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Electric Scotland's Weekly Newsletter for November 3Rd, 2017
Electric Scotland's Weekly Newsletter for November 3rd, 2017 To see what we've added to the Electric Scotland site view our What's New page at: http://www.electricscotland.com/whatsnew.htm To see what we've added to the Electric Canadian site view our What's New page at: http://www.electriccanadian.com/whatsnew.htm For the latest news from Scotland see our ScotNews feed at: http://www.electricscotland.com/ Electric Scotland News Got some 70 kids in for the Halloween night. Mostly they come between 6 and 8 pm so you have a busy 2 hours. As it happens I had enough sweets to give to all with 2 wee mars bars left over which I confess I ate myself. I published some comments in various newspaper sites this week trying to voice some reason into the Brexit and Independence debates. Not sure it will do anything but at least I felt better having published them. Scottish News from this weeks newspapers Note that this is a selection and more can be read in our ScotNews feed on our index page where we list news from the past 1-2 weeks. I am partly doing this to build an archive of modern news from and about Scotland as all the newsletters are archived and also indexed on Google and other search engines. I might also add that in newspapers such as the Guardian, Scotsman, Courier, etc. you will find many comments which can be just as interesting as the news story itself and of course you can also add your own comments if you wish. -
Double 1977/78 DAS MAGAZIN
DOUBLE 1977/78 DAS MAGAZIN Preisgekrönt! Der Film „Das Double 1977/78 – Eine Zeitreise mit dem 1. FC Köln“ räumte in Berlin ab! Der Film „Das Double 1977/78 – Eine Zeit- Es lohnt sich an die Jahre 1977 und 1978 reise mit dem 1. FC Köln“ hat seinen eige- zu erinnern, nicht nur deshalb, weil der 1. nen Titel geholt! Beim diesjährigen, renom- FC Köln damals die Nummer 1 in Deutsch- mierten 11mm-Filmfestival in Berlin, wurde land war. Es lohnt sich auch auf Köln und der Film vom Publikum als „beste Produkti- das damalige Deutschland zu blicken. Vie- on international“ gewählt. Ein großer Erfolg les hat bis heute Auswirkungen und vieles angesichts der starken Konkurrenz und zeigt, was zwischenzeitlich schief gelaufen noch besser als 2015, als der Film „Heinz ist. Man kann Lehren ziehen und versu- Flohe – Der mit dem Ball tanzte“ zur „bes- chen das Beste draus zu machen, für die ten deutschen Produktion“ gewählt wurde. Zukunft. Man kann das alles hier in diesem Magazin anreißen, schmackhaft machen, aber dies alles in bewegten Bildern zu se- hen, ist der eigentliche Kick. Schauen Sie sich den Film an, es lohnt! 1. Preis in Berlin: Maxi Arnold überreicht Frank Steffan die Trophäe. Herausgeber: Verlag Lindenthalgürtel 10 FC-Stammtisch in Köln: Moderator Ralf Friedrichs, 50935 Köln Regisseur Frank Steffan + FC-Trainer Stefan Ruthebeck Tel.: 0221-73 916 73 im „Gaffel am Dom“. www.edition-steffan.de Dieses Magazin erzählt ausführlich die Ge- Redaktion: Manfred Weichselbaumer & Oliver Pergher schichte des Doubles und den Inhalt des Grafik: Wesemann NewMedia, Köln Films. Druck: TAN Media, Köln 1 Jeder KÖLNER sollte es wissen: KEINER war BESSER! Das sagen Franz Becken- bauer, Günter Netzer, Jupp Heynckes und natürlich alle Kölner Zeitzeugen von „Toni“ Schumacher, Harald Konopka bis Karl-Heinz Thielen. -
„Overath Oder Flohe“
Szene Sport „OverathFUSSBALL oder Flohe“ Ex-Profi Rainer Bonhof, 57, über ewige Nachbar- schaftsduelle zwischen Bundesligaclubs SPIEGEL: Innerhalb von 19 Tagen müssen die Mann- schaften von Werder Bremen und dem Hamburger SV SCHEIDEMANN / DPA SCHEIDEMANN nun viermal gegeneinander antreten – im DFB-Pokal, zweimal im Uefa-Cup und in der Bundesliga. Kommt Ihnen eine solche Serie von Duellen unter Rivalen aus Ihrer Profizeit bei Borussia Mönchengladbach bekannt vor? Bonhof: Sie meinen die Begegnungen mit dem 1. FC Köln in den Sieb- zigern? Diese Paarung gab es, glaube ich, auch fünfmal in einer Saison. 