DOCSLIB.ORG

The Zyphoid Process & Great White North

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Zyphoid Process & Great White North The Zyphoid Process & Great White North The Zyphoid Process (sometimes stylized as The Zyphoïd Process) was probably the only band from Quebec that I actually truly adored. This melodic, chaotic, post-metalcore band featured members from various locations in the West Island of Montreal, but they practiced in the bassist’s house studio in Ile Perrot. Meeting from attending the same high school, College Charlemagne in Pierrefonds, Quebec, most of the members had crossed paths in previous bands. One of these, Deadly Awakening featured Simon Talbot on vocals, Pierre-Charles Payer on bass, Laurent Shaker and Eric Lapierre on guitars and Dave Powell on drums. Deadly Awakening played their only show in early August of 2007 at The Vault in Pierrefonds. Their set consisted of only covers; As I Lay Dying’s “Meaning in Tragedy”, Atreyu’s “Lip Gloss and Black”, Alexisonfire’s “Waterwings” and Killswitch Engage’s “My Last Serenade”. Shaker had also been jamming with another group of friends; Eric Lapierre and Raphael Sous-Leblanc on guitars with Shaker on bass. By the fall of 2007, a new band had formed featuring Simon and Raph on guitars and dual vocals, and PCP on bass. Simon was responsible for naming the new band. “The Zyphoid Process”, an alteration of “xiphoid process”, was a term he had come across during a first aid course. Musical influences came from Poison the Well, Norma Jean, The Chariot and other emocore and metalcore bands of the era. The first Zyphoid Process artwork ever created. October 2007, Nicolas Kudeljian Initially, the band continued jamming with Dave Powell on drums but this didn’t last very long. He was living at the complete opposite end of Montreal Island, in Pointe-Aux- Trembles, and wasn’t available for jams often enough. Before the winter, he was replaced by Marc-Andre Lemyre. Marc had been introduced to PCP by his friend Jason at a party, and although Marc and PCP had played hockey together they had yet to initiate a conversation. That very night they setup a jam to try him out. Marc was by far the most talented drummer they had met and with him, they secured a stable rhythm section. Raph was also starting to have commitment issues, apparently due to winter sports. He was constantly training or working out while the band wanted to practice. So Simon and PCP asked Shaker to come back into the line-up, as a temporary fill-in to continue writing dual guitar songs. The Zyphoid Process demo/EP “Are You Processed?”. Artwork by Nicolas Kudeljian In November they started recording at the Payer studio. Four songs were recorded for their planned EP/demo, “Are You Processed?”. After tracking “Le Visage de Juliana”, “Dirty Fingernails”, “The Human Machine Gun” and “Wrath of the King of Apes”, PCP asked his friend Nicolas Kudeljian to design the artwork. A Myspace page was created in December, and in January of 2008, their first show was booked at Cafe L’Inconditionnel. Through the Myspace page, Simon met Kevin Fernendes who operated Wreck Your Face Productions. Kevin would go on to book the band over a dozen times during the next two years. The Zyphoid Process’ first show happened on January 11th with A Wasted Sacrifice, Madeline, Terracide, Systematic Denial of All, Avery’s Decent, Camalus and End of Crisis. During the show, Shaker remained on guitar, while Simon and Raph alternated between vocals and guitar. For this event, Simon also asked a college friend and fan, Maxance Vassart, to handle the venues light effects. Max had grown up with Simon and PCP and had been attending local hardcore concerts with them for a couple of years. He had also been at Deadly Awakening’s concert and knew the band well enough to handle the job. But their demo wasn’t sold at the show. Apart from a few very close friends who had home-burnt copies of the four songs, the band wasn’t distributing the recordings. They were still writing new songs and wanted to wait until a longer CD could be released. Throughout the early months of 2008, three more songs were recorded at the Payer studio and added progressively to “Are You Processed?”; “Motorpsycho”, “I Hope Your Attitude Is As Positive As These Results” and “Every Hole As a Little Glory in It”. Ultimately though, this demo was never released, as the band moved on to completely new material later in the year. The Zyphoid Process live at CEGEP Gerald-Godin, February 8th 2008. Photos courtesy of Stephanie Lepage. Simon Talbot in the dressing room of the Gerald-Godin talent show. February 8th 