SPRING 2009 Display Until August 4, 2009 $10.00
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Source Issue 2
SS | 2015 LISTEN LIVE HACKNEY MUSIC HANG-OUTS MEET THE MAKERS LONDON INNOVATION AT ITS BEST FRESH LONDON LIVING IN AND AROUND WOODBERRY DOWN WOODBERRY AROUND LIVING IN AND FRESH LONDON HACKNEY CYCLE GUIDE TEAR OUT AND SADDLE UP HAND CRAFTED THE ART OF THE MICROBREWERY discover the river AT your doorstep... FREE new Welcome elcome to the Spring In the midst of one of the capital’s most river Summer 2015 issue of eclectic areas, Woodberry Down is a Source magazine. place that offers the tranquility of nature alongside a rich sense of community. As the season invites the TRAIL W Steeped in history, the area promises an opportunity for adventure, we curate the exciting future as it undergoes substantial very best North London experiences to fill growth. those long summer days and balmy nights. Source is published on behalf of Berkeley, From exploring the nature trail at 3rd october 2015 one of the UK’s most respected residential Woodberry Wetlands to the local summer developers and recipient of The Queen’s market, outdoor cinema screenings Award for Enterprise. As a company that and the popular Hidden River Festival, builds not just homes but helps create nowhere else in London offers such a neighbourhoods, Source is designed to varied place to live. celebrate the people and places that shape Food STALLS a genuinely vibrant community. Through a mix of interviews, reviews and feature articles, discover an area known for HISTORY innovation, craftsmanship, arts and culture. SAVE the reservoirs CAMPAIGn live music THEATRE Source on your tablet Available on your iPad or NATURE CELEBRATION Android tablet. -
Fashioning Gender Fashioning Gender
FASHIONING GENDER FASHIONING GENDER: A CASE STUDY OF THE FASHION INDUSTRY BY ALLYSON STOKES, B.A.(H), M.A. A THESIS SUBMITTED TO THE DEPARTMENT OF SOCIOLOGY AND THE SCHOOL OF GRADUATE STUDIES OF MCMASTER UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY c Copyright by Allyson Stokes, August 2013 All Rights Reserved Doctor of Philosophy (2013) McMaster University (Sociology) Hamilton, Ontario, Canada TITLE: Fashioning Gender: A Case Study of the Fashion Industry AUTHOR: Allyson Stokes BA.H., MA SUPERVISOR: Dr. Tina Fetner NUMBER OF PAGES: xii, 169 ii For Johnny. iii Abstract This dissertation uses the case of the fashion industry to explore gender inequality in cre- ative cultural work. Data come from 63 in-depth interviews, media texts, labor market statistics, and observation at Toronto’s fashion week. The three articles comprising this sandwich thesis address: (1) processes through which femininity and feminized labor are devalued; (2) the gendered distribution of symbolic capital among fashion designers; and (3) the gendered organization of the fashion industry and the “ideal creative worker.” In chapter two, I apply devaluation theory to the fashion industry in Canada. This chap- ter makes two contributions to literature on the devaluation of femininity and “women’s work.” First, while devaluation is typically used to explain the gender wage gap, I also address symbolic aspects of devaluation related to respect, prestige, and interpretations of worth. Second, this paper shows that processes of devaluation vary and are heavily shaped by the context in which work is performed. I address five processes of devaluation in fash- ion: (1) trivialization, (2) the privileging of men and masculinity, (3) the production of a smokescreen of glamour, (4) the use of free labor and “free stuff,” and (5) the construction of symbolic boundaries between “work horses” and “show ponies.” In chapter three, I use media analysis to investigate male advantage in the predomi- nantly female field of fashion design. -
Press Release 15 January 2013 Swarovski Whitechapel Gallery Art
