TPTV Schedule Dec 10Th - 16Th 2018
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TPTV Schedule September 10Th - 16Th 2018
TPTV Schedule September 10th - 16th 2018 DATE TIME PROGRAMME SYNOPSIS Mon 10 6:00 When London 1932. Crime drama directed by Leslie S. Hiscott and starring Harold Sep 18 Sleeps French, Francis L. Sullivan & René Ray. Slippery Rodney Haines runs a high-class gambling joint in Hampstead. Mon 10 7:30 Hawkeye & the Last The Coward. 1957. Director: Sam Newfield. Stars John Hart, Lon Sep 18 of the Mohicans Chaney Jr & Jonathan White. Tom and his father are attacked by Hurons. Tom runs away in fear leaving his wounded father behind. (Subtitles Available) Mon 10 8:00 Luck of The Navy 1938. Drama. Directed by Norman Lee. Stars Geoffrey Toone, Judy Sep 18 Kelly and Clifford Evans. With international relations strained and war a possibility, Commander Stanton is given a special mission. Mon 10 9:25 Bombay Waterfront 1952. Directed by Maclean Rogers and starring John Bentley, Patricia Sep 18 Dainton and Peter Gawthorne. Follows Temple's efforts to aid the police in solving a series of gruesome murders. (Subtitles Available) Mon 10 10:50 The History Of The Made in the 50s. A fascinating insight into the history of film making, Sep 18 Movies from the early zoetrope to the introduction of perforated film and the early projectors. Then from silent to 'Talking Pictures' Mon 10 11:05 Blind Spot 1958. Crime Drama directed by Peter Maxwell. Starring Robert Sep 18 Mackenzie, Michael Caine and Delphi Lawrence. US Officer Adams, blinded during the war, is framed on a diamond-smuggling rap. Mon 10 12:35 Freedom Radio 1940. War. -
TPTV Schedule March April 1St - 7Th 2019
TPTV Schedule March April 1st - 7th 2019 DATE TIME PROGRAMME SYNOPSIS Mon 01 6:00 Impulse (1955) 1955. Drama. Directed by Charles De la Tour & Cy Endfield. Stars Arthur Apr 19 Kennedy, Constance Smith & Joy Shelton. A Night club singer tricks an estate agent into thinking he killed a jewel thief. Mon 01 7:40 Johnny Ringo The Assassins. Directed by Aaron Spelling. A Russian violinist takes up Apr 19 residence in Velardi but refuses Johnny's offer of assistance when members of his country's secret police arrive. (S1, E20) Mon 01 8:10 Bela Lugosi A short insight into his career, who found fame playing Dracula on Apr 19 Broadway for 3 years and was laid to rest in his full Dracula costume and cape. Mon 01 8:20 The Gay Dog 1954. Comedy. Director: Maurice Elvey. Stars Wilfred Pickles, Petula Apr 19 Clark, Megs Jenkins, John Blythe, Peter Butterworth & Jon Pertwee. A Miner tries to increase his dog's odds at a big greyhound race Mon 01 10:05 The Farmer's 1947. Drama. Directed by H.C. Potter. Stars Loretta Young, Joseph Apr 19 Daughter Cotten & Ethel Barrymore. Katie leaves the farm to become a nurse, but is side tracked into domestic service, romance, & politics. Mon 01 12:05 No Highway in the 1951. Drama. Directed by Henry Koster. Stars James Stewart, Jack Apr 19 Sky Hawkins, Marlene Dietrich & Glynis Johns. An aeronautical engineer predicts that a new model of plane will fail catastrophically. (Subtitles Available) Mon 01 14:00 The Edgar Wallace Solo For Sparrow. -
CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection -
Itv and Virgin Media Agree Long Term Commercial Partnership
ITV AND VIRGIN MEDIA AGREE LONG TERM COMMERCIAL PARTNERSHIP ITV and Virgin Media have today signed an innovative new three-year deal that drives increased value for both businesses and provides Virgin TV customers with an enhanced viewing experience across all of ITV’s channels and services. The deal, which will result in a new commercial relationship between the two companies, includes an expanded range of ITV content across all Virgin Media’s current and planned platforms, an enhanced advertising and marketing commitment from Virgin Media across ITV’s family of channels, as well as an increased presence and additional promotion for the ITV brand, and ITV’s great programmes, on Virgin Media’s channels. The agreement also includes the following: • The supply of all ITV channels in SD and HD for in-home and out-of-home viewing • All 4K programming on ITV including future sporting events • An expanded supply of on-demand rights, extending the viewing window and offering access to premium ITV box sets • Support for new functionality on the Virgin TV platform such as the ability to “start over” and “replay” programmes • Carriage of the ITV Hub app on Virgin Media set top boxes • An agreement to work together to enable cloud-based recordings in future While an important feature of the agreement is a deeper commercial relationship between the two companies, it also maintains both parties’ respective long-held positions on the issue of retransmission fees for the future. Carolyn McCall, CEO of ITV, said: “Viewers and customers are at the heart of everything we do at ITV and this focus will become increasingly important as we continue to make our fantastic content available to audiences wherever they are, and whenever they want to watch. -
