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The Fearless Leader Fearless the Paul 196
TWO RAINMAKERS PAUL THE FEARLESS LEADER 196 ven back then, I was taking on far too many jobs,” Def Jam Chairman Paul Rosenberg recalls of his early career. As the longtime man- Eager of Eminem, Rosenberg has been a substantial player in the unfolding of the ‘‘ modern era and the dominance of hip-hop in the last two decades. His work in that capacity naturally positioned him to seize the reins at the major label that brought rap to the mainstream. Before he began managing the best- selling rapper of all time, Rosenberg was an attorney, hustling in Detroit and New York but always intimately connected with the Detroit rap scene. Later on, he was a boutique-label owner, film producer and, finally, major-label boss. The success he’s had thus far required savvy and finesse, no question. But it’s been Rosenberg’s fearlessness and commitment to breaking barriers that have secured him this high perch. (And given his imposing height, Rosenberg’s perch is higher than average.) “PAUL HAS Legendary exec and Interscope co-found- er Jimmy Iovine summed up Rosenberg’s INCREDIBLE unique qualifications while simultaneously INSTINCTS assessing the State of the Biz: “Bringing AND A REAL Paul in as an entrepreneur is a good idea, COMMITMENT and they should bring in more—because TO ARTISTRY. in order to get the record business really HE’S SEEN healthy, it’s going to take risks and it’s going to take thinking outside of the box,” he FIRSTHAND told us. “At its height, the business was run THE UNBELIEV- primarily by entrepreneurs who either sold ABLE RESULTS their businesses or stayed—Ahmet Ertegun, THAT COME David Geffen, Jerry Moss and Herb Alpert FROM ALLOW- were all entrepreneurs.” ING ARTISTS He grew up in the Detroit suburb of Farmington Hills, surrounded on all sides TO BE THEM- by music and the arts. -
Nightlife, Djing, and the Rise of Digital DJ Technologies a Dissertatio
UNIVERSITY OF CALIFORNIA, SAN DIEGO Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Kate R. Levitt Committee in Charge: Professor Chandra Mukerji, Chair Professor Fernando Dominguez Rubio Professor Kelly Gates Professor Christo Sims Professor Timothy D. Taylor Professor K. Wayne Yang 2016 Copyright Kate R. Levitt, 2016 All rights reserved The Dissertation of Kate R. Levitt is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my family iv TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………….........iii DEDICATION……………………………………………………………………….......iv TABLE OF CONTENTS………………………………………………………………...v LIST OF IMAGES………………………………………………………………….......vii ACKNOWLEDGEMENTS…………………………………………………………….viii VITA……………………………………………………………………………………...xii ABSTRACT OF THE DISSERTATION……………………………………………...xiii Introduction……………………………………………………………………………..1 Methodologies………………………………………………………………….11 On Music, Technology, Culture………………………………………….......17 Overview of Dissertation………………………………………………….......24 Chapter One: The Freaks -
Read Book the Exile Waiting
THE EXILE WAITING PDF, EPUB, EBOOK Vonda N McIntyre | 324 pages | 22 Oct 2019 | Handheld Press | 9781912766093 | English | United Kingdom The Exile Waiting PDF Book McIntyre's world is intriguing and haunting--the caverns, view spoiler [the slow realization that the city of Center is also underground and that it's like this because we are on what can only be a post-nuclear-collapse Earth hide spoiler ] , the elusive Sphere, which we never see the way we expect even as its talked about contstantly view spoiler [and the novel ends with our protagonist headed off Earth and out into the Sphere, insiting that Earth be no longer forgotten hide spoiler ] , the various forms of mind-linkage. There are no discussion topics on this book yet. Quondame 3. McIntyre: Superluminal Nautilus. Sep 11, fromcouchtomoon rated it really liked it. This will work for background filler characters, but when some of your main characters are still close to mysteries when the story ends, the reader is left sadly unfulfilled. The primary characters are Mischa a young thief with telepathic abilities, trapped by her exceptionally dysfunctional family , Jan Hikaru more of an observer , and Subtwo part of a behavorial experienced, he has been twinned with an unrelated "pseudosib" Subone, who is presented as more a collection of stereotypical behaviors. From above descend two outworlders, apparently twins, but actually linked only by their telepathic bond. This was a crucial insight for Diaspora Judaism, those living in Babylon, Egypt, or elsewhere, deprived of their former institutions. Slavery is a big theme in this novel but even the top citizens of the world seem to be stuck in a less than stellar environment. -
