Annual Review 2014/15
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Source Issue 2
SS | 2015 LISTEN LIVE HACKNEY MUSIC HANG-OUTS MEET THE MAKERS LONDON INNOVATION AT ITS BEST FRESH LONDON LIVING IN AND AROUND WOODBERRY DOWN WOODBERRY AROUND LIVING IN AND FRESH LONDON HACKNEY CYCLE GUIDE TEAR OUT AND SADDLE UP HAND CRAFTED THE ART OF THE MICROBREWERY discover the river AT your doorstep... FREE new Welcome elcome to the Spring In the midst of one of the capital’s most river Summer 2015 issue of eclectic areas, Woodberry Down is a Source magazine. place that offers the tranquility of nature alongside a rich sense of community. As the season invites the TRAIL W Steeped in history, the area promises an opportunity for adventure, we curate the exciting future as it undergoes substantial very best North London experiences to fill growth. those long summer days and balmy nights. Source is published on behalf of Berkeley, From exploring the nature trail at 3rd october 2015 one of the UK’s most respected residential Woodberry Wetlands to the local summer developers and recipient of The Queen’s market, outdoor cinema screenings Award for Enterprise. As a company that and the popular Hidden River Festival, builds not just homes but helps create nowhere else in London offers such a neighbourhoods, Source is designed to varied place to live. celebrate the people and places that shape Food STALLS a genuinely vibrant community. Through a mix of interviews, reviews and feature articles, discover an area known for HISTORY innovation, craftsmanship, arts and culture. SAVE the reservoirs CAMPAIGn live music THEATRE Source on your tablet Available on your iPad or NATURE CELEBRATION Android tablet. -
Event Planner Guide 2020 Contents
EVENT PLANNER GUIDE 2020 CONTENTS WELCOME TEAM BUILDING 17 TRANSPORT 46 TO LONDON 4 – Getting around London 48 – How we can help 5 SECTOR INSIGHTS 19 – Elizabeth Line 50 – London at a glance 6 – Tech London 20 – Tube map 54 – Financial London 21 – Creative London 22 DISCOVER – Medical London 23 YOUR LONDON 8 – Urban London 24 – New London 9 – Luxury London 10 – Royal London 11 PARTNER INDEX 26 – Sustainable London 12 – Cultural London 14 THE TOWER ROOM 44 – Leafy Greater London 15 – Value London 16 Opening its doors after an impressive renovation... This urban sanctuary, situated in the heart of Mayfair, offers 307 contemporary rooms and suites, luxurious amenities and exquisite drinking and dining options overseen by Michelin-starred chef, Jason Atherton. Four flexible meeting spaces, including a Ballroom with capacity up to 700, offer a stunning setting for any event, from intimate meetings to banquet-style 2 Event Planner Guide 2020 3 thebiltmoremayfair.com parties and weddings. WELCOME TO LONDON Thanks for taking the time to consider London for your next event. Whether you’re looking for a new high-tech So why not bring your delegates to the capital space or a historic building with more than and let them enjoy all that we have to offer. How we can help Stay connected Register for updates As London’s official convention conventionbureau.london conventionbureau.london/register: 2,000 years of history, we’re delighted to bureau, we’re here to help you conventionbureau@ find out what’s happening in introduce you to the best hotels and venues, Please use this Event Planner Guide as a create a world-class experience for londonandpartners.com London with our monthly event as well as the DMCs who can help you achieve practical index and inspiration – and contact your delegates. -
Letter C Introduction This Index Covers Volumes 110–112 and 114–120 Inclusive (1992–2000) of Archaeologia Cantiana, Volume 113 Being the Preceding General Index
Archaeologia Cantiana - On-line Index 2012 GENERAL INDEX TO VOLUMES CX 1992 ( 110 ) to CXX 2000 ( 120 ) Letter C Introduction This index covers volumes 110–112 and 114–120 inclusive (1992–2000) of Archaeologia Cantiana, volume 113 being the preceding General Index. It includes all significant persons, places and subjects with the exception of books reviewed. Volume numbers are shown in bold type and illustrations are denoted by page numbers in italic type or by (illus.) where figures occur throughout the text. The letter n after a page number indicates that the reference will be found in a footnote and pull-out pages are referred to as f – facing. Alphabetisation is word by word. Women are indexed by their maiden name, where known, with cross references from any married name(s). All places within historic Kent are included and are arranged by civil parish. Places that fall within Greater London are to be found listed under their London Borough. Places outside Kent that play a significant part in the text are followed by their post 1974 county. Place names with two elements (e.g. East Peckham, Upper Hardres) will be found indexed under their full place name. T. G. LAWSON, Honorary Editor Kent Archaeological Society, February 2012 Abbreviations m. married Ald. Alderman E. Sussex East Sussex M.P. Member of Parliament b. born ed./eds. editor/editors Notts. Nottinghamshire B. & N.E.S. Bath and North East f facing Oxon. Oxfordshire Somerset fl. floruit P.M. Prime Minister Berks. Berkshire G. London Greater London Pembs. Pembrokeshire Bt. Baronet Gen. General Revd Reverend Bucks. -
