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Programme 2016
71e CONCOURS DE GENÈVE INTERNATIONAL MUSIC COMPETITION PROGRAMME 2016 CONCOURSGENEVE.CH Partenaire principal Croquis du sinistre Quoi qu’il arrive – nous vous aidons rapidement et simplement. mobiliere.ch Agence générale Genève Denis Hostettler Route du Grand-Lancy 6a 1227 Les Acacias T 022 819 05 55 [email protected] SOMMAIRE SUMMARY I. INTRODUCTION INTRODUCTION 3 Messages de bienvenue Official messages 3 Comment fonctionne le Jury How the Jury works 10 II. CONCOURS DE CHANT VOICE COMPETITION 11 Programme Programme 12 Prix et récompenses Prizes & awards 15 Candidats Candidates 17 Membres du Jury Jury members 28 Accompagnateurs Accompanists 40 Orchestre et chef Orchestra & conductor 42 III. CONCOURS DE QUATUOR STRING QUARTET À CORDES COMPETITION 45 Programme Programme 46 Prix et récompenses Prizes & awards 48 Candidats Candidates 51 Membres du Jury Jury members 60 Compositeur Composer 71 IV. AUTOUR DU CONCOURS AROUND THE COMPETITION 73 Concert d’ouverture Opening concert 75 Concert vernissage Concert inauguration 76 Pédagogie et médiation Education & mediation 77 V. LAURÉATS PRIZE-WINNERS 85 Programme de soutien Career development programme 86 Coup de Cœur Breguet Coup de Cœur Breguet Prize 89 Tournée des lauréats Laureates tour 91 Festival des lauréats Laureates festival 93 Interview du Quatuor Voce Interview of Quatuor Voce 95 Nouvelles des lauréats News of the laureates 100 VI. SOUTIENS SUPPORTS 107 Amis du concours Friends association 108 Partenaires et soutiens Partners & Supports 111 VII. PRATIQUE PRACTICAL 113 Billetterie, tarifs Tickets, prices 115 Lieux Places 118 Organisation Organization 119 Contacts Contacts 120 — 1 — ALTERNATIVE.CH | CI/UN/CH/F/121215 CI/UN/CH/F/121215 La discipline crée la stabilité. -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
Award Winners 2020
Giacomo Puccini M ADAM A U Τ R L BAuf Ihrem BildschirmT vonE GNO TV F Y mit der grandiosen Ermonela Jaho in der Titelrolle AWARD WINNERS 2020 Vom 25. November unter nationalopera.gr/gnotv/en Buchen Sie Ihre Tickets unter ticketservices.gr/en • Ticket Preis: 10€ Musikalische Leitung: Lukas Karytinos • Inszenierung, Bühnenbild und Kostüme: Hugo de Ana Videodesign: Sergio Metalli - Ideogamma SRL • Licht: Valerio Alfieri • Chormeister: Agathangelos Georgakatos Suzuki: Chryssanthi Spitadi • B. F. Pinkerton: Gianluca Terranova • Sharpless: Dionysios Sourbis Mit dem Orchester, dem Chor und den Solisten der Griechischen Nationaloper SPONSOR DER AUFFÜHRUNG HAUPTGEBER DER GRIECHISCHEN NATIONALOPER / GEBER DER AUFFÜHRUNG DIE GRIECHISCHE NATIONALOPER WIRD VOM MINISTERIUM FÜR KULTUR UND SPORT GEFÖRDERT nationalopera.gr/gnotv/en TRIONFO. VIER LETZTE NÄCHTE Liebe Leserin, lieber Leser, eigentlich wollten wir am 30. November 2020 mit nach einem Oratorium von Georg Friedrich Händel Ihnen eine festliche Preisverleihung im Renaissance- Theater Berlin feiern. Doch der erneute Lockdown EDITORIAL MUSIKALISCHE LEITUNG INSZENIERUNG David Bates Elisabeth Stöppler aufgrund der anhaltenden Covid-19-Pandemie und der unverändert hohen Fallzahlen haben die OPER! AWARDS als Präsenzveranstaltung in diesem Jahr un- möglich gemacht. Wir befinden uns damit in derselben Situation, wie all die Künstlerinnen und Künstler, die in den vergangenen Monaten auf eine Premiere, eine Foto: Eva Raduenzel Produktion hingearbeitet haben, um dann zu erfahren, Dear Reader, CARMEN dass der Termin doch nicht stattfinden kann. It had, of course, been our intention to celebrate Die OPER! AWARDS komplett ausfallen zu lassen, with you at a festive awards gala at the Renaissance Oper von Georges Bizet / Marius Felix Lange ist uns dennoch zu keinem Zeitpunkt in den Sinn Theatre in Berlin. -
