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THE RETRIEVER WEEKLY NEWS May 8, 2001 Ehind the Scenes
THE ETRIEVER "Procrastination gives you something to look forward to."- Joan Konner, Journalist Volume XXXV, Number 28 1000 Hilltop Circle, Baltimore, MD 21250 · May 8, 2001 Cone Collection Version 2.0 Baltimore Museum of Art and UMBC Visual Arts Department Develop Virtual Tour of Exhibit SARAH ANDREWS Retriever Weekly Editorial Staff ing with newly designed galleries ing to Alan Price, associate direc and expanded exhibition space. tor of the IRC, was the extent of The Baltimore Museum of Claribel and Etta Cone began research that had to be done to Art's famed Cone Collection their collecting career in the recreate the apartments. The received a technological upgrade 1890s, and eventually acquired building had been gutted in the recently, thanks to an ongoing hundreds of works by such artists 1970s, forcing the team to tum to collaboration with UMBC's as Renoir, Manet, Cezanne, the building's original floor plans Imaging Research Center. Degas and Matisse. Today the and over 30 photographs of the Through internships with the Cone Collection, containing over apartment to guide them in recre IRC, which is part of the Visual 500 works by Henri Matisse ating the rooms. The team spent Arts department, artistically and alone, is considered one of the six months recreating the apart technically-minded students have most important in the world. ments' details, even creating digi had the chance to flex their cre Now, through real-time computer tal images of the artwork and fur ative and technical muscles by animation developed by the niture in the rooms. Museum vis designing a virtual tour of the UMBC team, museum visitors itors will be able to look out the Cone sisters' art-filled Baltimore can explore a virtual re-creation virtual windows and see a recre apartments. -
Thrice Joe Bonamassa · Shooter Jennings · Clutch · Monster Truck Intro
JOE BONAMASSA HENRIK FREISCHLADER PANTERA GREEN DAY mit King Bee Shakedown BAND Rat Race Carousel This Love American Idiot ORIGINALSONG ORIGINALSONG GUITAR-CLASSIC SONGS CD Heft Nr. 221 Ausgabe 10/2018 das magazin für gitarristen und bassisten F 41248 B TRAUMHAFTER SOUND SLASH über Ton, Songs & Les Pauls 50 JAHRE UND NOCH IMMER FRISCH Die wichtigsten Gitarrenalben 1968 RIFFS & LICKS Zakk Wylde & Mick Ronson VOX MVX150 Flaggschiff mit Verlosung neuem Antrieb LTD EC-1000 Fluence HÖFNER NATURAL SERIES Nackte Klassiker nicht nur für Ökos! 8,10 L: l 12,00 8,10 SFR B: l CH: l 7,90 A: 9,50 I: l 6,90 9,50 E: D: IM INTERVIEW + INTERVIEWS THRICE JOE BONAMASSA · SHOOTER JENNINGS · CLUTCH · MONSTER TRUCK INTRO HANDMADE GUITARS Wenn die Seele strippt a hat der gute Charly ja mal Clarke (guitar 3/18) – ich bin noch richtig einen vorgelegt! Der im Nachhinein von mir selbst ge- überaus geschätzte Kollege rührt! mit den stets passenden Ganz offenbar lege ich praktisch Schlussworten fasst das Le- Monat für Monat meine Seele in des ben eines echten Bluesers Lesers Hand und habe es bisher auf Seite 146 dermaßen nicht einmal bemerkt. Und in dieser treffend zusammen, dass Ausgabe geht der Seelenstrip gar Dmir beim Lesen nicht nur vor noch weiter – nun ist die Unterwä- echtem Mitgefühl die Tränen nur sche dran. Soll heißen: In die Liste so über die Bäckchen gelaufen sind, son- der wichtigsten Gitarrenalben, die vor 50 Jah- dern dass er mich damit doch tatsächlich in ren in die Läden kamen (ab Seite 58), ist einzig Zugzwang bringt – nach dem Muster: Der und alleine mein ganz persönliches Herzblut Mann gewährt den Lesern einen tiefen Ein- geflossen. -
Slim Jim Phantom Has Secured His Place As a True Rock-N-Roll Icon. As the Legendary Drummer for the Stray Cats, Phantom, Alongsi
