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Era Solo List
Repertoire 1970's and beyond 1980's 1990's Annies song - John Denver 500 miles - The proclaimers 3 am - Matchbox 20 Bad moon rising - Creedence Am i ever gonna c ur face again - Angels About a girl - Nirvana Brown eyed girl - Van morrison April sun - Dragon Alive – Pearl jam Blue swayed shoes - Elvis Beds are burning - Midnight oil All your reasons - Matchbox 20 Crazy little thing called love - Queen Brick in the wall - Pink Floyd Better be home soon - Crowded house Drift away - Doobie bros Better - Screaming jets Betterman - Pearl jam Eagle rock - Daddy cool Crying shame - Johnny Diesel Basketcase - Greenday Father and son - Cat Stevens Desire - U2 Blister in the sun - Violent Femmes Hello Marylou - Ricky Nelson Don’t Worry be happy - Bobby Mc ferrin Breakfast at Tiffanys - Deep blue something I got you babe -Sonny and Cher Funky town - Pseudo Echo Closing time -Semi Sonic Johnny b good - chuck berry Free falling - Tom Petty Creep - Radiohead Mustang sally - The commitments Holy grail - Hunters & collectors Drive - Incubus My Girl - The Temptations Hurt so good - John Mellencamp December - Collective soul Rock around the clock - Buddy holly Handle with Care -Travelling Wilburys Dumb things - Paul kelly O bla dee - Beatles Hate everything about you – Ugly kid joe Everlong - Foofighters Play that funky music - Cherry cherry Im on my way - Proclaimers Everybody hurts - REM Proud mary - Creedence I got you - Split ends Easy - Faith No More Pretty woman - Roy Orbison Jessie’s girl - Bruce Springfield Enter sandman - Metallica Roadhouse blues -
Sebastian Moody &C
B U Sebastian Moody &c. S PROJECTS B U ‘The View’ is a suite of conceptual paintings by Sebastian Moody. The paintings are meditations on the idea of perspective, considering this as an act that occurs simultaneously-internally and externally. Simply, the works are “thinking about looking” or “looking at thinking”. Moody’s practice is concerned with how our values and ideas are constructed. In equal parts gravitas and humour, his art is most often presented through public text works, relational performances, and painting. His well known large-scale public text works have appeared in swimming pools, vehicular underpasses, and building walls; elsewhere, Moody’s works have appeared in a diversity of public and private locations creating personals ads, market research campaigns, kitchen splashbacks, coffee cup ‘interventions’, pop- up bars, focus groups, hang gliders at music festivals, shopping receipt ‘portraits’. Moody lives and works in Brisbane where he has completed a Master of Museum Studies at The University of Queensland (2009) and a Bachelor Gallery Director: Channon Goodwin Sebastian Moody of Visual Arts at the Queensland University of Design: Adam Cruickshank The View Technology (2001). Sebastian’s projects have Photography: Marc Morel 11.06.14—28.06.14 appeared at the Queensland Performing Arts Centre, Museum of Contemporary Art Australia, This project has been assisted by the Ryan Renshaw Gallery, Splendour in the Grass, Australian Government through the Next Wave Festival 2008, Linden Centre for Australia Council, its arts funding Contemporary Arts, Bundaberg Arts Centre, and advisory body. Livid Festival, Kings ARI, Museum of Brisbane, The Goodwill Bridge, The Queensland University of Technology Art Museum and Southbank Parklands. -
Queensland Music's Night of Nights at the Royal
May 14, 2018 Queensland music’s night of nights at the Royal ICC The state’s best music artists and rising stars will be recognised at the Queensland Music Awards at the Royal International Convention Centre (Royal ICC) tonight. Already an ARIA award-winner, popular Gold Coast singer Amy Shark is leading the way alongside Brisbane band The Jungle Giants with three nominations each – Amy in the pop, regional and singer/songwriter categories and The Jungle Giants in the pop, video and Album of the Year sections. With 23 awards up for grabs, the Queensland Music Awards, run by QMusic, are expected to attract more than 600 music industry identities and fans tonight. The prestigious awards have been running since 2006 and with industry heavyweights including Petrina Convey from Sony Music on the judging panel, they’ve kick-started the careers of many well-known artists including Emma Louise, best known for her song ‘My Head is a Jungle.’ Brisbane Showgrounds General Manager of Venue Sales and Marketing Jago Coyle said it was the first time the Queensland Music Awards had been held at the Royal ICC. “The Brisbane Showgrounds is the perfect venue fit – it has been home to some of the most popular music festivals including Livid, Soundwave, Stereosonic and Laneway for years,” he said. “We’re thrilled to host this event, as it celebrates Queensland music and supports artists and music fans across the state.” The Queensland Music Awards get underway at 6pm. The Brisbane Showgrounds precinct is located just 1.5km from Brisbane’s CBD and is Queensland’s largest indoor / outdoor events site. -