Fritz Wunderlich Greatest Successes & Rarities
Labelcopy Fritz Wunderlich Greatest Successes & Rarities 3. Welch ein grau’nvolles Bild / Fliehe, Verräter CD1 Elisabeth Grümmer (Donna Anna) 4. Nur ihrem Frieden weih‘ ich mein Leben FRITZ WUNDERLICH Die zentrale Partie: Tamino 5. O seht, gnäd’ger Herr, dort die allerliebsten Masken / Mög‘ Gott zu unserm Werke uns Kraft und Mut verleih’n (1756 – 1791) Wolfgang Amadeus Mozart Karl Kohn (Leporello), Hermann Prey (Don Giovanni), Elisabeth DIE ZAUBERFLÖTE – as Tamino – Grümmer (Donna Anna), Hildegard Hillebrecht (Donna Elvira) 1. Dies Bildnis ist bezaubernd schön Berliner Symphoniker / Hans Zanotelli - 3-5: 1960 2. Zum Ziele führt dich diese Bahn / Die Weisheitslehre dieser Knaben ZAIDE – as Gomez – Drei Wiener Sängerknaben 6. Ja, nun lass das Schicksal wüten 7. Kannst, Geliebter, du vergeben 3. Wo willst du, kühner Fremdling, hin? / O ew’ge Nacht 8. Wack’rer Freund, voll tiefer Scham Eberhard Wächter (Sprecher) 9. O selige Wonne 4. Wie stark ist nicht dein Zauberton Maria Stader (Zaide), Horst Günter (Allazim) - Sinfonieorchester des 5. Soll ich dich, Teurer, nicht mehr seh’n? Süddeutschen Rundfunks / Alfons Rischner - 6-9: 1956 Lieselotte Fölser (Pamina), Gottlob Frick (Sarastro) DIE GÄRTNERIN AUS LIEBE – as Graf von Belfiore – 6. Der, welcher wandelt diese Straße 10. Welch ein Glück 7. Tamino mein, o welch ein Glück! 11. Nein! Geh ich fort? / Im Park hier gibt es eigenart’ge Grotten Lieselotte Fölser (Pamina), Robert Charlesbois, Alois Pernerstorfer Gustav Grefe (Nardo / Roberto) (Geharnischte) - Chor der Wiener Staatsoper - Wiener Philharmoniker/ Orchester der Württembergischen Staatsoper / Josef Dünnwald Joseph Keilberth - 1-7: 1960 (Live, Salzburger Festspiele) 10,11: 1956 (Live, Ludwigsburg, Barocktheater des Schlosses) 8. -
2017 Convention Schedule
WEDNESDAY, JANUARY 4 2:00PM – 5:00PM Board of Directors Meeting Anacapa 6:00PM - 9:00PM Pre-Conference Dinner & Wine Tasting Villa Wine Bar 618 Anacapa Street, Santa Barbara 7:00PM – 10:00PM Opera Scenes Competition Rehearsal Grand Ballroom THURSDAY, JANUARY 5 8:00AM – 5:00PM Registration Grand Foyer 9:00AM – 5:00PM EXHIBITS Grand Foyer 9:00AM – 9:30AM MORNING COFFEE Grand Foyer Sponsored by the University of Colorado at Boulder College of Music 9:30AM-10:45AM Sierra Madre The 21st Century Way: Redefining the Opera Workshop Justin John Moniz, Florida State University Training programs have begun to include repertoire across varying genres in order to better equip young artists for prosperous careers in today’s evolving operatic canon. This session will address specific acting and movement methods geared to better serve our current training modules, offering new ideas and fresh perspectives to help redefine singer training in the 21st century. Panelists include: Scott Skiba, Director of Opera, Baldwin Wallace Conservatory; Carleen Graham, Director of HGOco, Houston Grand Opera; James Marvel, Director of Opera, University of Tennessee-Knoxville; Copeland Woodruff, Director of Opera Studies, Lawrence University. 11:00AM-12:45PM Opening Ceremonies & Luncheon Plaza del Sol Keynote Speaker: Kostis Protopapas, Artistic Director, Opera Santa Barbara 1:00PM-2:15PM The Janus Face of Contemporary American Opera Sierra Madre Barbara Clark, Shepherd School of Music, Rice University The advent of the 21st century has proven fertile ground for the composition -
The Brigitte Fassbaender Edition 2 BRIGITTE FASSBAENDER CAN SING EVERYTHING NOWADAYS
