Notes and References

CHAPTER 1

To provide an intellectual and cultural framework for examining 's films, a history of the British cinema from its origins through to the Second World War is offered in this chapter. Although Reed began directing in 1935, 1939 seemed a tidier, more logical cut-off point for the survey. All the information in the chapter is synthesized from several excellent works on the subject: Roy Armes's A Critical History of the British Cinema, Ernest Betts' The Film Business, Ivan Butler's Cinema in Britain, Denis Gifford's British Film Catalogue, Rachel Low's History of the British Film, and George Perry's The Great British Picture Show.

CHAPTER 2

1. Michael Korda, Charmed Lives (New York, 1979) p. 229; Madeleine Bingham, The Great Lover (, 1978). 2. Frances Donaldson, The Actor-Managers (London, 1970) p. 165. 3. Interview with the author. Unless otherwise identified, all quota­ tions in this study from Max Reed, Michael Korda and Andrew Birkin derive from interviews. 4. C. A. Lejeune, 'Portrait of 's No.1 Director', New York Times, 7 September 1941, p. 3. 5. Harvey Breit, ' "I Give the Public What I Like" " New York Times Magazine, 15January 1950, pp. 18-19. 6. Korda, Charmed Lives, p. 244. 7. Kevin Thomas, 'Director of "" Stays Unflappable', The Los Angeles Times, 24 August 1969.

CHAPTER 3

1. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Film, no. 17 (Spring 1974) 34. 2. '', , 23 December 1935.

271 272 Notes and References

3. , The Pleasure Dome (London, 1927) p. 42 (Greene's collected film criticism from ). 4. Voigt, 'Pictures of Innocence', p. 18. 5. Frederick Marryat, Mr. Midshipman Easy (New York, 1866) p. 127. 6. Ibid., p. 132. 7. Greene, The Pleasure Dome, p. 91. 8. , 'Carol Reed in the Context of His Time', Film Culture, 2,4 (1956) 15. 9. Basil Wright, 'The Director: Carol Reed', in The Year's Work in Film, ed. by Roger Manvell (London, 1950) p. 11 10. Frank S. Nugent, 'Talk ofthe Devil', New York Times, 15 May 1937, p.23. 11. 'Three on a Weekend', Va riety, 9 February 1938, p. 15. 12. Otis Ferguson, 'Pictures From England', The New Republic, 146 (14 September 1938) 160. 13. 'Three on a Weekend', New York Times, 2 June 1938, p. 19. 14. Wright, 'The Director', p. 11. 15. '', New York Times,S June 1939, p. 20. 16. 'Climbing High',VariefV, 14 December 1938, p. 12. 17. Archer Winston, 'Climbing High', New York Post,S June 1939. 18. Wanda Hale, 'Climbing High', New York Daily News, 4 June 1939. 19. 'Climbing High', New York Morning Telegraph, 4 June 1939. 20. Bosley Crowther, 'A Girl Must Live', New York Times, 24 March 1942. p. 25. 21. Winston, New York Post, 24 May 1942. 22. 'A Girl Must Live', VariefV 10 May 1939.

CHAPTER 4

1. , Kiss Kiss Bang Bang (New York, 1969) pp. 439-41. 2. Richard Whitehall, 'The Stars Look Down', Films and Filming, 4 (January 1962) pp. 22-3, 45-6. 3. 'The Stars Look Down', The Times, 22 January 1940. 4. Aubrey Flanagan, 'The Stars Look Down', Motion Picture Herald, 27 January 1940. 5. Graham Greene, The Pleasure Dome, (London, 1972) p. 265. 6. Paul Rotha, 'The Stars Look Down', Documentary News Letter, no. 3 (March 1940) p. 12. 7. 'The Stars Look Down', Va riety, 15 July 1941. 8. 'The Stars Look Down', New York Times, 24 July 1941, p. 15. 9. 'The Stars Look DouJn', Newsweek, 18 (28 July 1941) 53. 10. Archer Winston, 'The Stars Look Down',New York Post, 24July 1941. 11. Kael, Kiss Kiss Bang Bang, p. 441. Notes and References 273

12. Crowther, 'The Stars Look Down', p. 15. 13. Andrew Sarris, 'Carol Reed in the Context of His Time', Film Culture, 2, 4 (1956) 15. 14. , Mask or Face (New York, 1958) p. 135. 15. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Films, no. 17 (Spring 1974) 21. 16. Rudyard Kipling, Something ofMyself (London, 1937) p. 225. 17. 'Night Train', Time, 37 (13 January 1941) 73. 18. 'Night Train', New York Times, 30 November 1940, p. 21. 19. Otis Ferguson, 'A Hit and a Miss', The New Republic, 124 (13 January 1941) 54. 20. Basil Wright, 'The Director: Carol Reed', in The Year's Work in Film, ed. by Roger Manvcll (London, 1950) p. 11. 21. Sarris, 'Carol Reed in the Context of His Time', p. 15. 22. Voight, 'Pictures of Innocence', p. 21. 23. Bosley Crowther, 'The Girl in the News', New York Times, 5 May 1941, p. 13. 24. Sarris, 'Carol Reed in the Context of His Time', p. 15. 25. 'Kipps', Va riety, 1 April 1941. 26. Robert W. Dana, 'Kipps', New York Herald Tribune, 5 May 1942. 27. Irene Thirer, 'Kipps', New York Post, 25 May 1942. 28. 'Kipps', New York Times, 25 May 1942, p.II. 29. Milton Meltzer, 'Kipps', The Daily Worker, 25 May 1942. 30. Sarris, 'Carol Reed in the Context of His Time', p. 15.

CHAPTER 5

1. Arthur Winston, 'Young Mr. Pitt', New York Post, II March 1943. 2. Kate Cameron, 'Young Mr. Pitt', New York Daily News, 11 March 1943. 3. 'Young Mr. Pitt', Va riety, 1 July 1942. 4. Philip T. Hartung, 'Milton! Thou Shouldst Be', Commonweal, 37 (26 March 1943),568. 5. Bosley Crowther, 'Young Mr. Pitt', New York Times, 11 March 1943, p. 17. 6. Basil Wright, 'The Director: Carol Reed', in The Year's Work in Film, ed. Roger Manvell (London, 1950) pp. 11-12. 7. Raymond Durgnat, A Mirror for England: British Moviesfrom Auster­ iry to Aifluence (London, 1970) p. 106. 8. Andrew Sarris, 'Carol Reed in the Context of His Time', Film Culture, 2, 4 (1956) 16. 9. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Films, no. 17 (Spring 1974) 22. 10. Reed obituary, The Times, 27 April 1976. 274 Notes and References

11. Reed obituary, New York Times, 27 April 1976, p. 38. 12. C. A. Lejeune, '', Observer, 9 July 1944. 13. 'The Way Ahead', Va riety, 21 June 1944. 14. 'The Wqy Ahead', Time, 45 (28 May 1945) 56. 15. 'England Expects', Newsweek, 25 (28 May 1945) 114. 16. Crowther, 'The Way Ahead', New York Times, 4 June 1945, p. 22. 17. Jesse Zunser, '', Cue, 3 (8 September 1945) 11. 18. 'The True Glory', Time, 46 (17 September 1945) 95. 19. Crowther, 'The True Glory', New York Times, 7 September 1945. 20. James Agee, 'The True Glory', The Nation, 161 (29 September 1945) 321 21. Sarris, 'Carol Reed in the Context of His Time', p. 16. 22. Ezra Goodman, 'Carol Reed', Theatre Arts, 5 (May 1947) 57.

CHAPTER 6

1. John Huntley, 'Film Music in Britain, 1947-48' in British Film Yearbook, ed. Peter Noble (London, 1948) p. 39. 2. Andrew Sarris, 'Carol Reed in the Context of His Time', Film Culture, 2, 4 (1956) 17. 3. '', The Times, 31 January 1947,4. 4. Arthur Vesselo, Odd Man Out', Sight and Sound, 61 (Spring- 1947) 39. 5. William Whitebait, 'Odd Man Out', The New Statesman andNation (8 February 1947), 13. 6. James Agee, 'Odd Man Out', Time, 49 (3 March 1947) 81. 7. John McCarten, 'A Man Hunt', , 23 (3 May 1947) 94. 8. John Mason Brown, 'The Hunt and the Hunted', Saturday Review, 30 (24 May 1947) 25. 9. Bosley Crowther, 'Odd Man Out', New York Times, 24 April 1947, p.30. 10. Philip T. Hartung, 'No Tinkling Cymbal', Commonweal, 46 (9 May 1947) 94. 11. Abraham Polonsky, 'Odd Man Out and Monsieur Verdoux', Holly­ wood Quarterly, 4 (July 1947). 12. Julia Symmonds, 'Reflections on Odd Man Out', Film Quarterly (Summer 1947) 52-6. 13. , The Technique of Film Editing (New York, 1953) pp. 261-71. 14. James De Felice, Filmguide to Odd Man Out (Bloomington, 1975). 15. F. L. Green, Odd Man Out (London, 1947) p. 36. 16. Ibid., p. 103. Notes and References 275

17. Ezra Goodman, 'Carol Reed', Theatre Arts, 5 (May 1947) 57. 18. Green, Odd Man Out, p. 82. 19. Roger Manvell, Three British Screen Plays (London, 1950) p. 85. 20. De Felice, Filmguide, p. 26. 21. Ibid., p. 30. 22. Ibid., p. 29. 23. Manvell, Three British Screen Plays, p. 95. 24. Reisz, Film Editing, p. 263. 25. Ibid., p. 264. 26. Sarris, 'Carol Reed in the Context of His Time', p. 17. 27.. Agee, 'Odd Man Out', The Nation, 165 (19 July 1947) 81. 28. John Hadsell, 'Odd Man Out', Classics of Film, edt by Arthur Lenning (Madison, 1965) pp. 179-87. 29. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Films, no. 17 (Spring, 1974) 24. 30. Sarris, 'Carol Reed in the Context of His Time', p. 17.

CHAPTER 7

1. 'The Fallen Idol', Time, 53 (4 April 1949) 98. 2. Bosley Crowther, 'The Fallen Idol', New York Times, 16 November 1949, p. 39. 3. 'The Fallen Idol',Va rie!)J, 16 November 1949). 4. John McCarten, 'Good Boy', The New Yorker, 25 (19 November 1949) 110. 5. Graham Greene, and The Fallen Idol (London, 1974) pp. 151, 193, 183, 180, 151. 6. Ibid., p. 152. 7. Raymond Durgnat, A Mirror for England.' British Movies from Austerity to AjJluence (London, 1970) p. 167. 8. Greene, The Third Man, p. 151. 9. Ibid., p. 3. 10. 'The Third Man', Variery, 7 September 1949. 11. 'The Third Man', Time, 55 (6 February 1950) 82. 12. 'The Third Man', Newsweek, 35 (13 February 1950) 89. 13. Crowther, 'The ThirdMan', New York Times, 3 February 1950, p. 29. 14. Roy Armes, A Critical History of the British Cinema (New York, 1978) p. 207. 15. Durgnat, Mirror for England, p. 167. 16. Andrew Sarris, 'Carol Reed in the Context of His Time', Film Culture, 2, 4 (1956) 12. 17. David Zinman, Fifry Classic Motion Pictures (New York, 1970) p. 294. 276 Notes and References

18. Sarris, 'Carol Reed in the Context of His Time', p. 12. 19. Pauline Kael, Kiss Kiss Bang Bang (New York, 1969) p. 452. 20. Greene, The Third Man, p. 6. 21. Greene, 'The Lost Childhood', in Collected Essays (London, 1969) p. 18.