Slim Jim Phantom has secured his place as a true rock-n-roll icon. As the legendary drummer for the Stray Cats, Phantom, alongside band mates Brian Setzer and Lee Rocker, spearheaded the neo-rockabilly movement of the early 80s. With a love for 50s rock-n-roll the Stray Cats took inspiration from that bygone era and mixed with their youthful energy and aggression produced the updated hard-edged rockabilly sound that saw them conquer London, Europe and later the U.S., gaining fans among the likes of Keith Richards, Mick Jagger and Robert Plant along the way. Born in the Brooklyn Borough of New York City, Jim grew up listening to his parents’ jazz records and by the age of ten took up the drums. Immersing himself in the art of drumming and the world of music, Jim took lessons with Mousie Alexander (who played with Benny Goodman), which included the study of jazz and working through books by Jim Chapin and Ted Reed. By the late 70s Jim was playing in bands with school friend and bassist Lee Rocker and they soon joined forces with guitarist Brian Setzer. The rest, as they say, is history. The Stray Cats had numerous hit singles in the early 1980s, their classic album “Built for Speed” went double platinum, and their song “Rock This Town” is in the Rock and Roll Hall of Fame’s list of “The Songs That Shaped Rock and Roll.” Summer 2008 saw Jim and the Stray Cats reunite for an extensive tour of Europe. In February 2009 the band headed to Australia and New Zealand for the first time in 18 years - a tour which was eagerly anticipated by Australasian fans. -
Comedian.Com.Au: Rodney Marks
Shows by characters Client Rating Fee Topic Venue A Neil Fisher 1 10/08/2007 The Gut Foundation B 6 Why surgery can be a pain in the Bankstown Sports Club ass 29/08/2014 The Gut Foundation B 6 Getting to the bottom of the Bankstown Sports Club matter 16/08/2019 The Gut Foundation C 3 The pelvic floor Club Liverpool Aaron Orticle 1 19/09/1997 Australian Federation of Travel Agents (AFTA) A 2 Who Owns My Loyalty? Ashok Hotel 16/05/1994 Federal Airports Corporation - National Finance C 1 Change Management at O'Hare Swiss-Grand Hotel and Atlanta International Airports 24/11/1995 Federal Airports Corporation - Sydney Retail C 1 Privatisation of Airports AMP Tower/Centrepoint Awards worldwide 20/02/1997 Federal Airports Corporation - Brisbane C 1 Some thoughts on the sort of Wanganui River Gardens, Yeronga, Brisba changes that might occur after airport privatisation in Australia 29/11/1997 National World Travel B 1 AFTERNOON PANEL QUESTION: Reef Hotel Casino Professor Orticle, I hope that you are used to answering tough questions when you’re jet- lagged. As someone involved in training the travel, tourism and hospitality leaders of the future, what do you believe are the core competen 7/02/1998 Cathay Pacific Airways E 6 Rosehill Gardens Racecourse Sunday, 11 July 2021 Page 1 of 182 Client Rating Fee Topic Venue 30/06/2000 AGSM (as artist-in-residence) B 5 Customer Relationship AGSM Management as a corporture culture driver: how acting on customers' demands changes organizations and optimizes profitability 28/11/2003 Heliflite C 4 A few words -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Australian Multicultural Policy and Television Drama in Comparative Contexts
Australian multicultural policy and television drama in comparative contexts Harvey May BA (Comm), BA, B Bus (Hons)(Comm), Post Grad Dip Ed A thesis submitted in 2003 for the award of Doctor of Philosophy Creative Industries Research and Applications Centre Creative Industries Faculty Queensland University of Technology Key Words Multiculturalism, Cultural Diversity, Television, Drama, Casting, Minorities, Australia, United Kingdom, New Zealand, United States. Abstract This thesis examines changes which have occurred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia’s multicultural population. The way in which these actors are portrayed on- screen has also shifted from one of a ‘performed’ ethnicity, to an ‘everyday’ portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming. -
2012 Report on Antisemitism in Australia
2012 REPORT ON ANTISEMITISM IN AUSTRALIA THIS REPORT WAS WHOLLY RESEARCHED AND WRITTEN BY JEREMY JONES AM, TO ASSIST UNDERSTANDING OF ANTI-JEWISH VIOLENCE, VANDALISM, HARASSMENT AND PREJUDICE IN CONTEMPORARY AUSTRALIA. IT COVERS THE PERIOD OCTOBER 1 2011 TO SEPTEMBER 30 2012. Jeremy Jones AM is Director of International and Community Affairs, Australia/Israel & Jewish Affairs Council and Honorary Life Member, Executive Council of Australian Jewry This document should not be reproduced or distributed, and the original work not quoted, without the express permission of the author. i With thanks to Louise de Mesquita, Julie Nathan and Anthony Orkin for invaluable input 140 William Street, East Sydney NSW 2011, AUSTRALIA Telephone: +61 2 9360 5415 Facsimile: +61 2 9360 5416 Email: [email protected] November 2012 ii CONTENTS 1.0 INTRODUCTION ..................................................................................................... 