atlas album download Atlas album download. Artist: Natacha Atlas Album: The Inner And The Outer Released: 2021 Style: Ambient. Format: MP3 320Kbps. Tracklist: 01 – The Outer (feat. Jason Singh , Samy Bishai & Alcyona Mick) 02 – The Inner (feat. Yazz Ahmed, Samy Bishai & Alcyona Mick) 03 – Inner Sunset (feat. Yazz Ahmed, Samy Bishai & Alcyona Mick) 04 – The Inner Dimension (feat. Yazz Ahmed & Samy Bishai) 05 – Inner Stardust (feat. Basha Beats, Yazz Ahmed & Alcyona Mick) DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD TURBOBIT: DOWNLOAD. DOWNLOAD LINK HERE - http://bit.ly/2ykDhHL. The Score – Atlas Full Album leak Download link MP3 ZIP RAR ( Album ZIP RAR ) The Score - Atlas [MP3] The Score (2017) Free iTunes Atlas Download Free (2017) zip download The Score [Download] Atlas (2017) free album The Score . Atlas (2017) album zip download The Score Atlas .zip download (FULL) The Score | Atlas RAR Download The Score [Free] / Atlas Download [ RAR Album ] The Score (FREE) Atlas (2017) free The Score - Atlas [FREE] The Score Atlas Download Song The Score - Atlas [Free ZiP] The Score | DOWNLOAD | Atlas Download Full Album Download MP3 Album The Score - Atlas Album Download [Album] The Score [ZIP] Atlas Full Album Download [2017] The Score Atlas Album zip Download The Score - Never Going Back mp3 download The Score - Legend mp3 download The Score - Only One mp3 download The Score - Tightrope mp3 download The Score - Believe mp3 download The Score - Revolution mp3 download The Score - Who I Am mp3 download The Score - Unstoppable mp3 download The Score - Shakedown mp3 download The Score - Higher mp3 download The Score - Miracle mp3 download The Score - Strange mp3 download. Artist: The Score Album: Atlas Style: Indie Pop Year: 2017 Format: MP3 320 Kbps. Track list: 01 – Never Going Back 02 – Legend 03 – Only One 04 – Tightrope 05 – Believe 06 – Unstoppable 07 – Who I Am 08 – Revolution 09 – Shakedown 10 – Higher 11 – Miracle 12 – Strange. [Album] fhána – World Atlas [MP3 / RAR]

01 World Atlas 02 空のラプソディ 03 君の住む街 04 Do you realize? 05 わたしのための物語 ～My Uncompleted Story～ 06 reaching for the cities 07 ユーレカ 08 アネモネの花 09 star chart 10 Rebuilt world 11 ムーンリバー 12 Hello!My World!! 13 calling 14 It’s a Popular Song. Related Articles. Most Viewed.

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[雑誌] 週刊ビッグコミックスピリッツ 2021年36・37号 [雑誌] クロワッサン 2021年08月25日号 [雑誌] CGWORLD (シージーワールド) Vol.277 [雑誌] cafe-sweets (カフェ-スイーツ) vol.207 [雑誌] anan 2021年08月11 18日号. Archives. We are J-Pop lovers who want to share with you all we have. All content in this blog is for promotional purpose only, we don’t responsibly for all users do. Please buy official album to support the artists. Atlas album download. Atlas is an ongoing series of music based on the origins of the universe and life within it. Atlas began with Atlas: I - 30 songs inspired by the origins of the universe (exploring the themes of Darkness, Light, Space, Land & Oceans .) Now complete, Atlas: II - 25 songs inspired by Involuntary Human Development (exploring the themes of Life, Senses, Emotions, Intelligence & The Enneagram of Personality .) In the future, Atlas: III - songs inspired by Voluntary Human Development - what we DO with all that we’re given. (Coming soon!) Below is an overview of the newly completed Atlas: II . Thanks for listening!! Atlas album download. Travis Ryan: Vocals Josh Elmore: Guitars Dave McGraw: Drums Belisario Dimuzio: Guitars Olivier Pinard: Bass. Cattle Decapitation have never shied away from confronting the awfulness wrought upon the natural world by the human race, and Death Atlas is their bleakest offering to date. The cover art says it all, a stooped, skeletal Grim Reaper carrying the burnt-out husk of our planet on his back. " The core concept of this record is humanity's insignificance despite what we've convinced ourselves, " explains vocalist Travis Ryan. " That's kind of why this album cover takes place in space, to remind you that 'the universe always finds a way to purge'. In the grand scheme of things, our species is merely a fleeting thought. " Backing this up with a ferocious soundtrack, it's one of the most shocking and unflinching records of 2019, demanding an emotional response, and forcing people to think about their own contributions to the devastation of the planet. Four years is the longest gap between Cattle Decapitation records, but with one irresistible offer after another coming in, rather than taking time off and focusing on writing as planned, they repeatedly hit the road. The upside to this was that with new members Olivier Pinard (bass) and Belisario Dimuzio (guitar) joining Ryan, guitarist