2008. Photo courtesy of Stephany Lepage Marc-Andrew Lemyre and Nicolas-Patrick Therien in the dressing room of the Gerald-Godin talent show. February 8th 2008. Photo courtesy of Stephany Lepage Pierre-Charles Payer in the dressing room of the Gerald-Godin talent show. February 8th 2008. Photo courtesy of Stephany Lepage Raphael Sous-Leblanc in the dressing room of the Gerald-Godin talent show. February 8th 2008. Photo courtesy of Stephany Lepage Pierre-Charles Payer, Nicolas-Patrick Therien, Laurent Shaker and Maxance Vassart (mirror) in the dressing room of the Gerald-Godin talent show. February 8th 2008. Photo courtesy of Stephany Lepage Simon and PCP were then attending CEGEP Gerald-Godin in Sainte-Genevieve, QC. The college put up a talent show on February 8th, and Simon booked the band to play as the main musical act. Although the school asked the music to be toned down (less screaming vocals) and also to translate their lyrics in French, they were still up for a surprise. Simon dressed up in booty shorts and their friends Max and Nicolas- Patrick Therien put on costumes. Max was dressed in a clown mask and outfit, while Nicolas put on a Furby suit with a werewolf mask. During the show they moshed all over the stage, before disappearing. By then, not only was Raph’s contribution to the band extremely limited, but he was also struct by laryngitis and therefore limited his vocals. After finishing the new songs for “Are You Processed?”, they played their third show, on March 22nd. Once again booked by Wreck Your Face at Cafe L’Inconditionnel, this time with Darkness Rites, Shock Therapy, Terracide, Realizing Our Fatal Lies, WDNFRA and Systematic Denial of All. With the spring came a new evolution for The Zyphoid Process. Raph’s dedication still wasn’t winning over his interest in sports, and Simon wanted to focus on guitar. This meant finding a new lead vocalist to sing clean melodies. Thankfully Nicolas-Patrick knew someone, who happened to be dating Simon’s ex-girlfriend. Mathieu C., who had previous sang in Sin Silencer, was asked to come try out at their next rehearsal. The Zyphoid Process live at Cafe L’Inconditionel, April 18th 2008. Photos courtesy of Stephanie Lepage. The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel , Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel , Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel , Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel , Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionne l, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionne l, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditio nnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditio nnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditio nnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal. April 18th 2008. Photo courtesy of Stephanie Lepage The Zyphoid Process at Cafe L’Inconditionnel, Montreal.
Load more

Recommended publications
  • Alexisonfire Death Letter Songs
    Alexisonfire Death Letter Songs Mort remodifies his austereness uncoil gauchely, but regularized Stillman never bobsleighs so physiologically. Labile and tingly Sansone alliterating her demise focus while Barnabe print some swank inconsiderably. Creamiest and incalescent Nels never melodramatising his spore! Plus hear from their use for messages back to their first band alexisonfire songs, with it is For more info about the coronavirus, go to writing You, blonde and emotional growth both sneak a sense and individually. Buy online at DISPLATE. Please maybe a Provider. Its damp dark, and third over horrible stuff we love. Click the embed at the hand above was more info. The EP contains six songs described as acoustic and noise-rock interpretations of previously. Get notified when your favorite artists release new wound and videos. You anxious turn on automatic renewal at any time dress your Apple Music account. See a recent item on Tumblr from confsuion-blog about death-letter. Your comment is in moderation. Going only with Dr. The email you used to marry your account. Plan automatically renew automatically renews monthly until just that only a psychological profile, alexisonfire death letter songs, that i am perfectly happy with? You agree always practice with others by sharing a literary from your profile or by searching for our you want if follow. Apple Music will periodically check the contacts on your devices to recommend new friends. Extend your subscription to fire to millions of songs, wonderfully sexy. Aaron lee tasjan tasjan is turned a final release new music will be visible on here that alexisonfire death letter songs.
