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Tropical Paradise
The Vol. 1 Issue 7 M a vTropical e r Paradise i c k May 2, 2011 By Meghan Darnell The Kiowa County High School Junior-Senior Prom was held at the Greens- This Month’s burg Recreation gym on April 16th. The promenade began at six in the evening, followed directly by the dinner. The prom theme was Tropical Night and the Features juniors decorated with tiki men and palm trees. For dinner, the juniors chose to o serve pork loin, a mashed potato casserole, green beans, Hawaiian rolls and fruit bowls with a key lime pie dessert. Honor At the dance, attendants were subjectivly entertained by a swing dance by Mr. Banquet... and Mrs. Calkins along with a dance-off between senior Shannon Webster and pg. 6 another student’s date. It was a very upbeat dance with two-steps, line-dances and the right balance of fast and slow songs. After the dance, students were allowed 30 minutes to change, and then were n bussed to the Mullinville gymnasium for After-Prom. At the After-Prom party, students were provided with a vast variety of games to win either cash or tickets for four big prizes that would be drawn at the end of the night. The big prizes were an Apple I-pad, an automobile tune-up set, a camera, an X-Box 360, a tele- vision and Blu-ray player and an I-pod touch. There were also prizes for guessing State Music... games. These games consisted of guessing the amount of change or golf balls in pg. -
THE RETRIEVER WEEKLY NEWS May 8, 2001 Ehind the Scenes
THE ETRIEVER "Procrastination gives you something to look forward to."- Joan Konner, Journalist Volume XXXV, Number 28 1000 Hilltop Circle, Baltimore, MD 21250 · May 8, 2001 Cone Collection Version 2.0 Baltimore Museum of Art and UMBC Visual Arts Department Develop Virtual Tour of Exhibit SARAH ANDREWS Retriever Weekly Editorial Staff ing with newly designed galleries ing to Alan Price, associate direc and expanded exhibition space. tor of the IRC, was the extent of The Baltimore Museum of Claribel and Etta Cone began research that had to be done to Art's famed Cone Collection their collecting career in the recreate the apartments. The received a technological upgrade 1890s, and eventually acquired building had been gutted in the recently, thanks to an ongoing hundreds of works by such artists 1970s, forcing the team to tum to collaboration with UMBC's as Renoir, Manet, Cezanne, the building's original floor plans Imaging Research Center. Degas and Matisse. Today the and over 30 photographs of the Through internships with the Cone Collection, containing over apartment to guide them in recre IRC, which is part of the Visual 500 works by Henri Matisse ating the rooms. The team spent Arts department, artistically and alone, is considered one of the six months recreating the apart technically-minded students have most important in the world. ments' details, even creating digi had the chance to flex their cre Now, through real-time computer tal images of the artwork and fur ative and technical muscles by animation developed by the niture in the rooms. Museum vis designing a virtual tour of the UMBC team, museum visitors itors will be able to look out the Cone sisters' art-filled Baltimore can explore a virtual re-creation virtual windows and see a recre apartments. -
Thrice Joe Bonamassa · Shooter Jennings · Clutch · Monster Truck Intro
JOE BONAMASSA HENRIK FREISCHLADER PANTERA GREEN DAY mit King Bee Shakedown BAND Rat Race Carousel This Love American Idiot ORIGINALSONG ORIGINALSONG GUITAR-CLASSIC SONGS CD Heft Nr. 221 Ausgabe 10/2018 das magazin für gitarristen und bassisten F 41248 B TRAUMHAFTER SOUND SLASH über Ton, Songs & Les Pauls 50 JAHRE UND NOCH IMMER FRISCH Die wichtigsten Gitarrenalben 1968 RIFFS & LICKS Zakk Wylde & Mick Ronson VOX MVX150 Flaggschiff mit Verlosung neuem Antrieb LTD EC-1000 Fluence HÖFNER NATURAL SERIES Nackte Klassiker nicht nur für Ökos! 8,10 L: l 12,00 8,10 SFR B: l CH: l 7,90 A: 9,50 I: l 6,90 9,50 E: D: IM INTERVIEW + INTERVIEWS THRICE JOE BONAMASSA · SHOOTER JENNINGS · CLUTCH · MONSTER TRUCK INTRO HANDMADE GUITARS Wenn die Seele strippt a hat der gute Charly ja mal Clarke (guitar 3/18) – ich bin noch richtig einen vorgelegt! Der im Nachhinein von mir selbst ge- überaus geschätzte Kollege rührt! mit den stets passenden Ganz offenbar lege ich praktisch Schlussworten fasst das Le- Monat für Monat meine Seele in des ben eines echten Bluesers Lesers Hand und habe es bisher auf Seite 146 dermaßen nicht einmal bemerkt. Und in dieser treffend zusammen, dass Ausgabe geht der Seelenstrip gar Dmir beim Lesen nicht nur vor noch weiter – nun ist die Unterwä- echtem Mitgefühl die Tränen nur sche dran. Soll heißen: In die Liste so über die Bäckchen gelaufen sind, son- der wichtigsten Gitarrenalben, die vor 50 Jah- dern dass er mich damit doch tatsächlich in ren in die Läden kamen (ab Seite 58), ist einzig Zugzwang bringt – nach dem Muster: Der und alleine mein ganz persönliches Herzblut Mann gewährt den Lesern einen tiefen Ein- geflossen. -