Westminster Abbey a Service for the New Parliament
St Margaret’s Church Westminster Abbey A Service for the New Parliament Wednesday 8th January 2020 9.30 am The whole of the church is served by a hearing loop. Users should turn the hearing aid to the setting marked T. Members of the congregation are kindly requested to refrain from using private cameras, video, or sound recording equipment. Please ensure that mobile telephones and other electronic devices are switched off. The service is conducted by The Very Reverend Dr David Hoyle, Dean of Westminster. The service is sung by the Choir of St Margaret’s Church, conducted by Greg Morris, Director of Music. The organ is played by Matthew Jorysz, Assistant Organist, Westminster Abbey. The organist plays: Meditation on Brother James’s Air Harold Darke (1888–1976) Dies sind die heil’gen zehn Gebot’ BWV 678 Johann Sebastian Bach (1685–1750) The Lord Speaker is received at the East Door. All stand as he is conducted to his seat, and then sit. The Speaker of the House of Commons is received at the East Door. All stand as he is conducted to his seat, and then sit. 2 O R D E R O F S E R V I C E All stand to sing THE HYMN E thou my vision, O Lord of my heart, B be all else but naught to me, save that thou art, be thou my best thought in the day and the night, both waking and sleeping, thy presence my light. Be thou my wisdom, be thou my true word, be thou ever with me, and I with thee, Lord; be thou my great Father, and I thy true son, be thou in me dwelling, and I with thee one. -
Fashioning Gender Fashioning Gender
FASHIONING GENDER FASHIONING GENDER: A CASE STUDY OF THE FASHION INDUSTRY BY ALLYSON STOKES, B.A.(H), M.A. A THESIS SUBMITTED TO THE DEPARTMENT OF SOCIOLOGY AND THE SCHOOL OF GRADUATE STUDIES OF MCMASTER UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY c Copyright by Allyson Stokes, August 2013 All Rights Reserved Doctor of Philosophy (2013) McMaster University (Sociology) Hamilton, Ontario, Canada TITLE: Fashioning Gender: A Case Study of the Fashion Industry AUTHOR: Allyson Stokes BA.H., MA SUPERVISOR: Dr. Tina Fetner NUMBER OF PAGES: xii, 169 ii For Johnny. iii Abstract This dissertation uses the case of the fashion industry to explore gender inequality in cre- ative cultural work. Data come from 63 in-depth interviews, media texts, labor market statistics, and observation at Toronto’s fashion week. The three articles comprising this sandwich thesis address: (1) processes through which femininity and feminized labor are devalued; (2) the gendered distribution of symbolic capital among fashion designers; and (3) the gendered organization of the fashion industry and the “ideal creative worker.” In chapter two, I apply devaluation theory to the fashion industry in Canada. This chap- ter makes two contributions to literature on the devaluation of femininity and “women’s work.” First, while devaluation is typically used to explain the gender wage gap, I also address symbolic aspects of devaluation related to respect, prestige, and interpretations of worth. Second, this paper shows that processes of devaluation vary and are heavily shaped by the context in which work is performed. I address five processes of devaluation in fash- ion: (1) trivialization, (2) the privileging of men and masculinity, (3) the production of a smokescreen of glamour, (4) the use of free labor and “free stuff,” and (5) the construction of symbolic boundaries between “work horses” and “show ponies.” In chapter three, I use media analysis to investigate male advantage in the predomi- nantly female field of fashion design. -
Somerset House
Somerset House Conway Archive Old Somerset House, London – The River Front of Old Somerset House, from a Watercolour by Paul Sandby, RA, Image CON-B1035-F1-12 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Kenton Couse, Image CON-B1035-F1-01, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Thomas Sandby in Royal Library, Windsor Castle, Image CON-B1035- F1-15, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of 1797 described as after a painting of 1650 by Cornelis Bol, Image CON-B1035-F1-16, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of The Southern Front of Somerset House with its Extensive Gardens &c, Drawing by Jan Kip c. 1720, Image CON-B1035F1-10 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of Etching by W. Hallam (British Museum), 1607-77, Image CON-B1035-F1- 08, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – from Britannia Illustrata, vol. 1, 1714, pl.4, Image CON-B1035-F1-09, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of a painting by Cornelis Bol, c.1640-50, Evelyn Collection, Image CON- B1035-F1-17, The Courtauld Institute of Art, CC-BY-NC Somerset House, London - Detail of vestibule, Image CON-B1034-F2-13 The Courtauld Institute of Art, CC-BY-NC Details unavailable Somerset House, London – The Strand Façade, Image CON-B1034-F1-02, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South Side of courtyard area, taken 1969, Image CON-B1034-F1-28 The Courtauld Institute of Art, CC-BY-NC Somerset House, London – West side of covered way through north range, taken 1985, Image CON-B1034-F1-34, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South face of north range and gate linking with inner west range, taken 1969, Image CON-B1034-F3-19, The Courtauld Institute of Art, CC-BY-NC Somerset House, London, CON-B1034-F3-17, The Courtauld Institute of Art, CC-BY-NC. -