5 1.1 The Year in Review ............................................................................................ 5 1.2 Racism in Australia and Antisemitism ................................................................. 7 1.3 Forms of Antisemitism ........................................................................................ 9 2.1 Introduction ...................................................................................................... 13 2.2 Reports for the Year 1 October 2011 to 30 September 2012 .............................. 13 2.3 Serious/Violent Incidents ................................................................................. -
Appendix a Manly Vale Hotel Chief Health and Building Surveyor's Recommendations Regarding Renewal of Licence, Based Upon Board
Appendix A Manly Vale Hotel Chief Health and Building Surveyor's recommendations regarding renewal of licence, based upon Board of Fire Commissioners Report. Source: Warringah Council File 1075/240-252 - G 1984. 1. Install hose reels and hydrants throughout the entire building as specified by the provisions of Parts 27.3 and 27.4 of Ordinance 70. 2. Provide emergency lighting and illuminated exit signs throughout the entire building as specified by the provisions of Clauses 24.29, 55.12 and 55.13 of Ordinance 70. 3. Remove all barrel bolts, deadlocks, chains and padlocks to all exit doors and doors leading to an exit door and replace with a latch that complies with Clause 24.20(7) of Ordinance 70. 4. Install a one hour fire rated shelter and a one hour fire rated door and jamb and self-closer to the kitchen servery, adjacent to the Peninsula bar room. 5. Install a fire blanket in the kitchen located in the first floor. 6. Install two kilogram C02 fire extinguishers in the kitchen located on the first floor. 7. Install an approved alarm device in the coolrooms located in the kitchen on the first floor and the coolroom located on the ground floor as specified by the provisions of Clause 53.2(l)(b) of Ord 70. 8. Construct a two hour fire rated wall around the dumb waiters service hoist located in the kitchen and in the cellar on the ground floor specified by Clause 16.8 of Ordinance 70. 9. Install a one hour fire rated door to both dumb waiter and service hoist, the doors to be so designed that they only open at the level at which the dumb waiter is parked. -
Vsa Newsletter -Nov 2018
E M P O W E R I N G V O I C E S V S A M O N T H L Y S I N C E 1 9 9 3 VSA NEWS N O V E M B E R 2 0 1 8 N E W S L E T T E R STARTING SINGING? THEN, READ THIS BLOG! B Y P E T E R V O X F E A T U R E D A R T I C L E DO YOU WANT TO SING FOR FUN AND IMPROVE YOUR SINGING VOICE, BUT DO NOT KNOW WHERE TO BEGIN? WELL, START WHERE YOU ARE! YOU MUST LIKE MUSIC, FIRST AND FOREMOST, AND YOU MAY HAVE SUNG ALONG TO SOME OF YOUR FAVOURITE SONGS BEFORE? Pick a couple of your favourite songs – songs that you want to enjoy singing. If you enjoy something, you’re going to want to do it more often, you’ll improve quickly. It will become your passion, and won’t feel like a chore. So, learn the songs from back to front, print the lyrics out. Sing along with your favourite artist, and then sing along with the backing track. Follow your passion, and bring fun and excitement to your singing! Do not limit yourself with one genre. Be in bluegrass, rock, musical theatre, metal, RnB, classical, hip-hop, folk, trap, or whatever other genres were popular in the past and will emerge in the future — find what YOU like to sing! If you haven’t had singing lessons yet, here are a couple of tips to use at home: · Watch what your mouth is doing. -
20081101-Synk.Pdf
Synk Magazine aims to promote and develop the skills of people under the age of 25. If you're a young writer, photographer, artist, designer… we want your soul. If you feel you can contribute to Synk, visit: www.synkmagazine.com.au By reading the above you automatically agree to give us your soul, any and all assets, any siblings and your firstborn child. Furthermore, you agree to rescue the princess regardless of which castle said princess is in. From this date, your internal organs become our exclusive property, we reserve the right to patent any and all technologies you may develop and/ or pioneer and we reserve the right to take credit for any and all achievements you make in your life including, but not limited to, being the