CHAPTER 8

1. 'Outcast ofthe Islands', Time, 59 (28 April 1952) 98. 2. 'Outcast ofthe Islands', Newsweek, 39 (26 May 1952) 91. 3. 'Outcast ofthe Islands', VarieD', 15January 1952. 4. Bosley Crowther, '', New York Times, 16 May 1952, p. 19. 5. Andrew Sarris, The American Cinema (New York 1968) p. 164. 6. Pauline Kael, Kiss Kiss Bang Bang (New York, 1969) p. 410. 7. Crowther, 'Outcast', p. 19. 8. , (London, 1963) p. 501. 9. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Films, no. 17 (Spring 1974) 29. 10. Conrad, The Nigger of the Narcissus in The Portable Conrad (New York, 1966) p. 313. 11. Conrad, An Outcast ofthe Islands (Harmondsworth, 1975) pp. 165, 167. 12. Kael, Kiss Kiss Bang Bang, p. 411. 13. Voigt, 'Pictures of Innocence', p. 30. 14. Ibid., p. 28. 15. Louis Berg, 'The Day Starred', This Week, 28 June 1953. 16. Crowther, '', New York Times, 19 November 1953, p. 41. 17. 'Fourteenth Century and 20th Century Berlin', Cue, 21 November 1953. 18. Hollis Alpert, 'The Man Between', Saturday Review, 36 (28 November 1953) 31. 19. 'The Man Between', VarieD', 30 September 1953. 20. Voigt, 'Pictures of Innocence', p. 30. 21. Alpert, 'A Kid For Two Farthings', Saturday Review, 39 (14 April 1956) 35. 22. 'A Kid For Two Farthings', VarieD', 18 May 1955. 23. Crowther, 'A Kid For Two Farthings', New York Times, 18 April 1956, p. 25. 24. John McCarten, 'Two Tots and a Lot of Girls', The New Yorker, 32 (28 April 1956) 89. 25. 'A Kid For Two Farthings', Time, 66 (7 May 1956) 108. Notes and References 277

26. Kael, Kiss Kiss Bang Bang, p. 362. 27. , A Kid For Two Farthings (London, 1953) pp. 24,31.

CHAPTER 9

1. 'Lollobrigida on a Trapeze', WeeklY, 5 June 1956. 2. 'Trapeze', Va riery, 30 May 1956. 3. 'Gina Joins the Circus', Look, 40 (15 May 1956) 56. 4. 'A Netful at the Circus', Life, 40 (4 June 1956) 75. 5. 'Trapeze', Time, 67 (8 June 1956) 102. 6. Bosley Crowther, 'Trapeze', New York Times, 5 June 1956, p. 39. 7. Max Catto, The Killing Frost (London, 1950) p. 298. 8. 'The Key', Variery, 11June 1958. 9. Crowther, 'The Key', New York Times, 2 July 1958, p. 23. 10. John Carden, 'An Essay in Fear', Saturday Review, 41 (5 July 1958) 22. 11. 'The Key', Time, 72 (14 July 1958) 72. 12. John McCarten, 'War and Love', The New Yorker, 34 (12 July 1958) 98. 13. , The Distant Shore (New York, 1952) pp. 118-19. 14. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Films, no. 17 (Spring 1974) 31. 15. 'Spying for the Connoisseur', The Times, 30 December 1959,9. 16. C. A. Lejeune, 'Cuban Coup', Observer, 3 January 1960. 17. '', Sight and Sound, 29, 1 (Winter 1959-60) 35. 18. 'Our Man in Havana', ~'ariery, 13January 1960. 19. Crowther, 'Our Man in Havana', New York Times, 28 January 1960, p.26. 20. 'Our Man in Havana', Time, 75 (8 February 1960) 92. 21. John McCarten, 'All Quiet in Havana', The New Yorker, 35 (6 February 1960) 104. 22. Graham Greene, Ways ofEscape (New York, 1980) p. 248. 23. Crowther, 'Our Man in Havana', p. 26. 24. Robert Emmett Gina, 'Our Man in Havana', Horizon II (November 1959) 27. 25. Andrew Sarris, The American Cinema (New York, 1968) p. 163.

CHAPTER 10

1. 'The Running Man', Va riety, 24 September 1963. 2. 'The Insuranceman Cometh', Time, 82 (7 October 1963) Ill. 278 Notes and References

3. 'The Running Man', Newsweek, 62 (7 October 1963) Ill. 4. Judith Crist, 'The Running Man', New York Herald Tribune, 3 October 1963. 5. Bosley Crowther, 'The Running Man', New York Times, 3 October 1963, p. 31. 6. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Films, no. 17 (Spring 1974) 31. 7. Ibid., p. 31. 8. Crist, New York Herald Tribune, 8 October 1965. 9. Dorothy Seiberling, 'There I Was Flat on My Back Trying to Be a Genius', Life, 59 (12 December 1965) 75. 10. 'Fig Leaf', Newsweek, 41 (16 October 1965) 121. 11. Crowther, 'The Agony and the Ecstasy', New York Times, 9 October 1965, p. 5. 12. Brendon Gill, 'The Renaissance and After', TheNew Yorker, 41 (16 October 1965) 228. 13. 'The Agony and the Ecstacy', Va riety, 15 September 1965. 14. , 'Oliver!', New York Times, 12 December 1968, p. 62. 15. Stanley Kauffmann, 'Greetings and Groans', TheNew Republic, 160 (18 January 1969) 23. 16. Judith Crist, 'Losing Nothing in Translation', New York, 1 (16 December 1968) 54. 17. 'Oliver!', Va riety, 2 October 1968. 18. , 'How About an Oscar for Oliver!?', Life, 66 (4 April 1969) 16. 19. Pauline Kael, 'The Concealed Art of Carol Reed', The New Yorker, 44 (14 December 1968) 193-6. 20. Ibid., p. 194. 21. Kevin Thomas, 'Director of Eagle Stays Unflappable', Los Angeles Times, 24 August 1969. 22. 'Flap', Variery, 28 October 1970. 23. Stanley Kauffmann, 'Flap', The New Republic, 164 (23 January 1971) 22. 24. Arthur Knight, 'Flashes in a Pan', Saturday Review, 53 (19 Decem- ber 1970) 38. 25. Howard Thompson, 'Flap', New York Times, 1January 1971, p. 17. 26. Kauffmann, 'Flap', p. 22. 27. Penelope Gilliatt, 'The Public E.-ve', TheNew Yorker, 48 (29.J uly 1972) 54. 28. 'The Public Eye', Va riety, 5 May 1972. 29. Vincent Canby, 'The Public Eye', New York Times, 19 July 1972, p. 22. 30. Judith Crist, 'It's Still the Same Old Story, But You'd Never Know', New York, 5 (17 July 1972) 50. Notes and References 279

CHAPTER 11

1. C. A. Lejeune, 'Portrait of England's No.1 ', New York Times, 7 September 1941, p. 3. 2. Robert Emmett Ginna, 'Our Man in Havana', Horizon, II (Novem- ber 1959) 125,31, 122. 3. Michael Redgrave, Mask or Face (New York, 1958) p. 135. 4. Lejeune, 'Portrait', p. 3. 5. Ibid., p. 3. 6. Redgrave, Mask or Face, p. 135. 7. Ezra Goodman, 'Carol Reed', Theatre Arts, 5 (May 1947) 57. 8. Andrew Sarris, 'Carol Reed in the Context of His Time', Film Culture, 1 (1956) 11. 9. Goodman, 'Carol Reed', p. 57. 10. Redgrave, Mask or Face, p. 136. 11. Gerald Mast, A Short History of the Movies (Indianapolis, 1976) p. 414. 12. Sarris, The American Cinema (New York, 1968) p. 163. Selected Bibliography

BOOKS

Armes, Roy. A Critical History ofthe British Cinema (New York: , 1978). Betts, Ernest. The Film Business: A History of British Cinema, 1896-1972 (London: George Allen & Unwin, 1973). Butler, Ivan. Cinema in Britain (London: Tantivy Press, 1973). Catto, Max. The Killing Frost (London: Methuen, 1950). Conrad, Joseph. An Outcast of the Islands (Harmondsworth: Penguin Books, 1975). Cronin, A. J. The Stars Look Down (New York: Simon & Schuster, 1935). De Felice, James. Filmguide to Odd Man Out (Bloomington: Indiana University Press, 1975). Dickens, Charles. Oliver Twist (New York: New American Library, 1962). Dickens, Charles. Oliver Twist (New York: New American Library, 1962) . Donaldson, Frances. The Actor-Managers Durgnat, Raymond. A Mirror for England: British Mooiesfrom Austerity to Affluence (New York: Pracger, 1971). Gifford, Denis. British Film Catalogue (New York: McGraw-Hill, 1973). Green, F. L. Odd Man Out (London: Michael Joseph, 1947). Greene, Graham. The Third Man and The Fallen Idol (London: Heine­ mann, 1974). -_. Our Man in Havana Harmondsworth: Penguin Books, 1970). Henrey, Robert. A Film Star in Belgrave Square (London: Peter Davis, 1949). Huffaker, Claire. Nobody Loves a Drunken Indian (New York: McKay, 1967). Low, Rachel. A History of the British Film, vols 2, 3 and 4 (London: George Allen & Unwin, 1949, 1950, 1971). Low, Rachel and Roger Manvell. A History of the British Film, vol. 1 (London: George Allen & Unwin, 1948). Mankowitz, Wolf. A Kid For Two Farthings (London: Andre Deutsch, 1953). 280 Bibliography 281

Marryatt, Frederick. Mr. Midshipman Easy (New York: D. Appleton & Co., 1866). Mast, Gerald. A Short History oftheMovies (Indianapolis: Bobbs-Merrill, 1976). Perry, George. The Great British Picture Show (London: Hart-Davis MacGibbon, 1974). Shaffer, Peter. The Public Eye and the Private Ear (London: Seeker & Warburg, 1972). Smith, Shelley. The Ballad of the Running Man (New York: Harper & Brothers, 1961). Stone, Irving. The Agony and the Ecstacy (New York: New American Library, 1961). Wells, H. G. Kipps (New York: Charles Scribner's Sons, 1905).

