The Night Before the Somme
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Annual Review 2016/17
Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2016/17 1 2 06 Welcome to another chapter in our story Contents 07 Our work is guided by four principles 08 Chairman’s Introduction 09 Chief Executive – a reflection 10 The Year of the Gardens 14 Guardianship 20 Showmanship 26 Discovery 32 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees and Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 This year, the famous gardens of Hampton Court Palace took Guardianship: Welcome to centre stage. Already a huge attraction in their own right, this Our work is We exist for tomorrow, not just for yesterday. Our job is to give year the historic gardens burst into even more vibrant life. these palaces a future as valuable as their past. We know how another Prompted by the 300th anniversary of the birth of Lancelot guided by four precious they and their contents are, and we aim to conserve ‘Capability’ Brown, we created a spectacular programme of them to the standard they deserve: the best. chapter in exhibitions, events and activities. A highlight was the royal principles Discovery: opening of the Magic Garden; our playful and spectacular We explain the bigger picture, and then encourage people to our story 21st century contribution to 500 years of garden history. -
Stonehenge OCR Spec B: History Around Us
OCR HISTORY AROUND US Site Proposal Form Example from English Heritage The Criteria The study of the selected site must focus on the relationship between the site, other historical sources and the aspects listed in a) to n) below. It is therefore essential that centres choose a site that allows learners to use its physical features, together with other historical sources as appropriate, to understand all of the following: a) The reasons for the location of the site within its surroundings b) When and why people first created the site c) The ways in which the site has changed over time d) How the site has been used throughout its history e) The diversity of activities and people associated with the site f) The reasons for changes to the site and to the way it was used g) Significant times in the site’s past: peak activity, major developments, turning points h) The significance of specific features in the physical remains at the site i) The importance of the whole site either locally or nationally, as appropriate j) The typicality of the site based on a comparison with other similar sites k) What the site reveals about everyday life, attitudes and values in particular periods of history l) How the physical remains may prompt questions about the past and how historians frame these as valid historical enquiries m) How the physical remains can inform artistic reconstructions and other interpretations of the site n) The challenges and benefits of studying the historic environment 1 Copyright © OCR 2018 Site name: STONEHENGE Created by: ENGLISH HERITAGE LEARNING TEAM Please provide an explanation of how your site meets each of the following points and include the most appropriate visual images of your site. -
Attractions Management News 7Th August 2019 Issue
Find great staff™ Jobs start on page 27 MANAGEMENT NEWS 7 AUGUST 2019 ISSUE 136 www.attractionsmanagement.com Universal unveils Epic Universe plans Universal has finally confirmed plans for its fourth gate in Orlando, officially announcing its Epic Universe theme park. Announced at an event held at the Orange County Convention Center in Orlando, Epic Universe will be the latest addition to Florida's lucrative theme park sector and has been touted as "an entirely new level of experience that forever changes theme park entertainment". "Our new park represents the single- largest investment Comcast has made ■■The development almost doubles in its theme park business and in Florida Universal's theme park presence in Orlando overall,” said Brian Roberts, Comcast chair and CEO. "It reflects the tremendous restaurants and more. The development excitement we have for the future of will nearly double Universal’s total our theme park business and for our available space in central Florida. entire company’s future in Florida." "Our vision for Epic Universe is While no specific details have been historic," said Tom Williams, chair and revealed about what IPs will feature in CEO for Universal Parks and Resorts. This is the single largest the park, Universal did confirm that the "It will become the most immersive and investment Comcast has made 3sq km (1.2sq m) site would feature innovative theme park we've ever created." in its theme park business an entertainment centre, hotels, shops, MORE: http://lei.sr/J5J7j_T Brian Roberts FINANCIALS NEW AUDIENCES -
Tower of London World Heritage Site Management Plan