1. FC Köln – Borussia Mönchengladbach 1973 SPIEGEL: Das kam sogar in zwei Spielzeiten vor. 1972/73 trafen Sie bin- SIMON SVEN nen 16 Tagen zweimal im Uefa-Cup-Achtelfinale und in der Bundes- liga-Hinrunde aufeinander. Dann noch zweimal im Juni jener Saison: in der Bundesliga … Bonhof: … und natürlich bei unserem 2:1-Sieg im legendären Pokalfinale, als sich Günter Netzer in der Verlängerung selbst einwechselte und das Siegtor schoss. Irgendwie lagen uns die Kölner, wir bezwangen sie ja auch im Uefa-Cup, ebenfalls im Halbfinale der übernächsten Saison. Die hatten erstklassige Spieler mit Wolfgang Overath und Heinz Flohe, aber vielleicht waren sie für unser Konterspiel nicht so sehr schnell. Wir kombinierten mit jeweils nur einem Ballkontakt aus der Abwehr. SPIEGEL: Mochten Sie die Duelle mit dem rheinischen Rivalen? Bonhof: Man war besonders motiviert, das ist jetzt zwischen Bremen und Hamburg genauso. Außerdem kam unser Trainer Hennes Weisweiler ja aus Köln, er war immer ziemlich heiß. SPIEGEL: Kann man das mit einem Schachduell vergleichen, bei dem man in mehreren Partien die Psyche des Gegenübers studiert? Bonhof: Zunächst mal dachten wir, ehrlich gesagt: Schon wieder gegen die! Vor allem, wenn das auch noch im internationalen Wettbewerb sein musste. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Kahlil Gibran a Tear and a Smile (1950)
“perplexity is the beginning of knowledge…” Kahlil Gibran A Tear and A Smile (1950) STYLIN’! SAMBA JOY VERSUS STRUCTURAL PRECISION THE SOCCER CASE STUDIES OF BRAZIL AND GERMANY Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan P. Milby, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Melvin Adelman, Adviser Professor William J. Morgan Professor Sarah Fields _______________________________ Adviser College of Education Graduate Program Copyright by Susan P. Milby 2006 ABSTRACT Soccer playing style has not been addressed in detail in the academic literature, as playing style has often been dismissed as the aesthetic element of the game. Brief mention of playing style is considered when discussing national identity and gender. Through a literature research methodology and detailed study of game situations, this dissertation addresses a definitive definition of playing style and details the cultural elements that influence it. A case study analysis of German and Brazilian soccer exemplifies how cultural elements shape, influence, and intersect with playing style. Eight signature elements of playing style are determined: tactics, technique, body image, concept of soccer, values, tradition, ecological and a miscellaneous category. Each of these elements is then extrapolated for Germany and Brazil, setting up a comparative binary. Literature analysis further reinforces this contrasting comparison. Both history of the country and the sport history of the country are necessary determinants when considering style, as style must be historically situated when being discussed in order to avoid stereotypification. Historic time lines of significant German and Brazilian style changes are determined and interpretated. -
Number 42 Michaelmas 2018
Number 42 Michaelmas 2018 Number 42 Michaelmas Term 2018 Published by the OXFORD DOCTOR WHO SOCIETY [email protected] Contents 4 The Time of Doctor Puppet: interview with Alisa Stern J A 9 At Last, the Universe is Calling G H 11 “I Can Hear the Sound of Empires Toppling’ : Deafness and Doctor Who S S 14 Summer of ‘65 A K 17 The Barbara Wright Stuff S I 19 Tonight, I should liveblog… G H 22 Love Letters to Doctor Who: the 2018 Target novelizations R C 27 Top or Flop? Kill the Moon J A, W S S S 32 Haiku for Kill the Moon W S 33 Limerick for Kill the Moon J A 34 Utopia 2018 reports J A 40 Past and present mixed up: The Time Warrior M K 46 Doctors Assemble: Marvel Comics and Doctor Who J A 50 The Fan Show: Peter Capaldi at LFCC 2018 I B 51 Empty Pockets, Empty Shelves M K 52 Blind drunk at Sainsbury’s: Big Finish’s Exile J A 54 Fiction: A Stone’s Throw, Part Four J S 60 This Mid Curiosity: Time And Relative Dimensions In Shitposting W S Front cover illustration by Matthew Kilburn, based on a shot from The Ghost Monument, with a background from Following Me Home by Chris Chabot, https://flic.kr/p/i6NnZr, (CC BY-NC 2.0) Edited by James Ashworth and Matthew Kilburn Editorial address [email protected] Thanks to Alisa Stern and Sophie Iles This issue was largely typeset in Minion Pro and Myriad Pro by Adobe; members of the Alegreya family, designed by Juan Pablo del Peral; members of the Saira family by Omnibus Type; with Arial Rounded MT Bold, Baskerville, Bauhaus 93, and Gotham Narrow Black. -
Happy Birthday Doctor Who! the Light at the End Celebrate with Our Multi-Doctor Adventure!