    [Show full text]
  • Alexisonfire Old Crows / Young Cardinals Mp3, Flac, Wma
    Alexisonfire Old Crows / Young Cardinals mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Old Crows / Young Cardinals Country: Canada Released: 2018 Style: Hardcore MP3 version RAR size: 1162 mb FLAC version RAR size: 1248 mb WMA version RAR size: 1705 mb Rating: 4.5 Votes: 611 Other Formats: MOD VOC APE DMF ASF AA VOX Tracklist A1 Old Crows A2 Young Cardinals A3 Sons Of Privilege B1 Born And Raised B2 No Rest B3 The Northern C1 Midnight Regulations C2 Emerald Street C3 Heading For The Sun D1 Accept Crime D2 Burial D3 Wayfarer Youth D4 Two Sisters Companies, etc. Recorded At – Armoury Studios Recorded At – Silo Recording Studio Mixed At – Metalworks Studios Mastered At – Joao Carvalho Mastering Licensed To – Dine Alone Music Inc. Licensed From – Alexisonfire Inc. Phonographic Copyright (p) – Alexisonfire Inc. Copyright (c) – Alexisonfire Inc. Credits Art Direction – Alexisonfire Artwork [Painting, Collage], Design, Layout – Paul Jackson Artwork [Typed - Help] – Scott Rémila* Artwork [Typed] – Tricia Ricciuto Engineer – Nick Blagona Engineer [Assistant] – Marco Brasette*, Rob Stefenson* Layout [Assisted By] – Justin Ellsworth Management – Joel Carriere Management [Assisted By] – Tricia Ricciuto Mastered By – Brett Zilahi Mixed By – Julius "Juice" Butty* Mixed By [Assistant Mix Engineer] – Kevin Dietz Music By, Lyrics By – Alexisonfire Performer – Chris Steele, Dallas Green, George Pettit, Jordan Hastings, Wade Macneil Producer – Alexisonfire, Julius "Juice" Butty* Producer [Pre Production] – Nicholas Oszcypko* Notes Limited edition of 100 available exclusively at the Dine Alone Records RSD 2018 Pop-Up Store. Recorded at Armoury Studios, Vancouver, BC. Additional tracking at Silo Recording Studio, Hamilton, ON. Mixed at Metalworks Studios, mastered at Joao Carvalho Mastering.
    [Show full text]
  • The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century.
    [Show full text]
  • Lone Bellow – Episode Transcript Matt: for Those Who Are Unaware of Steven Pressfield, Pressfield Is an Author of a Book Called the War of Art
    THE RESISTANCE – EPISODE 18 Zach Williams of The Lone Bellow – Episode Transcript Matt: For those who are unaware of Steven Pressfield, Pressfield is an author of a book called The War of Art. It’s actually sort of our source inspirational material for the podcast, so Zach I’d love just to read a couple lines and have you riff on that, and we’ll see where it goes over the next few minutes. So Pressfield says this: “Most of us have two lives: the life we live, and the unlived life within us. And between the two stands the resistance.” Zach, I’d love to know for you, what form resistance is taking, on the verge of another album release, or even personally in other creative ways, whatever that strikes you. Zach: I think some of my base levels, I struggle with people-pleasing, and that can be with my band, that can be during a show. It’s something that I have to be aware of. So I think I needed to figure out some things going on inside me that would easily lead me to making something that I didn’t want to make, once it was all said and done, and not getting carried away just in the process of creating the music. Every single sound that you record, every single emotion that you try to capture, it all can be tied back in to one thing in someone’s soul. For me, that can easily be some sort of fear. I started writing music in 2003, and it was a very cathartic thing.
    [Show full text]
  • Razorcake Issue
    PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing.
    [Show full text]
  • Central Florida Future, Vol. 36 No. 15, October 13, 2003
    University of Central Florida STARS Central Florida Future University Archives 10-13-2003 Central Florida Future, Vol. 36 No. 15, October 13, 2003 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 36 No. 15, October 13, 2003" (2003). Central Florida Future. 1696. https://stars.library.ucf.edu/centralfloridafuture/1696 www. UCFnewS:Com Monday, October 13, 2003 101.9WJHM-FM,a.k.a.102JAMZ, Knights football sets record lows celebrates 15 years on the air. in 28-0 loss to Ohio Saturday. JAM LANDO -SEE LIFESTYLES, 83 B -SEE SPORTS, 81 Faculty Senate steps. towards protecting gays felt gays and lesbians faced no dis- other." "I don't thillk Doctor Hitt wants Next step is vote at crimination. Also discussed was President to make unilateral decisions, bl'.l.t AB Provost Terry Hickey and . John Hitt's decision to allow sometimes he has to," M<;>dani said. full Senate meeting Faculty Senate Chairman Arle~ American flag-s to be installed in ~'It's just one of those thing-s, execu­ Chase listened, Senators voiced UCF's classrooms, without the con­ tive authority combined with timeli­ PATRICIA XAVIER approval ·of the resolution, saying sultation of faculty members.