Tower of London World Heritage Site Management Plan Published by Historic Royal Palaces © Historic Royal Palaces 2007 Historic Royal Palaces Hampton Court Palace Surrey KT8 9AU June 2007 Foreword By David Lammy MP Minister for Culture I am delighted to support this Management Plan for the Tower of London World Heritage Site. The Tower of London, founded by William the Conqueror in 1066-7, is one of the world’s most famous fortresses, and Britain’s most visited heritage site. It was built to protect and control the city and the White Tower survives largely intact from the Norman period. Architecture of almost all styles that have since flourished in England may be found within the walls. The Tower has been a fortress, a palace and a prison, and has housed the Royal Mint, the Public Records and the Royal Observatory. It was for centuries the arsenal for small arms, the predecessor of the present Royal Armouries, and has from early times guarded the Crown Jewels. Today the Tower is the key to British history for visitors who come every year from all over the world to relive the past and to enjoy the pageantry of the present. It is deservedly a World Heritage Site. The Government is accountable to UNESCO and the wider international community for the future conservation and presentation of the Tower. It is a responsibility we take seriously. The purpose of the Plan is to provide an agreed framework for long-term decision-making on the conservation and improvement of the Tower and sustaining its outstanding universal value. -
Download Applications for Smartphones
City Research Online City, University of London Institutional Repository Citation: Ntalla, Irida (2017). The interactive museum experience: investigating experiential tendencies and audience focus in the Galleries of Modern London and the High Arctic exhibition. (Unpublished Post-Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17280/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] The Interactive Museum Experience: Investigating experiential tendencies and audience focus in the Galleries of Modern London and the High Arctic exhibition Irida Ntalla Ph.D. Thesis This thesis is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Culture and Creative Industries. Centre for Culture and Creative Industries Department of Sociology School of Arts and Social Sciences January 2017 i Table of Contents Introduction ...................................................................... 1 i. -
PRESS RELEASE the Goldsmiths' Company Becomes a Founding
PRESS RELEASE The Goldsmiths’ Company becomes a Founding Partner of the new Museum of London and pledges £10m donation Queen Elizabeth II Coronation Cup, designed by Goldsmith R.Y. Goodden in 1953 is pictured in the Corporation of London’s current salt store, which by 2022 will have been transformed into galleries at the new Museum of London in West Smithfield with the Thameslink track running through them. Image © Museum of London. Collection: The Worshipful Company of Goldsmiths. The Museum of London and the Worshipful Company of Goldsmiths (one of the major City Livery Companies) today announced that the Goldsmiths' Company is to become a Founding Partner of the new Museum of London, due to open in West Smithfield in 2022. The Goldsmiths' Company and its affiliated Charity have pledged £10 million to the Museum project. This landmark donation goes towards the Museum’s plans to create a spectacular new home for the history of London and its people in the beautiful but disused market buildings at West Smithfield. This follows the news earlier this year that the City of London Corporation and Mayor of London have together pledged £180 million. Counting the donation from the Goldsmiths’ Company and its affiliated Charity, the Museum has £60 million left to raise. A gallery bearing the Goldsmiths’ name will be at the heart of the new Museum, showcasing the Cheapside Hoard together with highlights from the Company’s world-renowned Collection of historic and contemporary silver. Judith Cobham-Lowe, Prime Warden of the Goldsmiths' Company, said: "We are thrilled to be playing our part in the new Museum of London as a Founding Partner. -
Museum of London Museum of London Mastertop, Ucrete Location: London (United Kingdom)
Project: Museum of London Museum of London MasterTop, Ucrete Location: London (United Kingdom) Owner/s: Corporation of London Applicator/Contractor: Surtec Designer/Architect/Specifier: Corporation of London – Design Team Market sector: Public buildings Products used & amounts: MasterTop 1325, MasterTop 1325/REG, MasterTop 1324/Flake, MasterTop 1255 Our reference in London (United Kingdom): Museum of London Stone Carpet, MasterTop DAP, The background The challenge Ucrete UD200 This extensive project at the Museum of The ability to provide many solutions from a London, one of the world’s largest urban single source was an important contribution history museums, involved a £ 20 million to the creative continuity of each area’s design. investment in the new Galleries of Modern Hygiene and an easy-to-clean surface