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Alaska Regional Directors Offices Director Email Address Contact Numbers Supt
Alaska Regional Directors Offices Director Email Address Contact Numbers Supt. Phone Fax Code ABLI RegionType Unit U.S Fish and Wildlife Service (FWS) Alaska Region (FWS) HASKETT,GEOFFREY [email protected] 1011 East Tudor Road Phone: 907‐ 786‐3309 Anchorage, AK 99503 Fax: 907‐ 786‐3495 Naitonal Park Service(NPS) Alaska Region (NPS) MASICA,SUE [email protected] 240 West 5th Avenue,Suite 114 Phone:907‐644‐3510 Anchoorage,AK 99501 Bureau of Indian Affairs(BIA) Alaska Region (BIA) VIRDEN,EUGENE [email protected] Bureau of Indian Affairs Phone: 907‐586‐7177 PO Box 25520 Telefax: 907‐586‐7252 709 West 9th Street Juneau, AK 99802 Anchorage Agency Phone: 1‐800‐645‐8465 Bureau of Indian Affairs Telefax:907 271‐4477 3601 C Street Suite 1100 Anchorage, AK 99503‐5947 Telephone: 1‐800‐645‐8465 Bureau of Land Manangement (BLM) Alaska State Office (BLM) CRIBLEY,BUD [email protected] Alaska State Office Phone: 907‐271‐5960 222 W 7th Avenue #13 FAX: 907‐271‐3684 Anchorage, AK 99513 United States Geological Survey(USGS) Alaska Area (USGS) BARTELS,LESLIE lholland‐[email protected] 4210 University Dr., Anchorage, AK 99508‐4626 Phone:907‐786‐7055 Fax: 907‐ 786‐7040 Bureau of Ocean Energy Management(BOEM) Alaska Region (BOEM) KENDALL,JAMES [email protected] 3801 Centerpoint Drive Phone: 907‐ 334‐5208 Suite 500 Anchorage, AK 99503 Ralph Moore [email protected] c/o Katmai NP&P (907) 246‐2116 ANIA ANTI AKR NPRES ANIAKCHAK P.O. Box 7 King Salmon, AK 99613 (907) 246‐3305 (907) 246‐2120 Jeanette Pomrenke [email protected] P.O. -
The US Presidential Campaign Songster, 1840–1900
This is a repository copy of The US Presidential Campaign Songster, 1840–1900. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/132794/ Version: Accepted Version Book Section: Scott, DB orcid.org/0000-0002-5367-6579 (2017) The US Presidential Campaign Songster, 1840–1900. In: Watt, P, Scott, DB and Spedding, P, (eds.) Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster. Cambridge University Press , Cambridge, UK , pp. 73-90. ISBN 9781107159914 https://doi.org/10.1017/9781316672037.005 © 2017, Paul Watt, Derek B. Scott and Patrick Spedding. This material has been published in Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster edited by P. Watt, D. Scott, & P. Spedding. This version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. -
Building Stones of the National Mall
The Geological Society of America Field Guide 40 2015 Building stones of the National Mall Richard A. Livingston Materials Science and Engineering Department, University of Maryland, College Park, Maryland 20742, USA Carol A. Grissom Smithsonian Museum Conservation Institute, 4210 Silver Hill Road, Suitland, Maryland 20746, USA Emily M. Aloiz John Milner Associates Preservation, 3200 Lee Highway, Arlington, Virginia 22207, USA ABSTRACT This guide accompanies a walking tour of sites where masonry was employed on or near the National Mall in Washington, D.C. It begins with an overview of the geological setting of the city and development of the Mall. Each federal monument or building on the tour is briefly described, followed by information about its exterior stonework. The focus is on masonry buildings of the Smithsonian Institution, which date from 1847 with the inception of construction for the Smithsonian Castle and continue up to completion of the National Museum of the American Indian in 2004. The building stones on the tour are representative of the development of the Ameri can dimension stone industry with respect to geology, quarrying techniques, and style over more than two centuries. Details are provided for locally quarried stones used for the earliest buildings in the capital, including A quia Creek sandstone (U.S. Capitol and Patent Office Building), Seneca Red sandstone (Smithsonian Castle), Cockeysville Marble (Washington Monument), and Piedmont bedrock (lockkeeper's house). Fol lowing improvement in the transportation system, buildings and monuments were constructed with stones from other regions, including Shelburne Marble from Ver mont, Salem Limestone from Indiana, Holston Limestone from Tennessee, Kasota stone from Minnesota, and a variety of granites from several states. -
The White House: 200Th Anniversary. Save Our History [TM]. Teacher's
