The Tower, 26(7)
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Places to Go, People to See Thursday, Feb
Versu Entertainment & Culture at Vanderbilt FEBRUARY 28—MARCH 12,2, 2008 NO. 7 RITES OF SPRING PLACES TO GO, PEOPLE TO SEE THURSDAY, FEB. 28 FRIDAY, FEB. 29 SATURDAY 3/1 Silverstein with The Devil Wears Prada — Rocketown John Davey, Rebekah McLeod and Kat Jones — Rocketown Sister Hazel — Wildhorse Saloon The Regulars Warped Tour alums and hardcore luminaries Silverstein bring their popular Indiana native John Davey just might be the solution to February blues — his unique pop/ Yes, they’re still playing together and touring. Yes, they can still rock sound to Nashville. The band teamed up with the Christian group The Devil folk sound is immediately soothing and appealing and is sure to put you in a good mood. with the best of ’em. Yes, you should go. Save all your money this THE RUTLEDGE Wears Prada for a long-winded U.S. tour. ($5, 7 p.m.) 401 Sixth Avenue South, 843-4000 week for that incredibly sweet sing-along to “All For You” (you know 410 Fourth Ave. S. 37201 ($15, 6 p.m.) 401 6th Avenue S., 843-4000 you love it). ($20-$45, 6 p.m.) 120 Second Ave. North, 902-8200 782-6858 Music in the Grand Lobby: Paula Chavis — The Frist Center for the Steep Canyon Rangers — Station Inn Red White Blue EP Release Show — The 5 Spot Visual Arts MERCY LOUNGE/CANNERY This bluegrass/honky-tonk band from North Carolina has enjoyed a rapid Soft rock has a new champion in Red White Blue. Check out their EP Nashville’s best-kept secret? The Frist hosts free live music in its lobby every Friday night. -
Thomas Pridgen on Drums
Thomas Pridgen On Drums. Escrito por kietrece Viernes, 09 de Enero de 2009 22:15 - Actualizado Domingo, 11 de Enero de 2009 11:42 Ya hemos hablado anteriormente de The Mars Volta. Nuestro loado foro de Guitarramania.com siempre nos sorprende con nuevas noticias del mundillo, máxime teniendo un hilo de los TMV kilométrico que alberga numerosas noticias de esta banda supersónica. Anteriormente hemos tenido oportunidad de asistir a un concierto de The Mars Volta y ver a su nuevo batería en su puesto. Sin embargo no nos esperábamos una demostración de esta envergadura. Y es que nos ha sorprendido gratamente que Thomas Pridgen, batería de The Mars Volta, haya tenido la oportunidad de colgar un vídeo de estas características en la red. Una demostración de que la tecnología y el arte, la música e internet, se fusionan a diario para sorprendernos con nuevas iniciativas mediáticas. En esta ocasión se trata de un video de larga duración, donde podemos elegir qué cámara nos interesa más. La página en cuestión , con el link que os dejo a la demostración del mago Pridgen , que sin hacernos deja mucho boquiabiertos , trata los aspectos musicales, en este caso de la batería, desde un punto de vista plástico. Durante más de siete minutos nuestro hábil músico rezuma frescor y aglutina un buen número de ritmos y distintas formas de entender el mundo de la batería. No se pierdan el solo de Pridgen desde los distintos puntos de vista. Una cámara general, otra cámara aérea y otra de pie. Quizás ésta última nos da a los que no tenemos el placer de asistir a estas demostraciones de virtuosismo, la oportunidad de contemplar desde una perspectiva distinta, alucinados , cómo se mueve como pez en el agua un batería del calibre de Thomas Pridgen ( fíjense cómo se descalza del pie derecho nada más tomar asiento). -
Special Net Issue Click to Enter
The Internet is a series of tubes: special Net issue click to enter the MTHEANITOBAN UNIVERSITY OF MANITOBA STUDENTS’ NEWSPAPER THE OFFICIAL UNIVERSITY OF MANITOBA STUDENTS’ NEWSPAPER VOL 95 | NO 22 | MARCH 5, 2008 | WWW.THEMANITOBAN.COM UMSU election — vote this week! Coverage pgs. 3, 9, 12 Bison women’s hockey team off to Nationals: a national preview pg. 32 Diversions INDEX 3 News 9 editorial 8 Comment 15 Features 19 Culture 25 arts 29 Sports Cover Image BY TED BARKER CLASSIFIED Molson Canada is currently hiring for part-time summer positions. If you are a highly-motivated, responsible, organized, out- going individual with a commitment to teamwork, we would like to meet you! You are invited