The Custom House
THE CUSTOM HOUSE The London Custom House is a forgotten treasure, on a prime site on the Thames with glorious views of the river and Tower Bridge. The question now before the City Corporation is whether it should become a luxury hotel with limited public access or whether it should have a more public use, especially the magnificent 180 foot Long Room. The Custom House is zoned for office use and permission for a hotel requires a change of use which the City may be hesitant to give. Circumstances have changed since the Custom House was sold as part of a £370 million job lot of HMRC properties around the UK to an offshore company in Bermuda – a sale that caused considerable merriment among HM customs staff in view of the tax avoidance issues it raised. SAVE Britain’s Heritage has therefore worked with the architect John Burrell to show how this monumental public building, once thronged with people, can have a more public use again. SAVE invites public debate on the future of the Custom House. Re-connecting The City to the River Thames The Custom House is less than 200 metres from Leadenhall Market and the Lloyds Building and the Gherkin just beyond where high-rise buildings crowd out the sky. Who among the tens of thousands of City workers emerging from their offices in search of air and light make the short journey to the river? For decades it has been made virtually impossible by the traffic fumed canyon that is Lower Thames Street. Yet recently for several weeks we have seen a London free of traffic where people can move on foot or bike without being overwhelmed by noxious fumes. -
Press Release 15 January 2013 Swarovski Whitechapel Gallery Art
Press Release 15 January 2013 Swarovski Whitechapel Gallery Art Plus Fashion: Giles Deacon , Bella Freud, Marios Schwab and Nadja Swarovski collaborate with the Whitechapel Gallery for annual fundraising gala 14 March 2013, 7pm - late The Whitechapel Gallery announces an exceptional evening of art, fashion and moving-image on Thursday 14 March 2013 for the annual fundraising gala in partnership with Swarovski. Major names from the world of fashion including Giles Deacon , Bella Freud, Marios Schwab and Nadja Swarovski select the most promising fashion postgraduates emerging from London to take centre stage in the first ever live catwalk show in the Gallery. Whitechapel Gallery Director Iwona Blazwick OBE , Nadja Swarovski , Member of Swarovski’s Executive Board, Mollie Dent-Brocklehurst , Art Plus Chair and Justine Picardie , Harper’s Bazaar Editor-in-Chief, lead a committee of renowned figures from the worlds of art, fashion, film and music, inviting guests to join an evening premiering the next generation of designers. Funds raised support the Whitechapel Gallery’s Education programme, which works with thousands of children and diverse community groups every year. For Swarovski Whitechapel Gallery Art Plus Fashion , outstanding postgraduate fashion collections will be paired with work by leading moving-image artists, followed by live music and celebrity DJs. An auction led by Sotheby’s Oliver Barker includes works generously donated by major contemporary artists. Guests will have the opportunity to bid on works by Andrea Büttner , Minerva Cuevas, Corinne Day, Sam Durant, Cornelia Parker, Bridget Riley, Bob and Roberta Smith and Catherine Yass . Swarovski Whitechapel Gallery Art Plus Fashion will feature a stunning catwalk show with creative direction by Sara Blonstein and Chris Ford from Blonstein & Associates . -
Annual Review 2016/17
Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2016/17 1 2 06 Welcome to another chapter in our story Contents 07 Our work is guided by four principles 08 Chairman’s Introduction 09 Chief Executive – a reflection 10 The Year of the Gardens 14 Guardianship 20 Showmanship 26 Discovery 32 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees and Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 This year, the famous gardens of Hampton Court Palace took Guardianship: Welcome to centre stage. Already a huge attraction in their own right, this Our work is We exist for tomorrow, not just for yesterday. Our job is to give year the historic gardens burst into even more vibrant life. these palaces a future as valuable as their past. We know how another Prompted by the 300th anniversary of the birth of Lancelot guided by four precious they and their contents are, and we aim to conserve ‘Capability’ Brown, we created a spectacular programme of them to the standard they deserve: the best. chapter in exhibitions, events and activities. A highlight was the royal principles Discovery: opening of the Magic Garden; our playful and spectacular We explain the bigger picture, and then encourage people to our story 21st century contribution to 500 years of garden history. -