parents of above firstborn and any subsequent children, liberating before said princess from the castle and saving the human race from an alien menace and/or authoritarian dictatorship. If you are concerned that any of your rights are being infringed upon by the above statement, please forward your concerns to Baron McRae: [email protected]. Artwork by EMMA FERGUSON Artwork by LACHLAN CLARKE exogenbreach.deviantart.com Contributors synk 1 Welcome to our issue five, staying alive... It’s been a year! A whole frigging year! You all thought we’d go under but we Contents showed you fuckers. ‘Another street press in Melbourne? No way! The other highly Writers: Photography: reputable street presses will eat you idiots alive.’ Bah! We laughed in the face of that The Hives _______________ 2 Duane Jackson Smith Luke Kellett beast and it looks like it paid off. -
CAST BIOGRAPHIES PHIL JAMIESON As the Voice and Face Of
CAST BIOGRAPHIES PHIL JAMIESON As the voice and face of Grinspoon, Phil Jamieson fronted one of the most popular Australian bands of the last two decades. An accomplished singer, songwriter and guitarist, Jamieson’s generation-defining lyrics and vocal melodies first became etched into rock fans’ DNA in 1995, when the Lismore-born quartet rode a new wave of alternative music to become the first act Unearthed by national youth radio station triple j with its debut single - Sickfest. So began a love affair that maintained its heat and passion for over one thousand live shows, six consecutive Top 10 debuts and multi-platinum album sales. That initial romance with triple j’s listeners blossomed into full-bloom infatuation: an incredible 17 Grinspoon songs have polled in Hottest 100 countdowns over the years, led by the much-loved Chemical Heart (#2 in 2002; #63 in 2013’s Hottest 100 of All Time). With the release of seventh album Black Rabbits came the news in late 2013 that Grinspoon were entering hibernation indefinitely, yet Phil Jamieson remained as focused and passionate about music as ever pursuing a solo career in the meantime. Earlier this year Grinspoon announced the celebration of 20 years since their first album Guide to Better Living, this saw them back on the road playing to adoring sold-out crowds across the country over 4 months. Outside of studios and music venues, Jamieson co-founded the Rock N Ride tour for headspace, the National Youth and Mental Health Foundation, in 2013. The initiative is aimed at engaging local communities to raise awareness about mental health issues faced by young people. -
Stephen Cummings: FIRECRACKER
Stephen Cummings: FIRECRACKER At its best, music is capable of transformation; unfortunately you would never know this if you happened to flick across your radio dial or switched on your television today. Capitalism, for all its emphasis on the free market, actually hates competition and diversity. So, when there's nothing happening in pop, people get more interested in traditional or folk music, and given the disengaged state of today's pop industry, it's hardly surprising that I found myself this past year listening to stuff like Elvis Presley, Ricky Nelson, Alan Vega and Muddy Waters. Music that is wild ragged melodramatic melodic, unpredictable and joyous. With "Firecracker" I decided to indulge myself in these essential ingredients." - Stephen Cummings Firecracker is Stephen Cummings' thirteenth, repeat thirteenth solo album. But we're not superstitious and Cummings' thirteenth turns out to be as essential as any of his other twelve. Musically, Stephen has always preferred to go his own inimitable way and, in doing so, has surprised, exasperated, delighted and captivated critics and fans alike for the past twenty odd years. This tenacious approach has made SC's music vibrant, ardent and relevant for all this time. There's no sad cabaret to be heard in these parts. While his last couple of releases have been outstanding collections of songs of a largely downbeat nature, a definite change of tack is shown with this new CD. Stephen decided it was time to cut loose a little, kick up his heels and have some fun. The Firecracker songs were chosen from a clutch of 25 written in a six week creative bender and, stylistically, they hark back to pre-Sports days with the Pelaco Brothers, when guitars twanged and singers crooned or hiccuped straight to the heart songs in the key of love or thereabouts.