were London and the Clore Learning Centre. The also essential requirements. Many different new permanent exhibitions transport the areas needed to meet a range of aesthetic visitor through the capital‘s tumultuous history demands. Varying substrates were found in the from 1666 to today, through five galleries and existing structure, some of them extremely 7,000 objects. The installation of a number old. A durable, comfortable flooring system of Master Builders Solutions from BASF was further needed to minimise footfall noise. resin flooring systems by Surtech enabled the museum to use different flooring finishes in the same environment as a holistic part of each new exhibition area. Aesthetics and performance were crucial to the specification. Contact: BASF plc, Construction Chemicals Earl Road, Cheadle Hulme, Cheadle, Cheshire, SK8 6QG T: 0161 485 6222 F: 0161 488 5220 Museum of London MasterTop, Ucrete Our reference in London (United Kingdom): Museum of London Our solution Project facts at a glance The comprehensive range of MasterTop and Ucrete resin § Scope of project: 3,000 m². -
Environmental
DP9 Department: Planning 100 Pall Mall Your reference: London Our reference: D&P/1200c&d/PR SW1Y 5NQ Date: 30 April 2019 For the attention of Julian Shirley Dear Sirs The Town and Country Planning (Environmental Impact Assessment) Regulations 2011 (‘2011 Regulations’) The Town & Country Planning Act 1990 (as amended); Greater London Authority Acts 1999 And 2007; The Town and Country Planning (Mayor of London) Order 2008. Request for Scoping Opinion Review Land known as Bishopsgate Goods Yard, London, E1 Greater London Authority ref: D&P1200c&d (Hackney and Tower Hamlets Planning application nos. 2014/2425 & PA/14/02011 Hackney and Tower Hamlets Listed building application nos. 2014/2427 & PA/14/02096) Bishopsgate Goods Yard Regeneration Limited (‘Applicant’) I refer to your Scoping Opinion Review Request (SORR) dated 5th March 2019 pursuant to the 2011 Regulations and the content of the Environmental Statement Addendum (ESA) to be prepared in connection with the development proposed at the above site under the existing planning applications (references referred to above) (Applications’). Please find below the GLA’s (on behalf of the Mayor of London, Local Planning Authority for the Applications) review of the Scoping Opinion issued jointly by the London Borough of Hackney (Ref: 2014/0249) and the London Borough of Tower Hamlets (Ref: PA/14/00107) in March 2014 (‘2014 Scoping Opinion’) (attached as Appendix). Section 1 sets out the details of the application site and the proposal, Section 2, details the comments of the consultees and Section 3 sets out the review of the approach to the EIA. Section 4 comments on the matters to be assessed in the ESA and Section 5 deals with the topics Scoped- Out. -
Heritage Premises: Fire Safety Guidance Background
Heritage Premises: Fire Safety Guidance Background: Important heritage buildings are listed by Historic England. Listing, scheduling, registering and protecting are all forms of Designation, for protecting buildings, monuments, parks and gardens, battlefields and wreck sites respectively. Designation is the act of identifying the most important parts of our heritage so they can receive special protection and make sure that our history can be enjoyed by present and future generations. All of these sites are brought together in the National Heritage List for England (NHLE) Buildings and structures which meet the criteria for national protection are listed. This protection system has been in place since 1947 and operates under; The Planning (Listed Buildings and Conservation Areas) Act 1990. Guidance to selection criteria is available on Historic England`s web site: http://historicengland.org.uk/listing/selection-criteria/listing-selection/ Listed Buildings: Listing helps us acknowledge and understand our shared history. It marks and celebrates a building's special architectural and historic interest, and also brings it under the consideration of the planning system so that some thought will be taken about its future. The older a building is, the more likely it is to be listed. All buildings built before 1700 which survive in anything like their original condition are listed, as are most of those built between 1700 and 1840. Particularly careful selection is required for buildings from the period after 1945. A building has normally to be over 30 years old to be eligible for listing. Categories of listed buildings: Grade I buildings are of exceptional interest, only 2.5% of listed buildings are Grade I. -
Buses from Upper Norwood (Beulah Hill) X68 Russell Square Tottenham for British Museum Court Road N68 Holborn Route Finder Aldwych for Covent Garden Day Buses
