Anna Kasyan Soprano
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Programme 2016
71e CONCOURS DE GENÈVE INTERNATIONAL MUSIC COMPETITION PROGRAMME 2016 CONCOURSGENEVE.CH Partenaire principal Croquis du sinistre Quoi qu’il arrive – nous vous aidons rapidement et simplement. mobiliere.ch Agence générale Genève Denis Hostettler Route du Grand-Lancy 6a 1227 Les Acacias T 022 819 05 55 [email protected] SOMMAIRE SUMMARY I. INTRODUCTION INTRODUCTION 3 Messages de bienvenue Official messages 3 Comment fonctionne le Jury How the Jury works 10 II. CONCOURS DE CHANT VOICE COMPETITION 11 Programme Programme 12 Prix et récompenses Prizes & awards 15 Candidats Candidates 17 Membres du Jury Jury members 28 Accompagnateurs Accompanists 40 Orchestre et chef Orchestra & conductor 42 III. CONCOURS DE QUATUOR STRING QUARTET À CORDES COMPETITION 45 Programme Programme 46 Prix et récompenses Prizes & awards 48 Candidats Candidates 51 Membres du Jury Jury members 60 Compositeur Composer 71 IV. AUTOUR DU CONCOURS AROUND THE COMPETITION 73 Concert d’ouverture Opening concert 75 Concert vernissage Concert inauguration 76 Pédagogie et médiation Education & mediation 77 V. LAURÉATS PRIZE-WINNERS 85 Programme de soutien Career development programme 86 Coup de Cœur Breguet Coup de Cœur Breguet Prize 89 Tournée des lauréats Laureates tour 91 Festival des lauréats Laureates festival 93 Interview du Quatuor Voce Interview of Quatuor Voce 95 Nouvelles des lauréats News of the laureates 100 VI. SOUTIENS SUPPORTS 107 Amis du concours Friends association 108 Partenaires et soutiens Partners & Supports 111 VII. PRATIQUE PRACTICAL 113 Billetterie, tarifs Tickets, prices 115 Lieux Places 118 Organisation Organization 119 Contacts Contacts 120 — 1 — ALTERNATIVE.CH | CI/UN/CH/F/121215 CI/UN/CH/F/121215 La discipline crée la stabilité. -
The André Prévost Fonds the ANDRÉ PRÉVOST FONDS
The André Prévost Fonds THE ANDRÉ PRÉVOST FONDS NUMERICAL LIST by STÉPHANE JEAN Ottawa 1997 Canadian Cataloguing in Publication Data National Library of Canada The André Prévost fonds : numerical list Issued also in French under title: Le fonds-André- Prévost, répertoire numérique. Includes index. ISBN 0-662-25324-8 CCG cat. no. SN3-316/1997E-IN 1. Prévost, André, 1934- --Archives--Catalogs. 2. National Library of Canada. Music Division--Archives-- Catalogs. I. Jean, Stéphane, 1964- II. Title. ML136.O88P945 1997 016.78’092 C97-900182-X Cover: Prélude pour deux pianos of André Prévost, D4,65 Cover design: Denis Schryburt © Her Majesty the Queen in Right of Canada (1997), as represented by the National Library of Canada. This publication may be reproduced without permission provided the source is fully acknowledged. However, reproduction of this publication, in whole or in part, for the purpose of resale or redistribution requires prior written permission from the National Library of Canada, Ottawa, Canada K1A 0N4. Cat. no. SN3-316/1997E-IN ISBN 0-662-25324-8 2 “...now men can only sing out their anguish and somehow sublimate it with hope; for they have acquired the certain knowledge that their sole salvation lies in acceptance and losing themselves in the world. They triumph over their condition by facing it.” (translation) André Prévost, Fantasmes, 1963. 3 4 TABLE OF CONTENTS Page INTRODUCTION 7 A TRIBUTE... 9 ABBREVIATIONS AND ACRONYMS 11 ABOUT THE FONDS 13 DESCRIPTION OF THE FONDS 17 MUS 264/A Correspondence 17 MUS 264/B Studies 24 -
Newsletter • Bulletin Spring 2005 Printemps
NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Spring 2005 Printemps P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 A Grand Night for Opera by Jean Saldanha pera arias filled the Unitarian Next was Bryan Estabrooks, bari- Church on January 29th as the tone, with arias “O Ruddier than the Cherry” Oseventh Brian Law Opera Schol- from ACIS AND GALATEA; “Avant de quitter arship competition was held. Bobbi Cain ces lieux” from FAUST sung with great feel- hosted the evening and welcomed the au- ing; and a spirited presentation of “Largo al dience to what was to be an evening of factotum” from IL BARBIERE DI SIVIGLIA. musical treats. It was good to see her back Liliana Piazza, mezzo-soprano, chose on her feet after an extended hospital stay. the arias “Va! Laisse couler les larmes” from Thanks to the preliminary jurors, WERTHER, “Ombra mai fu” from SERSE and Barbara Clark, Charlotte Stewart and Garth “Must the winter come so soon?” from Hampson, a fine group of four talented young VANESSA. All were sung beautifully in a lovely singers were chosen for the night’s finals. clear voice. First on stage was Joyce El-Khoury, Last, and to many the favourite, was soprano, who gave dramatic and moving Maghan Stewart, soprano, who easily presentations of the arias “Come scoglio” handled the arias “Piangero la sorte mia” from COSI FAN TUTTE; Marietta’s Lied from GUILIO CESARE, “In quali eccessi, oh, “Gluck, das mir verblieb” from DIE TOTE Numi” from DON GIOVANNI and “Mi STADT; and “Donde lieta usci” from LA chiamano Mimi” from LA BOHÈME. -
André Previn Tippett's Secret History
TIPPETT’S SECRET HISTORY ANDRÉ PREVIN The fascinating story of the composer’s incendiary politics Our farewell to the musical legend 110 The world’s best-selling classical music magazine reviews by the world’s finest critics See p72 Bach at its best! Pianist Víkingur Ólafsson wins our Recording of the Year Richard Morrison Preparing students for real life Classically trained America’s railroad revolution Also in this issue Mark Simpson Karlheinz Stockhausen We meet the young composer Alina Ibragimova Brahms’s Clarinet Quintet Ailish Tynan and much more… First Transcontinental Railroad Carriage made in heaven: Sunday services on a train of the Central Pacific Railroad, 1876; (below) Leland Stanford hammers in the Golden Spike Way OutWest 150 years ago, America’s First Transcontinental Railroad was completed. Brian Wise describes how music thrived in the golden age of train travel fter the freezing morning of 10 May Key to the railroad’s construction were 1869, a crowd gathered at Utah’s immigrant labourers – mostly from Ireland and Promontory Summit to watch as a China – who worked amid avalanches, disease, A golden spike was pounded into an clashes with Native Americans and searing unfinished railroad track. Within moments, a summer heat. ‘Not that many people know how telegraph was sent from one side of the country hard it was to build, and how many perished to the other announcing the completion of while building this,’ says Zhou Tian, a Chinese- North America’s first transcontinental railroad. American composer whose new orchestral work It set off the first coast-to-coast celebration, Transcend pays tribute to these workers. -
Désiré Defauw, Un Chef Belge À La Tête De L'osm
Document generated on 09/29/2021 2:06 a.m. Les Cahiers de la Société québécoise de recherche en musique Désiré Defauw, un chef belge à la tête de l’OSM Désiré Defauw: A Belgian Conducter at the Helm of the MSO Lyette Ainey Les musiques du Québec Article abstract Volume 10, Number 1, December 2008 The 75th anniversary of the Montreal Symphony Orchestra provides the opportunity to introduce, or rediscover Désiré Defauw, the first conductor to URI: https://id.erudit.org/iderudit/1054172ar hold a permanent position with the Société des Concerts Symphoniques de DOI: https://doi.org/10.7202/1054172ar Montréal, the MSO’s immediate predecessor. The twelve years (from 1941 to 1953) that the Belgian-born Defauw held the position of conductor of the See table of contents Société des Concerts were crucial to the rise and professional development of that organisation, due in large part to his musical proficiency, prestige, and experience conducting some of the great European symphony orchestras. Defauw’s care in choosing and varying concert programmes and his Publisher(s) broadening of the orchestral repertoire to give pride of place to Canadian Société québécoise de recherche en musique music were the building blocks of the orchestra. His professional connections with internationally renowned composers, soloists, and conductors were a key factor in promoting and disseminating the orchestra’s work, which led in turn ISSN to the high level of performance and enviable reputation the MSO enjoys 1480-1132 (print) today. 