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LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. MAKING COMMUNITY: THE PLACES AND15 SPACES OF LGBTQ COLLECTIVE IDENTITY FORMATION Christina B. Hanhardt Introduction In the summer of 2012, posters reading "MORE GRINDR=FEWER GAY BARS” appeared taped to signposts in numerous gay neighborhoods in North America—from Greenwich Village in New York City to Davie Village in Vancouver, Canada.1 The signs expressed a brewing fear: that the popularity of online lesbian, gay, bisexual, transgender, and queer (LGBTQ) social media—like Grindr, which connects gay men based on proximate location—would soon replace the bricks-and-mortar institutions that had long facilitated LGBTQ community building. -
Homophobia and Transphobia Illumination Project Curriculum
Homophobia and Transphobia Illumination Project Curriculum Andrew S. Forshee, Ph.D., Early Education & Family Studies Portland Community College Portland, Oregon INTRODUCTION Homophobia and transphobia are complicated topics that touch on core identity issues. Most people tend to conflate sexual orientation with gender identity, thus confusing two social distinctions. Understanding the differences between these concepts provides an opportunity to build personal knowledge, enhance skills in allyship, and effect positive social change. GROUND RULES (1015 minutes) Materials: chart paper, markers, tape. Due to the nature of the topic area, it is essential to develop ground rules for each student to follow. Ask students to offer some rules for participation in the postperformance workshop (i.e., what would help them participate to their fullest). Attempt to obtain a group consensus before adopting them as the official “social contract” of the group. Useful guidelines include the following (Bonner Curriculum, 2009; Hardiman, Jackson, & Griffin, 2007): Respect each viewpoint, opinion, and experience. Use “I” statements – avoid speaking in generalities. The conversations in the class are confidential (do not share information outside of class). Set own boundaries for sharing. Share air time. Listen respectfully. No blaming or scapegoating. Focus on own learning. Reference to PCC Student Rights and Responsibilities: http://www.pcc.edu/about/policy/studentrights/studentrights.pdf DEFINING THE CONCEPTS (see Appendix A for specific exercise) An active “toolkit” of terminology helps support the ongoing dialogue, questioning, and understanding about issues of homophobia and transphobia. Clear definitions also provide a context and platform for discussion. Homophobia: a psychological term originally developed by Weinberg (1973) to define an irrational hatred, anxiety, and or fear of homosexuality. -
Sassafras Lowrey 917-628-7707 [email protected] PO Box 346 New York, New York 10276
Sassafras Lowrey www.SassafrasLowrey.com 917-628-7707 [email protected] PO Box 346 New York, New York 10276 Awards and Honors: 2013- Lambda Literary Foundation Betty Berzon Emerging Author Winner 2017- Lambda Literary Award Finalist (A Little Queermas Carol) 2016- Saints & Sinners Fiction Contest Finalist 2016- Lambda Literary Award Finalist (Lost Boi) 2016- American Library Association Top LGBT books for Adults (Lost Boi) 2016- International Leather Association -Writing Award Finalist (Lost Boi) 2015- Rainbow Award Honorable Mention (Lost Boi) 2014- International Leather Association – Writing Award Honorable Mention (Leather Ever After) 2014-Rainbow Award Honorable Mention (Leather Ever After) 2013- Rainbow Award 2nd Place Transgender Fiction 2012 – American Library Association Top LGBT Books for Youth (Roving Pack) 2012- Top 100 Women GO Magazine 2011- Astrea Foundation Lesbian Writers Fund Honorable Mention 2011- Lambda Literary Award Finalist (Kicked Out) 2011- American Library Association Top 10 for 2011 Rainbow Project List (Kicked Out) 2011- American Library Association Top 11 for 2011 Over The Rainbow Book List (Kicked Out) 2010 – Poets & Writers Readings & Workshops Funding 2009 - Birmingham Out Open. SHOUT Festival 2009 - Top 100 Women. GO Magazine 2004 - Portland Oregon Top Emerging Writer. In Other Words Publications: Books Authored/Edited: ● A Little Queermas Carol. Brooklyn, NY: PoMoFreakshow, 2016 ● Lost Boi. Vancouver, CA: Arsenal Pulp Press, 2015 ● Leather Ever After. Beverly, MA: Ravenous Romance , 2013 ● Roving Pack. Brooklyn, NY: PoMo Freakshow, 2012 ● Kicked Out Anthology. Ypsilanti, Mi: Homofactus Press, 2010 Anthologies Contributed To: ● “Not A Good Survivor.” Queering Sexual Violence. New York, NY: Riverdale Ave Books 2016 ● "Constellation" Glitter & Grit: Queer Performance from the Heels on Wheels Femme Galaxy. -
