Pan Zi, Xiao Hua, and Others Went to Guangxi from Hangzhou, Changsha, and Beijing

Total Page:16

File Type:pdf, Size:1020Kb

Pan Zi, Xiao Hua, and Others Went to Guangxi from Hangzhou, Changsha, and Beijing 1 Grave Robbers’ Chronicles Vol. 8: The Finale Written By: Xu Lei Translated by: MereBear 2 Summary: In order to rectify Uncle Three’s business in Changsha, Wu Xie put on a human skin mask and pretended to be Uncle Three. Wu Xie, Pan Zi, Xiao Hua, and others went to Guangxi from Hangzhou, Changsha, and Beijing. In the village of Banai in Guangxi, Wu Xie (still pretending to be Uncle Three) met Qiu Dekao’s team again and saw Ghost, a man whose shoulders had melted and collapsed. They found that Ghost was a member of the archaeological team that went to the Zhang family’s ancient building thirty years ago, and was also named Zhang Qiling! Was Ghost the key to solving all these secrets? Driven by Ghost, they finally delved deep into the great secret of the vast and strange mountains—a group of Miluotuo who lived on cannibalism were in the mountains, and the passage to the secret location of the ancient building was very dangerous and treacherous if they delayed! Wu Xie and Fatty finally entered the Zhang family’s ancient building, but can they save Poker-Face? What will they find about the archaeological team from thirty years ago? The final finale of “Grave Robbers’ Chronicles” is about to be revealed. 3 PART I 4 Chapter 1: Another Person in Wu Xie’s Heart I looked at the face in the inn’s bathroom mirror. My mind was blank for a long time as I stared at the person in the mirror. The man was very familiar, but he wasn’t me. It was a wonderful feeling mixed with a sense of escapism and fear. Through this face, I seemed to have escaped my fate as Wu Xie but entered another more uncontrollable life that was real and contained countless possibilities. I could hardly predict what my life would be like in the future. At first, I trembled slightly even when I didn’t face the mirror, but I was much better now. Many things in life that would be unacceptable to you at first would become the standard once you accepted them. Before giving in, I never thought that this so-called mask could look so life- like. Even if I stuck close to the mirror, I couldn’t see any big differences between the mask and my original skin. If anything, it just felt a little rough. When I saw Poker-Face using this skill to change his face in the undersea tomb, I thought it was a profound and unorthodox method, but now I had really taken a liking to it. This kind of skill could never be developed overnight. My hair had also been dyed gray. Uncle Three’s white spots were a mark of how many years of pain he had endured before settling down, but it only took a few hours for mine to look the same. As a result, I felt like Uncle Three’s pain wasn’t worth it. The girl said that this mask could be used for four weeks without any maintenance, but I couldn’t just tear it off at any time during this period even if I wanted to. In fact, Chinese cosmetology was a well-developed makeup technique that was very similar to plastic surgery. Due to its different uses, however, the cost was much higher than that of plastic 5 surgery and couldn’t be widely popularized. Only those who had really mastered the technology or wanted to achieve very great things could use it. The hardest part was to recreate the face of someone who existed in reality rather than a stranger. This required the person wearing the mask to look highly similar to the original person. “I only gave you a piece of skin.” The woman said. “This mask needs to be worn on your heart as well as your face.” She looked at me steadily and then left. On my heart? I looked at the Uncle Three in the mirror and touched my chest, wondering if Xie Lianhuan had been taught this when he put on Uncle Three’s mask. But he had worn it for so many years. If the physical face mask could be torn off, what would happen to the mask worn on the heart? I looked at my watch and saw that it was time. I washed my face with water and wiped it dry with a towel, noting that the mask didn’t melt away. It seemed that the last step had also been successful. I sighed before returning to my bedroom and laying down on the thin and narrow bed. I thought about what to do in the future. Everything— including the way I spoke—was still a blank but I had to think of something. One of my first thoughts was to take off my clothes and run outside. It wasn’t my own face anyways, so I could do countless things that I wouldn’t normally do for fear of losing face. I could break into the women’s bathroom, for example. Or put a spittoon(1) on my head. The list was endless. But I quickly got rid of these thoughts, telling myself that I wasn’t that bored. (1) A metal or earthenware pot typically having a funnel-shaped top, used for spitting into. 6 I was wearing this mask in order to revive all of Uncle Three’s connections and get access to his resources so that I could rescue Poker-Face. This was my only