WWW.BIGFINISH.COM • NEW AUDIO ADVENTURES HAPPY BIRTHDAY DOCTOR WHO! THE LIGHT AT THE END CELEBRATE WITH OUR MULTI-DOCTOR ADVENTURE! PLUS! ALL YOU NEED TO KNOW ABOUT OUR VARIOUS ANNIVERSARY RELEASES… ISSUE 57 • NOVEMBER 2013 VORTEX MAGAZINE | PAGE 1 VORTEX MAGAZINE | PAGE 2 Welcome to Big Finish! We love stories and we make great full-cast audio drama and audiobooks you can buy on CD and/or download Our audio productions are based on much-loved TV series like Doctor Who, Dark Shadows, Blake’s 7, Stargate and Highlander as well as classic characters such as Sherlock Holmes, The Phantom of the Opera and Dorian Gray, plus original creations such as Graceless and The Adventures of Bernice Summerfield. We publish a growing number of books (non-fiction, novels and short stories) from new and established authors. You can access a video guide to the site by clicking here. Subscribers get more at bigfinish.com! If you subscribe, depending on the range you subscribe to, you get free audiobooks, PDFs of scripts, extra behind-the-scenes material, a bonus release and discounts. www.bigfinish.com @bigfinish /thebigfinish VORTEX MAGAZINE | PAGE 3 VORTEX MAGAZINE | PAGE 4 EDITORIAL ISSUE 57 • NOVEMBER 2013 o, The Light at the End is out. Didn’t expect that, did you? You could have heard the mass exhaling of Big Finish employees S across the country when I clicked the ‘yes’ button for that (until the website also exhaled and gave up for a time – huge thanks SNEAK PREVIEWS to the Hughes Media web team for dealing with that so efficiently). -
UEFA Europa League Statistics Handbook
UEFA EUROPA LEAGUE | Season 2010/11 Frequently Asked Questions: UEFA Europa League Regulations The sections below have been These 24 clubs are joined by the eight locally trained players in its summarised from the UEFA Europa eight clubs finishing third in their squad, then the squad size is League Regulations for information UEFA Champions League groups. reduced accordingly. purposes only, in order to answer the most frequently asked questions The knock-out draw takes place For all matches from the start of about the competition organisation. according to the following the round of 32, a club may For the official UEFA wording please principles: register a maximum of three new see the competition regulations. eligible players for the remaining ● Clubs from the same matches in the current association cannot be drawn competition. The players must be COMPETITION FORMAT against each other. registered by 1 February 2011. ● The 12 UEFA Europa League One player from the above quota Group stage group-winners and the four best of three who has played UEFA club third-ranked teams in the UEFA competition matches for another If two or more teams are equal on Champions League group stage competing club in the current points on completion of all the are drawn against the 12 UEFA season may exceptionally be group matches, the following Europa League group runners- registered provided that the player criteria are applied to determine up and the remaining has not been fielded: the rankings (in descending order): third-ranked teams in the UEFA Champions -
From 1955 to July 1971, "Kicker" Did Not
From 1955 to July 1971, "Kicker" did not comment on individual players in separate sections but only reserved one or two sentences for the highest-ranked players in their general commentary. July 1970 … we can be highly pleased with the success of our team (third place!) and with individual performances of our players in Mexico. After a critical assessment of our players, which in some cases gave us headaches, we can now – dear reader – introduce you six players of world class: Berti Vogts, Franz Beckenbauer (even twice, once as central defender and in midfield), Karl-Heinz Schnellinger, Wolfgang Overath, Uwe Seeler and Gerd Müller. Beckenbauerand Overath held on to their world class evaluation from our last ranking in a supreme way. Vogts had to battle hard to remain in that category. But who, after all, managed to trump the little Terrier from Mönchengladbach when he had