Autobiography, Transsexual by Brett Genny Beemyn
Autobiography, Transsexual by Brett Genny Beemyn Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com The cover of the Cleis Press edition of Christine Over the last 75 years, transsexual individuals have published autobiographies not only Jorgensen's widely-read to tell or to clarify the stories of their lives, but also to educate others in an effort to autobiography. gain greater acceptance for transgender people. Courtesy Cleis Press. Many of the early autobiographies were written by transsexual women whose gender identities had been revealed by the press. Forced into the media spotlight because they were transsexual, their work often served as a response to the stereotypes and misinformation circulated about their experiences. But in the last decade, as the existence of transsexual individuals has become less of a novelty to much of society, transsexual women autobiographers have been able to shift their focus from challenging sensationalized portrayals of their personal lives to creating a public image that reflects how they understand their gender identities. Although comparatively fewer autobiographies have been published by transsexual men as opposed to transsexual women, a growing number of such works in the last few years has led to a greater recognition of the diversity of transsexual identities. Early Transsexual Autobiographies Given the unprecedented news coverage that Christine Jorgensen received beginning in 1952 for being the first person from the United States publicly known to have had a "sex change," it is not surprising that her 1967 life story would be the most widely known among the early transsexual autobiographies. -
Butch-Femme by Teresa Theophano
Butch-Femme by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com A butch-femme couple The concept of butch and femme identities have long been hotly debated within the participating in a group lesbian community, yet even achieving a consensus as to exactly what the terms wedding ceremony in "butch" and "femme" mean can be extraordinarily difficult. In recent years, these Taiwan. words have come to describe a wide spectrum of individuals and their relationships. It is easiest, then, to begin with an examination of butch-femme culture and meaning from a historical perspective. Butch and femme emerged in the early twentieth century as a set of sexual and emotional identities among lesbians. To give a general but oversimplified idea of what butch-femme entails, one might say that butches exhibit traditionally "masculine" traits while femmes embody "feminine" ones. Although oral histories have demonstrated that butch-femme couples were seen in America as far back as the turn of the twentieth century, and that they were particularly conspicuous in the 1930s, it is the mid-century working-class and bar culture that most clearly illustrate the archetypal butch-femme dynamic. Arguably, during the period of the 1940s through the early 1960s, butches and femmes were easiest to recognize and characterize: butches with their men's clothing, DA haircuts, and suave manners often found their more traditionally styled femme counterparts, wearing dresses, high heels, and makeup, in the gay bars. A highly visible and accepted way of living within the lesbian community, butch-femme was in fact considered the norm among lesbians during the 1950s. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
LLF PR Deck 2014 FINAL.Pdf
(l) ALLY sHEEDY with tOny VAlenZuelA (r) JACqueline ArmisteAd mAupin, 2012 pioneer Award Honoree, with wOOdsOn with ellery wAsHinGtOn / Photos © Brian Sergent OlympiA dukAkis / Photo © David J. Martin JAmes HAnnAHAm with ted Allen / Photo © Brian Sergent Tom CiAnfiCHi with BryAn BAtt / Photo © Jacques Cornell lArry krAmer, 2010 pioneer Award Honoree, with (r) stefAnie pOwers with s. CHris sHirley kAte ClintOn / Photo © Donna F. Aceto (l) JOHn irVinG with edmOnd wHite / Photo © Brian Sergent Who We Are Reading powerful stories about If every gay writer joined LLF The Lambda Literary Foundation “ ourselves is important, and the “ maybe we could at last have “ rocks. Period. For readers, foundation’s commitment to a powerful organization that for writers, for everyone: supporting LGBT artists and would fight for the oh so now more than ever.” writers is vital.” many things we need in this homophobic world.” —StaCey D’eraSmo —Kate Clinton Lambda Literary Award-winning author Pioneer Award Recipient —larry Kramer of A Seahorse Year and The Sky Below and author of I Told You So Pioneer Award Recipient Why We're Unique Lambda Literary Foundation is the world’s leading nonprofit organization that nurtures, celebrates, and preserves LGBT literature through programs that honor excellence, promote visibility and encourage development of emerging writers. stepHen s. mills, lambda literary Award-winner Photo © David J. Martin Lambda Literary Foundation | 5482 Wilshire Boulevard #1595 | Los Angeles, CA 90036 | Phone 323-643-4281 Who Our Members & Readers -
