Read Book the Exile Waiting
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2010-01-01 Exile in the Gramola: A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the American Literature Commons, Ethnic Studies Commons, Fine Arts Commons, and the Literature in English, North America Commons Recommended Citation Santos, Roberto Alejandro, "Exile in the Gramola: A Jewinican (Re)Collection" (2010). Open Access Theses & Dissertations. 2777. https://digitalcommons.utep.edu/open_etd/2777 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION ROBERTO ALEJANDRO SANTOS Department of Creative Writing APPROVED: _____________________________________________ Benjamin Alire Sáenz, Committee Chair _____________________________________________ Sasha Pimentel Chacón, M.F.A. _____________________________________________ Maceo Dailey, Ph.D. _____________________________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © 2010 by Roberto Alejandro Santos All Rights Reserved. Livication For my family & friends EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION by ROBERTO ALEJANDRO SANTOS, B.A., M.F.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO May 2010 Preface to Exile in the Gramola : A Jewinican (Re)Collection What is a book of poetry but a collection of words and lines, truths and lies, questions and almost-answers. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
NSD178 Blu X Shafiq Husayn
BLU X SHAFIQ HUSAYN The Blueprint KEY SELLING POINTS • The latest project from acclaimed L.A. rapper Blu • Produced by famed producer Shafiq Husayn of Sa-Ra Creative Partners, who has produced tracks for Erykah Badu, Kanye West, Andre 3000, John Legend, Anderson Paak, Thundercat, Bilal, Ty Dolla $ign, Ice T, and many more • Includes one track produced by Nottz and one track produced by Taz Arnold • Includes guest appearances from Ca$hus King, Jimetta Rose, MED, and more DESCRIPTION ARTIST: Blu x Shafiq Husayn In recent years, Los Angeles rapper Blu has become one of hip-hop’s TITLE: The Blueprint most prolific artists, releasing more than a dozen acclaimed projects and CATALOG: L-NSD178 / CD-NSD178 building a worldwide fanbase. The gifted lyricist often joins forces with a LABEL: Nature Sounds single producer for an entire collection, leading to classic collaborative GENRE: Hip-Hop/Rap BARCODE: 822720717811 / 822720717828 releases with Exile, Nottz, Madlib, and more. Now, Blu is back with The FORMAT: 2XLP / CD Blueprint, a new mixtape produced by Shafiq Husayn. Known as one HOME MARKET: Los Angeles third of visionary production team Sa-Ra Creative Partners, Shafiq RELEASE: 7/20/2018 has produced for the likes of Erykah Badu, Kanye West, Andre 3000, LIST PRICE: $22.98 / CS / $11.98 / AK John Legend, Anderson Paak, Thundercat, Bilal, Ty Dolla $ign, Ice T, CASE QTY: CD 200 and many more. Dedicated to the gang culture that permeates the city TRACKLISTING (Click Tracks In Blue To Preview Audio) they both call home, The Blueprint reflects Blu’s eternal L.A. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
CHUCK STRANGERS Consumers Park
CHUCK STRANGERS Consumers Park LP COMING SOON KEY SELLING POINTS • Contributed production to the Joey Bada$$ studio albums B4.DA.$$ and All-Amerikkkan Bada$$ and has also produced tracks for Casey Veggies, Mick Jenkins, Nitty Scott, Hus Kingpin, and more • Music video for first single “Fresh” premiered on BET and was covered by top outlets like XXL, Mass Appeal, HypeBeast, Impose, NahRight, 2DopeBoyz, OnSmash • Just finished a European tour opening up for Joey Bada$$ and will be joining Joey and Pro Era on a U.S. tour this summer • Music videos currently in production for upcoming singles “Style Wars” (ft. Joey Bada$$), “Backwood Falls”, and “Thoro Hall” (ft. Kirk Knight) DESCRIPTION ARTIST: Chuck Strangers Since bursting onto the scene in 2012, Brooklyn hip-hop collective Pro TITLE: Consumers Park Era has sent shockwaves through the culture. Crew leader Joey Bada$$ CATALOG: CD-NSD169 has become one of rap’s