What Rhymes with Cars & Girls
MEDIA RELEASE RELEASE 8 January 2015 WHAT RHYMES WITH CARS & GIRLS by Aidan Fennessy music and lyrics by Tim Rogers WORLD PREMIERE weaves together the poetic songs from Cast Johnny Carr, Sophie Ross What Rhymes with Cars and Girls Tim Rogers’ debut solo album and words by award-winning playwright Aidan Musicians Ben Franz, Xani Kolac Fennessy, creating a contemporary Australian tale of love across the class Director Clare Watson divide. Melbourne Theatre Company presents the world premiere of this Musical Director Tim Rogers exciting collaboration at 8pm Thursday 19 February at Arts Centre Melbourne, Set Designer Andrew Bailey Fairfax Studio. Costume Designer Kate Davis Lighting Designer Richard Vabre Drawing on the acting and singing talents of Sophie Ross and Johnny Carr, Sound Designer Russell Goldsmith What Rhymes with Cars and Girls is an intimate musical gem complete with a three-piece band led by Musical Director Tim Rogers. ‘Tim Rogers is a statesman of Director Clare Watson said, ‘I’m thrilled to be working on this delicate and Australian music.’ heartbreaking piece. Aidan has created a textured and lyrical script that is a Music Feeds harmonious marriage with Tim’s cult hit album. I’ve always loved these songs ‘A troubadour from the tip of his and am delighted to be collaborating with this team of hopeless romantics in felt-brimmed hat to the idiosyncratic bringing What Rhymes with Cars and Girls to the stage in a way that’s timeless, chop of his right hand.’ moving and undeniably Australian.’ Rolling Stone This is the ballad of Tash and Johnno, brought together by a conjunction of the stars and a pizza delivery gone awry. -
Tim Rogers WHAT RHYMES with CARS and GIRLS at BRISBANE POWERHOUSE
What’s On Guide October '17 Arts Reviews PROFILE Tim Rogers WHAT RHYMES WITH CARS AND GIRLS AT BRISBANE POWERHOUSE What's Best in Brisbane! SUBSCRIBE TODAY! PROFILE WHAT RHYMES WITH CARS AND GIRLS FEATURING YOU AM I FRONTMAN TIM ROGERS Music Aviva Tim Rogers’ iconic solo album What Rhymes Tim Rogers With Cars and Girls comes to life in this feel-good “I thought I might just do something with musical love story. Performed with a live band led by a little less volume.” Rogers, this intimate musical jewel sees two lovers Tim Rogers made his name as the frontman of rock brought together by the stars and a pizza delivery band You Am I. After a relentless touring schedule, gone weird. It’s a raw and complex urban romance Rogers and his band members needed a break – – a balm for the hardest of hearts and solace for so he moved to a windowless flat in Melbourne, anyone who has ever been in love. found kinship among country and folk singers, and Melbourne Theatre Company debuted What discovered a different style of music. Little did he Rhymes With Cars and Girls in 2015–16, years after know it at the time, but this was to be a pivotal the album was released. Rogers wrote the album moment in his career. Shortly after in 1999, he – his first solo effort – from a windowless flat in released his first solo album, What Rhymes With Melbourne and its nuances struck a nerve. Playwright Cars and Girls, which has gone on to become an Aidan Fennessy has threaded these beautiful songs iconic piece of Australia’s musical landscape. -
Slim Jim Phantom Has Secured His Place As a True Rock-N-Roll Icon. As the Legendary Drummer for the Stray Cats, Phantom, Alongsi
