CAST BIOGRAPHIES PHIL JAMIESON As the Voice and Face Of
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Media Release
Media Release 27 August 2019 WHAT’S ON AT THE STAR GOLD COAST FROM SEPTEMBER Spring has sprung at The Star with a range of thrilling dining and entertainment experiences on offer, including Father’s Day specials, Mexican themed month at Harvest Buffet – and exclusive new menu items available at signature dining venues Kiyomi and Cucina Vivo. SPECIAL EVENTS Father’s Day Whatever flavour you favour, The Star is the perfect place to treat your Dad. From cool and casual to first- class and fancy, you'll make it a day to remember when you share it at The Star. More info: https://www.star.com.au/goldcoast/whats-on/fathers-day • Garden Kitchen & Bar: Spend Father’s Day at Garden Kitchen & Bar and treat Dad to a delicious lunch special. Rotisserie Borrowdale porchetta, with duck fat roasted kipfler potatoes, red onion jam, salted crackling and port jus for $29 per person. Lunch available from 12pm-4pm. • Cucina Vivo: Spoil Dad with a 500g grass fed scotch fillet with roast Darling Downs potato, roast Stanthorpe broccoli, and a side of garlic focaccia. Served with an ice cold Italian lager for $45 per person. Available lunch 12pm-3pm | Dinner 5.30pm – 9pm. • Nineteen at The Star: Treat Dad to a relaxing and luxurious lunch this Father’s Day at Nineteen at The Star with our delectable three-course menu for $120 per person. Think prawn cocktail Américane or mushroom risotto for entrees, grilled Patagonian toothfish with burnt miso or slow roast prime rib for mains and coconut and dark chocolate pavlova for dessert. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Lobby Loyde: the G.O.D.Father of Australian Rock
Lobby Loyde: the G.O.D.father of Australian rock Paul Oldham Supervisor: Dr Vicki Crowley A thesis submitted to The University of South Australia Bachelor of Arts (Honours) School of Communication, International Studies and Languages Division of Education, Arts, and Social Science Contents Lobby Loyde: the G.O.D.father of Australian rock ................................................. i Contents ................................................................................................................................... ii Table of Figures ................................................................................................................... iv Abstract .................................................................................................................................. ivi Statement of Authorship ............................................................................................... viiiii Acknowledgements ............................................................................................................. ix Chapter One: Overture ....................................................................................................... 1 Introduction: Lobby Loyde 1941 - 2007 ....................................................................... 2 It is written: The dominant narrative of Australian rock formation...................... 4 Oz Rock, Billy Thorpe and AC/DC ............................................................................... 7 Private eye: Looking for Lobby Loyde ......................................................................... -
THE RETRIEVER WEEKLY NEWS May 8, 2001 Ehind the Scenes