Lesbian & Gay Film Festival
University of Rhode Island DigitalCommons@URI GBLA Film Gender and Sexuality Center 1994 Lesbian & Gay Film Festival Follow this and additional works at: https://digitalcommons.uri.edu/gbla-film Recommended Citation "Lesbian & Gay Film Festival" (1994). GBLA Film. Paper 14. https://digitalcommons.uri.edu/gbla-film/14https://digitalcommons.uri.edu/gbla-film/14 This Playbill is brought to you for free and open access by the Gender and Sexuality Center at DigitalCommons@URI. It has been accepted for inclusion in GBLA Film by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. mediaby JennieLivingston (Pans 1s Burning) and Jim Lyons OnJune 28, 1969, (Poison),a selectionof films fromAndrea Weiss' recently publishet shortlyafter oneam, the NewYork Police City entered the Vampiresand Violets.Lesbians in Film anda videopresentation StonewallInn on a routineraid But on this fatefulmorning just andlecture, Fifty Yearsof Perversity,in whichRosa van Praunheim hoursafter the funeralof the legendaryJudy Garland a few will discusshis illustriouscinematic career. Closing the '94 bravesouls donned shields of rageand pride, igniting the historic Festivalwill be GreggBordowitz's powerful AIDS testimony Fast riot that wouldcome to be knownas the StonewallRebellion Trip,Long Drop GETYOUR Forfive dayslesbians and gays waged battle, ushering in an era As an organizationdependent upon the invaluableresource of of politicalactivism and personal pride, giving birth to a movement humanbeings, this -
Annual Report 2016-2017
Town Information Emergency Telephone Numbers Emergency Medical Fire Police 911 Emergency Call Center (when activated) 860-598-0120 Ambulance 860-434-0089 Fire (nonemergency) 860-399-7921 State Police Troop F Westbrook 860-399-2100 Town Government The Old Lyme Memorial Town Hall, 52 Lyme Street, is open Monday through Friday from 9:00 a.m. to 4:00 p.m. Please call ahead to verify lunch hour coverage. Town offices are closed during state and federal holidays. The same schedule applies to the office of the Town Clerk. Scheduled meetings of town agencies are posted in advance at the Town Hall and posted on the website. Public hearings are advertised in advance. Agendas and meeting minutes are filed with the Town Clerk and posted on the website: www.oldlyme-ct.gov. TOWN OF OLD LYME PHONE DIRECTORY All Town Hall Offices 860-434-1605, Fax 860-434-1400, Email [email protected]. Please dial the 3-digit extension number of the department or person you’d like to reach. Assessor First Selectwoman’s Office Planning Melinda R. Kronfeld 218 Michele E. Hayes 212 Kim Groves 234 Mickie Fraser 219 Catherine Frank 210 Registrars of Voters Building Health (Ledge Light Catherine Carter or John Flower 213 Health District) Marylin Clarke 226 Kathy Hall 230 Patricia Myers 214 Social Services Emergency Management Information Technology Jennifer Datum 228 David Roberge 231 237 Tax Collector Facilities Land Use (Conservation, Judy Tooker 216 Phil Parcak 245 Inland Wetlands, Planning, Toni O’Connor 217 Finance Zoning, ZBA) Town Clerk Nicole Stajduhar 232 Keith Rosenfield 225 Vicki Urbowicz 220 Amy Jensen 215 Kim Groves 234 Zoning Keith Rosenfield (ZEO/ Fire Marshal Kim Barrows 236 IWEO) 225 David Roberge 231 Parks & Recreation Kim Barrows 236 First Selectwoman Don Bugbee 235 Zoning Board of Appeals Bonnie Reemsnyder 211 Kim Barrows 236 Animal Control ................................................................................................. -
Ih!Ide 1661 N