to drop by for a brief interview at: The Molson Sales Office (#5-1080 Waverley Street) on Wednesday, March 5th at 7:00pm. OR AT Wise Guys on Campus on Thursday, March 6th between 11:30am - 5:00pm, No appointments - drop by on a first-come, first-serve basis. Please bring a resume. Hope to see you there! The Aboriginal Student Centre, Native Studies, and UMASA are hosting the 7th Annual Elders & Traditional Teachers Gathering. OPEN AND FREE TO EVERYONE! When: March 7-8, 2008, begins daily @ 9:00 a.m. Where: 2nd Floor, University Centre Who: Guests such as Arvol Looking Horse (Lakota) and Mar- garet Behan (Arapahoe/Cheyenne) Activities; Grand Entry, teachings, feast, entertainment, and more! Info: 474-8850 Orthodox Christian Chaplaincy. 102C U.Centre, Thursdays 11:30-3:30p.m. or anytime at St. Andrew's College. Call FR. Roman 474-6514, 269-1161. -
Lone Bellow – Episode Transcript Matt: for Those Who Are Unaware of Steven Pressfield, Pressfield Is an Author of a Book Called the War of Art
THE RESISTANCE – EPISODE 18 Zach Williams of The Lone Bellow – Episode Transcript Matt: For those who are unaware of Steven Pressfield, Pressfield is an author of a book called The War of Art. It’s actually sort of our source inspirational material for the podcast, so Zach I’d love just to read a couple lines and have you riff on that, and we’ll see where it goes over the next few minutes. So Pressfield says this: “Most of us have two lives: the life we live, and the unlived life within us. And between the two stands the resistance.” Zach, I’d love to know for you, what form resistance is taking, on the verge of another album release, or even personally in other creative ways, whatever that strikes you. Zach: I think some of my base levels, I struggle with people-pleasing, and that can be with my band, that can be during a show. It’s something that I have to be aware of. So I think I needed to figure out some things going on inside me that would easily lead me to making something that I didn’t want to make, once it was all said and done, and not getting carried away just in the process of creating the music. Every single sound that you record, every single emotion that you try to capture, it all can be tied back in to one thing in someone’s soul. For me, that can easily be some sort of fear. I started writing music in 2003, and it was a very cathartic thing. -
Ilu Ustrat Io Nbyrobertmaes Ta S • Rmm Il Lu Strat Io N
JESUS SHAPED HOLES IN OUR HEARTS SINCE 1992 ILUUSTRATION BY ROBERT MAESTAS • RMMILLUSTRATION.PROSITE.COM VOLUME 23 | ISSUE 43 | OCTOBER 23-29, 2014 | FREE [2] OCTOBER 23-29 , 2014 WEEKLY ALIBI WEEKLY ALIBI OCTOBER 23-29 , 2014 [3] [4] OCTOBER 23-29 , 2014 WEEKLY ALIBI alibi VOLUME 23 | ISSUE 43 | OCTOBER 23-29 , 2014 EDITORIAL MANAGING EDITOR/MUSIC EDITOR: Samantha Anne Carrillo (ext. 243) [email protected] FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] FOOD EDITOR/FEATURES EDITOR : Ty Bannerman (ext. 260) [email protected] ARTS & LIT EDITOR/ WEB EDITOR : Lisa Barrow (ext. 267) [email protected] CALENDARS EDITOR/COPY EDITOR: Mark Lopez (ext. 239) [email protected] CONTRIBUTING WRITERS: Cecil Adams, Steven Robert Allen, Captain America, Gustavo Arellano, Rob Brezsny, Shawna Brown, Suzanne Buck, Eric Castillo, David Correia, Erik Gamlem, Gail Guengerich, Nora Hickey, Zachary Kluckman, Kristi D. Lawrence, Ari LeVaux, Mark Lopez, August March, Genevieve Mueller, Amelia Olson, Geoffrey Plant, Benjamin Radford, Jeremy Shattuck, Mike Smith, M. Brianna Stallings, M.J. Wilde, Holly von Winckel PRODUCTION ART DIRECTOR: Jesse Schulz (ext. 229) [email protected] PRODUCTION MANAGER : Archie Archuleta (ext. 240) [email protected] GRAPHIC DESIGNER: Tasha Lujan (ext. 254) [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Ben Adams, Cutty Bage, ¡Brapola!, Michael Ellis, Stacy Hawkinson, KAZ, Robert Maestas, Julia Minamata, Tom Nayder, Ryan North, Jesse Phillips, Brian Steinhoff SALES SALES DIRECTOR: John Hankinson (ext. 265) [email protected] SENIOR DISPLAY ACCOUNT EXECUTIVE: Sarah Bonneau (ext. 235) [email protected] ACCOUNT EXECUTIVES: Valerie Hollingsworth (ext. 263) [email protected] Chelsea Kibbee (ext. -
Forum on North Korea Missis Crisis At