EXTRACTS

Bingham, Madeleine. The Great Lover (London: Harnisch Hamilton, 1978). Provides valuable information on Reed's parentage, De Hartog, Jan. The Distant Shore (New York: Harper & Row, 1952). Forman, Denis. Films, 1945-1950 (London: Longman, Green, 1951). Useful summary of Reed's career. Greene, Graham. The Pleasure Dome (London: Seeker & Warburg, 1972). Includes perceptive reviews of Midshipman Easy, and The Stars Look Down, accurately forecasting Reed's later contributions. __. Collected Essays (London: Bodley Head, 1969). __. Ways ofEscape (New York: Simon & Schuster, 1980). Contains valuable information on the genesis of the three Reed-Greene collaborations. Hadsell, John. 'Odd Man Out' in Classics oftheFilm, ed. Arthur Lenning (Madison: Wisconsin Film Society Press, 1965). A critique of Odd Man Out which concentrates on the film's Christian themes and imagery. Huntley, John. 'Film Music in Britain, 1947-48', in British Film Year­ book, ed. Peter Noble. (London: Skelton Robinson, 1948). Offers detailed analysis of 's score for Odd Man Out. Huntley, John and Roger Manvell. The Technique of Film Music (Lon­ don: Focal Press, 1957). The introduction is by Alwyn, who explains his approach to composing for the screen, illustrating some of his points with references to the final scene in Odd Man Out. Kael, Pauline. Kiss Kiss Bang Bang (New York: Bantam Books, 1969). Kael offers brief but incisive discussions of several Reed films. 282 Bibliography

Korda, Michael. Charmed Lives (New York: Random House, 1979). Virtually the only biographical portrait of Reed by someone who knew him. Manvell, Roger. A Seat at the Cinema (London: Evans Brothers, 1951). A sensible, laudatory essay on Odd Man Out. __. Three British Screen Plays (London: Methuen, 1950). Contains the screenplays of , Scott of the Antarctic and Odd Man Out. The Reed work includes material not used in the actual film. Philips, Gene D., S.]. Graham Greene: The Films of His Fiction (New York: Teachers College, Columbia University, 1974). Chapter­ length critiques of The Fallen Idol, The Third Man and Our Man in Havana, incorporating all available information on the Reed-Greene partnership. Redgrave, Michael. Mask or Face (New York: Theatre Arts Books, 1958). The great actor contributes a few observations about his experiences working with Reed. Reisz, Karel. The Technique ofFilm Editing (New York: Communication Arts Books, 1953). Provides a lengthy discussion of the technique behind the hold-up sequence in Odd Man Out. Rothe, Anna (ed). 'Carol Reed', in Current Biography (New York: H. W. Wilson, 1950). Meagre though it is, this sketch is as good a compila­ tion of facts about Reed's life and career as one can find. Sarris, Andrew. The American Cinema (New York: Dutton, 1968). A short, highly sophisticated attack on Reed's work. Wilson, Harry. 'Seven Directors', in British Film Yearbook, ed. Peter Noble (London: Skelton Robinson, 1949). A summary of Reed's work up to Odd Man Out. Wright, Basil. 'The Director: Carol Reed', in The Year's Work in Film, ed. Roger Manvell (London: Longman, Green, 1950). A sympathe­ tic, thoughtful evaluation of Reed's oeuvre by a noted British do­ cumentarian and critic who was something of an influence on Reed. Zinman, David. Fifty Classic Motion Pictures (New York: Crown Pu­ blishers, 1970). Intellectually superficial chapter on The Third Man but incorporating a good deal offresh information about the making of the film.

ARTICLES

Agee, James. 'Odd Man Out', Time (3 March 1947) 81. In a short typically jazzed-up review for Time, Agee nevertheless examines Odd Man Outperceptively, establishing the basic framework within which the picture will be discussed. -_. -ou Man Out', TheNation, 165 (19 July 1947) 79-81. A later, Bibliography 283

more reflective piece offering additional insights into the film - and additional criticisms. Breit, Harvey. ' "I Give the Public What I Like" " Ne» York Times Magazine, 15 January 1950, 18-19. A minimally helpful assessment of Reed and his work just prior to the American release of The Third Man. Brown, John Mason. 'The Hunt and the Hunted', Saturday Review, 30 (24 May 1947) 22-25. A long essay hailing Odd Man Out for its artistic integrity, though pointing out the film's weaknesses as well. Ferguson, otis. 'Pictures From England', The New Republic, 146 (14 September 1938) 160. In what is the first critique of a Reed film by an important American reviewer, Ferguson recognizes the director's refreshing gift for realistic social detail. Ginna, Robert Emmett. 'Our Man in Havana', Horizon, II (November 1959) 26-31, 122-26. Intelligent, extensive and very illuminating article on the filming of Havana, with much information about the production itself and one of the fullest statements of his artistic principles Reed ever made. Goodman, Ezra. 'Carol Reed', Theatre Arts, 5 (May 1947) 57-9. Plod­ ding interview with Reed at the time of the American release of Odd Man Out; somewhat redeemed by useful comments of Reed's about his craft. Kael, Pauline. 'The Concealed Art of Carol Reed', The J.Vew Yorker, 44 (14 December 1968) 193-6. Outstanding essay on Reed, incorporated into review of Oliver! Kennedy, Paul P. 'The Carol Reed Formula', New York Times, 30 November 1947. A biography of Reed with comments about his approach to film-making. Lejeune, C. A. 'Portrait of England's No. 1 Director', New York Times, 7 September 1941, p. 3. One of the few truly revelatory interviews with Reed, including a precis of his aesthetics and working methods and a thoroughgoing attempt to capture his appearance and elusive personality on paper. Sarris, Andrew. 'Carol Reed in the Context of His Time', Film Culture, 2, 4 (1956) 14-17 and 1 (1957) 11-14. Probably the best of all attempts at a comprehensive critique of Reed's oeuvre (up to 1956), an erudite and discerning treatment that appraises Reed's place in film history as well as his significance to the British cinema. Vesselo, Arthur. 'Odd Man Out', Sight and Sound, 61 (Spring 1947) 39-40. An enthusiastic and probing review of the film in the leading British film journal; destined to be one of the few instances in which S&S devoted any space to a premier English director. Voigt, Michael. 'Pictures of Innocence: Sir Carol Reed', Focus onFilms, no. 17 (Spring 1974) 17-38. Excellent survey of Reed's career with 284 Bibliography

an intelligent evaluation of his artistic development all the way from Midshipman Easy to The Public Eye. Whitehall, Richard. 'The StarsLookDown', Films andFilming, 4 Oanuary 1962) 22-3, 45-6. A fascinating, heavily detailed account of the filming of Stars, filled with particulars about every aspect of the production, almost none of which has ever appeared anywhere else. Filmography

In a few instances, complete credits for Reed's early films were impossible to obtain - hence the gaps in this compilation. It Happened in (Associated Talking Pictures, 1935) Producer: Bray Wyndham Codirector: Screenplay: and H. F. Maltby, from 's play L'Arpete Cast: (Paul), Nancy Burne (jacqueline}, Edward H. Robins (Knight), Dorothy Boyd (Patricia), Esme Percy (Pommier), Minnie Rayner (Concierge), Laurence Grossmith (Bernard), Paul Sheridan (Baptiste), Billy Shine (Albert), Warren Jenkins (Ray­ mond), Val Norton (Roger), Kyrle Bellew (Elvira), Nancy Pawley (Ernestine)

Midshipman Easy (Associated Talking Pictures, 1935); US: Men oftheSea Producer: , Screenplay: Anthony Kimmins, from Captain Frederick Marryat's novel Mr Midshipman Easy : John W. Boyle Editor: Sidney Cole Cast: Hughie Green (Midshipman Easy), (Donna Agnes), Roger Livesey (Captain Wilson), Robert Adams (Mesty), Harry Tate (Mr Biggs), Dennis Wyndham (Don Silvio), Tom Gill (Gascoigne), (Mr Easy), Dorothy Holmes-Gore (Mrs Easy), Frederick Burtwell (Mr Easthupp), Arnold Lucy Gohn Rebi­ era), Esme Church (Donna Rebiera)

Laburnum Grove (Associated Talking Pictures, 1936) Producer: Basil Dean Screenplay: Anthony Kimmins, from]. B. Priestley's play Laburnum Grove Cinematographer: John W. Boyle Art Director: Edward Carrick, Denis Wreford Music: Editor: Jack Kitchin

285 286 Filmography

Cast: (Mr Redfern), Cedric Hardwicke (Mr Baxley), Victoria Hopper (Elsie), Ethel Coleridge (Mrs Baxley), KatieJohn­ son (Mrs Redfern), Francis James (Harold Russ), James Harcourt (Joe Fletten), (Man With Glasses), David Haw­ thorne (Inspector Stack), Frederick Burtwell (Simpson), Terence Conlin (Police Sergeant) Talk ofthe Devil (British & Dominions, 1936) Producer: Jack Raymond Story: Carol Reed, Anthony Kimmins Screenplay: Reed, Kimmins and George Barraud Cinematographer: Francis Carver Art Director: Wilfred Arnold Music: Percival Mackey Editor: Helen Lewis, Merrill White Ltd, John Morris Cast: Ricardo Cortez (Ray Allen), Sally Eilers (Ann), Randle Ayrton (john Findlay), Basil (Stephen Findlay), Fred Culley (Al­ derson), Charles Carson (Lord Dymchurch), Gordon McLeod (In­ spector), Margaret Rutherford (Stephen's Housekeeper)

Who's Your Lady Friend? (Dorian, 1937) Producer: Martin Sabine Screenplay: Anthony Kimmins and Julius Hoest, from the play DeT Herr Ohne Wohnung, by Oesterreicher and Jenbach Cinematographer: Jan Stallach Art Director: Erwin Scharf Music: Richard Stolz, Ernest Irving, Vivian Ellis Edi tor: Ernest Aldridge Cast: Frances Day (Lulu), Vic Oliver (Dr Mang-old), Betty Stockfeld (Mrs Mangold), Romney Brent (Fred), Marg-aret Lockwood (Mimi), Frederick Ranalow (The Cabby), Sarah Churchill (The Maid)

Bank Holiday (Gainsborough, 1938); US Three on a Weekend Producer: Story: Rodney Ackland, Hans Wilhelm Screenplay: Ackland, Wilhelm, Roger Burford Cinematographer: Art Director: Vetchinsky Music: Editor: R. E. Dearing Cast: John Lodge (Stephen Howard), Margaret Lockwood (Cather­ ine), Hugh Williams (Geoffrey), Rene Ray (Doreen), Merle Totten­ ham (Milly), Linden Travers (Ann Howard), (Arthur), (May), Garry Marsh ('Follies' Manager), Filmography 287

Jeanne Stuart (Miss Mayfair), Wilfrid Lawson (Police Sergeant), (Surgeon), (Guardsman) (Associated Talking Pictures, 1938) Producer: Basil Dean Story: Basil Dean Cinematographer: , Gordon Dines Art Director: Wilfred Shingleton Edi tor: Ernest Aldridge Cast: Edmund Gwenn (Joe), Jimmy O'Dea (Pat), (Betty), Ethel Coleridge (Aunt Ag-nes), Syd Crossley (Uncle Lance­ lot), James Harcourt (Amos Cook), Jack Livesey (Bert), Maire O'Neil (Widow Clegg)

Climbing High (Gaumont-British, 1938) Story: Lesser Samuels, Marian Dix Screenplay: Stephen Clarkson Cinematographer: Mutz Greenbaum Art Director: H. Murton, Music: Louis Levy Editor: Michael Gordon, A. Barnes Cast: (Diana), Michael Redgrave (Nicky), Noel Ma­ dison (Gibson), (Max), Margaret Vyner (Lady Con­ stance), Mary Clare (Lady Emily), Francis L. Sullivan (Madman), Enid Stamp-Taylor (Winnie), (Reggie)

A Girl Must Live (Gainsborough, 1939) Producer: Edward Black Story: Emery Bonnet Screenplay: , Austin Melford Cinematographer: Jack Cox Art Director: Vetchinsky Music: Louis Levy Editor: R. E. Dearing Cast: Margaret Lockwood (Leslie James), Renee Houston (Gloria Lind), (Clytie Devine), (Horace Blount), Hugh Sinclair (Earl of Pangborough), (Hugo Smythe-Parkinson), David Burns (Joe Gold), Mary Clare (Mrs Wallis), Kathleen Harrison (Penelope), Drusilla Wills (Miss Polk­ inghorn), Wilson Coleman (Mr Jolliffe), Kathleen Boutall (Mrs Blount), Muriel Aked and (Mesdames Dupont)