DOCUMENT RESUME ED 450 048 SO 032 560 AUTHOR Maxwell, Louise P.; O'Connell, Libby Haight; Rosenberg, Jessica; Troster, Sara Kahn TITLE The White House: 200th Anniversary. Save Our History[TM]. Teacher's Manual, Grades K-12. PUB DATE 2000-00-00 NOTE 70p. AVAILABLE FROM A&E Television Networks, Attn: Community Marketing, 235 East 45th Street, New York, NY 10017; Tel: 877-87LEARN (toll free); Fax: 212-551-1540; E-mail: ([email protected]); Web site: http://www.historychannel.com/classroom/index.html. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS *Buildings; Built Environment; *Curriculum Enrichment; Elementary Secondary Education; *Heritage Education; *Interdisciplinary Approach; Material Culture; *Presidents of the United States; Social Studies; Teaching Guides; *United States History IDENTIFIERS *White House. ABSTRACT The 200th Anniversary of the White House provides a creative spring board for studying history through a variety of disciplines. Art, music, geography, literature, and language arts curriculumrequirements can be integrated into different eras of White House history. For eachgrade level, this teacher's manual includes readings, discussion questions, activities, and projects designed to enrich teaching plans. The manual includes a glossary and a list of resources. It is divided into thefollowing grade-level sections: Section One: Grades K-2; Section Two: Grades 3-5; Section Three: Grades 6-8; and Section Four: Grades 9-12.(BT) Reproductions supplied by EDRS are the best that can be made from the original document. The White House: 200th Anniversary. Save Our History. Teacher's Manual, Grades K-12. Maxwell, Louise P. O'Connell, Libby Haight Rosenberg, Jessica Troster, Sara Kahn U.S. -
Inaugural History
INAUGURAL HISTORY Here is some inaugural trivia, followed by a short description of each inauguration since George Washington. Ceremony o First outdoor ceremony: George Washington, 1789, balcony, Federal Hall, New York City. George Washington is the only U.S. President to have been inaugurated in two different cities, New York City in April 1789, and his second took place in Philadelphia in March 1793. o First president to take oath on January 20th: Franklin D. Roosevelt, 1937, his second inaugural. o Presidents who used two Bibles at their inauguration: Harry Truman, 1949, Dwight D. Eisenhower, 1953, George Bush, 1989. o Someone forgot the Bible for FDR's first inauguration in 1933. A policeman offered his. o 36 of the 53 U.S. Inaugurations were held on the East Portico of the Capitol. In 1981, Ronald Reagan was the first to hold an inauguration on the West Front. Platform o First platform constructed for an inauguration: Martin Van Buren, 1837 [note: James Monroe, 1817, was inaugurated in a temporary portico outside Congress Hall because the Capitol had been burned down by the British in the War of 1812]. o First canopied platform: Abraham Lincoln, 1861. Broadcasting o First ceremony to be reported by telegraph: James Polk, 1845. o First ceremony to be photographed: James Buchanan, 1857. o First motion picture of ceremony: William McKinley, 1897. o First electronically-amplified speech: Warren Harding, 1921. o First radio broadcast: Calvin Coolidge, 1925. o First recorded on talking newsreel: Herbert Hoover, 1929. o First television coverage: Harry Truman, 1949. [Only 172,000 households had television sets.] o First live Internet broadcast: Bill Clinton, 1997. -
K. Savage, “The Self-Made Monument: George Washington and the Fight
The Self-Made Monument: George Washington and the Fight to Erect a National Memorial Author(s): Kirk Savage Reviewed work(s): Source: Winterthur Portfolio, Vol. 22, No. 4 (Winter, 1987), pp. 225-242 Published by: The University of Chicago Press on behalf of the Henry Francis du Pont Winterthur Museum, Inc. Stable URL: http://www.jstor.org/stable/1181181 . Accessed: 26/01/2012 09:04 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Henry Francis du Pont Winterthur Museum, Inc. are collaborating with JSTOR to digitize, preserve and extend access to Winterthur Portfolio. http://www.jstor.org The Self-made Monument George Washington and the Fight to Erect a National Memorial Kirk Savage HE 555-FOOT OBELISK on the Mall in Even in his own time Washington and the nation Washington, D.C., is one of the most con- he led were largely products of the collective im- spicuous structures in the world, standing agination. America was then-and to some extent alone on a grassy plain at the very core of national remains-an intangible thing, an idea: a voluntary power-approximately the intersection of the two compact of individuals rather than a family, tribe, great axes defined by the White House and the or race. -
Founding Fathers" in American History Dissertations