purpose. But my first task was to ensure that I wouldn’t be seen through. My voice couldn’t be disguised since it required special training. And it wasn’t like I could kill them all by myself while laughing and shouting. I wasn’t the best actor, and with my aura, I was sure I’d be seen through in a few minutes. Instead of a frontal assault, I’d have to outwit them, which was at least something that could be done cheaply. At best, I wouldn’t have to confront them head-on. I’d just need to let them see me from a distance and use a spokesman. I knew that I had to get Pan Zi’s help since he was the only one who knew Uncle Three the best. Moreover, he was familiar with the nature of those people under Uncle Three. But I really didn’t want to drag him into the water again. He should get out and not come back. But other than Pan Zi, who else could help me? I wracked my brain but couldn’t think of anyone. It was only then that I realized that without Uncle Three, I really had nothing in this circle. I took out my phone and looked through my contacts one by one. I found that too many things had changed in just a few years and everything was different now. I finally scrolled to Pan Zi’s number, closed my eyes, said a silent “sorry,” and then dialed. Pan Zi shouldn’t have returned yet; otherwise, he would have definitely called me. It was evening out and I didn’t know what kind of ridicule he had suffered today or what kind of expression he would have when he saw me. I didn’t know why, but I thought it was both a little funny and depressing. 7 I didn’t tell him anything specific on the phone, just that I had thought of a way. His voice still sounded calm but extremely tired as we arranged to meet somewhere. I rolled over and took out a set of clothes from the wardrobe. The girl had given me a kind of antique coat that Uncle Three usually liked to wear. I took off my T-shirt and changed into it, thinking that Xiao Hua’s service was really considerate since it fit me so well. I sent him a short thank you message, but he didn’t respond. I intentionally straightened my back the moment I walked out the door, reminding myself that I was another person. But I soon found that I didn’t have to do it deliberately since my pace changed as I walked along the road. When I passed by the lobby, I took a look at my reflection in the giant mirror and found that my eyes were unusually cold. 8 Chapter 2: The Vulnerability from the Inside Out I met Pan Zi at a cafe near the Xiangjiang River. He froze when he saw me and I could see him trembling all over, hardly able to speak. But he realized something was up almost immediately and slowly calmed down. “Little Master Three?” He tentatively called out while looking at me. “Indeed, I really can’t hide it from you.” I gave him a wry smile. He looked at me for a long time before he breathed a sigh of relief and sat down. “What are you doing? Where did you get this stuff?” I told him about Xiao Hua giving me the mask, what I had planned, and that I believed this was the only feasible course of action. He looked at my face and didn’t speak for a long time. He seemed to be thinking and analyzing how lifelike the mask was. He covered his face after a long time, took a deep breath, and then nodded. “Have you really decided to do this?” I nodded. “Little Master Three, Master Three’s life isn’t what you’d consider a human life.
Recommended publications
  • A Bible Study Leader's Guide
    DVD Study Leader’s Guide Having a Mary Spirit: DVD Study Leader’s Guide DVD Study Leader’s Guide By Joanna Weaver There is nothing more fulfilling and life-changing than coming together as the people of God around the Word of God! With so many excellent Bible studies available, I’m honored you decided to use my book, Having a Mary Spirit: Allowing God to Change Us from the Inside Out, as the focus of your twelve-week study. While the Bible is the centerpiece of our time together, Having a Mary Spirit will provide the structure. Every participant should have a copy of the book and the companion study guide. Each week, the DVD teaching session will enhance the topic they’ve just studied. I’m so excited to share the fresh truths the Lord has given me! The DVD Study Pack includes: - Twelve video teaching sessions. - Three short “Tool Time” videos featuring tips for living transformed. (The remaining “Tool Time” videos are available at HavingaMarySpirit.com) - An interactive study guide designed to help participants engage with Scripture and each other in meaningful ways. - Optional weekly memory verses. - Downloadable Leader’s Guide with outlines and suggestions for leading weekly meetings. 2 Having a Mary Spirit: DVD Study Leader’s Guide - An optional Retreat Guide that turns DVD sessions into a special weekend event filled with engaging features and fun activities. Retreat handouts are available as well. - Promotional material for both the study and retreat. Though in this Leader’s Guide I’ve provided suggestions for directing your weekly meetings, be open to the leading of the Lord.
