La Coka Nostra Rolling with Grinspoon Pt.Ii Kiva
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Autoethnography of Scottish Hip-Hop: Identity, Locality, Outsiderdom and Social Commentary
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Napier An autoethnography of Scottish hip-hop: identity, locality, outsiderdom and social commentary Dave Hook A thesis submitted in partial fulfilment of the requirements of Edinburgh Napier University, for the award of Doctor of Philosophy June 2018 Declaration This critical appraisal is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated in the text. It has not been previously submitted, in part or whole, to any university or institution for any degree, diploma, or other qualification. Signed:_________________________________________________________ Date:______5th June 2018 ________________________________________ Dave Hook BA PGCert FHEA Edinburgh i Abstract The published works that form the basis of this PhD are a selection of hip-hop songs written over a period of six years between 2010 and 2015. The lyrics for these pieces are all written by the author and performed with hip-hop group Stanley Odd. The songs have been recorded and commercially released by a number of independent record labels (Circular Records, Handsome Tramp Records and A Modern Way Recordings) with worldwide digital distribution licensed to Fine Tunes, and physical sales through Proper Music Distribution. Considering the poetics of Scottish hip-hop, the accompanying critical reflection is an autoethnographic study, focused on rap lyricism, identity and performance. The significance of the writing lies in how the pieces collectively explore notions of identity, ‘outsiderdom’, politics and society in a Scottish context. Further to this, the pieces are noteworthy in their interpretation of US hip-hop frameworks and structures, adapted and reworked through Scottish culture, dialect and perspective. -
Lone Bellow – Episode Transcript Matt: for Those Who Are Unaware of Steven Pressfield, Pressfield Is an Author of a Book Called the War of Art
THE RESISTANCE – EPISODE 18 Zach Williams of The Lone Bellow – Episode Transcript Matt: For those who are unaware of Steven Pressfield, Pressfield is an author of a book called The War of Art. It’s actually sort of our source inspirational material for the podcast, so Zach I’d love just to read a couple lines and have you riff on that, and we’ll see where it goes over the next few minutes. So Pressfield says this: “Most of us have two lives: the life we live, and the unlived life within us. And between the two stands the resistance.” Zach, I’d love to know for you, what form resistance is taking, on the verge of another album release, or even personally in other creative ways, whatever that strikes you. Zach: I think some of my base levels, I struggle with people-pleasing, and that can be with my band, that can be during a show. It’s something that I have to be aware of. So I think I needed to figure out some things going on inside me that would easily lead me to making something that I didn’t want to make, once it was all said and done, and not getting carried away just in the process of creating the music. Every single sound that you record, every single emotion that you try to capture, it all can be tied back in to one thing in someone’s soul. For me, that can easily be some sort of fear. I started writing music in 2003, and it was a very cathartic thing. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
The Tower, 26(7)
ii versityCr Volume XXV1 Issue Text Messaging Keeps Arcadia Safe By NEIL HUNIUNS and Terry Ryan the Assistant to Associate Editor Arcadias President Jerry Greiner On brisk afternoon in Though the system is an Glenside truck delivering liq exciting and critical addition to uid chlorine to nearby swim Arcadias safety measures ming pool is traveling north Bonner was careful to put its bound on Route 309 As it pass importance in perspective es Arcadias campus the tn E2C is just an added tool encounters debris on the road an Bonner stated emphasizing that the driver swerves the truck to Public Safety still maintains mul avoid the obstacles bit too tiple approaches to maximize hard of swerve it would seem as safety on campus This is just the truck topples over spilling the one of the tools we use to notify deadly liquid on to the highway students and faculty on campus