EVOLVING OUR HEROES: AN ANALYSIS OF FOUNDERS AND "FOUNDING FATHERS" IN AMERICAN HISTORY DISSERTATIONS John M. Stawicki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2019 Committee: Andrew Schocket, Advisor Ruth Herndon Scott Martin © 2019 John Stawicki All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This thesis studies scholarly memory of the American founders and “Founding Fathers” via inclusion in American dissertations. Using eighty-one semi-randomly and diversely selected founders as case subjects to examine and trace how individual, group, and collective founder interest evolved over time, this thesis uniquely analyzes 20th and 21st Century Revolutionary American scholarship on the founders by dividing it five distinct periods, with the most recent period coinciding with “founders chic.” Using data analysis and topic modeling, this thesis engages three primary historiographic questions: What founders are most prevalent in Revolutionary scholarship? Are social, cultural, and “from below” histories increasing? And if said histories are increasing, are the “New Founders,” individuals only recently considered vital to the era, posited by these histories outnumbering the Top Seven Founders (George Washington, Thomas Jefferson, John Adams, James Madison, Alexander Hamilton, Benjamin Franklin, and Thomas Paine) in founder scholarship? The thesis concludes that the Top Seven Founders have always dominated founder dissertation scholarship, that social, cultural, and “from below” histories are increasing, and that social categorical and “New Founder” histories are steadily increasing as Top Seven Founder studies are slowly decreasing, trends that may shift the Revolutionary America field away from the Top Seven Founders in future years, but is not yet significantly doing so. -
National Treasure Movie Study.Pdf
Terms of use © Copyright 2019 Learn in Color. All rights reserved. All rights reserved. This file is for personal and classroom use only. You are not allowedto re- sell this packet or claim it as your own. You may not alter this file. You may photocopy it only for personal, non-commercial uses, such as your immediate family or classroom. If you have any questions, comments, problems, or future product suggestions, feel free to shoot me an e-mail! :) Movie Studies: Novel Studies: • The Courageous Heart of Irena Sendler • I Am David by Anne Holm • The Emperor’s New Groove • Louisiana’s Way Home by Kate DiCa- • The Giver millo • The Greatest Showman • Merci Suarez Changes Gears by Meg • Holes Medina • Life is Beautiful • Peter Nimble and His Fantastic Eyes • Meet the Robinsons by Jonathan Auxier • Mulan • Projekt 1065 by Alan Gratz • Newsies • Sweep by Jonathan Auxier • The Pursuit of Happyness • And more! • Secondhand Lions • The Sound of Music • Willy Wonka and the Chocolate Factory • The Zookeeper’s Wife • And more! Created by Samantha Shank E-mail: [email protected] Website: learnincolor.com Teachers Pay Teachers: teacherspayteachers.com/Store/Learn-In-Color Join facebook.com/learnincolormy Facebook community! Name: ________________________________________ 1. What is the Charlotte? Movie Quiz A. A train B. A car C. A ship D. An airplane 2. What do Ben, Riley, and Ian find on the Charlotte? A. A pipe B. A map C. Glasses D. A book 3. On the Charlotte, who wants to steal the Declaration of Independence? A. Ben B. Riley C. Sadusky D. -
George Washington: a New Man for a New Century
GEORGE WASHINGTON: A NEW MAN FOR A NEW CENTURY By Barry Schwartz George Washington never tolerated the notion, flaunted by some of his successors in the Presidential chair that the voice of the people, whatever its tone or its message, is the voice of God; nor was his political philosophy summed up in “keeping his ear to the ground, ” in order to catch from afar the ramblings of popular approval or dissent.... Will any one say that there is no need of such men now, or that the common people would not hear them gladly if once it were known that they dwelt among us? —The Nation, 18891 Every conception of the past is construed from the standpoint of the concerns and needs of the present.”2 Could the sociologist George Herbert Mead’s statement be applied to George Washington at the 1899 centennial of his death? Was Washington the same man at the turn of the twentieth century, when America was becoming an industrial democracy, as he was at the turn of the nineteenth, when the nation was still a rural republic? The title of the present essay suggests that the question has already been answered, but the matter is more complex than that. Because any historical object appears differently against a new background, Washington’s character and achievements necessarily assumed new meaning from the Jacksonian era and Civil War through the Industrial Revolution. Washington’s changing image, however, is only one part of this story. Focusing on the first two decades of the twentieth century, the other part of the story—“Washington’s unchanging image”—must also be considered. -