Josh Elmore and drummer David McGraw, the new lineup had a better chance to bond as people and develop their musical connection, which was only to the album's benefit, and contributed to its inarguably epic feel. " That's just kind of the direction things have been going for years now, pretty much ever since 'Karma.Bloody.Karma' (2006) but it really ramped up with 'Monolith Of Inhumanity' (2012) and on. We had new blood, and that helped, plus we knew what we were going for, which very much was an 'epic' sound. " As intense a listening experience as it is - the word 'extremity' applying as much as it ever has when it comes to Cattle Decapitation - there is also a lot of melancholy in the melodies, which was intentional. " It's a bummer of a concept and is very dark and drab, and the cover reflects this as well with the qualities it has. One of my favorite reactions from people has been when they cry at our concerts. It's happened more than a few times, and it's a very primal, very real emotion. If a metalhead is willing to cry in front of other metalheads, you have done something amazing and that is evoking a very genuine response from a person. It has nothing to do with being sad, emotional or depressed. It's simply just a very real and true reaction to art that I appreciate very much. That was a big influence to me, personally, while writing this record. " It's also a very exploratory record, the band going places they never have before without compromising themselves at any juncture. , , black metal, sludge, doom, drone, all of these extreme styles are thrown into the melting pot alongside some more restrained elements, and Ryan's vocals are broader and more fully realized than ever before. " There's a bit of 'actual vocals' on this one, not just 'the bear and the snake' that traditionally make up extreme metal vocals. I want to take things to literal extremes. The highest screech to the lowest of melancholy singing. I've always been a singer to some degree, but there definitely is stuff on here nobody has really heard me do. I don't want to do sounds just for the sake of them, they need to have their place, they need to evoke something. " Sticking with the 'if it ain't broke…' adage, the band reunited with producer Dave Otero ( , ) and headed into the studio for the most rewarding recording process of their career. " It was absolutely incredible. I've never felt so good about how I sounded, Dave crushed his parts, Josh and Bel killed it, Oli killed it, everyone was just nailing their stuff like never before. This is the first album where everything just clicked right into place where it needs to be. We talked about it the whole time, wondering what was going to go wrong, as everything going smoothly and perfectly isn't something we're used to! But it was just the easiest recording we've ever done, by far. Everyone was happy, spirits were up, and we just couldn't be happier with how things went. " Expanding the sound of the record, the band also invited numerous collaborators to come in and work with them. The nine-plus minute closing title track - which Ryan considers to be Cattle Decapitation 's finest moment - features Laure Le Prunenec of Igorrr and Ricinn , who Ryan regards as a "phenomenal talent", and her contribution definitely ups the already substantial emotional ante of the track. " We also had help from Riccardo Conforti of Italy's Void of Silence on an intro to the record as well as Dis Pater of Brisbane's Midnight Odyssey , two bands we're huge fans of. We knew these were the guys we wanted to collaborate with to get the right feeling for the record. We enlisted the brass instrumentalists from Italy's Ottone Pesante for some horns on the Dead Can Dance cover song, 'In the Kingdom of the Blind, The One-Eyed Are Kings' and last but not least, we have the legendary Jon Fishman from Phish lending a narration to the track leading into the title track, called 'The Unerasable Past'. Jon is a big fan of the band and we were happy to have him come on board with the narration, as well as a quote off the top of his head that was inspired by the beautiful area he lives in, and recorded under the Maine night sky. " As the band prepares to tour and hopefully reach places they have yet play, what Ryan wants listeners to take away from Death Atlas is clear: " I want people to be shocked into thinking more about their futures, their loved ones, the pain they're potentially subjecting their future generations to. Everyone just seems to live in the now with no care for tomorrow and that's incorrect thinking as far as today goes. Don't make tomorrow a cancelled check. "