Press Release 15 January 2013 Swarovski Whitechapel Gallery Art Plus Fashion: Giles Deacon , Bella Freud, Marios Schwab and Nadja Swarovski collaborate with the Whitechapel Gallery for annual fundraising gala 14 March 2013, 7pm - late The Whitechapel Gallery announces an exceptional evening of art, fashion and moving-image on Thursday 14 March 2013 for the annual fundraising gala in partnership with Swarovski. Major names from the world of fashion including Giles Deacon , Bella Freud, Marios Schwab and Nadja Swarovski select the most promising fashion postgraduates emerging from London to take centre stage in the first ever live catwalk show in the Gallery. Whitechapel Gallery Director Iwona Blazwick OBE , Nadja Swarovski , Member of Swarovski’s Executive Board, Mollie Dent-Brocklehurst , Art Plus Chair and Justine Picardie , Harper’s Bazaar Editor-in-Chief, lead a committee of renowned figures from the worlds of art, fashion, film and music, inviting guests to join an evening premiering the next generation of designers. Funds raised support the Whitechapel Gallery’s Education programme, which works with thousands of children and diverse community groups every year. For Swarovski Whitechapel Gallery Art Plus Fashion , outstanding postgraduate fashion collections will be paired with work by leading moving-image artists, followed by live music and celebrity DJs. An auction led by Sotheby’s Oliver Barker includes works generously donated by major contemporary artists. Guests will have the opportunity to bid on works by Andrea Büttner , Minerva Cuevas, Corinne Day, Sam Durant, Cornelia Parker, Bridget Riley, Bob and Roberta Smith and Catherine Yass . Swarovski Whitechapel Gallery Art Plus Fashion will feature a stunning catwalk show with creative direction by Sara Blonstein and Chris Ford from Blonstein & Associates . -
Stephen Jones Datasheet
TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk Stephen Jones And the Accent of Fashion Hanish Bowles ISBN 9781851496525 Publisher ACC Art Books Binding Hardback Territory World Size 300 mm x 240 mm Pages 240 Pages Illustrations 297 color Price £45.00 First monograph on the work of the celebrated milliner Stephen Jones With a preface by John Galliano and texts by authorities such as Hamish Bowles, Andrew Bolton, Suzy Menkes and Anna Piaggi, with new photography by Nick Knight and David Bailey "Picture the moment, in the run-up to a Christian Dior haute couture show. John Galliano is working silently in the Paris studio with his friend and ally, the master milliner Stephen Jones. The designer is looking at the arc of a silhouette, the drape of a skirt and the tilt of a hat: 'I often work through a mirror for most of my decisions and I always see Stephen's reflection,' says Galliano. 'He is reading my every nuance. He is studying my face. I don't need to say anything - he can read my mind'." - From the essay by Suzy Menkes. Stephen Jones is one of the world's most talented and distinguished milliners. This exquisitely illustrated monograph is the first to examine his illustrious career and famous collaborations. Including photographs from private collections and museums, the book focuses on a variety of aspects of his work, from his collaborations with Boy George, John Galliano and Thierry Mugler to his work with photographers Bruce Weber and Nick Knight. -
Fall 20-21 Shoe and Dress Requirements
Inspiring Shoe & Dress DANCE2020/2021 Requirements Mommy and Me: Any comfortable clothing, socks or barefeet Itty Bitty/Bitty Ballet: Ballet Shoes, Tights and Leotard Bloch Belle Ballet Shoes(Theatrical Pink), Capezio Ballet Pink Footed or Transition tights, any color leotard *if your dancer would like to wear a skirt, we suggest they are attached to the leotard to prevent it from being a distraction in class. Tiny Tutus and Taps: Ballet Shoes, Tap Shoes, Tights and Leotard Bloch Belle Ballet Shoes (Theatrical Pink), Capezio Mary Jane Tap Shoes (Matte Black), Capezio Ballet Pink Footed or transition tights, any color leotard *if your dancer would like to wear a skirt, we suggest they are attached to the leotard to prevent it from being a distraction in class. Tiny Tumblers/K-2nd/3rd-5th Tumbling: Bare feet, tight fitting clothing For recital, there is a possibility that tumbling classes would be required to purchase tights and jazz shoes. Kinder Combo/1st-2nd Combo: Ballet Shoes, Tap Shoes, Jazz Shoes, Tights and Leotard or dance clothing Bloch Belle Ballet Shoes (Theatrical Pink), Capezio Mary Jane Tap Shoes (Matte Black), Split Sole Jazz Shoe S0470 (Tan), any color tights and leotard or other dance clothing. 