biggest stars, and Pro Era artists like Kirk LABEL: Nature Sounds Knight, Nyck Caution, and CJ Fly have launched their own successful GENRE: Hip-Hop solo careers. Chuck Strangers has been a key member of Pro Era from BARCODE: 822720716920 the start, producing classic Joey Bada$$ tracks like “Daily Routine”, FORMAT: CD “FromdaTomb$” (which he was also featured on), “Summer Knights”, “My HOME MARKET: Brooklyn, New York City Yout”, “Escape 120”, “Rockabye Baby”, and more. A true double-threat RELEASE: 3/16/2018 who’s just as skilled on the mic as he is behind the boards, Chuck is LIST PRICE: $12.98 / AL poised as the next breakout star from the Era. -
RSD New Releases
COMMON Can I Borrow A Dollar? 25th Anniversary Edition KEY SELLING POINTS • First official reissue in 20+ years, first time on 2XLP vinyl • Includes bonus 7” featuring the rare B-side “Can-I-Bust” and the instrumental for the single “Breaker 1/9” • The album was entirely produced by No I.D. (then called Immenslope) and The Twilite Tone, with additional production by The Beatnuts DESCRIPTION ARTIST: Common While hip-hop was experiencing a creative revolution in the late 1980s TITLE: Can I Borrow A Dollar? 25th Anniversary Edition and early 1990s, the genre was still somewhat restricted geographically, CATALOG: L-NSD813 primarily dominated by New York City and Los Angeles. Acclaimed LABEL: Nature Sounds artist Common was among the first successful rappers from elsewhere, GENRE: Hip-Hop/Rap BARCODE: 822720781317 officially putting Chicago on the hip-hop map with this debut album Can FORMAT: 2XLP + 7" I Borrow A Dollar?. Released in 1992, the album is a vintage boom-bap HOME MARKET: Chicago, Illinois masterpiece, with famed producer No I.D. behind the boards on 12 of RELEASE: 4/21/2018 (RSD) 13 tracks. It also marks the beginning of a storied career, as Common LIST PRICE: $34.98 / RF would go on to release three gold albums, create classics with the likes of J Dilla and Kanye West, win multiple Grammys and even an Academy TRACKLISTING Award, and land several major roles as an actor. Long out-of-print, Can I Borrow A Dollar? is now back on 2LP vinyl while supplies last. This 25th LP anniversary edition also includes a bonus 7” featuring the rare B-side 1. -
The Politics of Independent Hip-Hop a Dissertation Submitted in Partial
UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. I contend that independent hip-hop remains a complex contemporary subculture. My research design utilizes a mixed methods approach. First, I analyze the lyrics of independent hip-hop albums through a content analysis of twenty-five independent albums from 2000-2013. I uncover the dominant ideologies of independent hip-hop artists regarding race, class, gender, sexual orientation, and calls for social change. -
The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs. -
Week 10, June 3 First, a Bunch of Review, Starting at the End of Lecture 7
Week 10, June 3 First, a bunch of review, starting at the end of lecture 7. "Today": 1. Trap and Drill 2. Fashion 3. Dance 4. Storytelling revisited 5. SD At some point today: Pick one song we've heard, and make a connection to a theme in the history of Hip Hop as we've encountered it. themes like: the dozens, diss tracks, humor, vulgarity, political engagement, relationship to commerce, race, etc. What is the relationship? Why is it interesting? After 2004 • Full scale collapse of the music industry ◦ Napster, suit with RIAA, rise of legal streaming (Spotify) ◦ How did the collapse effect Hip Hop, which had, by now, become the dominant popular form? • Questions about Hip Hop over the last 10 years ◦ Have the demographics of music changed? ◦ What's the relationship, now, between Hip Hop and mainstream culture? ◦ Is the music more politicized now than 10 years ago? Adjustments in the Hip Hop market in the last 10 years • Mixtapes • Shifting relationship to street culture • The internet • Local scenes, local dance • Decline of radio (1996 Telecom Act) • Increased