    [Show full text]
  • James Brown Soul Syndrome Mp3, Flac, Wma
    James Brown Soul Syndrome mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Soul Syndrome Country: France MP3 version RAR size: 1968 mb FLAC version RAR size: 1867 mb WMA version RAR size: 1173 mb Rating: 4.6 Votes: 634 Other Formats: AU MP3 MPC AIFF FLAC AUD AAC Tracklist Hide Credits Rapp Payback (Where Iz Moses?) A1 Written-By – H. Stallings*, J. Brown*, S. Brown* Mashed Potatoes A2 Written-By – J. Brown* Funky Men B1 Written-By – J. Brown* Smokin' & Drinkin' B2 Written By – A. McLeod, D. Weston Stay With Me B3 Written-By – B. Byrd*, S. Brown* Honky Tonk B4 Written-By – Doggett*, Butler*, Scott*, Glover*, Shepherd* Companies, etc. Distributed By – Vogue P.I.P. Credits Engineer – Ron Christopher Executive-Producer – Henry Stone Producer – James Brown Barcode and Other Identifiers Matrix / Runout (A Side etched): 509194A¹ AG¹ Matrix / Runout (B Side etched): AG¹ 509194B Rights Society: SACEM SACD SDRM SGDL Other (Distribution code): VG 201 Other versions Category Artist Title (Format) Label Category Country Year James Soul Syndrome (LP, 615 T.K. Records 615 US 1980 Brown Album) James Soul Syndrome (LP, FRL 36011 Frog Records FRL 36011 Italy 1981 Brown Album) CDP 7977022, James Soul Syndrome + (CD, T.K. Records, CDP 7977022, Europe 1991 CDROUS 1043 Brown Album, RE) T.K. Records CDROUS 1043 James Soul Syndrome (LP, M 66.210 S Marfer M 66.210 S Spain 1980 Brown Album) James Soul Syndrome + (CD, 797702 2 EMI 797702 2 Australia 1991 Brown Album, Comp, RE) Related Music albums to Soul Syndrome by James Brown 1.
    [Show full text]
  • Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
    UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff.
    [Show full text]
  • The Interaction Between Ethnic Relations and State Power: a Structural Impediment to the Industrialization of China, 1850-1911
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Sociology Dissertations Department of Sociology 5-27-2008 The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911 Wei Li Follow this and additional works at: https://scholarworks.gsu.edu/sociology_diss Part of the Sociology Commons Recommended Citation Li, Wei, "The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/sociology_diss/33 This Dissertation is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE INTERACTION BETWEEN ETHNIC RELATIONS AND STATE POWER: A STRUCTURAL IMPEDIMENT TO THE INDUSTRIALIZATION OF CHINA, 1850-1911 by WEI LI Under the Direction of Toshi Kii ABSTRACT The case of late Qing China is of great importance to theories of economic development. This study examines the question of why China’s industrialization was slow between 1865 and 1895 as compared to contemporary Japan’s. Industrialization is measured on four dimensions: sea transport, railway, communications, and the cotton textile industry. I trace the difference between China’s and Japan’s industrialization to government leadership, which includes three aspects: direct governmental investment, government policies at the macro-level, and specific measures and actions to assist selected companies and industries.