VOL. 103 ISSUE 9_ FOGHORN.USFCA.EDU NOVEMBER 16t2006 Contraversial Able Forum on North Korea Missis Crisis At USF Contract Deliberated SETAREH BANISDR McDonald a "liar" after he had stated that been unionized for a long enough period StaffWriter Able had presented a final contract offer 2 of time to negotiate for higher wages. She 1/2 weeks ago, and had not yet heard back mentioned that some of these unions have n Tuesday, Nov. 7, members of from the union. McDonald said in an e- not been established as long as SEIU has. the USF community and ASUSF mail the morning after Tuesday's meeting, Although the minimum wage in Osenate had the opportunity to "I checked with Able immediately before San Francisco is currendy $8.82, Mi hear both sides ofthe recent contract con the meeting, and again this morning, and randa said that anyone hving in the city' troversy with Able Building Maintenance the company has assured me that it has knows how expensive it is. She says Co., whose position the University sup not been contacted by the union is any that the janitors are forced to struggle, ports, and janitors at USF, represented by way." In addressing the student senators sometimes living several families to the union SEIU Local 87. This issue has McDonald wrote in his email, "I am dis one home in order to make ends meet. to do with the call for renegotiations of appointed that the Senators did not more Able Co. has proposed a tiered system a proposed new contract for the workers. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Review and Herald for 1911
alkilik1 HMI UM IMP re %1 IWYTYTTIIV/VVIVII, 17111'1 VI I WI TIvII diejAttenf mititiad tra Vol. 88 Takoma Park Station, Washington. D. C., November 23, 1911 TAILAWAITAIII IWIT111171111 VI/ / Progress in Russia J. T. Boettcher Ps. 147: 12-15 as greetings. I have visited the Little Russian field, and also the West Russian. Thus far in both these fields about one hundred seventy persons have been added to the church during the three quarters of 1811. The Lord is working for us. To-day I saw a book printed by the Russian government in which our faith and work are described, beginning with 1844 and com- ing down to 1911. It is the best thing I ever saw in print about Seventh-day Adventists. The book is in the Russian language, with one hun- dred one folios. It contains the following : " The Seventh-day Adventists in Russia show a splen- did, live, and active work. The movement con- tinues to take in new districts in the European ‘pnci\ Asiatic Russias. They reveal a determinate zeal in their missionary efforts to win souls. The whole organization is primarily a missionary one. Eitery church-member must help forward the third angel's message, and be a witness for Christ." We praise the Lord that He even now uses the government to help forward this cause. •We are all of good courage. We lift up our heads, knowing that our salvation draweth nigh. d lr TIPTI EASY STEPS IN THE The December Number of BIBLE STORY LIFE & HEALTH Now on the press, will be ready December .r JUST THE BOOK YOU WANT FOR NOW READY YOUR CHILDREN A very entertaining and instructive volume. -
The Zyphoid Process & Great White North
The Zyphoid Process & Great White North The Zyphoid Process (sometimes stylized as The Zyphoïd Process) was probably the only band from Quebec that I actually truly adored. This melodic, chaotic, post-metalcore band featured members from various locations in the West Island of Montreal, but they practiced in the bassist’s house studio in Ile Perrot. Meeting from attending the same high school, College Charlemagne in Pierrefonds, Quebec, most of the members had crossed paths in previous bands. One of these, Deadly Awakening featured Simon Talbot on vocals, Pierre-Charles Payer on bass, Laurent Shaker and Eric Lapierre on guitars and Dave Powell on drums. Deadly Awakening played their only show in early August of 2007 at The Vault in Pierrefonds. Their set consisted of only covers; As I Lay Dying’s “Meaning in Tragedy”, Atreyu’s “Lip Gloss and Black”, Alexisonfire’s “Waterwings” and Killswitch Engage’s “My Last Serenade”. Shaker had also been jamming with another group of