The Stars Look Down (Grafton, 1940) Producer: Issidorc Goldsmith Screenplay: J. B. Williams, from A. J. Cronin's novel The Stars Look Down 288 Filmography

Cinematographer: Mutz Greenbaum, Henry Harris Art Director: James Carter Music: Hans May Editor: Cast: Michael Redgrave (David Fenwick), Margaret Lockwood (Jenny Sunley), (Joe Gowlan), Nancy Price (Martha Fen­ wick), Edward Rigby (Robert Fenwick), (Richard Barras), Cecil Parker (Stanley Millington), Milton Rosmer (Harry Nugent, MP), Olga Lindo (Mrs Sunley), (Hughie Fenwick, David Markham (Arthur Barras), Frederick Burtwell (Heddon), Edmund Willard (Ramage)

Night Train to (20th Century-Fox, 1940); US: Night Train Producer: Edward Black Story: Gordon Wellesley Screenplay: Frank Launder, Cinematographer: Otto Kanturek Art Director: Vetchinsky Music: Louis Levy Editor: R. E. Dearing Cast: (Gus Bennett), Margaret Lockwood (Anna Bo­ masch), (Karl Marsen), Basil Radford (Charters), Naunton Wayne (Caldicott),James Harcourt (Axel Bomasch), Felix Aylmer (Dr Fredericks), Roland Culver (Roberts), Eliot Makeham (Schwab), (Kampenfeldt)

The Girl in the News (20th Century-Fox, 1941) Producer: Edward Black Screenplay: Sidney Gilliat, From Roy Vickers's novel The Girl in the News Cinematographer: Otto Kanturek Art Director: Vetchinsky Music: Louis Levy Editor: R. E. Dearing Cast: Margaret Lockwood (Anne Graham), Barry K. Barnes (Stephen Farrington), Emlyn Williams (Tracy), Roger Livesey (Bill Mather), (Judith Bentley), Basil Radford (Dr Treadgrave), (Miss Blaker), Mervyn Johns (James Fetherwood), Betty Jardine (Elsie), Felix Aylmer (Prosecuting Counsel)

Kipps (20th Century-Fox, 1941); US: The Remarkable Mr. Kipps Producer: Edward Black Screenplay: Sidney Gilliat, from H. G. Wells's novel Kipps Cinematographer: Arthur Crabtree ..Art Director: Vetchinsky Filmography 289

Music: Louis Levy Editor: Alfred Roome Cast: Michael Redgrave (Kipps), (Helen Walshing­ ham), Arthur Riscoe (Chitterlow), (Ann Pornick), Max Adrian ( Coote), Helen Haye (Mrs Walshingham), Lloyd Pearson (Shalford), (Ronnie Walshingham), Edward Rigby (Buggins), Mackenzie Ward (Pearce), (Miss Mergle), Betty Ann Davies (Flo Bates), Irene Browne (Mrs Bindon-Botting)

A Letter from Home (20th Century-Fox, 1941) Producer: Edward Black Screenplay: Rodney Ackland and Arthur Boys Cinematographer: Jack Cox Cast:

The Young Mr Pitt (20th Century-Fox, 1942) Producer: Edward Black Story: Viscount Castlerosse Screenplay: Frank Launder, Sidney Gilliat Cinematographer: Frederick Young Art Director: Vetchinsky Music: Louis Levy Editor: R. E. Dearing Cast: (William Pitt), (Charles ), Phyllis Calvert (Eleanor Eden), (William Wilber­ force), Raymond Lovell (George III), Max Adrian (Sheridan), Felix Aylmer (Lord North), Albert Lieven (Talleyrand), Stephen Hag­ gard (Lord Nelson), Geoffrey Atkins (Pitt as a boy), Jean Cadell (Mrs Sperry), Henry Hewitt (Addington), Herbert Lorn (Napoleon)

The New Lot (Army Kinematographic Service, 1942) The Way Ahead (Two Cities, 1944) Producer: Norman Walker, John Sutro Story: Screenplay: Eric Ambler, Cinematographer: Art Director: David Rawnsley Music: William Alwyn Editor: Fergus McDonell Cast: (Jim Perry), Raymond Huntley (Davenport), Bill Hartnell (Sergeant Fletcher), (Brewer), James Donald (Lloyd), John Laurie (Luke), Leslie Dwyer (Beck), Peter Ustinov (Rispoli), Leo Genn (Company Commander), Renee Asher- 290 Filmography

son (Marjorie Gillingham), Mary Jerrold (Mrs Gillingham), Pene­ lope Ward (Mrs Perry)

The True Glory (Ministry of Information, Britain; Office of War Infor­ mation, US, 1945) Co-director: Garson Kanin Screenplay: Private Harry Brown, Staff Sergeant Guy Trosper, Sergeant Saul Levitt, Major Eric Maschwitz, Captain Frank Harvey, Flight Lieutenant Arthur Macrae, Flight Officer Jenny Nicholson, Private Peter Ustinov, Gerald Kersh Cinematographer: Army Film Unit, American Army Pictorial Service, cameramen of Britain, US, Canada, , Belgium, Poland, Netherlands, , Norway Music: William Alwyn Editor: Lt Robert Verrell, Sgt Leiberwitz, Sgt Bob Farrell, Sgt Jerry Cowen, Sgt Bob Carrick, Sgt Bob Clark

Odd Man Out (Two Cities, 1947) Producer: Carol Reed Screenplay: F. L. Green, R. C. Sherriff, from Green's novel Odd Man Out Cinematographer: Art Director: Ralph Brinton Music: William Alwyn Editor: Fergus McDonell Cast: Oohnny), (Lukey), Robert Beatty (Dennis), F. J. McCormick (Shell), Fay Compton (Rosie), Beryl Measor (Maudie), Cyril Cusack (Pat), Dan O'Herlihy (Nolan), Roy Irving (Murphy), Kathleen Ryan (Kathleen), Denis O'Dea (Head Constable), Maureen Delany (Theresa), Kitty Kirwan (Granny), Elwyn Brook Jones (Tober), W. G. Fay (Father Tom), Joseph Tomelty (Cabby), Arthur Hambling (Alfie), William Hartnell (Fen­ cie)

The Fallen Idol (, 1948) Producer: Carol Reed Screenplay: Graham Greene, from his story 'The Basement Room' Cinematographer: Georges Perinal Art Director: , James Sawyer Music: William Alwyn Editor: Cast: (Baines), Michele Morgan (julie), (Felipe), (Mrs Baines), Dennis O'Dea (Detec­ tive Inspector Crower), Walter Fitzgerald (Dr Fenton), Karel Ste- Filmography 291

panek (First Secretary), joan Young (Mrs Barrow), Dandy Nichols (Mrs Patterson), Bernard Lee (Det. Hart), (Det. Lake), (Det. Davis), (Policeman 'A'), George Woodbridge (Policeman), (Rose), Hay Petrie (Clockwinder), Gerald Hinze (Ambassador)

The Third Man (London Films, 1949) Producer: Carol Reed Screenplay: Graham Greene Cinematographer: Robert Krasker Art Director: Vincent Korda Music: Editor: Oswald Hafenrichter Cast: (Holly Martins), (Major Callo­ way), Valli (Anna Schmidt), (Harry Lime), Bernard Lee (Sergeant Paine), ('Baron' Kurtz), Paul Hoerbi­ ger (Harry's Porter), Siegfried Beuer (Popescu), Erich Pomto (Dr Winkel), Wilfrid Hyde-White (Crabbin), Herbert Halbik (Hansl)

Outcast ofthe Islands (London Films, 1952) Producer: Carol Reed Screenplay: William Fairchild, from joseph Conrad's Novel An Outcast of the Islands Cinematographer: John Wilcox Art Director: Vincent Korda Music: Brian Easdale Editor: Bert Bates Cast: Trevor Howard (Willems), Ralph Richardson (Captain Ling­ ard), Robert Morley (AImayer), (Mrs Almayer), Kerima (Aissa), George Coulouris (Babalatchi), A. V. Bramble (Badavi), Wilfrid Hyde-White (Vinck), Dharma Emmanuel (Ali), Annabel Morley (Nina Almayer), Betty Ann Davies (Mrs Willems)

The Man Between (London Films, 1953) Producer: Carol Reed Screenplay: Harry Kurnitz, from Walter Ebert's novel Susanne in Berlin Cinematographer: Desmond Dickinson Art Director: Andre Andrejew Music: Editor: A. S. Bates Cast: James Mason (Ivo), Claire Bloom (Susanne), Hildegarde Neff (Bettina), Geoffrey Toone (Martin), Aribert Waescher (Halendar), Ernest Schroeder (Kastner), Dieter Krause (Horst), Hilde Sessak (Lizzi), Karl John (Inspector Kleiber) 292 Filmography

A Kidfor Two Farthings (London Films, 1955) Producer: Carol Reed Screenplay: Wolf Mankowitz, from his novel A Kid For Two Farthings Cinematographer: Edward Scaife Art Director: Wilfred Shingleton Music: Benjamin Frankel Editor: A. S. Bates Cast: Celia Johnson (Joanna), (Sonia), David Kossoff (Kandinsky), Brenda De Banzie ('Lady' Ruby), Joe Robinson (Sam), Jonathan Ashmore (Joe), Sydney Taflcr ('Madame' Rita), (Python), Lou Jacobi (Blackie Isaacs), Sidney James ('Ice' Berg), Meier Leibovitch (Mendel), Irene Handl (Mrs Abramowitz)

Trapeze (Hecht-Lancaster/Susan, 1956) Producer: James Hill Screenplay: James R. Webb, Liam O'Brien; from Max Catto's novel The Killing Frost Cinematographer: Robert Krasker Art Director: Rino Mondellini Music: Editor: Bert Bates Cast: (Mike Ribble), (Lola), Tony Curtis (Tino Orsini), (Rosa), Thomas Gomez (Bou­ glione), Johnny Puleo (Max the Dwarf), Minor Watson (John Ringling North), Gerard Landry (Chikki), J. P. Kerrien (Otto), Gabrielle Fontan (Old Woman)

The Key (Open Road, 1958) Producer: Screenplay: Carl Foreman, from Jan De Hartog's novella Stella Cinematographer: Art Director: Geoffrey Drake Music: Malcolm Arnold Editor: Bert Bates Cast: (David Ross), (Stella), Trevor Howard (Chris Ford), Oscar Homolka (Van Dam), (Kane), Bernard Lee (Wadlow), Beatrix Lehmann (Housekeeper), Noel Purcell (Hotel Porter), (Weaver), Russell Waters (Sparks)

Our Man in Havana (Columbia, 1959) Producer: Carol Reed Screenplay: Graham Greene, from his novel Our Man in Havana Cinematographer: Oswald Morris Filmography 293

Art Director: Music: Hermanos Deniz Cuban Rhythm Band Editor: Bert Bates Cast: (Jim Wormold), Maureen O'Hara (Beatrice), (Dr Hasselbacher), Ernie Kovacs (Segura), Noel Coward (Hawthorne), Ralph Richardson ('C'), Jo Morrow (Milly), Paul Rogers (Carter), Gregoire Aslan (Cifuentes), Jose Prieto (Lopez), Timothy Bateson (Rudy), Duncan MacRae (MacDougal)

The Running Man (Columbia, 1963) Producer: Carol Reed Screenplay: , from Shelley Smith's novel The Ballad of the Running Man Cinematographer: Robert Krasker Art Director: John Stoll Music: William Alwyn Edi tor: Bert Bates Cast: (Rex Black), Lee Remick (Stella), Alan Bates (Stephen), Felix Aylmer (Parson), Eleanor Summerfield (Hilda Tanner), Allan Cuthbertson (Jerkins), Harold Goldblatt (Tom Webster), Noel Purcell (Miles Bleeker), John Meillon (JimJerome)