    [Show full text]
  • A Thesis Submitted in Partial Fulfilment for the Requirements for the Degree of Doctor of Philosophy at the University of Central Lancashire
    China’s policy towards South Korea: 1961-2017 by Yin Xuan PENG A thesis submitted in partial fulfilment for the requirements for the degree of Doctor of Philosophy at the University of Central Lancashire October 2020 1 2 Abstract In the realm of Chinese foreign policy, the majority of scholars and pundits analyze China’s policy towards South Korea from the perspective of China’s rational diplomatic thinking that caters to China’s national interest maximization. However, I argue that China’s diplomacy with South Korea from the late Mao Ze- dong era to the early Xi Jin-ping era should be considered as a combination of the influence of China’s national interest calculation, the Chinese leadership’s diplomatic thinking, the factional struggle among Chinese cadres. The thesis of mine, thereby, attempts to make a contribution to explanation of China’s policy towards South Korea from aspects of Mao’s pursuit of ‘pure’ communism and Deng’s success in the campaign against the Chinese radicals, even though the Sino-South Korean relationship has been viewed as an interest-oriented bilateral diplomacy. China’s new approach towards South Korea emerged from the year of 1961 as Park Chung-hee (1961-1979) became the de facto paramount political leader, as prepared to use developmental policies to promote its modernization programme – the “Miracle on the Han River”, which laid a foundation for a new economic relationship between China and South Korea. Deng Xiao-ping (1978- 1992) did not put forward the “Four Modernization Programme” (“四个现代化” – sige xiandaihua) until the Chinese reformists returned to power, which enabled China to promote secret business dealings with South Korea in the 1980s.
    [Show full text]
  • History, Background, Context
    42 History, Background, Context The history of the Qing dynasty is of course the history of hundreds upon hundreds of millions of people. The volume, density, and complexity of the information contained in this history--"history" in the sense of the totality of what really happened and why--even if it were available would be beyond the capacity of any single individual to comprehend. Thus what follows is "history" in another sense--a selective recreation of the past in written form--in this case a sketch of basic facts about major episodes and events drawn from secondary sources which hopefully will provide a little historical background and allow the reader to place Pi Xirui and Jingxue lishi within a historical context. While the history of the Qing dynasty proper begins in 1644, history is continuous. The Jurchen (who would later call themselves Manchus), a northeastern tribal people, had fought together with the Chinese against the Japanese in the 1590s when the Japanese invaded Korea. However in 1609, after a decade of increasing military strength, their position towards the Chinese changed, becoming one of antagonism. Nurhaci1 努爾哈赤 (1559-1626), a leader who had united the Jurchen tribes, proclaimed himself to be their chieftain or Khan in 1616 and also proclaimed the 1See: ECCP, p.594-9, for his biography. 43 founding of a new dynasty, the Jin 金 (also Hou Jin 後金 or Later Jin), signifying that it was a continuation of the earlier Jurchen dynasty which ruled from 1115-1234. In 1618, Nurhaci led an army of 10,000 with the intent of invading China.
    [Show full text]
  • Records of the Transmission of the Lamp (Jingde Chuadeng
    The Hokun Trust is pleased to support the fifth volume of a complete translation of this classic of Chan (Zen) Buddhism by Randolph S. Whitfield. The Records of the Transmission of the Lamp is a religious classic of the first importance for the practice and study of Zen which it is hoped will appeal both to students of Buddhism and to a wider public interested in religion as a whole. Contents Foreword by Albert Welter Preface Acknowledgements Introduction Appendix to the Introduction Abbreviations Book Eighteen Book Nineteen Book Twenty Book Twenty-one Finding List Bibliography Index Foreword The translation of the Jingde chuandeng lu (Jingde era Record of the Transmission of the Lamp) is a major accomplishment. Many have reveled in the wonders of this text. It has inspired countless numbers of East Asians, especially in China, Japan and Korea, where Chan inspired traditions – Chan, Zen, and Son – have taken root and flourished for many centuries. Indeed, the influence has been so profound and pervasive it is hard to imagine Japanese and Korean cultures without it. In the twentieth century, Western audiences also became enthralled with stories of illustrious Zen masters, many of which are rooted in the Jingde chuandeng lu. I remember meeting Alan Ginsburg, intrepid Beat poet and inveterate Buddhist aspirant, in Shanghai in 1985. He had been invited as part of a literary cultural exchange between China and the U. S., to perform a series of lectures for students at Fudan University, where I was a visiting student. Eager to meet people who he could discuss Chinese Buddhism with, I found myself ushered into his company to converse on the subject.