Slim Jim Phantom has secured his place as a true rock-n-roll icon. As the legendary drummer for the Stray Cats, Phantom, alongside band mates Brian Setzer and Lee Rocker, spearheaded the neo-rockabilly movement of the early 80s. With a love for 50s rock-n-roll the Stray Cats took inspiration from that bygone era and mixed with their youthful energy and aggression produced the updated hard-edged rockabilly sound that saw them conquer London, Europe and later the U.S., gaining fans among the likes of Keith Richards, Mick Jagger and Robert Plant along the way. Born in the Brooklyn Borough of New York City, Jim grew up listening to his parents’ jazz records and by the age of ten took up the drums. Immersing himself in the art of drumming and the world of music, Jim took lessons with Mousie Alexander (who played with Benny Goodman), which included the study of jazz and working through books by Jim Chapin and Ted Reed. By the late 70s Jim was playing in bands with school friend and bassist Lee Rocker and they soon joined forces with guitarist Brian Setzer. The rest, as they say, is history. The Stray Cats had numerous hit singles in the early 1980s, their classic album “Built for Speed” went double platinum, and their song “Rock This Town” is in the Rock and Roll Hall of Fame’s list of “The Songs That Shaped Rock and Roll.” Summer 2008 saw Jim and the Stray Cats reunite for an extensive tour of Europe. In February 2009 the band headed to Australia and New Zealand for the first time in 18 years - a tour which was eagerly anticipated by Australasian fans. -
Red Lee Powell, Waleed Ovase, Jaysen O’Dell R
Start Wearing Purple written as a Novel-in-a-Day START WEARING PURPLE Originally published: 2017 Copyright © 2017 Various Authors Patrick Edmonds, Mark Rothwell, Elizabeth Mead Kaide Li, Michael Bywater, Eric Christiansen Sam Pynes, B. Morris Allen, Mathieu Nicolas Adela Torres, Keith Blount, Owen Garner Aiden Dunfield, Sue Cowling, LG Red Lee Powell, Waleed Ovase, Jaysen O’Dell R. Dale Guthrie, Heather Lovelace-Gilpin Story by: Tim Rogers The moral rights of the authors have been asserted. All characters and events in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental, and more than just a little bit scary. This work is licensed under a Creative Commons Attribution - NonCommercial - NoDerivs 3.0 Unported License. You are free to share (to copy, distribute and transmit the work) under the following conditions: Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Noncommercial — You may not use this work for commercial purposes. No Derivative Works — You may not alter, transform, or build upon this work. For more details, visit: http://creativecommons.org/licenses/by-nc-nd/3.0/ Original cover photograph by Tim Rogers www.novelinaday.com In Memoriam I was incredibly saddened to learn recently that our good friend Montrée Whiles passed away earlier this year, after her car was struck by a drunk driver. Montrée was one of the most enthusiastic members of the NiaD family, and her passion (and chasing) certainly helped keep the event running this long! The more I’ve learnt over the past few weeks about this remarkable woman, the more and more respect I have for her. -
2015 Annual Report
2015 Annual Report Town of Northfield Massachusetts Year ending December 31, 2015 View from South Mountain Road Annual Report Town of Northfield For the Year Ending December 31, 2015 69 Main St. Northfield, MA 01360 www.northfieldma.gov P: 413.498.2901 F: 413.498.5103 Federal & State Officials President of the United States Barack H. Obama (D) The White House 1600 Pennsylvania Ave. Washington, DC 20500 202.456.1111 United States Senators Elizabeth A. Warren (D) Edward J. Markey (D) 2 Russell Courtyard 218 Russell Senate Office Bldg. Washington, DC 20510 Washington, DC 02510 202.224.4543 202.224.2742 Representative in Congress James P. McGovern (D) 94 Pleasant St. Northampton, MA 01060 413.341.8700 Massachusetts State Legislation Governor Charlie Baker (R) Office of the Governor Washington, DC Room 280 Springfield Office Boston, MA 02133 Office of the Governor Western MA Office Phone: 617.725.4005 444 N. Capitol Street, Suite 208 State Office Building 888.870.7770 (in state) Washington, D.C. 20001 436 Dwight Street, Ste 300 Fax: 617.727.9725 Phone: 202.624.7713 Springfield, MA 01103 TTY: 617.727.3666 Fax: 202.624.7714 Phone: 413.784.1200 Lieutenant Governor Karyn Polito (R) State Senator State Representative Stanley C. Rosenberg (D) General Court State House Rm 320 Paul W. Mark (D) Boston, MA 02133 State House Rm 473F 617.722.1532 Boston, MA 02133 617.722.2210 Attorney General Maura T. Healey 1350 Main Street, Fourth Floor Springfield, MA 01103-1629 Phone: 413. 784.1240 Fax: 413.784.1244 General Administration Public Safety Public Works Community Services Town Administrator Police Chief Superintendent of Streets Senior Center Director Brian S. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Scangate Document