Rapparen & Gourmetkocken Action Bronson Tillbaka Med Nytt Album
2015-03-03 10:31 CET Rapparen & gourmetkocken Action Bronson tillbaka med nytt album Hiphoparen och kocken Arian Asllani, aka Action Bronson, från Queens New York släpper nya albumet Mr. Wonderful den 25 mars. Bronson har med flertalet album, EP’s och mixtapes i ryggen gjort sig ett namn som en utav vår tids bästa rappare. Det sätt han levererar sitt artisteri och kombinerar sina rapfärdigheter med humor, självdistans och genomgående matreferenser gör honom unik i musikvärlden. Innan Bronson påbörjade sin karriär som rappare, som ursprungligen endast var en hobby för honom, var han en respekterad gourmetkock i New York City. Han drev sin egen online matlagnings show med titeln "Action In The Kitchen". Efter att han bröt benet i köket bestämde han sig för att enbart koncentrera sig på musiken. Debutalbumet Dr. Lecter släpptes 2011 såväl som ett par mixtapes, däribland Blue Chips. Sent år 2012 signade rapparen med Warner Music via medieföretaget VICE och för två år sedan släppte han EP’n Saaab Stories samt spelade på en av världens viktigaste musikfestivaler, nämligen Coachella Music Festival. Genom åren har han haft samarbeten med flera stor rappare såsom Wiz Khalifa, Raekwon, Eminem och Kendrick Lamar. Enligt Bronson är det kommande albumet hans bästa verk hittills. “I gave this my most incredible effort,” säger han. “If you listen to everything I’ve put out and then listen to this you’ll hear the steps that I’ve taken to go all out and show progression.” Singeln Baby Blue ft. Chance The Rapper, producerad av Mark Ronson, premiärspelades igår av Zane Lowe på BBC Radio 1. -
BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER
BROWNOUT Fear Of A Brown Planet COOP AVAILABLE SHIPPING WITH PROMO POSTER KEY SELLING POINTS • Billboard premier: Brownout Delivers Funky Cover of Public Enemy’s ‘Fight the Power’ • Fear Of A Brown Planet follows The Elmatic Instrumentals and Enter The 37th Chamber in Fat Beats Records heralded stream of instrumental takes of hip hop classics • Brownout has released past albums with Ubiquity Records (Brown Sabbath) and enjoyed a stint backing the late legend Prince • Tour dates planned for the summer of 2018 DESCRIPTION ARTIST: Brownout Twenty-eight years ago, pissed-off 12-year-olds around the universe discovered TITLE: Fear Of A Brown Planet a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even CATALOG: L-FB5185 / CD-FB5185 in the border town of Laredo, Texas, home of the future founders of the Latin- Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album LABEL: Fat Beats Records Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s GENRE: Psych-Funk/Hip-Hop music and revolutionary spirit. BARCODE: 659123518512 / 659123518529 Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the FORMAT: LP / CD seeds for countless Public Enemy sleeper cells, one that would emerge nearly HOME MARKET: Austin, Texas three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” RELEASE: 5/25/2018 is built on James Brown samples, while a teenaged Beto Martinez (guitar) $17.98 / CH / $9.98 / AH alternated between metal and hip-hop in his walk-man, and Adrian Quesada LIST PRICE: (guitar/keys) remembers falling in love with Public Enemy’s sound at an early CASE QTY: LP 30 / CD 200/1 age. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
RIGHTS CLAIMS THROUGH MUSIC a Study on Collective Identity and Social Movements