    [Show full text]
  • Rendering the Regional
    Rendering the Regional Rendering the Regional LOCAL LANGUAGE IN CONTEMPORARY CHINESE MEDIA Edward M.Gunn University of Hawai`i Press Honolulu Publication of this book was aided by the Hull Memorial Publication Fund of Cornell University. ( 2006 University of Hawai`i Press All rights reserved Printed in the United States of America 111009080706654321 Library of Congress Cataloging-in-Publication Data Gunn, Edward M. Rendering the regional : local language in contemporary Chinese media / Edward M. Gunn. p. cm. Includes bibliographical references and index. ISBN 0-8248-2883-6 (alk. paper) 1. Language and cultureÐChina. 2. Language and cultureÐTaiwan. 3. Popular cultureÐChina. 4. Popular cultureÐTaiwan. I. Title. P35.5.C6G86 2005 306.4400951Ðdc22 2005004866 University of Hawai`i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by University of Hawai`i Press Production Staff Printed by The Maple-Vail Book Manufacturing Group Contents List of Maps and Illustrations /vi Acknowledgments / vii A Note on Romanizations /ix Introduction / 1 1 (Im)pure Culture in Hong Kong / 17 2 Polyglot Pluralism and Taiwan / 60 3 Guilty Pleasures on the Mainland Stage and in Broadcast Media / 108 4 Inadequacies Explored: Fiction and Film in Mainland China / 157 Conclusion: The Rhetoric of Local Languages / 204 Notes / 211 Sources Cited / 231 Index / 251 ±v± List of Maps and Illustrations Figure 1. Map showing distribution of Sinitic (Han) Languages / 2 Figure 2. Map of locations cited in the text / 6 Figure 3. The Hong Kong ®lm Cageman /42 Figure 4. Illustrated romance and pornography in Hong Kong / 46 Figure 5.
    [Show full text]
  • Vinyls-Collection.Com Page 1/64 - Total : 2470 Vinyls Au 03/10/2021 Collection "Pop/Rock International" De Lolivejazz
    Collection "Pop/Rock international" de lolivejazz Artiste Titre Format Ref Pays de pressage 220 Volt Mind Over Muscle LP 26254 Pays-Bas 50 Cent Power Of The Dollar Maxi 33T 44 79479 Etats Unis Amerique A-ha The Singles 1984-2004 LP Inconnu Aardvark Aardvark LP SDN 17 Royaume-Uni Ac/dc T.n.t. LP APLPA. 016 Australie Ac/dc Rock Or Bust LP 88875 03484 1 EU Ac/dc Let There Be Rock LP ALT 50366 Allemagne Ac/dc If You Want Blood You've Got I...LP ATL 50532 Allemagne Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50257 Allemagne Ac/dc High Voltage LP 50257 France Ac/dc For Those About To Rock We Sal...LP ATL 50851 Allemagne Ac/dc Fly On The Wall LP 781 263-1 Allemagne Ac/dc Flick Of The Switch LP 78-0100-1 Allemagne Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50 323 Allemagne Ac/dc Blow Up Your Video LP Inconnu Ac/dc Back In Black LP ALT 50735 Allemagne Accept Restless & Wild LP 810987-1 France Accept Metal Heart LP 825 393-1 France Accept Balls To The Walls LP 815 731-1 France Adam And The Ants Kings Of The Wild Frontier LP 84549 Pays-Bas Adam Ant Friend Or Foe LP 25040 Pays-Bas Adams Bryan Into The Fire LP 393907-1 Inconnu Adams Bryan Cuts Like A Knife LP 394 919-1 Allemagne Aerosmith Rocks LP 81379 Pays-Bas Aerosmith Live ! Bootleg 2LP 88325 Pays-Bas Aerosmith Get Your Wings LP S 80015 Pays-Bas Aerosmith Classics Live! LP 26901 Pays-Bas Aerosmith Aerosmith's Greatest Hits LP 84704 Pays-Bas Afrika Bambaataa & Soulsonic F..