Buses from Upper Norwood (Beulah Hill) X68 Russell Square Tottenham for British Museum Court Road N68 Holborn Route finder Aldwych for Covent Garden Day buses Bus route Towards Bus stops River Thames Elephant & Castle Ǩ ǫ ǭ Ǯ Waterloo Westwood Hill Lower Sydenham 196 VAUXHALL for IMAX Theatre, London Eye & South Bank Arts Centre Sydenham Bell Green 450 Norwood Junction ɧ ɨ ɩ ɰ Sydenham Lower Sydenham Vauxhall 196 468 Sainsburys Elephant & Castle Fountain Drive Kennington 249 Anerley ɧ ɨ ɩ ɰ Lansdowne Way Lane Route X68 runs non-stop between West Norwood and Walworth Road Waterloo during the Monday-Friday morning peak only. Kingswood Drive SYDENHAM Clapham Common Ǩ ǫ ǭ Ǯ College Road Stockwell Passengers cannot alight before Waterloo. Ā ā 249 Camberwell Green 450 Lower Sydenham Clapham Common Stockwell Green Kingswood Drive Old Town Bowen Drive West Croydon ˓ ˗ Brixton Effra Denmark Hill Road Kings College Hospital Dulwich Wood Park Kingswood Drive 468 Elephant & Castle Ǩ ǫ ǭ Ǯ Brixton Herne Hill Clapham Common South BRIXTON Lambeth Town Hall Dulwich Wood Park CRYSTAL South Croydon ɧ ɨ ɩ ɰ Norwood Road College Road Deronda Road HERNE PALACE Clapham South Norwood Road Crystal Palace Parade HILL College Road Night buses Thurlow Park Road Anerley Road Thicket Road BALHAM Tulse Hill Crystal Palace Anerley Road Bus route Towards Bus stops TULSE Parade Ridsdale Road Balham Anerley Road Norwood Road Hamlet Road Old Coulsdon ɧ ɨ ɩ ɰ HILL Lancaster Avenue N68 Norwood Road Crystal Palace for National Sports Centre Anerley Tottenham Court Road Ǩ ǫ -
With the London Pass Entry Fee Entry Fee TOP ATTRACTIONS Tower of London + Fast Track Entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00
London Pass Prices correct at 01.04.15 Attraction Entrance Prices FREE ENTRY to the following attractions Normal Adult Normal Child with the London Pass Entry fee Entry fee TOP ATTRACTIONS Tower of London + Fast track entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00 NEW 1 Day Hop on Hop off Bus tour (From 1st October 2015) £22.00 £10.00 Windsor Castle + Fast track entrance £19.20 £11.30 Kensington Palace and The Orangery + Fast track entrance £15.90 FREE Hampton Court Palace + Fast track entrance £17.50 £8.75 17.10 ZSL London Zoo + Fast track entrance £24.30 Under 3 FREE Shakespeare's Globe Theatre Tour & Exhibition £13.50 £8.00 Churchill War Rooms £16.35 £8.15 London Bridge Experience and London Tombs + Fast track entrance £24.00 £18.00 Thames River Cruise £18.00 £9.00 HISTORIC BUILDINGS Tower Bridge Exhibition £9.00 £3.90 Royal Mews £9.00 £5.40 Royal Albert Hall - guided tour £12.25 £5.25 Royal Observatory £7.70 £3.60 Monument £4.00 £2.00 Banqueting House £6.00 FREE Jewel Tower £4.20 £2.50 Wellington Arch £4.30 £2.60 Apsley House £8.30 £5.00 Benjamin Franklin House £7.00 FREE Eltham Palace £13.00 £7.80 The Wernher Collection at Ranger's house £7.20 £4.30 MUSEUMS Imperial War Museum £5.00 £5.00 The London Transport Museum £16.00 FREE Household Cavalry Museum £7.00 £5.00 Charles Dickens Museum £8.00 £4.00 London Motor Museum £30.00 £20.00 Guards Museum £6.00 FREE Cartoon Museum £7.00 FREE Foundling Museum £7.50 FREE Science Museum - IMAX Theatre £11.00 £9.00 Handel House Museum £6.50 £2.00 London Canal Museum £4.00 £2.00 Royal Air -
Digital Media at the Tower of London
Digital Media at the Tower of London Recommendations for a Mobile Application at the Mint Street Exhibition By: Michael Bartlett, Bryan Myers, Todd Pfizenmaier, Lauren Waring Digital Media at the Tower of London Recommendations for a Mobile Application at the Mint Street Exhibition An Interactive Qualifying Project Report Submitted to the faculty of the Worcester Polytechnic Institute In partial fulfillment of the requirements for Degree of Bachelor of Science In cooperation with The Tower of London On April 27, 2012 Submitted by: Submitted to: Michael Bartlett Megan Gooch Bryan Myers Dominique Driver Todd Pfizenmaier Professor Kathi Fisler Lauren Waring Professor Paul Davis i Abstract The following report evaluates the possible use of hand-held digital media in the Tower of London, specifically the Tower Mint Exhibition. Recommendations were created from visitor surveys, interviews with museum professionals, as well as, evaluations of digital media at other sites. Results show the implementation of an application adds value by letting visitors learn at their own pace, engage the whole family, as well as, share and extend their experience. These values correlate with possible characteristics for a successful application. i Acknowledgments Our team would like to thank our sponsor, the Tower of London, for the exciting opportunity to work on this project at the Tower of London. We would specifically like to extend our thanks to Megan Gooch and Dominique Driver whose consistent support made this project possible. We would also like to thank all the members of the Tower of London staff for their support, insight and assistance with the project. Finally, we would like to thank our Worcester Polytechnic Institute advisors, Paul Davis and Kathi Fisler, for their generous advice and support throughout this project.