RIGHTS CLAIMS THROUGH MUSIC A study on collective identity and social movements Dzeneta Sadikovic Department of Global and Political Studies Human Rights III (MR106S) Bachelor thesis, 15hp 15 ETC, Fall/2019 Supervisor: Dimosthenis Chatzoglakis Abstract This study is an analysis of musical lyrics which express oppression and discrimination of the African American community and encourage potential action for individuals to make a claim on their rights. This analysis will be done methodologically as a content analysis. Song texts are examined in the context of oppression and discrimination and how they relate to social movements. This study will examine different social movements occurring during a timeline stretching from the era of slavery to present day, and how music gives frame to collective identities as well as potential action. The material consisting of song lyrics will be theoretically approached from different sociological and musicological perspectives. This study aims to examine what interpretative frame for social change is offered by music. Conclusively, this study will show that music functions as an informative tool which can spread awareness and encourage people to pressure authorities and make a claim on their Human Rights. Keywords: music, politics, human rights, freedom of speech, oppression, discrimination, racism, culture, protest, social movements, sociology, musicology, slavery, civil rights, African Americans, collective identity List of Contents 1. Introduction p.2 1.1 Topic p.2 1.2 Aim & Purpose p.2 1.3 Human Rights & Music p.3 1.4 Research Question(s) p.3 1.5 Research Area & Delimitations p.3 1.6 Chapter Outline p.5 2. Theory & Previous Research p.6 2.1 Music As A Tool p.6 2.2 Social Movements & Collective Behavior p.8 2.2.1 Civil Rights Movement p.10 3. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
The Hilltop 11-22-1991
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 11-22-1991 The iH lltop 11-22-1991 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 11-22-1991" (1991). The Hilltop: 1990-2000. 39. http://dh.howard.edu/hilltop_902000/39 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. - Graduate school enhances research~ MORE FUNDS: Ayearaftera commission recommended that Howard become more research oriented, the Graduate School of Arts and Sciences has started a program to raise funds for more ed to bring in more money. students to conduct research. A3 By Depelsha R. Thomas ADUATE LOFAR Green is director of the Collaborative Core Unit Hilltop Staff Writer • in Labor, Race, and the Political Economy. DAVIS' DAY: Actor Ossie Davis He said, '''!'he~ groups are heading .attempts at will be on campus In acch{'dance with President Jenifer 's Howard Enrollment: 1,073 (based on 1990-91 figures) Howard Un1vers1ty to foster research systemati Monday as part of a 2000 pl')', the Graduate School of Arts and cally." lecture series spon Sciences 1s creating new initiatives to recruit top Number of programs: 30 Sadler said making the transition to a research sored by WHMM notch students and to make Howard a more institution is critical for the graduate school. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
NSD178 Blu X Shafiq Husayn
BLU X SHAFIQ HUSAYN The Blueprint KEY SELLING POINTS • The latest project from acclaimed L.A. rapper Blu • Produced by famed producer Shafiq Husayn of Sa-Ra Creative Partners, who has produced tracks for Erykah Badu, Kanye West, Andre 3000, John Legend, Anderson Paak, Thundercat, Bilal, Ty Dolla $ign, Ice T, and many more • Includes one track produced by Nottz and one track produced by Taz Arnold • Includes guest appearances from Ca$hus King, Jimetta Rose, MED, and more DESCRIPTION ARTIST: Blu x Shafiq Husayn In recent years, Los Angeles rapper Blu has become one of hip-hop’s TITLE: The Blueprint most prolific artists, releasing more than a dozen acclaimed projects and CATALOG: L-NSD178 / CD-NSD178 building a worldwide fanbase. The gifted lyricist often joins forces with a LABEL: Nature Sounds single producer for an entire collection, leading to classic collaborative GENRE: Hip-Hop/Rap BARCODE: 822720717811 / 822720717828 releases with Exile, Nottz, Madlib, and more. Now, Blu is back with The FORMAT: 2XLP / CD Blueprint, a new mixtape produced by Shafiq Husayn. Known as one HOME MARKET: Los Angeles third of visionary production team Sa-Ra Creative Partners, Shafiq RELEASE: 7/20/2018 has produced for the likes of Erykah Badu, Kanye West, Andre 3000, LIST PRICE: $22.98 / CS / $11.98 / AK John Legend, Anderson Paak, Thundercat, Bilal, Ty Dolla $ign, Ice T, CASE QTY: CD 200 and many more. Dedicated to the gang culture that permeates the city TRACKLISTING (Click Tracks In Blue To Preview Audio) they both call home, The Blueprint reflects Blu’s eternal L.A.