    [Show full text]
  • Gyn/Ecology the Metaethics of Radical Feminism
    GYN/ECOLOGY THE METAETHICS OF RADICAL FEMINISM MARY DALY Beacon Press : Boston : 1978 N.B. Transcript omits footnotes and citations. PREFACE This book voyages beyond Beyond God the Father. It is not that I basically disagree with the ideas expressed there. I am still its author, and thus the situation is not comparable to that of The Church and the Second Sex, whose (1968) author I regard as a reformist foresister, and whose work I respectfully refute in the New Feminist Postchristian Introduction to the 1975 edition. Going beyond Beyond God the Father involves two things. First, there is the fact that be-ing continues. Be-ing at home on the road means continuing to Journey. This book continues to Spin on, in other directions/dimensions. It focuses beyond christianity in Other ways. Second, there is some old semantic baggage to be discarded so that Journeyers will be unencumbered by malfunctioning (male-functioning) equipment. There are some words which appeared to be adequate in the early seventies, which feminists later discovered to be false words. Three such words in BGTF which I cannot use again are God, androgyny, and homosexuality. There is no way to remove male/masculine imagery from God. Thus, when writing/speaking “anthropomorphically” of ultimate reality, of the divine spark of be-ing, I now choose to write/speak gynomorphically. I do so because God represents the necrophilia of patriarchy, whereas Goddess affirms the life-loving be-ing of women and nature. The second semantic abomination, androgyny, is a confusing term which I sometimes used in attempting to describe integrity of be-ing.
    [Show full text]
  • Jin Yong's Novels
    Jin Yong’s Novels Jin Yong (Louis Cha Leung-yung) was an internationally well-known writer in the literary world. His 15 martial arts romance novels have been so popular that they have a widespread following in Chinese communities worldwide. It is said that “Where there are Chinese people, there are Jin Yong’s novels”. In the academic world, Jin Yong was regarded as one of the “20th-century Chinese Literary Masters”. Each of his novels has been adapted many times into films and TV series. And some have been adapted into Chinese and Western shows such as dance dramas, symphonies, dramas, cartoons, comics, acrobatics, narrative singings, and puppet theatres. Others have even been adapted into video games and others cultural creative products. They have a far-reaching influence, for decades, in the popularization and development of culture in the various social quarters on both sides on the Taiwan Straits, namely Hong Kong, Macao, Taiwan and mainland China. The stamp issue “Jin Yong’s Novels” is designed by Lio Man Cheong, the famous painter in Macao. The souvenir sheet is based on Jin Yong’s debut novel “The Book and the Sword” and the four stamps are originated from one of Jin Yong’s masterpieces, “The Legend of the Condor Heroes”. The Book and the Sword The creation of “The Book and the Sword” was originated from a martial arts competition held in Macao in 1954. In the following year, Jin Yong was entrusted to publish a series of martial arts romance novels on the “New Evening Post”, which later won him the great fame and made him the leader of “new faction” martial arts romance novels.
    [Show full text]
  • Cluster Analysis and Visualization for the Legend of the Condor Heroes Based on Social Network
    Hindawi Scientific Programming Volume 2021, Article ID 9439583, 10 pages https://doi.org/10.1155/2021/9439583 Research Article Cluster Analysis and Visualization for the Legend of the Condor Heroes Based on Social Network Chao Fan ,1,2 Zhihui Yang,1,2 and Yuyi Yuan1,2 1 e School of Artificial Intelligence and Computer Science, Jiangnan University, Wuxi 214122, China 2Jiangsu Key Laboratory of Media Design and Software Technology, Jiangnan University, Wuxi 214122, China Correspondence should be addressed to Chao Fan; [email protected] Received 24 May 2021; Revised 14 June 2021; Accepted 27 June 2021; Published 7 July 2021 Academic Editor: Chenxi Huang Copyright © 2021 Chao Fan et al. )is is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. )e Legend of the Condor Heroes (LCH) is one of the fifteen well-known Wuxia novels penned by Jin Yong. It portrays a number of characters in the background of the Southern Song Dynasty. In this research, we attempt to analyze the relationship of characters in LCH based on social network, including network feature analysis, cluster analysis, and data visualization. Moreover, the approach can be extended to other literary works because our research provides a general framework for analyzing character relationships. We first perform lexical analysis on the corpus to extract character names and then utilize co-word analysis to build a social network of character relationships. We reckon characters as nodes and count the cooccurrences of characters as weights of links.
    [Show full text]