Australian Photographic Collectors' Society Members-Only Auction 20Th
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Scanning Slides, Negatives, Prints and APS Film Price List Valid To
Scanning Slides, Negatives, Prints and APS film Price List valid to December 2021 Scanning slides About us ... We are professional photographers based in Twickenham Scanning Negatives that take as much care with your images as we do our own. Photography is about creating the image on film, or digital media, and then making sure what is output meets your original vision. That is why were are published in 30 countries. Our images have been used in magazines, books, TV programmes, web sites, Corporate publications Scanning Prints as well as wedding albums and home wall art from our portrait sessions and stock photographs. We know that old photographs, negatives and slides do not last forever. They get blemishes, fade, scratch or simply get lost. In the modern digital world photo albums gather dust and slide projectors become too much of a chore to Scanning APS set up. By using our scanning services you can protect your images in he long term and make them easy to view now. This is because we supply you with two files: a high quality TIF for storage and further editing if you wish, plus a TV sized JPG file for easy viewing.. Returned to You Enjoy your photos on the big screen at home without the fuss of projectors or stacks of photo albums and have a master copy that does not fade. Screen Viewing Guide Table ofTable Contents 2 3 Why Us? Our tools What makes us different to most slide, negative or print We use industry standard hardware from Nikon and scanning services? We know we are not the cheapest, Epsom to scan your images, combined with software but we do believe we are good value because of what from Adobe, Lasersoft, DXO and Anthropics. -
Express Camera Auction 27Th June 2018 at 10:00
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Express Camera Auction 27th June 2018 at 10:00 Viewing 26th June 2018 10:00-16:00 For enquiries relating to the sale: Saleroom One Please contact: 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Austin Mike Spencer Farahar Express Cameras Cameras Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! 7. Kodak Retina Cameras, 13. 35mm Film Strip Projectors, models include, Retina Ib with 50mm Ellis & Newton Ltd with Leech series f/2.8 Schneider-Kreuznach lens (G), II 3’’ lens, Pullin Optics with Pulnar 4’’ Retina IIa (2) and a Retinette Ib (100mm) f/2.8 lens, both in wooden £40-60 carry cases £30-50 14. A Kodascope Model C 1. Four TLR Cameras, models Projector, including lens, reels, in include, Rolleicord II with triostar makers case £20-40 7.5cm f/3.5 lens, a Mamiyaflex with Sekor 7.5cm f3.5 lens, a Ricoh super 44 with Riken 6cm f/3.5 lens and a Semiflex with a Berthot 75mm f/4.5 lens £50-70 8. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
Battery Replacement for Mercury PX13, PX625, MR9 and PX27
The mercury cell problem and its solutions. Index. Page 1: Index and general information on mercury battery problems and solutions. 2: Detailed information on mercury, zinc-air, alkaline, rechargeable and lithium cells. 3: Information on silver-oxide cells, a battery comparison chart and options for replacing 625-mercury cells. 4: Battery adapters and various diodes for use in a camera, exposure meter or adapter. 5: Temperature influence on Schottky-diodes and PX27 battery problem and solutions. 6: Materials and tools needed for making a battery adapter and disclaimer. 7: Elaborate step-by-step guide for making a homemade PX13 / PX625 / MR9 battery adapter. 8: Last piece of the step-by-step guide for making a homemade battery adapter and a list of movie cameras and photo (still) cameras, exposure meters and accessories that use PX13 / PX625 / MR9 cells. 9: List of cameras, exposure meters and accessories that use PX13 / PX625 / MR9 cells. 10: For the more technically challenged: a step-by-step guide for making a battery adapter with tiny S.M.D. parts. 11: Ordering information and prices (incl. shipping costs) for ready-made adapters, kits or a hardcopy of this article. 12-14: F.A.Q. frequently asked questions: please READ this first before you place your order or ask questions. General information about mercury cells and various solutions for replacing the banned mercury cells. The now (for environmental reasons) banned mercury Most batteries that were available in mercury versions cells have caused problems for a lot of (vintage) camera are currently available in silver-oxide and/or alkaline and exposure meter owners who are now facing versions. -
Seite 52E.P65