Revolution Rock
REVOLUTION ROCK A celebration of Brisbane’s music history 1942–2002 1.The Concept Abstract Based on research, there are about 209,000 live performers of music in Australia. Queensland accounts for 16% of this total, which is the third highest in Australia. The music industry contributed $266m to Australia’s gross product in 1995–96. REVOLUTION ROCK Attending live music concerts accounts for the majority of time spent by consumers on A celebration of Brisbane’s entertainment, closely followed by attending museums and galleries. music history 1942–2002 In one year in Australia there are: ★ 12 million attendances at public art galleries ★ 6.7 million admissions to live theatre Concept ★ 5 million admissions to musical theatre (including opera) Through collaboration with individual artists and the community, the Revolution Rock ★ 3.4 million attendances at dance performances project will examine key events in Brisbane’s social history which have galvanised residents ★ 4 million attendances at classical music concerts, and and artists to creative action in order to protect, preserve and enhance their cultural identity. ★ 19 million attendances at popular music concerts. Format Source: Australia Council Website Music Industry development and Brisbane’s future as a creative city. Revolution Rock is a multimedia project, which will include recording of oral history, film, (Flew et al. Nov 2001, QUT Creative Industries Research and Application Centre.) video and print media, live concert, exhibit, book and memorabilia, focussing on the Background Brisbane music phenomena from the 1940s to the present day. 5.1 Music has been identified as a major growth industry worldwide. The development of the Music industry provides significant wealth generating and export opportunities for Revolution Rock contents Brisbane, Queensland and Australian economies. -
Think of the Children! the Decline of Big Day out and Mega Festivals
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Willsteed, John (2014) Think of the children! The decline of Big Day Out and mega festivals. The Conversation, June, 2014. [Article] This file was downloaded from: https://eprints.qut.edu.au/74838/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https:// theconversation.com/ think-of-the-children-the-decline-of-big-day-out-and-mega-festivals-28498 “Won’t Somebody, Please, Think of The Children?” The Decline of Big Day Out and The Mega-festivals John Willsteed 26/6/2014 There will be no Big Day Out in 2015. -
Rosh Hashanah Begins at Sunset Sept
Non-Profit Org. U.S. POSTAGE PAID Pittsfield, MA Berkshire Permit No. 19 JEWISHA publication of the Jewish Federation of the Berkshires, serving V the Berkshires and surrounding ICE NY, CT and VT Vol. 29, No. 7 Elul 5781 - Tishri/Cheshvan 5782 August 23 to October 10, 2021 jewishberkshires.org “Bob Dylan: Prophet Mystic Poet,” Soar Into the High Holy Days! with Seth Rogovoy Wishing everyone a happy, healthy, “American Jewry’s greatest Dylan scholar” and peaceful 5782 concludes his “Great Jewish Rock Poets” series On Thursday, September 30 at 6:45 p.m., nationally renowned (but still our favorite local) music and culture journalist Seth Rogovoy will conclude the two-part “Great Jewish Rock Poets” with “Bob Dylan: Prophet Mystic Poet.” This Jewish Federation of the Berkshires program will be presented via Zoom. Please visit our calendar of events at jewishberkshires.org for a link to this program. In this multimedia program incor- porating still images, video, and close lyrical analysis, Seth Rogovoy explores the deep and profound influence of the Jewish background and scriptural roots on Bob Dylan’s life and work. We will see how the Nobel Prize-winning rock poet’s familiarity with Torah, The Jewish Federation of the Berkshires wishes our PHOTO BY BILL INGALLS / NASA.GOV PUBLIC DOMAIN Talmud, and Kabbalah has worked its Bob Dylan receives the Medal of community a joyous and meaningful holiday season. This way into his songs and public utter- Freedom from President Barack circa 1915 Shana Tovah was printed in Germany and sold ances, along with his embrace of Israel Obama on May 29, 2012 in the US by the Williamsburg Postcard Company, one and the Jewish outreach organization of several holiday cards of the day featuring that then- Chabad. -