"Sounds Like a Spy Story": the Espionage Thrillers of Alfred
University of Mary Washington Eagle Scholar Student Research Submissions 4-29-2016 "Sounds Like a Spy Story": The Espionage Thrillers of Alfred Hitchcock in Twentieth-Century English and American Society, from The Man Who Knew Too Much (1934) to Topaz (1969) Kimberly M. Humphries Follow this and additional works at: https://scholar.umw.edu/student_research Part of the History Commons Recommended Citation Humphries, Kimberly M., ""Sounds Like a Spy Story": The Espionage Thrillers of Alfred Hitchcock in Twentieth-Century English and American Society, from The Man Who Knew Too Much (1934) to Topaz (1969)" (2016). Student Research Submissions. 47. https://scholar.umw.edu/student_research/47 This Honors Project is brought to you for free and open access by Eagle Scholar. It has been accepted for inclusion in Student Research Submissions by an authorized administrator of Eagle Scholar. For more information, please contact [email protected]. "SOUNDS LIKE A SPY STORY": THE ESPIONAGE THRILLERS OF ALFRED HITCHCOCK IN TWENTIETH-CENTURY ENGLISH AND AMERICAN SOCIETY, FROM THE MAN WHO KNEW TOO MUCH (1934) TO TOPAZ (1969) An honors paper submitted to the Department of History and American Studies of the University of Mary Washington in partial fulfillment of the requirements for Departmental Honors Kimberly M Humphries April 2016 By signing your name below, you affirm that this work is the complete and final version of your paper submitted in partial fulfillment of a degree from the University of Mary Washington. You affirm the University of Mary Washington honor pledge: "I hereby declare upon my word of honor that I have neither given nor received unauthorized help on this work." Kimberly M. -
The Ideal of Ensemble Practice in Twentieth-Century British Theatre, 1900-1968 Philippa Burt Goldsmiths, University of London P
The Ideal of Ensemble Practice in Twentieth-century British Theatre, 1900-1968 Philippa Burt Goldsmiths, University of London PhD January 2015 1 I hereby declare that the work presented in this thesis is my own and has not been and will not be submitted, in whole or in part, to any other university for the award of any other degree. Philippa Burt 2 Acknowledgements This thesis benefitted from the help, support and advice of a great number of people. First and foremost, I would like to thank Professor Maria Shevtsova for her tireless encouragement, support, faith, humour and wise counsel. Words cannot begin to express the depth of my gratitude to her. She has shaped my view of the theatre and my view of the world, and she has shown me the importance of maintaining one’s integrity at all costs. She has been an indispensable and inspirational guide throughout this process, and I am truly honoured to have her as a mentor, walking by my side on my journey into academia. The archival research at the centre of this thesis was made possible by the assistance, co-operation and generosity of staff at several libraries and institutions, including the V&A Archive at Blythe House, the Shakespeare Centre Library and Archive, the National Archives in Kew, the Fabian Archives at the London School of Economics, the National Theatre Archive and the Clive Barker Archive at Rose Bruford College. Dale Stinchcomb and Michael Gilmore were particularly helpful in providing me with remote access to invaluable material held at the Houghton Library, Harvard and the Harry Ransom Center at the University of Texas, Austin, respectively. -
Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
1 Ken Clarke
KEN CLARKE - MY PROFESSIONAL AUTOBIOGRAPHY When I left junior school at the age of twelve my plastering career started at the well known building Arts & Craft Secondary School, ‘Christopher Wren’, and from this early age I was particularly interested in fibrous plastering. It was a known fact that, of a class of 16, two of the pupils, after four years of schooling, would start their training at a major film studio. I passed my GCE in Building Craft, Paintwork and Plasterwork (copy 1 attached) and was one of the lucky two to be chosen to start training at Shepperton Studios. This was my first achievement (copy 2 – letter of engagement, 9 June 1964, attached). I started Shepperton Studios in the plastering Dept on 22 June 1964 under conditions of a six-month probationary period and a further 4 and half years. During this five-year apprenticeship, I was to do through the block release system, eight weeks at work and two weeks at Art & Craft College ‘Lime Grove’. At the end of five years I was awarded my basic and final City and Guilds in plastering (basic June 1966 and final June 1968 – copies 3 and 4 attached). This was a big achievement for any young man – for me; it was the beginning of a big career. After my five years I was presented with one of the very last certificates of apprenticeship offered by the ‘Film Industry Training Apprenticeship Council’. Thus, my apprenticeship came to an end. (Letter of thanks and delivery of my deeds and certificate 1 June 1969. -