In Sfep Mqgl]zin® Ih!ide 1661 N. Wther Slro®l, Suite 411 NEWS Milwqukee, Wl 53202 Carperrter Rand;ius Mum After Ouing Attanpt ....... 4 (4i 4) 27e-784o yoke Green Boy Angels Of Hape Find Noui Hone .......... 5 (414) 27e-58cO ha iN§TErm©AOL.con DEFIARTMENTS Nedanal dr Tmorld Nouis ISSN* 104i2435 Grottp Notes ........ Rontild F. 6eimon The Arts hade' The Calandm Jo,go L Cobol The Chasies prosidBm COLUMNS William Attewell politically Speching edinrndief TitibdiT;all Jorge Lcchal Inside Out ans edin Kiepin' Iri Sap Robert:s RIAha Monuel Kom.ght assaniorfupulilishers Jock Shorts ....... Ot,i in the St¢„ ......... 62 Richard white in'orn PUBLISH[R'S NOTE: Wo oi® very pleased lo welcome loiir now Keith (lark, Ron 6eimon, Kevin lsom, Jomokayo, addfronsloourstllff.JimLautenhachisreioininglhe/n5tepleqm,thistimous Owen Keehnen, Jim W. Loutenboch, Chulene Lichtenstein, a wTifer covering evenls and neus in the Milwqukee qi'eo. As parl of our Morrin Liebmon, Cheryl Myeis, Richard Mohr, commineul lo cover lesBi6qy Wisconsin, cheryl Myers has ioined us os nell. Dole Reynolds, Shelly Roberts, Mary Shofer, Jamie Toylor, Her beat will bo the Green Bay rind Applelon areas. tledt out her story Green AhenB Zorembko, Yvonne Zipter Bdys Angels Of Hope MC( Oiurch on page 5. Richnd White, .n Ohio trms- contrwhngwhas plont, rius tone on bound us our irfem, a first for /n 5fep, dnd we are groleful lo hove him. And finafty, Munuel Kortrighl rounds out our full-tim offi[o slofl JomesToylor,Vincent6oudos os lhe Assisldul lo the Publishers. Welcome ohoqrd one and olll pholographors Roben Amold, Paul Hoffmunn, (omper unnds Wells Ink atdirrfuandaddeskyn rd###!##qT:':##,Or#€#ony#FTcthT#n£'se#xng rdgivus or pelful odentoton, pwhce oT belrfe of sock person oi moinbes of wh orgorizofro. -
Breaking the Spell
Praise for Breaking the Spell “Christopher Robé’s meticulously researched Breaking the Spell traces the roots of contemporary, anarchist-inflected video and Internet activism and clearly demonstrates the affinities between the anti-authoritarian ethos and aesthetic of collectives from the ’60s and ’70s—such as Newsreel and the Videofreex—and their contemporary descendants. Robé’s nuanced perspective enables him to both celebrate and critique anarchist forays into guerrilla media. Breaking the Spell is an invaluable guide to the contempo- rary anarchist media landscape that will prove useful for activists as well as scholars.” —Richard Porton, author of Film and the Anarchist Imagination “Breaking the Spell is a highly readable history of U.S. activism against neo- liberal capitalism from the perspective of ‘Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas,’ the subtitle of the book. Based on ninety interviews, careful readings of hundreds of videos, and his own participant observation, Robé links the development of better-known video makers such as Videofreex, Paper Tiger Television, ACT UP and Indymedia with activist media makers among key protest movements, such as the League of Revolutionary Black Workers in Detroit, Oregon’s Cascadia Forest Defenders, the day workers of Voces Mobiles/Mobile Voices in Los Angeles, and the indigenous youth in Outta Your Backpack Media. Underscored by significant tensions of class, race/ethnicity, and gender among the groups and the videos discussed, Robé traces the continuing concerns -
Hartnett Dissertation
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Recorded Objects: Time-Based Technologically Reproducible Art, 1954-1964 A Dissertation Presented by Gerald Hartnett to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Art History and Criticism Stony Brook University August 2017 Stony Brook University 2017 Copyright by Gerald Hartnett 2017 Stony Brook University The Graduate School Gerald Hartnett We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Andrew V. Uroskie – Dissertation Advisor Associate Professor, Department of Art Jacob Gaboury – Chairperson of Defense Assistant Professor, Department of Art Brooke Belisle – Third Reader Assistant Professor, Department of Art Noam M. Elcott, Outside Reader Associate Professor, Department of Art History, Columbia University This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation Recorded Objects: Time-Based, Technologically Reproducible Art, 1954-1964 by Gerald Hartnett Doctor of Philosophy in Art History and Criticism Stony Brook University 2017 Illuminating experimental, time-based, and technologically reproducible art objects produced between 1954 and 1964 to represent “the real,” this dissertation considers theories of mediation, ascertains vectors of influence between art and the cybernetic and computational sciences, and argues that the key practitioners responded to technological reproducibility in three ways. First of all, writers Guy Debord and William Burroughs reinvented appropriation art practice as a means of critiquing retrograde mass media entertainments and reportage.