7 a Survey of Traditional South-Eastern Australian Indigenous Music
7 A survey of traditional south-eastern Australian Indigenous music Barry McDonald Independent researcher Abstract This chapter comprises a discussion of south-eastern Australian traditional Aboriginal music, based on the evidence of features that have been described by observers and researchers since the beginning of European occupation in the late eighteenth century. The accounts canvassed cover subjects such as instrumentation, dance forms, song types, song creation, and musical education. An examination of recorded musical forms follows this survey, with the results of selected scholars’ analyses summarised in order to determine if stylistic homogeneity can be discerned within the sample. Further discussion contends that the attempt to isolate regional styles for Australian Indigenous musics is hampered by the fact that much of the data around south-eastern practice and production were gathered well before similar work began in other areas of the continent, by which time European attitudes and scholarly technologies and methodologies had undergone considerable and significant development. On the other hand, where south-eastern studies have been undertaken more recently, it is not known how far the music recorded has been modified by protracted European influence. Keywords: regionalism, instrumentation, performance styles, composition, education. Introduction This chapter originally formed part of a much larger study examining change in south-eastern Australian Aboriginal music between 1830 and 1930 (McDonald 2001; see also McDonald 1996a, McDonald 1996b). Its purpose there was to provide a foundational description of Aboriginal music from which the direction, quality, and extent of subsequent change in the south-east could be discerned. The study found that, while musical structures altered radically in response to European innovation, various important, essential, Indigenous elements endured. -
Entertainment Posters, Part 1 Rock Concerts, Film, Theatre & Performance
Entertainment Posters, Part 1 Rock concerts, film, theatre & performance Collectors’ List No. 190, 2017 Online catalogue Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW p: (02) 9663 4848 e: [email protected] w: joseflebovicgallery.com 1.| |For The Term Of His Natural Life,| JOSEF LEBOVIC GALLERY 1927.| Colour linocut with letter press, 101.7 x Celebrating 40 Years • Established 1977 76.5cm. Repaired minor creases and stains Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) to margins, old folds. Linen-backed.| $1,650| Text includes “All the wealth of a nation! It cost Address: 103a Anzac Parade, Kensington (Sydney), NSW over £60,000 to produce in Australia for the world! Postal: PO Box 93, Kensington NSW 2033, Australia Australia’s peerless scenery was combed to show Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 the world the nation’s natural beauty spots, the company travelling more than 2,000 miles to various Email: [email protected] • Website: joseflebovicgallery.com locations, including picturesque Tasmania. Produced Open: Monday to Saturday from 1 to 6pm by chance or by appointment by the famous international director, Norman Dawn, for Australasian Films Ltd, it is adapted from Marcus Clarke’s world-famous book, of which millions of copies have been sold. “It is the first gigantic effort to place Australia on COLLECTORS’ LIST No. 190, 2017 the movie map. Rich in earnest human appeal this Union-Master-World-Production presents something spectacular, dramatic and historical that will live for all time. Marcus Clarke’s immortal story, produced by Norman Dawn for Australasian Films Ltd. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Doctor of Philosophy