156 Type list of all Rollei 35 cameras and accessories Prochnow Register Name Model Rarity Page PR 458 without Prototype, first design made by Heinz Waaske S5 29 PR 459 Rollei 35 Prototypes with various explanation S5 46, 89 PR 459/1 Rollei 35 Zero series, Germany by Rollei-Compur-Gossen-Zeiss, chrome S4 88, 89 PR 459/2 Rollei 35 Zero series, Germany by Rollei-Compur-Gossen-Zeiss, black S4 88, 89 PR 459/3 Rollei 35 T Prototype Denim S5 108 PR 459/4 Rollei 35 Prototype silver-finished controls S5 108 PR 459/5 Rollei Design study for new Rollei 35 S5 53 PR 459/6 Rollei 35 Prototype Green S4 108 PR 460/1a Rollei 35 Made in Germany by Rollei-Compur-Gossen-Zeiss series, chromeS3 90, 91 PR 460/1b Rollei 35 Made in Germany by Rollei series, chrome S1 90, 91 PR 460/2a Rollei 35 Made in Germany by Rollei-Compur-Gossen-Zeiss series, blackS3 90, 91 PR 460/2b Rollei 35 Made in Germany by Rollei series, black S1 90, 91 PR 460/3 Rollei 35 Special Made in Germany by Rollei series, gold plated S3 92, 93, 99 PR 460/4 Rollei 35 Special Made by Rollei Singapore series, black/ brown S3 92, 93 PR 460/5 Rollei 35 Made by Rollei Singapore series, chrome-finished S1 94, 95 PR 460/6 Rollei 35 Made by Rollei Singapore series, black S1 94, 95 PR 460/7 Rollei 35 S-Xenar Made by Rollei Singapore, chrome-finished S1 96, 97 PR 460/8 Rollei 35 S-Xenar Made by Rollei Singapore, black S1 96, 97 PR 460/9 Rollei 35 S-Xenar Made by Rollei Singapore, black/ brown S4 96, 97 PR 460/10 Rollei 35 Action Set series, Made in Germany S3 98 PR 461 Rollei 35 S Prototype 40mm Sonnar -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
3-0 Lmaaina Past
3-0lmaaina Past - resent September/October 2007 Volume 33, Number 2 i i ACubkrtknor National Stereoxopic ""riation, Inc I nice interior shots of someone's I family who lived there apparently had adopted and rafred a pair of chipmunks, who scem to hw grownupwithnofeardtntmans and were quite comfortable in the housealongwith the family! I crouidn't~rlmnhgallthreeof thescviewstrrthlsIssue'scolumn --€hey mrlrt a woadetful set. Westrrtoutwlththechlpmunks eating some snrdss on the coffee tabie(WthsomenEcematchbg end tables in the badrgtound). Next is a fun shot of the little crtt- ters dimbing around on the lady of the hause, perhaps hoping that she will give them some treats. And in the third view we learn that the chipmunks even explored on the family dog, who I'm sur- prised seemed wIIling to put up with it! I really enjoy the drapes in the background of this one. The reel containing these and other views of the chipmunks was well-worn,so I'm guessing it was one of the family's favorites to view and share. What better way to remember these unusual pets? 00 JJ A Pal~I~.lllnnot National Stereoscopic Associat ion, Inc. Volume -. NSA Board of Directors Larry Moor, Cho~rmon Andy Griscorn "illiarnW Moll Page 15 Page 26 Page 30 Rus ,sell Norton Bra ndt Rowles Al Sieg nlcnard Twichell Leorlard A. Walle 4 The Verascope of Jules Richard Ilay Zone by Bernard Vial NS>4 Officers .. - . Lawrence IKautrnan, t'res~c . 2 Editor's View H. Lee Pr att, Vice President Comments and Dean Kamin, V~cePresident, Acti~ Observations 15 Stardust Stereo from Castle Combe W~ll~arnMoll, Treasurer by lohn Dennis by David Starkmon -..,. -
Camera Values for Everyone
CAMERA VALUES FOR EVERYONE THE NEW MO *EVERYTHING YOU WANT IN A GOOD CAMERA Yessiree! You CAN believe your eyes! Lafayette The UTILO camera features: Two View Finders, is offering a popular sized roll film camera brilliant reflecting waist level finder and direct. with genuine MEYER TRIOPLAN F:4.5 lens for vision metal frame finder; sturdy carnero body only $12.951 Here's on outstanding value if handsomely covered, leather carrying strap; there ever was one. This UTILO camera is a tripod bushings; drop-bed foot. sturdily built and attractively finished camera PH1597-Utilo Camera with Meyer Trioplan that has all the features you'd pay a whole lot f:4.5 lens in Vario shutter; speeds T à B, 1/25, more for elsewhere. It's simple enough for a 1/50, 1/100th sec. Shpg. wt. 4 lbs. child to handle, flexible enough for the experi- YOUR COST enced amateur to get the sort of pictures he SPECIAL $12.95 wants, and sturdy enough to serve os a "knock- PH1598-Utilo Camera as above but with Pron- about" camera for vacation trips, etc., because tor II shutter; speeds T & B, 1, /12 , 1/5, 1/(0, it can take hard usage. 1/25, 1/50, 1/100, 1/150th sec. and delayed action. Shpg. wt. 4 lbs. Takes 82 /14 )(3 /14 Inch Pictures YOUR COST, SPECIAL $15.95 Using the ever popular 120 or B2 size roll film PH9629 - Leather carrying case for either this Utilo takes 8 V/4x3 1/4" shots to o roll. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception Permalink https://escholarship.org/uc/item/3cb1w5rx Author Main, Reva Leigh Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Reva Leigh Main June 2016 Dissertation Committee: Dr. Susan Laxton, Chairperson Dr. Jason Weems Dr. Liz Kotz Copyright by Reva Leigh Main 2016 The Dissertation of Reva Main is approved: Committee Chairperson University of California, Riverside Acknowledgments My deepest gratitude to all the U.C. Riverside Art History Department staff and faculty. Sincere thanks to Dr. Susan Laxton for advising and encouraging me throughout the many phases of this project. Your patience and support allowed me to complete this thesis while living 3,000 miles away and working full time—a true challenge. I would also like to thank Dr. Jason Weems and Dr. Liz Kotz for serving as members of my committee, pausing their own sabbaticals to provide me with incredibly helpful feedback; Leigh Gleason, Curator of Collections at the California Museum of Photography, for guiding me in my search to find balance between work and school; and Graduate Coordinator, Alesha Jaennette, for solving my many paperwork crises. I am forever grateful to all of you for your flexibility and understanding. Finally, thank you to my family, friends, and Princeton University Art Museum coworkers for sticking with me through the highs and many lows of this process. -
Rollei 35-1.Pdf
Qollei 35 Qollei 3s in der Praxis in practicaluse Die Rollei 35 Das Vichtigste schnellzu finden Die Rollei 35 ist eine besondere Kamera - eine Kamera fiir Sie. Sie soll Ihnen Freude madren! Die Rollei 35 4 Sie lernen die Rollei 35 kennen Darum haben wir diese Kleinbildkamvra so Das Laden der Kamera flach und handlici gebaut, da8 sie in der Tasche Die Aufnahme ,il Ihre stlndige Begleiterin sein kann. \fir haben Die Entnahme des Films 12 sie mit einem CdS-Belichtungsmef3-System aus- gestattet, damit Sie sdrnell und sicler fotogra- Tips filr die Praxis: fieren. Und wir haben mit dem Carl Zeiss O Filmtransport l2 Tessar 3,5140 mm nidrt nur ein weltbekanntes @ Ist die Kamera geladen? t2 Objektiv, sondern auch die giinstigste Brenn- @ Filmmerksdreibe einstellen l2 weite fi.ir Sie ausgewlhlt: Mir 57o Bildwinkel @ \(zahl der Belichtungszeit T4 erfassen Sie einen nodr reichlicheren Ausschnitt @ Zeitbelichtung t4 als mit einem normalen Kleinbildobjektiv. @ Sc;hlrfentiefe t4 Damit Sie sofort mit der Aufnahme beginnen @ Blendenvorwahl kcinnen, haben wir uns kurzgefa8t. Lesen Sie @ Richtig beliclten ll * bitte bis Seite 11 - und sdron konnen Sie O Batteriewechsel 18 fotografieren. @ Aufnahmen mit Blitzlicht 18 )i Viele sdrcjne Motive und tdglich neue Freude an @ Aufnahmen mit Filter Ihrer Rollei 35 wiinsdren Ihnen die @ Aufnahmen mit Sonnenblende 20 1 @ Tragsdrlaufe mit Ledertasdre Rollei-\Werke Franke 6c Heided<e @ Umgang mit der Rollei 35 tr1*l 2 www.orphancameras.com The Rollei 35 Quick Guide to Important Points Page The Rollei 35 is a special camer^ - the camera The Rollei 35 5 for you. It is designed for your pleasure! Get to Know the Rollei 35 7 Loading the Camera 9 That is why we have. -
Cine-Kodak News; Dec. 1933; Vol. 9, No. 5
"ON LOCATION" FOR OUTDOOR WINTER MOVIES B ECAUSE of a special lubricant used in Cine-Kodak it will run as efficiently in zero In this ISSUe: weather as during warm summer months. But before you set out to film winter subjects here are a few precautions that may help you. "ON LOCATION" FOR The use of filters for general pictorial work is strongly recommended. Yellow filters OUTDOOR WINTER cut down on the blue light which is so overwhelmingly predominant in winter, particu- larly when the ground is covered with snow, and permit the more even registration of MOVIES all color tones in black and white. Filters accentuate cloud effects by reproducing sky and How to make the most o f your out- clouds more nearly as the eye sees them- gray sky and white clouds. Filters also enable door filming opportunities. your camera's lens to penetrate the haze so often encountered in winter landscapes. Do (Pages 1 and 2) not use a filter when making close-ups of individuals. Owners of 16 mm. Cine-Kodaks will find CK-1, CK-2, and CK-3 filters extremely useful TIPS ON TITLING for sky and landscape £ilming. Owners of Cine-Kodaks Eight, Models 20 or 25, should use the Z-CK-3 filter; Model 6o, the U8-CK-3 filter. Now's the time to whip summer And watch your exposure! The sunlight of winter in northern and temperate climes shots into final shape. (Page 2) is weaker than that of summer months. When there is snow on the ground to reflect light it compensates for this loss of intensity, and you can use summertime openings.