INDEX HB Pages Qfinal Copy 1 8/12/02 10:55 PM Page 1 the National Parks: Index 2001-2003
INDEX_HB_Pages_QFinal copy 1 8/12/02 10:55 PM Page 1 The National Parks: Index 2001-2003 Revised to Include the Actions of the 106th Congress ending December 31, 2000 Produced by the Office of Public Affairs and Harpers Ferry Center Division of Publications National Park Service U.S. Department of the Interior Washington, D.C. 1 INDEX_HB_Pages_QFinal copy 1 8/12/02 10:55 PM Page 2 About this Book This index is a complete administrative listing of the National Park System’s areas and related areas. It is revised biennially to reflect congressional actions. The entries, grouped by state, include administrative addresses and phone numbers, dates of au- thorization and establishment, boundary change dates, acreages, and brief statements explaining the areas’ national significance. This book is not intended as a guide for park visitors. There is no information regarding campgrounds, trails, visitor services, hours, etc. Those needing such information can visit each area’s web site, accessible through the National Park Service ParkNet home page (www.nps.gov). The Mission of the National Park Service The National Park Service preserves unimpaired the natural and cultural resources and values of the National Park System for the enjoyment, education, and inspiration of this and future genera- tions. The National Park Service cooperates with partners to extend the benefits of natural and cultural resource conservation and outdoor recreation throughout this country and the world. For sale by the Superintendent of Documents, U.S. Government Printing -
The Representation of Minorities in American Musical Theater Since the 1950S
The Representation of Minorities in American Musical Theater since the 1950s Krstičević, Klara Master's thesis / Diplomski rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:689147 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-23 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences Odsjek za anglistiku Filozofski fakultet Sveučilište u Zagrebu DIPLOMSKI RAD The Representation of Minorities in American Musical Theater since the 1950s (Smjer: Američka književnost i kultura) Kandidat: Klara Krstičević Mentor: dr. sc. Jelena Šesnić Ak. godina: 2019./2020. 1 Contents 1. Introduction .....................................................................................................................2 2. African Americans in representations and productions of Broadway musicals .................8 2.1. Hello, Dolly! ................................................................................................................9 2.2. Hamilton: An American Musical ................................................................................ 12 3. An overview of the history of Puerto Rican representation on Broadway ................ 19 3.1.West Side Story .......................................................................................................... -
Washington Monument Visitor Security Screening
NATIONAL PARK U.S. Department of the Interior SERVICE National Park Service Washington Monument Visitor Security Screening E N V I R O N M E N T A L A S S E S S ME N T July 2013 NATIONAL PARK SERVICE U.S. DEPARTMENT OF THE INTERIOR NATIONAL MALL AND MEMORIAL PARKS WASHINGTON, D.C. Washington Monument Visitor Security Screening National Mall and Memorial Parks ENVIRONMENTAL ASSESSMENT July, 2013 [This page intentionally left blank.] PROJECT SUMMARY The National Park Service (NPS), in cooperation with the National Capital Planning Commission (NCPC) has prepared this Environmental Assessment (EA) to evaluate a range of alternatives for the enhancement and improvement of the visitor screening at the Washington Monument (the Monument) in Washington, D.C. The National Mall is a highly recognizable space and one of the most significant historic landscapes in the United States, extending east to west from the U.S. Capitol building to the Potomac River and north to south from Constitution Avenue, NW to the Thomas Jefferson Memorial. The Washington Monument is the central point of the National Mall, placed at the intersection of two significant axes between the U.S. Capitol and the Lincoln Memorial to the east-west and the White House to the Jefferson Memorial to the north-south. The Washington Monument is made up of a stone masonry obelisk set within a circular granite plaza and flanked by large turf expanses. As the primary memorial to the nation’s first president, the Monument is one of the most prominent icons in the nation and is toured by approximately one million visitors annually with millions more visiting the surrounding grounds.