A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences University of Western Sydney March 2007 ii CONTENTS LIST OF TABLES........................................................................................ VIII LIST OF FIGURES ...................................................................................... VIII LIST OF PHOTOGRAPHS ............................................................................ IX ACKNOWLEDGMENTS................................................................................. X STATEMENT OF AUTHORSHIP .................................................................. XI PRESENTATION OF RESEARCH............................................................... XII SUMMARY ..................................................................................................XIV CHAPTER 1 INTRODUCING MUSIC FESTIVALS AS POSTMODERN SITES OF CONSUMPTION.............................................................................1 1.1 The Aim of the Research ................................................................................................................. 6 1.2 Consumer Society............................................................................................................................. 8 1.3 Consuming ‘Youth’........................................................................................................................ 10 1.4 Defining Youth .............................................................................................................................. -
La Coka Nostra Rolling with Grinspoon Pt.Ii Kiva
WWW.KOTORIMAG.COM MAGAZINE WWW.KOTORIMAG.COM MAGAZINE DEERHOOF • THE LOCUST • AS Tall AS LIONS • CLUTCH • DAVID CHOE • RJD2 • BUFF MONSTER • NORma JEAN • POT TM MUSIC/ART/POLITICS/CULTURE #009 MUSIC/ART/POLITICS/CULTURE LA COKA NOSTRA ROWDINESS, BEllIGERENCE AND AGGRESSION ROllING WITH GRINSPOON PT.II “WE’RE GOING TO GET AN INJECTION OF A WHOLE NEW ENERGY...” KIVA INVESTORS SEEKING EMOTIONal RETURNS LOOK NO FURTHER WE ARE THE FURY CattlE DECapItatION SIERRA SWAN CLEAR CHANNEL - AMERICAN SODOMITES? USA $3.99 CANADA $4.99 ISSUE 9 WWW.KOTORIMAG.COM TABLE OF CONTENTS LA COKA NOSTRA I’m not knocking anyone else’s shit but hip hop is in a flossy KIVA place and I don’t feel like it’s reflecting the world we’re Investors seeking emotional returns…look no further. 40 living in right now!” 33 CLUTCH BUFF MONSTER “One day in the middle of a show I turned around and looked “The mass appeal of urban inspired or urban related art is 23 behind me and there were two 30 foot penises behind us.” 27 growing every day.” POWER PELLETS: Kotori tells you wutz up! 04 DEERHOOF 14 Satomi educates America on why Asians are so salty WE ARE THE FURY: A HEAD COLD COUldn’t TRIP UP ROCK-N-ROLL 06 THE LOCUST ASPHALT JUNGLE: swallows up Bob Marley 10 20 swarmin’ with their one-liners!! FASHIONABLY SKATEBOARDING: SICK ASS DECKS! 16 SIERRA SWAN 50 super-sexy sultry ssssss! HOW TO MAKE YOUR MUSIC VIDEO 18 SANDBLOOM: ONE CRAZY WHITE BOY WITH A LOT OF SOUL 30 AS TALL AS LIONS 08 Singer Dan Nigro hiccups his way through animal cruelty & the glockenspiel METERMAIDS: DOG POO AND DEMO RAP COLLIDE! 54 FASHION ADVENTURES: Kotori conquers fashion!!! 55 RJD2 47 Ramble John Krohn carves an exciting ‘pop’ path down a road he’s always taken.. -
Grinspoon Guide to Better Living + Bonus Live EP Mp3, Flac, Wma
Grinspoon Guide To Better Living + Bonus Live EP mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Guide To Better Living + Bonus Live EP Country: Australia Released: 1998 Style: Alternative Rock, Hard Rock MP3 version RAR size: 1317 mb FLAC version RAR size: 1348 mb WMA version RAR size: 1924 mb Rating: 4.8 Votes: 797 Other Formats: MP1 VQF FLAC VOX MOD ASF AU Tracklist Hide Credits Guide To Better Living 1-01 Pressure Tested 1984 2:46 1-02 Boundary 2:32 1-03 DC X 3 2:55 1-04 Sickfest 3:12 1-05 Railrider 4:07 1-06 Scalped 2:36 1-07 Pedestrian 2:16 1-08 Just Ace 1:48 1-09 Post Enebriated Anxiety 2:38 1-10 Repeat 3:17 1-11 NBT 2:25 1-12 Don't Go Away 2:55 1-13 Balding Matters 2:34 Bad Funk Stripe 1-14 4:43 Keyboards – Piet Boon 1-15 Champion 2:41 1-16 Truk 4:08 Guide To Better Living Bonus Disc 2-01 Just Ace 1:48 2-02 Grudgefest Intro 0:34 2-03 More Than You Are (Live) 2:55 2-04 Freezer (Live) 2:04 2-05 Post Enebriated Anxiety (Live) 3:09 2-06 NBT (Live) 2:50 2-07 Just Ace (Live) 2:01 Companies, etc. Recorded At – Grudgefest Credits Mastered By – Don Bartley Mixed By [Assistant] – Aaron Pratley Producer – Grinspoon Producer, Mixed By – Phillip McKellar Recorded By [Assistant] – Greg Courtney Notes Includes the Just Ace single as a bonus live EP.