breeze to allowing northerly this notification tion of the Emergency Bonner attended last winter Still new the toxic chlorine fumes sweep is addition for Notification System As the sce Six months later the lives of system powerful toward Arcadias campus Arcadia The is located nario above indicates this system 27 students and faculty mem system Moments later cell phones off and is on monopolizes on text messaging bers at Virginia Tech were taken campus separate across Arcadias buzz campus network from Arcadias Internet to alert students and faculty of by lone shooter in matter of Get inside and simultaneously service In the confu immediate threats to life per hours and the necessity -
Ég Á Mig Sjálf Stærri Markaður, Meiri Vinna Og Minni Tekjur Í Tónlistariðnaði Nútímans
HÁSKÓLINN Á BIFRÖST - FÉLAGSVÍSINDASVIÐ Ég á mig sjálf Stærri markaður, meiri vinna og minni tekjur í tónlistariðnaði nútímans Ritgerð til MA gráðu í Menningarstjórnun Nafn nemanda: Jóhann Ágúst Jóhannsson Leiðbeinandi: Dr. Njörður Sigurjónsson Haust – 2014 2 Lokaverkefni til MA prófs Staðfesting lokaverkefnis til meistaragráðu í menningarstjórnun Lokaverkefnið : Ég á mig sjálf Stærri markaður, meiri vinna og minni tekjur í tónlistariðnaði nútímans eftir : Jóhann Ágúst Jóhannsson Kt. 250173-5559 hefur verið metið og varið á málsvörn frammi fyrir dómnefnd þriggja dómnefndarmanna samkvæmt reglum og kröfum Háskólans á Bifröst og hefur hlotið lokaeinkunnina : _______________ . ________________________________ Dagsetning og stimpill skólans 3 Ágrip Ég á mig sjálf er rannsóknarritgerð um sjálfstætt starfandi tónlistarfólk og áhrif breytinga á starfsumhverfi þeirra, útgáfumál, tækifæri og afkomu. Nútímatækni á borð við streymi og tónlistarveitur ásamt breytingum á neyslu almennings hefur haft mikil áhrif á útgáfumál og rekstrarafkomu tónlistarfólks sem enn sér ekki fyrir endann á og skapar óvissu þegar kemur að útgáfumálum og rekstrarafkomu. Leitast er við að svara spurningum á borð við hvernig tónlistarfólk upplifir þær breytingar sem fylgt hafa tónlistariðnaði nútímans og hvaða áhrif þær hafa haft á tækifæri og störf óháðra og sjálfstætt starfandi tónlistarmanna. Efni ritgerðarinnar er sett í samhengi við erlendar samtíma rannsóknir á breytingum og þróun tónlistariðnaðarins og áhrifa þeirra á tónlistarfólk. Menningarfræðileg umfjöllun um menningariðnaðinn, -
Rcc the CCCCCD Brown Comes Back Strong, House of Pain Needs to Come Again
FEATURES SEPTEMBER 16, 1992 ] rcc THE CCCCCD Brown comes back strong, House of Pain needs to come again By TJ Stancil Of course, this album was the album in “Something in proud of Cypress Hill’s assistance Music Editor probably made before someone Common.” The album has slow on their album. decided to remix those tracks so jams in abundance as well as the With a song like “Jump Yo, what’s up everybody? I can’t throw out blame. The typical B. Brown dance floor jam, Around,” it would be assumed that I’m back wilh another year of album as is is a Neo-Reggae but the slow jams sometimes seem this album isp^etty hype. WRONG! giving you insight on what’s hot classic (in my opinion) which hollow since he obviously doesn’t Let me tell you why it is definitely and what ’ s not in black and urban should be looked at. Other songs mean them (or does he?). not milk. contemporary music. This year, of mention are ‘Them no care,” Also, some of the slow jams, the First, all of their songs, like with a new staff and new format. “Nuff Man a Dead,” and “Oh majority of which were written and Cypress Hill’s, talk about smoking Black Ink will go further than It’s You.” Enjoy the return of produced by L.A. and Babyface, blounts and getting messed up. before in the realm of African- Reggae, but beware cheap seem as though they would sound Secondly, most of the beats sound American journalism. -
Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
AD GUITAR INSTRUCTION** 943 Songs, 2.8 Days, 5.36 GB