1929-7394 (digital) Explore this journal Cite this article Ainey, L. (2008). Désiré Defauw, un chef belge à la tête de l’OSM. -
La Bohème Under the Stars
Press Release For immediate release LA BOHÈME UNDER THE STARS Opera simulcast on a giant screen at Percival Molson Memorial Stadium, an event on the official program of Montreal’s 375th anniversary celebrations SATURDAY, MAY 27, 2017, AT 7:30 PM FREE Presented by Montreal, Tuesday, May 2, 2017 — Bringing its season to a magnificent close, the Opéra de Montréal, through a partnership with The Society for the Celebration of Montreal’s 375th Anniversary, BMO Financial Group, the Montreal Alouettes, the Société de transport de Montréal, and the Orchestre Métropolitain, is especially delighted to be able to offer 15,000 people the opportunity to attend a free open-air operatic event at Percival Molson Memorial Stadium, on Saturday, May 27, 2017, at 7:30 pm. The event, which is part of the official programming for Montreal’s 375th anniversary, will take place rain or shine and will be preceded by the Opéra’s outreach activities. The STM will also be making a shuttle service available from the McGill metro station. The final performance of one of the most well-loved operas in the repertoire—La bohème by Puccini, presented in Salle Wilfrid-Pelletier—will be simulcast on five giant screens installed in Percival Molson Memorial Stadium. This is a free EVENT, but tickets—available via the Opéra de Montréal’s website at boheme.operademontreal.com —are required. 15,000 tickets are available, starting today. The opera is performed in Italian with English and French surtitles. During intermissions, spectators will be able to keep watching the giant screens to get a look at all the frenzied activity going on behind the scenes, where they will also meet the artists, designers, and craftspeople who bring the production to life. -
February 1951) John Briggs
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 2-1-1951 Volume 69, Number 02 (February 1951) John Briggs Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Briggs, John. "Volume 69, Number 02 (February 1951)." , (1951). https://digitalcommons.gardner-webb.edu/etude/143 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. FOR TEACHERS, PROFESSIONALS OR RECREATIONAL PURPOSES ••• Sounds LikeMelchior this service offered b! The T!'eodore Presser Co. is another step forward in helping our \ and MELCHIOR customers make the rtght choice, These selections are from a distinguished group of com- :osers i:a~thors and have been carefully chosen by our Music Editors. When ordering e sure 0 write catalog number to facilitate prompt-s-correct delivery. .. FEBRUARY 1951 ••• when you play their records on the PIANO SOLOS 312-40033 How lovely Is Thy Dwelling NEW ZENITH COBRA-MAliC Grade 1 Place Brahms Op. 45 with PITCH and TEMPO CONTROL! 130-41050 In the Autumn .... John Verrall $ .30 Organ accompaniment by R. -
Komitas-Prog Salle