3rd-5th Combo/6th-8th Combo: Ballet Shoes, Tap Shoes, Jazz Shoes, Tights and Leotard or dance clothing So Danca SD16 (Pink), So Danca TA04/TA05 Tap Shoes (Black), Split Sole Jazz Shoe S0470 (Tan), any color tights and leotard or other dance clothing. K-2nd/3rd-5th Hip Hop: Clean tennis shoes, dance clothing such as tank top, sports bra, leotard, jazz pants, booty shorts, etc. -
Des Plaines School of Dance Dress Code
Des Plaines School of Dance Dress Code Proper attire is vital for the dancer’s safety and will maximize the dancer’s learning experience. It is necessary for the instructor to see the shape and line of the dancer’s body which will assist in the proper assessment of the advancement of each student. The Des Plaines School of Dance staff will be enforcing the dress code. If these requirements are not followed, parents will be notified by the instructor and the student may not be permitted to participate in class until the proper dance attire is worn. Failure to wear the appropriate dance attire will constitute one absence. We appreciate your cooperation with the compliance of the dress code for our program. Please note: We encourage a hands-on teaching approach. Instructors may need to physically readjust a student’s body, to fully correct the dancer’s placement and alignment. Dance Attire Requirements Hair must be secured away from the face in a ballet bun* for ALL classes, except Tap and Hip Hop. *Tools needed for a ballet bun: Elastic ponytail holders, bobby pins/hair pins, hair net, brush/comb, gel/hairspray. All jewelry must be removed before any class. Dancers who have reached the age where support undergarments are necessary are required to wear a black sports bra only. Dancers ages 10 and older should wear deodorant. Jr. and Sr. Level dancers should not wear underwear underneath a leotard and tights. Individual instructors may have additional requirements; please check with your instructor after the first day of class. -
FALL / WINTER 2015/2016 Fashion Opts
THE FASHION GROUP FOUNDATION PRESENTS FALL / WINTER 2015/2016 TREND OVERVIEW BY MARYLOU LUTHER N E W Y O R K • LONDON • MILAN • PARIS A F VANDERVOORST Fashion opts for options. It’s a season of either/or. Either a mini or maxi, she/he, tough/ tender, nice/naughty, romance/reality, minimal/maximal, crafts/technology, the ladies who lunch/the ladies who breakfast. Time-traveling sped through many decades, but the favorite destinations for many designers were the late ‘60s/early ‘70s. The mini-ed Mods were followed by mini/maxi duos. By the late ‘60s it was hip to be a hippie, a Boho in Soho, living on the fringe in fringe. Pants flared. Suede was the hide of record. Peasants and gypsies were fashion role models. Hats brimmed over. Granny boots walked the streets of Haight Ashbury. As The ‘70s proceeded, Boho was upgraded to the Rich Hippie. Velvet and lace, brocade and matelassé were the fabrics of record. Ruffled and ruffed romanticism, including latter-day Victorians, flourished. All these “Me Decade” (that’s what Tom Wolfe called The ‘70s) relics have been re-discovered, remodeled and reconfigured for fall. The ‘80s were big on big. So are numbers of today’s designers, especially Phoebe Philo of Céline, Vivienne Westwood and Andreas Melbostad of Diesel Black Gold. The unisex of The ‘60s was followed by the androgyny of The ‘80s, with Giorgio Armani leading the way. The man’s jacket became the mantle of authority for the women’s movement. Tomorrow’s she/he conjoins include tuxedo jackets with full skirts, aviator jackets with evening dresses, overalls with jeweled blouses and pinstriped blazers with shirts and fur skirts. -