The Brigitte Fassbaender Edition 2 BRIGITTE FASSBAENDER CAN SING EVERYTHING NOWADAYS Carlo Maria Giulini (1984) 3 VOL. 1 71:25 FRANZ SCHUBERT (1797–1828) U Blümlein Vergissmein 1:21 V 18. Trockne Blumen 3:42 Die schöne Müllerin D 795 W 19. Der Müller und der Bach 3:37 (Wilhelm Müller) X 20. Des Baches Wiegenlied 6:52 A Prolog: Ich lad euch, schöne Damen, kluge Herrn 2:49 Y Epilog: Weil gern man schließt mit einer runden Zahl 1:40 B 1. Das Wandern 2:42 C 2. Wohin? 2:22 Aribert Reimann piano D 3. Halt! 1:46 E 4. Danksagung an den Bach 2:10 F 5. Am Feierabend 2:51 G 6. Der Neugierige 3:39 H Das Mühlenleben 1:53 I 7. Ungeduld 3:06 J 8. Morgengruß 3:58 K 9. Des Müllers Blumen 3:18 L 10. Tränenregen 3:44 M 11. Mein! 2:28 N 12. Pause 4:46 O 13. Mit dem grünen Lautenbande 2:04 P 14. Der Jäger 1:21 Q 15. Eifersucht und Stolz 1:40 R Erster Schmerz, letzter Scherz 1:44 S 16. Die liebe Farbe 3:42 T 17. Die böse Farbe 2:10 with Aribert Reimann 4 VOL. 2 67:42 FRANZ SCHUBERT (1797–1828) Schwanengesang D 957 · 5 Lieder A Die Taubenpost D 965 A 3:38 (Johann Gabriel Seidl) B Sehnsucht D 879 2:47 (Johann Gabriel Seidl) C Der Wanderer an den Mond D 870 2:21 (Johann Gabriel Seidl) D Wiegenlied D 867 5:28 (Johann Gabriel Seidl) E Am Fenster D 878 4:18 (Johann Gabriel Seidl) F Liebesbotschaft D 957/1 2:50 (Ludwig Rellstab) G Kriegers Ahnung D 957/2 4:56 (Ludwig Rellstab) H Frühlingssehnsucht D 957/3 3:29 (Ludwig Rellstab) I Ständchen D 957/4 3:29 (Ludwig Rellstab) J Aufenthalt D 957/5 3:00 (Ludwig Rellstab) 5 VOL. -
Art in Bloom 3 | Dear Music Lovers, Friends and Partners
1 | ART IN BLOOM 3 | DEAR MUSIC LOVERS, FRIENDS AND PARTNERS, ARTHAUS MUSIK – SIMPLY UNIQUE. Experience the great variety of music and art. Exciting and extravagant themes from the last two years are waiting for you as well as a selection of our bestsellers and a preview, what we have in mind for the future. 18 YEARS OLD, INTERNATIONAL, SUCCESSFUL. When in March 2000 Arthaus Musik has released its first ten products, nobody could guess what international success the label would once achieve. Today, 18 years later, we can look back on around 1.650 releases, among them some innovative milestones thanks to the state-of-the-art technology like the first 4k-UHD- release, a concert production by using the new surround sound technology LEONIDAS KAVAKOS, Dolby Atmos and the first 360° opera shot. Our entire catalogue includes many awarded and top-class opera, concert and ballet performances featuring out- DENIS MATSUEV, standing soloists, renowned conductors and orchestras as well as documenta- DANIIL TRIFONOV ries of historical value about famous artists and musicians. WITH YOU AS OUR PARTNER STRENGTHENED INTO THE FUTURE. After 18 years history of Arthaus Musik we are going new paths in distribu- tion. At midyear we took our distribution in Germany in our own hands and entered into new international partnerships. The direct contact with you, our distributors and business partners is our main aim, to market our products in a targeted manner and to satisfy your needs individually. FROM CENTRAL GERMANY TO THE REST OF THE WORLD. VDS Ver- sand- und DatenService is our new excellent logistic partner, which guarantees an optimized supply of our products worldwide. -
Komitas-Prog Salle
« Même s’il n’avait écrit que Andouni, ce serait suffisant pour considérer Komitas comme l’un des plus grands musiciens de notre époque. » - Claude Debussy - 150ème anniversaire du légendaire compositeur arménien Komitas Komitas et ses contemporains Ravel et Debussy ● Komitas Komitas Gantché Kerounk Karoun a Kélé kélé Al Ayloughes Maurice Ravel Maurice Ravel Chants populaires Cinq mélodies populaires grecques Chanson espagnole Chanson de la mariée Chanson française Là-bas, vers l’église Chanson italienne Quel galant m’est comparable ? Komitas Komitas Lé Lé Yaman Voghperk Dzidzernak Oror Tchinar es Maurice Ravel Andouni Cinq mélodies populaires grecques Tout gai ! Claude Debussy Chanson des cueilleuses de lentisques Noël des enfants qui n'ont plus de Tripatos maison Komitas Beau Soir