« Même s’il n’avait écrit que Andouni, ce serait suffisant pour considérer Komitas comme l’un des plus grands musiciens de notre époque. » - Claude Debussy - 150ème anniversaire du légendaire compositeur arménien Komitas Komitas et ses contemporains Ravel et Debussy ● Komitas Komitas Gantché Kerounk Karoun a Kélé kélé Al Ayloughes Maurice Ravel Maurice Ravel Chants populaires Cinq mélodies populaires grecques Chanson espagnole Chanson de la mariée Chanson française Là-bas, vers l’église Chanson italienne Quel galant m’est comparable ? Komitas Komitas Lé Lé Yaman Voghperk Dzidzernak Oror Tchinar es Maurice Ravel Andouni Cinq mélodies populaires grecques Tout gai ! Claude Debussy Chanson des cueilleuses de lentisques Noël des enfants qui n'ont plus de Tripatos maison Komitas Beau Soir Kerounk Maurice Ravel Kaddish version pour violon et violoncelle ● Anna Kasyan soprano - Adam Barro baryton-basse Pierre Roullier direction - Petros Shoujounian orchestration Ensemble 2e2m Jean-Philippe Grometto flûte, Jean-Marc Liet hautbois, Véronique Fèvre clarinette, Alain Huteau, Clément Delmas percussions, Anaïs Perrin, Manon Philippe violons, Claire Merlet alto, David Simpson violoncelle, Louis Siracusa contrebasse Komitas une révélation et un émerveillement… - compositeur, ethnomusicologue et Aucun de nous ne pouvait soupçonner prêtre (1869-1935) - les beautés de cet art, qui n'est en réal- ité ni européen ni oriental, mais pos- Komitas est un prêtre apostolique et sède un caractère unique au monde de chantre arménien né en 1869 dans la douceur gracieuse, d'émotion péné- Turquie ottomane et mort en 1935 à trante et de tendresse noble… Il y a du l'hôpital psychiatrique de Villejuif. soleil dans ces chants… Et le R.P. -
Akhtamar 216 (15 Feb).Pub
1 Anno 11 Numero 216 on line 15 febbraio 2016 — CI M.Y. Akhtamar la patria che non dimentica coloro che si sono immolati per difenderla è invincibile «E' difficile essere una madre, per non parlare di madre di un figlio assassinato. Tu gli dai la vita, ti prendi cura di tuo figlio, trascorri notti insonni, ma non puoi predire il destino. Il fatto che mio figlio abbia perso la vita per il bene del suo popolo, difendendo la sua online Patria, mi consola in una certa misura. Fino ad ora io stessa non sono riuscita a superare la perdita di mio figlio. Il dolore mi accompagna ogni secondo. Ogni notte, quando vado a dormire, io parlo con lui, gli rac- conto come ho passato la giornata, e gli dico “ Buongiorno” ogni mattina. È difficile sop- portare tutto questo, ma io resisto e continuo a vivere perché questo mio figlio desidere- rebbe. Io sottolineo il fatto che l’azione di mio figlio non è stata dimenticata e che le autorità del Paese si ricordano e apprezzano quell’azione. Questa notte io dirò a mio figlio che ho ricevuto un riconoscimento per la sua impresa. Si dice che la Patria che non dimentica coloro che si sono immolati per essa è invincibile. Noi non dimentichiamo i nostri figli e ciò significa che la nostra Patria è eterna. Oggi ne è la prova. Io mi auguro che nessun’altra madre armena debba piangere la perdita del proprio figlio» Anush Hovhannisyan, madre di Karen, caduto il 12 agosto 2015 sul confine del Nagorno Karabakh/Artsakh mentre difendeva la sua postazione sotto attacco azero. -
Myscena.Org Sm26-3 EN P02 ADS Classica Sm23-5 BI Pxx 2020-11-03 8:23 AM Page 1
SUBSCRIBE @ mySCENA.org sm26-3_EN_p02_ADS_classica_sm23-5_BI_pXX 2020-11-03 8:23 AM Page 1 From Beethoven to Bowie encore edition December 12 to 20 2020 indoor 15 concerts festivalclassica.com sm26-3_EN_p03_ADS_Ofra_LMMC_sm23-5_BI_pXX 2020-11-03 1:18 AM Page 1 e/th 129 saison/season 2020 /2021 Automne / Fall BLAKE POULIOT 15 nov. 2020 / Nov.ANNULÉ 15, 2020 violon / violin CANCELLED NEW ORFORD STRING QUARTET 6 déc. 2020 / Dec. 6, 2020 avec / with JAMES EHNES violon et alto / violin and viola CHARLES RICHARD HAMELIN Blake Pouliot James Ehnes Charles Richard Hamelin ©Jeff Fasano ©Benjamin Ealovega ©Elizabeth Delage piano COMPLET SOLD OUT LMMC 1980, rue Sherbrooke O. , Bureau 260 , Montréal H3H 1E8 514 932-6796 www.lmmc.ca [email protected] New Orford String Quartet©Sian Richards sm26-3_EN_p04_ADS_udm_OCM_effendi_sm23-5_BI_pXX 2020-11-03 8:28 AM Page 1 SEASON PRESENTER