The Agony and the Ecstasy (20th Century-Fox, 1965) Producer: Carol Reed Screenplay: , from Irving Stone's novel The Agony and the Ecstacy Cinematographer: Leon Shamroy Art Director: Music: Alex North Editor: Samuel E. Beetley Cast: Charlton Heston (Michelangelo), Rex Harrison (PopeJulius II), Diane Cilento (Contessina de Medici), Harry Andrews (Bramante), Alberto Lupo (Duke of Urbino), Adolfo Celi (Giovanni de Medici), Venantino Venantini (Paris De Grassis), John Stacey (Sangallo), Fausto Tozzi (Foreman), (Raphael), Alec McCowen (Cardinal)

Oliver! (Romulus/Warwick/Columbia, 1968) Producer: John Woolf Screenplay: Vernon Harris, from the musical Oliver! by Cinematographer: Oswald Morris Art Director: Music and Lyrics: Lionel Bart Editor: 294 Filmography

Cast: (), Shani Wallis (Nancy), (Bill Sikes), (Mr Bumble), Hugh Griffith (The Magis­ trate), Jack Wild Oack Dawkins), Clive Moss (Charlie Bates), Peggy Mount (Widow Corney), Leonard Rossiter (Mr Sowerberry)

The Last Warrior (Warner Brothers, 1970); US: Flap Producer: Jerry Adler Screenplay: Clair Huffaker, from his novel Nobody Loves a Drunken Indian Cinematographer: Fred J. Koenekamp Art Director: Mort Rabinowitz Music: Marvin Hamlisch Editor: Frank Bracht Cast: Anthony Quinn (Flapping Eagle), (Dorothy Bluebell), Tony Bill (Eleven Snowflake), Claude Akins (Lobo Jack­ son), VictorJory (Wounded Bear), Victor French (Rafferty), Rodol­ fo Acosta (Storekeeper), Don Collier (Mike Lyons), Susana Miranda (Ann Looking Deer), Anthony Caruso (Silver Dollar)

Follow Me (Universal, 1971); US: The Public ~ve Producer: Hal B. Wallis Screenplay: Peter Shaffer, from his play The Public Eye Cinematographer: Art Director: Robert Cartwright Music: Editor: Anne Coates Cast: (Belinda), Topol (Julian Christoforou), Michael Jayston (Charles Sidley), Margaret Rawlings (Mrs Sidley), Annette Crosbie (Miss Framer), Dudley Foster (Mr Mayhew), Michael Aldridg-e (Sir Philip Crouch), Gabrielle Brune (Lady Crouch), Michael Barrington (Mr Scrampton), Neil McCarthy (Parkinson) Index

Accident 64 Armes, Roy 181 Ackland, Rodney 96 Armstrong, Anthony 54 Adams, Robert 92 Army Kinematographic Adrian, Max 127 Service 68, 129 The Adventures ofHuckleberry Arnold, Malcolm 221 Finn 90 Arnold, Tom 38 The Adventures ofSherlock Arthur, George K. 18 Holmes 18 Ashenden 52 Agee, James 139, 144-5, 159 Asherson, Renee 138 The Agony and the Ecstasy (film) Ashmore, Jonathan 209 74, 82, 245-8, 250 The AsphaltJungle 185 The Agony and the Ecstasy (novel) Asquith, Anthony 30, 38-9, 55, 82, 245-6, 248 63 Ainley, Henry 10 Asquith, Sir Herbert 30 Aked, Muriel 102 Associated Provincial Picture Albany Ward Theatres 13 Houses 13 Alf's Button (1920) 14 Associated Talking Pictures 41, Alice in Wonderland 3 68, 88, 94-5 Alliance Film Company 19 Astra Films 27 Alpert, Hollis 206, 254 Atkins, Geoffrey 130 Alwyn, William 142, 156 Atlantic 32, 37 Ambler, Eric 135, 236-7 At the Villa Rose 18 Anderson, Lindsay 64, 269-70 Auden, W. H. 59 Andrews, Julie 258 Auld Lang Syne 26, 33 Animated Photography: The ABC of Austen, Jane 268 the Cinematograph 3 Autoscope Company 4 Anstey, Edward 58, 60 Autumn Crocus 68 Antonioni, Michelangelo 64 The Awful Truth 100 The Arcadians 32 Aylmer, Felix 132, 241 The Archers 63 Arden, Eve 103 Balcon, Michael 22, 27-9, Ardmore Studios 238 39-40, 42, 60, 63 Arliss, George 40 Balfour, Betty 15, 16, 21, 22, Arliss, Leslie 63 31 Arma..geddon 20 Ball, Lucille 102 295 296 Index

The Ballad ofthe Running Man Biro, Lajos 44, 46 237-9 Birth ofa Nation 8 Bank Holiday 96-9, 101, 118, Black-Eyed Susan 11 264, 268-9 Blackmail 32, 51 Bank Holiday at the Dyke 2 Blighty 28 Banks, Monty 32, 42 Blondell, Joan 103 Barker, Harley Granville 11 Bloom, Claire 206 Barker, W. G. 4, 8-9 Bloomfield, A. II. 10 Barraud, George 95 Blossom Time 37 Barry, Joan 33 Blow-up 64 Barrymore, Lionel 21 63 Bart, Lionel 82, 248-9, 260 Blythe, Betty 21 'The Basement Room' 167, Boccaccio 21 177,267 Bolibar 26 Bassey, Shirley 251 Bolvary, Geza von 33 Bates, Alan 237, 243-4 Bond, Ralph 60 The Battle ofJutland 20 Bonnet, Emergy 101 The Battle of Waterloo 11 Bonnie Prince Charlie 20 The Battleship Potemkin 57 Boutall, Kathleen 104 Battling Bruisers 23 Box, John 253 Baxter, Warner 102 Bramble, A. V. 17, 198 Beatles, The 64 Brandes, Werner 31 Beaton, Cecil 134 Brando, Marlon 80, 82, 236 Beatty, Robert 148 Brent, Harvey 72 Beaverbrook, Max 79 Breuer, Siegfried 180 Beck, Reginald 108 The Bride ofthe Treshams 21 Beerbohm, Julius 71 The Bridge Over the River Kwai Beerbohm, Sir Max 71 230 Bennett, Arnold 12, 32 Brief Encounter 63, 142, 213 Bennett, Charles 32, 37, 50-2, Bringing Up Baby 100 54 British Actors Film Company Bennett, Compton 63 19 Bentley, Thomas 12, 26, 31,37 British Board of Film Censors Bergman, Ingrid 52, 56 13 Bergner, Elizabeth 45 British and Colonial Berkeley, Bishop George 268 Kinematographic Company Beside the Bonnie Briar Bush 19 (B&C) 10-11,17 Best, Edna 47 British and Dominions Film The Better 'Ole 12 Corporation 30, 94-5 The Big Parade 27 70 The Big Swallow 2 British Film of the Year Award Bill, Tony 255 (British Academy Award) Bingham, Madeleine 66 167, 179 Birkin, Andrew 73-4, 76-7, 79, British Instructional Films 20, 83,85-7, 237, 251 30 Index 297

British International Pictures Carroll, Madeleine 51-4 (BIP) 31-2, 34, 36 Carter, james 108 British National Pictures 29-31 Castle on the Hudson 208 British Screencraft 20 Castlerosse, Viscount 129 Britten, Benjamin 59 Catto, Max (Max Finkell) The Broken Melody (1896) 2 216-18 The Broken Melody (1929) 26 70 Bromhead, Colonel A. C. 6, 20, Cavalcanti, Alberto 16, 58-9, 24 64, 107, 227 Bromhead, R. C. 20, 24 Ceylon Tea Production Board Brook, Clive 17, 22 59 Brough, Mary 10 Chamberlain, Neville 131 Brown, john Mason 145 Champagne 32 Browne, Thomas 96 Champion 221 Brunel, Adrian 19, 23, 26, Chandler, Raymond 55 27-8, 34, 41, 267 Chaplin, Charlie 7, 14, 261 Brunel, Mrs Dale Laurence 28 Chessman, Caryl 236 Bryan, Dora 169 cuu: Harold 164 Buchan,john 51 Children at School 60 Buchanan,jack 31,36 Christie, Agatha 55 Budberg, Moura 79-80 Chu Chin Chow (1923) 21 Bundy, A. E. 21 Chu Chin Chow (1934) 40 Bunuel, Luis 152 Churchill, Winston 79, 130 Burford, Roger 96 Ciannelli, Eduardo 202 Burns, David 102, 104 Cilento, Diane 247-8 Burtwell, Frederick 90 184, 266 Byron, Lord George Gordon Clair, Rene 45-6, 48, 266 164 Clare, Mary 103 Clarkson, Stephen 100 Cady, jean 132 Clayton, jack 64, 270 Caine, Hall 18, 32 Climbing High 99-101 The Call ofthe Road 17 Coalface 59, 107 The Call of Youth 19 Cocktails 32 Calthrop, Donald 33 Coffin for Dimitrios 135 Calvert, Phyllis 124, 127 Colby, A. E. 10, 18 Cameron, Kate 129 Coleman, William 103 Campbell, judy 77 Collings, Esme 2 Canby, Vincent 249, 258 Colour Box 58 179 86, 221-2, Captains Courageous 92 248-9, 251 Carden,john 222 Come On George 42 Carne, Marcel 166 The Comedians 226 Carnera, Primo 212 Comin' Thro' the Rye (1916) 9 Carnival 19 Comin' Thro' the Rye (1923) 14 Carroll, Leo G. 46 Commonweal 130, 145 298 Index

Compson, Betty 22 Cutts, Jack Graham 21, 27-8, Compton, Fay 157 33,41 'The Concealed Art of Carol Czinner, Paul 45 Reed' 250 Conduct Unbecoming 85 Daily News 100, 129 Confetti 28 Daily Worker 123 Conrad, Joseph 53-4, 79, 157, Damaged Goods 18 164, 195-204 Damn the Defiant 90 The Constant Nymph (1928) 28 Dance Band 36 The Constant Nymph. (1933) 41 Dance Pretty Lady 38 15 Dane, Clemence 37 Cooper, George A. 20, 26 'The Daring Young Man on the Cooper, Gladys 10 Flying Trapeze' 216 Coppola, Francis 163 Darlington, W. A. 14 Corda, Maria 31 David Copperfield (1913) 9, 123 Corelli, Marie 10, 18 David Copperfield (novel) 123 Cornelius, Henry 63 Davidson, I. B. 10, 17 Coronation 2 Dawn 30 The Corsican Brothers 2 Day, Doris 51 Cortez, Ricardo 95 Dead End 185 A Cottage on Dar/moor 30, 38 Dead ofNight 63 Cotten, Joseph 52, 18D-l, 183, Dean, Basil 28, 41-2, 68, 88, 186, 190 94 Coulouris, George 201 Deardon, Basil 63-4 Counsel's Opinion 47 de Banzie, Brenda 210 Coward, Noel 28, 63, 228-9, Decameron Nights 21 264, 269 De Felice, James 145, 150-1, Cox, John 31 153, 155 Craig, Dorin 14 De Forest, Dr Lee 25 Craven Park Studios 12 de Hartog, Jan 221-2 Crichton, Charles 64 Del Guidice, Filippo 135 Cricklewood Studios 18 De Laurentiis, Dino 133 Crisp, Donald 19 De Laurentiis Studios 245 Crist, Judith 238, 246, 249, 258 Delius, Frederick 143 Cronin, A. J. 107-10, 112, 114 de Marney, Derrick 54-5 Crowther, Bosley 101, 121-3, De Mille, Cecil B. 17, 245 130, 135, 139, 145, 167, 179, De Palma, Brian 163 196-7, 206, 216, 222, 227, 232, Denham Studios 45 238, 246, 249 Department of Army Psychology Cue 139,206 69, 135 Cummings, Robert 53 Der Herr Ohne Wohnung 95 Curtis, Tony 215,217-20 Deutsch, Ernst 180 Cusack, Cyril 144 Deutsch, Oscar 34, 44 Cut It Out 23 de Winton, Dora 8 Index 299