corporate relationships with high fashion, other mass commodidies Mixtapes • Originally, promotional tools for DJs • Became a useful career-building tool for many artists, providing black market revenue, street credibility and exposure • Also a primary venue for experimentation and dispute: a much faster moving medium than official albums, served theole r that live performance might serve in other genres • Relationship between the music business and mixtape scene has always been complicated. • Strictly speaking, they're illegal, but the industry usually turns a blind eye, and even uses them as promotional materials sometimes. -
Who Are Brockhampton? Melvin Seals And
K k AUGUST-SEPTEMBER 2017 K g VOL. 29 #8 H WOWHALL.ORGk though he had a big say on the project, Saturation is very much about BROCKHAMPTON as a whole. Ameer Vann appears on WHO ARE BROCKHAMPTON? the project the most out of every- one, and it’s his face on the front cover smeared in blue paint. Ian dubbed Ameer “the star of the tape,” but this is a project where everyone props each other up. On the production side of things there’s Kiko Merley, Jabari Manwarring, and Romil Hem- nani, although Joba and Bearface contribute production, too. There’s also Robert Ontenient, who works on the website side of things and recently co-authored an app they launched in time for the release of Saturation. Henock Sileshi and Ashlan Grey are mostly responsible for On Friday, September 29, the earning themselves a singles deal ent sounds and styles these rag- are what America actually is,” the group’s visuals, with Henock Community Center for the Per- with Fool’s Gold Records and a tags can squeeze into 38 minutes,” Kevin Abstract declares. “We offering art direction and Ashlan forming Arts and Dead Nation handsome video budget. The reported DJBooth. “If Pharrell, speak for people of color who photography. Each of the videos Presents welcome BROCKHAMP- result of their prize was “Dirt”, Kid Cudi and Frank Ocean have a hard time expressing them- for the singles was directed by TON to the WOW Hall. which shattered preconceived blurred genres, BROCKHAMP- selves publicly.” The L.A.-based Abstract, but Ashlan filmed each BROCKHAMPTON is the notions about what constitutes TON synthesize these very influ- collective includes rappers, pro- one while Henock edited them. -
Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr. -
Alan Evans - Nothing to Say
Daringer - Baker's Dozen: Daringer KEY SELLING POINTS - Daringer is the in-house producer for Griselda Records having produced a significant amount of the Westside Gunn and Conway catalog in addition to working with Roc Marciano, MF Doom, Termanology and others - “a master of the mournful soul loop” – Okayplayer - Rhythm Roulette Feature via Mass Appeal: https://www.youtube.com/watch?v=fmKLE RyDUFY DESCRIPTION The 11th installment in Fat Beats’ heralded instrumental series. Artist Daringer Title Baker's Dozen: Daringer “I’ve been developing the ear for composition since Catalog # l-BDZ011 my born day. My father is a jazz pianist, I grew up Label Fat Beats Records everyday listening to hours of his practicing solo Genre Hip-Hop/Instrumental improv. That’s why my sequences are often Barcode 680599101588 unconventional. Format LP + Flexi Disc Home Market Buffalo, NY I grew up surrounded by a family of musicians. That Release Date 6/7/19 had me listening to jazz, piano, horns, bass, and Cost $12.50 drums. The MPC became the most natural musical List Price $19.98 extension for me. The City of Buffalo provided the Allotments Will Be Necessary gritty, and ominous influence I became recognized for. TRACKLISTING I cooked this Baker’s Dozen as a token of 1. Entrance appreciation to all the artists who have inquired for 2. Afet the opportunity to rap over my music.” 3. Mente 4. Next Of Kin -DARINGER 5. Gold 97s 6. Bayonet 7. Oddball 8. Benzo’s 9. Omicidio 10. Oowop 11. Pistol Lake 12. April 13. Villa PROUDLY DISTRIBUTED BY FAT BEATS DISTRIBUTION | 8930 ETON AVE.