Kerounk Maurice Ravel Kaddish version pour violon et violoncelle ● Anna Kasyan soprano - Adam Barro baryton-basse Pierre Roullier direction - Petros Shoujounian orchestration Ensemble 2e2m Jean-Philippe Grometto flûte, Jean-Marc Liet hautbois, Véronique Fèvre clarinette, Alain Huteau, Clément Delmas percussions, Anaïs Perrin, Manon Philippe violons, Claire Merlet alto, David Simpson violoncelle, Louis Siracusa contrebasse Komitas une révélation et un émerveillement… - compositeur, ethnomusicologue et Aucun de nous ne pouvait soupçonner prêtre (1869-1935) - les beautés de cet art, qui n'est en réal- ité ni européen ni oriental, mais pos- Komitas est un prêtre apostolique et sède un caractère unique au monde de chantre arménien né en 1869 dans la douceur gracieuse, d'émotion péné- Turquie ottomane et mort en 1935 à trante et de tendresse noble… Il y a du l'hôpital psychiatrique de Villejuif. soleil dans ces chants… Et le R.P. -
Registern 1966-1969
Inhaltsverzeichnis des Jahrgangs 1969 Stodcholm Stuckensdimidt 7/26 HÄNDEL, Rodelinda I. PREMIERENBESPRECHUNGEN BUSSOTTI, La Passion selon Sade Halle Lewinski 8/30 Karlsruhe Jungheinrich 3/34 HÄNDEL, Susanna ADAM, Der Postillon von Lonjumeau CIKKER, Das Spiel von Liebe und Tod Göttingen Lewinski 8/30 Düsseldorf Schreiber 1/35 München Badimann 9/27 HAUBENSTOCK-RAMATI, Comédie ÄNDRÄSOVAN, Die weiße Krankheit CIMAROSA, Die heimlidie Ehe Saint Paul de Vence Brunner 9/36 Prag Edcstein 2/32 Stuttgart Honolka 9/32 HAYDN, Armida ÄUBER, FraDiavolo CORNELIUS, Der Barbier von Bagdad Hannover Spingel 8/41 San Francisco Rodcwell 3/24 Kiel Dannenberg 8/42 HENZE, Ilrècervo Wien Brunner 5/34 CZYZ, Der Kynologe am Sdieidewege Züridi Fierz 8/45 BÄRTÖK, Herzog Blaubarts Burg Lübeck Dannenberg 3/43 HENZE, Der Prinz von Homburg Oper Budapest Krause 3/32 DEBUSSY, Pelléas und Melisande Straßburg Hohlweg 6/26 Cluj (Rumänien) Krause 6/31 Cambridge Oppens 5/32 HINDEMITH, Cardillac Düsseldorf Schreiber 9/30 Frankfurt Lewinski 13/82 Leipzig Krause 12/38 BEETHOVEN, Fidelio Genf Fierz 5/36 HONEGGER, Jeanne D'Arc au bucher Ciuj Krause 6/31 Frankfurt Kodi 5/36 Frankfurt Koch 1/35 Florenz Kessler 8/14 Glyndebourne Natan 8/18 HUMPERDINCK, Hänsel und Gretei Kassel Kodi 13/73 DELIBES, Der König hat's gesagt Dresden Krause 4/30 Jungheinrich 13/74 Bonn Beuth 8/40 HURNIK, Die Lady und die Gangster Kiel Dannenberg 10/38 DESSAU, Die Verurteilung des Lukullus Kiel Spingel 2/34 London Natan 5/33 Dresden Krause 4/30 JANÄCEK, Aus einem Totenhaus Wuppertal Schreiber 12/40 DONIZETTI, -
Akhtamar 216 (15 Feb).Pub
1 Anno 11 Numero 216 on line 15 febbraio 2016 — CI M.Y. Akhtamar la patria che non dimentica coloro che si sono immolati per difenderla è invincibile «E' difficile essere una madre, per non parlare di madre di un figlio assassinato. Tu gli dai la vita, ti prendi cura di tuo figlio, trascorri notti insonni, ma non puoi predire il destino. Il fatto che mio figlio abbia perso la vita per il bene del suo popolo, difendendo la sua online Patria, mi consola in una certa misura. Fino ad ora io stessa non sono riuscita a superare la perdita di mio figlio. Il dolore mi accompagna ogni secondo. Ogni notte, quando vado a dormire, io parlo con lui, gli rac- conto come ho passato la giornata, e gli dico “ Buongiorno” ogni mattina. È difficile sop- portare tutto questo, ma io resisto e continuo a vivere perché questo mio figlio desidere- rebbe. Io sottolineo il fatto che l’azione di mio figlio non è stata dimenticata e che le autorità del Paese si ricordano e apprezzano quell’azione. Questa notte io dirò a mio figlio che ho ricevuto un riconoscimento per la sua impresa. Si dice che la Patria che non dimentica coloro che si sono immolati per essa è invincibile. Noi non dimentichiamo i nostri figli e ciò significa che la nostra Patria è eterna. Oggi ne è la prova. Io mi auguro che nessun’altra madre armena debba piangere la perdita del proprio figlio» Anush Hovhannisyan, madre di Karen, caduto il 12 agosto 2015 sul confine del Nagorno Karabakh/Artsakh mentre difendeva la sua postazione sotto attacco azero. -