Dickens, Charles 17, 89, 123, Eilers, Sally 95 249-50, 252-3, 260 Eisenhower, Dwight 139 Dickinson, Desmond 206 Eisenstein, Sergei 265 Dickinson, Thorold 16 Electric Theatres 13 Dietrich, Marlene 47 Elephant Boy 61 Disraeli, Benjamin 211 The Eleventh Commandment 20 The Distant Shore 221 Eliot, George 17 The Divorce ojLady X 47 Elstree Calling 34, 36-7 Dix, Marian 100 32 Don Quixote 18 Elton, Arthur 57, 60 Donald, james 137 Elvey, Maurice 11, 13, 18, 27, Donaldson, Frances 67 33 Donat, Robert 44,46-7,49,51, Emelka Studios 29 53-4, 130, 133-4 Emmanuel, Dharma 198 Dors, Diana 210, 212 Emperor jones 93 Dostoevsky, Fyodor 225 Empire Marketing Board 56, 239 58 Douglas, Kirk 257 England, Barry 85 Downhill 29 Enter Sir John 37 Doyle, Arthur Conan 10-11 Escape 41, 145 Dr Doolittle 248 Evergreen 40 Dr No 64 Express Train in a Railway Dresdel, Sonia 169, 171, 178 Cutting 3 Drifters 57,59,62 Driscoll, Bobby 178 The Face ofBritain 107 The Drum 50 Fairbanks, jr, Douglas 45 The Duchess ojDuke Street 66 Fairbanks, Sr, Douglas 14, 45 Dudley Ward, Frieda 70 Fairchild, William 197,201-2, du Maurier, Daphne 55 204 Dunne, Philip 245-7 The Fall oja Saint 20 Dupont, E. A. 32, 37 The Fallen Idol 63,69-70,91, Durgnat, Raymond 132, 174, 167-78, 192-4, 235, 264, 266, 181 270 The Famity Plot 261 4, 88 Fantbmas 12 Easy Living 100 Farrow, Mia 258-60 254 Faulkner, William 165, 267 Easy Virtue 29 Fay, W. G. 144 Ebert, Walter 205 Ferguson, Otis 96,115 The Edge of the World 48 Ferrer, Mel 218 Edison, Thomas 1, 4 Feuillade, Louis 12 Edwards, Henry 9, 27 Feyde~jacques 45 Egg-Laying Man 3 Fiddler on the RooJ 258 81f2 266 Fielding, joseph 64 300 Index

Fields, Gracie 42 Gaumont and Company (later Filmguide to Odd Man Out 145 Gaumont-British) 10,20-1, Fire 2 23-8, 33, 39-40, 50, 58, 62, 99 47 Gaumont, Leon 6, 11 40 General Post Office 57, 58-9, The First Men in the Moon 20 61 First National-Pathe 28, 43 Genn, Leo 136 Fitzmaurice, George 19 George V 49 Flaherty, Robert 56-8, 60-1, Gershwin, George 252 113 46, 50 The Flag Lieutenant 27 Gielgud, John 52-3 The Flames ofPassion 21 Gilbert, Captain H. A. 20 Flanagan, Aubrey 108 Gilbert, Lewis 90 Flap 82, 87, 254-7, 260 Gill, Brendan 246 The Flight Commander 27 Gill, Tom 93 The Fool 11 Gilliat, Sidney 55, 115-17, 129 Forbes-Robertson, Johnston 10 Gilliatt, Penelope 258 Ford, Hugh 19 Gilmer, Reuben 12 Ford, John 261 Ginna, Robert Emmett 234, Forde, Walter 39, 40, 267 263 Foreign Correspondent 119-21 The Girl in the News 99, 121 Foreman, Carl 81,221-6 A Girl Must Live 101-4, 106, Forever England 39, 40 270 Formby, George 42 Gish, Dorothy 29-30 Forsythe, Blanche 8 Glorious Night 37 The Fortune of Christina M'Nab Godwin, William 90 20 Goldsmith, Isadore 107 42nd Street 101-2 Gomez, Thomas 217 Four Feathers 50 The Good Companions 40 The Fraudulent Beggars 2 Goodman, Ezra 141, 148 Movement 64 Goodnight 35 Freedman, John 22 Gordon, Leon 197 French, Victor 255 Gorky, Maxim 80 Friday the Thirteenth 40 Grade, Lord Lew 65 Friese-Greene, Robert 1-2 Grafton Film Company 107 Fuchs, Daniel 216 GrandHotel 96 Furie, Sidney 260 Grandma's Reading Glass 2 Grant, Cary 52, 56 Gabin, Jean 166 The Great Day 19 Gainsborough, Ltd 22, 27-8, The Great European War 11 39-40,62,96, 101 Great Expectations 63 Galsworthy, John 38,41, 145 The Great Train Robbery 3 Garbo, Greta 185 Green, F. L. 143, 145-8 Garfield, John 208 Green, Hughie 89 Garryowen 15 Green, Johnny 251 Index 301

Greenbaum, Mutz 108 Heart ofDarkness 197-8, 201 Greene, Graham 42, 69-70, The Heart ofthe Matter 146, 191 76, 78-9, 81, 83-5, 88, 94, Heart's Desire 37 108, 146, 167-9, 171, 176-7, Heath, Sir Edward 65 179-86,189,191-3,205,208, Hecht, Ben 56 226-9, 244, 262, 267 Hecht-Lancaster 215-16 Greenwood, Edwin 50, 54 The Heiress 167 Grey, Lady Jane 39 Hello, Dolly 248 Grierson, John 56-9, 107, 113 Hemingway, Ernest 158, 165 Grierson, Ruby 60 Henrey, Bobby 167 Griffith, D. W. 3, 7,9, 261, 265 Henry V 63, 142 Guinness, Alec 226-8, 230--1 Hepburn, Katherine 102 Gunga Din 89 Hepworth, Cecil 3,4,9, 14-15 Gwenn, Edmund 47,94,96 Heraclius 68 Hermanos Deniz Cuban Rhythm Hadsell, John 159 Band 235 Haggar, Walter 4 Heston, Charleton 82, 245, Haggard, Stephen 132 247-8 Halbik, Herbert 182 Hewitt, Henry 132 Hale, Sonny 40 221 Hale, Wanda 100 Higham, Walter 20 Hall-Davis, Lillian 31 Hightower 26 Hambling, Arthur 161 High Treason 33 Hamer, Robert 64 Hiller, Wendy 39, 195 63 Hilton, James 46 Hanson, Lars 31 Hindle Wakes (1918) 13 Harcourt, James 116 Hindle Wakes (1927) 27 A Hard Day's Night 64 Hinze, Gerald 170 Hardwicke, Sir Cedric 94 Hitchcock, Alfred 19, 23, 28-9, Hardy, Thomas 157 32-4, 37-8, 42, 50--6, 115, Harris, Henry 108 118-21, 128, 156, 179, 193, Harris, Richard 236 261, 267 Harrison, Kathleen 96 Hoerbiger, Paul 180 Harrison, Rex 47, 116,247-8 Holden, William 223, 225 Harrow Weald Park Estate 19 Holloway, Stanley 39, 136 Hartnell, William 136-7, 161 Holt, Maud 66 Hartung, Philip T. 130, 145 Homolka, Oscar 53-4 Harvey, Laurence 237, 239, Honegger, Paul 39 243-4 Horner, George William Harvey, Sir John Martin 21 Houghton, Stanley 13 Hawthorne, Nathaniel 127 The House of Temperley 10 Hay, Ian 51 Housing Problems 60, 62 Haynes, Manning 20 Houston, Penelope 227 Hays Office 13 Houston, Renee 102, 104 Head, Charles 20 How Green Was My Valley 109 302 Index

How He Lied to Her Husband 36 Jeans, Isabel 22 Howard, Leslie 19, 23, 39, 43, Jeayes, Allan 110 46 Jerrold, Mary 138 Howard, Trevor 81,84, 181, John Gilpin's Ride 3 195, 203, 224, 225 Johnson, Celia 129, 210, 213 Howard, William K. 47 Johnson, Dr Samuel 268 Hue and Cry 64 Jones, Brook 159 Huffaker, Claire 253-4, 256 Jory, Victor 255 Hulbert, Jack 40 Journey Into Fear 135, 181 Hume, David 268 Journey's End 27, 143 Hunt, Martita 102 Joyce, Alice 22 'The Hunted and the Haunted' TheJungle Book 50 145 Juno and the Paycock 37 Hunter, T. Hayes 26 JuPP, Dr Ralph 9, 13 Hurst, Brian Desmond 37, 267 Jury, William 16 Huxley, T. H. 123 Hyman, Edgar 4 Kael, Pauline 107, 109, 112, 190, 196, 201, 210, 250, 252 Ideal Film Company 10, 17, 19 Kameradschaft 113 In a Monastery 26 Kanin, Garson 69, 139 Industrial Britain 58, 60, 107 Karas, Anton 86, 189, 190,266 Introducing the Dial 58 Kauffman, Stanley 249, 254, 63, 135 257 The Iron Duke 40 Keep Fit 42 Irving, Sir Henry 75 Keep Smiling 42 Irving, Roy 149 Keep Your Seats Please 42 Islington Studios 19, 28 Kellino, Will 20 It Happened in Paris 68, 88 Kendall, Henry 38 It's Love Again 40 Kennedy, Margaret 28 Ives, Burl 226, 232-3 Kent, the Fighting Man 10 40 Kerima 195, 198, 264 The Key 81, 141,221-6,235 40 A Kid For Two Farthings (film) Jack's the Boy 40 80, 91, 209-14, 235, 250 Jacobi, Lou 210 A Kid For Two Farthings (novel) Jaffee, Sam 202 209, 211-13 Jamaica Inn 55 Kiddies in the Ruins 12 James, Henry 126-7 Kidnapped 90 James, Sidney 210 The Killing Frost 216 Jane Shore 8 Kim 90 J annings, Emil 155 Kimmins, Anthony 42,89, Java Head 68, 265 94-5 Jayston, Michael 258-60 63 TheJazz Singer 26 A King in New York 261 Index 303