Prismnlwinter2009.Pdf
PRISM Winter 2009 AGTA SPECTRUM AWARDS™ A MODEL PHOTOGRAPHER THE WOMAN BEHIND THE TROPHIES MEMBER PROFILE: MARK SCHNEIDER JEWELFOLIO™ A NEW DIRECTION IN GEMOLOGY The AGTA GTC JewelFolio™ is a custom built one-of-a-kind document for a one-of-a-kind jewel. Each JewelFolio™ is an individually numbered hardcover cloth or leatherbound volume that accompanies an individual gemstone. Every JewelFolio™ consists of 32 – 42 full color pages blending modern science with art and history. Available for: Kashmir Sapphire Colombian Emerald Sri Lankan Sapphire Burmese Sapphire Burmese Ruby Tanzanite ADD VALUE TO YOUR GEMSTONES WITH JEWELFOLIO™ 212-752-1717 www.agta-gtc.org [email protected] PRISMIWINTER 2009 Letter From the President When I became President of the AGTA our Members’ businesses survive and im- in the fall of 2007, we all knew that there prove, and to grow our organization both was a management crisis in our Associa- in numbers and in worldwide recognition. tion. In the past 1.5 years, the staff and BJ and I have worked closely together dur- Board have sailed to a smooth recovery. ing this past year to guarantee a smooth Here are the highlights: transition of leadership and continuance of 1. The Dallas office is producing more the objectives established by the Board of Member Benefits and more gemstone Directors. BJ has shown a total commit- promotions than ever before. ment to our Members and the AGTA, and 2. Spectrum was a huge success and I am sure he will be an outstanding Presi- received more internet and publication dent for your Association. -
Frånfr Träsko Till Lacksko
FRÅN TRÄSKO TILL LACKSKO En studie om folkmusikaliskt lärande innanför och utanför musikutbildningar Olle Hansson Sara Lundbeck Uppsats HT 2011 Handledare: Johan Söderman Musikpedagogik I, avancerad nivå _________________________________________________________ Uppsatser på avancerad nivå vid Musikhögskolan, Örebro universitet Sammanfattning Titel: Från träsko till lacksko En studie om folkmusikaliskt lärande innanför och utanför musikutbildningar Title in English: From clog to dress shoe A study of folk musical learning within and outside music education Denna uppsats behandlar frågor såsom vad som kännetecknar lärande av folkmusik i en institutionell och en icke-institutionell miljö samt vad som händer när folkmusik träder in i musikutbildningar. Vad är det som påverkar låtförmedlingen i de olika miljöerna? Undersökningen har sin utgångspunkt i observationer och intervjuer med representanter från en institutionell respektive icke-institutionell miljö där vi har försökt att ta reda på upplevelser av miljön, stämning, roller och prestationer. Slutsatsen av undersökningen är att de två förmedlingssituationerna är mycket lika men att intentionerna skiljer sig. I den institutionella miljön är utgångspunkten att lära sig att spela och det finns en nyttoaspekt i lärandet av låtar där syftet är att på lång sikt utvecklas inom folkmusik i stort. Inom skolan finns ett ”läxtänkande” där studenten bär ansvar för att utanför lektionerna öva på låtarna och att även där göra sin egen musikaliska tolkning av dessa. I miljöer utanför skolan handlar -
The Following Classes Will Be Performing
Monday Classes Performance Tight and Shoe Requirements **All tights are Capezio Hold &Stretch** *Miss Lisa Monday, 4:15pm Jazz- Lisa- Lt. Suntan/ tan jazz shoes Monday, 5:15pm Ballet- Lisa- Lt. Suntan stirrups/ tan paws Monday, 6:15pm Pointe- Lisa- Ballet pink with backseam/ pink Pointe shoes Monday, 7:15pm Ballet-Lisa- Lt. Suntan stirrups/ tan paws Monday, 8:15pm Lyrical- Lt. Suntan stirrups/ tan paws *Miss Christine Monday, 5:00pm Tap- Christine- Lt. Suntan/black tap shoes Monday, 5:45pm P4- Christine- Lt. Suntan/Pink ballet shoes Monday, 6:30pm Tap- Christine– Black Fishnets over Lt. suntan footed/Black Oxford taps- no mary jane style Monday, 7:15pm Modern-Christine- own clothing Monday, 8:15 pm Modern- Christine- Lt. Suntan