THE ETRIEVER "Procrastination gives you something to look forward to."- Joan Konner, Journalist Volume XXXV, Number 28 1000 Hilltop Circle, Baltimore, MD 21250 · May 8, 2001 Cone Collection Version 2.0 Baltimore Museum of Art and UMBC Visual Arts Department Develop Virtual Tour of Exhibit SARAH ANDREWS Retriever Weekly Editorial Staff ing with newly designed galleries ing to Alan Price, associate direc and expanded exhibition space. tor of the IRC, was the extent of The Baltimore Museum of Claribel and Etta Cone began research that had to be done to Art's famed Cone Collection their collecting career in the recreate the apartments. The received a technological upgrade 1890s, and eventually acquired building had been gutted in the recently, thanks to an ongoing hundreds of works by such artists 1970s, forcing the team to tum to collaboration with UMBC's as Renoir, Manet, Cezanne, the building's original floor plans Imaging Research Center. Degas and Matisse. Today the and over 30 photographs of the Through internships with the Cone Collection, containing over apartment to guide them in recre IRC, which is part of the Visual 500 works by Henri Matisse ating the rooms. The team spent Arts department, artistically and alone, is considered one of the six months recreating the apart technically-minded students have most important in the world. ments' details, even creating digi had the chance to flex their cre Now, through real-time computer tal images of the artwork and fur ative and technical muscles by animation developed by the niture in the rooms. Museum vis designing a virtual tour of the UMBC team, museum visitors itors will be able to look out the Cone sisters' art-filled Baltimore can explore a virtual re-creation virtual windows and see a recre apartments. -
The Transgender-Industrial Complex
The Transgender-Industrial Complex THE TRANSGENDER– INDUSTRIAL COMPLEX Scott Howard Antelope Hill Publishing Copyright © 2020 Scott Howard First printing 2020. All rights reserved. No part of this publication may be copied, besides select portions for quotation, without the consent of its author. Cover art by sswifty Edited by Margaret Bauer The author can be contacted at [email protected] Twitter: @HottScottHoward The publisher can be contacted at Antelopehillpublishing.com Paperback ISBN: 978-1-953730-41-1 ebook ISBN: 978-1-953730-42-8 “It’s the rush that the cockroaches get at the end of the world.” -Every Time I Die, “Ebolarama” Contents Introduction 1. All My Friends Are Going Trans 2. The Gaslight Anthem 3. Sex (Education) as a Weapon 4. Drag Me to Hell 5. The She-Male Gaze 6. What’s Love Got to Do With It? 7. Climate of Queer 8. Transforming Our World 9. Case Studies: Ireland and South Africa 10. Networks and Frameworks 11. Boas Constrictor 12. The Emperor’s New Penis 13. TERF Wars 14. Case Study: Cruel Britannia 15. Men Are From Mars, Women Have a Penis 16. Transgender, Inc. 17. Gross Domestic Products 18. Trans America: World Police 19. 50 Shades of Gay, Starring the United Nations Conclusion Appendix A Appendix B Appendix C Introduction “Men who get their periods are men. Men who get pregnant and give birth are men.” The official American Civil Liberties Union (ACLU) Twitter account November 19th, 2019 At this point, it is safe to say that we are through the looking glass. The volume at which all things “trans” -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
DJ Playlist.Djp