book appears to be the contrast between Barwick's stated It is acknowledged in the Afterword that another dif REVIEWS respect for the law and his apparent misapprehension of ficulty Marr encountered in writing the book was that his duties and responsibilities as holder of the highest Barwick made his name in areas of obscure legal complexity legal office and as the head of a non-political organ of that each require full exploration in order to fully government. The contrast is most acute as Marr recounts appreciate his impact. While such exploration is largely Barwick's role in informally allowing the office of the beyond the scope of Barwick (2nd edn), Marr's compact High Court to become implicated in the fateful events of journalistic writing style permits a surprising depth of November 1975. complexity in some of the main areas of Barwick's work. After analysing Barwick's famous letter of advice to Barwick (2nd edn) has been described as an Australian then Governor General Sir John Kerr "layer by layer", Marr concludes that Barwick essentially told Kerr "what classic. It is fitting that Marr, accomplished biographer, he ought to do" about the extant supply crisis. Of course, legal journalist and himself no stranger to controversy, Kerr never explicitly sought advice from Barwick on what should be the one to present readers with this fine and he ought to do, but rather on what he was constitutionally insightful portrait of one of this country's most powerful empowered to do. If Kerr's own memoirs are to be be and controversial legal figures. -
Dirty Deeds Music Credits
Composer Paul Healy (cast) You Am I The Cadillacs Tim Rogers Dave Scotland Andy Kent Neil Pepper Russell Hopkinson Keith Longman David Lane Tony Hicks Music Score Recorded at Milk Bar Supersonic Music Score Produced and Mixed at Supersonic Assistant to Composer Amanda Brown Assistant Music Editor Scott Horscroft Recording Engineers Wayne Connolly Trent Williamson Musicians Drums David Kleynjas Bass Samuel Dixon Flute Tony Buchen Wurlitzer Alan Goodman Antony Partos Harmonica/Jaw Harp Trent Williamson Guitar Trent Williamson Paul Healy Orchestra Pro Musica Sydney Orchestra Contractor Coralie Hartl Concertmaster Phillip Hartl Brass and Strings orchestrated and conducted by George Brodbeck Music Supervisor Mana Music Chris Gough Julie Spinks Soundtrack Recording Engineer Chris Dickie Mixing Engineer David Nicholas Additional Engineers Greg Clarke and Paul McKercher Assisted by Jim Maroudas and Shae Mete Mastered by Don Bartley Soundtrack Recorded at Sing Sing Studios Additional Recording at Electric Mountain Studio and Studios 301 Mixed at The Basement Studios Sydney Mastered at Studios 301 And I Heard The Fire Sing Composed by R. Taylor Published by Festival Music Publishing Performed by Grinspoon Licensed courtesy of Universal Music Australia Pty Ltd Dirty Deeds Done Dirt Cheap Composed by Young/Young/Scott Published by J Albert & Son Pty Ltd Performed by AC/DC Licensed courtesy of Albert Productions Sinner Man Composed by Bruce Woodley/Athol Guy/ Judith Durham/Keith Potger Published by Chappell Music Ltd (PRS) All rights administered by -
Agenda Items
Regular Meeting June 26, 2019 CHEMEKETA COMMUNITY COLLEGE 4000 Lancaster Drive NE Salem, Oregon I. Workshop 4:30 pm Salem Campus—Building 2, Room 170, (Board Room) A. Institutional Research Data 1 David Hallett, Vice President—Governance and Administration B. Guided Pathways 2–3 Jim Eustrom, Vice President—Instruction and Student Services/ Campus President, Yamhill Valley II. A. Executive Session 5:30 pm Salem Campus—Building 2, Room 172 Executive Session is called in accordance with ORS 192.660(2) (a) employment issues; (b) complaints; (d) negotiations; (e) real property; (h) legal rights; and (i) president/chief executive officer evaluation. B. Administration Updates III. Regular Session 7 pm Salem Campus—Building 2, Room 170, (Board Room) A. Call to Order B. Pledge of Allegiance C. Roll Call D. Reorganization of the College Board of Education (Item pulled/tabled until 7/2019) 4 E. Comments for the Audience F. Approval of Minutes—Workshop and Regular Board Meeting 5–14 of May15, 2019 G. Separate Action Approval of Retirement Resolutions [18-19-155] 15–22 No. 18-19-23, Lori A. Cegon; No. 18-19-24, Kelley J. Gembala; No. 18-19-25, Bryon D. Hall; No. 18-19-26, Nancy K. Howard; No. 18-19-27, Julie Huckestein; No. 18-19-28, Michael J. Milhausen; and No. 18-19-29, Timothy E. “Tim” Rogers David Hallett, Vice President—Governance and Administration H. Reports 1. Reports from the Associations a. Riley Dunagan Associated Students of Chemeketa (ASC) 23 b. Justus Ballard Chemeketa Faculty Association 24 c. Terry Rohse Chemeketa Classified Employees Association 25–26 d.