friends; Eric Lapierre and Raphael Sous-Leblanc on guitars with Shaker on bass. By the fall of 2007, a new band had formed featuring Simon and Raph on guitars and dual vocals, and PCP on bass. Simon was responsible for naming the new band. “The Zyphoid Process”, an alteration of “xiphoid process”, was a term he had come across during a first aid course. Musical influences came from Poison the Well, Norma Jean, The Chariot and other emocore and metalcore bands of the era. The first Zyphoid Process artwork ever created. October 2007, Nicolas Kudeljian Initially, the band continued jamming with Dave Powell on drums but this didn’t last very long. -
Presseinfo 2019 PDF (0.1
LE BUTCHERETTES Garage -Rock Band aus El Paso auf vierte m Album intensiver denn je ›bi/MENTAL‹ erscheint am 01.02.2019 - produziert von Jerry Harrison (Talking Heads) Drei exclusive Deutschlandtermine in Berlin, Hamburg und Köln Seit über einem Jahrzehnt ist die Band um Frontfrau Teresa Suárez Coscío unermüdlich im Zeichen des musikalischen Widerstands unterwegs. Mit ihren drei Alben ›Sin Sin Sin‹ (2011), ›Cry Is For The Flies‹ (2014) und ›Raw Youth‹ (2015) sowie ihren furiosen Live Shows haben sich Le Butcherettes international den Ruf als eine der intensivsten Erfahrungen in Sachen Garage-Rock erspielt. Auf ihrem vierten, von Talking Heads Mitglied Jerry Harrison produzierten Album gelingt der inzwischen zum Quartett angewachsenen Band ein großer Wurf: Sie verlässt das Korsett des sperrigen Punk zugunsten eines zugänglicheren Sounds, der der inhaltlichen Tiefe der Texte mehr Raum verschafft und dadurch umso mehr Durchschlagskraft entwickelt. ›bi/MENTAL‹ erscheint am 01.02.2019 und führt Le Butcherettes im Rahmen ihrer Europatournee auch für drei exklusive Shows nach Deutschland! Als die in Denver aufgewachsene Teresa Suárez nach dem plötzlichen Tod ihres Vaters mit ihrer Familie ins mexikanische Guadalajara, Heimatstadt ihrer Mutter, zieht, erfährt die damals 13 jährige einen Kulturschock, der die ungeheure Intensität ihrer 2007 gegründeten Band Le Butcherettes erklärt. Sie erlebt, wie wenig Respekt Frauen in der dortigen Machokultur entgegenbracht wird und beschließt, sich dem nicht einfach tatenlos zu ergeben: Sie nennt sich fortan Teri Gender Bender, spielt gemeinsam mit einer Drummerin ruppigen Punkrock mit feministischen Texten – und erweitert ihre Live Shows schon früh um Schockelemente wie Kunstblut oder den Einsatz echter Schweineköpfe und wird zur mexikanischen Underground Ikone. -
The Mars Volta (US)
2007-11-21 13:53 CET The Mars Volta (US) 19 februari - Oslo, Sentrum 20 februari - Stockholm, Cirkus Om ditt inre ”bra- musik-alarm” inte går av när du ser namnen Omar Rodriguez-Lopez och Cedric Bixler-Zavala är du i gravt behov av en hälsokontroll. Det är nämligen de två genialiska männen som utgör The Mars Volta, världens kanske mest kreativt fulländade band. Rodriguez-Lopez skriver musiken och spelar gitarr och Bixler-Zavala skriver text och sjunger i det här exceptionella och egensinniga partnerskapet. 2002 släppte bandet sin första EP och sedan dess har man hunnit med allt det där vanliga som framgångsrika band gör, man turnerar, spelar in och genomlever det nödvändiga onda i mediekontakter men tillskillnad från andra projekt så urholkas inte The Mars Volta. För det som utgör särskiljningens logik i fallet Volta, är konceptualiseringen. Ja, du läste rätt. Dom gör konceptplattor, precis som alla dom där lite halv- pretentiösa banden på 70-talet älskade att göra. Första fullängdaren var en hyllning till Bixler-Zavala och Rodriguez-Lopez ungdomsårs mentor i El Paso, Texas. Deras hjälte Julio Venegas var en lokal konstnär som begick självmord 1996. På skivan, som heter ”De-Loused In The Comatorium” berättas om den fiktiva Cerpin Taxt som hamnar i koma efter ett misslyckat självmordsförsök och upplever mirakulösa händelser i sina drömmar. På platta nummer två fortsatte männen att arbeta efter sitt framgångsrecept. ”Frances the Mute” från 2005, berättar historien om Frances och protagonisten Cygnus i ett sci-fi- osande narrativ. Historien är inspirerad av texter ur en dagbok men var bara stoftet som sådde fröt till Bixler-Zavalas vilda fantasifoster.