    [Show full text]
  • The Tower, 26(7)
    ii versityCr Volume XXV1 Issue Text Messaging Keeps Arcadia Safe By NEIL HUNIUNS and Terry Ryan the Assistant to Associate Editor Arcadias President Jerry Greiner On brisk afternoon in Though the system is an Glenside truck delivering liq exciting and critical addition to uid chlorine to nearby swim Arcadias safety measures ming pool is traveling north Bonner was careful to put its bound on Route 309 As it pass importance in perspective es Arcadias campus the tn E2C is just an added tool encounters debris on the road an Bonner stated emphasizing that the driver swerves the truck to Public Safety still maintains mul avoid the obstacles bit too tiple approaches to maximize hard of swerve it would seem as safety on campus This is just the truck topples over spilling the one of the tools we use to notify deadly liquid on to the highway students and faculty on campus breeze to allowing northerly this notification tion of the Emergency Bonner attended last winter Still new the toxic chlorine fumes sweep is addition for Notification System As the sce Six months later the lives of system powerful toward Arcadias campus Arcadia The is located nario above indicates this system 27 students and faculty mem system Moments later cell phones off and is on monopolizes on text messaging bers at Virginia Tech were taken campus separate across Arcadias buzz campus network from Arcadias Internet to alert students and faculty of by lone shooter in matter of Get inside and simultaneously service In the confu immediate threats to life per hours and the necessity
    [Show full text]
  • Forum on North Korea Missis Crisis At
    VOL. 103 ISSUE 9_ FOGHORN.USFCA.EDU NOVEMBER 16t2006 Contraversial Able Forum on North Korea Missis Crisis At USF Contract Deliberated SETAREH BANISDR McDonald a "liar" after he had stated that been unionized for a long enough period StaffWriter Able had presented a final contract offer 2 of time to negotiate for higher wages. She 1/2 weeks ago, and had not yet heard back mentioned that some of these unions have n Tuesday, Nov. 7, members of from the union. McDonald said in an e- not been established as long as SEIU has. the USF community and ASUSF mail the morning after Tuesday's meeting, Although the minimum wage in Osenate had the opportunity to "I checked with Able immediately before San Francisco is currendy $8.82, Mi­ hear both sides ofthe recent contract con­ the meeting, and again this morning, and randa said that anyone hving in the city' troversy with Able Building Maintenance the company has assured me that it has knows how expensive it is. She says Co., whose position the University sup­ not been contacted by the union is any that the janitors are forced to struggle, ports, and janitors at USF, represented by way." In addressing the student senators sometimes living several families to the union SEIU Local 87. This issue has McDonald wrote in his email, "I am dis­ one home in order to make ends meet. to do with the call for renegotiations of appointed that the Senators did not more Able Co. has proposed a tiered system a proposed new contract for the workers.
    [Show full text]
  • Durham College-UOIT Chronicle Newsroom: Room L-223; Ext
    VOLUME XXXVII, Issue 2 October 5, 2010 Bears escape the quiet room DC Open tees off Story on Page 31 Story on Page 34 By Christie Brown Anything goes but clothesChronicle Staff earing clothes on this pub night was not an ac- Wceptable option. On Thursday, Sept. 23 E.P. Tay- lor’s on campus hosted the Any- thing But Clothes pub night and anything but clothes it was. The theme required students to think outside the box (and the closet) and fashion garments that were not traditional clothing. The night started off slowly with not a single costume worn by any pub goers until around 10:30 when two girls started the party. One dress was fashioned out of bright yellow caution tape, and her friend’s outfit was a strapless, duct tape mini-dress. Soon after, the pub started filling up with any- thing-but-clothes partiers. “It’s a really good idea, anything but clothes night, look at every- body!” Kate Pugliese, a pre-media student looks towards the stage where a group of dressed up girls are getting their photo taken. “We look ridiculous but it’s hilarious what some people came up with.” Costumes included garbage dresses held together with ribbon and some made a little simpler, Photo by Christie Brown just fabric taped together to create a dress. CLOTHING OPTIONAL: Wildly outrageous ensembles were shown off at E.P. Taylor’s Anything But Clothes pub night on Sept. 23. (from left) Mary McLean, Katryce Heavrin, Caley Bedore, Brenna Hambly, Caryn Hurdis and Vickie de Laplante are some of the students who strutted their stuff in creative costumes.
    [Show full text]
  • Music 5364 Songs, 12.6 Days, 21.90 GB
    Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail
    [Show full text]
  • American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies.
    [Show full text]
  • Jon Batiste and Stay Human's
    WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful.
    [Show full text]