Text Pages Layout MCBEAN.Indd
Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
TPTV Schedule Oct 14Th – Oct 20Th 2019 Date Time Programme Synopsis Mon 14 06:00 Impulse (1955) 1955
TPTV Schedule Oct 14th – Oct 20th 2019 Date Time Programme Synopsis Mon 14 06:00 Impulse (1955) 1955. Drama. Directed by Charles De la Tour & Cy Endfield. Stars Arthur Kennedy, Oct 19 Constance Smith & Joy Shelton. A Night club singer tricks an estate agent into thinking he killed a jewel thief. (SUBTITLES AVAILABLE) Mon 14 07:40 Forces' Sweetheart 1953. Comedy directed by Maclean Rogers. Three goofy soldiers played by Harry Oct 20 Secombe, Michael Bentine and Freddie Frinton vie for the affections of the lovely Judy, the ENSA-tainer. (SUBTITLES AVAILABLE) Mon 14 09:10 Calling Paul 1948. Crime Drama starring John Bentley & Dinah Sheridan. Scotland Yard is Oct 21 Temple unable to unravel the 'Rex' murders and cannot manage without the help of Paul Temple and his sidekick 'Steve'. (SUBTITLES AVAILABLE) Mon 14 11:00 Stagecoach West Image of A Man. Western with Wayne Rogers & Robert Bray, who run a stagecoach Oct 22 line in the Old West where they come across a wide variety of killers, robbers and ladies in distress. Mon 14 12:00 The Great Steam A record of the 1964 Steam Fair held at White Waltham, Berks. Many famous Oct 23 Fair 1964 pieces such as organs, traction engines and roundabouts were exhibited. Mon 14 12:20 Cash on Demand 1961. Drama. Directed by Quentin Lawrence. Stars Peter Cushing, Andre Morell & Oct 24 Richard Vernon. A crook abducts the wife and child of a bank manager & then schemes to rob the institution. Mon 14 14:00 Scotland Yard 1961. The Never Never Murder. Directed by Peter Duffell. -
MARJORIE BEEBE—Ian
#10 silent comedy, slapstick, music hall. CONTENTS 3 DVD news 4Lost STAN LAUREL footage resurfaces 5 Comedy classes with Britain’s greatest screen co- median, WILL HAY 15 Sennett’s comedienne MARJORIE BEEBE—Ian 19 Did STAN LAUREL & LUPINO LANE almost form a team? 20 Revelations and rarities : LAUREL & HARDY, RAYMOND GRIFFITH, WALTER FORDE & more make appearances at Kennington Bioscope’s SILENT LAUGHTER SATURDAY 25The final part of our examination of CHARLEY CHASE’s career with a look at his films from 1934-40 31 SCREENING NOTES/DVD reviews: Exploring British Comedies of the 1930s . MORE ‘ACCIDENTALLY CRITERION PRESERVED’ GEMS COLLECTION MAKES UK DEBUT Ben Model’s Undercrank productions continues to be a wonderful source of rare silent comedies. Ben has two new DVDs, one out now and another due WITH HAROLD for Autumn release. ‘FOUND AT MOSTLY LOST’, presents a selection of pre- LLOYD viously lost films identified at the ‘Mostly Lost’ event at the Library of Con- gress. Amongst the most interesting are Snub Pollard’s ‘15 MINUTES’ , The celebrated Criterion Collec- George Ovey in ‘JERRY’S PERFECT DAY’, Jimmie Adams in ‘GRIEF’, Monty tion BluRays have begun being Banks in ‘IN AND OUT’ and Hank Mann in ‘THE NICKEL SNATCHER’/ ‘FOUND released in the UK, starting AT MOSTLY LOST is available now; more information is at with Harold Lloyd’s ‘SPEEDY’. www.undercrankproductions.com Extra features include a com- mentary, plus documentaries The 4th volume of the ‘ACCIDENTALLY PRESERVED’ series, showcasing on Lloyd’s making of the film ‘orphaned’ films, many of which only survive in a single print, is due soon. -
Frances Gray – Interview Transcript
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Frances Gray – interview transcript Interviewer: Kate Dorney 27 June 2005 Writer and theatre-goer, Senior Lecturer at Sheffield University. John Arden; Armstrong's Last Goodnight; Alan Aykbourne; Brenton Bond; Michael Boyd; Bertold Brecht's plays; Brimstone and Treacle; Peter Brook; Chichester Festival Theatre; The Crucible Theatre, Shefffield; Steve Daldry; Peter Daubeny's international theatre seasons; Flourish; Marat/Sade; The National Theatre; Laurence Olivier; Othello; John Osborne; programmes; published plays; radio; Royal Hunt of the Sun; Royal Shakespeare Company; Shakespeare; Maggie Smith; theatre-going; Mary Ure; US; David Warner KD: This is Kate Dorney interviewing Frances Gray for the British Library Theatre Archive. Frances, would you care to give your consent for this being deposited in the Sound Archive of the British Library? FG: Yes. KD: OK, I wondered if you could tell me a little bit about your general experience of theatre. FG: I think it started when I was about eleven and we did Midsummer Night’s Dream, and that got me hooked on Shakespeare and on theatre in general and I remember desperately wanting to be a director and not knowing how you did that from a girl’s grammar school in Portsmouth. The only stuff to go and see - other than what we made ourselves - were the local amateurs on the pier, and our local amateurs were noted for doing every single play of Shakespeare - they were going for some sort of record and I hit Titus Andronicus year which was huge fun because they had obviously seen the Peter Brook one, the one where Brook brought Lavinia on with great swathes of red velvet on the wrists.