Opera Recordings: a Very Personal Guide by Ralph Moore
“Untouchable” and ”Most Recommendable” Opera Recordings: a very personal guide by Ralph Moore My handful of regular readers might have noticed some glaring omissions in the list of thirty-seven major operas whose discographies I have surveyed over the last couple of years - operas whose quality and popularity are such that one might reasonably have expected me to have included them in my labours. There are, after all, probably around fifty truly first-rate operas which have been most often performed and recorded and I have by no means covered them all. I received requests to survey some of the following but on consideration, I realised that there were good reasons for my reluctance to do so. The most obvious omissions are these twelve operas: Verdi’s La traviata and Il trovatore; Wagner’s Lohengrin and Tannhäuser; Mozart’s Don Giovanni; Puccini’s La bohème, Tosca, Madama Butterfly and Turandot; Rossini’s Il barbiere di Siviglia; Donizetti’s Lucia di Lammermoor and Beethoven’s Fidelio. My reason for not having reviewed them collectively is that either the opera in question has received one or two recordings of such definitive quality that consideration of the others is otiose or there are so many good recordings of it in the catalogue that making a helpful or meaningful recommendation becomes difficult. I have therefore decided to circumvent the problem by making some brief, annotated recommendations and guidance for those major operas hitherto neglected. Obviously, my selections are highly subjective and controversial, and other collectors will be dismayed that I have ostensibly rejected their own candidates for recordings of classic status or nominated one they loathe but at the same time I think I may fairly claim that these are, in general, recordings which have stood the test of time. -
Alessandra Marc, Soprano
For the convenience of concertgoers the Garden Cafe remains open until 6:oo pm. The use of cameras or recording equipment during the performance is not allowed. Please be sure that cell phones, pagers, and other electronic devices are turned off. Please note that late entry or reentry of The Sixty-fifth Season of the West Building after 6:30 pm is not permitted. The William Nelson Cromwell and F. Lammot Belin Concerts “Sixty-five, but not retiring” National Gallery of Art Music Department 2,588th Concert National Gallery of Art Sixth Street and Constitution Avenue nw Washington, DC Alessandra Marc, soprano Mailing address David Chapman, pianist 2000b South Club Drive Presented in honor of Landover, md 20785 Alexandre-Louis-Marie Charpentier (1856-1909) www.nga.gov October 15, 2006 Sunday Evening, 6:30 pm West Building, West Garden Court Admission free Program BRIEF PAUSE Hector Berlioz (1803-1869) Meredith Willson (1902-1984) Villanelle and Le spectre de la rose from Les nuits d’ete Till There Was You from The Music Man Henri Duparc (1848-1933) Rodgers (1902-1979) and Hammerstein (1895-1960) Phidyle This Nearly Was Mine from South Pacific Extase Irving Berlin (1888-1989) Benjamin Britten (1913-1976) I Got the Sun in the Morning from Annie Get Your Gun Les illuminations Phrase Rodgers and Hammerstein Antique I Loved You Once in Silence from Camelot Royaute Depart Harold Arlen (1905-1986) Somewhere over the Rainbow from The Wizard of Oz Gustave Charpentier (1860-1956) Depuis lejour from Louise Alan Jay Lerner (1918-1986) and Frederick Loewe