his ups and downs as a full back? No one. One man virtually bombed his way into world class: Gerd Müller, with ten goals the top scorer of the World Cup. But Müller did not only shine brightly as a goalgetter. He disproved all know-it-alls who claimed that he had no sense for combination play. The Bomber from Munich certainly is not one of the greatest in terms of technique. He knows that himself. In Mexico he proved however that his uncontrived, straightforward style also beats the world elite. And he also proved that additionally to his matchless instinct for scoring goals he is capable of providing good crosses and well-timed 1-2s. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
Well Basically He Wants to Write a Paper About How Well The
This Planet Has Four Walls: How early Doctor Who narrative was influenced by techniques and technology to overcome the confines of studio recording Andrew Ireland Subject Leader for Television Production, The Media School, Bournemouth University, Talbot Campus, Poole, Dorset, BH12 5BB, UK [email protected] Abstract This Planet Has Four Walls: How early Doctor Who narrative was influenced by techniques and technology to overcome the confines of studio recording "The Dalek Invasion of Earth" (1965) marked a turning point in the series. Not only did it see the first change to the line-up of regular characters (Susan Foreman, played by Carole Ann Ford, left at the conclusion of the story) but it was the first to feature material filmed on location. Up until this point, all episodes had been filmed entirely within the confines of a studio. This paper will examine the relationships and effects between narratives, production techniques and technology in this studio- bound era; how the programme makers told stories that in terms of direction, reach, and geography, far outstripped the limiting four walls of the studio space. In addition, the paper will discuss how production techniques developed to allow creativity to flourish in order to escape the trappings of the studio. Techniques such as forced perspective, front and back projection, and lighting will be discussed, along with how they’ve been employed to assist the telling of the story in a number of Doctor Who episodes, including "An Unearthly Child", "The Daleks", "Marco Polo," and "The Keys of Marinus". The central question to be explored is the idea that there is an inverse relationship between television production technology, and the creativity and ambition of geography in the narratives. -
Notes and References
Notes and References CHAPTER 1 To provide an intellectual and cultural framework for examining Carol Reed's films, a history of the British cinema from its origins through to the Second World War is offered in this chapter. Although Reed began directing in 1935, 1939 seemed a tidier, more logical cut-off point for the survey. All the information in the chapter is synthesized from several excellent works on the subject: Roy Armes's A Critical History of the British Cinema, Ernest Betts' The Film Business, Ivan Butler's Cinema in Britain, Denis Gifford's British Film Catalogue, Rachel Low's History of the British Film, and George Perry's The Great British Picture Show. CHAPTER 2 1. Michael Korda, Charmed Lives (New York, 1979) p. 229; Madeleine Bingham, The Great Lover (London, 1978). 2. Frances Donaldson, The Actor-Managers (London, 1970) p. 165. 3. Interview with the author. Unless otherwise identified, all quota tions in this study from Max Reed, Michael Korda and Andrew Birkin derive from interviews. 4. C. A. Lejeune, 'Portrait of England's No.1 Director', New York Times, 7 September 1941, p. 3. 5. Harvey Breit, ' "I Give the Public What I Like" " New York Times Magazine, 15January 1950, pp. 18-19. 6. Korda, Charmed Lives, p. 244. 7. Kevin Thomas, 'Director of "Eagle" Stays Unflappable', The Los Angeles Times, 24 August 1969. CHAPTER 3 1. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Film, no. 17 (Spring 1974) 34. 2. 'Midshipman Easy', The Times, 23 December 1935. 271 272 Notes and References 3.