Page 1 of 28 **AD GUITAR INSTRUCTION** 943 songs, 2.8 days, 5.36 GB Name Time Album Artist 1 I Am Loved 3:27 The Golden Rule Above the Golden State 2 Highway to Hell TUNED 3:32 AD Tuned Files and Edits AC/DC 3 Dirty Deeds Tuned 4:16 AD Tuned Files and Edits AC/DC 4 TNT Tuned 3:39 AD Tuned Files and Edits AC/DC 5 Back in Black 4:20 Back in Black AC/DC 6 Back in Black Too Slow 6:40 Back in Black AC/DC 7 Hells Bells 5:16 Back in Black AC/DC 8 Dirty Deeds Done Dirt Cheap 4:16 Dirty Deeds Done Dirt Cheap AC/DC 9 It's A Long Way To The Top ( If You… 5:15 High Voltage AC/DC 10 Who Made Who 3:27 Who Made Who AC/DC 11 You Shook Me All Night Long 3:32 AC/DC 12 Thunderstruck 4:52 AC/DC 13 TNT 3:38 AC/DC 14 Highway To Hell 3:30 AC/DC 15 For Those About To Rock (We Sal… 5:46 AC/DC 16 Rock n' Roll Ain't Noise Pollution 4:13 AC/DC 17 Blow Me Away in D 3:27 AD Tuned Files and Edits AD Tuned Files 18 F.S.O.S. in D 2:41 AD Tuned Files and Edits AD Tuned Files 19 Here Comes The Sun Tuned and… 4:48 AD Tuned Files and Edits AD Tuned Files 20 Liar in E 3:12 AD Tuned Files and Edits AD Tuned Files 21 LifeInTheFastLaneTuned 4:45 AD Tuned Files and Edits AD Tuned Files 22 Love Like Winter E 2:48 AD Tuned Files and Edits AD Tuned Files 23 Make Damn Sure in E 3:34 AD Tuned Files and Edits AD Tuned Files 24 No More Sorrow in D 3:44 AD Tuned Files and Edits AD Tuned Files 25 No Reason in E 3:07 AD Tuned Files and Edits AD Tuned Files 26 The River in E 3:18 AD Tuned Files and Edits AD Tuned Files 27 Dream On 4:27 Aerosmith's Greatest Hits Aerosmith 28 Sweet Emotion -
BLAHZAY BLAHZAY Blah Blah Blah NO EXPORT to EUROPE
BLAHZAY BLAHZAY Blah Blah Blah NO EXPORT TO EUROPE KEY SELLING POINTS • First time to ever be reissued on vinyl since original 1996 release on Fader Records • Features original artwork from the official release • Limited edition of 1000 hand-numbered copies DESCRIPTION ARTIST: Blahzay Blahzay In August 1996, a Brooklyn duo consisting of MC Outloud and DJ TITLE: Blah Blah Blah P.F. Cuttin, better known to the world as Blahzay Blahzay, released CATALOG: l-TKR003 “Blah Blah Blah”, their one and only album, on Fader Records. The LABEL: Tuff Kong Records album’s 13 tracks proudly waved the flag of the East, featuring hit GENRE: Hip-Hop single “Danger”, as well as other bangers such as “Pain I Feel”, “Good BARCODE: 659123084215 Cop/Bad Cop” and “Danger - Part 2” (featuring Smoothe Da Hustler, FORMAT: 2XLP Trigger Tha Gambler and Wu-Tang affiliate La the Darkman). The RELEASE: 6/30/2017 combination of PF Cuttin’s polished beats and Outloud’s aggressive LIST PRICE: $31.98 / FB lyrical style made this album a classic for all underground hip-hop heads. TRACKLISTING 1. Intro Twenty-one years after its original release, Blahzay Blahzay have 2. Blah, Blah, Blah teamed up with Italian independent record label Tuff Kong Records 3. Medina’s In Da House to bring back their legendary “Blah Blah Blah” LP. This spring, Tuff 4. Danger - Part 2 (feat. La The Darkman, Smoothe Da Hustler, Kong Records will be releasing the album on 2LP, re-mastered for Trigger Tha Gambler) vinyl and featuring the original artwork, as a limited edition run of 5. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Bird Biodiversity in Heavy Metal Songs
Journal of Geek Studies jgeekstudies.org Bird biodiversity in heavy metal songs Henrique M. Soares1, João V. Tomotani2, Barbara M. Tomotani 3, Rodrigo B. Salvador3 1 Massachusetts Institute of Technology. Cambridge, MA, U.S.A. 2 Escola Politécnica, Universidade de São Paulo. São Paulo, SP, Brazil. 3 Museum of New Zealand Te Papa Tongarewa. Wellington, New Zealand. Emails: [email protected]; [email protected]; [email protected]; [email protected] Birds have fascinated humankind since 1), birds are not typically seen as badass forever. Their ability to fly, besides being a enough to feature on heavy metal album constant reminder of our own limitations, covers and songs, even though sometimes was a clear starting point to link birds to they already have the right makeup for it deities and the divine realm (Bailleul-LeSu- (Fig. 2). er, 2012). Inevitably, these animals became very pervasive in all human cultures, myths As we highlighted above, the birds’ and folklore (Armstrong, 1970). In fact, they power of flight is their main feature, but are so pervasive that they have found their they have another power up their feathery way to perhaps the most unlikely cultural sleeves. And this feat is one that people tend niche: Heavy Metal. to consider one of the most human endeav- ors of all: music. Most birds are deemed With some exceptions, such as raptors melodious creatures, like the slate-colored (Accipitriformes) and ravens/crows1 (Fig. solitaire (Myadestes unicolor) from Central Figure 1. Examples of album covers with birds: Devil’s Ground, by Primal Fear (Nuclear Blast, 2004), and the fan- tastic Winter Wake, by Elvenking (AFM, 2006).