0001 I ALONE BY LIVE 0002 1 WAY TICKET(DARKNESS) BY DARKNESS 0003 19-2000 (GORILLAZ) BY GORILLAZ 0004 1979 BY SMASHING PUMPKINS 0005 1999 (PRINCE) BY PRINCE 0006 1-HERO (ENRIQUE IGLESIAS) BY ENRIQUE IGLEIAS 0007 2 BEAUTIFUL BY EMMANUAL CARELLA 0008 2 BECOME 1 (JEWEL) BY JEWEL 0009 2 OUTA 3 AINT BAD BY MEATFLOAF 0010 2+2=5 BY RADIO HEAD 0011 21 TO DAY BY HALL MARK 0012 3 LITTLE PIGS (GREEN JELLY) BY GREEN JELLY 0013 3 OF A KIND (BABY CAKES) BY BABY CAKES 0014 3,2,1 REMIX(P-MONEY) BY P-MONEY 0015 4 MY PEOPLE (MISSY) BY MISSY 0016 4 TO THE FLOOR (Thin White Duke Mix) BY STARSIALER 0017 4-5 YEARS FROM NOW BY MERCURY 0018 46 MILE TO ALICE (CMC) BY COUNTRY AUSSIE 0019 7 DAYS(CRAIG DAVID) BY CRAIG DAVID 0020 9PM TILL I COME BY ATB 0021 A LITTLE BIT BY PANDORA 0022 A LITTLE TO LATE (DELTRA GOODREM) BY DELTA GOODREM 0023 A PUBLIC AFFAIR(JESSICA SIMPSON) BY JESSICA SIMPSON 0024 A THOUSAND MILES BY VENESSA CARLTON 0025 A WOMANS WORTH(ALICIA KEYS) BY ALICIA KEYS 0026 A.D.I.D.A.S BY KILLER MIKE 0027 ABBA MEDELY BY STAR ON 45 0028 ABOUT A GIRL BY NIRVADA 0029 ABSOLUTELY EVERY BODY BY VANESSA AMOROSI 0030 ABSOLUTELY BY NINEDAYS 0031 ACROSS THE NIGHT BY SILVER CHAIR 0032 ADDICTED (ENRIQUE IGLESIAS) BY ENRIQUE IGLEIAS 0033 ADDICTED TO BASS(JOSH ABRAHAMS) BY JOSH ABRAHAMS 0034 ADDICTED TO LOVE(ROBERT PALMER) BY ROBERT PALMER 0035 ADDICTED(SIMPLE PLAN) BY SIMPLE PLAN 0036 AFFIMATION BY SAVAGE GARDEN 0037 Afropeans Better Things (Skye n Sugarstarr remix) BY SKYE N SUGARSTARR 0038 AFTER ALL THESE YEARS BY SILVER CHAIR 0039 AFTERGLOW(TAXI RIDE) BY TAXI RIDE -
Thrice Joe Bonamassa · Shooter Jennings · Clutch · Monster Truck Intro
JOE BONAMASSA HENRIK FREISCHLADER PANTERA GREEN DAY mit King Bee Shakedown BAND Rat Race Carousel This Love American Idiot ORIGINALSONG ORIGINALSONG GUITAR-CLASSIC SONGS CD Heft Nr. 221 Ausgabe 10/2018 das magazin für gitarristen und bassisten F 41248 B TRAUMHAFTER SOUND SLASH über Ton, Songs & Les Pauls 50 JAHRE UND NOCH IMMER FRISCH Die wichtigsten Gitarrenalben 1968 RIFFS & LICKS Zakk Wylde & Mick Ronson VOX MVX150 Flaggschiff mit Verlosung neuem Antrieb LTD EC-1000 Fluence HÖFNER NATURAL SERIES Nackte Klassiker nicht nur für Ökos! 8,10 L: l 12,00 8,10 SFR B: l CH: l 7,90 A: 9,50 I: l 6,90 9,50 E: D: IM INTERVIEW + INTERVIEWS THRICE JOE BONAMASSA · SHOOTER JENNINGS · CLUTCH · MONSTER TRUCK INTRO HANDMADE GUITARS Wenn die Seele strippt a hat der gute Charly ja mal Clarke (guitar 3/18) – ich bin noch richtig einen vorgelegt! Der im Nachhinein von mir selbst ge- überaus geschätzte Kollege rührt! mit den stets passenden Ganz offenbar lege ich praktisch Schlussworten fasst das Le- Monat für Monat meine Seele in des ben eines echten Bluesers Lesers Hand und habe es bisher auf Seite 146 dermaßen nicht einmal bemerkt. Und in dieser treffend zusammen, dass Ausgabe geht der Seelenstrip gar Dmir beim Lesen nicht nur vor noch weiter – nun ist die Unterwä- echtem Mitgefühl die Tränen nur sche dran. Soll heißen: In die Liste so über die Bäckchen gelaufen sind, son- der wichtigsten Gitarrenalben, die vor 50 Jah- dern dass er mich damit doch tatsächlich in ren in die Läden kamen (ab Seite 58), ist einzig Zugzwang bringt – nach dem Muster: Der und alleine mein ganz persönliches Herzblut Mann gewährt den Lesern einen tiefen Ein- geflossen. -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
Spirit of Australia Magazine December 2017
228 THE DIARY IQ. Courtesy of Zanele Muholi, Stevenson, Cape Town/Johannesburg, and Yancey Richardson See Ntozakhe II, Parktown (2016) by Zanele Muholi at the NGV Triennial exhibition in Melbourne IQ. Holiday Homework Tokyo In Japan’s capital, serene Zen gardens coexist with the sensory overload of Shinjuku’s neon lights. Get ready for the city to both perplex and delight. By Hazel Flynn. Read Listen Florent Chavouet’s 2009 book, Ryuichi Sakamoto has been Tokyo on Foot, is still of interest making music for more than today because the author is 40 years, first with pioneering an artist with an eye for quirky techno band Yellow Magic details who captures what Orchestra then as a solo artist he sees in charming drawings and collaborator. He is also the and whimsical notes. This Oscar-winning composer of isn’t