Kingsmead 226 Lauder, Sir Harry 26, 33 Kipling, Rudyard 50, 89-90, Laughton, Charles 43, 55 114,127,197 Launder, Frank 55, 115-17, Kipps (1921) 18, 176 121, 129 Kipps (1941) 70, 122-7, 233, 64 270 Lawrence, Florence 8 Kipps (novel) 122-4, 126-7 Lawrence ofArabia 56 Kirwin, Kitty 157 Lawson, Wilfred 264 Kitty 32 Lean, David 55, 63, 142, Knight, Arthur 254 251-2,270 Knight Without Armor 46 Lee, Bernard 181 Knoblock, Edward 12 Legge, Henry 57 Knoles, Harley 19 Lehman, Ernest 55 Korda, Sir Alexander 8, 32, Leibovitch, Meier 210 35-6, 39, 42-3, 44-50, 61-3, Leigh, J. L. V. 20 66,69, 71-2, 75-81,84-5, 142, Leigh, Vivien 47 167, 179, 193, 195,215, 235 Lejeune, C. A. 71, 135, 262, Korda, Michael 66, 71-5, 264 77-81, 83-5, 237, 267 LeJour se leoe 166 Korda, Vincent 44, 75, 84 Lester, Mark 250-1 Korda, Zoltan 46, 61, 75, 78, Lester, Richard 64 85 A Letter From Home 129, 213 Kosoff, David 210-11,213 Lewis, Cecil 36 Kovacs, Ernie 227, 230 I'Herbier, Marcel 20 Krasker, Robert 142, 155, 159, 'Lieutenant Daring' series 187, 189, 192,203, 220 10-11 Kraus, Dieter 206 Lieven, Albert 133 Krauss, Werner 21 L~ 216, 246, 250 Kubrick, Stanley 64, 264 The Life and Death of Colonel Kurnitz, Harry 205, 208 Blimp 63 The L~ of Charles Peace 5 Laburnum Grove 94-5, 129, A Light Woman 28 268-9 Like Men Betrayed 239 Lachman, Harry 31 Lili 218 Lady Hamilton 48 48 50, 54, 115, Lipscomb, W. P. 40 117-19 A Little Bit ofFluff 31 Lancaster, Burt 215,217-19 The Little People 16 Lanchester, Elsa 43 Livesey, Roger 91 Lang, Fritz 161,265 Loach, Kenneth 269 Lang, Matheson 10 Locke, John 267 Lasky, Jessie 19 Lockwood, Margaret 55, 89, Lasky, Jesse Jr 52 96, 101, 103, 108, 112, 116, The Last Mile 68 121 304 Index

Lodge, John 96 MacKendrick, Alexander 64 The Lodger 29, 52 McCarten, John 144, 167, 210, Lollobrigida, Gina 215, 217 222 Lorn, Herbert 133 McCormick, F. J. 144, 160 London 30 McDonell, Fergus 143 London Film Company McDowell, J. B. 10 (Dr JupP's firm; LFC) McDowell, Roddy 178 9-10 McLaglen, Victor 17, 22 London Film Company (Sir Madame Pompadour 30 's firm) 35, The Magistrate 15 43, 45, 48-9, 80, 167 Malamud, Bernard 211 London Love 20 The Man Between 80, 205-9, The Loneliness ofthe Long Distance 213, 235, 262 Runner 270 63 Lonely Are the Brave 257 Man ofAran 60 Look 216 The Man Who Could Work Look Back in Anger 64 Miracles 46 42 The Man Who Fell to Earth 65 LordJim 201 The Man Who Knew Too Much Loren, Sophia 224 51 Lorna Doone 41 The Man Who Saved the Empire Los Angeles Times 82, 254 11 Losey, Joseph 64 The Man Within 191 Los Olvidados 152 The Man Without Desire 23 The Lost Patrol 26 Manchester Weekly 216 Love and Mrs Windham 123 Manhattan Melodrama 185 Love in the Wilderness 15 Mankowitz, Wolf 209, 211, Love 41 213,217 40 Mann, Anthony 245, 260 Lovers in Araby 23 Manxman, The 32 The Loves of Mary Queen ofScots Maria Marten 11 17 Marie Antoinette 245 Lowe, Edmund 39 Marion, Frances 46 Lowndes, Mrs BeHoc 29 Marius 43 Loyalties 41 Marmont, Percy 52 Lt Daring and the Dancing Girl Marryat, Captain Frederick 11 88-90, 92-3 Lubitsch, Ernst 43 Marry Me 3.9 The Lucky Number 39 Marsh, Mae 21 Lucy, Arnold 93 Marsh, Terence 253 Lumiere brothers Marshall, Herbert 37 Lye, Len 58 Mary Poppins 39 Masks and Faces 10 Macdonald, Dwight 139 Mason, A. E. W. 18 MacIntosh, Blanche 9 Mason, James 63, 143, 163-4, Index 305

166, 206-7, 264 Morley, Annabel 199 Massey, Raymond 47 Morley, Robert 130, 133, 195, Mast, Gerald 267 199, 203, 264 Mather, Helen 9 Morris, Oswald 253 A Matter ofLife and Death 63 Morrow, Jo 230-1 Matthau, Walter 259 Mortimer, John 237-9,241, Matthews, Jessie 38, 40-1, 244 99-101 Moscow Nights 39 Maude, Sir Cyril 10 Motion Picture Herald 108 Maugham, W. Somerset 52, Motograph Film Company 11 197,225 29 Maxwell, John 31-2, 38,42, Mr Midshipman Easy (novel) 45, 50 88-91 Mayer, L. B. 44 Murder 37,51 Meade, W. L. 96 Murnau, F. W. 155, 161, 265 Measor, Beryl 161 Mutiny on the Bounty (1962) 82, Meillon, John 239 236-7" 245 Melford, Austin 101 Muybridge, Eadweard Melies, Georges 2 Men andJobs 60 Mendes, Lothar 46 Nanook ofthe North 56 Menzies, William Cameron 46 The Nation 139 Metropolitan Museum of National Film Finance Art 245 Corporation 63-5 Metro-Goldwyn-Mayer 236, Neagle, Anna 36 245 Neame, Ronald 96 Midshipman Easy (film) 42, 68, Neff, Hildegarde 206 88-94, 106, 150 (1926) 29 Milestone, Lewis 82, 237 Nell Gwyn (1934) 36 Milestones 12 69, 129, 134-5 The Miller and the Sweep 2 New Republic 96, 115, 145, 249, Miller, Harry 143 254 Mills, John 40, 131, 133,230 New Statesman and Nation 144 Milne, A. A. 23 New York Film Critics Award Minerva Films 23 167 Ministry of Education 129 New York Herald Tribune 238, Ministry of Labour 60 245, 249 Mist in the Valley (1923) 14 New York Journal American 122 Mondellini, Rino 220 New York Magazine 249 Monroe, Marilyn 210 New York Morning Telegraph 101 Moody, Ron 250, 252 New York Post 100-1, 109, 122 Moore, Kieron 224 New York Times 71, 95, 100-1, Moran, Percy 10 109, 112, 123, 130, 135, 139, Morgan, Michele 167, 170, 167, 179, 249, 255, 258, 262 173,178 New York Times Magazine 70, 72 306 Index

The New Yorker 144, 167,210, Oliver Twist (novel) 249-50, 227, 246, 250 252-3 Newsweek 109, 135, 179, 195, Olivier, Sir Laurence 47, 63, 238, 246 79, 83, 142 Newton, Robert 143, 164, 251 Once More With Feeling 208 Night Mail 59 Ondra, Anny 31, 33 121 O'Neill, Eugene 93 69, The Only Way 21 114-22, 128, 156, 163, 169, On the Spot 68 192 Oppenheim, E. Phillips 18 NiUson, Anna Q. 19 Orczy, Baroness 46 Niven, David 136-7, 264 Osborne,John 268-9 Nobody Loves a Drunken Indian Ostrer, Isidore 24, 34 254 Ostrer, Mark 24, 34 No Limit 42 Our Father's House 250 No Parking 95 Our Man in Havana (film) 63, Nordoff and Hall 237 81, 226-35, 245, 263-4, 269 North, John Ringling 217 Our Man in Havana (novel) 221, Nothing Else Matters 15 226-8 Notorious 52 Outcast ofthe Islands (film) 63, Novello, Ivor 19-20, 22, 28-9, 79-80, 195-205, 213, 242-3, 37 263-4, 267, 270 Nugent, Frank 95 An Outcast ofthe Islands (novel) Number Seventeen 38, 50 80, 195-202 Nursie! Nursie! 12 Pabst, G. B. 113, 265 Oberon, Merle 44, 49 Paddy-the-Next-Best- Thing 21 Observer 135, 227 Page, Marco (pseudonym of O'Casey, Sean 37 Harry Kurnitz) 208 Odd Man Out 55,63,69-70,81, Pagnol, Marcel 43 128, 142-66, 175-8, 193, Palmer, Lilli 102, 104 208-9, 223, 226, 233, 242, 246, Paramount 19, 43 264-6, 268-70 Parliament 24, 62 O'Dea, Dennis 144, 159, 174 Pascal, Gabriel 39 'Ode to the West Wind' 164 The Passionate Adventure 22 Odeon Theatres 44 Patch, Wally 96 O'Hara, Maureen 226, 229, Pathe 6, 11 231 Paul, Fred 10, 26 O'Herlihy, Dan 149 Paul, R. W. 1-3, 6 Old Bones ofthe River 93 Pearson, George 11-12, 15-17, The Old Curiosity Shop 37 21, 26-7 Oliver! 73, 83-4, 105, 248-53, Pearson, Lloyd 124 254, 260-1, 265, 270 Pelissier, Tony 71 Oliver Twist (film, 1912) 9 Penny Paradise 95 Oliver Twist (film, 1948) 251 Perinal, Georges 44 Index 307

Petrie, Hay 169 Quinn, Anthony 82, 254-7 Piccadilly 32 Pickford, Mary 8, 14 Radford, Basil 55, 99, 101, 117, The Pickwick Papers 124 121 Pilbeam, Nova 54-5 Radio Parade of1935 37 Pinney, May 67 Rainbow Dance 58 The Pleasure Garden 28 Random Harvest 22 Polanski, Roman 64 Rank, J. Arthur 35, 48, 63, Polonsky, Abraham 145 135, 142, 167, 235 Pometo, Erich "180 Ransohoff, Martin 80 Pommer, Erich 21,47 The Rat 22 Porgy and Bess 252 Rattigan, Terence 63, 269 Powell, Anthony 268 Rawlinson, A. R. 50 Powell, Michael 47, 63 Raymond, Jack 95 The Power and the Glory 146, The Razor's Edge 225 191, 226 Redgrave, Sir Michael 55, Pressburger, Emeric 48, 63 99-1 01, 110, 112-13, 124, 127, Price, Nancy III 264-6 Priestley, J. B. 40, 42, 94 The Red Shoes 63 Prieto, Jose 231 Reed, Sir Carol critical The Prisoner of Zenda 10 reputation 66-70, 85, 107-9, The Private Life ofDonJuan 45 114-15, 127-8, 141, 144-5, The Private Life ofHelen of Troy 193, 195, 248, 253, 270; 43 parentage 66, 267; childhood The Private Life ofHenry VIII 43, and education 66-7; early 49,50, 193 interest in theatre 67; The Prodigal Son 18 theatrical experience 68; Provincial Cinematograph enters 68; Theatres 9, 24 establishes reputation with The The Prude's Fall 22 Stars Look Down 69; makes Prudential Insurance Company films for the 44 during Second World The Public Eye 82, 87, 257-60, War 69, 129, 134-5, 139; 262 association with J. Arthur Puleo, Max 218 Rank 69, 142, 167, 179; Punch 117 success of Odd Man Out 69, Purcell, Henry 266 144-5; association and Puttnam, David 65 friendship with Alexander 38 Korda and Korda family 66, 69, 75, 78, 167; collaboration Quai des Brumes 166 with Graham Greene 69-70, Queen ofHearts 42 74, 167-9, 177-9, 191-4, The Queen Was in the Parlor 28 221, 226-9, 232-5, 265; The Quiet American 189, 226 success of The Fallen Idol and The Quiet Man 231 The Third Man 69-70, 167, 308 Index