Attractions Management News 7Th August 2019 Issue
Find great staff™ Jobs start on page 27 MANAGEMENT NEWS 7 AUGUST 2019 ISSUE 136 www.attractionsmanagement.com Universal unveils Epic Universe plans Universal has finally confirmed plans for its fourth gate in Orlando, officially announcing its Epic Universe theme park. Announced at an event held at the Orange County Convention Center in Orlando, Epic Universe will be the latest addition to Florida's lucrative theme park sector and has been touted as "an entirely new level of experience that forever changes theme park entertainment". "Our new park represents the single- largest investment Comcast has made ■■The development almost doubles in its theme park business and in Florida Universal's theme park presence in Orlando overall,” said Brian Roberts, Comcast chair and CEO. "It reflects the tremendous restaurants and more. The development excitement we have for the future of will nearly double Universal’s total our theme park business and for our available space in central Florida. entire company’s future in Florida." "Our vision for Epic Universe is While no specific details have been historic," said Tom Williams, chair and revealed about what IPs will feature in CEO for Universal Parks and Resorts. This is the single largest the park, Universal did confirm that the "It will become the most immersive and investment Comcast has made 3sq km (1.2sq m) site would feature innovative theme park we've ever created." in its theme park business an entertainment centre, hotels, shops, MORE: http://lei.sr/J5J7j_T Brian Roberts FINANCIALS NEW AUDIENCES -
Tower of London World Heritage Site Management Plan
Tower of London World Heritage Site Management Plan Published by Historic Royal Palaces © Historic Royal Palaces 2007 Historic Royal Palaces Hampton Court Palace Surrey KT8 9AU June 2007 Foreword By David Lammy MP Minister for Culture I am delighted to support this Management Plan for the Tower of London World Heritage Site. The Tower of London, founded by William the Conqueror in 1066-7, is one of the world’s most famous fortresses, and Britain’s most visited heritage site. It was built to protect and control the city and the White Tower survives largely intact from the Norman period. Architecture of almost all styles that have since flourished in England may be found within the walls. The Tower has been a fortress, a palace and a prison, and has housed the Royal Mint, the Public Records and the Royal Observatory. It was for centuries the arsenal for small arms, the predecessor of the present Royal Armouries, and has from early times guarded the Crown Jewels. Today the Tower is the key to British history for visitors who come every year from all over the world to relive the past and to enjoy the pageantry of the present. It is deservedly a World Heritage Site. The Government is accountable to UNESCO and the wider international community for the future conservation and presentation of the Tower. It is a responsibility we take seriously. The purpose of the Plan is to provide an agreed framework for long-term decision-making on the conservation and improvement of the Tower and sustaining its outstanding universal value. -
Whole Day Download the Hansard
Wednesday Volume 672 26 February 2020 No. 30 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Wednesday 26 February 2020 © Parliamentary Copyright House of Commons 2020 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 299 26 FEBRUARY 2020 300 Stephen Crabb: As we prepare to celebrate St David’s House of Commons Day, now is a good moment to celebrate the enormous and excellent progress that has been made in reducing unemployment in Wales. Does my right hon. Friend Wednesday 26 February 2020 agree that what is really encouraging is the fact that the long-term lag between Welsh employment levels and the The House met at half-past Eleven o’clock UK average has now closed, with more people in Wales going out to work than ever before? PRAYERS Simon Hart: I am grateful to my right hon. Friend and constituency neighbour for raising this issue. He will be as pleased as I am that the figures in his own [MR SPEAKER in the Chair] constituency, when compared with 2010, are as good as they are. It is absolutely right that the Government’s job, in collaboration with the Welsh Government if that is necessary, is to ensure we create the circumstances Oral Answers to Questions where that trend continues. He has my absolute assurance that that will be the case. Christina Rees (Neath) (Lab/Co-op): Will the Secretary WALES of State provide the House with specific details on how many people have been affected by the catastrophic flood damage to residential properties and businesses The Secretary of State was asked— across Wales, and exactly how much has been lost to the Universal Credit Welsh economy so far? Simon Hart: I should start by saying that, during the 1.