a guidebook but a timeless film soundtracks, including “graphic memoir” of people and Merry Christmas, Mr Lawrence neighbourhoods discovered (1983) and The Revenant (2015). over six months of exploring. The album Playing the Piano (Note the paperback is easier (2009) is a powerful solo acoustic to pore over than the e-book.) reworking of a dozen of his best- loved pieces. Also consider... ◖ The Devotion of Suspect X Also consider... (2005): Keigo Higashino’s ◖ Akogare (2016): You don’t have thriller about an awkward to know Japanese to enjoy this maths genius, his single-mother melodic, upbeat single from neighbour and the death of indie rock quartet Mitsume. her abusive ex-husband was ◖ Pick Me Up (2015): J-pop, a phenomenon in Japan, Japan’s homegrown cousin selling two million copies. -
Era Solo List
Repertoire 1970's and beyond 1980's 1990's Annies song - John Denver 500 miles - The proclaimers 3 am - Matchbox 20 Bad moon rising - Creedence Am i ever gonna c ur face again - Angels About a girl - Nirvana Brown eyed girl - Van morrison April sun - Dragon Alive – Pearl jam Blue swayed shoes - Elvis Beds are burning - Midnight oil All your reasons - Matchbox 20 Crazy little thing called love - Queen Brick in the wall - Pink Floyd Better be home soon - Crowded house Drift away - Doobie bros Better - Screaming jets Betterman - Pearl jam Eagle rock - Daddy cool Crying shame - Johnny Diesel Basketcase - Greenday Father and son - Cat Stevens Desire - U2 Blister in the sun - Violent Femmes Hello Marylou - Ricky Nelson Don’t Worry be happy - Bobby Mc ferrin Breakfast at Tiffanys - Deep blue something I got you babe -Sonny and Cher Funky town - Pseudo Echo Closing time -Semi Sonic Johnny b good - chuck berry Free falling - Tom Petty Creep - Radiohead Mustang sally - The commitments Holy grail - Hunters & collectors Drive - Incubus My Girl - The Temptations Hurt so good - John Mellencamp December - Collective soul Rock around the clock - Buddy holly Handle with Care -Travelling Wilburys Dumb things - Paul kelly O bla dee - Beatles Hate everything about you – Ugly kid joe Everlong - Foofighters Play that funky music - Cherry cherry Im on my way - Proclaimers Everybody hurts - REM Proud mary - Creedence I got you - Split ends Easy - Faith No More Pretty woman - Roy Orbison Jessie’s girl - Bruce Springfield Enter sandman - Metallica Roadhouse blues -
The Negro in France
University of Kentucky UKnowledge Black Studies Race, Ethnicity, and Post-Colonial Studies 1961 The Negro in France Shelby T. McCloy University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation McCloy, Shelby T., "The Negro in France" (1961). Black Studies. 2. https://uknowledge.uky.edu/upk_black_studies/2 THE NEGRO IN FRANCE This page intentionally left blank SHELBY T. McCLOY THE NEGRO IN FRANCE UNIVERSITY OF KENTUCKY PRESS Copyright© 1961 by the University of Kentucky Press Printed in the United States of America by the Division of Printing, University of Kentucky Library of Congress Catalog Card No. 61-6554 FOREWORD THE PURPOSE of this study is to present a history of the Negro who has come to France, the reasons for his coming, the record of his stay, and the reactions of the French to his presence. It is not a study of the Negro in the French colonies or of colonial conditions, for that is a different story. Occasion ally, however, reference to colonial happenings is brought in as necessary to set forth the background. The author has tried assiduously to restrict his attention to those of whose Negroid blood he could be certain, but whenever the distinction has been significant, he has considered as mulattoes all those having any mixture of Negro and white blood.