178-9, 193-4; awards 70, RKO Pictures 41 82, 167, 179; marriage to and The Robe 245 divorce from Diana Robeson, Paul 46, 93 Wynyard 70; marriage to Robinson, Joe 210, 212 Penelope Dudley Ward 70; Robson, Flora 47 birth of son Max 70; Reed's Roeg, Nicholas 65 physical appearance 71; Rogers, Buddy 36 personal traits and Rogers, Ginger 102-3 habits 71-7, 79; relationship Rogers, Paul 231 with son 74; his work with Rohmer, Sax 18 Alexander Korda in the Express 40 1950s 80, 213-14; his work Rome, Stewart 9 for Hollywood studios 81-2, Romeo andJuliet (1908) 11 215, 222, 235, 236-7, 245, Romulus Films 248 248-9, 253-4, 260-1; Room at the Top 64 professional decline and Rosenberg, Aaron 236 illness 83-7, 260-1; funeral Rosenthal, Joseph 4 and burial 86-7 Roses of Picardy 27 Reed, Max 70, 72-80, 85-6, Rotha, Paul 60, 107-9 105 Rough Sea at Dover 2 Reed, Oliver 251 A Royal Divorce 15 Reed, Tracy 71 Ruben, Jack 265 Reisz, Karel 64, 145, 156 The Runaway Princess 30 Rembrandt 46 The Running Man 82, 128, Remick, Lee 237, 239, 244 237-44, 260-1, 269-70 Rennie, Michael 126 Russell, Ken 64 Repulsion 64 Ryan, Kathleen 149 Rescued by Rover 3, 14 The Return ofthe Rat 28 Sabatini, Rafael 89 Reveille 16 Sabotage 53-4 Reville, Alma 37, 51-2, 54 Saboteur 53 Rey, Renee 96 Sally in Our Alley 42 Rich and Strange 38, 51 The Salmon Poachers 5 Richardson, Sir Ralph 47, 49, Samuel, Lesser 100 83, 167, 178, 195,201,204, Samuelson, G. B. 8, 11-12, 15 229,264 Sanders, George 244 Richardson, Tony 64, 270 Sanders ofthe River 46, 49-50, 93 Riesner, Chuck 39 Sarris, Andrew 94-5, 112, 119, Rigby, Edwin 110 121, 126, 133, 145, 158, 163, The Ring 32 182-3, 186, 196,234, 269 Riscoe, Arthur 126-7 Saturday Night and Sunday Morning The Rise of Catherine the Great 64,270 45,49 Saturday Review 145, 206, 222, Ritchard, Cyril 33 254 Ritt, Martin 80 Saville, Victor 22, 27, 40 Index 309

The Saving ofthe North Sea 58 The Silver King 26 Scaife, Edward 210 Sim, Alistair 99 The Scarlet Pimpernel 46, 49-50 Simpson, Helen 37 Schach, Max 39 Simpson, Wallis 70 Schickel, Richard 250 Sinclair, Hugh 102 Schlesinger, John 270 42, 68 School of Brighton 2 Singer, I. B. 211 Schroeder, Ernest 207 Sitwells, (Edith, Osbert, Scorsese, Martin 163 Sacheverell) 26 Sea Urchin 22 36 The Second Mrs Tanqueray 10 Sixty Years a Queen 8 Secret Agent 52-3 The Skin Game 37 (novel) 53 Smith, C. Aubrey 19,23 The Secret ofSanta Vittoria 257 Smith, G. A. 2-4 Secrets ofNature 20 Smith, Shelley 237, 244 See Here, Private Hargrove 208 The Smoke Menace 60 Seiberling, Dorothy 246 Smollett, Tobias 89 Sellers, Peter 248, 250 The Soldier's Courtship 2 Selznick, David O. 55, 167 Something of Myself 114 Sennett, Mack 32 Song of Ceylon 59 43 So This Is Jolly-good 23 Seven Women 261 South Riding 47 The Seventh Veil 63 21 Shadow ofa Doubt 52 The Spectator 88, 90 The Shadow of the Thin Man 208 Spellbound 56 Shaffer, Peter 82, 258-9 This Sporting Life 64, 270 Shakespeare, William 63, 90 48 The Shape of 46, The Squeaker 47 127 Squibs 16 Shaw, George Bernard 36, 39 Squibs' Honeymoon 16 Shaw, Harold 9-10, 17-18 Squibs, J.\1P 16 Shelley, Percy Bysshe 164 Squibs Wins the Calcutta Sweep 16 Shepherd's Bush Studios 11, 20 Stacpoole, Henry de Vere 15 107, 209, Stage Door 101 227 The Stars Look Down (film) 69, Sherriff, R. C. 27, 143 84, 101, 107-15, 109, 128, 133, Sherwood, Robert E. 46 148, 192, 263-4, 268 A Shillingfor Candles 54 The Stars Look Down (novel) Shingleton, Wilfred 209 107-10, 112, 14 Shipyard Sally 42 Stein, Paul 36 Shooting Stars 30 Stella 221-3 Show Life 31 Stevenson, Robert 39 Sidney, Derek 210 Stevenson, Robert Louis 89 Sidney, Sylvia 39, 53-4 Stewart, James 51, 56 Sight and Sound 144, 227, 267 Stoll Film Company 17-18, 20 310 Index

Stoll, Sir Oswald 17-18 Thomas, Kevin 82, 254 Stone, Irving 82, 245-6, 248 Thompson, Howard 255 Storm in a Teacup 47 Thompson, Thomas 96 The Struggle 261 Thorndike, Sybil 30, 68 Stuart, Jeanne 96 Three Live Ghosts 19 A Study in Scarlet 11 Time 115, 135, 139, 159, 167, Sullivan, Francis L. 101 179, 195, 210, 216, 222, 227, Summers, Walter 26 238 (Die Privatsekretarin) The Time Machine 123 40 The Times 88, 108, 135, 144, Suspicion 52 227 Symmonds, Julia 145 Today We Live 60, 62 TomJones 64 A Tale of Two Cities 21 Tomelty, Joseph 157 Tales ofHoffman 63 Toone, Geoffrey 206 Talk ofthe Devil 94-5 Topol 258-60 Tallants, Sir Stephen 56 Tottenham, Merle 96 Tate, Harry 90 Tracy, Spencer 68 Tauber, Richard 37 Trade Tatoo 58 Taylor, Alma 9, 14 Trapeze 81, 215-21, 223, 235, Taylor, Donald 60 245-6,270 Taylor, John 60 Treasure Island (1934) 89 Taylor, Robert 104 The Treasure ofHeaven 10 Tearle, Godfrey 11 Tree, Sir Herbert Beerbohm 8, The Technique ofFilm Editing 156 66, 267 Telephone Workers 58 Trimble, Larry 9 Tell England 38 The Triumph ofthe Rat 22-3 The Ten Commandments 247 The True Glory 63, 69, 139-42, Terkel, Studs 140 248, 262, 270 The Terror 68 Tucker, George Loane 9 Tesha 32 Tudor Rose 39 Tester, Desmond III 230 Tey, Josephine 54 Twentieth Century-Fox 43, Thackeray, William 109, 115, 122, 245-6 Makepiece 17 10, 17, Theodora Goes Wild 100 107 The Thief ofBaghdad 48 Two Cities Films 135, 142 Thiele, William 39 The Two Naughty Boys 2 Things to Come 46, 127 2001: A Space Odyssey 64 The Third Man 63, 70, 80, 86, 99, 178-95,205-7, 209, 213, UFA Studios 21 223, 226, 232, 234-5, 243, 253, The Vgly Duckling 15 260, 262-3, 266, 270 Ultus and the Grey Lady 12 The Third Man (novel) 182 uu«, the Man from the Dead 11 The Thirty-nine Steps 50-4 Ultus and the Secret ofNight 12 Index 311

Ultus and the Three Button Ward, William Dudley 70 Mystery 12 Warner Brothers 25-6, 35, Underground 30 254-5 Under the City 58 Warwick Trading Company Union rrheatre Circuit 34 3-4 44 Watt, Harry 57-9, 61 Urban, Charles 3-4 Waves and Spray 2 Ustinov, Peter 75, 136, 138, The Way Ahead 69, 135-9, 142, 258 264 Wayne, Naunton 102, 104, 117 Weather Forecast 58 Valentino, Rudolph 8 Webb, James R. 217 Valli, Alida 180, 185, 244, 265 43 Vanbrugh, Irene 10 Weekend Wives 31 Variery lOG-I, 109, 122, 129, Welles, Orson 18G-l, 184-5, 135, 167, 179, 196, 206, 216, 189, 269 227, 238, 246, 249, 254 Wellesley, Gordon 94 Varnel, Marcel 36, 93 Wells, H. G. 18, 46, 122-4, Veidt, Conrad 40 126-7 167 Welsh-Pearson Company 12, Vesselo, Arthur 144 15, 17, 26-7 The Vicar oj Wakefield (1913) Welsh, Thomas 11, 12 9 We're Going to Be Rich 42 Vickers, Roy 121 Films 20 36 The Wheel Spins 54 Voigt, Michael 88-9, 114, 119, Whelan, Tim 47 135, 145, 162, 198-9, 202, 225, When Knights Were Bold 242 Whisky Galore! 64 von Hernreid, Paul (Paul White Cargo 197 Henreid) 117 White, Chrissie 9 The Vortex 28 White, Ethel Lina 54-5 The White Shadow 22 The 'TV' Plan 37 Whitebait, William 144 Waescher, Aribert 207 Whitehall, Richard 107 Walker, Norman 31 Whitty, Dame May 55 Wallace, Edgar 18,47,68, 75 Who's Your Lady Friend? 95 Wallis, Shani 251 Wilcox, Herbert 8, 21, 29-30, Walsh, Raoul 39 35, 38,94-5 Walturdaw 6 Wilcox, John 203-4 WaltzesJrom Vienna 38, 50 Wild, Jack 250-1 War and Peace (1956) 133 Wilhelm, Hans 96 The War oj the Worlds 123 Willard, Edmund III War Office 69, 135 Williams, Emlyn 112, 121 Ward, Penelope Dudley 70, Williams, Hugh 96 72-4, 76-9, 84, 138 Williams, J. B. 108 312 Index

Williamson, James 2, 4 Wright, Basil 57,59-60,95,98, Wills, Drusilla 103 118 Wilson, Angus 268 Wuthering Heights 17 Wimpernis, Arthur 44, 46 Wyler, Robert 68, 88 Winston, Archer 1OD-l, 109, Wyler, William 266 129 Wyndham, Dennis 89 Winters, Shelley 256 Wyndham-Lewis, D. B. 50 Wodehouse, P. G. 117 Wynyard, Diana 70, 124, 127 A Woman ofNo Importance 17 Woman to Woman 22 You Can't Take It with You 100 Women in Love 64 54 The Wonderful Story 21 The Young Mr Pitt 70, 129-34, Wong, Anna May 32 150 Woodfall Films 64 Young, Freddie 134 Woods, Arthur 37 Young, Harold 44 Woolf, C. M. 22, 248 Young, Robert 52 Woolf, James 248 Young, Terence 64 Woolf, John 85, 248 Woolfe, Bruce 20 Worton Hall 11-12 Zanuck, Darryl 44 Would You Believe It? 40 Zeebrugge 20 The Wrecker 33 Zukor, Adolph 19 Wren, Christopher 89 Zunser, Jesse 139