stirrups/ tan paws *Miss Michelle Monday, 4:15pm Jazz- Michelle- Lt. Suntan Stirrup/ Tan foot paws Monday, 5:30pm P2- Michelle- Lt. Suntan/ black tap shoes (black socks for boys) Monday, 6:15pm Jazz- Michelle- Lt. Suntan Stirrups/ tan paws Monday, 7:15pm Ballet- Michelle- Ballet Pink tights/ Pink ballet Monday, 8:15 pm Lyrical Michelle- Lt. Suntan stirrups/ tan paws *Miss Stefanie Monday, 5:15pm Ballet- Stef- Ballet pink tight/ pink ballet shoe Monday, 6:15pm Pointe-Stef- Ballet pink tight/ pink Pointe shoe Monday, 7:15pm Modern- Stef- Lt. Suntan stirrups/ tan paws Monday, 8:15pm, Modern- Stef- Lt. Suntan stirrups/ tan paws Tuesday Classes Performance Tight and Shoe Requirements **All tights are Capezio Hold &Stretch** *Miss Christine Tuesday, 4:30pm Tap-Christine- Lt. Suntan tights/ black Oxford taps Tuesday, 5:15pm Tap-Christine- Lt. Suntan tights/ black Oxford taps Tuesday, 6:15pm Modern-Christine- Lt. -
AGTA Gemfair Tucson
SPRING 2005 AGTA GemFair Tucson RECORD ATTENDANCE MAKES FOR PREMIER EVENT AGTA GemFair Las Vegas SPECIAL SHOW DATES AND HIGHLIGHTS JUNE 2-6, 2005 Oscars 2005: The 77th Annual Academy Awards 2005 AGTA Competition Winners CUTTING EDGE AWARDS SPECTRUM AWARDS PRISM|SPRING 2005 From the Executive Director There is no doubt that as an website, designed to excite and educate practices that also organization, AGTA’s kick-off event the consumer about colored gemstones make our clients each year is the Tucson GemFair. For and cultured pearls, is visually exciting respond. Especially many of us, the success of this show and focuses on helping the consumer today, as new and DOUGLAS K. HUCKER, AGTA EXECUTIVE DIRECTOR can be a clear indication of how the better appreciate the exciting world of increasingly remainder of the year will progress. gems and make good decisions when sophisticated gemstone treatments are One primary goal of our staff is to they are planning to acquire them. It being introduced, it is vital for us to ensure that the GemFair is well has also developed into an excellent reaffirm our commitment. We also attended. Certainly our efforts were tool for a retail or wholesale business to realize that the ultimate recipient of this rewarded as buyers flocked to Tucson train their entry-level people and give disclosure must be the consumer. in record numbers, resulting in our their more experienced staff a refresher AGTA has just released an updated and second-best attendance record in course on gemstones. We have had a improved version of the “Gemstone history. -
Twenties Something
TOMMY’S PROENZA SCHOULER, CALVIN KLEIN NEW AND L’WREN SCOTT WERE AMONG THE STANDOUTS AS THE NEW YORK SCENT COLLECTIONS WOUND DOWN. FOR MORE, Tommy Hilfi ger SEE PAGES 6 TO 10 sticks to his roots with his latest fragrance, Eau de Prep. PAGE 12 COLLECTIONS 2012 NEW YORK SPRING WWDFRIDAY, SEPTEMBER 16, 2011 ■ WOMEN’S WEAR DAILY ■ $3.00 CALENDAR CLASH Milan vs. New York Over 2012 Show Dates By LUISA ZARGANI and MARC KARIMZADEH MILAN WANTS TO SHAKE UP the show calendar — and New York and London are digging in their heels. The spring 2013 shows are slated to kick off in New York on Sept. 13 — a date that’s become a thorn in the Milanese side, with Mario Boselli, head of the Italian Chamber of Fashion, lashing out at a calendar he believes was foisted upon the Italians by New York’s Council of Fashion Designers of America. In 2008, the governing fashion organizations of the four fashion capitals — New York, London, Milan and Paris — agreed to kick off the collections season on the second Thursday in February and September. Sometimes — like this year — that means the New York shows start three days after Labor Day, but for the next three years, the shows will kick off the following week. Boselli claimed the sec- ond Thursday rule was only for the short term. “After three years, we should sit down and decide on the next three years, and we don’t understand why the CFDA has single- handedly set the New York show dates later in September next year,” Boselli said.