ORCHESTRE CLASSIQUE DE MONTRÉAL IN THE ABSENCE OF A LIVE CONCERT, GET THE LATEST 2019-2020 ALBUMS QUEBEC PREMIER FROM THE EFFENDI COLLECTION CHAMBER OPERA FOR OPTIMAL HOME LISTENING effendirecords.com NOV 20 & 21, 2020, 7:30 PM RAFAEL ZALDIVAR GENTIANE MG TRIO YVES LÉVEILLÉ HANDEL’S CONSECRATIONS WONDERLAND PHARE MESSIAH DEC 8, 2020, 7:30 PM Online broadcast: $15 SIMON LEGAULT AUGUSTE QUARTET SUPER NOVA 4 LIMINAL SPACES EXALTA CALMA 514 487-5190 | ORCHESTRE.CA THE FACULTY IS HERE FOR YOUR GOALS. musique.umontreal.ca sm26-3_EN_p05_ADS_LSM_subs_sm23-5_BI_pXX 2020-11-03 2:32 PM Page 1 ABONNEZ-VOUS! SUBSCRIBE NOW! Included English Translation Supplément de traduction française inclus -
Neuerwerbungen Musik-Cds Zur Ausleihe September 2019
NEUERWERBUNGEN MUSIK-CDS ZUR AUSLEIHE SEPTEMBER 2019 NEUERWERBUNGEN MUSIK-CDS ZUR AUSLEIHE SEPTEMBER 2019 Inhalt Vokalmusik: Gesang für Einzelstimmen .................................................................... 3 Vokalmusik: Chorgesang .......................................................................................... 3 Vokalmusik: Porträts ................................................................................................. 4 Bühnenwerke. Dramatische Musik ............................................................................ 4 Instrumentalmusik: Einzelinstrumente ...................................................................... 6 Instrumentalmusik: Kammermusik ........................................................................... 7 Instrumentalmusik: Werke für Soloinstrumente und Orchester ................................. 8 Instrumentalmusik: Orchesterwerke ......................................................................... 8 Instrumentalmusik: Porträts ...................................................................................... 9 Vermischte Editionen und Sammelprogramme ....................................................... 10 Elektronische Musik. Musique concrète. Experimentelle Musik ............................... 10 Außereuropäische Volks- und Kunstmusik. Europäische Volksmusik ....................... 10 Jazz ......................................................................................................................... 11 Rockmusik. Popmusik ............................................................................................ -
BEETHOVEN Ideals of the French Revolution
BEETHOVEN Ideals of the French Revolution ORCHESTRE SYMPHONIQUE DE MONTRÉAL Kent Nagano CD1 The General, for orchestra with soprano, choir and narrator Music by Ludwig van Beethoven Text by Paul Griffiths © Maximilian Schell, narration Adrianne Pieczonka, soprano OSM Chorus Marika Kuzma, Chorus Director 1. Overture 8:29 [Egmont: Ouverture] 2. No.1 Song: A drum in the distance 3:55 [Egmont: No.1, Song: Die Trommel gerühret] 3. No.2 Melodrama: One thing I learned 2:03 [König Stephan: No.7, Melodrama] 4. No.3 Melodrama: Informants, spies 0:49 [König Stephan: No.5, Melodrama] 5. No.4 Interlude 1 3:34 [Egmont: No.6, Entr’acte 4] 6. No.5 Interlude 2 5:08 [Leonore Prohaska: Funeral March] 7. No.6 Interlude 3 / Melodrama: I could do something 3:18 [Egmont: No.2, Entr’acte 1] 8. No.7 Interlude 4 5:31 [Egmont: No.3, Entr’acte 2] 9. No.8 Interlude 5 2:14 [Egmont: No.7, Clara’s Death] 1 10. No.9 Melodrama: I was one human being 3:11 [Egmont: No.8, Melodrama] 11. No.10 Song: Lost and despairing 1:23 [Egmont: No.4, Song: Freudvoll und leidvoll] 12. No.11 Interlude 6 4:04 [Egmont: No.5, Entr’acte 3] 13. No.12 Interlude 7 1:40 [König Stephan: No.8, Solemn March] 14. No.13 Melodrama: I had nothing to say to these people 3:30 [König Stephan: No.8, Melodrama from Grave risoluto e ben marcato] 15. No.14 ‘Victory Symphony’ 0:28 [Egmont: No.9] 16. No.15 Finale 5:30 [Opferlied, Op.121b] CD2 Ludwig van Beethoven (1770 – 1827) Symphony No.5 in C minor, Op.