studies have also revealed: Eighty-nine percent of women want to see what breast reconstruction surgery results would look like before undergoing treatment for breast cancer. Less than a quarter (23 percent) of women know the wide range of breast reconstruction options available. Only 22 percent of women are familiar with the quality of outcomes that can be expected. Only 19 percent of women understand that the timing of their treatment for breast cancer and the timing of their decision to undergo reconstruction greatly impacts their options and results. “We want to bring the topic of breast reconstruction into the larger breast cancer dialogue,” said ASPS President Malcolm Z. Roth, MD. “Letting women know their reconstruction options before or at the time of diagnosis is critically important to improving life after breast cancer. BRA Day USA is all about inspiring women who are on the road to recovery to a full life beyond breast cancer.” This year, the U.S. -
Annual Report 2005 020 7440 1570 020 7287 0141 British Board of Film Classification 3 Soho Square W1D 3HD London T F
Design and Art Direction Hansell Design,Design and Art Direction London. Ben Rice. Photography Pierrot Printed by of Film Classification Report Annual 2005 British Board Annual Report 2005 British Board of Film Classification 3 Soho Square London W1D 3HD T 020 7440 1570 F 020 7287 0141 www.bbfc.co.uk www.cbbfc.co.uk www.sbbfc.co.uk Inside front cover Pride and Prejudice ‘U’ March of the Penguins ‘U’ Inside back cover The Chronicles of Narnia - The Lion the Witch and the Wardrobe ‘PG’ Sideways ‘15’ Previous page King Kong ‘12A’ Wallace & Gromit in the Curse of the Were-Rabbit ‘U’ President’s introduction 3 Director’s report 9 Accountability 14 Consulting the public 14 Consumer Advice 16 Letters from the public 16 Media education 20 On-line education 21 Research 21 Charitable donations 23 European classifiers conference 23 Customer helpline 23 Enforcement 24 Statistics 25 Classification 29 ‘U’ Universal 29 ‘PG’ Parental Guidance 33 ‘12A’ Cinema ‘12’Video 40 ‘15’ 42 ‘18’ 52 ‘R18’ 64 Digital media 65 Rejects 70 Legal issues 73 Video Appeals Committee 77 Consultative Council 81 Advisory Panel on Children’s Viewing 86 Business Review 90 Report of the Directors 90 Accounts 93 The BBFC Vision Statement 103 3 President’s introduction Sir Quentin Thomas he BBFC had major successes At the Board we do not share this view. in 2005: publishing new There is no doubt that: classification guidelines; winning unanimously the appeal against its • regulatory regimes will need to continue practice in distinguishing ‘18’ and to adapt in the light of the new services; T‘R18’ sex works; and classifying a record number of works. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Follow Us on Facebook.Com/Pureviaus and Twitter.Com/Purevia
Follow us on facebook.com/PureViaUS and twitter.com/purevia Photo credit: Kurt Markus Live a Pure Life Jewel of Courtesy credit: Photo Me and my parents and siblings on the farm Growing up in Alaska, Photo credit: Courtesy of Jewel I experienced nature as it should be: fresh, Me and my son Kase on Mother’s Day simple, and pure. My family mainly lived off of the land, enjoying ripe summer berries and wild Discover a game of summer. Sweeter Side Lots of things have changed in my life since those Join me as I take you on a journey of discovering early days in Alaska. What hasn’t changed, however, recipes using Pure Via – and give you a peek into my is my belief that food should be as pure and close to life! I hope these recipes and tips inspire you to keep nature as possible. your cooking and your life simple – and a little Which is why I use Pure Via® more wholesome. in my favorite beverages as well as my cooking and These Pure Via packets fit perfectly in my guitar case, so I always know I have snacking because it makes them whenever I’m on the go! life just a little sweeter. Naturally. I’m really sweet on Project Clean Water, my nonprofit charity foundation that works to improve water quality in a sustainable way. So far, we’ve helped over 30 communities in 13 countries solve In the studio, working on my album, their drinking water problems. “Sweet and Wild” Visit http://www.jeweljk.com/cleanwater.html for more information.